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Volume 7 Issue 9 - June 2002

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· TORONTO'S CLASSICAL & POST-CLASSICAL MUSIC SCENE ~<br />

COMPREHENSIVE CONCERT & MUSIC THEATRE LISTINGS


Under the distinguished patronage of<br />

Her Excellency the Right Honourable Adrienne Clarkson c.c., c.M.M., c.o., Governor General of Canada<br />

TORONTO INTERNATIONAL CHORAL FESTIVAL presents<br />

Tuesday <strong>June</strong> 11 8:00 pm<br />

St. Andrew's Presbyterian Church<br />

Huelgas Ensemble<br />

Leuven, Belgium<br />

Music of the Flemish<br />

Renaissance<br />

Paul Van Nevel conductor<br />

Friday <strong>June</strong> 14 8:00 pm<br />

Massey Hall<br />

Allmanna Sarlf!en<br />

[Jppsala []niversi!J c!hoir<br />

Sweden<br />

Nexus<br />

Toronto<br />

Children's Chorus<br />

Carl Orff Carmina Burana<br />

Cecilia Rydinger Alin conductor<br />

Aline Kutan soprano<br />

Benoit Boutet tenor<br />

Bruce Kelly baritone<br />

Sunday <strong>June</strong> 16 4:00 pm<br />

George Weston Recital Hall,<br />

Toronto Centre for the Arts<br />

Pro Coro Canada<br />

Edmonton, Alberta<br />

World Premiere<br />

Allan Gilliland Blessed<br />

Richard Sparks conductor<br />

Commission Patron Allan Gilliland<br />

world premiere: The Alberta<br />

Foundation for the Arts<br />

Sunday <strong>June</strong> 16 8:00 pm<br />

Metropolitan United Church<br />

Victoria Scholars<br />

Toronto, Ontario<br />

NICHOLAS GOLDSCHMIDT C.C., O.ONT., ARTISTIC DIRECTOR<br />

MAY 31- JUNE 22 I <strong>2002</strong><br />

Srul Irving Glick How beautiful<br />

you are, my love: 7 Tableaux<br />

from the Song of Songs for<br />

Male Chorus and Solo Cello<br />

Jerzy Cichocki conductor<br />

David Hetherington cello


OVER 30 CONCERTS INCLUDING:<br />

Ben Heppner<br />

Monday <strong>June</strong> 17 8:00 pm<br />

Massey Hall<br />

Exaudi<br />

Havana, Cuba<br />

Program of Cuban &<br />

Latin-American music<br />

Maria Felicia Perez conductor<br />

Thursday <strong>June</strong> 20 8:00 pm<br />

George Weston Recital Hall,<br />

Toronto Centre for the Arts<br />

Tafelmusik Chamber<br />

Choir and Orchestra<br />

Toronto, Ontario<br />

J.S. Bach Six Motets<br />

lvars Taurins conductor<br />

Presenting Sponsor:<br />

GE Canada<br />

- --<br />

Friday <strong>June</strong> 21 8:00 pm<br />

George Weston Recital Hall,<br />

Toronto Centre for the Arts<br />

Arnold Schonberg<br />

Choir<br />

Vienna, Austria<br />

Erwin Ortner conductor<br />

Presenting Sponsor:<br />

McCarthy Tetrault<br />

Wednesday <strong>June</strong> 19 8:00 pm<br />

George Weston Recital Hall,<br />

Toronto Centre for the Arts<br />

To'9_o<br />

Philharmonic<br />

Chorus<br />

To90,Japan<br />

R. Murray Schafer<br />

Imagining Incense - World Premiere<br />

R. Murray Schafer Vax Naturae<br />

Music by Japanese composers<br />

Chifuru Matsubara conductor<br />

Commission Patron R.Murray<br />

Shafer world premiere:<br />

Canada Council for the Arts<br />

Concert Patron: Japan Canada<br />

Fund through the Canada Council tor<br />

the Arts<br />

Presenting Sponsor:<br />

@TOYOTA<br />

1.sss-ToYoTA.s • www.toyora.ca<br />

For Tickets Call: ~1<br />

, . Closing Night .<br />

Ga [a' Concert<br />

Saturday <strong>June</strong> 22 8:00 pm<br />

Massey Hall<br />

Kitchener Vlliterloo<br />

~mphof!Y · ·<br />

Arnold Schonberg Choir<br />

Kitchener l#iterloo<br />

Philharmonic Choir<br />

Consort Caritatls<br />

Menno Singers<br />

Franz Schmidt The Book<br />

with Seven Seals<br />

Howard Dyck co rid uctor<br />

Measha Briiggergosman soprano<br />

Susan Platts mezto-soprarto<br />

Ben Heppner te~or ·<br />

Benjamin Butterfield tenor<br />

.Gary Relyea bass . .·<br />

Robert Pomakov bass<br />

.. Presenting Sponsor:<br />

I ··· ONTARIOPOV.18<br />

I<br />

GENERATION<br />

* ,~\ 01\\\\ .;\II.I • '"'<br />

-872-4255<br />

or for concerts at the Toronto Centre for the Arts call: 416-872-1111<br />

Full Festival information at<br />

www.joyofsinging.ca<br />

Official Vehicle Sponsor<br />

@TO<br />

l · S88·TOYOTA·8<br />

TA<br />

www.toyoca.ca


Symphony in the Barn<br />

1997 Zaide<br />

1997 Merry Widow<br />

Saturday, July 6 at Bpm<br />

A llARVEUOIJS PARTY<br />

A celebration of the works of Noel Coward<br />

Tom Kneebone and Dinah Christie<br />

Tickets $20.00<br />

Sunday, July 7 at 2pm<br />

BROADWAY AN1J ALL 'I'llAT JAZZ<br />

The Windjammer Swing Band<br />

with Dinah Christie<br />

Conductor, Harry Currie<br />

Tickets $20.00<br />

Saturday July 13 at 8pm<br />

CHAMBER CONCERT<br />

Partitas for Solo Violin -J.S. Bach<br />

Emmanuel Vukovich,Violin<br />

Tickets $20.00<br />

Saturday, Aug 3 at 2pm<br />

CllAMJJEll CONCERT<br />

Student ensemble<br />

Julliard school, New York<br />

Works by Brahms, Mendelssohn<br />

and Dvorak<br />

Tickets $20.00<br />

Friday, July 19 at 8pm &<br />

Saturday July 20 at Bpm<br />

THE ART OF MOfEMEN'l'<br />

Works by Chopin, Rachmaninov, Ravel,<br />

Schnittke, Mahler performed by the<br />

Prosviet -Eurythmie-ensemble, from Russia,<br />

Germany and U.S.A<br />

A rare opportunity to see this new form<br />

of dance and music.<br />

Tickets $20.00<br />

Saturday, July 20 at 2pm &<br />

Sunday, July 28 at 2pm<br />

PROSflEl' ·fWo<br />

Works by Rachmaninov, Borodin, Arienski<br />

Tickets $20.00<br />

Sunday, July 21 at 2pm<br />

VIENNESE GALA<br />

From Vienna to Saugeen Country<br />

Maestro Ernst Dunshirn -Principal Conductor,<br />

Vienna State Opera Chorus<br />

Tickets $ 3 5. 00<br />

SPONSORED BY CONNIE AND JOE FEUER IN<br />

CELEBRATION OF THEIR 50TH WEDDING<br />

ANNIVERSARY<br />

Opera<br />

ODHEIJS AND ElJRYIJlt:E<br />

by C. W. Gluck<br />

Donna Ellen Trifunovich, Vienna In the Title Role<br />

Robert DeVries, Tenor as Orpheus<br />

Jacqueline Woodley, as Amor<br />

A Cappella Chamber Choir, Janette Steeves - Opera Chorus Conductor<br />

Andrea v. Wurmb - Choreographie, Michael Schmidt - Conductor<br />

July 25, 26, 27 at 8 pm<br />

August 1, 2, 3 at 8 pm<br />

Tickets $40.00<br />

Master Classes for Choral conductors with Maestro Dunshirn<br />

Master Classes for Voice with Donna Ellen Trifunovich<br />

It is all general seating - Programme may change<br />

2 Miles Northeast of Durham off HWY 6 -follow roadsigns<br />

For Ilflormatlon and Tickets please call (519) 369-3741<br />

E-maif:symphonybarn@silvaq.com<br />

Website: www.silvaq.com/symphonybarn<br />

Sponsored by INTERFOREST, MOSAIC


.l • • • .. • •<br />

TORONTO'S CLASSICAL AND POST-CLASSICAL MUSIC SCENE<br />

<strong>Volume</strong> 7 #9 <strong>June</strong> 1 to July 7, <strong>2002</strong><br />

Copyright© <strong>2002</strong> PerPul Proze, 60 Bellevue Avenue, Toronto ON MST 2N4<br />

Publisher: Allan Pulker Editor: David Perlman<br />

Production Manager: Peter Hobbs·. CD Review Editor: David Olds<br />

Listings: Simone Desilets, Karen Ages<br />

Webmaster: Colin Puffer Web Technician: Lee Weston ·<br />

Layout & Design: David Perlman, Verity Hobbs<br />

Cover by Rocket Design; Cover photo courtesy Stratford Beacon Herald<br />

Advertising: Allan Pulker, Karen Ages, Ken Larone<br />

Distribution Manager: Sheila McCoy<br />

Contributing writers:<br />

Bandstand: Merlin Williams; Choral: Larry Beckwith; Discoveries: David Olds<br />

(Editor); John Beckwith, Larry Beckwith, Antonio Casciano, Den Ciul, Darren Copeland,<br />

·Colin Eatock, Phil Ehrensaft, Mark Fewer, Daniel Foley, Jim Galloway, John S. Gray,<br />

Sarah Hood, Pamela Margles, Veronica Maten, Mary /'AcGeer, Brian McMillan, Alison<br />

Melville, Troy Milleker, Frank Nakashima, Annette Sanger, Randall Smith, Paul<br />

Steenhuisen, P. Bruce Surtees, Michael Warning, Dianne Wells, Merlin Williams; Early<br />

Music: Frank Nakashima; Hear & Now: Paul Steenhuisen; Jazz: Jim Galloway;<br />

Music Theatre: Sarah B. Hood; Quodlibet: Allan Pulker<br />

Features: Paul Steenhuisen, Dawn Lyons, Colin Eatock, Allan Pulker, Phil Ehrensaft<br />

How to Reach Us<br />

General Inquiries, Advertising and Membership:<br />

Allan Pulker, Karen /\ges, Ken Larone ph 416-323-2232, fax 416-926-7539<br />

Distribution and Display Stands:<br />

Sheila McCoy ph 416-928-6991 ·<br />

Editorial: David Perlman ph 416-603-3786 fax 416-603-3787<br />

·Listings & Unclassifieds: Simone Desilets ph 416-323-2232 fax 416-926-7539<br />

Paid Subscriptions ($30/year + GST): Sheil


COVER STORY<br />

Starting from Stratford<br />

·MY SUMMER OF MUSIC<br />

by Allan Pulker<br />

IN TIIB SUMMER I like to get ouJ of the city for a holiday which includes some<br />

music. Last summer I spent two or three days at the Ottawa International<br />

Chamber Music Festival, a musical cornucopia in a summertime atmosphere<br />

so utterly reloxed that I recommend it to anyone for whotn chamber<br />

music in a city that feels as if it is on some other, gentler, kinder, planet<br />

sounds appealing. Perhaps next summer I will drive east again, stopping<br />

fora concert in Alexandria en rouJe to the marvellous Festival de Lanmuliire<br />

in the town, of Joliette, north of Montreal. This summer, however, I plan<br />

to stay closer to home, roaming from festival to festival in souJh-westem<br />

Ontario, starting from StraJjord.<br />

ONE OF TIIB NEWER Ontario summer<br />

festivals, Stratford Summer Music<br />

will use a natural amenity of its<br />

location, the riverside park system,<br />

to good advantage; the opening perfonnance<br />

on July 24 will be on a<br />

barge on the river. (This is the concert<br />

with which I intend to.begin my<br />

"tour" ~)<br />

Festival director, former Canadian<br />

Music Centre director, John Miller,<br />

has been determined to make the festival<br />

extremely affordable: some concerts<br />

are free and for the others ticket<br />

' prices are no more than $15. He is<br />

also committed to commissioning<br />

new works by Canadian composers.<br />

This year ~rt Carriere's work,<br />

Midsummer Night's Fantasy, wiil be<br />

performed at the opening concert and<br />

another work, by Carriere, based on<br />

his Stratford Theatre music, will be<br />

premiered by the Canadian Brass.<br />

Yet another part of Miller's mandate<br />

is to support the development<br />

of young · musicians: the festival's<br />

"Maureen Forrester Series" will feature<br />

"the best young artists" he can<br />

find: this year, pianist David Jalbert<br />

and violinist Sarah Pratt, while the<br />

"Organ Series" will feature not only<br />

perfonnances but also masterclasses<br />

by Jean-Pierre LeGuay, organist at<br />

Notre Dame Cathedral in Paris.<br />

I could comfortably stick around<br />

Stratford for the whole Festival (and<br />

the duration of this article) but there's<br />

so little time and so many festivals.<br />

So, I will stay long enough to hear a<br />

recital by LeGuay at 9:30 Thursday<br />

morning, July 25, and the premiere<br />

of Mary Lou Fallis and Peter<br />

Tiefenbach's "The Primadonna does<br />

. \<br />

Shakespeare" before heading off to<br />

the Collingwood Summer Festival<br />

to hear Anton Kuerti, Kristine B6gyo<br />

(WholeNote cover story, March<br />

<strong>2002</strong>) with flautist and festival di- '<br />

rector Douglas Nadler that evening<br />

at 8:00. Then on Friday I will head<br />

off to Elora where the Elora Festival<br />

Singers and the Exultate Chamber<br />

Singers will be joining forces at<br />

8:00 in the evening. On Saturday<br />

morning a leisurely brunch and ex­<br />

_ploration of historic Elora will segue<br />

. into one of two concerts at 2:00:<br />

Music for Strings or the American<br />

male voice choir, Measure for<br />

Measure (which, incidentally, will<br />

also be performing in Stratford).<br />

That should leave plenty of time<br />

to make the 70 kilometre trip up<br />

Highway 6 to Durham, where the<br />

Symphony in the Barn ~ill be presenting<br />

a fully staged perfonnance<br />

of one of my favourite operas,<br />

Gluck's Qrfeo ed Euridice, con-<br />

"After a brief twenty year absence" as she puts it, Mary Lou F al/is, who<br />

peifonned at the first Stratford Summer Music in 1982, returns, with long-time<br />

collaborato: Peter Tiefenbach,for four peifonnances of two shows<br />

ducted by the resourceful and versatile,<br />

Michael Schmidt. On Sunday<br />

morning I will drive back to T.O.,<br />

where our cat~ Abelard, whq will<br />

undoubtedly have become progressively<br />

less philosophical about our<br />

absence with each passing day, will<br />

be overjoyed to have us back!<br />

Day Trips<br />

There are several festivals that just<br />

won't fit into the "tour", but, being<br />

close to Toronto, wm make ideal day<br />

trips. On July 10 the Brott Festival<br />

is presenting an "organ crawl" with<br />

organist, Felix Hell, who will play<br />

Taj e mUSl!i BAROQUE SUMMER INSTITUTE<br />

in three of the big downtown Hamilton<br />

churches, at the last of which,<br />

festival diiector and conductor, Boris<br />

Brott, will be waiting with the National<br />

Academy Orchestra to collaborate<br />

with Mr. Hell in a performance<br />

of Felix Alexandre Guillmant's<br />

Organ Symphony #1.<br />

Also, it is now the Westben Festival's<br />

third season and about time I<br />

made the short trip to Campbellford<br />

to check it out, congratulate the team<br />

of Donna Bennett and Brian Finley<br />

in person on their venture, and attend<br />

a concert with mezzo-soprano<br />

Kimberley Barber and pianist, Brian<br />

~£/ .,_ '''I<br />

. j. S. BACH MOTETS<br />

=o~<br />

BAROQUE MUSIC fer ruJlhJlher ",I \ ,<br />

Please join us for our summer concerts, presented in conjunction<br />

wfth our first-ever Tafelmusik Baroque Summer Institute:<br />

THURSDAY, JUNE 20 AT 8:00 PM<br />

GEORGE WESTON RECITAL HALL<br />

T he Tafelmusik Chamber Choir performs as part<br />

of the Toronto International Choral Festival.<br />

FOR TICKETS: 416·872·1111 $26.40/$36.40/ $45.40.<br />

Student discounts available.<br />

B~OQUE CELEBRATION<br />

FRIDAY, JUNE 21AT8:00PM<br />

ETTORE MAZZOLENI CONCERT HALL, ROYAL CONSERVATORY OF Music<br />

The Tafelmusik Baroque Orchestra.directed by Jeanne Lamon,<br />

presents a prograr:nme of baroque orchestral music.<br />

FOR TICKETS: 416·964·6337 $25/$10<br />

FACULTY CHAMBER CONCERT<br />

MONDAY, JUNE 24 AT 12:30PM<br />

ETTORE MAZZOLENI CONCERT HALL, ROYAL CONSERVATORY OF MUSIC<br />

C hamber Music by]. S. Bach: A FREE casual lunchtime<br />

concert performed by members of the Tafelmusik orchestra.<br />

FOR TICKETS: 416·964-6337 FREE (Seating limited; please call for tickets.)<br />

STUDENT CONCERT<br />

FRIDAY, JUNE 28 AT 12:30PM<br />

ETTORE MAZZOLENI CONCERT HALL,<br />

ROYAL CONSERVATORY OF Music<br />

A FR EE casual lunchtime concert performed by the<br />

participants in the Tafelmusik Daroqul" Summer Institute.<br />

FOR TICKETS: 416-964·6337 FREE (Seating limited;<br />

please call for tickets.)<br />

THE GRAND FINALE<br />

SATURDAY, JUNE 29 AT 8:00PM<br />

GRACE CHURCH ON-THE-HILL<br />

The Tafelmusik Baroque Orchestra and C hamber Choir<br />

join forces with the student orchestra and choir<br />

(some 90. performers in all!)<br />

FOR TICKETS: 416·964·6337 $15/$10<br />

...<br />

6<br />

www.thewholenote.com<br />

<strong>June</strong> 1 - Jul y 7 <strong>2002</strong>


LaNaUDIE<br />

2 5 TH A N N I v E R s A R y<br />

TH[ MOST HIGHLY-ACCLAIMED<br />

CLASSICAL MUSIC EVENT IN CANADA!<br />

3-day / 2-night<br />

exclusive package available<br />

FOR INFORMATION<br />

OR RESERVATION<br />

Festival de Lanaudi~re<br />

Sylvie Nadeau<br />

1 800 245-7636 or<br />

(450) 759-7636<br />

snadeau@lanaudiere.org<br />

Jun~ 29<br />

<strong>June</strong> 30<br />

. July 5<br />

July 6<br />

July 7<br />

July 12<br />

· July 13<br />

W' July 14<br />

July 19<br />

July 20<br />

Opening Concert - Mahler's<br />

Symphony of a Thousand<br />

"Historical Concerts" -<br />

A Tribute to Mahler<br />

Mes A'ieux - Fol.k Pop<br />

Anton Kuerti and Friends<br />

Play Schumann<br />

Orchestre symphonique ~e<br />

Montreal - Jennifer Larmore Sings<br />

Rossini, Mozart & Bizet<br />

Tangopera with Quartango<br />

Mozart's 40th and Beethoven's 9th ..<br />

Orchestre symphonique de<br />

Montreal - Dvorak & Zemlinsky<br />

Saoroma - The Soul<br />

of Gypsy Music<br />

Marie-Nicole Lemieux &<br />

Karina Gauvin Sing Gluck<br />

Orchestre symphonique de<br />

Montreal - Elena MO$UC ~ings arias<br />

of French romantic opera.<br />

Great Swing with the<br />

M~~tr~a1 ~.~u: ~ig §~<br />

T(h~ikovsky ~&e,qi<br />

Symphony No.2, 1<br />

Orchestre symphoni<br />

>Montreal - Karita Ma<br />

7


COVER STORY<br />

8<br />

Add Music to your: Stratford Experience!<br />

JULY 24-: AUGUST 4, <strong>2002</strong><br />

Jane BUirnett & Friends<br />

Caliban 'Bassoon Quartet<br />

· Canadian Brass<br />

Berthold Carriere,<br />

featured composer<br />

Mary Lou' Fallis,<br />

with Peter Tiefenbach<br />

David Jalbert, pianist<br />

Jean-Pierre Leguay, organist,<br />

Notre Dame Cathedral, Paris<br />

Matapat Folk Ensemble<br />

National Youth Orchestra of Canada<br />

Phil Nimmons Quartet<br />

with Ranee Lee<br />

Paragon Harp Duo<br />

Ian Parker, pianist<br />

Sarah Pratt, violinist<br />

Royal City Saxophone Quartet<br />

St. Marys Children's Choir,<br />

Eileen Baldwin, conductor'<br />

Summer Music Organ Academy<br />

Kaori Yamagami, cellist<br />

Yamaha Canada's<br />

Young People's Programming<br />

TICKETS: · 1-800-56 7-1600<br />

w'vvw.stratfordsummermusic.ca<br />

Finley at 7:00.<br />

Parry Sound in time for IMPACT,<br />

My third day-trip: Kitchener mu- clarinetist and festival director, James<br />

sicians, violinist Julie Baumgartel, Campbell, with percussionist<br />

and oboist James Mason, are launch- Beverley Johnston playing a lot of<br />

ing a brand new .festival, the Grand contemporary Canadian. music<br />

River Baroque Festival the week- am0µg other things. Then the<br />

end of July 5, 6 & 7. Saturday, July Gryphon Trio performs an all<br />

6, is the really big day, with four Mozart program at noon with violist<br />

concerts of Italian Baroque music David Harding and flautist Suzanne<br />

which they describe as "crazy, pas- Shulman, and the day concludes with<br />

sionate, wild and wonderful. .. !" plus a concert at 8:00 ~at will include<br />

a pre-conceit talk, beginning at 1 : 15 the world premiere of "Alice in the<br />

and e.nding with a violin recital at Orchestra" "... a sophisticated mull<br />

:00 p.m. What a great way to sical entertainment fororchestra and<br />

spend the first Saturday in July! actor/singers" by Gene DiNovi and<br />

For years the people behind the Garry Michael Dault.<br />

Festival of the Sound have been I hope the following FESTIVAL PROinviting<br />

me to come, but I've never . FiLES will be as helpful to you in planmade<br />

it. That will all change on ning your summer of music as they<br />

August _1st. I'll have to leave at were to me. Perhaps we'll cross paths<br />

around 7:00 a.m. in order to get to in search of music this summer!<br />

Banff Arts July 12-Aug 4<br />

FESTIVAL PROFILES<br />

Brott Summer Music Jun 16-Aug 15<br />

Calgary International Organ Aug 7-17<br />

Collingwood Music July12-Aug 3<br />

Domaine Forget Festival<br />

International <strong>June</strong> 22-Aug 25<br />

Elora Festival July 12-Aug 4<br />

Festival of the Sound July 19-Aug11<br />

It's a Grand Summer <strong>June</strong>13-Sep21<br />

· Lameque International<br />

Baroque Mu.sic Festival July 26-28<br />

,Glimmerglas~ Opera July 5-Aug 27<br />

Grand River Baroque July 5-7<br />

Guelph Jazz F~stival Sept 4-8<br />

Huntsville Festival<br />

· of the Arts July 4-21<br />

Kinca!dine Summer Music Aug 4-18<br />

Lanaudiere Festival <strong>June</strong> 28-Aug 1<br />

Markham Jazz Festival Aug 15-18<br />

Niagara International Chamber'<br />

Music Festival July 30-Aug 21<br />

Ottawa International Chamber<br />

. Music Festiva1July27-Aug 10<br />

Southern Ontario<br />

Banff<br />

Arts Festival<br />

July 12 · August 4, <strong>2002</strong><br />

Venue: The Banff Centre. Alberta<br />

Contact: Enza Apa<br />

Box Office 1 ·800·413·8368 or 403·<br />

762·6301<br />

E·mail: box office@banffcentre.ca<br />

Website: www.banffcentre.ca<br />

FRoM SHAKFSPEARE in the Park to music<br />

in the mountains; from Aboriginal<br />

Dance to lectures by some of the brightest<br />

minds in contemporary culture, The<br />

Banff Centre presents more than (J()<br />

engaging arts events during this summer's<br />

Banff Arts Festival. Also during<br />

the summer season, listen to over<br />

40 summer music concerts featuring<br />

more than 250 musicians from around<br />

the world. Wepresentjazz, chamber,<br />

baroque, and contemporary music,<br />

music• for voice and music for key- /<br />

board. And, stay tuned August 6 to ·<br />

August 10 as we present special cham­<br />

.ber orchestra concerts featuring some<br />

of the best double reed players from<br />

around the world, as The Banff Centre<br />

hosts the 31st Annual International<br />

Double Reed Society Conference.<br />

There is something for everyone to<br />

enjoy at The Banff Centre! .<br />

Chamber Music Institute Aug 17-25<br />

StratfordSummerMusicJu1y24-Aug4 Brott Summer<br />

symphony in the Barn July 6-Aug 3 Music Festival <strong>2002</strong><br />

Toronto Downtown Jazz <strong>June</strong> 21-30<br />

Uptown Waterloo Jazz July 11-13<br />

We'stben Arts<br />

Festival Theatre <strong>June</strong> 29-July 28.<br />

Jun.e 16 to Aug. 15<br />

Venues: Hamilton Place, Theatre<br />

Aquarius, Dundurn Castle, Ancaster Old<br />

Mill, Royal Botanical Gardens (Hamilton);<br />

FESTIVAL PROFILES CONTINUE PAGE 40<br />

www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


July 5th -July 7th<br />

Including an Italian Feast of Music & Food July-6th<br />

with performances by:<br />

Grand River Baroque Ensemble,<br />

. Vox ex Corde Choir<br />

Daniel Lichti, Carolyn<br />

Sinclair, Dennis Giesbrecht<br />

and more ...<br />

Festival orthe Sound<br />

James Campbell, Artistic Director<br />

. July 19 - August 11, <strong>2002</strong><br />

Over 60 musical events including:<br />

Gala Opening- Festival Baroque- July 19<br />

Shores of Newfoundland cruise - July 21<br />

For the Love of the Piano- July 27<br />

Paris to New York - July 31, August 1, 2<br />

Jazz Canada Weekend-. August 3, 4<br />

St. John Passion - August 9<br />

... and much more!<br />

For a brochure or tickets, call 7()5-746-2410 ~r fax 705-746-5639<br />

Write P.O. Box 7~0, Parry Sound, ON P2A 2Zl<br />

E-mail: info@festivalofthesound.on.ca<br />

www.festivalofthesound.on.ca<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong><br />

www.thewholenote.com 9


f. 0. MtisICAL V!AR'r'<br />

by Colin Eatock<br />

High hopes at the TSO<br />

May 9: To find out what's new at the Toronto<br />

Symphony Orchestra, I phone Michael Forrester,<br />

the TSO's Director of Marketing and Communications.<br />

As befits his position, he comes across<br />

as an optimistic fellow, and he fairly overflows<br />

with good news. "This week we surpassed our<br />

subscription sales from last year," he proudly<br />

announces, "and it's now only the middle of<br />

May. We'll be up 10 to 15 percent on the year."<br />

He goes on to tell me about the success of<br />

the orchestra's "TsouNDCHECK" - a promotion<br />

designed to attract young people that now has<br />

3,000 members. He has high hopes for a fall<br />

advertising campaign aimed at this city's Chinese<br />

community, and he says the orchestra's<br />

$1 million fundraising campaign (with a matching<br />

grant from Ottawa if the · target is reached<br />

by <strong>June</strong> 30) is going well. It all sounds very<br />

impressive for an orchestra that came dangerously<br />

close to insolvency last fall.<br />

May 11: At the Toronto Reference Library, I<br />

pick up a copy of the TSO's <strong>2002</strong>/03 season<br />

br:ochure. Printed in just a few colours on nonglossy<br />

paper (a prudent approach for an organization<br />

that wishes to make a display of austerity),<br />

it begins with a statement pitching the TSO<br />

as "new," "improved" and "all yours." The<br />

CLASSICAL<br />

blurb is conspicuously unsigned - but as the<br />

orchestra currently has no music director, there<br />

isn't any appropriate person to sign it.<br />

So what does the TSO have to offer next year?<br />

The concert to re-open Roy Thomson Hall should<br />

be a blast, culminating in Walton's Belshav.ar's<br />

Feast with the Toronto Mendelssohn Choir. Yo­<br />

Yo Ma's Silk Road Ensemble, combining the<br />

music of East and West, certainly looks intriguing.<br />

And a program featuring pianist Martha<br />

Argerich (famous both for electrifying performarices<br />

and frequent cancellation8) adds an exciting<br />

element of risk to the season.<br />

As well, there are quite a few excellent Canadian<br />

soloists scheduled: baritone Russell<br />

Braun, sopranos Barbara Hannigan and Me;sha<br />

Bruggergosman, violinists James Ehnes and<br />

Leifa Josefowicz, pianists Louis Lortie, Oscar<br />

Peterson, Stewart Goodyear and Naida Cole,<br />

among others. Could this be because Canadian<br />

soloists are cheaper than big-name foreign stars?<br />

If so, it's temptil)g to think that the TSO should<br />

almost go bankrupt more often.<br />

Guest conductors pepper the brochure, including<br />

some who are probably in the running<br />

for the position of Music Director. While it's<br />

nice to fantasize about a Jiri Belohlavek or Eiji<br />

Oue taking the job, given the state of the TSO's<br />

finances it's probably more realistic to watch<br />

such relatively unknown young talents as Jun<br />

Marki or Asher Fisch. Also appearing as guests<br />

on the TSO's season will be the Orchestre<br />

Symphonique de Quebec and Ottawa's National<br />

Arts Centre Orchestra.<br />

For those iJ!terested in Canadian music, there<br />

are a number of home-grown works: by<br />

MacMillan, Cherney, Evangelista, Estacio,<br />

Morin, Applebaum arid Kulesha, plus a collaborative<br />

effort by Oscar Peterson and Michet<br />

LeGrand. As usual, most of the Canadian pieces<br />

played will be Toronto premieres (and probably<br />

Toronto demieres, as well - but that's<br />

another story). Rarer are compositions by living<br />

non-Canadians: I see only a clarinet concerto<br />

by Einojuhani Rautavaara and some songs<br />

by Oliver Knussen.<br />

Dominating the season, however, is a slew<br />

of concerts that follow an all-too-familiar model<br />

of orchestral programming: a short overture or<br />

introductory piece, a concerto and then a symphony.<br />

Wouldn't it be a breath of fresh air to<br />

see more alternatives to this hackneyed formula?<br />

May 15: During intermission at a TSO concert<br />

in Massey Hall I wander downstairs, where<br />

there's a small line-up at the subscription table.<br />

One customer is very anxious to book aisle seats<br />

for next season, as a box-office staffer tries to<br />

tell her that this may not be possible. So perhaps<br />

the much-beleaguered Toronto Symphony Orchestra<br />

really is on an upswing. Let's hope so. At<br />

this point it has nowhere to go but up - or out.<br />

Colin Eatock, eatock@thewholenote.com, is a<br />

Toronto-based composer and journalist who<br />

frequently writes for The Globe and Mail.<br />

Oshawa-Durham Symphony Orchestra<br />

presents:<br />

Lara St. John<br />

• I<br />

In concert with ODSO, performing<br />

Tchaikovsky's Violin Concerto in D. Major<br />

And<br />

Marco Parisotto,<br />

conductor and music director<br />

With .Oshawa-Durham Symphony<br />

In Tchaikovsky's Fifth Symphony<br />

Sunday, September 29 at 2:30 p.m.<br />

at George Weston Recital Hall,<br />

5040 Yonge St., Toronto Tickets $30 at the theatre or call TicketMaster at416-870-8000<br />

Saturday, September 28 at 7:30 p.m.<br />

, \<br />

LARA ST. JOHN<br />

MARCO<br />

PARISOTTO<br />

at Calvary Baptist Church, 300 Rossland Road E. Oshawa. Oshawa tickets $25 call 905-579-6711.<br />

