2 R E P O RT O F T H E P R E S I D E N T 2004 witnessed the 125th anniversary of the <strong>Art</strong> <strong>Museum</strong> and the 100th anniversary of our Cass Gilbert building. It was an important moment to look back at the history of the <strong>Museum</strong> and the great vision of its founders and early leaders. At the same time that we reflect on our history, we continue to plan carefully and realistically for the <strong>Museum</strong>’s next century in Forest Park. Drawing inspiration from our 2000 Strategic Plan, the <strong>Museum</strong>’s leadership prepared for a major expansion that will dramatically improve our facilities and allow us to better accommodate our growing collection and audience. These efforts have been undertaken with great deliberation and reflection, knowing that the steps we take now will secure the presence of the <strong>Museum</strong> in this community for future generations. In 2003 we completed a long-term space study, a comprehensive analysis of the physical requirements necessary to carry out our vision for the next 20 years. Guided by the New York architecture and planning firm Cooper, Robertson & Partners, this plan outlines the need for improvements to the present building and a projected addition of 120,000 square feet that will provide additional galleries and enhanced amenities. Several important steps followed. The first was a study by seismic experts from across the country, whose evaluation of the site and geological conditions led to discussions of the ethical issues of earthquake preparedness. The resulting Risk Management Policy, adopted by the Board in 2003, sets forth important guidelines for our future planning. The second step was a Projected Incremental Construction Analysis that considered the potential time frame, costs, and consequences for phases of construction. The <strong>final</strong> preparatory study was a technical evaluation of projected needs and possible solutions for expanded underground parking. What is ultimately possible, of course, must align with what can be funded. Beginning in 2003, the <strong>Museum</strong> completeda capital campaign feasibility study, conducted by the Chicago firm Ter Molen Watkins & Brandt. Their recommendations and counsel were critical to our ability to frame an appropriate capital campaign for the <strong>Saint</strong> <strong>Louis</strong> <strong>Art</strong> <strong>Museum</strong>. With the enthusiastic endorsement of the Board of Commissioners, the <strong>Museum</strong> initiated a campaign leadership phase in the fall of 2004. At the same time an Architectural Selection Advisory Committee was appointed to evaluate and recommend to the Board an architect to design the <strong>Museum</strong> expansion. Like the steps that preceded it, the selection of an architect will be a critical decision in ensuring a vital future for this institution. The <strong>Museum</strong> also accomplished a number of physical transformations to its present home. The completed Forest Park Improvement Project features a beautiful new entry plaza with tree-lined promenades, 250 parking spaces, and 500 new trees. The $11 million that the <strong>Art</strong> <strong>Museum</strong> has committed to these and other improvements reflects not only our deep commitment to the Park but comprises the largest private contribution to the realization of the Forest Park Master Plan. Within the building, a renovated <strong>Museum</strong> Shop and Restaurant offer more inviting service to our visitors. A new paper conservation lab was completed, and construction of a larger, better-equipped print study room is underway. The close of 2004 marks the conclusion of my service as president of the <strong>Museum</strong>’s Board of Commissioners, a role that has been a great honor. I thank the staff, fellow Board members, volunteers, community leaders, and the Members, who have each contributed to the ambitious initiatives we have undertaken. Your energy and foresight and your commitment of time and resources have enabled the <strong>Museum</strong> to continue to inspire hundreds of thousands each year. Your generosity supports a future of even greater excellence for the <strong>Saint</strong> <strong>Louis</strong> <strong>Art</strong> <strong>Museum</strong>. Jerome J. Sincoff President, Board of Commissioners
Eliel Saarinen, American (born Finland), 1873–1950; made by Wilcox Silver Plate Company, Meriden, Connecticut and International Silver Company, Meriden, Connecticut; Urn, 1934; silver plate; 14 1/4 x 10 3/4 x 11 1/4 inches; <strong>Museum</strong> Shop Fund and funds given by the Marjorie Wyman Endowment Fund, Alice S. Gerdine, Mrs. Charles W. Lorenz, the Gary Wolff Family, Daniel Morris and Denis Gallion, Elissa and Paul Cahn, an anonymous donor, Mr. and Mrs. L. Max Lippman Jr., Dr. and Mrs. F. Thomas Ott, and the E. Reuben and Gladys Flora Grant Charitable Trust 119:2003a–c 3
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