Meet the New Staff Marisa Marchio - Hugo Lambrechts
Meet the New Staff Marisa Marchio - Hugo Lambrechts
Meet the New Staff Marisa Marchio - Hugo Lambrechts
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To have crossed paths with Leon Hartshorne and his staff at <strong>the</strong> <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre<br />
has always been a privilege and a blessing for me. To have been asked to prepare <strong>the</strong> foreword to<br />
<strong>the</strong> latest edition of Libretto is an honor.<br />
In die 26ste bestaansjaar van die Sentrum is dit nie meer nodig om in besondere detail te handel met<br />
die Sentrum en sy gedurig groeiende bedrywighede en sy uitgebreide impak op kulturele gebied in<br />
die algemeen, en musiek in die besonder nie, behalwe om die mening uit te spreek dat die drome<br />
van destyds toe die Sentrum tot stand gekom het, ver oortref is deur dit wat uiteindelik tot stand<br />
gekom het en vandag werklik bestaan. Die inhoud van hierdie Nuusbrief illustreer dit, die deelname<br />
van besondere individue en instansies, beide plaaslik en internasionaal, onderskryf dit, en die aansien<br />
wat die Sentrum oraloor verwerf het, bevestig dit.<br />
Dit is gevolglik reg en tydig om te besef dat die wat die visie gehad het wat aanleiding gegee het<br />
tot die totstandkoming van dit wat vandag bestaan en nooit as vanselfsprekend aanvaar mag word<br />
nie, die eer moet kry wat dit toekom. Visie alleen was egter nog nooit genoeg nie. Dit moes nog<br />
altyd gerugsteun en opgevolg word deur harde werk, wat juis van <strong>Hugo</strong> <strong>Lambrechts</strong> die kosbaarheid<br />
gemaak het wat dit vandag is.<br />
In alles sien jy die hande van Leon Hartshorne en sy span, die personeel. Van die tuinery tot die<br />
ouditorium, van die basiese instandhoudingstake tot die prestigekonserte, van die uitreikaksies vir<br />
voorheen agtergeblewenes tot optredes deur internasionaal gerekende musici, getuig van hul arbeid<br />
en toewyding.<br />
Die <strong>Hugo</strong> <strong>Lambrechts</strong> Musieksentrum is enig in sy soort, die personeel met hul toewyding en passie<br />
is enig in hul soort, en, bowenal, Leon Hartshorne is enig in sy soort.<br />
Ons eer u daarvoor.<br />
Johann Vos<br />
Voorsitter, <strong>Hugo</strong> <strong>Lambrechts</strong> Musiektrust<br />
* Mnr Leon Hartshorne het ons skielik na ‘n kort siekte,<br />
Dinsdag 21 Augustus ontval.<br />
Ons innige meegevoel aan sy vrou, Janette, sy kinders, Janette en André,<br />
sy ma en skoonma en die res van sy familie. ‘n Spesiale uitgawe om<br />
Mnr Hartshorne se lewe te gedenk, sal later die jaar verskyn.<br />
SAMRO Hubert van der Spuy<br />
Windworx 2012<br />
German Excellence<br />
Baroque Master Classes<br />
Capella Concertante<br />
String Refreshers Course 2012<br />
Orkestekonsert<br />
Carin Bam<br />
Piano recital by Christina Ortiz<br />
Sentrum Opedag<br />
<strong>Meet</strong> <strong>the</strong> new staff<br />
Strings Beginners go Disney!<br />
Maria du Toit<br />
Brass in Concert<br />
Chamber Music Camp<br />
Adopt-a-Muzo<br />
Strings Autumn School<br />
Strings Chamber Concert<br />
Polish Violinist Karol Legierski<br />
Kerskonsert<br />
Tooth Fairy in <strong>the</strong> Woodwinds<br />
Department<br />
Senior Strings in Concert<br />
Stellenbosch Kunswedstryd<br />
Cool Classic Kids<br />
Exam Results<br />
Kunstekaap Jeugmusiek<br />
Kompetisie<br />
Atscape Jeugmusiekfees<br />
Stranger in <strong>the</strong> (night) passage...<br />
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01
The SAMRO Hubert van der Spuy National<br />
Music Competition 2012 will take place from<br />
24 - 28 September this year. National Auditions<br />
took place in May 2012.<br />
The SAMRO Hubert van der Spuy National<br />
Music Competition is organised by <strong>the</strong> Tygerberg<br />
branch of <strong>the</strong> South African Society of Music<br />
Teacher and was inspired by <strong>the</strong> SASMT’s<br />
Hubert van der Spuy 23 years ago.<br />
The competition provides a platform for thriving<br />
talent amongst young musicians with prizes<br />
worth more than R 50 000 for <strong>the</strong> winners and<br />
<strong>the</strong>ir teachers. It is sponsored by SAMRO,<br />
UNISA, <strong>the</strong> ATKV, <strong>the</strong> <strong>Hugo</strong> <strong>Lambrechts</strong> Music<br />
Centre, Music@Work and several anonymous<br />
donors.<br />
25 participants are accepted into <strong>the</strong> 3rd and<br />
semi-final round and only 8 finalists perform at<br />
<strong>the</strong> prestigious gala concert held at <strong>the</strong> end of<br />
<strong>the</strong> competition week.<br />
02<br />
String, woodwind and brass instrumentalists,<br />
pianists as well as classical guitar, harp and<br />
percussion players are given a platform to<br />
showcase <strong>the</strong>ir talent over <strong>the</strong> 4 rounds of <strong>the</strong><br />
competition.<br />
Each student needs to prepare a programme<br />
of 5 pieces chosen from different style periods<br />
in music; Baroque, Classical, Romantic and<br />
Modern. Participants are fur<strong>the</strong>r encouraged to<br />
perform South African compositions.<br />
There are compulsory music style periods for<br />
<strong>the</strong> various rounds of <strong>the</strong> competition with<br />
category prizes awarded for each.<br />
The following students from <strong>Hugo</strong> <strong>Lambrechts</strong><br />
were successful in <strong>the</strong>ir auditions for <strong>the</strong><br />
competition:<br />
Estee Adams (Violin)<br />
Rozay Apollis (Flute)<br />
Laura Bailie (Piano)<br />
Jean Botha (Bassoon)<br />
Liza Britz (Harp)<br />
Josh Southgate (Flute)<br />
We wish you all <strong>the</strong> best for <strong>the</strong> competition.<br />
Enjoy every moment. We are proud of you!!!<br />
A SPECIAL CONCERT IS BEING PLANNED IN<br />
HONOUR OF LEON HARTSHORNE FOR<br />
SUNDAY 21 OCTOBER 2012 AT 15:30<br />
IN THE AUDITORIUM.<br />
DETAILS WILL BE MADE AVAILABLE AS SOON<br />
AS FINAL ARRANGEMENTS ARE MADE.<br />
Windworx<br />
2012<br />
The 2nd Windworx Fanfare took place<br />
Saturday 19 May at Wynberg Boys High<br />
School.<br />
This Fanfare is a wonderful platform and<br />
opportunity that has been set for all wind<br />
bands to perform and to be evaluated on<br />
<strong>the</strong>ir performance by experienced musicians/conductors.<br />
Even <strong>the</strong> conductors of<br />
each orchestra are evaluated and also<br />
receive very good remarks and tips on how<br />
to improve <strong>the</strong>ir conducting skills.<br />
All our Wind Orchestras participated in this<br />
year’s Fanfare and did exceptionally well.<br />
We had to prepare two programmes, one a<br />
formal performance that took place in <strong>the</strong><br />
main hall, and <strong>the</strong>n an informal programme<br />
that served as entertainment and created a<br />
warm and welcoming atmosphere for <strong>the</strong><br />
audience who had to brave <strong>the</strong> cold wea<strong>the</strong>r<br />
in <strong>the</strong> amphi<strong>the</strong>atre.<br />
Although it being a first for <strong>the</strong> Beginner<br />
Wind Orchestra, <strong>the</strong>y still received two<br />
highest honors diplomas for <strong>the</strong>ir performance!<br />
Both <strong>the</strong> Junior and Concert Wind<br />
Orchestras walked away with two Cum<br />
Laude Diplomas. Well done to all of you!!<br />
Except for <strong>the</strong> fact that it was freezing cold,<br />
everybody had a great time and it was<br />
heartwarming to see how many of our<br />
youngest orchestra members, as well as<br />
some of our adult members who stayed to<br />
listen to <strong>the</strong> evening concert and joined in<br />
with <strong>the</strong> massed bands.<br />
Besides practicing hours on end, it also adds<br />
to your development as a musician to attend<br />
concerts and listen to good quality music.<br />
It’s always <strong>the</strong> little sacrifice one makes<br />
that eventually lead to big successes.<br />
Charlene Saayman
GERMAN<br />
EXCELLENCE<br />
<strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre presented Master<br />
Classes in oboe, clarinet, bassoon and ensemble<br />
playing on 5 – 8 March 2012. The Trio de’Anches<br />
Jochen Müller-Brincken (oboe), Manfred Lindner<br />
(clarinet) and Albrecht Holder (bassoon)<br />
inspired with <strong>the</strong>ir unbelievable knowledge,<br />
musicality and enthusiasm. The classes were<br />
well attended by pupils from <strong>the</strong> Music Centre,<br />
<strong>the</strong> Universities of Cape Town and Stellenbosch;<br />
participants even included UCT lecturer Becky<br />
Steltzner (who was preparing for her Doctorate<br />
exam), CPO’s finest bassoonists Brandon Phillips<br />
and Simon Ball (playing <strong>the</strong> Alan Stephenson<br />
Double Concerto!) and bassoonist and ex-<strong>Hugo</strong><br />
<strong>Lambrechts</strong> teacher, Glyn Partridge.<br />
The Trio entertained us with a magnificent<br />
Concert held in <strong>the</strong> Auditorium on Sunday <strong>the</strong><br />
4th March.<br />
“I had <strong>the</strong> priviledge to participate in <strong>the</strong><br />
masterclasses. My lesson lasted for more than<br />
an hour and a half and still it was over far too<br />
soon. We worked mostly on <strong>the</strong> Saint-Saens<br />
Sonata and Jochen had wonderful tips on <strong>the</strong><br />
interpretation, use of tone colour and general<br />
helpful ideas in posture. When <strong>the</strong>y next visit<br />
our country I will be <strong>the</strong> first in <strong>the</strong> audience and<br />
first to book a class. EXCELLENT!”<br />
- Carin Bam<br />
From left to right: Jochen Müller-Brincken<br />
(oboe), Albrecht Holder (bassoon) and Manfred<br />
Lindner (clarinet)<br />
Jochen Müller-Brincken<br />
The oboist Jochen Müller-Brincken studied with,<br />
amongst o<strong>the</strong>rs, Ingo Goritzki and Heinz Holliger,<br />
and won several national and international<br />
prizes at music competitions.<br />
In his ensuing career as orchestral musician, he<br />
performed as solo-oboist in several well-known<br />
German orchestras before he was appointed<br />
professor of oboe at <strong>the</strong> Music University of<br />
Würzburg. For five years, he was member of<br />