10 www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


= rnSinfqnia<br />

ioronlo<br />

NURHAN ARMAN<br />

MUSIC DIRECTOR<br />

Toronto's Premier Chamber Orchestra<br />

t I : •<br />

. -<br />

unity Churc , 2180 Bayview Avenue)<br />

king for the whole family, stuffed with holiday<br />

· and some carols to send you home singing<br />

Mozart, Rebikoff and more<br />

Glenn Gould Studio<br />

Major season support from<br />

~ AT&T Canada,<br />

The J.P. Bickell Foundation<br />

' . tHE al6iit[1M> M'AIL<br />

The Charles H. Ivey Foundation<br />

The Julie-Jiggs Foundation<br />

eRBC<br />

~ Investments<br />

to rontoa ' rtsco I u nci I<br />

An onn"$ lo:>nu! ll bodyuf "'"' Cil vuf Tull.mt<br />

ustein violinist<br />

ine Ordronneau pianist ·<br />

. brilliance of a Mendelssohn double concerto, reflected between<br />

husband-and-wife duo, the centrepiece of a program thafs all<br />

ianist<br />

t Francine Kay interprets one of the best-loved<br />

's Concerto No. 1, balanced by works of irony,<br />

hostakovich and Mendelssohn<br />

I<br />

I<br />

lebrate our next exciting discovery - the First<br />

3 Sinfonia Toronto Concerto Competition<br />

ossini and Reinecke<br />

I<br />

violinist<br />

I soundscape from Borodin to Rachmaninov,<br />

violin virtuosity in Schnittke's Sonata No. 1<br />

ov, Schnittke, Mirzoyan, Glazounov<br />

I<br />

Subscribe and save!<br />

Contact Sinfonia Toronto<br />

41.6.499.0403<br />

www.sinfoniatoronto.com<br />

sinfoniatoronto@sympatico.ca<br />

264 Bloor Street West, Box 52545<br />

Toronto M5S 3C5<br />

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original early-1900's glory and graced with superb cuisine and appointments.<br />

Reserve your Soiree tickets with your subscription and receive a 10% discount.<br />

Call to discuss a corporate table, with special identification and pre-reception.<br />

www.thewholenote.com 11


QUODLIBET<br />

Future perfect<br />

For most of us <strong>June</strong> is the end of<br />

one music season, and a bit of respite<br />

before the next. But for many of<br />

the presenters responsible for bringing<br />

us live music, it is the <strong>2002</strong>-<br />

2003 season that is already "over" -<br />

- at least in terms of planning. Their<br />

labours are evident in the brochures<br />

and sea8on announcements for <strong>2002</strong>-<br />

03 already appearing in WholeNo~<br />

and elsewhere.<br />

Music Toronto; for example, announced<br />

its <strong>2002</strong>-03 season late in<br />

February. Once again they're offering<br />

a dexterous mix of best known<br />

names (the Tokyo Quartet, the<br />

Emerson QUartet and the St. Lawrence<br />

Quartet) and "Discoveries"<br />

(mezzo soprano Kristina Sz.ab6, violist<br />

Laura Wilcox and pianist Ian<br />

Parker), to name only a few highlights.<br />

And Tafelmusik, I see, is not only<br />

offering an impressive 54 separate<br />

Toronto performances, some with international<br />

"superstar" artists such as<br />

soprano Emma Kirkby and conductor<br />

Bruno Weil, but must also weave<br />

, in a numberof international commitments<br />

- the Klang und Raum Festival<br />

in Germany in late August and<br />

early September, a European tour<br />

from January 24 to February 7, and<br />

performances at New York's famous<br />

92nd Street Y in February and at the<br />

Mozart Society of America conference<br />

at Cornell University in March.<br />

I chatted recently with Nurhan<br />

Arman, music director of Sinfonia<br />

by Allan Pulker<br />

Ci \SSll \I.<br />

Imant Raminsh, and of<br />

Sonata #1 by Russian<br />

composer, Alfred<br />

Schnittke. And while<br />

Toronto chamber orchestra, about the A r m e n i a n -<br />

challenges and considerations that A m e r i c a n A I a n<br />

must be balanced and. reconciled in -Hovhannes is "not exactly<br />

contemporary" his<br />

_planning a new season. The orchestra's<br />

artistic development; the audi- Armenian Rhapsody<br />

ence's interests; availability of solo-. #3, on the orchestra's<br />

ists; costs; and a significant contem- February 1 program, is<br />

porary music component were high likely to be new to most<br />

on his list.<br />

of us and is "absolutely<br />

Arman likes single cqmposer pro- beautiful" according to<br />

grams because they give tremendous Arman.<br />

perspective on the life and develop- Cost factors into<br />

mentofthecomposer.Healsolikes things in ways I<br />

to draw on key relationships as a fac-<br />

wouldn'thave realiz.ed. Take orchestor<br />

in building a satisfying program. tral parts, especially for works still<br />

"Works in different but related keys protectef;l by copyright; they must be<br />

can complement each other: exam- rented, sometimes at considerable<br />

ple, a work in A major can be a tre- cost. Rachmaninoffs Variafions on<br />

mendous relief after one inf# mi- a Theme of Pagani.ni, for example,<br />

nor."<br />

' recently cost Symphony New Bruns-<br />

" And I tty to find works that speak wick $1500 U .S to rent. And Arman<br />

to as many different individuals as once rep!aced George Gershwin's<br />

possible" he says noting that classi- Summertime because the rental of<br />

cal German r~rtoire _ primarily music for~ five-minute long chestc<br />

Haydn and Mozart _ is a "must" for nut was gomg to cost $500 U: .S. !<br />

any chamber orchestra and fortu- After we talked, I found myself<br />

nately, is also an audience fa~ourite. !eafing.thr~ugh the pages of listings<br />

Sinfonia Toronto's first concert of ma typical issue ofWholeNote rather<br />

the new season sets this tone: fea- differently - thinking about how<br />

turing violin soloist, Judy Kang, play- ~~every pii:ce of m~i~ in every<br />

ing Mozart's Violin Con:erto #4 along<br />

1 IIStmg w~ a weighed ~ec1s10n, made<br />

with music by Haydn and Nielsen. months, if not years m advance.<br />

Arman also feels strongly that today's<br />

music should be played by his<br />

Back to the Present!<br />

orchestra. The new season will include<br />

one world premiere (a work by<br />

Not only is there an exciting season<br />

to look forward to but also an exciting<br />

month of music in <strong>June</strong>. While<br />

Ottawa composer Kevork AOOonian),<br />

the Canadian premiere of a work by<br />

the Choral Festival and two Jazz festivals<br />

may appear to dominate the<br />

Armenian composer, Edvard<br />

Mirzoyan, and the Toronto premiere<br />

immediate horizon, they are very far<br />

of works by Canadian composer,<br />

from being the only shows in town.<br />

Soprano, Merete Meyer a.nd piani.st, Maria<br />

Ydreborg in front of the Stockholm<br />

st


.<br />

brings together dancers from India's<br />

two main dance traditions, Barata<br />

Natyam and Kathak, two modem<br />

dancers, a drummer and a dancer, to<br />

produce what he calls "an evening of<br />

high energy risk-taking and the pure<br />

· joy of inovement and music."<br />

Riverdance move over!<br />

If you are interested. in Indian music,<br />

there are at least three more concerts<br />

listed in this issue: a sitar recital<br />

· on <strong>June</strong> 8, an ensemble with a singer,<br />

a flautist, two tabla players and various<br />

other musicians on <strong>June</strong> 9 and on<br />

<strong>June</strong> 16, the Sankaran Trio at the<br />

Music Gallery.<br />

Judy Loman<br />

Judy Loman, principal harpist of the<br />

TSO since 1960, is calling it quits at<br />

the end of this season. "I am really<br />

ready for a change .... I love the Orchestra,<br />

but after 43 years of doing<br />

the same thing, I think it's time .... more<br />

teaching, arranging, editing and publishing<br />

- those are the things I am<br />

interested in right now,.,, she says in<br />

the release announcing her retirement.<br />

Once a student of the legendary Carlos<br />

Salzedo at the Curtis Ins!itute, she is<br />

now a Faculty Member at Curtis and<br />

also at the Faculty of Music, U. of<br />

T., and the Royal Conservatory of<br />

Music. Ms. Loman's retirement will<br />

be recognized at the TSO's <strong>June</strong> 12<br />

and 13, at which she will perform the<br />

world premiere of a CBCffSO joint<br />

commission of 'And then at nigllJ I<br />

pqi.nt the stars .... ' for harp and orchestra<br />

by Kelly-Marie Mwphy.<br />

And there will be another excellent<br />

opportunity to hear Judy Loman <strong>June</strong><br />

1 7 when she will perform Claude<br />

Debussy's Sonata for Flu!e, Viola and<br />

Harp and Dances for Harp and String<br />

CLASSICAL<br />

Quartet with flautist, Susan Hoeppner<br />

and the Amato String Quartet at<br />

E?stminster United Church, the last<br />

of this season's "Random Acts of<br />

Music" ..<br />

Choral Festival seeds<br />

Music Garden season<br />

Five choral ensembles perform afternoon<br />

concerts at the Toronto Music<br />

Garden during the choral festival,<br />

after which The Music Garden's free<br />

outdoor concert series continues with<br />

two concerts a week on average<br />

throughout the summer. The <strong>June</strong><br />

23 concert, to give one example, features<br />

an ensemble of seven student<br />

cellists, led by TSO cellist, Simon<br />

Fryer, performing music by Bach,<br />

Villa-Lobos, andMetallica! ·<br />

Tpe series' artistic director,<br />

Tamara Bernstein is .aiming for "informal<br />

fun without compromising<br />

quality"; she seems to have no trouble<br />

getting fabulous musicians to<br />

perform,' even outside. "The audience"<br />

she says !'is wonderful - attentive,<br />

loyal and appreciative of the<br />

quality of the performances - they<br />

know what's going on!" Performers<br />

and audiences alike have been· a<br />

game lot in the f?ce of less than ideal<br />

weather. Last summer, violinist<br />

Annalee Patipatanakoon and cellist<br />

Roman Borys, in weather that was<br />

too wet for their Strads, performed<br />

instead in the back of a truck with<br />

the audience huddled around!<br />

Bring a sweater or jacket; it ~an<br />

be cool near the lake. And if it is<br />

raining the day of a concert, phone<br />

Harbourfront's "hotline" for information<br />

on cancellations and rain dates<br />

- 416-973-3000 ..<br />

King Street Artist Management<br />

it<br />

Oakville, ON<br />

ana<br />

E-mail: ksam.inc@sympatico.ca<br />

Website: www.ksam.net<br />

Laura Adlers<br />

Director<br />

Grant Writing Services dG'<br />

Artist Management 11\!;!<br />

(See Website for Roster) +i;'j:!ili<br />

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· <strong>June</strong> 1 - July 7 <strong>2002</strong> www.thewholenote.com 13


EARLY<br />

MUSIC<br />

by Frank Nakashima<br />

It's impossible to cover the "early"<br />

beat this month without reference<br />

to choral events. (Sorry to intrude<br />

on your territory, Larry). The Toronto<br />

International Choral Festival,<br />

May 3'1 to <strong>June</strong> 22, introduces<br />

this city to amazing vocal talent<br />

from around the world.<br />

The Vancouver Chamber<br />

Choir 1 one of the best and most<br />

travelled pFofessional choirs in<br />

Canada, will perform a program,<br />

<strong>June</strong> 2, featuring the sonorous Requiem<br />

for Six Voices by Spanish<br />

composer, Tomas Luis de Victoria<br />

(1548-1611), and works by Weelkes,<br />

Janequin, Monteverdi and Morley.<br />

From Scotland comes the Dunedin<br />

Consort performing music of the<br />

Church of England (<strong>June</strong> 6) - by<br />

William Byrd (1543-1623), John<br />

Dowland (1562-1626) and others.<br />

The world-renowned Huelgas<br />

Ensemble, from Belgium, makes<br />

its Toronto debut under the direction<br />

of Paul Van Nevel (<strong>June</strong> 11)<br />

CLASSICAL<br />

in a fantastic program entitled "Mu- Bouchard, harpsichord. .<br />

sic of the Flemish Renaissance." Soprano Jenni Hayman, ac-<br />

Toronto' s own Tafelmusik companied by lutenist John<br />

Chamber Choir will perform all Edwards, performs a concert of<br />

six of Bach's glorious choral motets lute song entitled "Here the Dei-<br />

.(<strong>June</strong> 20) with members of the ties Approve" (<strong>June</strong> 8). Equally<br />

Ta~elmusik Baroque Orchestra, comfortable with oratorio or chamwh1le<br />

in the ambient quarters of the ber mu5ic, Ms. Hayman here sings<br />

Royal Ontario Museum, Les 17th-century works by Campion,<br />

Chanteurs St-Coeur-de-Marie Dowland, Guedron, Moulinie,<br />

will sing some Gregorian chant, Purcell, Blow, Cesti and<br />

works by Palestrina and others Carissimi. John Edwards earns<br />

under the guidance of conducto; part of his living as an instructor ·<br />

Claude Gosselin (<strong>June</strong> 16). at the Faculty of Music, u of T,<br />

Outside the Festival there is and has frequently appeared as the<br />

much on offer too!. The talented guestofbothhistorical-instrument<br />

Geoffrey Butler directs the Toronto and modern ensembles -<br />

Choral Society's performance of Tafelmusik, Opera Atelier, Tothe<br />

not-often-heard Alexander's ronto Consort, Music Toronto<br />

Feast by George Frideric Handel National Arts Centre Orchestra'.<br />

(<strong>June</strong> 5) with wonderful soloists _ Canadian Opera Company Orches­<br />

Laura Whalen, soprano; Elaine tra. Both of these performers also<br />

Robertson, alto; Glyn Evans, tenor; have websites. Jenni Hayman's is<br />

RobertPomakov, baritone; accom- www.esoprano.ca and John<br />

paniedbytheableWilliamO'Meara. Edwards can be found at<br />

Baroque Music Beside the www.musiciansinordinary.ca<br />

Grange offers "A German Tafel- The Toronto Early Music<br />

Confekt," - music by Handel, Centre's continuing "Musically<br />

Bach, Schaffrath and others (<strong>June</strong> Speaking" series, a one-hour en-<br />

2), with Linda Melsted, violin; lightening program of historical<br />

Wash McClain, oboe; Michael performance at the Church of the<br />

McCraw, bassoon; and Marie . Holy Trinity, introduc~s Alexa<br />

Jenni Hayman<br />

Wing (soprano), Susan Kieren (bar?que<br />

oboe), and Anna Chan (harpsichord)<br />

performing Bach, Telemann<br />

and Handel - "Text and Music ... word<br />

painting with voice and oboe obbligato"<br />

(<strong>June</strong> 9).<br />

Meanwhile; another series, Critical<br />

Mass, presents Palestrina's Missa<br />

ad fugam (<strong>June</strong> 25). Admission is by<br />

freewill offering with proceeds, as<br />

always, going to "Out of the Cold."<br />

Watch for the Tafelmusik Baroque<br />

Summer Institute, an intens~ve<br />

10-day baroque res.idency in penod<br />

performance with a focus on orchestral<br />

and choral performance, for<br />

MAKING<br />

SOUND BETTER<br />

CLASSICA!:_9@;;t<br />

14 www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


CLASSICAL<br />

senior students, pre-professional<br />

and professional musicians. It is<br />

taking place at The Glenn Gould<br />

Professional School of The Royal<br />

Conservatory of Music (<strong>June</strong> 20-<br />

29). Auditors can attend, but not<br />

participate in individual classes, for<br />

a nominal charge of $15, purchase<br />

daily passes for $25, or an open<br />

pass at $150 by contacting the<br />

Tafelmusik office at (416) 964-<br />

9562, ext. 224. More details on<br />

their website: www.tafelmusik.org<br />

Also as part of this, summer institute,<br />

the 1,'afelmusik Baroque Orchestra,<br />

directed by Jeanne Lamon,<br />

will perform works of Handel,<br />

·Vivaldi, and Bach, a "Baroque Celebration"<br />

(<strong>June</strong> 21). A few days<br />

later, members of the Tafelmusik<br />

Baroque Orchestra (Elissa Poole,<br />

flute; Linda Melsted, violin; Allen<br />

Whear, cello; Christina Mahler, vio- .<br />

loncello piccolo; Charlotte Nediger,<br />

harpsichord) will perform chamber<br />

music by Bach (<strong>June</strong> 24). Students<br />

participating in the TBSI have a<br />

chance to show off what. they've<br />

learned <strong>June</strong> 28, and "The Grand<br />

Finale" (<strong>June</strong> 29) sees the Orchestra<br />

and Chamber Choir joining forces<br />

with the student orchestra and choir<br />

in a spectacular final concert which<br />

will include works by Corelli, Handel<br />

and Charpentier.<br />

Frank T. Nakashima can be<br />

reached atfrOJ1knak@interlog.com<br />

. Really good food that<br />

~ just happens to r~<br />

@ be vegetarian! /[f;<br />

Before your concert join us for<br />

dinner. Pay-by-weight<br />

delicious, healthy buffet to<br />

save you time & money.<br />

French country kitchen ~tmosphere<br />

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!<br />

.the<br />

~riana<br />

ngers<br />

WILLIAM BROWN<br />

ARTISTiC DIRECTOR<br />

NEW MEMBERS WELCOME<br />

AUDITIONS BY APPOINTMENT<br />

Call 416-491-6254 for information<br />

<strong>2002</strong>-2003<br />

Concert Series<br />

*<br />

CHRISTMAS WITH RUTH<br />

WATSON HENDERSON<br />

, A 70th Birthday Celebration<br />

Saturday, Nov. 30, <strong>2002</strong><br />

Veronica Tennant, narrator<br />

Albert Greer, tenor<br />

Earl Haig Chamber Cnoir<br />

*<br />

SONGS-SAYINGS-SONNETS ·<br />

Saturday, Mar. 1,, 2003<br />

Bach - Telfer - Glick<br />

Gardner - Maclean<br />

-<br />

'•<br />

Nat King COLE Porter<br />

A tribute through Song<br />

Two of the Greatest<br />

Saturday, May 10, 2003<br />

The Oriana Stage Band<br />

THE ORIANA SINGERS<br />

250 Verobeach Blvd.<br />

Toronto; Ont. M9M 1R6<br />

416-742-7006<br />

bjgray.hurlbut@sympatico.ca<br />

·www.orianasingers.on.ca<br />

CHO!\l\1<br />

SCENt<br />

by Larry Beckwith<br />

A feast awaits the choral music<br />

lover this month! All year I've<br />

been highlighting the events in the<br />

upcoming Joy of Singing Choral<br />

Festival and now it is upon us.<br />

There is also a huge number of non­<br />

Festival events happening in the<br />

month of <strong>June</strong>, to which I want to<br />

draw your attention.<br />

CLASSICAL<br />

Massed choir "ringmaster"<br />

First, the Festival. There are brochures<br />

with festival events available<br />

Lee Willingham, <strong>June</strong> I<br />

all over town and, indeed, there's Children's Chorus (<strong>June</strong> 9), St.<br />

a two-page spread at the front of Michael's Cathedral Choirs (<strong>June</strong><br />

this magazine, spelling out the de- 10), Toronto Jewish Folk Choir<br />

tails of the many exciting choral (Jooe 12), Victoria Scholars (Jwx: 16),<br />

events. Full details are also avail- Toronto .Mendelssohn Choir (<strong>June</strong><br />

able at the Festival website at 18) and the Tafelmusik Chamber<br />

www.joyofsinging.ca. Choir (<strong>June</strong> 20).<br />

Much has been made of the high- On the afternoon of <strong>June</strong> 1, the<br />

profile visiting choirs from other Festival presents a massed choir<br />

provinces and countries. In this event on Nathan Phillips Square and<br />

column, I want to make mention of· over 2000 school children will be<br />

the local component to the Festival involv,ed. The ringmaster is Dr. Lee<br />

and some of the community events· Willingham, the director .of the Festaking<br />

place at Harbourfront. ti val' s Education Outreach Program<br />

TI!erearemanyToronto-areachoifs and the choirs will be accompanied<br />

involved in the Festival, including sev- by the Markham District High<br />

eral who wilf be featured in theii: own School Band. The music includes<br />

concerts: Ebner lseler Singers (<strong>June</strong> works by Canadians Paul Halley,<br />

3), Northern Lights (<strong>June</strong> 8), Stephen Hatfield and Oscar<br />

Bell' Arte Singers (<strong>June</strong> 8), Toronto Peterson. ·<br />

The Music Garden at<br />

Harbourfront is the setting<br />

for five community concerts<br />

throughout the Festival.<br />

These involve performances<br />

by locals, including<br />

the. Mayfield Magnetics<br />

Jazz Choir from Mayfield<br />

Secondary in Brampton<br />

(<strong>June</strong> 2), Vesnivka (<strong>June</strong><br />

8), Tor'onto Estonian<br />

Male Choir (<strong>June</strong> 15) and<br />

Darbazi (<strong>June</strong> 22). Another<br />

Music


E~.~!J~.q.te<br />

Saint Thomas"s<br />

Anglican Chureh<br />

AUDITIONS· .<br />

The Exultate Chamber Singers, a professional-level amateur<br />

chamber choir, has tenor and bass positions open for Fall <strong>2002</strong>.<br />

Rehearsals are ,on Tuesday evenings, 5:30 - 7:00: Strong sightreaders<br />

committed to excellence in choral music are invited to<br />

contact artistic director John Tuttle at 416-971-9229.<br />

www.exultate.on.ca<br />

exu/tate@on.aibn.com<br />

Volunteer positions are also available in the tenor and bass<br />

sections at Saint Thomas's Anglican Church. Rehearsals are on<br />

Thursday. evenings. To arrange an audition, call 416-979-2323.<br />

" . 1 Let's Make Beautiful ·<br />

. mgs Music Together<br />

ces s· . . . d. d ..<br />

DavidJ. King<br />

""'""<br />

mgers mvrte to au 1t1on<br />

in all sections SATB.<br />

Call David King 416-225-2255<br />

<strong>2002</strong> · 2003 Season<br />

December · Holiday Tapestry<br />

February · Songs of the Heart<br />

May · Alexander's Feast<br />

www.allthekingsvoices.ca<br />

44°<br />

An auditioned vocal ensemble is seeking new members<br />

for September, <strong>2002</strong><br />

Mixed repertoire with exciting performance<br />

opportunities<br />

Rehearsals located in downtown core<br />

I ,<br />

Director: Geoffrey Butler<br />

Accompanist: Jenny Crober<br />

=llCAME·N ·:rA.11=<br />

. Chamber Chol~-/<br />

· Invites auditions<br />

for volunteer and lead singers with .good sightsinging<br />

skills. Camerata rehearses and performs at<br />

Grace Church on the Hill, 300 Lonsdale Rd.<br />

Weekly rehearsals Wednesdays at 7:15pm<br />

.<br />

416-534-2493 or email<br />

Please call Melva T reffinger Graham<br />

mtgraham47@rogers.com to arrange an audition<br />

J.J)lj )).J 1ut~ :<br />

The most beautiful music was written for the human voke -<br />

it's the only instrument we play.<br />

www.torontocamerata.org ~ info@torontocamerata.org<br />

For an audition, please call<br />

905 764-5140<br />

8 LIKE T~ SING?<br />

The Toronto Mendelssohn Cho.ir<br />

is holding auditi9ns for the<br />

<strong>2002</strong>/2003 season for both<br />

the TMC and .the TMYC<br />

For information, call<br />

(416) 598-0422<br />

www.tmchoir.org


ebrating spring and Canada's diverse<br />

musical culture".<br />

Concerts by prominent church<br />

choirs ~e abundant this month, as<br />

well. The choirs 1 of St. James Cathedral<br />

perform Haydn's Lord Nelson<br />

Mass on <strong>June</strong> 7 and <strong>June</strong> 9 features<br />

two concerts near St. Clair and<br />

. YoJ:?.ge. You 'can hear the Calvin<br />

Presbyterian Church Choir, under<br />

Stephanie Martin's direction, try<br />

out their Scottish Tour repertoire, or<br />

you can head qown the road to<br />

Timothy Eaton Church, where the<br />

choir there premieres a work entitled<br />

"Windows" by Andrew Ager. Both<br />

concerts beginat2 pm. On <strong>June</strong> 19,<br />

the choirs of Grace Church on-the-<br />

Hill welcome the Boys Choir of St.<br />

Peter's from Charlotte, North Carolina.<br />

Finally, another Festival hits the<br />

city near the end of the month. Festival<br />

<strong>2002</strong> features 20 Gay and<br />

Lesbian choirs from across Canada<br />

CLASSICAL<br />

The Orpheus Choir of Toronto ' , ,<br />

invites applications for the<br />

IJrnJ,;11'fi:1,pjr<br />

position of Artistic Director. Y.'f: :;t:,"[fT'if~<br />

Orpheus is a SO-voice auditioned choir with a 4-concert season,<br />

plus outside engagements, and a wide-ranging repertoire.<br />

Interested parties should send a resume to The Orpheus Choir<br />

ofToronto, P.O. Box 662, Sen. F, Toronto, ON M4Y 2N6, no<br />

later than <strong>June</strong>-30th, <strong>2002</strong>. An information package will be sent<br />

out. For further information, please call Helen Coxon at ( 416)<br />

586-5897(W) or (416) 251-3803 (H).<br />

in performance from <strong>June</strong> 21-24. mation, visit the festival website at<br />

