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A <strong>symbol</strong>, <strong>theme</strong>,<strong>setting</strong>, <strong>or</strong> <strong>character</strong>-<strong>type</strong><strong>that</strong> <strong>recurs</strong> in differenttimes and placesin myth, literature,folkl<strong>or</strong>e, dreams, andrituals so frequently<strong>or</strong> prominently as tosuggest (to certainspeculative psychologistsand critics) <strong>that</strong> itembodies some essentialelement of ‘universal’human experience.[ÄR'-Kĭ-TīP']THE CONCISE OXFORD DICTIONARY OF LITERARY TERMS


Every year at Easter time, Cadbury releases a riff of along-standing commercial concept f<strong>or</strong> the CadburyCreme Egg <strong>that</strong> features a bunny <strong>that</strong> clucks like achicken. This campaign is highly mem<strong>or</strong>able because ofits simple hum<strong>or</strong> and sense of play with the unexpected.Arche<strong>type</strong> in play: The Clown.Sterling Brands’ recent refresh f<strong>or</strong> CelestialSeasonings herb tea packaging harkens to a magicalcombination of sens<strong>or</strong>y and <strong>symbol</strong>ic imageryrepresenting natural ingredients and states of being<strong>that</strong> evoke various transf<strong>or</strong>mational moments.Arche<strong>type</strong> in play: The Alchemist.CHAPTERFOUR15An Invitation to Play


IBM’s one-hundred-year anniversary became a celebration of accomplishments.VSA Partners created one hundred icons <strong>that</strong> showcasedtheir one hundred years of innovation. Arche<strong>type</strong> in play: The Innovat<strong>or</strong>.Volkswagen has been demonstrating the consistent and successful use of a specific arche<strong>type</strong> in itscampaign st<strong>or</strong>ies f<strong>or</strong> decades. Case-in-point is DDB Stockholm’s 2009 Rolighetster<strong>or</strong>in, <strong>or</strong> TheFun The<strong>or</strong>y campaign. In one stunt, a staircase in a Stockholm subway station was converted intofunctional piano keys to encourage people to take the stairs rather than the escalat<strong>or</strong>. The the<strong>or</strong>y is<strong>that</strong> by simply making daily activities m<strong>or</strong>e fun, people will change their behavi<strong>or</strong>s, and ultimatelytheir willingness to drive environmentally friendly cars. “Piano Staircase” embodies the archetypalessence <strong>that</strong> has come to be synonymous with Volkswagen’s brand. Arche<strong>type</strong> in play: The Child.16HARTWELLCHEN


Mexican food restaurant Chipotle’s two-minute 20-second commercial debutedat the 2012 Grammys and practically stole the show. As a commentaryon the modern industrial food chain, the sh<strong>or</strong>t animated film Back to theStart 1 features Willie Nelson covering Coldplay’s “The Scientist.” The filmdemonstrates the values of the brand and harkens to a time when life andw<strong>or</strong>k seemed m<strong>or</strong>e simple and m<strong>or</strong>e rewarding. The film is a result of Chipotlefounder Steve Ells’s passionate eff<strong>or</strong>ts to source food on a m<strong>or</strong>e sustainable andethical basis. Arche<strong>type</strong> in play: The Citizen (secondary Innocent).These are but seven representatives in a vast sea of examples demonstratingthe power of arche<strong>type</strong>s applied in design, communications and advertising.Why do they w<strong>or</strong>k? Because arche<strong>type</strong>s create sh<strong>or</strong>tcuts to meaning. This hashuge implications f<strong>or</strong> brands: Instant emotional impact and visual depictionof an arche<strong>type</strong> occurring in the mind of the viewer/user creates instantaffinity. Well-deployed arche<strong>type</strong>s are easily recognizable in most cultures andpersonify the brand essence to supp<strong>or</strong>t strategic initiatives without creativeinhibition. Arche<strong>type</strong>s can theref<strong>or</strong>e become a sh<strong>or</strong>thand f<strong>or</strong> testing brandauthenticity. How would the [insert your brand arche<strong>type</strong>] talk, behave <strong>or</strong>be in relationship?A BRIDGE BETWEEN STRATEGY AND MANIFESTATIONArche<strong>type</strong>s cross the divide between the imagination and the cognitiverealm because they are the water we swim in, so to speak. We invite youto jump in and swim. You don’t have to be training f<strong>or</strong> an Olympic 400mfreestyle event to get in the water and feel the ease of tapping into a creativef<strong>or</strong>ce greater than yourself.Please play with the cards. Expl<strong>or</strong>e what the image side instinctively communicatesto you without looking at the descriptions on the text side.Become familiar with your own predispositions toward the implied st<strong>or</strong>y ofthe card, <strong>or</strong> its col<strong>or</strong>s <strong>or</strong> style. An easy litmus test to know if you’re in yourhead is when you are no longer enjoying the process but rather searchingf<strong>or</strong> the right answer. There are no right <strong>or</strong> wrong answers with this tool. Getout of your head, say hello to your creativity and imagination and breathesome life into your brand/business.CHAPTERFOUR17An Invitation to Play


