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College of Arts and Letters - Registrar - University of Notre Dame

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<strong>College</strong> <strong>of</strong><strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>


86COLLEGE OF ARTS AND LETTERS<strong>College</strong> <strong>of</strong> <strong>Arts</strong><strong>and</strong> <strong>Letters</strong>The <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> is the oldest, <strong>and</strong>traditionally the largest, <strong>of</strong> the four undergraduatecolleges <strong>of</strong> the <strong>University</strong> <strong>of</strong> <strong>Notre</strong> <strong>Dame</strong>. It houses17 departments <strong>and</strong> several programs throughwhich students at both undergraduate <strong>and</strong> graduatelevels pursue the study <strong>of</strong> the fine arts, the humanities<strong>and</strong> the social sciences.Liberal Education. The <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>provides a contemporary version <strong>of</strong> a traditionalliberal arts educational program. In thecollege, students have the opportunity to underst<strong>and</strong>themselves as heirs <strong>of</strong> a rich intellectual <strong>and</strong>spiritual tradition <strong>and</strong> as members <strong>of</strong> a complex national<strong>and</strong> international society. The faculty <strong>of</strong> thecollege are committed to the life <strong>of</strong> the mind, tothe critical <strong>and</strong> constructive engagement with thewhole <strong>of</strong> human experience. On the basis <strong>of</strong> a firmyet broad foundation, graduates <strong>of</strong> the college areequipped for a lifetime <strong>of</strong> learning in an everchangingworld. The overall curriculum <strong>and</strong> thespecific major programs encourage students to approachissues reflectively, to analyze them carefully<strong>and</strong> to express their reasoned conclusions withclarity.The intellectual quest conducted in the <strong>College</strong><strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> takes place in an explicitlyCatholic environment. Here ultimate questions <strong>of</strong>the meaning <strong>and</strong> value <strong>of</strong> human life before Godare welcome, <strong>and</strong> efforts to deal with such questionsutilize the immense resources <strong>of</strong> the Catholictradition. Inquiry <strong>and</strong> faith are seen not as opposingforces but as complementary elements <strong>of</strong> thefully human pursuit <strong>of</strong> truth.Organization. The college’s administrative center,the Office for Undergraduate Studies, is located in101 O’Shaughnessy Hall. Sophomores who havenot yet declared a major <strong>and</strong> students <strong>of</strong> all levelsin the college with questions about college or <strong>University</strong>requirements should seek advising there.Staff members are also available to discuss academicprogress, problems or career goals with all students.Pre-law <strong>and</strong> prepr<strong>of</strong>essional advisors are also availablein this <strong>of</strong>fice.Because education is not limited to the classroom,the college also sponsors or helps to subsidizeevents which are intended to enrich theundergraduate experience <strong>and</strong> facilitate faculty-studentinteraction both on <strong>and</strong> <strong>of</strong>f campus.Curricula <strong>and</strong> Degrees. The <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong><strong>Letters</strong> <strong>of</strong>fers curricula leading to the degree <strong>of</strong> bachelor<strong>of</strong> fine arts in Art (Studio <strong>and</strong> Design) <strong>and</strong> <strong>of</strong>bachelor <strong>of</strong> arts in:American StudiesAnthropologyArt:StudioDesignArt HistoryClassics:Classical CivilizationLatinGreekEast Asian Languages <strong>and</strong> Literatures:ChineseJapaneseEconomicsEnglishFilm, Television, <strong>and</strong> TheatreGerman <strong>and</strong> Russian Languages <strong>and</strong>Literatures:GermanRussianHistoryMathematics (honors only)Medieval StudiesMusicPhilosophyPhilosophy/Theology (joint major)Political ScienceProgram <strong>of</strong> Liberal StudiesPsychologyRomance Languages <strong>and</strong> Literatures:SpanishFrenchItalianSociologyTheologyThe college also <strong>of</strong>fers supplementary majors, butnot st<strong>and</strong>alone first or degree-yielding majors, in:<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Prepr<strong>of</strong>essional Studies (ALPP)African <strong>and</strong> African American StudiesArt History (24 hours)Chinese (24 hours)Classical CivilizationComputer Applications (CAPP)Gender StudiesGerman (24 hours)Greek (24 hours)French (24 hours)Italian (24 hours)Japanese (24 hours)Latin (24 hours)Medieval Studies (24 hours)Music (36 hours)Philosophy (24 hours)Russian (24 hours)Spanish (24 hours)Theology (25 hours)Admission Policies. Admission to the <strong>College</strong> <strong>of</strong><strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> takes