It's the second time these choirs have · www .canadiangala.ca or call 416-<br />

gotten together; the first time being 924-6859.<br />

in Edmonton in 1998. The· Festi- Happy concert-going!<br />

val is hosted by four Toronto choirs: Larry Beckwith can be reached at<br />

Singing Out; Forte, Iris and the dunnbeckwith@sympatico.ca<br />

Rainbow Choir. For more infor-<br />

The Choirs of<br />

Grace Church<br />

on-the-Hill:<br />

Auditions<br />

Invited<br />

Boys ..<br />

Youth Singers of Toronto<br />

(Choral organization for<br />

young people 5-19)<br />

carol Woodward Ratzlaff<br />

Music Director<br />

AUDITIONS<br />

continuing in May<br />

Information:<br />

416·788·8482<br />

vivayst@rogers.com<br />

Unique singing opportunities<br />

for <strong>2002</strong>-2003 season include:<br />

* Regular contract with<br />

National Ballet of Canada<br />

*Fully-staged opera: Noye's<br />

Fludde by Benjamin Britten<br />

* Our own resident composer<br />

*Private vocal coaching for all<br />

choristers<br />

* Comprehensive theory<br />

program<br />

High Park Choirs of Toronto<br />

~-"7<br />

www.highparkchoirs.oro<br />

invite applications for the posts of<br />

Conductor/Co-Conductor<br />

Established in 1986, High Park Choirs is a<br />

dynamic S·choir organizatiOn comprised of<br />

150 young choristers ages 9·18 who love<br />

to sing. The choirs were recenHy featured<br />

on A Classical Kids Christmas, winner of a<br />

Juno for Best Children's Album <strong>2002</strong>.<br />

18<br />

Deadline is <strong>June</strong> 30, <strong>2002</strong><br />

Please call for details: 416· 762-0657<br />

www .thewholenote.com<br />

Choir of Gentlemen<br />

and Boys:<br />

boys aged 8-14<br />

Girls<br />

St. Cecilia Choir<br />

girls aged 8 -18<br />

This is an excellent<br />

opportunity for a child<br />

to gain self-confidence,<br />

self-discipline, poise and<br />

musical knowledge<br />

in a nurturing environment.<br />

The program is run by caring<br />

professi'onal music staff.<br />

No previous music experience<br />

is necessary.<br />

Bass<br />

We also have a position<br />

open for a bass lead to join<br />

the Choir of<br />

Gentleman and Boys.<br />

For further information,<br />

please contact:<br />

Melva Treffinger Graham,<br />

M. Mus., Music Director,<br />

Grace Church oncthe-Hill<br />

300 Lonsdale Road, Toronto,<br />

Ontario M4V 1X4<br />

416-534-2493<br />

gracemusic2@rogers.com<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong>


HEAR<br />

&'NOW<br />

(New Music)<br />

by Paul Steenhuisen<br />

That scrawny cry-it was a chorister<br />

whose C preceded the choir.<br />

"It was part of the colossal sun,<br />

surrounded by its choral rings,<br />

still far away.<br />

Wallace Stevens, Not Ideas about<br />

.the 'J.hing but the Thing Itself<br />

This month's sonic potpourri is<br />

replete with concerts from the Third<br />

Toronto International Choral Festival<br />

(www.joyofsinging.ca/), and<br />

vastly differing aesthetics from local<br />

and visiting composers/performers.<br />

Recent music is represented on<br />

many of the events, beginning with<br />

Voices in Celebration, featuring premieres<br />

by Derek Holman (Four Liturgical<br />

Motets for Unaccompanied<br />

Choirs) and Raymond Luedeke<br />

(P_rayers, Poems and Incantations<br />

for the Earth), (<strong>June</strong> 3, St. James'<br />

Cathedral, 65 Church St.).<br />

Newmarket Ontario native John<br />

Estacio will hear his piece Eulogies<br />

sung on <strong>June</strong> 9 by the Timothy<br />

Eaton Chamber Choir, on a concert<br />

also featuring the premiere of<br />

Andrew Ager's Windows. Currently<br />

Resident Composer with the Calgary<br />

Philharmonic Orchestra and Calgary<br />

Opera, Estacio is well known in the<br />

prairie region for his symphonic and<br />

choral music and is also hard at<br />

work on a new opera, in collaboration<br />

with playwn"'ght John Murrell.<br />

Other of the many premieres include<br />

the late Srul Irving Glick's 5.<br />

Tableaux from the Song of Songs,<br />

and Tomas Dusatko's Distant Voices<br />

(<strong>June</strong> 16, Victoria Schoiars). Tl)e<br />

same concert includes Harry<br />

Somers' A Thousand Ages alongside<br />

music by guest composer<br />

Krzysztof Penderecki.<br />

<strong>June</strong> 19, Tokyo's Philharmonic<br />

Chorus sings music by Japanese<br />

composers, with Incense and Vox<br />

Naturae by Canadian choral master<br />

R. Murray Schafer.<br />

The new works at the Festival<br />

work well within their slogan "The<br />

joy of singing within the noise of the<br />

worl.d. " But I, for one, would be<br />

grateful if the noise of the world were<br />

a greater part of these choral pieces.<br />

Why I wonder is it that so many<br />

composers write more conservatively<br />

when composing for voice?<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong><br />

Here today, hear tomorrow.<br />

Arraymusic arid more<br />

In among the choral concerts, several<br />

other concerts will appeal to<br />

audiences seeking the new and<br />

unfiltered. On <strong>June</strong> 2 (Music Gallery),<br />

Arraymusic plays the results<br />

of its most recent FUTURE LAB,<br />

in the final concert presentation of<br />

their annual month-long Young<br />

Composers' Workshop. With the<br />

guidance of workshop leader Henry<br />

K\lcharzyk and Artistic Director,<br />

Allison Cameron, emergent composers<br />

Dave Chokroun, Emily<br />

Hall, Josh Penman and Carl Winter<br />

will hear their newest works,<br />

alongside those of recent participants<br />

Marci Rabe and·eldritch priest.<br />

Shortly thereafter (<strong>June</strong> 12),<br />

Massey Hall will ring with the sound<br />

of Kelly-Marie Murphy's TSO-com~<br />

missioned concerto for harp and orchestra,<br />

performed by Judy Loman<br />

under the baton of Gunther Herbig.<br />

Murphy has been variously described<br />

as "an alien of extraordinary<br />

ability" (US Immigration and Naturalization<br />

Department) and "the composer<br />

of attractive and intriguing<br />

SOUI\ds, an endless array of colours,<br />

... a sense of progress and resolution"<br />

(The Ottawa Citizen). See the<br />

composer's homepage for more serious<br />

and light-hearted information<br />

OI).. her work (members.aol.com/<br />

NEwMus1c<br />

...-----------------------~<br />

VanUrphy/kmm.html).<br />

And Michael Colgrass' 12-minute<br />

Hammer and Bow will be heard <strong>June</strong><br />

27m at the RCM, on a free concert<br />

by the Rudolph Fam,ily Players .<br />

Though not a narrative work, in it<br />

Colgrass strives to represent two<br />

people "relating closely on an emotional<br />

level-at times harmonious,<br />

at . others discordant, occasionally<br />

playful, but always communicating<br />

on some other-than-conscious level<br />

... a simple descending chromatic<br />

theme, which reflects the mysterious<br />

and unpredictable mood<br />

changes of two people in close<br />

relatiornhip" .(www.~.can)<br />

The Glass Orchestra<br />

(www.vex.net/ - rixax/GlassO/) is<br />

the only ensemble in the world<br />

whose musicians create and perform<br />

contemporary compositions entirely<br />

with glass instruments. 14th century<br />

Persia is when 'Music Glasses' first<br />

appear to have become generally<br />

known, but the popular modem his­<br />

_tory of musical glass begins with<br />

Benjamin Franklin's invention of the<br />

'Glass Harmonica' in 1761 -- a set<br />

of tuned glass bowls arranged horizontally<br />

with each bowl nestled inside<br />

the larger one next to it on a<br />

revolving spindle. Virtuoso glass<br />

performer-dude Rick Sacks notes that<br />

Glass Mu~ic's reputed penetrating<br />

Glass Orchestra '.s Tuned Bowls<br />

ability to bring on dementia and force<br />

early retirement in performers is<br />

now ascribed to slow poisoning<br />

from lead in the paint that circled<br />

the rims of the glasses to mark the<br />

sharp and flat notes.<br />

The use of glass instrumentation<br />

outside the traditional framework<br />

begins with the visionary American<br />

composer Harry Partch, who developed<br />

sets of cloud-chamber bowls<br />

(1950), tuned liquor bottles, and light<br />

bulbs struck with light mallets. The<br />

Glass Orchestra carries on this exploratory<br />

tradition. Their contribution<br />

rests· in an intuitive understanding<br />

of the fragile and complex material<br />

out of which they sculpt sound<br />

pure and clear. Want to hear it?<br />

<strong>June</strong> 22, 8 pm, at the Music Gallery.<br />

NGtionol Guilor<br />

.Workshop<br />

19<br />

.J


Composer to composer<br />

PART ONE OF<br />

AN INTERVIEW WITH<br />

John Weinzweig<br />

by Paul _Steenhuisen<br />

NEw Mus1c/ CoMPOSER TO COMPOSER<br />

Born "in Toronto in 1913, John<br />

Weinzweig has often been called the<br />

Dean of Canadian composers. The<br />

most recent event in his rich career<br />

is the release of a 3-CD set on the<br />

CMC's Centrediscs label, as part<br />

of the Canadian Composers Portraits<br />

series, which also includes<br />

disks of music by Jacques Hetu, Jean<br />

Coulthard, Harry Freedmiln, and<br />

Murray Adaski.n. Listening to the excellent CBC-produced documentary<br />

that is CD 1 of the set, and the subsequent 2 CD's of music, one has a<br />

new appreciation of his work, groundbreaki.ng career, dedication to teaching,<br />

and strongly-held beliefs on the status of composers in society. Divided<br />

into 2 parts, our interview covers many of the important musical and<br />

political issues that have occupied him throughout the 8 decades of his<br />

career. While 1 usually take for granted the opportunities 1 have to discuss<br />

music and ideas with my friends and colleagues, in this case I<br />

couldn't help but recognize and respect that I was talki.ng with a composer<br />

who was in part responsible for the fertile creative landscape we currently<br />

. . .<br />

inhabit.<br />

sic. I told them a story of-my expe-<br />

STEENHUISEN: What is the sig- rience: .1970 was the zoom anniver-·<br />

nificance of this recording? sary of Beethoven, and a number of<br />

WEINZWEIG Th . . _ Canadian composers and perform-<br />

• e portrait se . B 1 b . C<br />

nes<br />

·<br />

came<br />

-<br />

a<br />

bo<br />

ut w<br />

h<br />

en<br />

I<br />

wrote a<br />

b<br />

out<br />

ers<br />

.<br />

were m onn, ce e .ratmg ana-<br />

deli sedth bl fth I k d1an culture. We were sent over<br />

an scus e pro em o e ac ks rfi ed<br />

f C d . . CBC d. there to have some wor pe orm<br />

0 ana 1an music on ra 10. b th h · Beeth Hall<br />

To put it in perspective, think .about Y e syrnp ony m oven e.<br />

There was a press conference when<br />

the fact that each year CBC celebrates<br />

we arrived and I was spokesperson<br />

the anniversary of, a European com- for the composers. I was asked how<br />

poser - not for one broadcast, not come we were bringing Canadian<br />

for one week, but for twelve months.<br />

music to Germany and I said that<br />

The year, let's say, of Tchaikovsky' the reason is because in my country<br />

·. causes CBC to encourage perform- they're celebrating the anniversary of<br />

ers to include a piece of Tchaikovsky Beethoven. They. were quite asin<br />

their program if they want to get a<br />

tounded, because there they have no<br />

broadcast. Conversely, when a Ca- problem eelebrating their composers.<br />

nadian composer passed away' he I implied that we had a problem in<br />

' or she received aI\ obituary of a half- Canada. I told this story at the meethour<br />

program and that was all. ing with CBC, and I think they un-<br />

After waging guerilla activity on derstood my point. Not only Eurothe<br />

CBC for about eight months, 1 pean composers have a ·stofy to tell,<br />

had a meeting with the area head and but Canadian composers also.<br />

vice-president of CBC Radio Mu- They latched onto the idea of a<br />

i<br />

~::;'\<br />

David T~mblyn<br />

14 Fifth Street<br />

Toro"to Jsla"d<br />

o.,tario ea.,ada<br />

M532B9<br />

Tul1 416-203-0789<br />

6xq..,.isite Bows<br />

tla.,dmade ;., the Fre.,ch Traditio"<br />

20 www.thewholenote.com<br />

documentary, and began work on it<br />

right away, which helpea· to tum the<br />

whole thing around. Another important<br />

event was that Elisabeth Bihl,<br />

the Executive Director of the Canadian<br />

Music Centre, was also present<br />

at the.meeting. I felt that the CBC<br />

had been ignoring the Canadian<br />

Music Centre, and the CBC would<br />

not give enough airplay to recordings<br />

of Canadian music on the<br />

Centrediscs label. '.This brought the<br />

CMC and the CBC into collaboration<br />

on the portrait series CD's. ·<br />

STEENHUISEN: What do you<br />

think was the reason for the relative<br />

absence of Cana.di.an music on radio?<br />

WEINZWEIG: The CBC felt they<br />

were doing their· J?it for' Canadian<br />

composers because they spent<br />

$90,000 a year on commissions. I<br />

wasn't satisfied, because those<br />

works were dumped on the Sunday<br />

night program Two New Hours. I<br />

felt their attitude was that Canadian<br />

music was unfit for daytime broadcast.<br />

They wouldn't admit that, but<br />

it was obvious that Canadian music<br />

had no presence in daytime. The<br />

only presence of importance was on<br />

Two New Hours, which runs on<br />

Sundays from 10 p.m. until midnight.<br />

They thought that they were<br />

doing their part to encourage Canadian<br />

composers, but I told them that<br />

they don't have to encourage a composer.<br />

A composer is going to be a<br />

composer. It's incorrect to think<br />

you're doing something for Canadian<br />

music because you're giving a<br />

premiere. The premiere is useful<br />

for the composer, but not for the<br />

listener. The second performance<br />

is useful for the listener. And the<br />

third performance, and so on. You<br />

will not have a Canadian culture unless<br />

you create the conditions for a<br />

repertoire, and you only get that with<br />

multiple broadcasts and performances<br />

- familiarity and knowledge. Imagine<br />

what would happen to Beethoven<br />

if he was a Canadian composer and<br />

you commissioned him to write the<br />

5th Symphony, gave the premiere and<br />

that was it - he would be forgotten.<br />

That's what is done with our composers.<br />

STEENHUISEN: Do you think<br />

this approach some'1ow reflects ·a.<br />

more general societal attitude?<br />

WEINZWEIG: Canadian music<br />

had a fairly strong presence in radio<br />

from the forties into the late seventies.<br />

The downturn stemmed from<br />

a 1983 CBC committee report that<br />

claimed CBC radio was not showing<br />

enough -respect for popular music<br />

- that was the beginning of a<br />

putdown of our classical compose<br />

ers. By exploiting the weaknes.s of<br />

the Canadian content regulations,<br />

many Canadian pieces were eliminated<br />

in favour of European music<br />

and Canadian performers. As a result,<br />

Mozart became the standard of<br />

radio sound. It was very obvious.<br />

Almost every program that you heard<br />

first had a piece by Mozart, to pacify<br />

the listeners. Canadian music, by<br />

Canadian composers, had ceased to<br />

be a threat, and· we became strangers.<br />

STEJ


clarinets and symphony -. who the<br />

hell is going to write a piece for two<br />

clarinets and symphony? Obviously<br />

this was going to be an obstacle. I<br />

thought about it for a while and I<br />

wrote Dutoit and said "Thank you<br />

for the commission but in lieu of the<br />

fact that the Montreal Symphony has<br />

virtually ignored my repertoire during<br />

my lifetime, I see no reason why<br />

I should spend 8 or 9 .months writing<br />

a work for one single performance".<br />

But I wished him well. It<br />

wasri't personal.<br />

STEENHUISEN: Don't you think<br />

that by aicepting the commission and<br />

tailoring it to your interests that you 're<br />

making a step towards counteracting<br />

the ignorance of your music?<br />

WEINZWEIG: No. My name<br />

came up from a committee that was<br />

adVising the Montreal Symphony. The<br />

selection wasn't made by Dutoit, it was<br />

made for him. Don't forget that I was<br />

not a young composer anymore. I<br />

had no reason to grab this commission.<br />

I didn't need them. It couldn't<br />

further my career-I either had a career<br />

ordidn't. Itreirundsmeofsomeyears<br />

ago when the Victoria Symphony had<br />

a grant to put on some concerts of contemporary<br />

music. They weren't doing<br />

very \\fell at bringing in the audience.<br />

The next thing I see is a photo<br />

of a pair of singing dogs in the newspaper,<br />

hired for a contemporary music<br />

coocert presented by the Victoria Symphony.<br />

Two singing dogs, auditioned<br />

and hired from New York to put on<br />

their concert of contemporary music!<br />

I was very angry about this. I wrote a<br />

letter to the Canada Council and suggested<br />

"Next time you get a request<br />

for funds from the Victoria Symphony<br />

I suggest you send them a box of dog<br />

food". That message was transmitted<br />

to the Victoria Symphony. As a result,<br />

I have not been performed by the·<br />

Victoria Symphony.<br />

lf you speak your mind, then<br />

there's the risk that you're going to<br />

be left out in the cold, and I could<br />

accept that. I would speak my mind,<br />

and I would lose a performance here<br />

or there, but so what? That wasn't<br />

going to change my life. I could<br />

still write music and hope and dream<br />

that someday somebody will play it.<br />

If you're·a composer you hope and<br />

dream anyway. That's a big part of<br />

writing music.<br />

Part II of t~ interview will<br />

appear in the July/August<br />

issue of WholeNote<br />

lJy Jim Galloway<br />

.ft '\I· IS .J\zz<br />

<strong>June</strong> is Jazz<br />

Bustin' Out All Over! Los Hombres Ca/ientes<br />

FE'SllVAL SFM)N rets into full swing A Midsi.unmer Night's<br />

second half of this month with JVC Dream Come True<br />

and Toronto Downtown Jazz events Every year in France at the summer<br />

.and their slew ofheadlirers. NC, with solstice, amateur and professional mua<br />

somewhat lower profile this year, has sicians take to streets, parks and pub­<br />

Medeski, Martin and Wood as their lie squares for Fete de l1l Musique, a<br />

big money act, along with appearaoces free, public celebration of music in all<br />

by Jackie McLean with Cedar Walton, its forms, traditional, classical, jazz,<br />

KennyGarretandTheHerbaliser. The techno, salsa and world. Launched in<br />

action is pretty well concentrated at 1982, the Fete began to be "exported"<br />

Harbourfront Centre, Top O' The in 1985 (the European Year ofM\l­<br />

Senator and The Rex.<br />

sic). It is now celebrated in over one<br />

Toronto Downtown Jazz has a Jin}. hunlred countries worldwide.<br />

up that in:ludes Maynard Ferguson, In France it is a great popular dem­<br />

The Dave Brubeck Quartet, The Coont onstration, a symbolic manifestation of<br />

Basie Orchestra, Dave Holland, Pat the solid link between the arts and poli­<br />

Martino and Arturo Sandoval. There tics. The Freix:h people, as a matter of<br />

is an increased level of free program- cpurse, expect the state to provide and<br />

ming this year. The last two days of fund culture, in the same way as they<br />

the event will use an additional stage at · expect the state to provide and fund<br />

City Hall instead of moving to Uiti.ver- adequate health care.<br />

sity Avemre as in the past two years. HeretootherewillbeasttungFreoch<br />

These concerts will still be free, and preseoce.h.ln!21. AtHarboorfrontCen- ,<br />

the headlirers will be John Scofield and tre, as part of the NC festival the Erik<br />

Los Hombres Calientes. Both were Truffilz Ladyland Quartet will give an<br />

billed but disappointed last year. The evening concert; earlier in the day<br />

difference - Scofield is free this year, (5pm) drummer Fraix:ois Huchard and<br />

which will be a treat for the army of his Quintet will be at Nathan Phillips<br />

fans he has won in this town. Aro Square as part of Toronto Downtown<br />

Los Hombres will definitely not be Jazz. lnthespiritofFetedelaMusique,<br />

raiml off as they were last <strong>June</strong>. No, both events are free.<br />

Ihavenotbecvmeanaccurateweather The Freix:h presence does not end<br />

forecaster (livestheresuchacrearure?). there, however. Throughout the fol­<br />

The marquee used for mainstage con- lowing week Freix:h musicians Alain<br />

certs during the first eight days will Brunet, Llorca, ooJazz and the Baptiste<br />

become a fallback venue. Come rain Trotigoon Trio will hoist the tricolour.<br />

or shine, the bmls will play, albeit to. I shall hoist a Pernod!<br />

smaller crowds if UIXler canvas.<br />

IN THE CUJBS THE STAKES get raised a bit<br />

FESTIVALHYffilSLWAlLYcemredamnxl during festival fever. SeanrusB~ and<br />

the big names coming into town, but Ira Sullivan will be at Top O' The<br />

one of the potential strengths of a fes- Senator, RobMcCoIUJell TentetatThe<br />

tival is the opportunityit gives to lesser- Rex and Marian McPartland, Dick<br />

known artists to be heard by a larger HymanandD.D. Jackson confirm The<br />

audience. I suspect that a large IllJlllber Montreal Bistro as the best piano room<br />

of the thousands of people who lllm in town. For complete festival inforout<br />

at festival time never see the in- mation check out the websites where<br />

side of a jazz club and a considerable you will find full listings. For NC go<br />

numberdon'tevenhearlivejazzfrom to www.festivalproductions.net and<br />

one festival until the next. It is some- for Toronto Downtown Jazz visit<br />

thing I have never quite uOOerstood, www.torontojazz.com.<br />

but I do krowthatl seeagoodlymnber Remember too that the month does<br />

of faces at festival time and at oo other. mt begin <strong>June</strong> 14. There are two weeks<br />

So check out the amazing array of of gOOd ~ic leading up to the festivenues<br />

in our Jazz Listh¥ on page val marathon. Maybe you should get<br />

37, and get into the habit! into training by catching some of it.<br />

Hear<br />

the<br />

colour<br />

of<br />

•<br />

<strong>June</strong> 1 ,.. Ju y 7 <strong>2002</strong><br />

www.thewholenote.com


We're number two, we're number two<br />

When Second Cities<br />

steal the scene<br />

by Phi1 Ehrensaft<br />

Make no mistake, the limelight from fielders etc. to assemb~e a first-class<br />

New York, Lorxlon, Paris and the like team to back any number of touring<br />

is very bright. So when Second Cities superstars. What interests me more is<br />

like Chicago, San Francisco, Boston howToronto'sonceVIbrantexperirnefr<br />

and Toronto take a prominent chunk, tal scene which wound down after the<br />

it's not by reputation but for accom- 1970s is rising from the ashes.<br />

plishments that are mambiguously bril- Granted, there is a way to go from<br />

liant. Toronto's jazz scene, I predict, aninformalnetworkofavant-gardeim-<br />

. is poised to take a rightful bow. provisers, iocluding both jazz and other<br />

Between this past April's Opera streams, organizing perfonnances in<br />

America conference here and the In- varying venues and lofts. But I fully<br />

ternational Association of Jazz Edu- expect the phoenix to rise. The frecators'<br />

meeting scheduled for Toronto quent talk about Toronto's purported<br />

in January 2003, eight months will musical conservatism flies in the face<br />

have~ - eight months that could of fuels. TO is one of the North Amerimark<br />

a turning point in terms of continental<br />

awareness of Toronto's musical<br />

excellence.<br />

Most of the opera comt>ciny directors<br />

and staff who flowed into To-<br />

can nodes for composed new music.<br />

On the jazz side of things, Glen Hall,<br />

David Mott, Marilyn Lerner, and VictorBatemanareseniormoversandshak­<br />

ers continentally, and I documented the<br />

ronto had heard the buzz that the coc ' up and coming younger cohorts ofToranked<br />

right up there with Chicago's ronto,improvisers in the <strong>June</strong> 2001 is~<br />

Lyric Opera and the SanFran:isco Op- sue of WholeNote.<br />

era. They not only saw the COC in There is already sufficient depth in<br />

action, but also went away impressed this network to allow for the mounting<br />

with the network of smaller compa- oflastmonth's first "Jazz Fringe" fespies<br />

and the new operas being turned tival, as well the upcoming 416 Festiout<br />

by Toronto's comp0sers and Ii- val which runs <strong>June</strong> 26-30 with fifbreuists.<br />

OperaAmerica'sdelegatesleft teendifferentgroupsperformingatthe<br />

our city with the sense that opera (not Oasis, 294 College St.<br />

just one opera company) is alive and Gooo OL I DEMOGRAPHY<br />

well in our town.<br />

What fuels my personaloptimismaboUt<br />

PARALLEWNG o~'s RISE, Toronto thecity'sjazzfuture, is whatlseein<br />

has quietly beoome one of the centres thedemographicsofjazzaudieoceshere.<br />

of North American jazz. Nex,t Janu~ Jazz was already changed from its<br />

ary's IAJE delegates will experience Storyville, South Side, and Harlem<br />

Toronto as ajazz city, not just a festi- shady past by the time Goodman and<br />

val town, a phenomen that Jim Gallo- Ellington performed in Carnegie Hall<br />

way and I documented in last Novem- during the 1930s and 40s. The shift<br />

ber's WholeNote. They will fly out was all but complete when Parker,<br />

of Pearson with a sense that Toronto Gille)pieandcomµmyeamx:lforbebop<br />

has joined Chicago and San Francisco and jazz the sobriquet of "America's<br />

as the happening places for jal.z out- classical music." A misnomer?<br />

side the Big Apple.<br />

Maybe, but it makes the point: bebop<br />

Toronto now hosts one of the con- -complex sophisticated (and thankfully<br />

tinent's mos~ important concentrations swinging) was every bit as demanding<br />

ofprofessionaljazzmusicians. Onany as classical music. In some ways, it<br />

given night· of the year, and not just was. closer to the spirit of Beethoven<br />

during festival season, you can hear than how his music is played today.<br />

more jazz in TO than you are likely to Point is, the demographics of the<br />

hear in the similarly sired cities of core audierx:e for jazz have become not<br />

Washington, Boston, Dallas, Philadel- terribly different than that for cla8sical<br />

phia or Detroit.<br />

music,: on the average, higher age, in-<br />

Toronto's jazz accomplishments, to come, and education. (This holds<br />

date, have been baSed ona mainstream equally for African-American and Afhome<br />

team with an exceptionally deep rican--Canadian audiences as it does for<br />

bench. There are jazz equivalents of the white majority.)<br />

moretha1tseveralgoodshortstops, left But there's a distinction, I think, be-<br />

JAZZ & BAND<br />

Marilyn Lerner<br />

BAND<br />

.STAND<br />

PY Merlin Williams<br />

Musicfest Calgary<br />

Trip Diary ,<br />

Thursday, May 16- It's 3am Calgary<br />

time, and ~·m finally turning in for the<br />

the nite. It's been quite an operation<br />

tween lifelong jazz boomers and their getting 60 members of the Brampton<br />

classical counterparts. If you came to Concert Band and instruments here.<br />

jazz let's say in the first half of the Those of us lucky enough to play<br />

seventies, it was when the jazz greats smaller instruments were able to carry<br />

were treading paths never before trod" them onto the plane - at the other exden<br />