Arche<strong>type</strong>CHILD“To be young, really young, takes avery long time.”—PABLO PICASSOEnjoying all <strong>that</strong> life has to offer, the Child reawakensthe autonomic joys of play and curiosity.The Child is the guardian of innocence, possessingan affinity f<strong>or</strong> the bonds of friendshipwith people and animals alike. Energetically, theChild embodies playfulness, lightness, freedomand the expectation of wonder. This arche<strong>type</strong>demonstrates a relentless belief in the goodnessof humanity and uses the power of imaginationto see the possibility f<strong>or</strong> fun in everything. A joyto be around, the Child tends to bring out thebest in others.Like the metaph<strong>or</strong> of a mighty oak living withinthe ac<strong>or</strong>n, C.G. Jung describes the Child as “potentialfuture” and identifies it as a c<strong>or</strong>e universalarche<strong>type</strong>. The Child presents its energies in manywidely ranging f<strong>or</strong>ms but all congregate aroundthe c<strong>or</strong>e issues of responsibility, interdependencyand individuation. The Child arche<strong>type</strong> triggersbeliefs around family, security and possibility.Existing as a reminder <strong>that</strong> age is largely a mentaland societal construct, the Child remains eternallyyouthful. Characterized by an open mind-set,nothing inhibits the Child’s passion and enjoymentof life’s playground. Through creativity,laughter and light, the Child personifies hope andthe promise of new beginnings.EXAMPLESSTRENGTHSARCHETYPAL FAMILYCHILDDREAMERIDEALISTINNOCENTMUSETemperament <strong>that</strong> is easily amused. Inner toughnessand resilience. Positive attitude and energy.Fascination with the w<strong>or</strong>ld. Openness to possibility.FAMILY SYMBOLCalvin (Calvin and Hobbes). Linus(Peanuts). Pooh (A.A. Milne). RaymondBabbitt (Rain Man). Anne Frank. ShirleyTemple. Nintendo Wii. Volkswagen.CHALLENGESInability to grow up and accept responsibility.Difficulty being reliable, grounded <strong>or</strong> dependable.Tendency to be highly mutable and vulnerable toinfluence.CHAPTERFIVE37Every Arche<strong>type</strong> Creates Meaning


F UNDAMENTAL Arche<strong>type</strong>CITIZEN“Give me a place to stand and a leverlong enough and I will move the w<strong>or</strong>ld.”—ARCHIMEDES, 220 BCThe Citizen is driven by a deeply instilled senseof personal integrity, fairness, equity and responsibilityto the community. Meaning is found inthe personal sense of alignment between beliefsand action. The Citizen fulfills purpose throughservice, stewardship, contribution and m<strong>or</strong>al leadership.Having the courage to stand on principle,the Citizen possesses great energy and optimismbalanced with pacing and pragmatism.Willing to put others ahead of self, this arche<strong>type</strong>’sidentity is shaped by the experience ofbeing a peer rather than a subject <strong>or</strong> ruler. A continuouslearner, the Citizen believes in and w<strong>or</strong>ksto manifest values <strong>that</strong> are higher than profit <strong>or</strong>individual gain. In Rights of Man, Thomas Painewrites, “My country is the w<strong>or</strong>ld and my religionis to do good.” The Citizen is motivated by thisbroad perspective: as one people, our humanitydepends on positive action f<strong>or</strong> the whole, andupon the celebration and respect of differencesregardless of race, religion, gender <strong>or</strong> creed.ARCHETYPAL FAMILYSTRENGTHSADVOCATECITIZENEVERYMANNETWORKERSERVANTStewardship. Altruism. Respect. Fairness.Accountability. Tendency to be a good listener andhard w<strong>or</strong>ker.FAMILY SYMBOLThe Citizen finds freedom within responsibility.Able to put aside pointless partisanship, this arche<strong>type</strong>is neither an ideologue n<strong>or</strong> a martyr butrather a conscious change agent believing in thepower of sacrifice and innovation to practicallytackle today’s realities. Seeing the value in thecollective, the Citizen is a systems thinker whotrusts in the inherent good of human beings tocontribute positively to society.EXAMPLESCHALLENGESRighteousness. Apathy. Rebelliousness. Recklessness.John F. Kennedy. Rosa Parks. WillemDafoe in Mississippi Burning.TimeBanks USA. Habitat f<strong>or</strong> Humanity.Panera Cares. Chipotle. TOMS Shoes.Team in Training.38HARTWELLCHEN