<strong>the</strong> orchestra of <strong>the</strong> Bayreu<strong>the</strong>r Festspiele.<br />
Many recordings testify to his activities in <strong>the</strong><br />
field of chamber music. Since 1989, he has been<br />
professor of oboe at <strong>the</strong> Music University of<br />
Würzburg.<br />
Manfred Lindner<br />
After his studies in Detmold, Manfred Lindner<br />
played as solo clarinettist in several well-known<br />
German orchestras. Since 2000, he has taught<br />
BAROQUE MASTER CLASSES<br />
BY ANTOINETTE LOHMANN<br />
On 7 March <strong>the</strong> Centre and particularly <strong>the</strong> String<br />
Department was highly privileged to have <strong>the</strong><br />
internationally renowned Baroque violinist<br />
Antoinette Lohmann from <strong>the</strong> Ne<strong>the</strong>rlands visit<br />
us. She gave us Master classes on historically<br />
informed Baroque performance practices.<br />
The afternoon started with individual master<br />
classes with four of <strong>the</strong> Centre’s violin pupils<br />
Björn Lawson, Kaylen Lewis, Tineke Wolfaardt<br />
and Wian Zeeman who played movements from<br />
Vivaldi’s Concerto, <strong>the</strong> Handel Sonata and Bach’s<br />
Solo Partita. The master classes were open to<br />
<strong>the</strong> public and we were happy to welcome a few<br />
guests interested in Baroque music and teaching.<br />
Antoinette’s teaching style was extremely<br />
accessible, friendly, unpretentious, provoking<br />
logical thinking and quite entertaining, but most<br />
of all highly informative. Pupils, teachers and<br />
guests heard of historical facts that <strong>the</strong>y had not<br />
heard before. It opened up a big gate for teachers<br />
clarinet at <strong>the</strong> music universities of Detmold,<br />
Essen and Folkwang while simultaneously<br />
playing solo clarinet in <strong>the</strong> orchestra of <strong>the</strong><br />
Ludwigsburger Schloßfestspiele.<br />
He has undertaken concert tours as a soloist and<br />
chamber musician all over <strong>the</strong> world. As a teacher<br />
he has conducted master classes at numerous<br />
chamber music courses and is engaged in youth<br />
music programmes, amongst o<strong>the</strong>rs <strong>the</strong> national<br />
Youth Orchestra. Since 2002, he has been<br />
professor of clarinet at <strong>the</strong> Music University of<br />
Folkwang.<br />
Albrecht Holder Albrecht Holder has won<br />
numerous prizes and awards at German and<br />
international music competitions. Extensive solo<br />
and chamber music concert activities have taken<br />
him to <strong>the</strong> US, Canada, South America, Asia,<br />
South Africa and Russia, apart from many o<strong>the</strong>r<br />
European countries.<br />
He has recorded bassoon concertos by Danzi,<br />
Molter, Lindpaintner and Rosetti, amongst o<strong>the</strong>rs,<br />
under <strong>the</strong> Naxos label. Several of <strong>the</strong>se concertos<br />
are first recordings. He has performed in <strong>the</strong><br />
Festspielorchester of Bayreuth as well as <strong>the</strong><br />
orchestra of <strong>the</strong> Ludwigsburger Schloßfestspiele.<br />
He regularly conducts courses in chamber music<br />
and bassoon master classes in Germany and<br />
elsewhere, including China. As a conductor and<br />
teacher, he looks back upon a long-standing<br />
engagement with several youth orchestras. Since<br />
1997, he has been professor of Bassoon at <strong>the</strong><br />
Music University of Wüfrzburg.<br />
Carin Bam<br />
and students alike toward a very different<br />
approach for teaching, playing and listening to<br />
Baroque music. Pupils were lucky to play <strong>the</strong>ir<br />
movements with a Baroque bow. They enjoyed<br />
that a lot!<br />
After <strong>the</strong> lessons Antoinette gave a lecture on<br />
Baroque Performance Practice containing even<br />
more interesting facts. She demonstrated her<br />
own original Baroque violin, a number of<br />
different Baroque bows dating from different<br />
Baroque periods and <strong>the</strong> gut strings.<br />
The day ended with Antoinette having a<br />
workshop with <strong>the</strong> Senior String orchestra and<br />
Ms Valentina Vorster. They worked on Chaccone<br />
by Purcell as well as <strong>the</strong> Vivaldi- Concerto Alla<br />
rustica. It was an extremely exciting hour and a<br />
half and we wished it had not passed so quickly.<br />
It left <strong>the</strong> players and <strong>the</strong> listeners very much<br />
inspired and hungry for more!<br />
We were very grateful to have Antoinette at <strong>the</strong><br />
Centre. She actually had such a full schedule<br />
and only spent one week in South Africa, Cape<br />
Town. During this week she also had a recital<br />
and concert called “A Venetian Tonic” at <strong>the</strong><br />
Endler Hall with Cape Consort ensemble who<br />
was also joined by Ms Valentina Vorster playing<br />
on a Baroque violin. The performance received<br />
this year’s Woordfees Trophy in <strong>the</strong> classical<br />
music section.<br />
Antoinette also enjoyed her time at <strong>the</strong> Centre<br />
and expressed her appreciation toward teachers<br />
for <strong>the</strong> work being done regarding <strong>the</strong> informed<br />
Baroque teaching of young musicians.<br />
We hope we can have her again in future!<br />
Note: For those interested <strong>the</strong>re are different CD<br />
recordings of Antoinette Lohmann for sale.R100<br />
each. Please contact Ms V.Vorster at A12.<br />
03
VISIT BY CAPELLA CONCERTANTE<br />
On Monday 20 and Tuesday 21 March <strong>the</strong><br />
students of our Music Centre once again had <strong>the</strong><br />
privilege to participate in Master classes given<br />
by <strong>the</strong> members of Capella Concertante.<br />
The ensemble was complemented by a double<br />
bassist and soprano. The ensemble gave master<br />
classes on Monday 20 February with bassoon<br />
master classes as well as a lecture on breathing,<br />
posture and memorization on Tuesday 21<br />
February. The master classes on Tuesday were<br />
followed by a concert by <strong>the</strong> ensemble. The<br />
program included works by Mozart, Farkas,<br />
Lehar and <strong>Hugo</strong> de Groot.<br />
The highlight for <strong>the</strong> woodwind department was<br />
<strong>the</strong> invitation by <strong>the</strong> group to perform with <strong>the</strong>m<br />
in <strong>the</strong> Concert held in <strong>the</strong> Auditorium on <strong>the</strong><br />
Tuesday evening.<br />
We performed <strong>the</strong> Gounod Petite Symphonie<br />
and a new work by South African composer<br />
Allan Stephenson which was also a world<br />
premiére, called Symphonette. The Symphonette,<br />
consisting of a flute, 2 oboes, 2 clarinets, 2<br />
bassoons and 2 horns, was written as a complimentary<br />
piece to accompany <strong>the</strong> Petite<br />
Symphonie in a concert. During <strong>the</strong> first rehearsal<br />
on <strong>the</strong> morning of 20 February, Allan Stepenson<br />
was present to listen to <strong>the</strong> work and to help with<br />
interpretation. What an incredible experience to<br />
work with <strong>the</strong> composer himself.<br />
We would like to encourage all our students to<br />
make use of wonderful opportunities when <strong>the</strong>y<br />
come <strong>the</strong>ir way, especially when we have expert<br />
musicians visiting <strong>the</strong> centre. It’s an opportunity<br />
for one to grow.<br />
It was such an honor to learn from and perform<br />
with <strong>the</strong>se wonderful and highly enthusiastic<br />
musicians. We look forward to <strong>the</strong>ir next visit!<br />
04<br />
Carin Bam<br />
What I have learned in <strong>the</strong> master class was quite<br />
extraordinary because I, well... she actually<br />
picked up that sometimes my reeds is resting on<br />
<strong>the</strong> wrong lip when I brea<strong>the</strong> and my teacher and<br />
I were not aware of it. It was quite difficult to<br />
adjust.<br />
The piece I performed was a movement from<br />
<strong>the</strong> Grovlez (which happens to be one of my<br />
favourite pieces!) and even though she did not<br />
know <strong>the</strong> work she helped me tremendously<br />
with sound and interpretation. It was<br />
AWESOME! I really enjoyed <strong>the</strong> classes and<br />
sure hope <strong>the</strong>y will come again.<br />
Andrea Salomo<br />
STRINGS REFRESHERS<br />
COURSE 2012<br />
The String Department began 2012 with<br />
great enthusiasm.<br />
The String Refreshers Course held in 2011<br />
had been such a great success that a followup<br />
one was planned from 11-13 January<br />
this year so that all <strong>the</strong> string teachers from<br />
<strong>the</strong> Western Cape could refresh <strong>the</strong>ir<br />
pedagogical skills.<br />
Mr Louis van der Watt, Lecturer in violin<br />
from <strong>the</strong> University of Stellenbosch,<br />
presented <strong>the</strong> three- day course covering a<br />
wide range of topics including how to<br />
teach vibrato, appropriate repertoire for<br />
beginners and much more. One particularly<br />
interesting topic was on how to teach pupils<br />
to memorize. This lecture was not only<br />
attended by string teachers but also by o<strong>the</strong>r<br />
members of staff, which created quite a buzz<br />
with musicians sharing <strong>the</strong>ir viewpoints and<br />
discussing how memorization is achieved<br />
on different instruments.<br />
The input from <strong>the</strong> different teachers in<br />
attendance was inspiring and it was<br />
interesting to hear about <strong>the</strong>ir various<br />
challenges and how <strong>the</strong>y achieve <strong>the</strong>ir goals.<br />
An important aspect of teaching is remedial<br />
teaching for pupils with poor technique.<br />
Many ideas were exchanged on how to keep<br />
<strong>the</strong> pupil motivated whilst developing <strong>the</strong>ir<br />
techniques.<br />
Our stimulating course also included a fun<br />
evening social with cheese and wine. All<br />
who attended spoke of how motivated<br />
and refreshed <strong>the</strong>y were and how <strong>the</strong>y<br />
were looking forward to <strong>the</strong> Refreshers<br />
course in 2013!