- when Miles and Omette were treme, our tuba players had to open<br />

going electric. Youmadethetransition - their cases in the airport and play for<br />

to adulthood with a jazz great blowing · security before they could get on. And<br />

your mind.<br />

once boarded, we sat on the ground<br />

Developing a p~ion for that kind for two hours because ofa storm. Minor<br />

of jazz at that time was likely tied into hassles! Everyone is psyched for the<br />

how you defined yourself in relation competition.<br />

to the .w~rld. E~en if the jazz audi- Friday, May 17.- We left at 8am for<br />

ence, like Its class1cal counterpart, now Lord Beaverbrook High School in Calconstitutes<br />

only 3 ~ 4 percent of the gary. Played a concert for the students,<br />

purc~rsofrecordingsand~:£0nn- then were coached by Capt. David<br />

ance.uckets, that~upt_Omillmnsof Jone8. Bowled over by the school's<br />

p:iss1onate fans. If Jazz IS your pas- excellent facilities and equipment; an<br />

s10n, a commute from Osha.wa, enjoyable and instructive morning.<br />

Guelph, or Hamilton to hear Sonny Back on the bus and off to Lake<br />

Rollins is no J?ig deal. My guesstimate Louise, we find the lake still frozen,<br />

would be that Toronto's potential jazz and the weather dismal, but the band<br />

audience has roughly tripled during the gets their uniforms on to pose for phopast<br />

three ~ecades.<br />

, , tos in front ofone of the great views in<br />

. Isthe~gheraveragea~eof~y s Canada. Next stop is Banff, where it<br />

Jazz audien~ a ~roblem; Only ifthe . seems you're completely surrounded<br />

art form dies with them. Down the by the Rockies. Every time I turned<br />

road, ~e fact that 500 s~dents are en- around there was another magnificrnt<br />

r~lled m on~ of Toronto s three post- vista. We; head back to Calgary after<br />

highschoolJazzprogramsaugurswe.ll dinner, and have (for this band<br />

for ~e future. TJ_ie real ~ope ~or me IS anyways!) a light night of partying.<br />

the nse here of mnovauou: 1t means<br />

jazz is ready as always to catch, for a Saturday, May 18-Competitionday!<br />

lifetinie, the ears, minds and hearts of We didn't perform until 6:30pm, so<br />

young adults in the process of defining<br />

who they are and will be. or'shopping and<br />

m,ost of the band headed off for a day<br />

sightseeing.<br />

Iii Long & McQuade<br />

.- MUSICAL INSTRUMENTS•<br />

www.lon11-mcqu•d•.com<br />

SALES - RENTALS - REPAIRS - IN STORE flNANCING<br />

TRADES - USED INSTRUMENTS BOUGHT & SOLD<br />

Toronto<br />

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925 Bloor St.W,<br />

2777 Steeles Av.W.<br />

1133 Markham Rd.<br />

380 Simcoe St.S.<br />

370 Main St.N.<br />

3180 Mainway Dr,<br />

(416)588-7886<br />

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(416)439-8001<br />

(905)434-1612<br />

(905)450-4334<br />

(905)319-3330<br />

, Where the Music Begins.<br />

22 www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


JAZZ & BAND<br />

by Ralph Vaughan Williams. It's regarded<br />

as one of the cornerstones of<br />

band repertoire, and is a study in polyphony<br />

to the nth degree. Finally came<br />

the piece the band has been waiting<br />

for: "Horizons" by Fred Stride, commissioned<br />

by the Brampton Concert<br />

Band. It's an impressive new work<br />

for band. The full resources of tonal<br />

Brampton Concert Band colour and rhythmic excitement avail-<br />

I arrive at the Telus Convention able in the modem band are utilized in<br />

Centre at 9am to find that one of the this piece. At the conclusion of the<br />

other Brampton groups, Beatty piece, we saw something I've never<br />

Fleming P.S. had already played and witnessed before: members of the adwon<br />

a gold standard for their efforts. I judicators and clinicians panel giving<br />

was delighted to see th\! Mayor of the band a standing ovation.<br />

Brampton, Susan Fennell there to con- · We left the stage for the clinic room<br />

gratulate the band and pose with them where we were treated to an infonnafor<br />

photos. The third Brampton group, rive and entertaining clinic by Keith<br />

Notre Dame S.S .. played later in the . Kinder ofMcMaster University. Had<br />

day. Interesting to note that most of agoodchuck!eoverthefactwe'dtravthe<br />

Ontario bands attending were from elled half way across the country to<br />

the 905 area.<br />

have a next door neighbour critique us.<br />

Atabout5pmourbandheadedover After the clinic, we did the<br />

to the convention centre en masse. sightreading fest. The band clearly im­<br />

Milling about in the lobby, waiting for pressed the adjudicator OIJ. this one - he<br />

our warmup room, some of us chatted said we were the only band to play the·<br />

with members of the St. Albert Com- piece we selected correctly. All told,<br />

munity Band from E.dmonton. I think we received gold staOOard from all four<br />

our two groups were the only adult adjudicators. We had a great celebrabands<br />

at Musicfest this year. tion at dinner, and Mayor Fennell<br />

After our warmup, we're led intri boughrdinner for the entire band!<br />

the performing room. It's an odd venue This was such a great event for the<br />

for a band. It's a convention centre band. The performance level, morale<br />

ballroom. For some reason that I can- and spirit have never been higher. I'd<br />

not fathom, the floor is covered in car- personally like to thank our conductor,<br />

pet. Yuck! It's beyond me why they Darryl futon for his musical leadercouldn't<br />

have rolled back the carpets ship. Moving sixty people and their<br />

and let the bands play on the wood horns is a massive undertaking, and<br />

floor. The band tunes up and launches my hat is off to Cathy and Dave<br />

into "Valdres", a concert march by Harmsworth and all the members of<br />

1 Loras Schissel. This is one of the most the boord of the Brampton Con:ertBani<br />

difficult marches I've ever played ' I . who put it all together.<br />

doubtthatmostpeoplecouldeverper- It's my fervent wish that we'll see<br />

form this piece while actually march- more GT A bands in the Musicfest<br />

ing. Nextupwas<br />

¥1.<br />

"ToccattaMarziale"_ Nationals next year.<br />

Christ Church Deer Park presents<br />

Featuring some of Toronto's best jazz musicians<br />

with a· brief reflection by Reverend Tim Elliott.<br />

Sunday, <strong>June</strong> 2 - 4:30 pm<br />

DAVE YOUNG, bass<br />

JOEL QUARRINGTON, bass<br />

BERNIE SENENSKY, piano<br />

Sunday, <strong>June</strong> 16 - 4:30 pm<br />

ALEX DEAN, saxophone<br />

Rickard's Club Series<br />

featuring over 30 Clubs & Restaurants including<br />

The Montreal Bistro<br />

65 Sherbourne St. • 416-363-0179<br />

MARIAN McPARTLANO TRIO<br />

Friday, <strong>June</strong> 21 to Sunday, <strong>June</strong> 23 • ·9 P.M.<br />

DICK HYMAN Solo Piano<br />

Monday, <strong>June</strong> 24 • 9 P.M.<br />

DICK HYMAN &<br />

PETER APPLEYARD<br />

Tuesday, <strong>June</strong> 25 • 9 P.M.<br />

DICK HYMAN/<br />

PETER APPLEYARD QUARTET<br />

Wednesday, <strong>June</strong> 26 • 9 P.M.<br />

GIANLUIGI TROVES! &<br />

GIANNI COSCIA<br />

Thursday, <strong>June</strong> 27 • Noon<br />

IOHN ALLRED &<br />

AL KAY QUINTET<br />

Thursday, <strong>June</strong> 27 • 9 P.M.<br />

D.D. JACKSON TRIO<br />

Friday, <strong>June</strong> 28 & Saturday, <strong>June</strong> 29 • 9 P.M.<br />

Toronto Colony Hotel<br />

Dewey's lounge - 89 Chestnut St. - 9:30 P.M.. • ••••<br />

SPANKY DAVIS<br />

with The fan Bargh Trio<br />

Friday, <strong>June</strong> 21 & Saturday, <strong>June</strong> 22<br />

ROBIN NOLAN TRIO<br />

Sunday, <strong>June</strong> 23 & Monday, <strong>June</strong> 24<br />

HILARIO DURAN TRIO<br />

Tuesday, <strong>June</strong> 25 & Wednesday, <strong>June</strong> 26<br />

BARRY ELMES QUINTET<br />

Thursday, <strong>June</strong> 27<br />

MARGIE EVANS<br />

Friday, <strong>June</strong> 28 to Sunday, <strong>June</strong> 30<br />

Dewey's Late Night lazz lam<br />

1 A.M. to 4 A.M. • <strong>June</strong> 21 • <strong>June</strong> 30<br />

~ 416~87.0·8000<br />

JAGUAR toronto1azz.com<br />

@iiW<br />

Christ Church Deer Park, 1570 Yonge Street<br />

(north of St. Clair at Heath St.) 416-920-5211<br />

Admission is free. An offering is received to support<br />

the work of the Church, including Jazz Vespers.<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong><br />

www.thewholenote.com


y Sarah B. Hood<br />

0PER \ & M1rs1c T11EATRE<br />

Summer musicals take the stage across southern Ontario<br />

FOUR BY ONE .<br />

The time of the opening of the cottages<br />

is upon us, and that means that<br />

while city stages are coming to the<br />

end of their runs, -the summer theatre<br />

festivals are opening their doors<br />

to a new season wherein musicals<br />

abound.<br />

In Toronto, things theatrical are<br />

not yet quite finished, however.<br />

Writer Vincent de Tourdonnet is taking<br />

advantage of the shoulder season<br />

to launch his Snappy Tales, an<br />

evening of four music theatre works<br />

ranging from 4 to 45 minutes in<br />

length~ In each case, de Tourdonnet<br />

has worked with a different composer.<br />

Stephen Eddins has composed<br />

The Doll's Hou!ie, a four-minute(!)<br />

mini-opera inspired by a Katherine<br />

Mansfield story. J. Douglas Dodd<br />

wrote the music for The Good Person,<br />

inspired by Brecht's Good Person<br />

of Szechuan. Kurt Vonnegut has<br />

officially approved the treatment of<br />

his story The Barnlwuse Effect, with<br />

mU&ic by Jim Kass, while the longest<br />

piece of the evening, Strange<br />

Medicine, is a collaboration with<br />

Allen Cole, and was previously produced<br />

at B. C. 's Caravan Farm Theatre.<br />

Apart from the fact that de<br />

Tourdonnet wrote the book and lyrics<br />

for all four "what unites them all<br />

is they're all social satire" he says.<br />

"They all come from the social justice<br />

tradition, which is what I'm interested<br />

in as a writer." Thus The<br />

Good Person is about a Toronto<br />

,prostitute; The Barnhouse Effect<br />

relates the story of a professor<br />

whose discovery of a new form of<br />

· energy dr~ws the interest of the Pentagon,<br />

and Strange Medicine satirizes<br />

the drug-dominated approach to heal~<br />

ing in contemporary society. Snappy<br />

Tales runs from <strong>June</strong> 7 to 23 at the<br />

Factory Theatre Lab Studio.<br />

IF Tiffi TITLE HAS AN<br />

EXCLAMATION MARK<br />

TIIEN IT'S A MUSICAL!<br />

Meanwhile Artword Theatre<br />

presents Ronald Weihs' Toronto the<br />

Good!, a musical evocation of the<br />

life of this city in the 1890s, when<br />

institutionalized Victorian morality<br />

clashed with the growing public ap-<br />

. petite for pleasures of all kinds, including<br />

alcohol, tobacco, sex,<br />

FIORELLO: From left to right, Trish Vergata<br />

(Marie), Pat Elia (Fiorello), Lisa Drago (Thea) Evocative: Toronto the Good! at Artword ·<br />

drugs ... and bicycling. Toronto the www.lighthousetheatre.com).<br />

Good! runs from <strong>June</strong> 14 to July<br />

Collingwood (705-445-2200 or<br />

www.theatrecollingwood.com)<br />

28. POPULAR CANADIANS<br />

On <strong>June</strong> 29 The Georgian Theatre<br />

Festival in Meaford welcomes perennial<br />

diva Mary Lou Fallis with her<br />

comic Primadonna on a Moose.<br />

(www.thedramaworkshop.com, or<br />

phone 888-541-4444).<br />

Composer Leslie Arden and Canada's<br />

most-produced playwright Norm<br />

Foster collaborated on the comic musical<br />

whodunnit The l.LJSt Resort, which<br />

But this summer's most popular<br />

original Canadian musical is 2 Pianos,<br />

4 Hands, originally created by<br />

Ted Dykstra and Richard Greenblatt.<br />

The acclaimed and successful tale of<br />

growing up with music lessons runs<br />

from <strong>June</strong> 18 to July 6 at the Port<br />

Hope Festival Theatre (s00434-5W2<br />

or www.capitoltheatre.corri); from<br />

August 6 to 18 at The Opera House<br />

in Gravenhurst (888-495-8888 or<br />

Also on the topic of municipal affairs,<br />

if you think that Giuliani was<br />

the first or only notable Italian mayor<br />

of New York City, then you've<br />

overlooked Fiorello La Guardia.<br />

Namesake of both the airport and<br />

New York's high school for the<br />

performing arts (of Fame fame), La<br />

Guardia was in office from 1934 to<br />

1945, 'and was known for introducing<br />

major welfare programs and reducing<br />

civic corruption. The Tony­<br />

Award-winning Fiorello!, by Jerry<br />

Bock and Sheldon Barnick, will be<br />

performed by the Toronto Catholic<br />

District School Board Staff Arts organization,<br />

featuring administrators,<br />

caretakers and teachers from local<br />

schools. It runs from <strong>June</strong> 7 to 15 at<br />

Cardinal Carter Academy for the<br />

Arts, and a portion of proceeds goes<br />

towards a 9-11 Relief Fund.<br />

AND THEN THERE'S THE<br />

BEDKNOBS AND BROOM­<br />

STICKS SCHOOL OF TITLING ...<br />

LAST YEAR the Nipissing Stage<br />

Company opened in North Bay<br />

with an ambitious and interesting<br />

playbill. This year's season includes<br />

the premiere of a musical by Patty<br />

Fedeli and. Lloyd MacMillan, called<br />

Shadjlies and Shotguns. Its subject<br />

is the progress of a charismatic killer<br />

loose in Northern Ontario. It runs<br />

from July 30 to August 24. (705-<br />

472-2782 or www.nipstage.com).<br />

Then from Augtist 14 to 31 another<br />

original musical, Wooden Boats<br />

and Iron Men by Bruce Milner and<br />

Robert More, tells tales of the power<br />

of the lake and the courage of its<br />

people at Port Dover's Lighthouse .<br />

Festival Theatre (519-583-2221 or<br />

runs from August 13 to 24 at Theatre CONTINUES ON PAGE 36<br />

Vivace<br />

William Shookhoff; Music Director<br />

Erika Varga, Stage Director<br />

featuring 1<br />

Caroline Kuehn, Penelope Cookson,<br />

Cheryl Campbell, Alexander Wiebe,<br />

Erika Varga, Jane Waugh,<br />

Melanie Conly, Jay Lambie,<br />

Geoff Keating and Jon-Paul Decosse<br />

<strong>June</strong> 13 & 14, <strong>2002</strong> 7:30 PM<br />

New Horizons Chapel, 1140 Bloor West (at Dufferin)<br />

<strong>June</strong> 17 & 19, <strong>2002</strong> 7:30 PM<br />

The Stone Church, 45 Davenport Road, (at Bay)<br />

Tickets $.15<br />

416-518-8506 I varga@sympatico.ca<br />

24<br />

www .thewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


Comprehensive Concert Listings<br />

Readers please note: presenters' plans change; & we make mistakes! Please<br />

always use the phone numbers provided to call ahead. For Jazz club listings,<br />

see page 3 7. For full music theatre and opera listings, see page 36. And for<br />

events "further afield" (just outside the GT A) see pages 35-36.<br />

Saturday <strong>June</strong> 01<br />

- 2:00 & 7:30: Mississauga Children's<br />

Choir. 20th Anniversary Gala. Kucharzyk:<br />

Super Cool Rainbow Special; Hatfield: Who Why<br />

and Where. Royal Bank Theatre, 4141 Living<br />

Arts Drive. 905-306-6000. $15,$10.<br />

- 2:00: Toronto International Choral<br />

Festival. Celebrating the Joy of Singing. Music<br />

featuring the themes of freedom, unity & peace.<br />

Massed youth choir of over 2000 voices;<br />

Markham District Hiah School Band; Dr. Lee<br />

Father John Palmer,<br />

C.S.V.- Organ (Benedictine<br />

University) Organ Music of<br />

Francis Jackson<br />

Christopher Dawes and<br />

P. John H. Stephenson,<br />

(Organists of St. James')<br />

Annual Request Organ<br />

Recital<br />

Sharon L. Beckstead,<br />

Organ (Leaside United<br />

Church)<br />

The Fredericton Schoolgirl<br />

Choir:<br />

"Celebrating the Voice" ·<br />

Willingham, conductor. Nathan Phillips Square,<br />

100 Queen St. West. 416·8724255. Free.<br />

- 7:00: Viva! Youth Singerso!Toronto.<br />

Choral Music from Around the World. Music of<br />

Serbia, Israel, Argentina, Canada & Austria.<br />

Rodrigo Chavez, percussion; Carol Woodward<br />

Ratzlaff, conductor; Brad Ratzlaff, accof11Janist.<br />

T rinity·St. Paul's Church, 427 Bloor St. West.<br />

416· 788-8482. $15, $10.<br />

- 7:30: Music at Metropolitan. Metropolitan<br />

Festival of Arts:.A Golden Opera-tunity. Evening<br />

of opera excerpts. Jay Lambie and friends.<br />

Metropolitan United Church, 56 Queen St. East.<br />

416-363-0331. $15.<br />

- 8:00: Acoustic Harvest Folk Club. Bill<br />

Hilly Band. Birch Cliff United Church, 33 East Rd.<br />

416· 264-2235. $12, sliding scale available.<br />

- 8:00: Etobicoke Centennial Choir. Water<br />

Music· Songs of Oceans, lakes and Rivers.<br />

Harris J. Loewen, music director. Humbercrest<br />

United Church, 16 Baby Point Road. 416-239:<br />

1131ext.49.$15.<br />

- 8:00: Jubilate Singers. Mediterranean<br />

Sunshine. M'usic by Monteverdi, di Lassus, del<br />

Encina, Halffter, Durufle, Ravel, Mompou, Oltra<br />

& T altabull. Isabel Bemaus, director; Sherry<br />

Squires, accof11Janist. St. Leonard's Church, 25<br />

Wanless Ave. 416-223-3629. $15,$12,<br />

$ l O(children 12 & under).<br />

- 8:00: NortliYork Singers.Music for an<br />

Abbey. Program of sacred music. Gary Heard,<br />

director. Loretto Abbey, 101 Mason Blvd. 905·<br />

893-9626. $15,$12.<br />

.- 8:00: Singing OUT! For love Must Have a<br />

Voice. CD release concert. John Bassett Theatre,<br />

Metro Convention Centre, 255 Front St. West.<br />

416-924-6859. $16.<br />

- 8:00: Small World Music Society.<br />

Masters oflndian Rhythm. Solos & duets<br />

bringing together North & South Indian traditions.<br />

Aniido Chatterjee, tabla; T richy Sankaran,<br />

nYdangam. du Maurier Theatre Centre, 231<br />

·Queens Quay West. 416-9734000. $25,$20.<br />

- 8:00: Toronto International Choral<br />

Festival. St. Petersburg Chamber Choir.<br />

CONCERT LISTINGS - GT A<br />

Rachmaninoff: All Night Vigil (Vespers). Nikolai<br />

Komiev, conductor. Massey Hall, 15 Shuter St.<br />

416·8724255. $25-$60, student discount.<br />

- 8:30: Dave Restivo, jazz pianist. Paintings<br />

by Ben Woolfitt. 1153 Queen St. West. Suite<br />

211. 416-533-9711. Suggested donation of $ 25.<br />

Proceeds after direct costs to Willow-Breast<br />

Cancer Support & Resource Servi~es.<br />

Sunday <strong>June</strong> 02<br />

- 12:30: Spadina Historic House and<br />

Gardens. Music in the Orchard.· Families Makin'<br />

Music. For children 5 & under. 285 Spadina Rd.<br />

416-392 ·691 0 ext.311. Free.<br />

- 1 :30: CAMMAC/McMichael Gallery.<br />

Sunday Concert: Fridge Magnets. Folk duo. 10365<br />

Islington, Kleinburg. 905·893-1121. $12,$9,<br />

·family rates.<br />

•- 1 :30: Spadina Historic House and<br />

Gardens. Music in the Orchard.· Ursa Major.<br />

Celtic and Jewish music for harp and viola. 285<br />

Spadina Rd. 416·392 ·6910 ext.311. Free.<br />

- 2:00: Calvin Presbyterian Church.<br />

Entr'acte Ensemble. Chamber music of lbert,<br />

Vespers. Dave Young & Joel Ouarrington, bass;<br />

Bernie Senensky, piano. 1570 Yonge St. 416·<br />

920-5211. Free (offering}.<br />

· - 5:00: Toronto International Choral<br />

Festival/Harbourfront Centre. Mayfield<br />

Magnetics. Jazz choir. Toronto Music Garden,<br />

475 Queens Quay West.416·8724255. Free.<br />

- 7:30: Zion.Wexford United Church.<br />

Kanata Native Dance Theatre. Drum songs &<br />

dances ofthe Plains &Woodlands tribes. 2102<br />

Lawrence Ave. East. 416· 288-0373. $12.<br />

-8:00: Arraymusic. Future lab: Young<br />

Composers' Workshop. Four world prenieres by<br />

emerging composers: Chokroun, Hall, Penman &<br />

Winter. Stephen Clarke, Blair Mackay, Rick<br />

· Sacks, Robert W. Stevenson, Rebecca van der<br />

Post, performers. Music Gallery, St. George-the·<br />

Martyr Church, 197 John St. 416-204-1080 ..<br />

~10.$8.<br />

- 8:00: Toronto International Choral<br />

Festival.Newfoundland Symphony Youth Choir.<br />

Susan Knight, conductor. George Weston Recital<br />

Hall, 5040YoogeSt.416·872-1111. $18-$28,<br />

student discount.<br />

Fleming, Poulenc, Ravel & T eleriiann. Beverly<br />

Monday <strong>June</strong> 03<br />

Lewis, piano; Donald Boere, oboe. 26 Delisle Ave.<br />

416-923-9030. Free.<br />

- 12:15: Music Mondays Lunchtime<br />

- 2:00: Toronto International Choral Concert·Series. Classical Piano Trio.<br />

Festival. Vancouver Chamber Choir. Victoria: Ractrnaninoff: Vocalise; Massenet: Meditation; ,<br />

Requiem for Six Voices; works by Weelkes, Elgar: Salut d'amour; Mascagni: Intermezzo<br />

Janequin, Monteverdi & Morley. Jon Washburn, sinfonico; Levkovich: Piano Trio. Nata Belkin,<br />

conductor. George Weston Recital Hall, 5040 , cello; Al.exander Levkovich, piano/con1ioser;<br />

Yonge St. 416-872-1111. $ 25-$47, student Sergei Nikonov, violin. Church of the Holy Trinity,<br />

discount.<br />

10 Trinity Square. 416-5984521. Suggested<br />

- 3:00: Appleby College Cantus. Julia donation $5.<br />

Davids; director. Church of St. Luke, Elgin Street, - 2:00: Toronto Senior Stri.ngs. String<br />

Burlington. 905-639· 7643. $ 7, $5.<br />

Ouartet Concert. St. Andrew's Presbyterian<br />

- 3:00: Baroque Music Beside ttie Grange. Church, 73 Simcoe. 416-221-6090. $12.<br />

A German Tafel-Confekt. Music by Handel, Bach, - 7:15: Riverdale Youth Singers.<br />

Schaffrath & others. Linda Melsted, violin; Wash Earthsongs. Aboriginal drunming and dancing;<br />

McClain, oboe; Michael McCraw, bassoon; Marie mysic to celebrate oneness with the Earth; In<br />

Bouchard, harpsichord. St. George· the-Martyr Memoriam, John Ford. Eagleheart Singers,<br />

Church, 197 John St. 416-5884301. $18, $14. JinYny Dick, leader; Donald Boere, oboe; Tilman<br />

- 3:00: Hart House Music Committee. Lewis, cello; Bobby Fielding, guitar; Mark Bell,<br />

· Seventh AnfNlal Rupert Schieffer Concert. Janet conductor; John Govedas, accompanist. Riverdale<br />

Harach, soprano; Julien Le Blanc, piano. Great Collegiate Institute, 1094 Gerrard St. East. Free.<br />

Hall, 7 Hart House Circle. 416-978-5362. Free. - 8:00: Toronto International Choral<br />

- 4:00: St. Dlave's Church. Royal Festive Festival. Voices in Celebration. Works by<br />

Evensong. Music for royal occasions by Handel, Holman, Daley, Luedeke & Dvorak. Elmer lseler<br />

Purcell, Walton & Britten. 360 Windermere. 416· Singers; Amabile Youth Singers; Lydia Adams,<br />

769-5686. Contributions appreciated. conductor. St. James' Cathedral, 65 Clxlrch St.<br />

- 4:30: Christ Church Deer Park. Jazz 416-8724255. $30,$25, student discount.<br />

