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A Bird in the Hand - Art Gallery of Alberta

A Bird in the Hand - Art Gallery of Alberta

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The <strong>Alberta</strong> Foundation for <strong>the</strong> <strong>Art</strong>s Travell<strong>in</strong>g Exhibition ProgramGlossaryAnalogous colour: Colours that are beside each o<strong>the</strong>r on <strong>the</strong> colour wheel, e.g. red and orange.Complementary colour: Those colours that are opposite to one ano<strong>the</strong>r on <strong>the</strong> colour wheel andprovid<strong>in</strong>g <strong>the</strong> greatest chromatic contrast to it. For example, blue is <strong>the</strong> complement <strong>of</strong> orange.Cool colours: Colours <strong>in</strong>clud<strong>in</strong>g blues, greens, violets that can suggest sky, ice, snow that might beused to represent a quiet or calm mood.Critique: A discussion and critical analysis <strong>of</strong> works <strong>of</strong> art.Etch<strong>in</strong>g: see 1/Intaglio techniques under <strong>Art</strong> Media- Pr<strong>in</strong>t mak<strong>in</strong>gGeometric shape: Any shape or form hav<strong>in</strong>g more ma<strong>the</strong>matic than organic design. Examples <strong>of</strong>geometric forms <strong>in</strong>clude: spheres, cones, cyl<strong>in</strong>ders, pyramids, cubes.L<strong>in</strong>ocut: see 2/ Relief processes under <strong>Art</strong> Media- Pr<strong>in</strong>tmak<strong>in</strong>gLithography: see 3/Planographic techniques under <strong>Art</strong> Media- Pr<strong>in</strong>tmak<strong>in</strong>gMedium: The material or technique used by an artist to produce a work <strong>of</strong> art.Mythology: <strong>the</strong> body <strong>of</strong> stories associated with a culture or person.Organic shape: An irregular shape; refers to shapes or forms hav<strong>in</strong>g irregular edges or objectsresembl<strong>in</strong>g th<strong>in</strong>gs exist<strong>in</strong>g <strong>in</strong> nature.Relief pr<strong>in</strong>t: A pr<strong>in</strong>t from <strong>the</strong> <strong>in</strong>k on raised portions <strong>of</strong> a wood block or some o<strong>the</strong>r form <strong>of</strong> relief block(e.g., l<strong>in</strong>oleum). The portions not to be <strong>in</strong>ked and pr<strong>in</strong>ted are cut away so what rema<strong>in</strong>s is relief.Serigraphy: see 3/Planographic techniques under <strong>Art</strong> Media- Pr<strong>in</strong>tmak<strong>in</strong>gStylization: see <strong>Art</strong> Styles- AbstractionSymbolism: The practice <strong>of</strong> represent<strong>in</strong>g th<strong>in</strong>gs by means <strong>of</strong> symbols or <strong>of</strong> attribut<strong>in</strong>g symbolicmean<strong>in</strong>gs or significance to objects, events, or relationships.Tesselation: A tessellation or til<strong>in</strong>g is a collection <strong>of</strong> figures that fills <strong>the</strong> plane with no overlaps or gapsto form repeated patterns. Tessellations frequently appeared <strong>in</strong> <strong>the</strong> art <strong>of</strong> M. C. Escher and are seenthroughout art history, from ancient architecture to modern art.Warm colours: Colours such as red, oranges, yellows that suggest warmth and seem to advance orcome forward <strong>of</strong>f <strong>the</strong> picture plane.Woodcuts: see 2/ Relief processes under <strong>Art</strong> Media- Pr<strong>in</strong>tmak<strong>in</strong>gAFA Travell<strong>in</strong>g Exhibition Program, Edmonton, AB Ph: 780.428.3830 Fax: 780.421.0479youraga.ca

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