ORKESTEKONSERT<br />
Die Orkestekonsert van 2012 het die gehoor<br />
waarlik in vervoering gehad!<br />
Terwyl die meeste Suid-Afrikaners die<br />
Springbokke se eerste wedstryd teen Engeland<br />
vir die 2012- toetsreeks gekyk het, was daar by<br />
die Musieksentrum ‘n groot gewoel en gewerskaf<br />
om alles gereed te kry vir een van die<br />
hoogtepunte van die jaar: die Orkestekonsert van<br />
2012!<br />
Die orkeslede was netjies eenvormig geklee, die<br />
dirigente het met elegante uitrustings reg laat<br />
geskied aan die geleen<strong>the</strong>id en om alles te kroon<br />
het die Bokke se oorwinning die regte gees<br />
geskep vir ‘n genotvolle musiekervaring.<br />
Die volgepakte ouditorium het ook gestalte gegee<br />
aan die entoesiasme van elke ouer en leerder vir<br />
die GROOT konsert. Die eerste item, Pomp and<br />
Circumstance wat deur die Ontwikkelingsensemble<br />
uitgevoer is, het mens laat dink aan<br />
die jubileumviering van die Koningin van<br />
Engeland wat net ‘n week vantevore plaasgevind<br />
het. Dié ensemble wat nog net ‘n paar jaar<br />
bestaan, het die gehoor in die regte stemming<br />
gebring vir wat sou voorlê.<br />
Van klein tot groot het elkeen sy deeltjie met<br />
geesdrif bygedra. Die aand is op ‘n hoogtepunt<br />
deur die HL Simfonieorkes afgesluit. Vir hul<br />
uitvoering van die Dance Bacchanale van Saint-<br />
Saëns moes daar vir vyf groot harpe op die<br />
verhoog plek ingeruim word en om die<br />
geleen<strong>the</strong>id soveel meer spesiaal te maak, het<br />
feitlik al die Sentrum se voltydse personeel in<br />
die orkes gespeel.<br />
Die gehoor was in vervoering en alhoewel dit<br />
alreeds laat was, wou almal nog meer hoor.<br />
Al die orkeste was ‘n genot om na te luister en<br />
elke dirigent en al die studente verdien staande<br />
applous vir hul harde werk en geesdrif.<br />
PIANO RECITAL BY<br />
CRISTINA<br />
ORTIZ<br />
The <strong>Hugo</strong> <strong>Lambrechts</strong> Auditorium hosts many<br />
classical performances, including ones forming<br />
part of <strong>the</strong> <strong>Hugo</strong> Series organized by Mr Louis<br />
Fouche. Audience appreciation for <strong>the</strong>se events<br />
is growing and this was especially <strong>the</strong> case<br />
when world renowned Brazilian pianist, Cristina<br />
Ortiz, visited Cape Town in February this year.<br />
There was much anticipation among Capetonians<br />
ahead of Ms Ortiz's visit to Cape Town. She was<br />
not only <strong>the</strong> winner of <strong>the</strong> prestigious Van Cliburn<br />
International Piano Competition in 1969, but<br />
also <strong>the</strong> first woman to do so.<br />
The attendance at this event was excellent with<br />
every available seat sold and <strong>the</strong> excitement was<br />
tangible in <strong>the</strong> foyer even before <strong>the</strong> concert<br />
began.<br />
Ms Ortiz's recital featured only works by Chopin<br />
consisting of <strong>the</strong> four Scherzi and four Ballades,<br />
which suited her capricious and spontaneous<br />
style of playing. Her warm stage personality and<br />
engaging manner easily drew listeners on<br />
a musical voyage and <strong>the</strong> audience showed <strong>the</strong>ir<br />
appreciation with a standing ovation at <strong>the</strong> end.<br />
What a privilege it was to have heard this<br />
celebrated pianist play, and one looks forward<br />
to similar quality artists performing in this<br />
fabulous venue in <strong>the</strong> future.<br />
Shane Goodall<br />
CARIN BAM<br />
Mrs Carin Bam is not just a fantastic teacher,<br />
but still makes time to perform on a regular<br />
basis and has just launched her cd on selected<br />
works by Neil Solomon, with Pieter van Zyl<br />
on piano and this recorded is highly<br />
recommended to all oboists especially!!<br />
Mrs Bam started playing <strong>the</strong> oboe at <strong>the</strong> age<br />
of thirteen at <strong>the</strong> <strong>Hugo</strong> <strong>Lambrechts</strong> Music<br />
Centre. She completed her studies in 2000<br />
at <strong>the</strong> University of Stellenbosch, under <strong>the</strong><br />
tutelage of Sergei Burdokov and <strong>the</strong>n<br />
returned to <strong>Hugo</strong> <strong>Lambrechts</strong> in 2001 as an<br />
oboe and bassoon teacher. She is currently<br />
<strong>the</strong> Head of Department: Woodwinds.<br />
She has been an active ad hoc orchestral<br />
member playing with several professional<br />
orchestras, including <strong>the</strong> Cape Philharmonic,<br />
Kwa-Zulu Natal Philharmonic and <strong>the</strong><br />
Namibian Symphony Orchestras. She is also<br />
a regular player with many ad hoc orchestras<br />
throughout South Africa.<br />
As an avid chamber musician, Mrs Bam<br />
performs regularly with guitarist Mr. Uliano<br />
<strong>Marchio</strong> at venues that include Artscape<br />
and <strong>the</strong> Baxter Concert Hall. She has been<br />
invited to perform as a solois with <strong>the</strong><br />
Winelands Orchestra, <strong>Hugo</strong> <strong>Lambrechts</strong><br />
Symphony Orchestra and <strong>the</strong> Musicanti<br />
Chamber Orchestra. In 2010 she completed<br />
her UNISA Licentiate in Music Performance<br />
and was placed on <strong>the</strong> Roll of Honor.<br />
”Music can change <strong>the</strong> world<br />
because it can change people.”<br />
- Bono, U2<br />
”After silence, that which comes<br />
closest to expressing <strong>the</strong><br />
inexpressible is music.”<br />
- Aldous Huxley<br />
05
06<br />
Tea for two and two for Tea<br />
KBO Audience Prize!!!<br />
PERSEVERANCE: Wat ’n orkes! Ons sal julle onthou!<br />
Sentrum<br />
Opedag<br />
Net te veel dinge wat plaasvind op een slag!<br />
Muzic@Work: Ons kan julle nie miskyk nie!