<strong>June</strong> 3<br />

<strong>June</strong> 10<br />

<strong>2002</strong>Season<br />

Mondays 12:15 p.m.<br />

Church of the Holy Trinity<br />

(beside the Eaton Centre)<br />

Nata Belkin, cello<br />

Alexander Levkovich, piano/composer<br />

Sergei Nikonov, violin<br />

Jim Dolmage, "old time" style fiddler<br />

<strong>June</strong> 17 The Choir of Christ Church Deer Park<br />

<strong>June</strong> 24<br />

Riverdale Ensemble<br />

<strong>June</strong> ;2<br />

<strong>June</strong> 9<br />

<strong>June</strong> 16<br />

<strong>June</strong> 30<br />

Ursa Major (harp and viola) explore Celtic and Jewish<br />

musical traditions.<br />

PLUS!: from 12:30 pm-1:15 pm: join in Families<br />

Makin' Music (5 years & under) , ·<br />

Taffanel Wind Ensemble (oboe, bassoon and flute)'<br />

_play classical music.<br />

Come Dance with Us - Spadina staff lead an English<br />

Country Dancing session<br />

Song and Dance from the Music Hall with George<br />

and Peg Linton<br />

At 285 Spadina Rd. 416·392·6910 ~TORONIO Culture<br />

26". www.t hewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


- 8:00: Toronto Organ Club. Stan King,<br />

Hammond X66 Organ. Christ Church, 329 Royal<br />

York Road. 905·824-4667. $10.<br />

Tuesday <strong>June</strong> 04<br />

- 1 :00: St James' Cathedral. Lunch Hour at<br />

St. James'.· Father John Palmer, organ. Jackson:<br />

Toccata, Chorale and Fugue; Guilrnant: Grand<br />

choeur alla ~andel; Jones: Pe~al Etude. 65<br />

Church St. 416-364· 7865 ext.224. Free.<br />

- 8:00: Hummingbird Centre for the<br />

Performing Arts/David & Ed Mirvish/<br />

House of Blues Concerts. Blast! Blend of<br />

marching band, drum corps, dance & colour<br />

guard.1 FrontSt.East.416-872-2262. $48.39·<br />

$68.39. For complete run see music theatre<br />

listings. •<br />

- 8:00: Toronto International Choral<br />

Festival. Severapek. Music by Czech<br />

composers. Liberec;·Silvie and Petr Palka,<br />

conductors. George Weston Recital Hall, 5040<br />

YongeSt.416·872-1111. $20,$38,student<br />

discount.<br />

Wednesday <strong>June</strong> 05<br />

- 9:45am & 11 :30am: Mississauga<br />

International Children's Festival. The Boy<br />

and TfJe Bamboo Flute. Vietnamese folktale<br />

combining traditional music, costumes, mime &<br />

martial arts. Royal Bank Theatre, 4141 Living<br />

Arts Drive. 905-306·6000. For complete run see<br />

toosic theatre listings.<br />

- 12:30: Yorkminster Park Church.<br />

Noonday Recital: John Palmer, organ. 1585<br />

Yonge St. 416·922· 1167. Free.<br />

- 8:00: Theatre Non Nobis. Snappy Tales,<br />

Short Satirical Musicals. Four mini·musicals with<br />

a social satire bent. Written by Vincent de<br />

T ourdonnet; music by Allen Cole, J. Douglas<br />

Dodd, Stephen Eddins & Jim Kass; Barbara<br />

Barsky, Alex Fallis & other performers. Factory<br />

Siudio Theatre, 125 Bathurst St. 416·504·<br />

9971. $18-$25(preview). For complete run see<br />

music theatre listings.<br />

- 8:00: Toronto Choral Society. Handel:<br />

Alexander's Feast. Laura Whalen, soprano; Elaine<br />

Robertson, alto; Glyn Evans, tenor; Robert<br />

Pomakov, baritone; Geoffrey Butler, director;<br />

William O'Meara, accompanist. Eastminster<br />

United Church, 310 Danforth Ave. 416410·<br />

3509. $20.<br />

- 8:00: Toronto Symphony ltrchestra/<br />

Toronto International· Choral Festival.<br />

Brahms: A Gennan Requiem; Strauss.: Four last<br />

SoniJs. AdrianMI! Pieczonka, soprano; Nathan ·<br />

Berg, baritone; Toronto Mendelssohn Choir;<br />

Gunther Herbig, conductor. Massey Hall, 15<br />

Shuter St. 416-598-3375. $26·$90.<br />

Thursday <strong>June</strong> 06<br />

-12:10: St. Paul's Anglican Church.Eric<br />

Robertson, organ. 227 Bloor St. East. 416·961 ·<br />

8116.Free.<br />

-4:30: St. Anne's Church. Great Music at<br />

Saint Anne's: Choral Evensong. Festival of<br />

hymns. 270 Gladstone Ave. 416·536·3160.<br />

Donation.<br />

- 8:00: Music Gallery. Piano Series: Anya<br />

Alexeyev. Music by Gubaidulina, Shostakovich,<br />

Firsova, Smimov, Hovhaness & Manevski. St.<br />

George·the·Martyr Church, 197 John St. 416·<br />

CONCERT LISTINGS - GT A<br />

204-1080. $10.<br />

- 8:00: Toronto International Choral<br />

Festlval.OunedinConsort. Works by Byrd,<br />

Dowland & others. Ben Parry, conductor. St.<br />

Andrew's Presbyterian Church, 73 Simcoe. 416·<br />

8724255. $22, student discount.<br />

- 8:00: Toronto Symphony Orchestra/'<br />

Toronto International Choral Festival.<br />

Massey Hall. See <strong>June</strong> 5.<br />

- 8:30: Hugh's Room. The Bill Hilly Band.<br />

2261 Dundas St. West.416-531-6604.<br />

Friday <strong>June</strong> 07<br />

- 7:30: Random Acts of Music Ensemble.<br />

Works by Debussy, Mozart & Brahms. Judy<br />

Loman, harp; Amaro String Quartet; Toronto<br />

Symphony Youth Orchestra Ensemble.<br />

Eastminster United Church, 310 Danforth Ave.<br />

416· 260-0329. $20, $10, family rate. In<br />

partnership with HAADD.<br />

- 7:30: lCDSB Staff Arts. Fiorello! Music by<br />

Jerry Bock, lyrics by Sheldon Hamik. Cardinal<br />

Carter Academy for the Arts, 36 Greenfield Ave.<br />

416-222-8282 ext.2787. $17.50,$15, $10(st).<br />

For co~ete run see music theatre listings.<br />

- 8:00: St. James' Cathedral. Haydn: Lord<br />

Nelson Mass. Kathryn Domoney, soprano; Peter<br />

Mahon, alto; Lenard Whiting. tenor; David<br />

C31l1lbell, bass; Cathedral Choirs; Christopher<br />

Dawes, director. 65 Church St. 416-364-7865<br />

ext.231. $20,$15.<br />

- 8:00: Toronto International Choral<br />

Festival. St. Louis African Chorus. Music in<br />

African languages. St. Paul's Anglican Church,<br />

227 Bloor St. East. 41 &8724i55. $25. .<br />

- 8:00: Toronto Tabla Ensemble. In<br />

Celebration of Dance. Guests: Allen & Karen<br />

Kaeja, Joanna Dunbar, Hari Krishnan, T111a Park,<br />

Maryern T oUa'r and Friends. du Maurier Theatre<br />

Centre, 231 Queen's Quay West. 416-973·<br />

4000. $25,$22.<br />

- 8:00: Via Salzburg. Season Finale. Corelli:<br />

Concerto Grosso Op.6 #4 in G; T elll(llllnn: Viola<br />

Concerto 20; Somers: Scherzo; Schubert: Death<br />

and the Maiden arr. Mahler. Max Mandel, viola;<br />

Seiler Strings; Mayumi Seiler, leader. Glenn<br />

Gould Studio, 250 Front St. West. 416-205.'<br />

5555. $35, $28,$22(sr/st).<br />

- 8:30: Hugh's Room. Ray Montford Group.<br />

2261 Dundas St. West.416·531-6604.<br />

Saturday <strong>June</strong> 08<br />

- 12:45: Thornhill Community Band.<br />

Broadway, classical. popular, traditional &<br />

commissioned works. Bobby Herriot, music<br />

director. Richmond Hill Village Heritage Day,<br />

Yonge & Major Mackenzie. 416·223· 7152.<br />

Free.<br />

- 2:00: Toronto International Choral<br />

Festival. Barbei'shop: Northem lights; Greater<br />

Kingston Chorus. 4-part a cappella harmony.<br />

Steve Armstrong & Elaine Gain, conductors.<br />

Massey Hall. 15 Shuter. 416·8724255. $25·<br />

$45, student discount.<br />

- 2:00: Victoria-Royce Church. Second<br />

Saturday Concert: Spirit of the Crossroads. Duma<br />

Dunlop, folksinger & friends. 190 Medland St.<br />

416-769·6176. Free.<br />

- 4:00: Jenni Hayman, soprano & John<br />

Edwards, renaissance lute & arch·lute.<br />

Here the Deities Approve. Works by C811'11ion.<br />

Dowland, Guedron, Moulinie, PurceD, Blow, Cesti<br />

& Oarissimi. Church of St. Martin·ifl.the-Fields,<br />

151 GlenlakeAve.416·769·2847. $15,$10.<br />

- 5:00: Toronto International Choral<br />

Festival/Harbourfront Centre. Vesnivka<br />

Ukrainian Choir. Toronto Music Garden, 4 75<br />

Queens Quay West. 416-8724255. Free.<br />

- 7:00: Jonah Libster, guitar.AnEveningof<br />

Classical Guitar. Music of Bach, Villa-Lobos,<br />

Barrios & Sor. Bloor Street United Church, 300<br />

Bloor St West. 416-920·3310. $5.<br />

- 7:00: Sitar Recital. Ustad Shahid Parvez,<br />

sitar; Pandit Anindo Chatterjee, tabla. Medical<br />

Sciences Auditorium, 1 King's College Circle.<br />

416·922·9925. $15·$50.<br />

- 8:00: Counterpoint Community<br />

Orchestra. Sibefius: Finlandia; Weber: Concerto<br />

Works by Debussy, Mozart and Brahms<br />

Friday, <strong>June</strong> 7, <strong>2002</strong> at 7:30 pm<br />

Eastminster United Church, 310 Danforth Ave. (at Jackman)<br />

Tickets: $20/S&S $10/Family(up to 5) $50 416-260-0329


FOR ME, THE<br />

A DREAM -<br />

SEASON<br />

to bring Haydn's The Seasons to you, our Toronto at;i;dience.<br />

Tafelmusik's performances of this magnificent oratorio have<br />

been the highlight of the prestigious Klang und Raufit,festival"<br />

· in Germany for many years. We are thrilled to finaqy brip<br />

The Seasons to Massey Hall for,two spectacular perform<br />

featuring the Tafelmusik O~chestra and Chaniber Ch'.oi~,<br />

the baton of Bruno Weil. This will be the event of the<br />

season - don't miss it!<br />

I<br />

Other highlights include soprano Emma Kirkby singing Handel's recently<br />

discovered Gloria; French harpsichordist Pierre Hanta'i performing Bach's<br />

Goldberg variations; a rising Canadian star - contralto Marie-Nicole. Lemieux;<br />

and the dazzling English violinist Andrew Manze as guest director<br />

and soloist in Vivaldi's L' Estro Armonico.<br />

t<br />

f t's also a year of exciting artistic pattnerships: Charpentier's Medee with<br />

"'··.Op. era Atelier; and The Four Seasons: A Cycle of the Sun - a unique collaboration<br />

, :;;.< ----<br />

· ~tp Inuit and Chinese mt\~~cian~ , exploring the seasons in music.<br />

Suqscribe now to the <strong>2002</strong>/03 season - it won't be the ,same without you!<br />

;;.<br />

JEANNE LAMON<br />

Musrc DIRECTOR<br />

PRESENTING SPONSOR<br />

4:J'~~<br />

Ill·/·<br />

Sun~,:<br />

Life Financial


l<br />

..LUL.J ..... ,,, ... gJ~ri9<br />

with s~prano' : Erpm ~ ~~r k Oy<br />

a~ •• a~{ elf on; .a >:enai~:.ance ]Jai~t~ng suddenly bur§t


------ Co'.'ln:tn L1sT1N1;s - GT A<br />

#1 inf; Mozart: Magic Flute Overture; Wagner:<br />

Prelude to Die Meistersinger; Berg: Die<br />

NachtigaU; Strauss: Zueignung; Beethoven: Aria<br />

from Fidelio. James Petry, clarinet; Lilac Cana,<br />

soprano; Terry Kowalczuk, conductor. Church of<br />

the Redeemer, 162 Bloor St. West. 416-925-<br />

9872. $14(advance), $17(door).<br />

- 8:00: EMPressions Show Choir. Hooray<br />

for Hollywood!Some of Hollywood's memorable<br />

roosic. Bumhamthorpe Collegiate Auditorium,<br />

500The East Mall.416-248-0410. $15,<br />

$1 O(st), group rates.<br />

-8:00:Jau.FM91.StnmYOfJazz. Ri:klazlr&<br />

Mll1llm Pti:e. lslinl Cli, Watefal Stage. Ontlril<br />

lke.416-599-5299ext229. Free.<br />

- 8:00: Juan Tomas. Variety Show. Selection<br />

of oldies, jazz. soft rock, classical & Spanish<br />

guitar llllsic. Juan Tomas, guitar; Carolyn<br />

Vadum, jazz singer; Rea Paulite, pop/soft rock<br />

singer; Racelle Salamena, singer; Juan Tomas<br />

Orchestra. Armour Heights Church, 105 Wilson<br />

Ave.4164854000. $15.<br />

- 8:00: Roma Cultural Community/Stella<br />

Walker. Roma (Gypsy) Musical Experience.<br />

Jazz, classical & traditional variations on Roma<br />

melodic themes. Stella Walker, mezzo; Brahm<br />

Goldhamer, piano; Robert Botos, piano; Frank<br />

Botos, drums; Attila Darvas, basS & other<br />

performers. Arts and Letters Club, 14 Elm St.<br />

416-534-9958. $18.<br />

- 8:00: Toronto International Choral<br />

Festival. Budapest Central Choir; Bell'Arte<br />

Singers. Bernstein: Chichester Psalms; Kodaly:<br />

Missa Brevis. Gabor Olah & Lee Wmingham,<br />

conductors. Metropolitan United Church, 56<br />

Queen St. East.416-8724255. $25, student<br />

cfiscount.<br />

- 8:00: Toronto Tabla Ensemble. In<br />

Celebration of Dance. du Maurier Theatre Centre.<br />

See <strong>June</strong> 7.<br />

'<br />

Sunday <strong>June</strong> 09<br />

- 2:00: Calvin Presbyterian Church. Calvin<br />

Church Choir. Recital to launch tour to Scotland.<br />

Stephanie Martin, conductor. 26 Delisle Ave. 1<br />

416-923-9030. Free.<br />

- 2:00 ~ Chamber Music Society of<br />

Mississauga. Youth Talent Showcase. Royal<br />

Bank Theatre, Living Arts Centre, 4141 Living<br />

Arts Drivp, Mississauga. 905-306-6000.<br />

$24,$18.<br />

- 2:00: Choralairs of North York. Annual<br />

Closing Concert. Program of Broadway, pop &<br />

folk songs. Earl Bales Park Community Centre<br />

Social Hall, Bathurst south of Sheppard. 416-<br />

221-3161. Free.<br />

- 2:00: EMPressions Show Choir. Hooray<br />

RUDOLPH .FAMILY PLAYERS<br />

flute, viola, percussion<br />

with guests<br />

Sany a Eng, harp and<br />

Peter Longworth, piano<br />

Sunday <strong>June</strong> 9, 3:00 p.m. Free<br />

Recital Hall , Royal Conservatory of Music<br />

273 Bloor Street West 416-322-9914<br />

A Choral Cone<br />

A Cappella Ma<br />

By Parry, Brah<br />

Plus John Es<br />

And Andrew<br />

The Timothy Eaton Chamber Choir<br />

Edward Connell, conductor ·<br />

Sunday, <strong>June</strong> 9, <strong>2002</strong>, 2 pm<br />

Timothy Eaton Memorial Church<br />

230 St. Clair Avenue· West, Toronto<br />

Tickets $12 at the door<br />

Lunch & Concert tickets $20,<br />

re_serve by <strong>June</strong> 2 by calling 416-925-<br />

Q The North Toronto<br />

W!iJ Women's Chamber Choir<br />

Directed by Anne Yardley<br />

Accompanied by Beverly Lewis<br />

presents<br />

SP~ING f11X<br />

A concert for the whole family<br />

Sunday <strong>June</strong> 9, <strong>2002</strong><br />

at 7:30 p.m.<br />

The Church of the 'Iransfiguration<br />

111 Manor Rd. East, Toronto<br />

Tickets $10.00, $5.00, under 12 free<br />

For infonnation call 416- 425-7562<br />

30


for Hol/Ywood! Bumhamthorpe Collegiate<br />

Auditorium. See <strong>June</strong> 8.<br />

- 2:00: Timothy Eaton Chamber Choir.<br />

Heaven's High Paratfise. Estacio: Eulogies; Ager:<br />

Wlldows (world premiere); a cappella works by<br />

Bralms, Pany, Barber & Bruckner. Edward<br />

Connel, conductor. T mothy Eaton Memorial<br />

Church, 230 St. Clair West. 416·925·5977. $12.<br />

- 2:30: Toronto Early Music Centre.<br />

MusicaHy Speaking. Alexa Wing, soprano; Susan<br />

Kieren, baroque oboe; Anna Chan, harpsichord.<br />

Church of the Holy T rinitY, 10 Trinity Square.<br />

416-966-1409. Free; donations gratefully<br />

accepted.<br />

- 3:00: Miko Kominami, piano. Rameau: La<br />

Poole; Les Sauvages; L'Egyptienne; Beethoven:<br />

Sonata Op.57 Appassionata; Liszt: Sonata in b.<br />

Glenn Gould Studio, 250 Front St. West. 416·<br />

205-5555. $10, $8.<br />

- 3:00: Mooredale Youth Orchestra.<br />

Kristine Bogyo, Clare Carbeny & Etsuko Kimura,<br />

conductors. Rosedale Heights School. 711 Bloor<br />

St. East.416·922·3714. $20,$15.<br />

- 3:00: Toronto International Choral<br />

. Festival. The Winnipeg Singers. Music by<br />

Britten, Taverner, Part, Enns, MacMillan &<br />

Chapman. Rudolph Schellenberg. conductor.<br />

Church of St. Mary Magdalene, 477 Manning<br />

Ave. 416-8724255. $25, student discount.<br />

- 4:00: St Olave's Church. Les Trois Amis de<br />

fOrgue. Music by Widor, Saint-Saens & Franck.<br />

Gary Gray, organ. 360 Windermere. 416· 769·<br />

5686. Contributions appreciated.<br />

- 6:30: Raag·Mala Music Society of<br />

Toronto. Classical Music Recital Prosenjit<br />

Oeoghoria, vocal; Catherine Potter, flute; Prem<br />

T iwari & Ravi Naimpally, tabla; Raya Bidaye,<br />

harmonium & other performers. Medical<br />

Sciences Auditorium, 1 King's College Circle ...<br />

416-492· 7665. $16,$10 (members & st/sr<br />

liscounts).<br />

- 7:30: North Toronto Women's Chamber<br />

Choir. Spring Mix. Concert for the whole family.<br />

Anne Yardley, director; Beverly Lewis,<br />

aCCOl!1lanist. Church of the Transfiguration, 111<br />

Manor Rd. East. 416-425· 7562. $10,$5,.under<br />

12free.<br />

- 7:30: Toronto lnternational,Choral<br />

Festival. Toronto Children's Chorus. Repertoire<br />

from around the world. Jean Ashworth Bartle,<br />

conductor. St. James' Cathedral, 65 Church St.<br />

416-872-4255. $22, student discount.<br />

Monday <strong>June</strong> 10<br />

-12:15:MusicMondayslunchtime<br />

Concert Series. Jim Oolmage, fiddler.<br />

Selection of tunes with roots in the British Isles;<br />

original Canadian compositions. Church of the<br />

Holy Trinity, 10 Trinity Square. 416-598-4521.<br />

Suggested donation $5.<br />

- 7:30: Cantabile Chorale of York Region.<br />

28th Anmml Strawbenies and Song. Robert<br />

Richardson, director. Thornliill Presbyterian<br />

Church, 271 Centre St. West. 905-731-8318.<br />

$15, $12(sr/patrons), $6(chidren under 12).<br />

- 7:30: Swedish Women's Educational<br />

Association/Embassy of Sweden/Citizens<br />

for the Old Town. M'lleJenny Lind's Brand<br />

Concert. Merete Meyer, soprano; Maria<br />

Ydreborg. piano. St. Lawrence Han, 159 King St.<br />

East. 416-861-1793. $25 (includes reception).<br />

- 8:00: Toronto International Choral<br />

Festival. St. Michael's Choir School Mixed<br />

program sung by massed choir of 150 voices. St.<br />

Michael's Cathedral, 200 Church. 416-397·<br />

5727. $20.<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong><br />

Tuesday <strong>June</strong> 11<br />

- 1 :00: St. James' Cathedral. lunch Hour at<br />

St James~ Annual Request Recital Christopher '<br />

Dawes & P. John H. Stephenson, organists. 65<br />

Church St. 416·364-7865 ext.224. Free.<br />

- 7:00: BJCC-Suzuki, Koffler School of<br />

Music. 15th Anniversary Celebration. Leah<br />

Posluns Theatre, 4588 Bathurst St. 416·920·<br />

3833.$5 . .<br />

- 7:30: Cantabile Chorale of York Region.<br />

28th Annual Strawberries and Song. Thornhill<br />

Presbyterian Church. See <strong>June</strong> 10.<br />

- 8:00: Festival Wind Orchestra. Summer<br />

Serenade. Music of Gershwin; Folk Song Suite;<br />

Hanover Festival; Montego Bay & more. Tracey<br />

Wilkins, jazz vocals; Gennady Getter, conductor.<br />

Fairview Library Theatre, 35 Fairview Mall<br />

Drive.416-491· 1683. $10,$7.<br />

- 8:00: Toronto International Choral<br />

Festival. Hue/gas Ensemble. Music of the<br />

Flemish Renais5ance. Paul Van Nevel, conductor.<br />

St. Andrew's Presbyterian Church, 73 Simcoe<br />

St. 416-872-4255. $25, student di~count.<br />

Wednesday <strong>June</strong> 12<br />

- 12:30: Yorkminster Pafk Church.<br />

Noonday Recital· Michael Bloss, organ. 1585<br />

Yonge St. 416-922-1167. Free.<br />

- 1 :00: Canadian Music Competitions.<br />

Featuring <strong>2002</strong> CMC Ontario finalists. Arts &<br />

Letters Club, 14 Elm St. 416-441-1335. Free.<br />

- 2:00: Ontario Place. Grease. The musical.<br />

Atlantis Theatre, 955 lakesqore Blvd. West.<br />

416·872-1212. $25-$42. For complete run see<br />

music theatre listings.<br />

CONCERT LISTINGS - GT A<br />

- 8:00: The Urge Collective. Trousseau·<br />

True Nature. Interdisciplinary theatrical evening<br />

with music, sound & dance. Factory Theatre<br />

Mainspace, 125 Bathurst St. 416-504-9971.<br />

$ 20. For complete run see music theatre<br />

listings.<br />

- 8:00: Toronto International Choral<br />

Festival. Toronto Jewish Folk Choir. Jewish<br />

music from the 11th to the 2Dth century. Esther<br />

Ghan Firestone, conductor; Ben Steinberg. host.<br />

Walter Hall, 80 Queen's Park. 416-872-4255.<br />

$18, student discount.<br />

- 8:00: Toronto Symphony Orchestra.<br />

Weber: Overture to Oberon; Murphy: CBCfTSO<br />

commission fqr harp & orchestra; Mussorgsky<br />

(orch. Ravel): Pictures at an Exhibition; Innocent<br />

Ear work. Judy Loman, harp; Gunther Herbig,<br />

conductor. Massey Hall, 15 Shuter. 416-593·<br />

4828. $26·$9Q. .<br />

Thursday <strong>June</strong> 13<br />

-12:10: St. Paul's Anglican Church.Doug<br />

Schalin, organ. 227 Bloor St. East. 416-961 ·<br />

8116."Free.<br />

- 7:00: Brampton Folk Festival. Kick-off<br />

Concert. Perfonnances by members of the<br />

Brampton Folk Club. Gage Park, Brall1lton. 905·<br />

796-9357. Free.<br />

- 7:30: Opera Studio Vivace. Mozart: Cosi<br />

fan T utte. Cheryl Campbell, Melanie Conly,<br />

Penelope Cookson, Jon-Paul Decoss, Geoff<br />

Keating & other performers; William Shookhoff,<br />

music director. New Horizon Chapel, 1140 Bloor<br />

St. West. 416-538-8506. $15. For complete run<br />

see music theatre listings.<br />

. - 8:00: Janet Catherine Dea, soprano/<br />

Stuart Graham, baritone/ Brahm<br />

Goldhamer, piano. Eros & Psyche. Famous<br />

duets & arias from Haydn: The Creation;<br />

Massenet: Thais; Donizetti: Lucia di<br />

Lammennoor; Leoncavallo: Pagliacci & other<br />

composers. The Stone Church, 45 Davenport Rd.<br />

416-646-2121. $20.<br />

...:. 8:00: Toronto International Choral<br />

Festival. Esprit Orchestra/ Elmf!f lseler Singers.<br />

Pauk: Poems of Ecstasy. Alex Pauk, conductor.<br />

MacMillan Theatre, 80 Queen's Park. 416-872-<br />

4255. *POSTPONED*<br />

- 8:00: Toronto Symphony Orchestra.<br />

Massey Hall. See <strong>June</strong> 12. ·<br />

Friday <strong>June</strong> 14<br />

- 7:00: Kekeli/Woodshed/Rodney<br />

Pentland. African drumming & dancing; rhythm<br />

& blues·& more. Herbie Kuhn, M.C. Mel Lastman<br />

Square, 5100 Yonge St. 416:395· 7350. Free. In<br />

support of brain injury awareness.<br />

- 7:30: Collaborations: A Chamber Arts<br />

Experience. CabarEH! Evening of jazz, story·<br />

telling, cabaret songs & dance. Jean Stilwell,<br />

mezzo; Andy Creeggan, piano/cDl!1loser; Robert<br />

Glumbek, dancer; Tom Allen, story-teller; Jim<br />

Vivian, bass & other performers; Valerie Kuinka,<br />

artistic·director. du Maurier Theatre Centre, 231<br />

Queen's Quay West. 416-484-9338.<br />

- 8:00: JVC Jazz Festival. Heillig Manoeuvre<br />

& Cedar Wahon Trio with guest Jackie Mclean.<br />

Harbourfront Centre Concert ·stage, 235 Queens<br />

Quay West. 416-973-3000. '<br />

- 8:00: Toronto International Choral<br />

Festival. AUmiinna SangeritNexus/T oronto<br />

Children's Chorus. Orff: Cannina Burana; music<br />

collaborations a Chamber arts experience<br />

Valerie Kuinka, artistic director<br />

presents<br />

CABAREH.<br />

"Kuinko's COLLABORATIONS is a series that well understands how to<br />

thread the multidisciplinary loom" Paula CHron, The Globe and Mall<br />

<strong>June</strong> 14th, <strong>2002</strong><br />

7:30pm<br />

duMaurier Theatre Centre<br />

231 Queen's Quay West ,<br />

Join CBC radio broadcaster Tom Allen.<br />

mezzo soprano Jean Stilwell.<br />

pianist Andy Creeggon. and dancer Robert Glumbek<br />

in an evening of jazz and storytelling<br />

Featuring the music of Andy Creeggan.<br />

Kurt Weill. and Geoges Bizet<br />

For furthe r information and to purchase tickets<br />

please call 416-484-9338 or call the<br />

duMaurier Theatre Centre box office ay<br />

' 416-973-4000<br />

please visit our website at www.collabarts.com<br />

toro~tdartsbounci I


y Swedish COfl1lOSl!l'S. Aline Kutan, soprano;<br />

Benoit Boutet, tenor; Bruce Kelly, baritone; Cecilia<br />

Rydinger Alin, conductor. Massey Hall, 15<br />

Shuter.416·8724255. $25·$75, student<br />

liscturt.<br />

- 8:30: Artword Theatre. Toronto The Good!<br />

fa musical about life in the 1890s/. Written &<br />

directed by Ronald Weihs. Songs of the period in •<br />

original arrangements with 4-part choruses. 75<br />

Portland St. 416-366· 7723. $15(preview). For<br />

complete run see music theatre listings.<br />

Saturday <strong>June</strong> 15<br />

- 3:00: Toronto International Choral<br />

Festival. Chamber Singers of Algoma •. Music by<br />

Togni, Daley, Raninsh, Glick, Telfer & Willan.<br />

Patty Gartshore, conductor. Christ Church Deer<br />

Park. 1570YongeSt.416-8724255. $18,<br />

student discomt.<br />

- 5:00: Toronto International Choral<br />

Festival/Harbourfront Centre. Toronto<br />

Estonian Male Choir. Toronto Music Garden, 4 75<br />

Queens Quay West. 416·8724255. Free.<br />

- 6:00: Brampton Folk Festival. Evening<br />

Showcase Concert. Featured performers. Gage<br />

Park, Brampton. 905· 796-9357.<br />

- 7:30: Beverly Glenn-Copeland, vocalist.<br />

Selections from her CD Songs of Hope, Victory<br />

and Peace; Negro spirituals; love songs. Guests:<br />

Elizabeth Paddon & Maggie Hollis, vocals. Church<br />

of the Redeemer, 162 Bloor St. West. 705-788- .<br />

2440. $20.<br />

- 8:00: Anno Domini Chamber Singers.<br />

Favourite Anthems: Songs of Praise throughout<br />

the Ages. Holy Name Church, 71 Gough. 416-<br />

696-0D93. $.15, $10.<br />

-8:00: Jazz.FM91.Summer0fJazz. Bill<br />

King's Saturday Night Fish Fry. Island Club,<br />

Waterfall Stage, Ontario PJace. 416-599-5299<br />

ext.22!!. Free.<br />

- B:OD: JVC Jazz Festival. Medeski Martin &<br />

Wood with BuHfrog. Harbourfront Centre Concert.<br />

Stage, 235 Queens Quay West. 416-973-30DD.<br />

- 8:00: Toronto International Choral<br />

Festival. Kaggik <strong>2002</strong> Massed youth choir from<br />

Commonwealth countries; Robert Cooper, artistic<br />

director; Bob Chilcott, conductor. Massey Hall, 15<br />

Voices in Motion<br />

Saturday,<br />

<strong>June</strong> 15, <strong>2002</strong><br />

8:00 p.m.<br />

Pre-concert talk: 7:30 p.m.<br />

St. Thomas<br />

Anglican Church<br />

383 Huron Street<br />

(south of Bloor, east of Spadina)<br />

Tickets $15 ($10 S/S)<br />

Available at the door.<br />

VOICES<br />

50 Glebemount Avenue<br />

Toronto, Ontario M4.C 3R6<br />

. Tel: (416) 429-7740<br />

32<br />

http:/Noiceschoir.tripod.com<br />

CONCERT L tSTINr.S - GT A<br />

Shuter St. 416-8724255. $20-$40, student<br />

discount. *CANCELLED*<br />

- 8:0D: Voices. Voices in Motion. Works by<br />

Britten, Byrd, Casals, Tallis, Vaughan Williams •<br />

and Canadian composers. Saint Thomas' s<br />

Church, 383 Huron St. 416-429-77 40.<br />

$15,$10.<br />

Sunday <strong>June</strong> 16<br />

- 1 :30: CAMMAC/McMichael Gallery.<br />

Sunday Concert: Jim Galloway. Jazz ensemble.<br />

10365 Islington, Kleinburg. 905-893· 1121.<br />

$12,$9, family rates.<br />

..:. 1 :30; Mei-zhi Bi. Student Piano Concert.<br />

Works by Handel, Mozart, Beethbven, Weber,<br />

Chopin, Schumann, Liszt, Debussy, Prokofiev,<br />

Ginastera & Huang. Alisa Tse, Judy Qiang,<br />

Patricia Li, Ken Yang, Sunny Luo & other<br />

performers. Gl~nn Gould Studio, 250 Front St.<br />

West. 416-205·5555. $30(honoured guests),<br />

$15,<br />

- 2:0D: Toronto International Choral<br />

Festival. £es Chanteurs St-Coeur-de-Marie.<br />

Program to include Gregorian chant, works by<br />

Palestrina & others. Claude Gosselin, conductor.<br />

Royal Ontario Museum, 1 DD Queen's Park. 416-<br />

8724255. Free with rruseum admission: $15,<br />

$ lO(sr/st), $8(ages 5· 14), children 4 & under<br />

free.<br />

- 2:3D: Young Virtuosos of Classical<br />

Music. Noel Ryan Auditorium, 3D1<br />

Bumhamthorpe Rd. West. 9D5·569-96.18.<br />

-$15, $10, under 12 free.<br />

- 3:DD: Heliconian Hall. Chamber Music<br />

Concert. Schubert: The Shepherd on the Rock;<br />

Poulenc: Elegy; Bartok: Roumanian Dances;<br />

Sinigaglia: Lied; Brahms: Trio in a Op.114. Karen<br />

Aitken, cello; Jane Blackstone, piano; Emily<br />

Hong, soprano; Diane James, horn; Greg James,<br />

clarinet. 35 Hazelton Ave. 416-781-2DD9.<br />

$15,$10. '<br />

- 4:DD: Toronto International Choral<br />

Festival. Pro Coro Canada. Gilliland: Blessed;<br />

Bach: Komm, Jesu Komm; motet by Brahms;<br />

flllJSiC by Howells, Harris & Canadian·<br />

composers. Richard Sparks, conductor. George<br />

Weston Recital Hall. 5040 Yonge St. 416-872-<br />

1111. $2D-$38, student discount.<br />

- 4:3D: Christ Church Deer Park. Jazz<br />

Vespers. Alex Dean, saxophone: 157D Yonge St.<br />

416-92D-5211. Free (offering).<br />

- 7:DD: Music Gallery. Master.Musicians:<br />

Sankaran Trio. Traditional South Indian &<br />

contemporary music. T richy Sankaran, master<br />

drummer; Ernie T ollar, winds; Suba Sankaran,<br />

vocals, piano & percussion. St. George-the­<br />

Martyr Church, 197 John St. 416-204-1 D8D.<br />

$15.<br />

- 8:0D: Toronto International Choral<br />

Festival. Victoria Scholars. Dusatko: Distant<br />

Voices (premiere); Glick: How beautiful you are,<br />

my love: 5 Tableaux from the Song of Songs<br />

(premiere) for Male Chorus and Solo Cello;<br />

Somers: A Thousand Ages; works by Durufh! &<br />

Penderecki. David Hetherington, cello; Jerzy<br />

Cichocki, music director; William D'Meara,<br />

accollllanist. Metropolitan United Church, 56<br />

Queen St. East. 416· 761-7776. $25, $ 2D.<br />

Monday <strong>June</strong> 17<br />

- 12: 15: Music Mondays Lunchtime<br />

Concert Series. Choir of Christ Church Oeer<br />

Park. Music by Stanford, Harris, Rutter &<br />

Monteverdi. Bruce Kirkpatrick Hill, director.<br />

Church ill the Holy Trinity, 1 D Trinity Square.<br />

416-5984521. Suggested donation $5.<br />

- 8:DD: Art of Time Ensemble. All<br />

That .. ~azz? Jazz influenced 20th century<br />

classical music. Phil Dwyer, jazz sa~ophone;<br />

Mark Fewer, viorm; Andrew Burashko, piano.<br />

Glenn Gould Studio, 25D Front St. West. 416·<br />

2D5-5555. $25,$18.<br />

- 8:0D: JVC Jau Festival. Kenny Barrett<br />

Quartet. du Maurier Theatre Centre, 231 Queens<br />

Quay West. 416-97340DD. $25.<br />

- 8:DD: Toronto International Choral<br />

Festival. Exbudi Program of Cuban & Latin·<br />

American music. Maria Felicia Perez, conductor.<br />

Massey Hall, 15 Shuter St. 416-872 4255.<br />

$25·$45, student discount. .


