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Volume VII - Modernist Magazines Project

Volume VII - Modernist Magazines Project

Volume VII - Modernist Magazines Project

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By Baron Corvo 213But this defence did not content the Padre Eterno. He saidthat the secret method on which San Pietro worked was a proofthat he knew he was doing what he ought not to do, and further,that it was not fair to the men who were building San Paolo'schurch to take away the fine things for which they spent theirmoney for the honour of San Paolo. So he cautioned San Pietronot to allow it to occur again.On the next day there was a festa and the builders did notwork, but on the Monday they placed in the church of San Paoloseveral slabs of lapis lazuli and malachite, and during the nightSan Pietro, who was the most bold and daring of men, had thehardihood to take them away and put them in his own church,right before the very eyes of San Paolo, who stood at the gatewatching him. By the time he returned San Paolo had made acomplaint before the Padre Eterno, and San Pietro was mostseverely spoken to, and warned that, if he persisted in his disobedience,not even his exalted rank and general usefulness and goodconduct would save him from punishment.The following day, which was Tuesday, a marvellous baldachinoof jasper and violet marble, which was the gift of the GrandTurk, was put up in the church of San Paolo, and at night SanPietro went down as usual and robbed it. For the third timeSan Paolo complained to the Padre Eterno, and then all theCourt of Heaven was summoned into the Presence to hearjudgment pronounced.The Padre Eterno said—and His Voice, sir, was like rollingthunder—that as San Pietro had been guilty of disobedience to theDivine Decree, in that, urged on by vanity, he had taken theproperty of San Paolo for his own church on the Monte Vaticano,and by so doing had prevented the church of San Paolo frombeing finished, it was an Order that until the end of time thegreat

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