JBO... Soos altyd geniet hul hulself ten volle!<br />
Victorious for 3 years running!<br />
Congrats to JBO for most money raised!!!<br />
BBO luister aandagtig vir Juffie Kelly<br />
Die Bakste Baksters van die Sentrum<br />
Sentrum<br />
Opedag<br />
Adopt-a- Muzo Rides<br />
Speel maar.... Ons luister!!!<br />
07
<strong>Meet</strong> <strong>the</strong> <strong>New</strong> <strong>Staff</strong><br />
08<br />
<strong>Marisa</strong> <strong>Marchio</strong><br />
(Voice)<br />
Mrs <strong>Marchio</strong> was born in Italy and grew up in<br />
South Africa. She attended school at St Mary’s<br />
in Cape Town and took to <strong>the</strong> stage at an early<br />
age performing at every available opportunity.<br />
As a schoolgirl she played <strong>the</strong> lead role of “Yum,<br />
Yum” in <strong>the</strong> comic opera <strong>the</strong> Mikado. She also<br />
performed <strong>the</strong> lead role of <strong>the</strong> musical “Naughty<br />
Marietta” and had to learn <strong>the</strong> part in one day.<br />
Mrs <strong>Marchio</strong> studied with Flora Nielsen at <strong>the</strong><br />
Royal Academy, London and with Fred Dalberg<br />
at Stellenbosch.<br />
Mrs <strong>Marchio</strong> was privileged to study with Andre<br />
Turp (French-Canadian Tenor) in London where<br />
she had two hour lessons six days a week. This<br />
was her most valuable experience; being<br />
immersed in singing and learning real Italian<br />
voice technique.<br />
A pinnacle point of her music career was her<br />
first role in Italy at Benevento, near Naples,<br />
where she sang <strong>the</strong> title role in Puccini’s “Suor<br />
Angelica”. Mrs <strong>Marchio</strong> won <strong>the</strong> Mario del<br />
Monaco prize for excellence in singing and <strong>the</strong><br />
Maschera d’Oro acting prize for her performance.<br />
She sang La Traviata under <strong>the</strong> baton of Renato<br />
Palumbo, who at that stage was an up and coming<br />
conductor, who now conducts worldwide at La<br />
Scala, Paris Opera, and Berlin Oper, just to name<br />
a few. Maestro Palumbo came to South Africa<br />
in <strong>the</strong> 1990’s as a guest conductor for Cape Town<br />
Opera on Mrs <strong>Marchio</strong>’s recommendation. Mrs<br />
<strong>Marchio</strong> sang at <strong>the</strong> opening of <strong>the</strong> State Theatre<br />
in Pretoria in a peformance of Traviata with<br />
Adriana Maliponte, Alfredo Krause and Giorgio<br />
Zancanaro.<br />
Her musical role model is Renata Tebaldi. She<br />
enjoys listening to tenors, sopranos and all o<strong>the</strong>r<br />
types of classical music especially in live<br />
performance.<br />
Mr <strong>Marchio</strong> and Mrs <strong>Marchio</strong> met at <strong>the</strong><br />
Community Carnival in Cape Town while she<br />
was still at school. Later, Mr <strong>Marchio</strong> proposed<br />
to her in a letter while he was in Europe and she<br />
was still in Cape Town. They lived in Italy for<br />
20 years before settling in Cape Town once more.<br />
She enjoys reading and knitting in her spare time.<br />
If you see Mr <strong>Marchio</strong> walking in <strong>the</strong> corridor<br />
with a pull over on, she has knitted it. She also<br />
enjoys gardening.<br />
Music has taken her to places such as Bagdad,<br />
Spain, London, Corfu, Poland and Italy;<br />
amongst o<strong>the</strong>rs. Mr and Mrs <strong>Marchio</strong>’s careers<br />
have been intertwined and <strong>the</strong>y have enjoyed<br />
duo performances in <strong>the</strong>se places. They were<br />
highly praised in a crit in <strong>the</strong> Classical Guitar<br />
Magazine for <strong>the</strong>ir duo performance at St John’s<br />
Square in London.<br />
When asked where she would love to perform<br />
if given <strong>the</strong> opportunity, she unequivocally<br />
answered, “La Scala; <strong>the</strong> temple of opera”.<br />
Mrs <strong>Marchio</strong>’s advice to our students is to listen<br />
to all types of music to broaden <strong>the</strong>ir outlook.<br />
Liam Burden<br />
(Saxophone & Clarinet)<br />
Mr Burden grew up in <strong>the</strong> central South African<br />
town of Kimberley, <strong>the</strong>reafter he moved to<br />
Stellenbosch where he completed a BMus as<br />
well as a BMusHons degree cum laude at <strong>the</strong><br />
University of Stellenbosch. While at <strong>the</strong><br />
University of Stellenbosch Mr Burden studied<br />
under Mr Darryl Walters; a founding member<br />
of staff of <strong>the</strong> <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre<br />
when it opened its doors in 1986. He says that<br />
Mr Walters was one of his main reasons for<br />
deciding to study in Stellenbosch.<br />
For <strong>the</strong> first semester of his Honours year, Mr<br />
Burden was fortunate enough to be chosen to<br />
partake in an exchange programme between <strong>the</strong><br />
University of Stellenbosch and West Virginia<br />
University in <strong>the</strong> United States of America. While<br />
<strong>the</strong>re he received lessons from <strong>the</strong> acclaimed<br />
saxophonist Dr Michael Ibrahim. It was thanks<br />
to Dr Ibrahim’s tuition and immense skill that<br />
Mr Burden’s eyes were opened to <strong>the</strong> world of<br />
<strong>the</strong> contemporary classical saxophone and <strong>the</strong><br />
variety of possibilities that it possesses.<br />
Mr Burden has received master classes from<br />
numerous well known saxophonists including<br />
Prof Douglas Masek, who is no stranger to <strong>Hugo</strong><br />
<strong>Lambrechts</strong>.<br />
While studying in Stellenbosch and in <strong>the</strong><br />
USA, Mr Burden’s interest in conducting was<br />
cultivated fur<strong>the</strong>r by receiving lesson from Prof<br />
Dr Corvin Matei (US) and Dr Mitchel Arnold<br />
(WVU).<br />
Mr Burden conducted <strong>the</strong> University of<br />
Stellenbosch Symphonic Wind Ensemble on<br />
numerous occasions and most recently conducted<br />
<strong>the</strong> very successful fifteenth Concerto Festival<br />
at <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre.<br />
Mr Burden was one of six semi-finalists in <strong>the</strong><br />
prestigious SAMRO oversees scholarship<br />
competition which was held in Johannesburg in<br />
August this year.<br />
Mr Burden’s fur<strong>the</strong>r achievements this year have<br />
been a distinction for <strong>the</strong> UNISA Performance<br />
Licentiate on saxophone as well as being selected<br />
for <strong>the</strong> second round of <strong>the</strong> Len van Zyl<br />
conducting competition where he will be<br />
receiving master classes from Maestro Victor<br />
Yampolsky.<br />
“Music is my life” says Mr Burden but he also<br />
enjoys playing a game squash, spending time<br />
with friends and going on outdoor adventures.<br />
He recently returned from three weeks in<br />
Zimbabwe where he travelled along <strong>the</strong> Kariba<br />
Dam.<br />
Mr Burden’s advice to students is: “whatever<br />
you do, do it to <strong>the</strong> best of your abilities, but<br />
above all…HAVE FUN!”<br />
Shane Goodall<br />
(Piano)<br />
Mr Goodall grew up in East London. He first<br />
began with organ lessons when he was 8 years<br />
old and took lessons in a studio at <strong>the</strong> back of a<br />
music shop.<br />
Every week he had to walk past all <strong>the</strong> pianos<br />
in <strong>the</strong> shop and during this time he started to<br />
develop an interest in <strong>the</strong> piano. The image of a<br />
performing pianist made such an impression on<br />
him that he decided that he wanted to play <strong>the</strong><br />
piano. 3 years later, when his parents were able<br />
to purchase a piano, he could start with lessons.<br />
A highlight of his musical career was performing<br />
<strong>the</strong> Tchaikovsky Piano Concerto no 1 with <strong>the</strong><br />
Cape Town Symphony Orchestra. A valuable<br />
musical experience was taking part in <strong>the</strong><br />
International Piano Competition in Pretoria.<br />
His role model is Evgeny Kissin because of his<br />
extreme dedication, integrity and refined<br />
performances. Emil Gilels performance of<br />
Beethoven’s Moonlight Sonata is his favourite<br />
piano recording.<br />
Mr Goodall visited Iticha, <strong>New</strong> York, where he<br />
accompanied a gospel concert performance. He<br />
taught English in Korea for a year. He enjoys<br />
going to <strong>the</strong> gym in his spare time.<br />
His advice to our students is “not to be overcome<br />
by <strong>the</strong> drive for perfection but to remember that<br />
communication through music must come<br />
naturally”.
