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CENTRAL AFRICAN GONG-LANGUAGES

CENTRAL AFRICAN GONG-LANGUAGES

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OF SOME C E N T R A L A F R IC A N G O N G -LA N G U A G E S 59found in Central Africa. Thus, referring to fables in theLuba area, V a n C a e n e g iie m writes :Maar de meest gebruikte bijnaam voor Kabundi, een woorddat dikwijls zijn naam verwangt, is « dinkelenginge ».Wonder genoeg, niemand kent den oorsprong ervan ofweet een uitleg eraan te geven... dusdanige onuitlegbarewoorden komen ook voor in gezangen. Ze moetenarchaische uitdrukkingen zijn, die voort blijven bestaan involksmond terwijl de inhoud ervan verloren ging (99, p. 18).VI. — SOME C O N T R IB U T IO N SOF G O N G -L A N G U A G E IN V E S T IG A T IO N STO L IN G U IS T IC STUDIES.A ) The study of tonal patterns.It lias been shown in an earlier section (p. 42) that thegong-beater reproduces on his instrument the essentialtones of the syllables which make up the gong-phrasesand that modifications of these essential tones byemotional colour or syllable position, which would affectthe essential tones in speech are not heard on the gong (‘).Hence the gong-language tones are of value in giving tothe student a means of arriving at the essential tones ofthe gong-language elements. Since the greater part ofthese are the same as elements of the spoken language(see p. 55) the gong signais give a means of studying theessential tones of the spoken language. B u r s s e n s appref1)The only observed différence ln essential tonal pattern betweenthe gong-signals and the spoken language (other than différencesconsequent on coalescence present in the latter and absent in theformer) is the pattern for the word meaning » European » which is :bosoqgó [. . •] m spoken Kele and : bosoi]go [. . .] in the gong-language.An explanation of this différence is offered by Lokele gong-beatersand is given in 13, page 79.

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