Tuesday <strong>June</strong> 18<br />

- 7:30: Thornhill Community Band.<br />

Broadway, classical, popular, traditional &<br />

conmissioned works. Bobby Herriot, music<br />

director. Barry Zukennan Amphitheatre, Earl<br />

Bales Park, Bathurst & Sheppard. 416-223·<br />

7152.Free.<br />

- 8:00: Toronto International Choral<br />

·Festival. Toronto Mendelssohn Choir & Elora<br />

Festival Silflers. Schubert: Deutsche Messa;<br />

Martinu: Field Mass; Bruckner: Mass in e. '<br />

Russell Braun, baritone; Noel Edison, conductor.<br />

Cathedral of the Transfiguration, 3975 Elgin<br />

Mills Rd., Markham. 416-8724255. $35,<br />

student discount.<br />

- 8:00: Weston Silver Band. Little Avenue<br />

Memorial Park Bandshell, Weston Rd. north of<br />

Lawrence. 416-253-9422. Free.<br />

Wednesday <strong>June</strong> 19<br />

- 12:30: Yorkminster Park Church.<br />

Noonday Recital: Kola Owolabi, organ. 1585<br />

XongeSt.416-922-1167. Free.<br />

- 7:30: Boys' Choir of Grace Church on·<br />

the-Hill/Boys Choir at St. Peter's,<br />

Charlotte, N.C. J. Willcocks: Pied Piper of<br />

Hamelin; sacred selections. 300 Lonsdale Rd.<br />

416-488· 7884 ext.19. Freewill offering.<br />

- 8:00: Toronto International Choral<br />

Festival. Tokyo Philhannonic Chorus. Schafer:<br />

l!lcerJSe; Vox Naturae; music by Japanese<br />

CllllpOS8IS. Chifuru Matsubara, conductor.<br />

George Weston Recital Hall, 5040 Yonge St.<br />

416-872-1111. $25-$47, student discount.<br />

- 8:00: Toronto Symphony Orchestra.<br />

Mozart: Vioin Concerto #5; Mahler: Syinphony<br />

#4. Pamela Frank. violin; Inger Dam-Jensen,<br />

soprano; Thomas Dausgaard, conductor. Massey<br />

HaD, 15 Shuter.416-5934828. $26-$90.<br />

Thursday <strong>June</strong> 20<br />

- 12:10: St Paul's Anglican Church. Al(qus<br />

Sinclair, organ. 227 Bloor St. East. 416-961 ·<br />

8116.Free.<br />

- 2:00: Josef Peleg & Judith Kenedi·<br />

Peleg, violin & piano. Brahms: sonata; ·<br />

selection of other pieces for violin & piano.<br />

Northern District Library, 40 Orchard View Blvd.<br />

416-393· 7610. Free.<br />

- 5:00: Toronto International Choral<br />

Festival/Harbourfront Centre.Madison Boy<br />

Choir. Toronto Music Garden, 4 75 Queens Quay<br />

West.416-8724255. Free.<br />

..;.. 8:00 & 10:00: Rebecca Enkin & Marc<br />

Enkin Double CD Launch. Vocal &<br />

instnmental jazz. Hugh's Room, 2261 Dundas<br />

St. West.416-531·6604. $5, $20(includesCD).<br />

- 8:00: Toronto International Choral<br />

Festival. Tafelmusik Chamber Choir and<br />

Orchestra. Bach: Six Motets. lvars T aurins,<br />

conductor. George Weston Recital Hall, 5040<br />

Yonge St. 416-872-1111. $25-$47, student<br />

ciscwtt.<br />

-8:00: Toronto Symphony Orchestra.<br />

Massey Haft. See <strong>June</strong> 19.<br />

Friday <strong>June</strong> 21<br />

- 8:00: Festival <strong>2002</strong>. Openilfl Concert: Host<br />

Choirs in Performance. Forte fT oronto Men's<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong><br />

Chorus); Iris fT oronto Women's Chorus); Rainbow<br />

Voices of Toronto; Singing Out! John Bassett<br />

Theatre, Metro Convention Centre, 255 Front St.<br />

West. 416-924-6859. $20.<br />

- 8:00?: Music Gallery. What Next:<br />

OowntownJazz. Perfonners TBA. St. George·<br />

the-Martyr Church, 197 John St. 416-204·<br />

1080.<br />

- 8:00: Nathaniel Dett Chorale. And Still<br />

We Sil(q ... Make Me a World. Watson Henderson:<br />

Toronto premiere; other works. Brainerd Blyden·<br />

Taylor, conductor. St. James' Cathedral, 65<br />

Church St. 416-872-1212. $35,$25.<br />

Co:'ICERT Ltsn:w;s - GT A<br />

- 8:00: Tafelmusik. Baroque Celebration.<br />

Music by Corelli, Vivaldi, Telemann & Bach.<br />

Ettore Mazzoleni Concert Hall, 273 Bloor St.<br />

West. 416-964-6337. $25,$10.<br />

- 8:00: Toronto International Choral<br />

Festival. Arnold ScMnberg Choir. Music by<br />

Schubert, Reger, Bruckner, A.Strauss, Cerha &<br />

SchOnberg. Erwin Ortner, conductor. George<br />

Weston Recital Hall, 5040 Yonge St. 416-872-<br />

1111. $20-$35, student discount.<br />

- 8:00:TrypTych Productions.Heart&<br />

Soulstice. Songs of Love, Songs of Summer.<br />

Heliconian Hall. 35 Hazelton Ave. 416-7fl3.<br />

Canadian Festival of Lesbian & Gay Choruses<br />

Tbrr;ufr; '* Juue-21-24<br />

18 Choruses from Halifax to Vancouver<br />

For tickets or info call 416-924':'6859<br />

or-visit www.canadiangala.ca<br />

..A<br />

sponsord by:<br />

~,, ~~ ,AIR CANADA<br />

t.:i:\ -<br />

xrRA! COLONYa<br />

Ad layout - C6tl!Design<br />

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METROPOLiTAN<br />

HOTELS<br />

AN Di STILL WE SING ...<br />

MAKE ME A WORLD<br />

Make Me a World (R. W Henderson) + premiere<br />

The Chariot Jubilee (Dett) • I Will Lift Up Mine Eyes (Hailstorl


Men's Chorus; Oasis Vocal Jazz; Vox Femina.<br />

John Bassett Theatre, Metro Convention Centre,<br />

255 Front St. West. 416-924-6859. $30.<br />

- 8:00: Jazz.FM91. Summer Of Jazz. Swing<br />

The Komitas Musical Association Arts Committee Presents<br />

An evening of songs,.<br />

opera arias<br />

and duets I ea tu ring<br />

renowned baritone<br />

David Varjabed,<br />

• Sunday, <strong>June</strong> 23, <strong>2002</strong> - 7:30 p.m.<br />

at Armenian fvangelical Church of Toronto. 2600 14th Avenue.<br />

Markham, ON • Tickets $20.00 • for tickets call<br />

905-889-3657, 416-229-9001 or 905-889-2094<br />

CONCERT LISTINGS - GT A<br />

TrypTych Productions<br />

presents<br />

""<br />

~-f¥8~<br />

Shift Big Band. Island Club, Waterfall Stage,<br />

Ontario Place. 416-599-5299 ext.229. Free.<br />

- 8:00: JVC Jazz Festival. Mayra Caridad<br />

Valdes. Harbourfront Centre Concert Stage, 235<br />

Queens Quay West. 416·973-3000.<br />

- 8:00: Music Gallery. Glass Orchestra.<br />

Concert on glass instruments. St. George-the·<br />

Martyr Church, 197 John St. 416-204-1080.<br />

$15.<br />

- 8:00: Toronto International Choral<br />

Festival. Closing Night Gala Concert. Schmidt:<br />

The Book With Seven Seals. Kitchener-Waterloo<br />

Sy"1Jhony; Kitchener-Waterloo Philharmonic •<br />

Choir, Ben Heppner, Measha Briiggergosman &<br />

other perfonners; Howard Dyck, conductor.<br />

Massey Hall, 15 Shuter St. 416-8724255.<br />

$25-$75, student discount.<br />

!iunday <strong>June</strong> 23<br />

- 2:00: Festival <strong>2002</strong>. Le Choeur Ouvert;<br />

Prairie Pride Chorus; Rainy City Gay Men's<br />

Chorus; Rainbow.Harmony Project; Vancouver<br />

Men's Chorus. John Bassett Theatre, Metro<br />

Convention Centre, 255 Front St. West. 416·<br />

924-6859. $30.<br />

- 7:00: Toronto Music Garden. Cello<br />

Extravaganza. Villa-Lobo5: Bachianas Brasileiras<br />

#5; music from Bach to Metallica. Jane<br />

Archibald, soprano; cello ensemble; Simon Fryer,<br />

leader. 475 Queens Quay West. 416-973-7790.<br />

Free.<br />

- 7:30: Komitas Musical Association Arts<br />

Committee.For Your Heart's Delight. Evening<br />

of songs, opera arias & duets. David Varjabed,<br />

. baritone; Yana lvanilova, soprano; Antonia De<br />

Wolle, piano. Annenian Evangelical Church of<br />

Toronto, 260014th Ave., Markham. 905-889-<br />

3657. $20. Proceeds to benefit the Nersesian<br />

Gifted Children's School in Armenia.<br />

-8:00?: Music Gallery. What Next:<br />

OowntownJazz. Performers TBA. St. George-<br />

the-Martyr Church, 197 JohnSt.416-204·<br />

1080.<br />

- 8:30: du Maurier Downtown Jazz.<br />

Maynard Ferguson and his Big Bop Nouveau Band.<br />

Toronto Star Stage, Nathan Phillips Square, 100<br />

Queen St. West. 416-870-8000. $30.<br />

Monday <strong>June</strong> 24<br />

- 1 O:OOam: Festival <strong>2002</strong>. Closing Ceremony<br />

Concert. Concert of 3 choirs created out of<br />

Festival participants. Brainerd Blyden-Taylor,<br />

Leslie Uyeda & Jonathon Welch, conductors.<br />

Toronto Colony Hotel, 89 Chestnut St. 416-924·<br />

6859. $30.<br />

- 12:15: Music Mondays Lunchtime<br />

Concert Series. Riverdale Ensemble. Trios for<br />

violin/viola, clarinet & piano. Church of the Holy<br />

Trinity, 10 Trinity Square. 416-5984521.<br />

Suggested donation $5.<br />

- 12:30: Tafelmusik. Baroque Summer<br />

Institute facuhy Chamber Concert. Clmlber<br />

music by Bach. Elissa Poole, flute; Linda Melsted,<br />

violin; Allen Whear, cello; Christina Mahler,<br />

violoncello piccolo; Charlotte Nediger,<br />

harpsichord. Ettore Mazzoleni.Concert Hall, 273<br />

Bloor St. West. 416-964-6337. Free.<br />

- 8:00: Toronto Symphony Orchestra. last<br />

Night of the Proms. Programme.includes Glinka:<br />

Overture to Ruslan and Lyudmila; Sumvan (arr.<br />

Mackerras): Excerpts from Pineapple Poll; Elgar:<br />

Imperial March; Arne: Rule Britannia. Joanne<br />

Kolomyjec, soprano; Toronto Mendelssohn Choir;<br />

Michael Lankester, conductor. Massey Hall, 15 •<br />

Shuter. 416-5934828. $25-$75 .<br />

Tuesday <strong>June</strong> 25<br />

- 12:10: Critical Mass. Palestrina: Missa ad<br />

fugam. St. Paul's Power Street, 83 Power. 416-<br />

7784923. Freewill offering. Proceeds to Out of<br />

the Cold.<br />

- 7:30: Thornhill Community Band.<br />

Broadway, classical, popular, traditional &<br />

commissioned works. Bobby Herriot, music<br />

director. Mel Lastman Square, 5100 Yonge St.<br />

416-223-7152. Free.<br />

- 8:00?: Music Gallery. Downtown Jazz:<br />

Aros. Rob Arrnus, performer. St. George-the·<br />

Martyr Church, 197 John St. 416-2041080.<br />

- 8:00: Toronto Symphony Orchestra. last<br />

Night of the Proms. Massey Hall. See <strong>June</strong> 24.<br />

- 8:30: du Maurier Downtown Jau. Count<br />

Basie Orchestra. Grover Mitchell, director.<br />

Toronto Star Stage, Nathan Phillips Square, 100<br />

Queen St. West. 416-870-8000. $27.50.<br />

Songs of Love<br />

Songs of Summer<br />

Sat u rd a· y, <strong>June</strong> 21 , 2 0 02, 8<br />

With<br />

Amber Bishop, Karen Olinyk, Edward Franko and Douglas Tranquada<br />

The TrypTych Trib<br />

William Shookhoff, Piano<br />

Edward Franko, Electric Bass<br />

Lenard Whiting, Keyboards<br />

He I<br />

conian Ha I I<br />

Hazelton Avenue<br />

$20/15<br />

(416) 763-5066 or info@tryptych.org<br />

www.tryptych.o~g<br />

PM<br />

Wednesday <strong>June</strong> 26<br />

- 2:00 & 8:00: Toronto Symphony<br />

Orchestra. last Night of the Proms. Massey<br />

Hall. See <strong>June</strong>.24. Matinee $25-$52.<br />

- 7:00: Etobicoke Community Concert<br />

Band. Twilight Concert-on-the-Green. John<br />

Edward Liddle, music director. Applewood<br />

Homestead grounds, 450 The West Mall. 416·<br />

410-1570. Free.<br />

- 8:00: George Lake Big Band. Summer<br />

Swing. Jazz tunes from the Swing Era & beyond.<br />

Steve Pettafor, leader. FitzRichard's, 575<br />

Thorton Rd. North. 905438-1888. Free.<br />

Thursday <strong>June</strong> 27<br />

-12:10: St. Paul's Anglican Church. Chris<br />

Dawes, organ. 227 Bloor St. East. 416-961-<br />

8116. Free.<br />

34<br />

www.thewholenote.com<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong>


- 2:00: Royal Conservatory of Music.<br />

Piano Recital Various works perfonned by<br />

students from the studios of Rodica Eugen, Karen<br />

Quinton & Alla Zacarelli. Northern District<br />

Library, 40 Orchard View Blvd. 416·393· 7610.<br />

Free.<br />

- 3:00: Rudolph Family Players. Works by<br />

Brahms, Colgrass & Debussy. John Rudolph,<br />

percussion; Kathleen Rudolph, flute; Theresa<br />

Rudolph, viola; guests: Sanya Eng, harp; Peter<br />

Longworth, piano. Recital Hall, Royal<br />

Conservatory of Music, 273 Bloor St. West.<br />

416·322 ·9914. Free.<br />

- 3:00: Toronto Music Garden. Cello<br />

Extravaganza. See <strong>June</strong> 23.<br />

- 8:00?: Music Gallery. Downtown Jazz:<br />

Winsch/ Hemingway/Oester. St, George· the·<br />

Martyr Church, 197 John St. 416·204· 1080.<br />

Friday <strong>June</strong> 28<br />

- 12:30: Tafelmusik. Baroque Summer<br />

Institute Student Concert. Baroque orchestral,<br />

choral & chamber music. Ettore Mazzoleni<br />

Concert Hall, 273 Bloor St. West. 416·964·<br />

6337.Free.<br />

- 8:00?: Music Gallery. Downtown Jazz: Ab<br />

Baars Trio. St. George·the·Martyr Church, 197<br />

John St. 416· 204· 1080 ..<br />

Saturday <strong>June</strong> 29<br />

- 7:00: Toronto Symphony Orchestra.<br />

Brahms: Variations on a Theme by Haydn;<br />

Mozart: Piano Concerto #23; Berlioz: Roman<br />

Carnival Overture; Debussy: Prelude a I' apres·<br />

midi d'un faune; Stravinsky: Suite from Firebird<br />

(1919 version). Tamas Erdi, piano; Barry<br />

Wordsworth,.conductor. Massey Hall, 15 Shuter.<br />

416·5934828. $27-$55.<br />

- 8:00: Jazz.FM91. Summer Of Jazz. Kirk<br />

MacDonald Ouiniet. Island Club, Waterfall Stage,<br />

Ontario Place. 416·599·5299 ext.229. Free.<br />

- 8:00: Music Gallery. Glass Orchestra.<br />

Concert on glass instruments. St. George-the·<br />

Martyr Church, 197 John St. 416-204·1080.<br />

- 8:00: Tafelmusik. Baroque Summer Institute<br />

Grand Finale. Works by Corelli, Handel &<br />

Charpentier. Tafelmusik Baroque Orchestra &<br />

Chamber Choir; student orchestra & choir. Grace<br />

Church on-the·HiR, 300 Lonsdale Rd. 416·964·<br />

6337. $15,$10.<br />

Sunday <strong>June</strong> 30<br />

- 3:00: Toronto Music Garden. Re·<br />

Discovering Canada. Musical journey through<br />

Canada's history with audience participation.<br />

Julia Wedman, violin; Peter Pavlovsky, double<br />

bass. 475 Queens Quay West. 416·973· 7790.<br />

Free.<br />

- 3:00: Toronto Symphony Orchestra.<br />

Massey Hall. See <strong>June</strong> 29.<br />

- 7:00: Mississauga Big Band Jazz<br />

Ensemble. Summertime Swing. Living Arts<br />

Centre, 4141 Living Arts Drive, Mississauga.<br />

905-270-4757. $15.<br />

Monday July 01<br />

- 12: 15: Music Mondays Lunchtime<br />

Concert Series. Mark Rogers Ouintet. Church<br />

of the Holy Trinity, 10 Trinity Square. 416-598·<br />

4521. Suggested donation $5.<br />

- 1 :00: Thornhill Community Band.<br />

Broadway, classical, ROpular, traditional &<br />

commissioned works. Bobby Herriot, music<br />

director. Vaughan Canada Day Celebration,<br />

Vaughan Maple Community Centre, 10, 190<br />

Keele St., Maple. 416· 223-7152. Free.<br />

Tuesday July 02<br />

- 8:00: Weston Silver Band. Little Avenue<br />

Memorial Park Bandshell, Weston Rd. north pf<br />

Lawrence. 416-253-9422. Free.<br />

Wednesday July 03<br />

- 7:30: Committee for Yiddish of UJA/<br />

Federation, Toronto': Annual Summer Yiddish<br />

Concert. Beyond the Pale Klezmer Band, Eric<br />

Stein, leader; Bronna Levi, Stella Walker & Dave<br />

Wall, vocals; David Abramowitz, Master of<br />

Ceremonies. Mel Lastman Square, 5100 Yonge<br />

St. 416-635· 2883 ext.155.<br />

Thursday July 04<br />

- 7:00: Toronto Music Garden. An Evening<br />

with Joseph Petric. Works for accordion by<br />

Bentzon, Scarlatti, Soler & others. 4 75 Queens<br />

Quay West. 416·973· 7790. Free. .<br />

" Saturday July 06<br />

- 8:00: Jazz.FM91. Summer Of Jazz. Shirley<br />

Eikhard. Island Club, Waterfall Stage, Ontario<br />

Place. 416-599-5299 ext.229. Free.<br />

Southern Ontario Chamber Music Institute<br />

<strong>2002</strong> Summer Concert S~ries<br />

PENDERECKI STRING QUARTET<br />

Saturday, August 17, <strong>2002</strong>, 8pm<br />

DAEDALUS QUARTET<br />

Friday, August 23, <strong>2002</strong>, 8pm<br />

Willis Hall, Appleby College, Oakville, ON<br />

$25 .00/acjults, $15 .00/senior/student;<br />

or both @ $40/adults; $25/senior/student<br />

SOCMI Student Showcase<br />

Saturday, August 24, <strong>2002</strong>, 2pm<br />

Calvary Baptist Church, Oakville, ON<br />

$15.00/adult; $10.00/senior/student<br />

Students can register.for SO-CMI at www.socmi.on.ca<br />

For tickets, call 905-842-5865<br />

GTA/FlJRTllER AFIELD<br />

FURTHER AFIELD<br />

(but within easy travelling<br />

distance of the GTA):<br />

Saturday <strong>June</strong> 01<br />

- 7:00: St. Jacobs Theatres. Ouartetfest <strong>2002</strong>.<br />

Young artists. Church Theatre, 1376 King St. North,<br />

St.Jacobs. 519·664· 1134. $10,$5.<br />

- 7:30: Hamilton Children's Choir. Annual<br />

Spring Concert: From Darkness to light. Concert,<br />

Preparatory & Chamber Choirs; Chamber Ensem·<br />

ble. CIYist's Cluch Cathedral, 2q2 James St. North,<br />

Hamilton. 905·527· 1618. $12,$10, family rate.<br />

Sunday <strong>June</strong> 02<br />

- 7:00: Amis Du Jau. latin Flute! Boss a, samba.<br />

Bill McBimie, flute;Don Naduriak, piano; Artie Roth,<br />

bass. The Church '1 Sonya, 13 km north of Port Perry.<br />

705·357·2468. $10. .<br />

- 8:00: St. Jacobs Theatres. Ouartetfest <strong>2002</strong>.<br />

Colorado String Ouart~t. Church Theatre, 1376 King<br />

St.North, St.Jacobs. 519-664· 1134. $10,$5.<br />

Friday <strong>June</strong> 07<br />

- 7:00: Oriana Singers (Northumberland).<br />

Gala Fundraiser <strong>2002</strong>. Music from great literature.<br />

Richard Scrimger, Master of Ceremonies; Marie<br />

Anderson, conductor. Battervvood Estate, Canton.<br />

905·372-2210. $20.<br />

- 7:00: St. Jacobs Theatres. Ouartetfest <strong>2002</strong>.<br />

Young artists. Church Theatre, 1376 King St. North,<br />

St.Jacobs. 519-664-1134. $10,$5.<br />

- 8:00: Lynn McDonald Presents. Classical<br />

Romantic Gems. CIYistina Petrowska·Ouilico, piano.<br />

Port Perry U~ited Church, 294 Queen St. 705·357·<br />

2468. $15.<br />

Saturday <strong>June</strong> 08<br />

- 7:00: St. Jacobs Theatres. Ouartetfest <strong>2002</strong>.<br />

Young artists. Church Theatre, 1376 King St. North,<br />

St.Jacobs. 519-664-1134. $10,$5.<br />

- 7:30: Hamilton International Tattoo. March·<br />

ing bands, dancers, pipes & druns. Copps Coliseum,<br />

101 York Blvd, Hamilton. 905·546-4040.<br />

$ 25, $ 20, $13(children under 13), group rates.<br />

-8:00: The Millpond Centre. The Bill Hilly Band.<br />

Folk, celtic, bluegrass, fiddliig. 106 Victoria St. West,<br />

Alliston. 705435·3092. $16(door), $14(advance).<br />

Sunday <strong>June</strong> 09<br />

• - 2:00: Sharon Temple. Irene Ilic, voice. Peters:<br />

wortd Jl'BTiere songs; songs by Ptrcell, Rorem. Head,<br />

Hundley & others. Barry Peters, accompanist.<br />

18974 Leslie St., Sharon. 905-478-2389. $12.<br />

- 2:30: Hamilton International Tattoo. Copps<br />

Coliseum. See <strong>June</strong> 8.<br />

- 3:00: River Run Centre, Guelph. Afternoon<br />

at the Proms. Music by Elgar, Parry, Walton, Wood,<br />

Grainger & others. Mary DuQuesnay, soprano;<br />

Bobby Herriott, Master of Ceremonies; massed choi'.<br />

35 Woolwich St., Guelph. 519·837 ·0276.<br />

$15,$12, $5(child).<br />

- 5:00: SAAi String Quartet. Dvorak: String<br />

Quartet #6 American; selections by Gershwin &<br />

others. Music Room, Bramalea Civic Centre, 150<br />

Central Park Dr., Brampton. 905-451-0800. $10.<br />

- 7:00: Amis Du Jau. rJfike Lewis, piano & vocals;<br />

Gord Carley, drums; Artie Roth, bass. The Church in<br />

Sonya, 13kmn. of Port Perry. 705-357-2468. $10.<br />

'<br />

Sunday <strong>June</strong> 16<br />

.:... 7:00: Amis Du Jau.Father'sOay Specia!T reat!<br />

Don Thompson, vibraphone; Reg Schwager, guitar.<br />

treet Silver<br />

Band<br />

Date: <strong>June</strong> 23rd<br />

Time: 2 p.m.<br />

* Order a picnic lunch when you<br />

book your tickets. ONLY $8 each.<br />

* Stay for a "strawberry social"<br />

followingthe performance<br />

INCLUDED IN THE PRICE OF<br />

YOUR TICKET!<br />

Ticket price $20.00<br />

Children (16 and under) $15.00<br />


llectudlilSalfcl, 131amD1hof PotPmy. ~7-<br />

2468.$10.<br />

Saturday <strong>June</strong> 22<br />

- 8:00: Allcell Schoolhouse.Arke/ &istice Piano<br />

fas1Mi llDltKotgied&PlllB' T l!!!rlai\JDD.843<br />

WatsmRd.SwthArkd.519-763-7528.$20.<br />

I<br />

Sunday <strong>June</strong> 23<br />

-2:00:Slaun T ...... HamfarJS/JeetSleBad.<br />

189741..edeSt.,Slam.!15478-2389.$12.<br />

Saturday <strong>June</strong> 29<br />

-2:00: W8Slben Ar1s FestivalTheatre. Cux:wt at<br />

t/rJBarr TlefbyoiMaat Dam BllTett. sqnm;<br />

GllyRet,iea.~lmlffily,jilm;An11myPatm,<br />

MasllrofCalmriei>Wesdelllom;rmrlBsoftte<br />

Kitdmr.Wa111blS\nPmr.DriiWarai.anb:·<br />

tlr. The Ban. Hwy 301XJM Ccrrpielfml. 877-883-<br />

5m. $20-$55. $15-$21Xstl.<br />

Sunday <strong>June</strong> 30<br />

- 11 :OOarc Wesdlert Ar1s Festival Theatre.Ct»<br />

F u RTllER AFIELD I OPERA & Music THEATRE<br />

cetatt/rJBarc/latdlSeek.fJ:dn:INean:etof IJ'ltes.<br />

tral ITIJSK:of Haym & MoZll1. DaB Warai. ci'ector.<br />

lll!Ban,Hwy:llm11\ ~877-883-5m.<br />

$15-$25, $1Q.$15(st), filllyrate.<br />

-2.ill: Westben Ar1s FestivalTheatre.Camtat<br />

t/rJ&m: Tie Glay of Moat See.kn!29. $20-$40,<br />

$15-$~.<br />

Saturday July 06<br />

-2.ill:WestbenAr1sFestillalTheatre.Cuxmat<br />

t/rJBarcSchmml..aeiltil!l.dt.SdurenFrasib!<br />

tnl ~Piano Chirtet i1 E flat Arita Kr.ee, rll!ZZO;<br />

SteiteJ Sitarski &Soitie Dnlli1. vidlis; Davit Rose,<br />

v0a; ~WBJ1,aiT,lmlffily,Jiiln Thlllan.<br />

Hwy:llm11\ ~877-883-5m. $111-$25,<br />

$1Q.$15(st).<br />

Sunday July 07<br />

-2.ill:WestbenAr1sFestivalTheatre.Cuxmat<br />

t/rJBarr Sclxmnrl t> 'Jc<br />

~2 .ext. AllTS (2787},, ·"' .'~<br />

9s~.orglstaffiirt~/ '>i/ ., ...<br />

· P•ifd m


JAZZ LISTINGS<br />

CONCERT QUICK-PICKS AND CLUBS<br />

CONCERT QUICK PICKS- GTA<br />

(for detais see concert i.5tiigs pages 26-36).<br />

<strong>June</strong> 1 8:30: Dave Restivo, jazz pianist.<br />

<strong>June</strong> 2 4:30: Cllist Crurch.Deer Park. Jaz.z Vesper.;.<br />

JLDl 2 5:00: Toronto International Ctual FestivaU<br />

HartJourfront Centre. Mayfield Ma~.<br />

Jl.110 8 8:00: Jazz.FM91. SumB' Of Jazz. Rick Lazar<br />

Jtre8 8:00:RanaClfualCoomrity/StelaWalker<br />

JLDl 14 8:00:JVCJazzfestival. Heiig Mimeuvre&<br />

Cedar Walton Too with guest Jackie Mclean.<br />

JlJ1e 15 8:00:Jazz.FM91.SumB'Of Jazz. BiKilg's<br />

Satmlay Ngrr FSi Fry.<br />

Jl¥11! 15 8:00: JVC Jazz festival. Medeski Martin<br />

& Wood with Bulfrog:<br />

<strong>June</strong> 161 :30: CAMMAC/McMichael Gallery.<br />

Stllday Coiicert:JiTI Galloway.<br />

Jlile 164:30: CITist Cluch Deer Park.Jazz Vesper.;.<br />

<strong>June</strong> 17 8:00: Art of T me Ensentle. AD That..:Jazz?<br />

<strong>June</strong> 17 8:00: JVC Jazz Festival. Kenny Garrett<br />

<strong>June</strong> 21 8:00 Cluch at Beri


ANNOUNCEMENTS<br />

ANNOUNCEMENTS, WORKSHOPS, ETCETERA<br />

Band.lntreMinf. Bigbandslllw &darce. Guests:<br />

The Sermaders; Michae MllllY. badeacB; WORKSHOPS<br />

•<strong>June</strong> 111Jam.4pm: Mississauga Symphony.<br />

Zy!1fllll Jelize;lk. artistic cirector. Colony Hotel •<strong>June</strong> 21 :30: Toronto Early Music Players<br />