place at the end <strong>of</strong> the firstyear. The student body <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong><strong>Letters</strong> thus comprises sophomores, juniors <strong>and</strong>seniors.The prerequisite for admission <strong>of</strong> sophomoresinto the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> is good st<strong>and</strong>ingat the end <strong>of</strong> the student’s first year.The student must have completed at least 24credit hours <strong>and</strong> must have satisfied all <strong>of</strong> the specifiedcourse requirements <strong>of</strong> the First Year <strong>of</strong> StudiesProgram: <strong>University</strong> Seminar; Composition; two semestercourses in mathematics; two semester coursesin natural science; one semester course chosen fromhistory, social science, philosophy, theology, literatureor fine arts; <strong>and</strong> two semester courses in physicaleducation or in ROTC. (The <strong>University</strong> seminar willsatisfy the relevant requirement in fine arts, literature,history, social science, philosophy or theology.)Two semesters <strong>of</strong> physical education are also required.A student who does not meet all <strong>of</strong> theseconditions is retained in the First Year <strong>of</strong> Studies untilall <strong>of</strong> the conditions are met. The deficienciesmust be removed at the <strong>Notre</strong> <strong>Dame</strong> Summer Sessionor in the student’s third semester at <strong>Notre</strong><strong>Dame</strong>.Description <strong>of</strong> General <strong>College</strong> Requirements.Every student graduating from the <strong>College</strong> <strong>of</strong> <strong>Arts</strong><strong>and</strong> <strong>Letters</strong> must have a minimum <strong>of</strong> 120 credithours <strong>and</strong> must have fulfilled all <strong>University</strong>, college<strong>and</strong> major requirements. Unless special permissionhas been obtained from the Office for UndergraduateStudies, special studies <strong>and</strong> directed readingscourses do not satisfy university or collegerequirements.<strong>University</strong> RequirementsCoursesComposition 1Mathematics 2Natural Science 2*History 1*Social Science 1*Theology 2*Philosophy 2*Fine <strong>Arts</strong> or Literature 1(Physical Education-two hours) 2——14 courses* One <strong>of</strong> these requirements must be a <strong>University</strong>Seminar 180.


87COLLEGE OF ARTS AND LETTERS<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Requirements<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Core 2Language 1-3+History/Social Science 1*Literature <strong>and</strong> Fine <strong>Arts</strong>(whichever is not taken above) 1Major 8-12+ In addition to the <strong>University</strong> requirement <strong>of</strong> one history<strong>and</strong> one social science course, the college requires athird course, which can be either history or social science.* The arts <strong>and</strong> letters student is required to completeone fine arts <strong>and</strong> one literature course.<strong>University</strong> requirements are described onpages 18-19.Course Load. The normal course load inthe <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> is five courses. Themaximum number <strong>of</strong> credit hours per semester is 17.Overloads for juniors <strong>and</strong> seniors are accepted onlywith the permission <strong>of</strong> the deans in the Office forUndergraduate Studies <strong>and</strong> only during the designateddays <strong>of</strong> the enrollment period.Writing Requirement. Students in arts <strong>and</strong> lettersare required to complete one course in their major atthe 300 or 400 level designated as a writing intensivecourse. This course may satisfy other distributionalrequirements within the major. Writing intensivecourses require the student to work closely with apr<strong>of</strong>essor throughout the semester on a significantwritten project.Activity <strong>and</strong> Experiential Learning Courses.Three elective credits <strong>of</strong> the required 120 hours canbe derived/obtained from the following activitycourses:B<strong>and</strong> (Marching <strong>and</strong> Concert)OrchestraChoraleGlee ClubLiturgical ChoirFolk ChoirMusic Lessons <strong>and</strong> EnsemblesBalletDebateSocial Concerns SeminarsExceptions will be made for music majors.Registering for these courses will not affect astudent’s overload status. These credits do not counttoward a student’s 17 semester hours. If studentscomplete more than three <strong>of</strong> these courses, these willappear on a student’s transcript, but the extra creditswill be subtracted from the student’s total number <strong>of</strong>hours at the time the graduation check is made;hence, these will not count toward the 120 hoursneeded to graduate.Pass-Fail. Juniors <strong>and</strong> seniors may take one nonmajor,non-required elective course each semester ona pass-fail grading basis. These declarations must bemade during the enrollment period <strong>of</strong> each semester,<strong>and</strong> once made, these declarations areirreversible.