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A Paradise on the Oder? - Department of Scandinavian Studies

A Paradise on the Oder? - Department of Scandinavian Studies

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<str<strong>on</strong>g>Paradise</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong><strong>Oder</strong>?Pinocchio, <strong>the</strong> quintessential fairy-tale liar (see Fig. 3), holding asign reading: “In <strong>the</strong> EU it will be better” (W UE będzie lepiej)—<strong>the</strong>pervasive slogan <strong>of</strong> <strong>the</strong> “Yes” campaign. This poster suggests not<strong>on</strong>ly that Poland will become a puppet <strong>of</strong> <strong>the</strong> EU, but also that <strong>the</strong>“Yes” campaigners are already <strong>the</strong> puppets <strong>of</strong> an unseen master. Asec<strong>on</strong>d fairy-tale poster is a scene from Snow White in which <strong>the</strong>witch, disguised as an old woman and dressed in an EU-flag cloak,<strong>of</strong>fers Snow White, dressed in Polish white and red, an apple thathas been secretly pois<strong>on</strong>ed. In this case, <strong>the</strong> apple bears a Eurocurrency symbol. An ominous slogan reads, “D<strong>on</strong>’t let yourself bedeceived” (Nie daj się oszukać). The central <strong>the</strong>me <strong>of</strong> both <strong>the</strong>sefairy tale advertisements is that appearances can be deceiving,and what might look inviting and wholesome, like an apple or<strong>the</strong> European M<strong>on</strong>etary Uni<strong>on</strong>, might actually be dangerous andharmful, and <strong>the</strong> people <strong>of</strong>fering <strong>the</strong>m might <strong>on</strong>ly be interested inbenefiting <strong>the</strong>mselves.The borders <strong>of</strong> EdenLocal politicians and municipal administrati<strong>on</strong>s in Słubice/Frankfurt(<strong>Oder</strong>) have dem<strong>on</strong>strated a relatively high commitmentto creating a transnati<strong>on</strong>al urban envir<strong>on</strong>ment,and in 1993 an agreement was reached between <strong>the</strong> two cities thatmandated a meeting schedule between <strong>the</strong> mayors, formal cooperati<strong>on</strong>between <strong>the</strong> town councils, as well as infrastructure (comm<strong>on</strong>water supply, sewage, and energy), ec<strong>on</strong>omic, and cultural integrati<strong>on</strong>(Słubice Municipal Government 2005). In 1997, Słubice andFrankfurt(<strong>Oder</strong>) also created a comm<strong>on</strong> urban development plan,<strong>the</strong> first transnati<strong>on</strong>al plan <strong>of</strong> its kind in <strong>of</strong> ei<strong>the</strong>r country (SłubiceMunicipal Government 2003).Perhaps <strong>the</strong> most public example <strong>of</strong> <strong>the</strong> commitment to crossborder cooperati<strong>on</strong> took place in 2003, when <strong>the</strong> two city administrati<strong>on</strong>sundertook <strong>the</strong> “Europagarden 2003,” an ambitious projectto promote integrati<strong>on</strong> between <strong>the</strong> cities through cross-bordercultural exchange and urban renewal. Funded by both EU regi<strong>on</strong>alfunds and <strong>the</strong> municipal governments, <strong>the</strong> Europagarden can bec<strong>on</strong>sidered part <strong>of</strong> a broader pro-EU strategy and dem<strong>on</strong>strates alocal enactment <strong>of</strong> <strong>the</strong> utopian visi<strong>on</strong> <strong>the</strong> EU promotes <strong>of</strong> a borderlessEurope. Lasting from May to October, <strong>the</strong> Europagardenimplemented a multifaceted group <strong>of</strong> events, projects and festivals.Most <strong>of</strong> <strong>the</strong> Europagarden’s cultural events took place <strong>on</strong> <strong>the</strong> IsleZiegenwerder, a small island in <strong>the</strong> German side <strong>of</strong> <strong>the</strong> <strong>Oder</strong> Riverthat was developed into a large park with several performance ven-143

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