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Bastard Streets The rain showered down un tumbao a conga beat on bastard streets its music memories me back to any hot scorch july on bay 13 Bastard streets soakin’ with polluted rain active detergent washin’ saturday nights fanfair & blood rites over manhole into the livin’ room of twenty-foot rats & waterbugs Bastard streets supportin’ walkin’ mumblin’ zombies fishin’ for substances in white powder sewers communicatin’ with god at the point of a needle gun Bastard streets screamin’ colors fly high on the back on young nations blowin’ each other away as easy as they blow a quarter in a jukebox Colors that stride a rumble sway on blacktop streets fowl stink breath bastard streets broken wine bottles keep a steady almost competitive toll with the cheerful cry of broken souls the depressed laughter of broken homes vaya, juega, for the tuberculosis spit pregnatin’ the hollow hallways of tenement ruins with the melodies of young latin hands beatin’ telephone therapy on garbage can tops/sides of milk crates beer bottles & cans . . . mothers sufferin’ from police bullets sirens blastin’ holes in silent huracán nights on bastard streets wild elephant farts perfume 42nd street movie houses 46
updrift/upstage sweet smell & sounds of marijuana poppin eyes peeps y over your shoulders, chantin’ tongues slap dry lips heavy breath makes it uneasy almost impossible DAMMIT MOTHERFUCKIN’ MIERDA you can’t even take a piss in these Bastard streets . . . 47
Page 3 and 4: OUTLAW THE COLLECTED WORKS OF MIGUE
Page 5 and 6: OUTLAW THE COLLECTED WORKS OF MIGUE
Page 7 and 8: Table of Contents Introduction to t
Page 9 and 10: Introduction to the Poetry of Migue
Page 15: Introduction to the Poetry of Migue
Page 18 and 19: Short Eyes, in television movies an
Page 20 and 21: are teenagers, between the ages of
Page 22 and 23: Jorge Iglesias the first two major
Page 24 and 25: Jorge Iglesias disappointing, often
Page 26 and 27: Jorge Iglesias contemporary playwri
Page 28 and 29: Jorge Iglesias Piñero, Miguel. La
Page 31 and 32: Obreras quizás soy profeta que de
Page 33: Declaration 1968 This child . . . t
Page 37 and 38: Miguel Piñero The latter two roles
Page 39 and 40: TUTU: Okay, then, it’s settled. L
Page 41 and 42: Miguel Piñero HECTOR: God damn, yo
Page 43 and 44: Miguel Piñero HECTOR: What did the
Page 45 and 46: Miguel Piñero MALO: No te vayas. M
Page 47 and 48: Miguel Piñero own name . . . it’
Page 49 and 50: don’t watch those doctor shows on
Page 51 and 52: The pain open the door. Help me, Ma
Page 53 and 54: Miguel Piñero TUTU: You’re the j

outlaw-the-collected-work-of-miguel-pic3b1ero

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