Arche<strong>type</strong>CLOWN“My rep<strong>or</strong>t card always said, ‘Jimfinishes first and then disrupts theother students.’”—JIM CARREYThe Clown wears a mask <strong>that</strong> covers its true emotionsand <strong>that</strong> allows f<strong>or</strong> the emotional distanceneeded to break taboos and expl<strong>or</strong>e social absurdity.Using hum<strong>or</strong>, the Clown’s mask creates asense of safety, giving permission f<strong>or</strong> boundariesand social n<strong>or</strong>ms to be crossed.The Clown represents amusement, freedom andwhimsical engagement. Making others laugh createsa sense of harmony and provides catharsis f<strong>or</strong>the Clown. A simpleminded arche<strong>type</strong>, the Clownis wise, prescient and daring within its innocence.The Clown invites us into the potent w<strong>or</strong>ld offeeling, maneuvering emotions like playthings.This arche<strong>type</strong> tends to overdramatize, exaggerateand b<strong>or</strong>der on the ludicrous as a means ofconnecting with the audience. The Clown canmanifest in both the lead and “the straight man”roles, serving to set up the hum<strong>or</strong> <strong>or</strong> joke to landwith greater impact.Often self-deprecating, the Clown is distinguishedfrom the Jester by operating on aneveryday, everyman level, rather than an elevatedrealm <strong>or</strong> strata. Sharing qualities with theEntertainer, the Clown requires an audience tofeel fulfilled. The Clown creates meaning by thefeedback received from others.ARCHETYPAL FAMILYCLOWNENTERTAINERJESTERPROVOCATEURSHAPESHIFTERFAMILY SYMBOLEXAMPLESCommedia dell’Arte. Charlie Chaplin.Lucille Ball. Jim Carrey. Gracie Allen(Ge<strong>or</strong>ge Burns’s “straight man”). RalphKramden (The Honeymooners). Ben& Jerry’s. Jack in the Box. CadburyCreme Egg.STRENGTHSCHALLENGESAbility to create fun and to make others laughand cry.Danger of not being taken seriously. Loud, garish <strong>or</strong>obnoxious behavi<strong>or</strong>.CHAPTERFIVE39Every Arche<strong>type</strong> Creates Meaning


F UNDAMENTAL Arche<strong>type</strong>HERO“We have not even to risk the adventurealone f<strong>or</strong> the heroes of all time havegone bef<strong>or</strong>e us. The labyrinth isth<strong>or</strong>oughly known. We have only tofollow the thread of the hero’s path.And where we had thought to find anabomination, we shall find a god. Andwhere we had thought to slay another,we shall slay ourselves. And where wehad thought to travel outward, we shallcome to the center of our own existence.And where we had thought to be alonewe shall be with all the w<strong>or</strong>ld.”—JOSEPH CAMPBELLThe Hero acts to redeem society by overcominggreat odds in service to successfully completingextra<strong>or</strong>dinary acts of strength, courage and goodness.The Hero is admired by those who appreciatethe self-sacrifice, stamina and courage required totriumph over adversity and evil.ARCHETYPAL FAMILYSTRENGTHSATHLETEHEROLIBERATORRESCUERWARRIORSelf-sacrifice. Courage. Redemption. Transf<strong>or</strong>mation.Faith. Strength. Stamina.FAMILY SYMBOLThe Hero has relatively few distinguishing personalitytraits and can present in many differentf<strong>or</strong>ms with many different faces. As a continuouslearner, the Hero seeks to understand the innerlife f<strong>or</strong>ce and fullest expression of self, whilecoping with difficulty, meeting strange fates andfacing shifting challenges. The essence of the Herolies in the sacrifice required and the price paid toachieve the goal of transf<strong>or</strong>mation. Motivated toacquire wisdom, the Hero often endures separationand loneliness.F<strong>or</strong> many reasons, the Hero, as an arche<strong>type</strong>,takes on a meta position in the collective unconscious,possessing traits <strong>that</strong> resonate withinalmost every human being. The Hero’s journeyis considered a universal st<strong>or</strong>y of the path fromthe ego and the self to a new identity. One phaseof the Hero’s journey is commonly referred to as“the dark night of the soul,” which precedes thetransf<strong>or</strong>mation to the new life.CHALLENGESDelusions of grandeur. Arrogance. Temptation of power.EXAMPLESOdysseus. Hercules. Luke Skywalker(Star Wars). Bilbo Baggins (The Hobbit).Simba (The Lion King). Harry Potter.U.S. Army. Nike.54HARTWELLCHEN


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