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A Bird in the Hand - Art Gallery of Alberta

A Bird in the Hand - Art Gallery of Alberta

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The <strong>Alberta</strong> Foundation for <strong>the</strong> <strong>Art</strong>s Travell<strong>in</strong>g Exhibition ProgramCuratorial StatementA <strong>Bird</strong> <strong>in</strong> <strong>the</strong> <strong>Hand</strong>A bird <strong>in</strong> <strong>the</strong> hand is worth two <strong>in</strong> <strong>the</strong> bush.Alexander PopePastorals - Spr<strong>in</strong>gThe earth is truly blessed with an amaz<strong>in</strong>gvariety <strong>of</strong> creatures. All possess <strong>the</strong>ir ownunique and special characteristics and,throughout time, have <strong>in</strong>trigued and <strong>in</strong>spiredmank<strong>in</strong>d <strong>in</strong> a multitude <strong>of</strong> ways. None, however,have proved to be such a cont<strong>in</strong>uous source <strong>of</strong>wonder as birds.S<strong>in</strong>ce early man first saw birds take flight,<strong>the</strong>se w<strong>in</strong>ged creatures have captured hisimag<strong>in</strong>ation. <strong>Bird</strong>s feature <strong>in</strong> <strong>the</strong> creation mythsand have been worshipped as gods, or serveas messengers <strong>of</strong> <strong>the</strong> gods, <strong>in</strong> many <strong>of</strong> <strong>the</strong>world’s cultures; <strong>the</strong>y have <strong>in</strong>spired <strong>the</strong> mus<strong>in</strong>gs<strong>of</strong> philosophers, poets and o<strong>the</strong>r writers; <strong>the</strong>yhave motivated <strong>the</strong> <strong>in</strong>vestigations <strong>of</strong> scientists,eng<strong>in</strong>eers and architects; and, s<strong>in</strong>ce man firststarted draw<strong>in</strong>g, pa<strong>in</strong>t<strong>in</strong>g and sculpt<strong>in</strong>g <strong>in</strong> cavesover 30,000 years ago, birds have been asubject <strong>in</strong> visual art.own relationships to <strong>the</strong> ‘f<strong>in</strong>e fea<strong>the</strong>redfriends’ who share our homes, our backyards,and <strong>the</strong> very air we brea<strong>the</strong>.What do you th<strong>in</strong>k <strong>of</strong> when you see a raven,or spy <strong>the</strong> first rob<strong>in</strong> <strong>of</strong> spr<strong>in</strong>g?How do you feel when you hear <strong>the</strong> cry <strong>of</strong>geese as <strong>the</strong>y fly south <strong>in</strong> <strong>the</strong> fall?Have you ever wished you could...fly?I once had a sparrow alight upon my shoulderfor a moment, while I was hoe<strong>in</strong>g <strong>in</strong> a villagegarden, and I felt that I was more distiguishedby that circumstance than I should have beenby any epaulet I could have worn.Henry David Thoreau (1817-1862)Why has <strong>the</strong>re been this fasc<strong>in</strong>ation with<strong>the</strong>se creatures? What characteristics do birdspossess to warrant <strong>the</strong> creative attention <strong>of</strong>men and women?The art works <strong>in</strong> <strong>the</strong> exhibition A <strong>Bird</strong> <strong>in</strong> <strong>the</strong><strong>Hand</strong>, drawn from <strong>the</strong> collection <strong>of</strong> <strong>the</strong> <strong>Alberta</strong>Foundation for <strong>the</strong> <strong>Art</strong>s, exam<strong>in</strong>e <strong>the</strong> manyways birds have been approached by visualartists. Featur<strong>in</strong>g art work produced <strong>in</strong> a variety<strong>of</strong> media by some <strong>of</strong> <strong>Alberta</strong>’s most importantartists and art educators, this exhibitionexam<strong>in</strong>es not only how birds have beenportrayed by visual artists, but also exploressome <strong>of</strong> <strong>the</strong> reasons for and possible mean<strong>in</strong>gsbeh<strong>in</strong>d <strong>the</strong>se <strong>in</strong>vestigations. In <strong>the</strong> process,<strong>the</strong>se works <strong>in</strong>vite <strong>the</strong> viewer to consider <strong>the</strong>irIll<strong>in</strong>gworth KerrMagpies, W<strong>in</strong>ter Sun, 1982L<strong>in</strong>ocut on Paper9 <strong>in</strong>ches X 5 7/8 <strong>in</strong>chesA <strong>Bird</strong> <strong>in</strong> <strong>the</strong> <strong>Hand</strong> was curated by ShaneGolby (<strong>Art</strong> <strong>Gallery</strong> <strong>of</strong> <strong>Alberta</strong>) for The <strong>Alberta</strong>Foundation for <strong>the</strong> <strong>Art</strong>s Travell<strong>in</strong>g ExhibitionProgram. The AFA Travell<strong>in</strong>g Exhibition Program isf<strong>in</strong>ancially supported by <strong>the</strong> <strong>Alberta</strong> Foundation for<strong>the</strong> <strong>Art</strong>s.AFA Travell<strong>in</strong>g Exhibition Program, Edmonton, AB Ph: 780.428.3830 Fax: 780.421.0479youraga.ca

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