C Slap fKme Tau. Visit beautifijy desi!Jel & Toronto, 89 Chestrut St 416-231-5695. Organization. Workslllp by Shaman Purves-Snith.<br />

declrated MississCIJga tores withrrusical $59{cim", dam,J &sll!wl. $29{dam,J &slllw). llrisi1g Urited Cfmh,49 BoglrtAve.416487-<br />

rnmles.905-6154401. $20. •<strong>June</strong> 2210am·2pm: Ontario Registered 9261.$20.<br />

•<strong>June</strong> 16:00: Scarborough Music Theatre .. Music Teachers' Association, Central Toronto •<strong>June</strong> 1512:00 noon: Brampton Folk<br />

40thAnivrnayCe/e/Jmti;n Cocktai.5, lllrs<br />

Branch. Sale of used music. Sheet rrusic, Festival.Ah«lm? W


ACCOUNTING AND INCOME TAX<br />

SERVICE for small business and individuals, to<br />

save you time and money, customized to meet your<br />

needs. Norm Pulker, B. Math. CMA. 905-717-5421 or<br />

905-830-2985.<br />

CLARINET/SAX LESSONS, also preparation<br />

for RCM theory and history exams. Experienced<br />

teacher, MM. BM. Convenient downtown location.<br />

(416)532-6761 or klar~rrl@sympatico.ca<br />

CLASSICAL MUSIC LOVER? Hobby pianist/<br />

You're nuts if you don't join us July 30-August<br />

8 in lovely, historic Kromeriz, Czech Republic. Orchestral<br />

concerts, daily music appreciation dams,<br />

keyboard lessons, cultural excunions, great beer.<br />

Very affordable! Our third season. Information:<br />

www.symphonicworkshops.com or call me. Peter<br />

Kristian Mose, 416-923-3060.<br />

EAR TRAINING, MUSICIANSHIP,<br />

SIGHT-SINGING, dictation. rhythmic training,<br />

keyboard skills, theory (all Conservatory-type<br />

subjects. solfa. jazz). All levels, professional/serious<br />

beginnm. Detailed study available - ].I.Bach, Renaissance,<br />

Jazz. Art Levine, MA, ARCT; Host of<br />

"This is Art" on CBC; RCM . Professional School Faculty;<br />

Instructor, Univmity of Toronto, etL 416-924-<br />

8613. Visit website: www.artlevine.com<br />

FESTIVAL WIND ORCHESTRA. We're<br />

looking for neW" membm of all ages to join us in<br />

the fall. Check us out in conc~rt on <strong>June</strong> 11 at<br />

8pm, Fairview Library Theatre - then come out and<br />

play with us! Percussion, lower brass, clarinets,<br />

oboe. bassoon especially welcome. For details, call<br />

Shelley at (416)491-1683.<br />

FOR RENT/DOWNTOWN: Practice rooms<br />

(pianos included), and large rehemal space with<br />

.soundboard. Rates on a sliding scale. Call 416-925-<br />

(UN)CLASSIFIED ADVERTISING<br />

7222 for information. Cabbagetown Community Arts Tenon & Basses. For information call 416-421 -9710<br />

Centre, 454 Parli~ment St www.northtorontoplaym.com<br />

FULL SIZE CELLO FOR SALE. 1991 Johann , PROFESSIONAL PIANO ACCOMPA·<br />

Carol. Used professionally in chamber music, concertos NIST for vocal and instrumental. Recitals, exwith<br />

orchestra. Excellent Condition. Perfect for the ams, choin, coaching. opera. lieder. Reasonable<br />

advancing student Hard case and bow induded. $6,000 rates. Cecilia Song, 416-512-9341.<br />

obo. Call laura 416-575-2010.<br />

GUITARS: unique handmade instruments includ- PIANIST WILL PLAY Jazz-flavoured backing<br />

acoustic archtops, at good prices, for sale or ground music free of charge at charitable and noncommission<br />

by Michael Sankey. Luthier (613)733-8441 profit events. Can bring own piano. Call Neville at<br />

sankeymichael@hotmail.com (905)877-8471.<br />

HAVE YOU EVER WANTED TO SING,<br />

thought you wouldn't or couldn\ or do you just want<br />

a place to play with the possibilities of your voice.<br />

Small groups. 6 - $75. Johanne, 416-461-8425.<br />

LOOKING FOR experienced Suzuki-trained violin,<br />

cello or piano teachm. Please contact Julian Fisher at<br />

416-968-0303. .<br />

MERLIN WILLIAMS is available to do digital<br />

recordings of your orchestra. band, choir or chamber<br />

group on location. Reasonable rates for archival and<br />

demo recordings. For more info, call (416)489-0275<br />

or email: merlinw@netcom.ca<br />

MUSIC F.OR ALL OCCASIONS! Duets. Trios,<br />

Dance Band, Big Band. Background, Centre-stage.<br />

Classical, Contemporary, Dixieland, Jazz! ]SL Enterprises<br />

905-276-3373.<br />

ORGANIST AND CHOIR DIRECTOR<br />

for An~ican Church. Small choir ill 4 parts. 3 year<br />

new 2 manual organ Ahlborn-Galanti. One Sunday<br />

service, one reheanal with choir per week. T raditional/contemporary<br />

music. Required I Sept <strong>2002</strong>.<br />

St. Cyprians Anglican Church, I 080 Finch Ave. E.<br />

North York. For information, F. Baker (905)889-<br />

0536. E-mail .fredsan@sympatico.ca<br />

NORTH TORONTO PLAYERS a Gilbert &<br />

Sullivan Community Theatre Group would welcome<br />

rroronto Schoo{ !for Strings<br />

Julian Fisher, violin and viola<br />

Kleis Swan, violin<br />

Mary Fisher, cello<br />

Private Lessons Group Classes<br />

Qualified/Ecperienced Suzuki Instructors<br />

RCM Exam Preparation<br />

Junior Reading Orchestra, Chamber music<br />

Adult String Orchestra<br />

All Ages Wel_come 3+<br />

416-968-0303<br />

PROFESSIONAL EXPERIENCED Russian<br />

piano accompanist for vocal and instrumental. Recitals,<br />

exams, choirs, coaching, opera. Call Evgenia.<br />

(416)226-3002, (416)399-6579.<br />

STRING TEACHERS NEEDED. The Perfo0rmance<br />

School of Music in Burlington is seeking<br />

teachm for the following instruments: violin, cello<br />

and viola. Suzuki method preferred. Please call 1-<br />

905-319~8025 or email info@psmusic.ca<br />

SUMMER THEO~Y RUDIMENTS CAMP<br />

- Prepare for· August RCM exam with Maxine Willan,<br />

piano/theory teacher and examiner. Info. call 416-466- .<br />

7195.<br />

SINGING LESSONS Experien


FESTIVAL PROFILES<br />

BROlT SUMMER<br />

continued from page 8<br />

Toronto Centre For The Arts (North York);<br />

Windennere House (Muskoka)<br />

Ph: 905·525·SONG or 1 ·888-475·9377<br />

E·Mail festival@brottmusic.com<br />

Website www.brottmusic.com<br />

BROrr SuMMERMuoc Festival celebrates<br />

its 15111 anniversary as Ontario's prec<br />

mier orchestral music festival in <strong>2002</strong>.<br />

It features Classical, Oiamber, Jazz,<br />

Pops, and Family conceits. Founded<br />

in 1988 by conductor Boris Brott as a<br />

two-week event, BMF has grown to<br />

encompass an Autumn Festival in addition<br />

to the Summer, which continues<br />

to be the centrepiece of Hamilton's vibrant<br />

arts scene in July and August.<br />

.<br />

Guest soloists over the years have included:<br />

Valerie Tryon, Pinchas<br />

Zukerman, Anton Kuerti, Oliver Jones,<br />

· Martin Beaver, James Ehnes, Lara St.<br />

John, Michael Burgess to name a few.<br />

The Orchestra-in~residence is the renowned<br />

National Academy Orches•<br />

tra, comprising top graduating music<br />

students from across Canada and players<br />

from the country's finest orchestras<br />

who act as "ment6r musicians" in<br />

the stands.<br />

SuMl\IER OF M 11s1c: FEsT1v AL PROFILES<br />

Calgary International<br />

Organ Festival<br />

and Competition<br />

August 7 - 17, <strong>2002</strong><br />

Venues: within downtown Calgary, Alberta<br />

Phone: (403) 543'·!i 115<br />

or 1 ·800·213·9750<br />

E·Mail: info@triumphent.com<br />

Website: www.triumphent.com<br />

CALGARY IS READY tq take centre stage<br />

onre again and host some of the finest<br />

musicians in the world August 7 to<br />

17, for the 4th Royal Bank Calgary<br />

International Organ Festival and Competition.<br />

The <strong>2002</strong> Festival and Competition<br />

promises to be 11 days of<br />

world-class entertainment, with something<br />

for everyone to enjoy.<br />

· Collingwood<br />

M-usic Festival<br />

July 12 - August 3<br />

(Concerts at 8pm)<br />

Trinity United Church 140 Maple<br />

Street Collingwood, ON<br />

Contact: Douglas Nadler<br />

Phone: (519) 599·5461<br />

E·Mail: music@lynx.org<br />

Website: www.lynx.org/music<br />

THE CoWNGWOOD Music Festival's<br />

third summer season brings the finest<br />

, musicians from across Canada to<br />

Collingwood's acoustically magnificent<br />

Trinity United Church! Order tickets<br />

through our website and find out about<br />

the great dinner menus being prepared<br />

for the Festival by the fabulous<br />

Terracotta Restaurant. The Terracotta<br />

is a 5 minute walk from · the concert<br />

venue. Fri, July 12 - McComb String<br />

Quartet; Fri, July 19, - Gainet Rogers<br />

folk singer; Wed, July 24, - Erika<br />

Raum, violin & Anton Kuerti, piano;<br />

Thurs, July 25, - Anton Kuerti, piano,<br />

Kristine Bogyo, cello & Douglas<br />

Nadler, flute; Thurs, August 1, -Robert<br />

Michaels Group; Sat, Aug. 3, -<br />

Quartetto Gelato<br />

Domaine Forget's<br />

Festival International<br />

<strong>June</strong> 22 - August 25<br />

Phones: 888·DFORGET (336·7438)<br />

418-452·3535<br />

E·mail: info@domaineforget.com •<br />

Website: www.domaineforget.com<br />

Tuts YFAR IBE Fran9oys-Beml.er Concert<br />

Hall celebrates the acquisition of a ·<br />

rew German Steinway piano with three<br />

remarkable Canadian pianists: Marc­<br />

Andre Hamelin, Naida Cole am Andre<br />

Laplante with Les Violons du Roy.<br />

We welcome .for the first time such<br />

artists as violinist Pinchas Zukerman,<br />

jazzman Didier Lockwood, cellist<br />

Anner Bylsma, and soprano Agnes<br />

Er 'Adufr<br />

'Amateur<br />

'Musicians<br />

CAMM<br />

•<br />

Cen . .<br />

'Music Centre<br />

tmosphere .<br />

' tat and vocal music<br />

zz, world music<br />

lfr ensembles<br />

uash, ._/ijl•feyball<br />

4, <strong>2002</strong><br />

1, 2Q02<br />

, , ville<br />

ke 'Ontario<br />

owntown Toronto<br />

am mac.ca<br />

ac.ca<br />

mat~rs au Canada<br />

40


Mellonanlmeetaga4iour frien:ls Pierre<br />

Amoyal, Emmanuel Pahud, Leo<br />

Brouwer, Regis Pasquier, among many<br />

others. In addition, the Orchestre<br />

symphonique de Quebec gives a concert<br />

that marks the kick-off of its 1001'<br />

anniversary celebrations. Please consult<br />

olir website or brochure for concert<br />

details.<br />

Elora Festival<br />

July 12 - August 4<br />

Ga1,11brel Barn, St. John's Anglican<br />

Church, St. Mary's Catholic Church.<br />

All chosen for their exceptional<br />

acoustical properties<br />

Contact information:<br />

JoAnn Martin, General Manager<br />

Phone: 519·846·0331<br />

E·mail: joann@elorafestival.com<br />

"Website: www.elorafestival.com<br />

THIS IS THE 23RD season for the<br />

Elora Festival, one of the only<br />

Choral Festivals in Ontario.<br />

Opening Night features soloists<br />

Daniel Taylor, Ben Butterfield,<br />

Suzie LeB!anc and Daniel Lichti<br />

performing Handel's newly<br />

discovered Gloria and Dixit<br />

Dominus, and Bach's Magnificat;<br />

a new production written by<br />

SUMMER OF Music: FEsnv AL PROFILES<br />

Richard Ouzounian especially for<br />

the Festival - "A Tribute to<br />

Richard Rodgers" starring<br />

Michael Burgess, <strong>June</strong> Crowley,<br />

Dan Chameroy and Melissa<br />

Thomson; over 200 Choristers,<br />

The Toronto Mendelssohn Choir,<br />

The Elora Festival Singers, anc!<br />

the .Elora Festival Orchestra<br />

perform Mozart's Requiem and<br />

the Lux Aetema; The Gryplion<br />

Trio and many more. See our<br />

website for more details.<br />

Festival<br />

of the Sound<br />

July. 19 · August 11<br />

Venues: Festival Hall, St. Peter's and<br />

St. James Churches, Island Queen,<br />

M.V. Chippewa, Inn and Tennis Club at<br />

Manitou<br />

Phone 705·746·2410<br />

E·Mail info@festivalofthesound.on.ca<br />

Website www.festivalofthesound.on.ca<br />

CANADA'S MOSr CREATIVE swnmermusic<br />

festival takes place in Parry Sound, a<br />

small town in a spectacular location on<br />

the shores of Georgian Bay. Concerts<br />

range all the way from free Discovery<br />

Concerts introducing young Canadian<br />

composers to Bach's St. John Passion.<br />

Musical cruises and special events on<br />

Georgian Bay combine the music of<br />

the Festival of the Sound with the area's<br />

natural beauty. On August 6 and 7,<br />

hear four Octets for Winds that may<br />

be undiscovered works by Mozart.<br />

David Bourque worked with source<br />

materials riddled with inconsistencies<br />

and mistakes to publish the first<br />

performing edition of these works. Are<br />

they really Mozart? You be tl).e judge.<br />

Visit the Parry Sound waterfront to see<br />

work taking place· on the new<br />

performance hall, Canada's next<br />

"acoustical gem".<br />

It's a<br />

Grand Summer<br />

<strong>June</strong>· 13 · September 21<br />

Venue: The Grand Theatre, 218<br />

Princess Street, Kingston ON K7L 1 B2<br />

Phone Box Office (613)530-2050<br />

E·Mail grandtheatre@city.kingston.on.ca<br />

Websites: www.whatsonkingston.com<br />

www.grandtheatre·kingston.com<br />

JmN us FOR an outstanding<br />

summer of comedy, drama and<br />

music in the true Grand tradition.<br />

Lameque<br />

International Baroque<br />

Music Festival (New Brunswick)<br />

July 26, 27 and 28<br />

Lameque guest conductor, Labadi.e<br />

Venues: various, but evening concerts<br />

at the Ste·Cecile Church at Petite<br />

Riviere de l'lle, on Lameque Island, NB<br />

Contact: Hejean Poirier, General Mam1ger<br />

Phone: 1 ·800·320·2276<br />

E·Mail: fesbaroq@nbnet.nb.ca<br />

Website: http://<br />

festivalbaroque.acadie.net<br />

THE LAMP.QUE International Baroque<br />

Music Festival devotes its entire program<br />

to the baroque music period<br />

(1600-1750). Allconcertsaregivenon<br />

period instruments. For the last 27<br />

McCOMB STRING QUARTET<br />

Friday, July 12, <strong>2002</strong> at 8:00 pm<br />

~NErROGERs--<br />

folk singer<br />

Friday, July 19, <strong>2002</strong> at 8:00 pm<br />

ERIKA RAUM, violin<br />

ANTON KUERTI, piano<br />

Wednesday, July 24, <strong>2002</strong> at 8:00 pm<br />

ANTON KUERTI, piano<br />

KRISTINE BOGYO, cello<br />

· DOUGLAS NADLER, flute .<br />

Thursday, July 25, <strong>2002</strong> at 8:00 pm<br />

ROBERT MICHAELS<br />

Jazz/ Flamenco Group<br />

Thursday, August 1, <strong>2002</strong> at 8:00 pm<br />

QUARTETTO GELATO<br />

Saturday, August 3, <strong>2002</strong> at 8!00 pm<br />

All concerts will be held at Trinify United Church<br />

140 Maple Street, Collingwood


years, the church of Ste-Cecile, with<br />

its brilliant naive decor, is the host of<br />

memorable corx:erts. Its wooden snucture<br />

offers unique acoustics. This year<br />

will feature Bernard Labadie as guest<br />

conductor of the Festival Choir and<br />

Orchestra, violinist Monica Huggett,<br />

soprano Karina Gauvin, tenor Michael<br />

Slattery, Trio Sonnerie from England,<br />

a Tea with harpsichordist Hank Knox,<br />

and a musical brunch with Ensemble<br />

Ferintosh, featuring violinist David<br />

Greenberg. Works by Handel<br />

(L' Allegro, il Pensoroso ed il<br />

Moderato), Vivaldi (Four Seasons),<br />

Frescobaldi~ Rameau, Byrd, Jenkins,<br />

etc.<br />

Glimmerglass,<br />

Opera <strong>2002</strong><br />

·Festival Season<br />

July 5 - August 27<br />

Venue: The Alice Busch Opera<br />

Theater, Cooperstown NY<br />

Phone: 607-547-2255<br />

' E-Mail: tickets@glimmerglass.org<br />

Website: www.glimmerglass.org<br />

This internationally acclaimed swiuner<br />

festival's repertory productions include<br />

Mascagni/Leoncavallo's CavaOeria<br />

Rusticana/Pagliacci, Adamo's Littk<br />

Women, Haydn's Orlando Paladino,<br />

and Poulenc's Dialogues of the<br />

Cµnneliles. Visit our website for more<br />

infonnation.<br />

Grand River<br />

Baroque Festival<br />

July 5-7, <strong>2002</strong><br />

Venue: Buehlow· Barn, near Ayr, Ontario<br />

Contact: Cheryl Ewing, 519 579-8564<br />

Phone: 519.745-5853 · ·<br />

E-Mail: jmason@kw.igs.net<br />

or grbf@golden.net<br />

Website: www.grbf.ca<br />

THE GRAND RlvFR Baroque Festival<br />

<strong>2002</strong> focuses on music of J.S. Bach<br />

and Italian baroque composerS. The<br />

Festival opens Friday with a concert<br />

featuring Daniel Lichti, Dennis<br />

St ~!MEI( OF Mt 1 SIC: FESTIVAL PROFILES<br />

Giesbrecht, Gabrielle McLaughlin and present workshops on improvisational<br />

theVoxExCordechoirinBach'scan- techniques to students in several of<br />

tatas 1 and 82, the Brandenburg Con" Guelph's local schools.<br />

certo No. 1 performed by the Grand<br />

River Baroque Ensemble, and the c<br />

minor coocerto for oboe and violin performed<br />

by the FeStival's artistic direc-<br />

Hu ntsvi I le<br />

tors, James Mason and Julie<br />

Baumgartel. Saturday is a full day, Festival of the Arts<br />

three-concert Italian extravaganza, beginning<br />

with a concert of early baroque<br />

music on period instruments and ending<br />

with an 11 pm solo violin performance<br />

by·Farran·Janfes. The festival<br />

coQCludes Sunday afternoon with<br />

more J.S: Bach featuring Carolyn<br />

Sinclair, soprano.<br />

Guelph ·<br />

Jazz Festival<br />

September 4 · September 8<br />

Various venues: Macdonald Stewart Art<br />

Centre, River Run Centre, St. George's<br />

Anglican Church, Guelph Youth Music<br />

Centre, and Carden Street Jazz Tent<br />

Phone: 519· 763-4952<br />

Fax: (519)763-3155<br />

E-Mail: info@guelphjazzfestival.com<br />

Website:www.guelphjazzfestival.com<br />

FESTIVAL ALEXANDRIA<br />

Chamber music in an idyllic rural setting<br />

half-way between Ottawa and Montreal<br />

SUNDAYS AT 3 PM<br />

<strong>June</strong> 30th to August 4th<br />

TICKETS : . $12 AND $9<br />

, Call us at:' (514) 484-9076 or (613) 525-4141<br />

July 4 to 21, <strong>2002</strong><br />

Venues: Delta Grandview Resort,<br />

Deerhurst Resort, Town Hall Theatre,<br />

Trinity Church and others<br />

Phone: 1-705-788-2787;<br />

1-800-663-2787<br />

E·Mail: info@huntsvillefestival.on.ca<br />

Website: www.huntsvilletestival.on.ca<br />

THE GUELPH Jazz Festival annually<br />

presents a world-


Quan


continued from page 43<br />

varied and interesting. With concerts<br />

outdoors along the Avon River<br />

parklands and in three downtown historic<br />

building


DISCO\' ERIES<br />

ID!S?lll<br />

DISCOVERIES is a CD review section designed<br />

to complement and enhance our pre-eminent<br />

coverage of Toronto's live classical and new<br />

music concert scene, featuring reviews by<br />

WholeNote columnists and independent<br />

contributors. CDs are considered for review in<br />

the following four categories:<br />

'<br />

1. "Concert prep" - CDs, new or otherwise,<br />

which tie in with events being featured in the<br />

,current issue of the magazine. Note that many<br />

discs in the other categories also relate to<br />

upcoming events as noted;<br />

2. New and Recent Releases - newly released<br />

CDs relevant to our magazine's coverage of the<br />

music scene;<br />

3. 1'Worth 1 repeating" - CDs newly re-is~ued,<br />

or previously released but still generally<br />

available, deemed particularly noteworthy by q<br />

member of our editorial panel;<br />

4. "lndie list" - Small label and independent<br />

release CDs, often featuring individuals or<br />

groups active on the local music scene.<br />

5. "Disc(s) of the month" - Disc's of special<br />

interest, often with a particular connection to<br />

the month's r:oncert activities.<br />

We think DJ ~ COVERIES is a logical and<br />

exciting ext ens •. 1n of The WholeNote 's coverage<br />

of the Toronto music scene. We welcome your<br />

feedback and invite submissions. Catalogues,<br />

review copies of CDs and comments should be<br />

sent to: The WholeNote, 60 Bellevue Avenue,<br />

Toronto ON M5T 2N4. We also welcome your<br />

input via our website, www.thewholenote.com<br />

David Olds<br />

Editor, DISCOVERIES<br />

IN DISCOVERIES THIS ISSUE<br />

CONCERT PREP<br />

page 45:47<br />

• Le Chant de Virgile: Classical Poetry iR Renaissance<br />

Music -Huelgas Ensemble I Paul Van Nevel<br />

~ Ralph Vaughan Williams: Mass in G minor -The Elora<br />

Festival Singers I Noel Edison<br />

-J.S, Bach: Motets -Tafelmusik Chamber Choir/ lvars<br />

Taurins I tafelmusik Baroque Orchestra<br />

-Toutakoosticks - Stephane Huchard<br />

-Not for Nothing (2001 ); Prime Directive (1999); Points of<br />

View (1998) - Dave Holland Quintet<br />

NEW AND RECENT RELEASES<br />

page47-50<br />

1- Liszt: Works for Piano and Orchestra, VoL 3- ~ouis Lortie<br />

Residentie Orchestra The Hague I George Pehlivanian<br />

-Anton Webern: Passacaglia; Symphony; Five Pieces<br />

Ulster Orchestra I Takuo Yuasa<br />

- Alban Berg: Wozzeck -Orchestra and Chorus of the Royal<br />

Opera, Stockholm I Leif Segerstam<br />

· Lamento ·Daniel Taylo~/Theatre of Early Music<br />

- Sacred Spaces I Lieux sacres - Studio de musique<br />

ancienne de Montreal I Christopher Jackson<br />

- Wagner: Scenes from The Ring<br />

Royal Opera House Orchestra I Antonio Pappano<br />

• Ravel: The Complete Solo Piano Music· Angela Hewitt<br />

WORTH REPEATING<br />

page 51-53 ·<br />

· Brubeck & Desmond 1975: The Duets - Dave Brubeck<br />

and Paul Desmond ,<br />

·Schubert: Arpeggione Sonata; Boccherini: Cello Sonata<br />

No. 6; Sammartini: Cello Sonata in G major· Leonard<br />

·Rose I Leonid Ham bro<br />

INDIELIST<br />

page 53<br />

• Srul Irving Glick: Toward the Sun - Valerie Siren I Cecilia<br />

lgnatieff ·<br />

• Srul Irving Glick: Shirei TShuva: Songs of Joy and<br />

Repentance - Cantor Efraim Sapir I Beth Tikvah Choir I<br />

Penderecki String Quartet<br />

DISCS OF THE MONTH<br />

page 53-54<br />

• Bruckner: The Complete Symphonies -Royal Scottish<br />

National Orchestra I National Symphony Orchestra of<br />

Ireland I New Zealand Symphony Orchestra I Georg<br />

Tintner<br />

- Schoenberg: Gurrelieder -Karita Mattila, Anne Sofie von<br />

Otter I Philip Langridge I Thomas Moser I Thomas<br />

Quasthoff I Berlin Philharmonic I Sir Simon Rattle<br />

CONCERT PREP<br />

Le Chant de Virgile:<br />

Classical Poetry in Renaissance Music<br />

Huelgas Ensemble; Paul Vari Nevel<br />

Harmonia Mondi HMC 901739<br />

In his wonderful<br />

recordings of ,.<br />

medieval and<br />

renaissance<br />

vocal music,<br />

Belgian conductor<br />

Paul Van<br />

Nevel explores<br />

·fascinating<br />

historical<br />

themes and contexts - a renaissance royal<br />

wedding in La Pellegrina (Sony Vivarte S2K<br />

63362), many-voiced polyphony in Utopia<br />

Triumphans (Sony Vivarte SK66261), and, in<br />

Le Chant de Virgile, renaissance settings of<br />

classical poetry. But it's not his brilliant<br />

scholarship that makes these recordings so<br />

beautiful. In performance he grasps the<br />

personality of each composer and reveals the<br />

expressive centre of each work. The singers and<br />

instrumentalists in his superb Huelgas Ensemble<br />

achiev~ a personal, warm and idiomatic sound.<br />

They blend magnificently, and shine in the solo<br />

work.<br />

This disc features six settings of Dido's final<br />

lament from Virgil's Aeneid, Dulces exuviae,<br />

familiar in later operatic settings by Purcell and<br />

Berlioz. The earliest is by the great Josquin<br />

Desprez, whose revolutionary use of music to<br />

express the meaning of the texts represents the<br />

breakthrough of renaissance humanism. Roland<br />

de Lassus combines counterpoint with chords,<br />

creating rhythmic variety and dramatic contrast.<br />

The setting by the obscure Theodoricus Gerarde<br />

offers delightfully dissonant, highly emotional<br />

melodies.<br />

Not all is serious. In Donec gratus by Cipriano<br />

de Rore, two lovers in an ironic dialogue by<br />

Horace spar with caustic wit worthy of Noel<br />

Coward: "You are as light as cork and badtempered<br />

as the Adriatic."<br />

314 Churchill Ave<br />

Toronto. Ontario<br />

M2R 1 E7 Canada<br />

Tel: (1) 416·224·1956<br />

Fax: (1) 416-224-2964<br />

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We buy your classical LP collection<br />