Mariette van Wyngaard<br />
(secretary)<br />
Mrs van Wyngaard was born in Old Rhodesia<br />
and immigrated to South Africa in 1997. She<br />
studied at Stellenbosch College for a secretarial<br />
diploma. She began working for Eskom in 1982<br />
and spent 29 years <strong>the</strong>re before she applied for<br />
her job at <strong>Hugo</strong> <strong>Lambrechts</strong>.<br />
Mrs van Wyngaard stays in Kuils River and has<br />
3 children (two sons and a daughter). Her older<br />
son plays <strong>the</strong> guitar in <strong>the</strong> church band and studies<br />
at UCT and her younger son is an athlete and<br />
takes part in <strong>the</strong> SA Schools Championships.<br />
Her daughter studies through UNISA, works at<br />
Sanlam and recently got married.<br />
Mrs van Wyngaard enjoys cooking, needle work<br />
and wining and dining. When asked for advice<br />
she can give our students she said that <strong>the</strong> recipe<br />
for success is a positive attitude and “hulle moet<br />
met ‘n lied in hulle harte hiernatoe kom”.<br />
Her ideal holiday destination is Venice, Italy.<br />
She describes herself as “what you see is what<br />
you get”.<br />
Gezina Adams<br />
(general assistant)<br />
Gezina Adams was born and grew up in Van<br />
Rynsdorp.<br />
She lives in Parow and worked 12 years at a<br />
clothing store, 8 years at a civil engineering firm<br />
and her last job was at Bellville Business Park.<br />
Gezina enjoys cooking and has done several<br />
catering jobs through <strong>the</strong> years. She has already<br />
treated <strong>the</strong> staff to her beef and chicken curry<br />
roti and cheese scones.<br />
She enjoys nature and gospel music. She also<br />
enjoys reading.<br />
Strings<br />
Beginners<br />
go Disney!<br />
The <strong>the</strong>me for <strong>the</strong> String Beginners Concert<br />
on 22 November 2011 was “Dreamworks<br />
Presents” and <strong>the</strong> students and teachers came<br />
dressed up in <strong>the</strong>ir favorite animated characters<br />
from <strong>the</strong> latest movies.<br />
All <strong>the</strong> string students from <strong>the</strong> music centre<br />
featured in <strong>the</strong> final item of <strong>the</strong> concert,<br />
Pachebel Canon in D. The stage was a<br />
wonderful spectacle of animated color.<br />
The castle set <strong>the</strong> fantasy backdrop and <strong>the</strong><br />
yellow sickle moon against a silver night sky<br />
represented <strong>the</strong> dreamworks <strong>the</strong>me.<br />
Parents worked hard with <strong>the</strong> decorations that<br />
included balloons hanging from <strong>the</strong> railings<br />
and smurf statues amidst <strong>the</strong> action on stage<br />
that added to <strong>the</strong> atmosphere.<br />
The party after <strong>the</strong> concert was held in <strong>the</strong><br />
string quart yard where <strong>the</strong> students could<br />
enjoy dreamwork cupcakes.<br />
Well done and thank you to all who participated<br />
and contributed.<br />
Kathleen du Plessis<br />
”A few can touch <strong>the</strong> magic string, and noisy Fame is proud to win <strong>the</strong>m;<br />
alas for those that never sing, but die with all <strong>the</strong>ir music in <strong>the</strong>m!”<br />
- Oliver Wendell Holmes<br />
”Music is <strong>the</strong> art which is most nigh to tears and memory.”<br />
- Oscar Wilde<br />
09
MARIA DU TOIT<br />
Principal clarinettist of <strong>the</strong> Cape Philharmonic<br />
Orchestra in Cape Town (since 2002), Maria du<br />
Toit is not only recognised as a distinguished<br />
orchestral musician, but indeed as one of South<br />
Africa’s finest solo instrumentalists.<br />
Her musical training began with piano lessons<br />
at <strong>the</strong> age of 8, and at age 15 she started playing<br />
<strong>the</strong> clarinet at <strong>the</strong> <strong>Hugo</strong> <strong>Lambrechts</strong> music centre<br />
in Cape Town. From 1996 to 1999 she studied<br />
music at <strong>the</strong> University of Stellenbosch under<br />
<strong>the</strong> tutelage of Jim Reinders, where she was<br />
awarded just about every possible study prize,<br />
merit bursary and academic award available at<br />
<strong>the</strong> university (including <strong>the</strong> Molteno prize for<br />
<strong>the</strong> best first year music student and <strong>the</strong><br />
Konservatorium Stipendium for <strong>the</strong> best overall<br />
music student).<br />
After completing a bachelor’s degree in solo<br />
clarinet cum laude (University of Stellenbosch)<br />
and a Performer’s Licentiate with highest honours<br />
(University of South Africa), she was accepted<br />
to study at <strong>the</strong> Manhattan School of Music in<br />
<strong>New</strong> York, where she studied clarinet under<br />
David Krakauer (2000). She was appointed first<br />
10<br />
The Brass Department hosted a Brass<br />
Ensemble Concert on 11 May in <strong>the</strong><br />
Auditorium. The <strong>Hugo</strong> <strong>Lambrechts</strong> Brass<br />
Quintet performed alongside <strong>the</strong> Stellenbosch<br />
University Brass Ensemble, under<br />
<strong>the</strong> auspices of Sean Kierman, as well as<br />
<strong>the</strong> Stellenbosch University Jazz Band,<br />
conducted by Felicia Lesch.<br />
The audience was entertained with brass<br />
music from different genres and styles, of<br />
which one of <strong>the</strong> highlights of <strong>the</strong> evening<br />
was <strong>the</strong> performance of <strong>the</strong> Allegro from<br />
<strong>the</strong> Double Trumpet Concerto by Antonio<br />
Vivaldi with Yvonne-Marié Brand and<br />
Boris Oppliger as soloists.<br />
clarinet of <strong>the</strong> school’s two top orchestras, <strong>the</strong><br />
MSM Symphony and <strong>the</strong> MSM Chamber<br />
Sinfonia. Moving on to Europe, she studied<br />
with Bas de Jong at <strong>the</strong> Utrecht Conservatoire<br />
(Ne<strong>the</strong>rlands, 2000/2001) and finally with Bulgarian<br />
clarinet legend Petko Radev in Sofia<br />
(Bulgaria, 2003, 2004, 2006).<br />
2012 is off to a good start for Maria – having<br />
already played five concerto performances by<br />
<strong>the</strong> beginning of March! In February she had<br />
three performances of <strong>the</strong> Stephenson Concertino<br />
with <strong>the</strong> World Doctor’s Orchestra, and<br />
shortly after that she played two performances<br />
of <strong>the</strong> Mozart Concerto with <strong>the</strong> Johannesburg<br />
Philharmonic Orchestra. For <strong>the</strong> latter she was<br />
engaged a mere two days before <strong>the</strong> first<br />
performance, as she had to stand in for Michael<br />
Collins who fell ill.<br />
April was a very busy month for Maria as she<br />
performed six concerts in as many different cities<br />
in Holland with <strong>the</strong> Ne<strong>the</strong>rlands Student Chamber<br />
Orchestra (Mozart Concerto). In <strong>the</strong> same month<br />
her new cd “Luminous Shade” was released. On<br />
this exciting disc she teams up with <strong>the</strong> much<br />
celebrated pianist Nina Schumann for <strong>the</strong><br />
TwoPianists record label to perform works by<br />
Benjamin, Bozza, Martino, Rheinberger and<br />
more. A definite MUST for every aspiring<br />
clarinetist!!!<br />
In June and July Maria was back in Holland for<br />
three performances of <strong>the</strong> Nielsen Concerto with<br />
<strong>the</strong> A<strong>the</strong>neum Chamber Orchestra, and on <strong>the</strong><br />
28th of July she and Nina Schumann had a<br />
recital in <strong>the</strong> Baxter Concert Hall in Cape Town,<br />
performing <strong>the</strong> repertoire on <strong>the</strong>ir new cd.<br />
In August Maria was once again featured as <strong>the</strong><br />
soloist in <strong>the</strong> Cape Philharmonic Orchestra’s<br />
Symphony Season, playing <strong>the</strong> Solo de Concours<br />
by Messager and Debussy’s Premiere Rhapsody<br />
under <strong>the</strong> baton of <strong>the</strong> brilliant maestro Arjan<br />
Tien.<br />
Apart from her full-time position in <strong>the</strong> Cape<br />
Philharmonic Orchestra, Maria du Toit is also a<br />
part-time lecturer of clarinet at <strong>the</strong> University of<br />
Stellenbosch and <strong>the</strong> University Of Cape Town<br />
College Of Music. She lives in Cape Town with<br />
her two children, Ivan and Sofia who also started<br />
<strong>the</strong>ir music careers at <strong>Hugo</strong> <strong>Lambrechts</strong>, Ivan<br />
on bassoon and Sofia on clarinet.<br />
FRANSCHHOEK<br />
MOUNTAIN 2012<br />
CHAMBER MUSIC CAMP<br />
This year’s camp at Franschhoek was probably<br />
<strong>the</strong> best that Andrea and I have attended so<br />
far. We were once again fortunate enough to<br />
receive full scholarships to attend this<br />
magnificent course in Chamber Music and<br />
we would like to thank <strong>the</strong> organizers for<br />
giving us this opportunity.<br />
At this Course you learn to play as a group,<br />
meet new people, and boost your self-confidence.<br />
It was great meeting up with our old<br />
friends from <strong>the</strong> previous years who come<br />
from all over South Africa.<br />
The teachers play a big role in what we do as<br />
a group. They are like parents who care a lot<br />
for everyone and look out for us. I look up to<br />
<strong>the</strong> teachers from Franschhoek Chamber<br />
festival because <strong>the</strong>y show us and guide us<br />
along <strong>the</strong> way to musicianship and how to<br />
work as a team. The faculty included Becky<br />
Stelzner, Sarah Acres, Barbara Kennedy and<br />
Stuart Scott.<br />
When we received our schedules I was<br />
anxious to know who I would be playing with<br />
and could not wait to introduce myself. The<br />
music I got was good but challenging which<br />
meant that I had practice much.<br />