<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Degree Credit. Students shouldnot have both examination <strong>and</strong> degree credit for thesame course. For example, if students have examinationplacement credit for German 101, then theyshould neither take nor receive credit for German101 or German 105. Similarly, students should takeeither Theology 100 or 200 <strong>and</strong> Philosophy 101 or201, but not both. Economics 115 <strong>and</strong> 225 are consideredto be equivalent courses, as are Economics123 <strong>and</strong> 223. Students should take only one <strong>of</strong> eachpair but not both. In cases where students havedouble credit for the same course (that is, both examination<strong>and</strong> degree credit), the examination creditwill not be counted toward a student’s degree creditdespite the fact that it will be included on thestudent’s transcript. A list <strong>of</strong> equivalent math <strong>and</strong>science courses can be found on page 151. The samerules about double credit apply to them also.No courses in Logic will satisfy the <strong>University</strong>philosophy requirement for students in arts <strong>and</strong> letters.After matriculation into the college, it is the expectationthat arts <strong>and</strong> letters students will completeany outst<strong>and</strong>ing math or science requirements at<strong>Notre</strong> <strong>Dame</strong>.ROTC. First-year students enrolled in any <strong>of</strong> thethree ROTC programs are exempted from the<strong>University</strong>’s physical education requirement. Creditsreceived for 100- <strong>and</strong> 200-level ROTC courses donot count toward a student’s 120 credit hours, despitethe fact that they appear on the transcript.They will be manually subtracted from the student’stotal number <strong>of</strong> hours appearing thereon. Credits receivedfor 300- <strong>and</strong> 400-level courses will count aselective credit in the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>.Dual Degree. Programs leading to dual degrees(two undergraduate degrees, such as a bachelor <strong>of</strong>arts <strong>and</strong> a bachelor <strong>of</strong> business administration) aredistinct from programs in which a student receivesone degree with two majors (such as a bachelor <strong>of</strong>business administration with a major in finance <strong>and</strong>a major in political science). Dual degree programsrequire the permission <strong>of</strong> the deans <strong>of</strong> both colleges.There are additional requirements which usually resultin the need for a fifth year. Dual degree studentsin the college are required to take the <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>Core Course (CORE 211 <strong>and</strong> CORE 212).The requirements for a dual degree generally areas follows: The student completes all <strong>of</strong> the <strong>University</strong>requirements, all <strong>of</strong> the requirements for bothcolleges, all <strong>of</strong> the requirements for both majors, <strong>and</strong>the total number <strong>of</strong> degree credits specified for adual degree in two colleges. While the total number<strong>of</strong> hours required does depend on the two majorprograms, the minimum required total number <strong>of</strong>degree credits is set to be 30 degree credits beyondthe college total for the college with the greater number<strong>of</strong> degree credits.International Studies. In light <strong>of</strong> the expansion <strong>of</strong><strong>Notre</strong> <strong>Dame</strong>’s international study programs, theprovost’s <strong>of</strong>fice has asked that students be encouragedto participate in <strong>University</strong> programs wheneverpossible. Limited exceptions, however, will be madefor students whose academic or programmatic needscannot be met through existing <strong>Notre</strong> <strong>Dame</strong> programs,i.e., Chinese or Russian majors who wish topursue language instruction in Beijing or St. Petersburg,or art history majors who may require a semesterin Florence. These exceptions will be made on anindividual basis after extensive consultation withboth the students <strong>and</strong> their faculty advisors.


88STUDENT AWARDS AND PRIZESStudent Awards<strong>and</strong> PrizesCOLLEGIATE AWARD IN MODERNAND CLASSICAL LANGUAGESThe Robert D. Nuner Modern <strong>and</strong> Classical LanguageAward — presented to the graduating seniorin the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> with a first orsecond major, in any classical or modern foreignlanguage, who has earned the highest cumulativegrade point average.AMERICAN STUDIESJames E. Murphy Award for Excellence in Journalism— open to graduating American Studies majors ornon-majors with an interdisciplinary minor inJournalism, Ethics <strong>and</strong> Democracy.Paul Neville Award for Journalism — awarded toa senior in American studies for excellence injournalism.Hugh A. O’Donnell Award in American Studies —awarded to a senior in American studies for superioracademic achievement.Pr<strong>of</strong>. James Withey Award — awarded to a senior