der Porzellan Hausmaler - apostolos ntelakos

1
Apostolos Ntelakos
der Porzellan Hausmaler
2010 /12
noEditions

5
1
decoration on fayen

This article discusses hausmale
individual German painters who
fayence or porcelain, noting som
7
“ Decoration on Fayenc
Porcelain” Kurt M. Semon σ
can Collector Archives, ένα περ
κυκλοφόρησε από το 1933 εως
για εμπόρους και συλλέκτες αντ
άρθρο από την ιστοσελίδα http:
lectorsweekly.com/articles/haus
oration-on-fayence-and-porcela
can Collector Archives.

8
porcelain, noting some specific
heir designs.
a province of Germanic art not
many of us. If there are no awe
aks and no big rushing stream
less a pleasant landscape. Of
smaler, literally house painters,
.
ere home painters, individuals
lization of their artistic ambition
in most cases, added income.
s they were modest, underpaid
kers; sometimes gentlemen of
erant artists. It was always the
e individual against the factory.
ust have in mind that Germany

9
of the 17th Century was not yet
sianized, imperialistic Reich forg
mark. There were many minor p
and it was only during the later h
hausmaler period that Frederick
Prussia, made his appearance.
We can roughly divide the haus
as those who painted on fayenc
those who painted on porcelain,
ter of course a much finer ware
trous, smooth surface.
The first fayence factories being
in Hanau and the nearby Frankf
and 1666, they began by allowin
decorated ware to come into oth

10
eemed good publicity if a finely
igned piece by an outsider creger
demand also for the factory
ut with growing industrialization
as reversed and the hausmaler
efinitely an unwanted competiactory
employed good painters
ant them to sell signed pieces
ome because that might make
s and another factory might try
t them away with a better offer.
I: Fayence Jug by Shaper: An
Schwarzlot” painting done circa
iece has copper-gilt mountings.
y all hausmaler decoration was
aze, low fired and the start was

11
restricted color scheme. This wa
“Schwarzlot,” black with sparse
red and gold. As to the style, we
that the fayence painting was de
Germanic; later the decoration o
lain followed the different styles
Dutch, and the Chinese vogue.
the main centers of the hausma
the southern and middle part of
also spreading to Bohemia and
The period runs from the secon
the 17th Century through the 18
may add that only illustrations in
could do full justice to the contra
terplay of different colors and hu
times heightened by intricate go
ments. The first artist of note to

14
eemed good publicity if a finely
igned piece by an outsider creger
demand also for the factory
ut with growing industrialization
as reversed and the hausmaler
efinitely an unwanted competiactory
employed good painters
ant them to sell signed pieces
ome because that might make
s and another factory might try
t them away with a better offer.
I: Fayence Jug by Shaper: An
Schwarzlot” painting done circa
iece has copper-gilt mountings.
y all hausmaler decoration was
aze, low fired and the start was

15
restricted color scheme. This wa
“Schwarzlot,” black with sparse
red and gold. As to the style, we
that the fayence painting was de
Germanic; later the decoration o
lain followed the different styles
Dutch, and the Chinese vogue.
the main centers of the hausma
the southern and middle part of
also spreading to Bohemia and
The period runs from the secon
the 17th Century through the 18
may add that only illustrations in
could do full justice to the contra
terplay of different colors and hu
times heightened by intricate go
ments. The first artist of note to

19
2
Fig.14 Interior

22
Lost data.
A CHINESE PORCELAIN BLUE AND
WHITE `LOTUS` BOTTLE VASE QING
DYNASTY, 18TH CENTURY painted with

23
Vaas Collectie: Groninger Museum
Nr. 1904.0003 Een kalebasvormige
vaas op voetrand (uit de wand gevormd,
dus schijnbaar op de bodem
Lost data.

24
The Dresden porcelain collection, The Dresden Porcelain Collection, China, Japan, Meissen, 978-
3-422-06655-7, page 114, Tureen from the service with the >yellow lion< Meissen, 1738, H.23,8
cm, diameter 26cm, Mark: blue crossed swords in overglaze enamel Inv.no.P.E.1252. The service

25
The Dresden porcelain collection, The Dresden Porcelain Collection, China, Japan, Meissen, 978-3-422-0665
page 109, The Dresden Porcelain Collection, China, Japan, Meissen. This book presents outstanding masterpie
from the Dresden Porcelain Collection, which comprises some 20,000 pieces, including: Chinese porcelain from

27
Another Bustelli group, The Tempestuous Lovers,
1760, 14.4 cm high. See note for the same group
in plain white, from another view.[1] ^ example
in white from Swansea, and a different colour
Tureen “Swan Service”, H 52 cm, Limitierte Auflage,
SKU:397 180-05028, Weight: 6500 gr, Limited to
10 pieces per year. Do you have questions? MEIS-
SEN ® Customer Service: +49 3521 468 6650 Re-

28
The lady has a self-confident expression on her face and holds a fan coquettishly
in her right hand. Her hair is bound in the style popular in the Genroku period
(1688-1704). The figourine bears considerable similarity to contemporary
portreyals of courtesans on the woodcuts of the >ukiyo-e< (>pictures of the
Lost data.