Early on in <strong>the</strong> course an incident happened<br />
to two of <strong>the</strong> participants, <strong>the</strong>y had a ‘bit of<br />
a collision’ and Andrea was one of <strong>the</strong>m. She<br />
could not play due to <strong>the</strong> accident but she<br />
became our no1 spectator and a wonderful<br />
audience member. All <strong>the</strong> staff wrote a card<br />
to wish “Mat<strong>the</strong>w” and “Andrea” a speedy<br />
recovery, just to show <strong>the</strong>m <strong>the</strong>y care and<br />
were thinking of <strong>the</strong>m.<br />
At <strong>the</strong> Cabaret Evening I sang a song to put<br />
a smile on <strong>the</strong>ir faces named “That’s what<br />
friends are for” and people played amazing<br />
pieces. This evening is always hilarious<br />
because you never know what to expect as<br />
all <strong>the</strong> participants of <strong>the</strong> course perform an<br />
item of <strong>the</strong>ir choice.<br />
At “Bonfire” (Or ra<strong>the</strong>r La Boma) we all<br />
enjoyed supper toge<strong>the</strong>r. To add to <strong>the</strong> already<br />
super atmosphere, <strong>the</strong> brass section decided<br />
to entertain us with a wonderful piece.<br />
Pictures were taken of all of us toge<strong>the</strong>r and<br />
<strong>the</strong> evening ended with delicious hot chocolate<br />
and marshmallows and plenty nice<br />
conversation.<br />
After <strong>the</strong> first concert on Saturday evening<br />
we are always quite sad because, this is our<br />
last evening toge<strong>the</strong>r as a big family. We all<br />
went to <strong>the</strong> field and looked up at <strong>the</strong> stars<br />
and made <strong>the</strong> best of <strong>the</strong> night. It is sad that<br />
it couldn’t last forever but, a part of us will<br />
always stay at Franschhoek (till next year!)<br />
Before our last concert we have a tradition<br />
where we all go to town, buy milkshakes and<br />
<strong>the</strong> matric campers have <strong>the</strong> privilege to give<br />
a speech. I wanted to make a speech but I<br />
have to wait my turn! Hope to see all my old<br />
friends and more centre faces back <strong>the</strong>re next<br />
year.<br />
Tarren Pedro
<strong>Hugo</strong> <strong>Lambrechts</strong> is a haven for music students from various<br />
backgrounds.<br />
The Centre nurtures <strong>the</strong> talent of <strong>the</strong>se individuals and<br />
provides <strong>the</strong>m with tuition in all symphonic instruments,<br />
<strong>the</strong>ory and aural training. They eagerly participate in all<br />
centre activities and concerts but funding constraints are<br />
ever-present barriers.<br />
In <strong>the</strong> spirit of creating equal opportunities for all, <strong>the</strong><br />
Music Centre began <strong>the</strong> Adopt-a-Muzo project, inspired<br />
by <strong>the</strong> individuals that sowed <strong>the</strong> seed for growth, breaking<br />
barriers and enriching lives.<br />
Vyftien leerders is geïdentifiseer as hardwerkende,<br />
talentvolle musikante wat in 2012 nuwe hoogtes sou bereik!<br />
UITBLINKERS VAN 2012<br />
Die kursus is deur 2 bekende pedagoë van Engeland aan-gebied naamlik Simon<br />
Cartledge (viool en altviool) en Pat Legg (tjello). Albei het hulself reeds bewys as<br />
vername opvoedkundiges in Engeland en bied gereeld kursusse in Engeland en<br />
Europa aan. Daar was ongeveer 70 onderwysers van oor die hele land wat die<br />
kursus bygewoon het.<br />
Die meeste van die onderwerpe wat bespreek is was op die holistiese onderrig van<br />
musiek ingestel en baie prakties van aard. Al die tegniese aspekte van strykersonderrig<br />
is ook breedvoerig bespreek.<br />
Dit was vir hulle 'n wonderlike leerervaring en die samesyn met kollegas van reg oor<br />
die land met wie hul saans gedagtes uitgeruil het, het hegte vriendskapsbande gesmee.<br />
Die onderwysers het almal met entoesiasme teruggekeer en sal beslis die nuwe kennis<br />
terugploeg in hulle werk.<br />
* Tarren Pedro (fagot) en Andrea Salomo (hobo) ontvang<br />
volledige borgskappe om die Franschhoek Mountain<br />
Chamber Music Camp inFranschhoek by te woon.<br />
* Andrea tree op as solis met die <strong>Hugo</strong> <strong>Lambrechts</strong><br />
Intermediêre Strykorkes en word gekies om as solis op<br />
te tree tydens Camerata Tinta Barocca se Young Soloists<br />
Concert.<br />
* Emilio February (slagwerk) word aangewys as die<br />
bekerwenner vir die Beste Junior Slagwerkspeler by die<br />
Stellenbosch Kunswedstryd.<br />
* Jean Botha (fagot), Estee Adams (viool) en Rozay Appolis (fluit) slaag hul oudisies<br />
vir deelname aan die SAMRO Hubert van der Spuy Nasionale Musiekkompetisie wat<br />
later in September plaasvind.<br />
* Tarren, Andrea en Emilio ontvang volledige borgskappe om die Stellenbosch Internasionale<br />
Kamermusiekfees in Julie by te woon.<br />
Om hierdie ongelooflike hoogtes te kan bereik kos egter geld (riete, snare, mallets,<br />
begeleiding,musiek, inskrywingsfooie en vele meer).<br />
Enigeen wat wil help om hierdie leerders<br />
se drome te verwesenlik kan Carin Bam<br />
(woodwinds@hugolambrects.co.za)<br />
kontak vir verdere besonderhede.<br />
Besoek ook gerus ons webblad vir meer<br />
inligting oor die projek, die kandidate en<br />
hul behoeftes.<br />
www.adoptamuzo.wordpress.com<br />
Strykerspersoneel woon die“Strings<br />
Autumn School” in Johannesburg by<br />
Die 5 personeellede verbonde aan die Strykersdepartement van die Musieksentrum <strong>Hugo</strong> <strong>Lambrechts</strong> was bevoorreg om die Strings Autumn<br />
School 2012 vanaf 24-26 Mei by St John’s College in Johannesburg by te woon.<br />
11
The String Department had <strong>the</strong>ir annual Chamber Concert which was scheduled for two different<br />
evenings with <strong>the</strong> junior pupils on <strong>the</strong> 18th of June and <strong>the</strong> seniors on <strong>the</strong> 19th. All <strong>the</strong> string<br />
students had <strong>the</strong> opportunity to perform at <strong>the</strong> Auditorium.<br />
This was both a bit nerve-wracking but also a very exciting experience. At <strong>the</strong> end of <strong>the</strong> day<br />
- who would have not enjoyed such magnificent acoustics and such a warm audience consisting<br />
of proud moms, dads, grandmas, grandpas, bro<strong>the</strong>rs, sisters and friends!<br />
Some of <strong>the</strong> young players had to be trained again on stage etiquette and had to get used to <strong>the</strong><br />
long walk on <strong>the</strong> big stage! Surely for many of <strong>the</strong>m this event will stay as a lifetime memoryplaying<br />
solo in a big concert hall for <strong>the</strong> first time!<br />
Everyone strived to give <strong>the</strong>ir best performance and <strong>the</strong> buzz could be felt back-stage as well,<br />
as friends were grouping toge<strong>the</strong>r wishing each o<strong>the</strong>r good luck. It was an enjoyable evening<br />
with music keeping us all warm on two cold evenings in June.<br />
’n Kasteel, baie, baie liggies,’n paar<br />
bekende Disney karakters en baie<br />
opgewonde kinders, mammas, pappas,<br />
oumas en oupas en natuurlik pragtige<br />
musiek - wat meer wil mens hê vir<br />
Kersfees!<br />
Dít was Kersfees by die Musieksentrum<br />
<strong>Hugo</strong> <strong>Lambrechts</strong>, Dinsdag 6 Desember.<br />
Al die Sentrum se orkeste het by hierdie<br />
geleen<strong>the</strong>id opgetree, en soos gewoonlik<br />
was die ouditorium gepak met familie en<br />
vriende van die Sentrum.<br />
Die feestelike atmosfeer het behoorlik<br />
geheers en die hoogtepunt was toe ons<br />
presente aan die Tygerbeertjie kon<br />
oorhandig en net weer herinner kon word<br />
aan hoe bevoorreg ons is om Kersfees<br />
met familie en vriende te kan spandeer.<br />
Die Simfonie orkes het die aand afgesluit<br />
en almal is huistoe met ’n lied in die<br />
hart en ’n heerlike vooruitsig na Kersfees!<br />
12<br />
The Tooth<br />
Fairy will be<br />
visiting<br />
<strong>the</strong><br />
Woodwind<br />
Department<br />
soon<br />
It is <strong>the</strong> norm to start a student as young as<br />
4 / 5 on a string instrument or <strong>the</strong> piano, but<br />
definitely NOT on a wind instrument!<br />
The only logical reason for this is due to <strong>the</strong><br />
fact that one needs to be physically strong<br />
enough to hold <strong>the</strong> instrument and have your<br />
permanent teeth in order for <strong>the</strong> mouthpiece<br />
to have something to rest on - or against!<br />
However, some youngsters are so determined,<br />
enthusiastic and sure of what <strong>the</strong>y want to<br />
do, that <strong>the</strong>y can’t wait that long.<br />
So for <strong>the</strong> first time we welcomed two little<br />
clarinettists to our department: Keon Müller<br />
(started at age 6) and Sofia Balkandjiev(5).<br />
The only problem is that soon we’ll have<br />
some missing teeth! Anybody perhaps have<br />
falsies lying around...? Charlene Saayman<br />
POLISH VIOLINIST KAROL LEGIERSKI<br />
VISITS THE CENTRE<br />
On Wednesday 6 June <strong>the</strong> polish violinst Karol<br />
Legierski visited <strong>the</strong> Centre to present Master<br />
classes as well as a concert which took place on<br />
<strong>the</strong> Thursday evening, with José Dias as<br />
accompanist.<br />
Karol is <strong>the</strong> Concert Master of <strong>the</strong> Gorzow<br />
Philharmonic in Poland. Works performed were<br />
<strong>the</strong> Bach Chacconne, Vivaldi double Concerto,<br />
Beethoven and duos. Marianne Cilliers joined<br />
Karol and Josè on <strong>the</strong> Vivaldi.<br />
The learners enjoyed both <strong>the</strong> master classes<br />
and Concert and definitely learned a lot.<br />
We really enjoyed having Karol and Marianne<br />
with us, and friendships were made, and we as<br />
<strong>the</strong> String Department would definitely host <strong>the</strong>m<br />
again!