(classical. such as Beethoven . Mozart. Stockhausen)<br />

we travel anywhere for good collection<br />

www.thewholenote.com 45


. This exquisite disc is not just for those who<br />

love renaissance polyphony. Complimented by<br />

Van Nevel 's impassioned and erudite liner notes,<br />

it makes an ideal introduction to renaissance<br />

music for those yet to be captivated. '<br />

Pamela Margles<br />

Concert Note: Conductor Paul Van Nevel<br />

brings the Huelgas Ensemble to the Toronto<br />

International Choral Festival on Tuesday,<br />

<strong>June</strong> 11 at 8:00, when they perform at St.<br />

Andrew's Presbyterian Church.<br />

. .<br />

Ralph Vaughan Williams·<br />

Mass in G mipor<br />

The Elora Festival Singers;<br />

Noel Edison<br />

'Naxos 8.554826<br />

DISCOVERIES<br />

Concert Note: Noel Edison conducts the<br />

Elora Festival Singers and the Toronto<br />

Mendelssohn Choir in a program o_f"Schubert,<br />

Martinu and Bruckner on <strong>June</strong> 18 at the<br />

Cathedral of the Transfiguration in Markham<br />

as part of the Toronto International Choral<br />

Festival.<br />

J.S. Bach - Motets<br />

Tafelmusik Chamber Choir, I vars Taurins,<br />

conductor<br />

Tafelmusik Baroque Orchestra<br />

CBC Records MVCD 1136<br />

Through the six of Bach's surviving motets, we<br />

·are able to experience a broad range of sty Jes,<br />

from the traditional German chorale, to the<br />

relatively modern Italian concerto·form. These<br />

There's a variety of choral works on this issue, pieces also present such a varied representati_on<br />

both a cappella and accompanied by organ: a of the composer's almost mystical ability to<br />

mass, 5 motets, imbue the text with such strong emotive power<br />

ananthemanda that it cuts straight to the heart of the listene.r.<br />

hymn setting. And what a range of emotions - from the most<br />

Upon seeing the devastating suffering ·imaginable to the most<br />

disc I thought exuberant joy, to the most deep and reverent<br />

the Mass in G gratitude. Asaresult,Bach'smotetsareagreat<br />

minor was the challenge to sing with the required sensitivitymain<br />

fare and an ever-changing landscape from declamation<br />

the motets sim- to the lightness of dance-like rhythms to fugal<br />

ply chosen as passages that demand a vocal agility not always<br />

L_ ___ ~ ______, complementary easy to coordinate in a choir. Distinguished<br />

works to increase the playing time of the disc. conductor Philippe Herreweghe has written that<br />

As it turns out, they are the real gems here with these motets are "fearsomely difficult to perform".<br />

VW truly in his element, bringing his experience I vars Taurins and the Tafelmusik Chamber<br />

with folk songs to the fore. These are very inviting Choir certainly stand up to the test in this CD<br />

works, uncomplicated, direct yet dignified. recorded at Humbercrest United Church in<br />

Written as an uncommissioned labour oflove, Toronto. With a mixture oflightness, clarity and<br />

the Mass in G minor was inspired by the revival intensity, and superb vocal technique they<br />

of Catholic polyphony in England initiated by manage to convey the varied moods that Bach<br />

Richard Terry. The choir's sensitive reading so skillfully achieved in his compositions. And,<br />

conveys a tremendous Sense of spirituality. The as always, the. members of the Tafelmusik<br />

dynamics range widely and impressively but are Baroque Orchestra provide the most sensitive<br />

never bombastic or theatrical.<br />

accompaniment, with strings and winds often<br />

With the exception of the Mass, which is in · accompanying vpcal lines ...<br />

Latin, all the works are sung in English with the<br />

Dianne Wells (excerpted<br />

words clearly decipherable thanks to the group's<br />

from October 2001 DISCoveries)<br />

fine diction. Excellent intonation is evident<br />

throughout and noticeable is the expert blendi_ng Concert Note: Tafelmusik Chamber Choir<br />

of voices thanks to Noel Edison who manages and Orchestra perform Bach's Motets on <strong>June</strong><br />

to make solos prominent but not at the expense 20 at the George Weston Recital Hall as part<br />

of the other parts.<br />

of the Toronto International Choral Festival.<br />

Naxos has captured the group's natural sound<br />

in churches in Toronto and Elora without the ·<br />

overpowering reverberation sometimes<br />

associated with such venues. As attested to in<br />

this recording, the Elora Festival Singers is<br />

definitely a choral group to be reckoned with.<br />

Antonio Casciano<br />

Toutakoosticks<br />

Stephane Huchard<br />

Blue Note<br />

Stephane Huchard, drums; Remy Vignola,<br />

acoustic bass; Pierre de Bethmann, piano;<br />

Stephane Guillaume, sax/flute/clarinet; Nicolas<br />

Folmer, trumpet/flugelhorn.<br />

This is a<br />

brand new re- .<br />

lease featuring<br />

a group from<br />

France perhaps<br />

unfamiliar<br />

to most readers,<br />

but well<br />

worth investigating.<br />

Led<br />

by drummer<br />

Huchard the band is very together with tight<br />

ensemble work and lots of excitement in the solo<br />

department. The albµm has, not surprisingly,<br />

already been released and well reviewed in<br />

France, where H uchard is one of the current<br />

crop of "name" drummers. Bebop influences -<br />

fusion overtones, some extremely musical<br />

drumming from leader Huchard and very strong<br />

soloists make up the ingredients. Right from the<br />

start with the moody, atmospheric feel of ?.arbi<br />

Street, the music grabs attention and sustains it<br />

throughout the CD.<br />

At times the band sounds like an extension of<br />

the classic Horace Silver school of jazz with its<br />

classic two·horns and rhythm section format.<br />

·Stand out tracks? The aforementioned Zarbi<br />

Street and Mrs. Cartoon. This latter is something<br />

of a tour de force for the leader and<br />

Stephane Guillaume on flute who plays a<br />

blistering solo followed by pianist Pierre de<br />

Bethmann lulling1the listener briefly into a mood<br />

change before picking up the challenge and the<br />

tempo, taking the album to a flying finish.<br />

This is a hot band, well rehearsed and full of<br />

challengin,g listening<br />

Jim Galloway<br />

Concert Note:' You can check the band out<br />

on <strong>June</strong> 21st 5:00 p.m. at Natharz ~hillips<br />

Square where they celebrate the annual<br />

French celebration, Fete de la Musique, as<br />

part of Toronto Downtown Jazz. The CD will<br />

be there too!<br />

Not for Nothing (2001); Prime Directive<br />

(1999); Points of View (1998)<br />

Dave Holland Quintet<br />

ECM 1758; ECM 1698; ECM 1663<br />

The Jazz Journalists Association voted the Dave<br />

Holland Quintet<br />

as the best small<br />

ensemble _in<br />

jazz, and Holland<br />

the best<br />

acoustic bassist,<br />

for the year<br />

2001. Those<br />

were also the<br />

choices on my<br />

46<br />

www.thewholenote.com<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong>


allot. The Downbeat Critics Poll concurred in<br />

naming the Quintet the best ensemble in jazz,<br />

and Holland the best bassist for the third year in<br />

a row. We will have the privilege and excitement<br />

of hearing them at this year's Downtown Jazz<br />

Festival.<br />

Formed in 1997, with Robin Eubanks on<br />

trombone, Steve.Nelson on vibraphone and<br />

marimba, Billy Kilson on drums, and Steve<br />

Wilson on alto and soprano saxes, the group's<br />

composition has stayed constant except for the<br />

brilliant young Chris Potter on soprano, alto and<br />

tenor saxes replacing Wilson.<br />

Holland's quintet is on the road all the time,<br />

performing in clubs and concert halls on every<br />

continent, and getting tighter and tighter in the<br />

process: The three CDs under review form a<br />

set that documents the process and the impressive<br />

DISCOVERIES<br />

results. Points of View, the earliest disc, is<br />

wonderful, and the next two even more so.<br />

· The driving force, literally, is Holland's highly<br />

rhythmic mastery of the whole spectrum of<br />

contemporary jazz styles: from big band to bop<br />

to free jazz and "free funk and m-base," which<br />

involve tonally free improvisation over funky<br />

beats. At the age of 56, he's quite literally done<br />

it all. Holland's philosophy is "use everything."<br />

Eubanks and Potter are similarly versatile. They<br />

are b.alanced by Nelson's mainstream bop<br />

comping on the vibes. Kilson is so endlessly<br />

innovative and individualistic that his drumming<br />

style should just be called 'Kilson."<br />

I'd call their playing "stretched bop." They like<br />

playing swinging, accessible mu·sic that<br />

incorporates innovations from the "out" side of<br />

the jazz divide. My favourite moments are when<br />

the trombonist and saxophonist improvise against<br />

each other within a swirling rhythmic and tonal<br />

framework created by the three others. The jazz<br />

excitement meter is right at the end of the dial.<br />

Phil Ehrensaft<br />

NEWAND<br />

RECENT RELEASES<br />

Liszt: Works for Piano and Orchestra,<br />

Vol. 3<br />

Louis Lortie<br />

Residentie Orchestra The Hague; George<br />

Pehlivanian<br />

Chandos CHAN 9918


Lortie has emerged as one of the top pianists of<br />

his day and the Liszt project with Pehlivanian<br />

coulcl_prove to be one of his greatest accomplishments.<br />

TheConceno<br />

No. 1 in E flat<br />

Major is one of r<br />

the most famous<br />

concertos in the<br />

piano literature.<br />

It maintains<br />

in,terest through<br />

Liszt's use of<br />

transforming<br />

themes: a sort of state of constant development<br />

in which the basic thematic material acts as a<br />

seed and is worked in such a way as to transform<br />

into something completely different. Lortie<br />

executes with 'Perfection. His trademark sound,<br />

subtle use of colour, strong rhythmic drive and<br />

clever use of dynamics come through brilliantly.<br />

There is ease to his playing that is inspiring. The<br />

orchestra supports him without overpowering<br />

and the two blend seamlessly.<br />

The second work is the Concerto No. 3 in E<br />

flat Major. This beautiful one movement work,<br />

with simplicity not usually associated with the<br />

music of Liszt, was never published during the<br />

composer's lifetime. Lortie's sound is big and<br />

DISCO\' ERIES<br />

powerful. The orchestra executes virtuosic , distinction, never overloading the six works<br />

passages cleanly and with a tight articulation recorded here with relentless "expressionist"<br />

adding clarity to the thick textures. The horror. In fact, the inventive variety of Webern's<br />

Concerto in A Major and the Concert orchestration becomes increasingly apparent as<br />

Pathetique complete the disc.<br />

the disc plays out. The most startling shift comes<br />

Thereare only a handful of pianists worki~g between the disc's centerpiece, the glowering<br />

today that can honestly demonstrate a complete Six Pieces, Op. 6, and Webern's Five Pieces,<br />

understanding of the scores of Liszt as well as Op. JO, which with its celesta, violins, and flute,<br />

the solo parts and how they interact. Lortie shows sounds almost frivolous in comparison.<br />

this quality throughout the recording. The overall Through the<br />

sound is very well balanced and extremely clear. movements of iU<br />

Thisisadefinitemustforanycollection. Op. 6 Yuasa """"·~~:!::!'.:~::,1'.1.."'P"""'<br />

Troy Milleker achieves a dramatic<br />

continuity<br />

that, at twelve<br />

Anton Webern: Passacaglia; Symphony;<br />

Five Pieces<br />

Ulster Orchestra; Takuo Yuasa<br />

Naxos 8.554841<br />

minutes, seems<br />

epic. The work<br />

coils up to its<br />

celebrated<br />

funeral march -<br />

The severe economy of Anton Webern's music itself an inexorable build-up of tension from its<br />

is often equated with a bleak, enigmatic listening shuddering tam-tams to the fortissimo climax -<br />

experience. A new Naxos release of the beforeitdissipates.Asimilarem'otionallogic<br />

composer's collected orchestral works, only fifty- · shapes the opening Passacaglia, Op. 1, but is<br />

three minutes long, fights that prejudice with an strangely lacking in Yuasa's performance of the<br />

onslaught of symphonic colour.<br />

two longer late.works, Symphony, Op. 21, and<br />

Glenn Gould once wrote that the music of Variations, Op. 30.<br />

Webern is not emotional but sensual. The Ulster Overall, however, the dueling concerns of form<br />

Orchestra under Takuo Yuasa respects that and emotion are well balanced. Yuasa certainly<br />

The first of a sertes of box sets/ :<br />

that present an ideal introduction<br />

to C1mada 's founding t•omposers<br />

1md the breadth 1ind diversity<br />

of their output.<br />

48


espects the score, but he demonstrates the<br />

power of Webern's music through sensual means<br />

as well. From this foundation he inspires the<br />

Ulster musicians to a committed, compelling<br />

performance.<br />

Brian McMillan<br />

Alban Berg: Wozzeck - Opera in Three Acts<br />

Op.7<br />

Orche~tra and Chorus of the Royal<br />

Opera, Stockholm; Leif Segerstam<br />

NAXOS 8.660076-77 [2 discs]<br />

Cast:<br />

Carl Johan Falkman: Wozzeck<br />

Katarina Dalayman:,Marie<br />

Ultik Qvale: Captain<br />

Sten Wahlund: Doctor<br />

Lennart Stregard: Drum Major<br />

Klas Hedlund: Andres<br />

Marianne Eklof: Margret<br />

Recorded live at Kungliga Teatem, Stockholm,<br />

February 2000<br />

DtSCOVERIES<br />

Berg calls forto sound as if only half that number<br />

are present. As this is a live performance there<br />

are a few stage noises that intrude from time to<br />

time. Though there is no translation of the libretto<br />

supplied in the multilingual program booklet,<br />

detailed synopses are offered to explain each<br />

scene ~ s significance.<br />

Lamento<br />

Daniel Taylor, Theatre of Early Music<br />

AT.l\1A Classique ACD2 2261<br />

This new recording by Canada's prominent<br />

counter-tenor Daniel Taylor and his newly formed<br />

ensemble the<br />

Theatre of Early<br />

Music features<br />

many extraordinary<br />

sacred<br />

arias and instrumental<br />

sel~ctions<br />

by 17th<br />

century German<br />

Wozzeck is a<br />

cornerstone of composers. .<br />

the20thcentury HERG As the title<br />

repertoire, 1vi1uYch suggests, the greater portion of this disc consists<br />

operatic or ~:::.:,:~ ·;,;,:~'.::;" of sad, mournful, dignified music, in fact, almost<br />

other w i s e . ~~:,:•;:... enough minor key to cause~one to lapse into deep<br />

Naxos' offering ~ ~: ·;~:~rw.i depression had not the richly expressive<br />

\b:


most reliable<br />

tenor, Do~<br />

mingowas60<br />

years old when<br />

he recorded<br />

this disc last<br />

July. Also a<br />

consummate<br />

musician, his<br />

voice remains<br />

secure, clear,<br />

and powerful as those of us who heard his<br />

Sigmund in the last Ring cycle at the Met will<br />

attest.<br />

Chosen are excerpts, vocal anq orchestral,<br />

from Siegfried and Gotterdamlnerung. For<br />

Siegfried I would have wished for a vital and<br />

determined Nothung! Nothung! This \\'.Ould<br />

reflect the pent-up energy of the forging scene of<br />

and the significance of the restored weapon.<br />

Also, 'Siegfried's' attempts to emulate the Forest<br />

Bird are just too secure and not at all amusing.<br />

Except for these two niggardly complaints,<br />

Siegfried is rather impressive and satisfying.<br />

I do not know in what order the excerpts were<br />

recorded but the Gotterdammerung duets with<br />

Brunnhilde are very exciting as are the several<br />

orchestral selections: Dawn, Siegfried's Rhine<br />

Journey and Funeral Music. Clearly, in this<br />

DISCOVERIES<br />

repertoire Domingo is happier bouncing offa·<br />

colleague than in the solo passages. The sound<br />

is thrillingly wide-range and large scale with<br />

convincing 'opera house' perspectives.<br />

A desirable disc for ·all those who respond to<br />

this repertoire.<br />

Bruce Surtees<br />

Ravel: The Complete Solo Piano Musk<br />

Angela Hewitt, piano<br />

Hyperion CDA67341/2<br />

In this highly<br />

recommended<br />

two-CD set of<br />

the complete<br />

solo piano music<br />

Maurice<br />

Ravel, Canadian<br />

Angela Hewitt<br />

displays the<br />

qualities that<br />

make her one of<br />

the most acclaimed Bach pianists of our day. Her<br />

textures are marvelously clear and sparkling;<br />

since she eschews lushly pedaled romantic<br />

washes of sound. But she nonetheless splendidly<br />

captures the evocative, sensuous, nostalgic poetry<br />

of these e.arl y 20'" ceT)tury French masterworks,<br />

many of which are familiar in Ravel's later<br />

orchestrations.<br />

J'.h~ most popular work here is probably<br />

Pavane pour une inf ante defante, which made<br />

an ·in:iforgettable encore at her recent recital at<br />

the .Glenn Gould Studio. On this recording<br />

Hewitt's luminous touch and meticulous sense<br />

of rhythm again create compelling magic.<br />

The most virtuosic work is undoubtedly<br />

Gaspard de la Nuit. Here Hewitt's imaginative<br />

powers of expression are at their strongest. In<br />

the thrilling first movement, named after the water<br />

sprite Ondine, the melody emerges from different<br />

registers of the piano while layers of sound<br />

shimmer. There is exceptional beauty in the way<br />

she tolls the ominous B-flat octaves throughout<br />

the rhilcabre second movement, Le Gibet (The<br />

Gallows), evoking what Hewitt, in her perceptive<br />

linernotes, calls "the odourof death". In the final<br />

movement, Scarbo, she dramatically colours the<br />

wickedly difficult figurations to create an<br />

enthralling scenario.<br />

There are many fine recordings of these<br />

·seminal works available, historic and<br />

contemporary, but this is a top choice - one I<br />

will return to over and over.<br />

Pamela Margles<br />

50<br />

www.thewholenote.com<br />

<strong>June</strong> 1 - July 7 <strong>2002</strong>


WORTH<br />

, REPEATING<br />

Brubeck & Desmond 1975:<br />

The Duets<br />

Dave Brubeck; Paul Desmond<br />

Horizon SP703<br />

This album is a total delight. The<br />

wonderful introverted, introspective<br />

world of Desmond is at its best here. in the intimacy of this musical setting<br />

The feeling of ESP between the two he demonstrates a less percussive<br />

musicians is almost too good to be approach to the piano than on some<br />

true. In the entire history of the music other recordings, replacing it with<br />

itisdifficulttothinkoftwomusicians a sensitivity which complements<br />

better suited to each other. beautifully the meandering lines of<br />

Dave Brubeck's harmonic sense the alto sax. Without bass and drums<br />

has always been a t.rademark and it'sjustthetwoofthemplusthevast<br />

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eerie feeling of freedom occurred<br />

which seldom happens when there<br />

are other instruments to be<br />

considered."<br />

With Desmond it is always a<br />

matter of less being much more. His<br />

minimalist approach has been his<br />

hallmark and he carries it to a high<br />

art form - that and his introverted<br />

sense of humour with obscure<br />

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51


Throughout the CD these two musicians feed<br />

off each other, a line of Desmond's picked up<br />

and developed by Brubeck, a harmonic challenge<br />

leading Desmond into uncharted waters. At.a<br />

tad under 40 minutes, it is a little short on playing<br />

time by today's standards, but, like I said earlier<br />

with regard to the playing - less is more.<br />

Jini Galloway<br />

Schubert: Arpeggione Sonata;<br />

Boccherini: Cello Sonata No. 6;<br />

Sammartini: Cello Sonata in G major<br />

-Leonard Rose; Leonid Hambro<br />

SONY SK 89749<br />

There are lots of performances of the Arpeggione<br />

Sonata in the catalogue but this one is<br />

special. Leonard Rose played in the N.B.C.<br />

Symphony under Toscanini and then moved over<br />

to The Cleveland Orchestra under George Szell.<br />

Finally'Rose led the cello section in the New<br />

York Philharl<br />

LEONARD ROSE,~~;;;.:;;.;.;


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53


collector in the past, where one had to be<br />

satisfied with some haphazard choices in order<br />

to get the complete set. Until receiving this Naxos<br />

boxed set I hadn't experienced the first 3<br />

symphonies, and neither the alternate Adagio to<br />

the 3rd nor the 1878 finale to the 4th. These<br />

"lost" movements are included in the boxed set.<br />

Tintner's reading of Bruckner is all you could<br />

wish for. He holds his own alongside the Jascha<br />

Horenstein and Gunther Wand interpretations in<br />

the massive symphonies 8 and 9. The Royal<br />

Scottish National Orchestra can proudly allow<br />

themselves to be held up to comparison against<br />

any of more than a dozen recordings of the 1880<br />

Haas edition of the 4th, popularly named the<br />

"Romantic". As a musical experience, you<br />

couldn't ask for better.<br />

The 48-page booklet has annotations written<br />

by Georg Tinter, ably edited by his partner Tanya.<br />

The conductor's life-long study of the Bruckner<br />

catalogue allows him. to give quite a scholarly<br />

dissertation of the themes and recapitulations,<br />

which is enlightening considering the vast scale<br />

of the works. Tintner's descriptions are at the<br />

same time easy to read, and you needn't feel<br />

that you require a music degree to understand<br />

what is being said.<br />

Unfortunately the fact ofTintner's authorship<br />

of the notes isn't acknow !edged anywhere in this<br />

booklet. The original Naxos individual Bruckner<br />

releases had these same notes verbatim, and they<br />

DISCOVERIES<br />

were properly accredited there. The other<br />

oversight is in a complete lack of photographs<br />

within the pages of the booklet.<br />

The other aspects of the booklet are commendable:<br />

the typeface is legible and not too tiny,<br />

and sensibly molded into a two-columns-perpage<br />

layout. There is an interesting three-page<br />

chronology of Bruckner's life and associations<br />

in the back pages, following the orchestra and<br />

conductor biographies.<br />

I heartily recommend this set of CDs for anyone<br />

with an interest in Bruckner's work. And as<br />

usual, Naxos gives us first-rate sound on a<br />

budget-priced CD.<br />

John S. Gray<br />

Schoenberg: Gurrelieder<br />

Karita Mattila, Anne Sofie von Otter,<br />

Philip Langridge, Thomas Moser,<br />

Thomas Quasthoff<br />

Various choirs, Berlin Philharmonic; Sir<br />

Simon Rattle<br />

EMI 72435 5730329<br />

for five soloists, a speaker, three male choirs, a<br />

mixed choir, and a greatly augmented orchestra<br />

including 10 horns, 8 flutes, 4 Wagner tubas, 6<br />

timpani, and the usual iron chains.<br />

Gurrelieder, the Songs of Gurre, is a Tristanesque<br />

drama, a narrative song cycle of massive<br />

proportions. It is the ultimate Romantic<br />

expression, opulent, entirely tonal and loaded<br />

with good tunes.<br />

In Part One, Rattle's view of the score may<br />

have some heads shaking because he seems to<br />

be restraining the decibels. In parts Two and<br />

Three, as the drama unfolds, the intensity builds,<br />

climaxing with Sunrise when all is resolved.<br />

Rattle realizes the arch of the work and its poetry,<br />

with exquisite gradations of sound from thoughtful<br />

pauses that seize the listener, from hushed<br />

passages to stunning tuttis.<br />

EMI has conquered the impossible acoustic<br />

of the Berlin's Philharmonie, the orchestra's<br />

home, to produce a stunning recording of<br />

enormous depth and power. Not just volume but<br />

power that you must hear to believe it. The<br />

balances are natural with no spotlighting. I have<br />

heard this orchestra many times in concert and<br />

fewer than a handful of recordings have come<br />

close to their live sound. This is the closest I have<br />

Gurrelieder was the final work Jukka-Pekka<br />

Saraste conducted as music director of The<br />

Toronto Symphony, his Swan Song. The piece heard. Rattle is not simply conducting Gurrehad<br />

been scheduled for an earlier season but was lieder, he is giving us the inside story.<br />

unwisely canceled because management believed<br />

Bruce Surtees<br />

it was too risky for Toronto audiences. It calls<br />

MUSICAL INSTRUMENT EXPERTS, MAKERS AND DEALERS SINCE 1890<br />

Visit our newly expanded Bloor Street location for even greater selection of the<br />

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54 www.thewholenote.com <strong>June</strong> 1 - July 7 <strong>2002</strong>


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'O ~" >;.mf ·~ ,; '~ Iii . .: '""· h ·~ ,; ~: ,: Z


Music Meets Canvas - October 24th and 25th, <strong>2002</strong><br />

Renowned artist Joseph Drape// paints a canvas live on stage while the Kaddish Symphony by<br />

Leonard Bernstein is performed. Also: excerpts from West Side Story and Chichester Psalms.<br />

A Festival of Carols - December 8th, <strong>2002</strong><br />

Favourite Christmas carols and sing-along with the Choir, organ, brass and narrator Richard Ouzounian.<br />

The Messiah - December 18th, <strong>2002</strong><br />

Handel's ever-popular oratorio, with The Toronto Symphony Orchestra.<br />

Mozart, Desrosiers and Raminsh - March 21st, 2003<br />

Enjoy the power of Mozart's Requiem with dance choreographed by Robert Desrosiers - paired with<br />

the world premiere of A Shining Peace by eminent Canadian composer lmant Raminsh.<br />

Bach B Minor Mass - April 18th, 2003<br />

A Good Friday special. Bach's B Minor Mass launches the brand new Go-voice Mendelssohn Singers,<br />

performing with soloists Suzie LeB/anc and Daniel Taylor.<br />

Coronation Gala Celebration -<strong>June</strong> 6th, 2003<br />

A celebration of the Golden Jubilee of the Coronation of Her Majesty Queen Elizabeth //,featuring pipers,<br />

military band, orchestra blockbuster and more. Audience participation, with lots of flag waving.<br />

For concert details, visit our website: www.tmchoir.org · For ticket information: (416) 598-0422, extension 24<br />

l!NBRIDGll<br />

®<br />

Sheraton Centre<br />

Toronto<br />

HOl'EL<br />

Scotiabank

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