34
Lot 45 / Sale 7813 TWO DUBLIN DELFT PLATES CIRCA 1760-65, ONE WITH MANGANESE 6
MARK, THE WORLD’S END POTTERY, WILLIAM DELAMAIN & SAMUEL WILKINSON PERIOD
Price Realized £5,625 ($8,483) Sales totals are hammer price plus buyer’s premium and do not reflect
costs, financing fees or application of buyer’s or seller’s credits. Estimate £3,000 - £5,000 ($4,506 -

35
Save your Interest Join Track lots, view condition reports, place bids, and watch auctions in real time
with Live Sign in or Join View Site Demo Bid Live Take a moment to provide your feedback on our
website Start Survey Contact Us Job Opportunities FAQ Privacy Security Terms & Conditions Site
Map Site Demo Partners Features On the Go Online Communities The following are the terms and

37
Ambacht versus industrie Vertel over
uw stuk Hedendaagse inspiratie Ontdek
de geheimen achter de labels
Merken en Symbolen Index Glos-
C / Campen, van 1993 Campen, van
2003 F/ Fitski 1993 H / Harrisson
1979 Harrisson 1986 Harrisson 1987-
A J Jörg 2003-A Jörg 2002 Jörg 2003-

43
In September Kändler described his cockatoo in
a report. This model was used for life-size porcelain
sculptures, although a smaller version was
also introduced. It is more than evident that Kän-

49
3
mimosa
1
’.
1 Genus, whose generic name is derived from the Greek word μίμος that
means ‘mimic’. / Gledhill, D. (2008). The Names of Plants (4 ed.). Cambridge
University Press. p. 356. ISBN 978-0-521-86645-3.

69
4
The Meissen(dark)

81
White Gold 18th Century Porcelain from Meissen and Du
Paquier Property of The Byrnes Children Trust Sale 7815
London, King Street 12 May 2010 Related Content RE-
LEASE: WHITE GOLD - TWO IMPORTANT SALES OF

88
odelled by Johann Gottlob Kirchner at the
ctory at Meissen. It was here that many
tures were produced in the1730’s. This
s described as an ‘Indianischer Rabe’
ite porcelain is painted in bright colours:
aw’s head; red and yellow for the tail.
Used from $12.45 Customers Viewing This Page May Be
Interested in These Sponsored Links (What’s this?) Asian
palace opens new browser window www.thuisbezorgd.
nl/Asian+Palace - Bestel bij Asian palace viaThuisbe
zorgd.NL ! 15 Hotels in Meißen opens new browser
window Booking.com/Meissen-Hotels - Book your Hotel in

Lost data.
91

92
780 otha, Mokka- e, Sahnegießer Untertasse, 780 otha tt (Ausschnitt) 780 otha,
Deckel- mit Untertasse, gen Inschrift utlich 1780 MOCCASERVICE, Meissen,
Staatl Manuf, Porz, bunt-gold, „Schwanendessin“, bestehend aus Mocca

100

101
4
epilogue

102

103

104

end 105

106

107
ΑΦΙΕΡΩΣΕΙΣ / DEDICATIONS
Gr
To έργο ‘der Porzellan Hausmaler’, αφιερώνεται
στα βιβλία των οποίων οι εικόνες το συνέθεσαν και στο βιβλίο
‘Parallel Encyclopedia’ της Batia Suter, Romapublications,
Amsterdam, 2007.
en
The work ‘der Porzellan Hausmaler is dedicated to
all the books, whose images were used to make it up and to
Batia Suter’s book ‘Parallel Encyclopedia’, Romapublications,
Amsterdam, 2007.

108

109
ΚΟΛΟΦΩΝΑΣ / COLOPHON
Gr
‘der Porzellan Hausmaler’, artist’s book, σελ.112,
noEditions, Βόλος, Σεπτέμβριος 2012
αύξων αριθμός βιβλίου: 01
επιμέλεια - σχεδίαση: Α. Ντελάκος
www.apostolos-ntelakos.com
© Απόστολος Ντελάκος, 2012
en
‘der Porzellan Hausmaler΄, artist’s book, 112 pages,
noEditions, Volos, GR, September 2012
copy number: 01
editing - design: Apostolos Ntelakos
www.apostolos-ntelakos.com
© Apostolos Ntelakos, 2012

110

111

112
The work “der Porzellan Hausmaler” brings
together images collected (mainly) from other
books during a research on the phenomenon of
17th century individual porcelain painters. At the
same time it functions as an autonomous visual
work in itself as well as a metabook, a book on
books.
Το “der Porzellan Hausmaler” συγκεντρώνει
εικόνες οι οποίες επιλέχθηκαν από άλλα
βιβλία στη διάρκεια έρευνας για το ιστορικό
φαινόμενο των Hausmaler (ανεξάρτητοι
ζωγράφοι πορσελάνης του 17ου αιώνα). Το
βιβλίο λειτουργεί ως αυτόνομο εικαστικό έργο
και ταυτόχρονα ως μεταβιβλίο, ένα βιβλίο για τα
βιβλία.