SENIOR STRINGS<br />
ORCHESTRA<br />
IN CONCERT WITH<br />
CT YOUTH CHOIR<br />
Here is what <strong>the</strong> SSO cellist Warda Wannamaker had to say:<br />
“On <strong>the</strong> 16th of May 2012 <strong>the</strong> Senior String Orchestra (SSO) of <strong>Hugo</strong><br />
<strong>Lambrechts</strong> teamed up with <strong>the</strong> Cape Town Youth Choir (<strong>the</strong> former<br />
Pro Cantu choir) to present a musical experience that proved to be<br />
of an exceptionally high musical standard as well as most enjoyable.<br />
The choir was accompanied by <strong>the</strong> SSO in numbers from Vivaldi’s<br />
“Gloria” that touched <strong>the</strong> hearts and reminded us just how much<br />
music can uplift one’s spirit.<br />
Mr Leon Starker and his choir had just briefly rehearsed with <strong>the</strong><br />
orchestra an hour before <strong>the</strong> concert but <strong>the</strong> passion and depth of <strong>the</strong><br />
music allowed both ensembles to “gel” toge<strong>the</strong>r immediately.<br />
The choir sang many familiar tunes and a fair number of technically<br />
difficult vocal numbers showing <strong>the</strong>ir musical prowess and force.<br />
Their singing was delivered with such sincerity and power that I am<br />
sure it left <strong>the</strong> audience in awe. The soloists in <strong>the</strong> choir displayed<br />
a range of emotion which reflects this choir’s commitment to excellence<br />
and vocal exuberance.<br />
The SSO did not disappoint ei<strong>the</strong>r. They played beautifully, feeling<br />
each o<strong>the</strong>r as an ensemble under <strong>the</strong> baton of Ms Valentina Vorster.<br />
It was quite impressive to hear and see such young musicians having<br />
such an intimate understanding of Corelli and Vivaldi. Everyone in<br />
<strong>the</strong> orchestra moved and brea<strong>the</strong>d toge<strong>the</strong>r.<br />
The evening was wonderful, enjoyable, but most importantly - it<br />
show-cased <strong>the</strong> talents of <strong>the</strong> future musicians of South Africa. It also<br />
showed just how important it is to keep <strong>the</strong> musical spirit and industry<br />
alive and flourishing in South Africa. “<br />
Cool<br />
Classic<br />
Kidz<br />
Cool Classic Kidz is a project that was initiated<br />
by Ms Laurika Steenkamp. The aim of <strong>the</strong> project<br />
is to introduce young learners (primary school<br />
level) to classical music as well as to inspire and<br />
motivate young music learners.<br />
Cool Classic Kidz is a radio program on FMR<br />
101.3FM on <strong>the</strong> last Saturday of <strong>the</strong> month at<br />
13h45. In this program young musicians from<br />
<strong>the</strong> Western Cape are featured performing a<br />
musical piece on <strong>the</strong> instrument of <strong>the</strong>ir choice<br />
as well as a very short interview.<br />
The Cool Classic Kidz project was taken a step<br />
fur<strong>the</strong>r by introducing a 40 minute show which<br />
had its first performance in June 2011 at <strong>the</strong><br />
Greyton/Genadendal Classics for All festival.<br />
The show has also featured at <strong>the</strong> Suidoosterfees<br />
in February 2012 and again on 1 June 2012 at<br />
<strong>the</strong> Greyton/Genadendal Classics for All festival.<br />
Stellenbosch<br />
KUNSWEDSTRYD<br />
<strong>Hugo</strong> <strong>Lambrechts</strong> het weer vanjaar geseëvier tydens die Stellenbosch<br />
Kunswedstryd. Met ‘n totaal van 40 Cum Laude toekennings aan die<br />
studente en Bekerwenners in elke afdeling blyk dit duidelik dat die standaard<br />
van onderrig by <strong>Hugo</strong> <strong>Lambrechts</strong> nog steeds uitsonderlik hoog is.<br />
<strong>Hugo</strong> <strong>Lambrechts</strong> is groot ondersteuners van die Stellenbosch Kunswedstryd.<br />
Hulle het vir ‘n totaal van 170 items ingeskryf, met 14 Bekerwenners en<br />
8 studente wat genooi is om tydens die Pryswennerskonserte op te tree.<br />
Drie van die Sentrum se strykorkeste het Cum Laude toekennings ontvang.<br />
CUM LAUDE TOEKENNINGS:<br />
Strykers: Zoë Adonis, Lynn Rudolph, Kaylen Lewis, Jong Strykers (98%),<br />
Senior Strykorkes, Jamie Barron, Carla Niehaus, Beginner Strykers.<br />
Houtblasers: Saxofoon: Lize van der Merwe (2), Michaela Alexander,<br />
Fluit: Keagan Lintnaar, Mia Eksteen, An<strong>the</strong>a Caswell, <strong>Hugo</strong> <strong>Lambrechts</strong><br />
Fluit Ensemble, Klarinet: Danielle Rossouw (2), Hobo: Aidan Hurling<br />
(2), Gemma Hall (2), Fagot: Niel Theron (2), Liam Slabbert, Jean Botha,<br />
Mat<strong>the</strong>w Williams, Tarren Pedro, Caron Tremble.<br />
Slagwerk: Emilio February, <strong>Hugo</strong> <strong>Lambrechts</strong> Junior Slagwerk Duo (Thorn<br />
Williams, Amy-Joy Bailey)<br />
Harp: Natanja Uys, Lisa Britz, Nadia van Staden, Harp Duo (Natanja Uys,<br />
Lisa Britz), Fluit en Harp Duo (Lisa Britz, Karla Britz)<br />
Klavier: Laura Bailie, Leo Kim, Leslie Wu (3)<br />
BEKERWENNERS:<br />
Strykers: Carla Niehaus, Nastassja Pretorius, <strong>Hugo</strong> <strong>Lambrechts</strong> Jong<br />
Strykers<br />
Houtblasers: Niel Theron (fagot), Caron Tremble (fagot), Danielle Rossouw<br />
(klarinet), Lize van der Merwe (2)(saxofoon), Keagan Lintnaar (fluit)<br />
Koperblasers: Ewald Diedericks (eufonium)<br />
Slagwerk: Emilio February<br />
Harp: Natanja Uys, Lisa Britz<br />
Klavier: Leslie Wu<br />
Baie geluk aan al die bogenoemde studente met hulle uitsonderlike prestasies.<br />
Ons is baie trots op julle!<br />
Suzette Brits<br />
The show tells <strong>the</strong> story of 8 primary school<br />
friends who arranges a benefit concert to assist<br />
one of <strong>the</strong>ir class-mates during difficult financial<br />
times. Children from 9 different schools from<br />
all over <strong>the</strong> Western Cape participate in this<br />
production.<br />
The <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre is well<br />
represented in <strong>the</strong> show as three of <strong>the</strong> current<br />
participants are students at <strong>the</strong> centre. They are<br />
KB Ko, Lisa Britz and myself, Jean Botha.<br />
It is such an honor and a privilege to be part of<br />
this production.<br />
Through this show we can share <strong>the</strong> wonderful<br />
world of classical music with many young people<br />
and young learners who might never have been<br />
exposed to classical music at all!<br />
Jean Botha<br />
13
14<br />
-----------<br />
UNISA<br />
Die Sentrum het vir die eerste sessie van die<br />
Praktiese Musiekeksamens van UNISA ’n totaal<br />
van 23 kandidate ingeskryf. Daarby is 5 kandidate<br />
ingeskryf vir die Teoretiese Afdeling. ‘n<br />
Verbysterende 15 kandidate het hul eksamens<br />
met Lof geslaag en die volgende leerders is vir<br />
hul uitsonderlike prestasies op die EREROL<br />
geplaas:<br />
Lize van der Merwe<br />
- Graad 8 Saxofoon: 94%<br />
Jolandi Hanekom<br />
- Graad 2 Altviool: 93%<br />
Amia Uys<br />
- Graad 4 Tjello: 92%<br />
Jamie Barron<br />
- Graad 3 Tjello: 91%<br />
Ethan Lawson<br />
- Graad 3 Tjello: 90%<br />
Adrienne Fortune<br />
- Graad 2 Teorie: 90%<br />
BAIE GELUK ook aan Lize van der Merwe wat<br />
genooi is na die Beurskompetisie. Die Sentrum<br />
is baie trots op jou!<br />
EXAM<br />
RESULTS<br />
ROYAL SCHOOLS<br />
The Music Centre had a total of nine entries for<br />
<strong>the</strong> first practical exam session for Royal Schools.<br />
We are very proud of <strong>the</strong> following students who<br />
passed <strong>the</strong>ir exams with distinction:<br />
Niel Theron<br />
- Bassoon Grade 1: 90%<br />
Keon Müller<br />
- Clarinet Grade 1: 87%<br />
Emma Poole,<br />
- Piano Grade 2: 87%<br />
Gemma Hall<br />
- Oboe Grade 4: 87%<br />
Danielle Rossouw<br />
- Clarinet Grade 6: 92%<br />
Threslin Southgate<br />
- Clarinet Grade 8: 87%<br />
Well done to all <strong>the</strong>se students!!!<br />
Stranger in <strong>the</strong> (night) passage...<br />
Most of you must have noticed a very tall, mostly<br />
serious, young gentleman roaming <strong>the</strong> passages<br />
of <strong>the</strong> Music Centre during <strong>the</strong> month of April.<br />
Boris Oppliger, originally from Bern in Switzerland,<br />
and sent here on an exchange organized<br />
by SASTS, was introduced to us as a brass<br />
player, however we had our doubts at first<br />
because we are not used to brass players being<br />
soooo quiet. The opposite was however made<br />
very clear to us when he took out his trumpet<br />
and played more than just a note or two!<br />
Apart from being a trumpet player he is also a<br />
developing conductor who immersed himself in<br />
<strong>the</strong> various activities of <strong>the</strong> Centre.<br />
While at <strong>the</strong> Centre, he taught some trumpet<br />
students and rehearsed with <strong>the</strong> brass ensemble,<br />
and was also afforded <strong>the</strong> opportunity by Ms<br />
Ehlers to conduct and work with <strong>the</strong> Intermediate<br />
String Orchestra at a few rehearsals. He took this<br />
task very serious as one would always see him<br />
with his head in a score, studying <strong>the</strong> parts and<br />
practicing his conducting skills.<br />
Being an avid performer he immediately joined<br />
<strong>the</strong> Concert Wind Orchestra as well as <strong>the</strong><br />
Symphony Orchestra of <strong>the</strong> Centre.<br />
Not only was he fully involved at <strong>the</strong> Centre,<br />
but he also joined brass groups fur<strong>the</strong>r afield,<br />
namely <strong>the</strong> Stellenbosch University Brass<br />
Ensemble as well as Cape Town Concert Brass.<br />
The staff and students enjoyed his visit and found<br />
his peculiar sense of humor and character very<br />
entertaining. We would like to extend a big thank<br />
to him for all his hard work and assistance and<br />
wish him only <strong>the</strong> best for all future endeavors!<br />
KUNSTEKAAP<br />
NASIONALE<br />
JEUGMUSIEK<br />
KOMPETISIE<br />
Die Kunstekaap Jeugmusiek Kompetisie<br />
2012 vind vanaf 8 - 13 Oktober in die<br />
Kunstekaap Teater plaas.<br />
Ses-en twintig uiters begaafde en talentvolle<br />
Suid-Afrikaanse klassieke musici tussen die<br />
ouderdom van 14 - 19 jaar sal kompeteer<br />
vir ‘n verskeidenheid kontantpryse en<br />
medaljes.<br />
Die Sentrum word vanjaar deur 6 leerders<br />
verteenwoordig:<br />
Mia Eksteen (fluit)<br />
Lize van der Merwe (saxofoon)<br />
Caron Tremble (fagot)<br />
Danielle Rossouw (klarinet)<br />
Threslin Southgate (klarinet)<br />
Oud-leerlinge wat ook die oudisie geslaag<br />
het is:<br />
Elani de Jager (viool)<br />
Jessie Brand (viool)<br />
Ondersteun gerus die leerders tydens die<br />
openbare rondtes van die kompetisie. Die<br />
finaliste tree in die eindrondte as soliste<br />
met die Kaapse Filharmoniese Orkes op.<br />
Baie sterkte aan elkeen met die<br />
voorbereiding!!!<br />
ARTSCAPE<br />
Baie geluk aan Lize van der Merwe<br />
(sopraan-saxofoon) sowel as oud-leerlinge<br />
Jeffrey Armstrong (viool) en Carla van der<br />
Merwe (klarinet) wat gekeur is om saam<br />
met 12 ander soliste op die 18de Augustus<br />
saam met die Kaapse Filharmoniese Orkes<br />
onder leiding van Arjan Tien aan die 41ste<br />
Artscape Jeugmusiekfees deel te neem.<br />
Dit was ‘n ongelooflike aand en ons was<br />
trots op die hoë standaard van spel van ons<br />
leerlinge en oud-leerlinge.<br />
Dit was ook die eerste keer dat die Villa<br />
Lobos Fantasie vir sopraan saxofoon in die<br />
Kaap opgevoer is. Baie geluk aan julle - ons<br />
is baie trots!!!
