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Femina, India<br />
February 1, 1999*<br />
Murder, They Wrote<br />
Her sister was brutally murdered; the tabloids played up every gory detail. This is Pennie Azarc<strong>on</strong> Dela<br />
Cruz’s experience with how taboids treat violent crimes.<br />
On the evening of January 10, 1998,<br />
when I saw the bloodied sheets<br />
wrapped around the lifeless body of my<br />
sister, Ver<strong>on</strong>idia Azarc<strong>on</strong>-Lui, little did I<br />
know the cruelty she’d be subjected to by<br />
the tabloids.<br />
The news broke <strong>on</strong> January 12.<br />
Ver<strong>on</strong>idia had been knifed to death. Her<br />
killer was roaming free …<br />
As a mainstream journalist and an<br />
advocate of women’s issues in the media<br />
for the last 10 years, I know how the<br />
media works and how it affects readers as<br />
news c<strong>on</strong>sumers. But my experience with<br />
the tabloids made me realise how news<br />
can affect readers. Am<strong>on</strong>g the few less<strong>on</strong>s<br />
I’ve learnt, which crime reporters might<br />
remember, are:<br />
1 STRESSING THE VICTIM’S APPEARANCE<br />
ADDS LITTLE SUBSTANCE TO CRIME<br />
REPORTAGE. Why use this angle at all?<br />
Most news stories began with Nidia’s<br />
good looks. If anything, it makes us w<strong>on</strong>der<br />
if it <strong>on</strong>ly adds to the titillati<strong>on</strong> factor<br />
and speculati<strong>on</strong>: If she was pretty, could<br />
it have been a love angle? A spurned or<br />
jealous lover? A crime of passi<strong>on</strong>?<br />
Focusing <strong>on</strong> looks also trivialises the victim<br />
and the crime.<br />
2 DOUBLE-CHECK YOUR FACTS, ESPECIALLY<br />
WHEN IT CONCERNS THE VICTIM’S REPUTA-<br />
TION. When victims aren’t around to<br />
defend themselves, their closest kin feel<br />
obliged to do so. By questi<strong>on</strong>ing the victim’s<br />
reputati<strong>on</strong>, you are adding <strong>on</strong>e<br />
* Originally published in the Philippine Journalism Review, Philippines.<br />
more burden for the family. They have<br />
enough <strong>on</strong> their plate as it is. They can<br />
<strong>on</strong>ly take so much physical and emoti<strong>on</strong>al<br />
pressure. D<strong>on</strong>’t add to it.<br />
3 GRIEF IS A PRIVATE EXPERIENCE, NOT A<br />
PUBLIC SPECTACLE. Ask permissi<strong>on</strong> before<br />
you barge into a wake and burial rites<br />
with your obtrusive cameras and tape<br />
recorders. Tread gently while asking questi<strong>on</strong>s<br />
and leave the bereaved al<strong>on</strong>e.<br />
Though it may be cathartic, few people<br />
relish being shown at their most vulnerable<br />
<strong>on</strong> nati<strong>on</strong>al televisi<strong>on</strong>. Realise that<br />
friends and neighbours who drop in during<br />
the wake are not very savvy about the<br />
media. They are easy prey and can be<br />
manipulated to say what you want them<br />
to through loaded questi<strong>on</strong>s. Shame <strong>on</strong><br />
you if you talk to the relatives just to get<br />
sensati<strong>on</strong>al quotes they may regret later.<br />
4 BE HONEST. Introduce yourself properly<br />
when you c<strong>on</strong>duct interviews. At<br />
Nidia’s wake, two tabloid reporters tried<br />
to pass themselves off as mourners and<br />
probed relatives about what they knew of<br />
the case. Such speculati<strong>on</strong> and unguarded<br />
revelati<strong>on</strong>s, when magnified in the<br />
media, might jeopardise investigati<strong>on</strong><br />
and scare off potential witnesses.<br />
5 DON’T STOOP FOR A SCOOP. Underhand<br />
tricks may be fine for government<br />
officials trying to fudge public records,<br />
but not when dealing with individuals<br />
grappling with grief. One tabloid photographer<br />
wanted to take photos of the<br />
32 C<strong>on</strong>veying C<strong>on</strong>cerns: Women <str<strong>on</strong>g>Report</str<strong>on</strong>g> <strong>on</strong> G<strong>ender</strong>-b<strong>ased</strong> Violence