HEFFEL FINE ART AUCTION HOUSE 9887 WILLIAM GOODRIDGE ROBERTSCAS CGP CSGA CSPWC OC OSA RCA 1904 ~ 1974Paysage des Cantons~de~l’Estoil on board, signed and on versotitled and dated 195032 x 48 in, 81.3 x 121.9 cmPROVENANCE:Galerie l’Art Français Ltée., MontrealPrivate Collection, MontrealGoodridge Roberts’s focus on figurative, still life, and landscape subjectsaligned him with both Modernist painting and the Academy in the eyes ofmany of his peers. While Roberts was indeed involved with andsupported by the academic artist associations of the time, he eventuallybecame recognized and respected by both classical Modernist supportersand abstractionist purists alike as an individualist ~ due to the singularityof his artistic vision. Roberts consciously eschewed the sublime in hislandscape paintings, seeking out views of nature that would allow him togive equal importance to both the paint itself and the subject matter.Paysage des Cantons~de~l’Est was realized shortly after joining the stableof artists at Dominion Gallery, and typifies that philosophy. With thecropped foreground and sky, the image represents just a fraction of thelandscape, but in this framing of the subject, alludes to the gestalt ofnature ~ rough and tumble, chaotic, yet with an internal poetry of rhythmand form.ESTIMATE: $15,000 ~ 20,00087
HEFFEL FINE ART AUCTION HOUSE 9988 DAVID BIERK1944 ~ 2002Giverny Field / Tree Reflection, to Monetoil on photograph on canvas, initialed and on versosigned, titled and dated January 4, 199122 x 32 in, 55.9 x 81.3 cmPROVENANCE:Bess Cutler Gallery, New YorkDiane Farris Gallery, VancouverPrivate Collection, OntarioBierk worked with the concept of photomontages, combining paint withphotographs, well before many artists began to manipulate thesemediums in such a manner. Giverny Field / Tree Reflection, to Monet isunique in the way in which the paint has been applied to the surface of thephotograph in that the strokes become more visible towards theperiphery, almost forming a border around the work. The glisteningfinish of the piece further enhances the reflection of the tree and the warmcolours in the sky visible in the pool of water. The combination of thesubject, materials and finish that Bierk has used in this transcendentpainting brings to our attention his juxtaposition of tradition andmodernity.ESTIMATE: $8,000 ~ 12,0008889 DAVID BIERK1944 ~ 2002Orange Sky (warm), Green Hills, Study Ioil on canvas on panel, on verso titledon the Wynick/Tuck Gallery label, 19889 x 14 in, 22.9 x 35.6 cmPROVENANCE:Wynick/Tuck Gallery, TorontoPrivate Collection, TorontoBierk’s painting Orange Sky (warm), Green Hills, Study I explores therelationship between nature and a less immediate realm, alluding to aneternal dimension. A warm and glowing aura is visible in the sky, castinglight and shadow on the landscape below, which emerges as abstractlayers of colour and light. The dichotomy between the temporal andeternal is a recurrent theme in Bierk’s strongest paintings and perhaps onefor which he is best known.ESTIMATE: $8,000 ~ 12,000Thank you for attending our Canadian Post~War &Contemporary Art sale. Our Fine Canadian Art auction willbe commencing at 7:00 p.m. After tonight’s sale, pleaseview our November Online Auction, featuring over 200 Lots,at www.heffel.com, closing on Thursday, November 27,2008. Lots can be independently viewed at one of ourgalleries in Vancouver, Toronto or Montreal, as specified inour online catalogue.89