KNOW YOUR INSTRUMENTS CROSSWORD<br />
ACCROSS<br />
1. The smallest wind instrument with high pitched sound<br />
3. This string instrument is also known as an alto violin<br />
4. This keyboard instrument has 88 keys<br />
5. A wood or plastic instrument played by covering <strong>the</strong> finger holes<br />
6. A string instrument that is played while seated<br />
8. A brass instrument with cup shaped mouth piece<br />
9. Has huge pipes and is played in churches<br />
13. The grandfa<strong>the</strong>r of <strong>the</strong> double reed family<br />
14. A high pi<strong>the</strong>d instrument played with a double reed<br />
15. This instrument requires mallets and has metal bars<br />
16. This instrument plays <strong>the</strong> lowest notes in <strong>the</strong> brass family<br />
19. A brass instrument that looks like a small tuba<br />
20. A single reed woodwind instrument that is usually black<br />
DOWN<br />
2. A metal woodwind instrument played with a single reed<br />
3. A high pitched instrument that is played with a bow<br />
7. This brass instrument uses a slide<br />
8. A percussion instrument that can be tuned with a pedal<br />
10. This metal woodwind instrument that does not use a reed<br />
11. This instrument is <strong>the</strong> largest of <strong>the</strong> string family<br />
12. This keyboard instrument was used often during <strong>the</strong> Baroque period<br />
17. This instrument has a triangular shape and has blue, white and red strings<br />
18. A curled up brass instrument played with <strong>the</strong> hand in <strong>the</strong> bell<br />
ANSWERS:<br />
ACCROSS: 1. PICCOLO, 3. VIOLA, 4. PIANO, 5. RECORDER, 6. CELLO, 8. TRUMPET. 9. PIPEORGAN, 13. BASSOON, 14. OBOE, 15. VIBRAPHONE, 16. TUBA, 19. EUPHONIUM,<br />
20. CLARINET. DOWN: 2. SAXOPHONE, 3. VIOLIN, 7. TROMBONE, 8. TIMPANI, 10. FLUTE, 11. DOUBLEBASS, 12. HARPSICHORD, 17. HARP, 18. FRENCHHORN<br />
9<br />
6<br />
2<br />
8<br />
Let’s play!!!<br />
...SUDOKU...<br />
HOW DOES IT WORK? There are nine large blocks on each grid. Each<br />
of <strong>the</strong>se nine blocks contain nine smaller blocks. You must fill in <strong>the</strong><br />
missing digits while ensuring that each of <strong>the</strong> nine large blocks only<br />
contain <strong>the</strong> numbers 1 to 9 once. In addition each horisontal and vertical<br />
line of <strong>the</strong> grid may also only contain <strong>the</strong> numbers 1 to 9 once.<br />
6<br />
4<br />
5<br />
2<br />
1<br />
2<br />
8<br />
5<br />
9<br />
5<br />
5<br />
5<br />
9<br />
7<br />
2<br />
8<br />
2<br />
1<br />
4<br />
5<br />
9<br />
6<br />
4<br />
8<br />
For <strong>the</strong> more adventurous, in ‘MUSIDUKO’, each of <strong>the</strong> nine large<br />
blocks may only contain each of <strong>the</strong> following music symbols once.<br />
Each vertical and horisontal line may also only contain each symbol<br />
once.<br />
15
16<br />
As part of our 25th birthday celebrations, we designed a<br />
range of special items to celebrate this historical occasion.<br />
If you are new at <strong>the</strong> Centre or if you missed <strong>the</strong> opportunity<br />
to purchase any of <strong>the</strong>se items, here is some GOOD NEWS!!!<br />
All items will still be available at <strong>the</strong> office as long as stocks<br />
last. Prices are as follows and we accept cash payments only.<br />
T-SHIRT: R 80<br />
Various sizes - please enquire for availability of your size.<br />
SLING BAG: R 80<br />
This bag is specially designed to fit your music books. It has<br />
a zip in <strong>the</strong> top gusset that will ensure that your belongings<br />
do not get stolen, lost or damaged. It also has a sling that<br />
can be adjusted to fit your shoulder perfectly. This is a great<br />
birthday gift idea!!!<br />
ANNIVERSARY COFFEE MUG: R 35<br />
With a 25th Anniversary photo of <strong>the</strong> Centre printed on it.<br />
ARM BANDS: R 15<br />
Available in funky pink, yellow, lime green, white, red, dark<br />
blue, turquoise and orange.<br />
HUGO LAMBRECHTS<br />
MUSIC SOCIETY<br />
The <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre<br />
joined <strong>the</strong> Facebook craze! The <strong>Hugo</strong><br />
<strong>Lambrechts</strong> Music Society is open to<br />
all current and past students and<br />
teachers, as well as friends of <strong>the</strong> Centre.<br />
We regularly advertise concerts and<br />
events and a list of additional concerts<br />
in <strong>the</strong> Auditorium is also available<br />
on <strong>the</strong> page. Join us on Facebook!<br />
NUWE BEHEERLIGGAAM<br />
Die Sentrum het ‘n nuwe beheerliggaam verkies wat op 12 Junie voorgestel is. Hulle is:<br />
Voorsitter: Cornelia v Heerden, Onder-voorsitter: Leon Hartshorne<br />
Lede: Pieter van Niekerk, Quinten Dryer, Johan Vos, Amanda Slabbert, Helen Cyster<br />
Personeel: Charlene Bogenhagen, Merinda van Rensburg, Carin Brand<br />
MY SCHOOL<br />
PROJECT<br />
The <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre<br />
joined <strong>the</strong> MY SCHOOL PROJECT<br />
in February 2009.<br />
This project is an initiative from<br />
Woolworths to give financial support<br />
to schools. You apply for a MY<br />
SCHOOL card which is <strong>the</strong>n yours.<br />
With every purchase at any Woolworths<br />
Store countrywide <strong>the</strong> card<br />
is swiped and a percentage of <strong>the</strong><br />
purchase is donated to <strong>the</strong> school.<br />
We launched <strong>the</strong> card project at <strong>the</strong><br />
Family Day and already have quite a<br />
number of supporters. If anyone else<br />
is interested in helping <strong>the</strong> <strong>Hugo</strong><br />
<strong>Lambrechts</strong> Music Centre in this<br />
easy way, you can contact Leonore<br />
Ehlers at <strong>the</strong> Music Centre and<br />
simply fill in <strong>the</strong> necessary application<br />
form.<br />
Thank you to all <strong>the</strong> supportive parents.<br />
THANK YOU...<br />
Janette Hartshorne (double bass)<br />
We are supposed to say goodbye to Mrs<br />
Janette Hartshorne who has been teaching<br />
double bass part time at <strong>the</strong> Music Centre<br />
for many years. However, being <strong>the</strong> wife<br />
of Mr Hartshorne and being such a huge<br />
part of <strong>the</strong> Music Centre, we prefer to<br />
ra<strong>the</strong>r thank her for devoting her time and<br />
putting her heart and soul into her teaching.<br />
Thank you for sharing your expertise<br />
with us and being such a loyal and valued<br />
colleague and teacher.<br />
We wish you all <strong>the</strong> best for <strong>the</strong> future.<br />
And we will see you around!!<br />
Students and parents of <strong>Hugo</strong> <strong>Lambrechts</strong> Music Centre would like to extend<br />
our deepest sympathy to <strong>the</strong> family, friends and colleagues of Leon Hartshorne.<br />
We honour him for <strong>the</strong> HUGE part he has played in <strong>the</strong> lives of our children<br />
and for <strong>the</strong> legacy of music with which he has blessed our city and country.<br />
His presence will be greatly missed...