inAmerican studies for notable achievement inwriting.ANTHROPOLOGYThe Kenneth E. Moore Founding Chair Award —awarded to the outst<strong>and</strong>ing senior in culturalanthropology.The Rev. Raymond W. Murray, C.S.C., Award inAnthropology — awarded to the outst<strong>and</strong>ing seniormajoring in anthropology.ART, ART HISTORY, AND DESIGNGrief Art Awards — awarded to oust<strong>and</strong>ing seniorB.F.A. students to defray the cost <strong>of</strong> their thesisexhibitions.Emil Jacques Medals for Work in the Fine <strong>Arts</strong> —The department awards a gold medal <strong>and</strong> a silvermedal for excellence in studio art to undergraduatespursuing a B.F.A.Mabel L. Mountain Memorial Art Award —awarded for excellence in studio art.The Radwan <strong>and</strong> Allan Riley Prize in Design —awarded to a senior design major for excellence inhis or her respective field.The Radwan <strong>and</strong> Allan Riley Prize in StudioArt — awarded to a senior studio art major forexcellence in his or her respective field.The Radwan <strong>and</strong> Allan Riley Prize in Art History<strong>and</strong> Criticism — awarded for the best essay in arthistory or criticism submitted by an undergraduateor graduate student.Eugene M. Riley Prize in Photography — awarded toan undergraduate or graduate photography majorfor excellence in photography.Judith A. Wrappe Memorial Award — awarded toan outst<strong>and</strong>ing junior studio/design major. It ispresented at the beginning <strong>of</strong> the student’s senioryear <strong>of</strong> study.CLASSICSDepartmental Award in Greek, Latin or Arabic —awarded when merited to a graduating senior forexcellence in study <strong>of</strong>: Greek, Latin or Arabic.EAST ASIAN LANGUAGESAND LITERATURESDepartmental Awards in Chinese <strong>and</strong> Japanese—awards given when merited to graduating seniorsfor excellence in Chinese <strong>and</strong> Japanese languagestudies.ECONOMICSThe Weber Award — awarded to the senior economicsmajor who has achieved the highest academicaverage.John Harold Sheehan Prize Essay Award — given tothe senior Economics major who has written thebest senior honors essay in economics.The John Joyce Award on the American Worker —The award is given as merited to the best undergraduateshort story or poem on the “AmericanWorker,” by the Higgins Labor Research Center<strong>and</strong> the Economics Department. (There is also agraduate award for the best graduate essay).ENGLISHThe Academy <strong>of</strong> American Poets Award — awardedto the undergraduate or graduate student submittingthe best collection <strong>of</strong> original poetry.The Ernest S<strong>and</strong>een Poetry Award — awarded tothe best original poetry submitted by anundergraduate.Eleanor Meehan Medal for Literary Merit — presentedto the English major who submits the bestoriginal critical essay written for an English course.The Richard T. Sullivan Award for Fiction Writing— awarded to the undergraduate who submits thebest original fiction manuscript.FILM, TELEVISION, AND THEATREJoseph P. O’Toole Jr. Award — The award was establishedby Joseph P. O’Toole Jr. (B.A., 1948) <strong>of</strong>San Jose, California, <strong>and</strong> goes to the outst<strong>and</strong>inggraduating senior in film <strong>and</strong> television.Catherine Hicks Award — This award was establishedby Catherine Hicks (B.A.., 1974—SaintMary’s) <strong>of</strong> Los Angeles <strong>and</strong> goes to the outst<strong>and</strong>inggraduating senior in theatre.GENDER STUDIESThe David <strong>and</strong> Shari Boehnen Internship Awards—awarded for outst<strong>and</strong>ing summer internships wonby Gender Studies students.Gender Studies Outst<strong>and</strong>ing Essay Award —awarded to the best undergraduate essay.GERMAN AND RUSSIAN LANGUAGESAND LITERATURESThe Rev. Lawrence G. Broestl, C.S.C., Award —presented to the graduating senior with the bestacademic achievement in German.Jeffrey Engelmeier Award — presented to the outst<strong>and</strong>ingstudent <strong>of</strong> German whose leadership <strong>and</strong>contribution to the life <strong>of</strong> the department are especiallyconspicuous.The Russian Language <strong>and</strong> Literature Award — presentedto the graduating senior with the best academicachievement in Russian.Delta Phi Alpha German Honor Society Award —awarded to a graduating senior for outst<strong>and</strong>ingachievement in the study <strong>of</strong> German language <strong>and</strong>literature.HISTORYThe Monsignor Francis A. O’Brien Prize — presentedto the senior who has achieved distinction inthe best essay in History.The O’Hagan Award —awarded to the undergraduatewho has submitted the best original essay on aphase <strong>of</strong> Irish history.The O’Connell Award — an annual award for thebest sophomore or junior essay in History.LATIN AMERICAN STUDIESJohn J. Kennedy Prize for Latin American Studies —awarded to the senior who has written an outst<strong>and</strong>ingessay on Latin America. (Occasionally there is arunner-up award).MEDIEVAL STUDIESMichel Prize in Medieval Studies — given to graduatingsenior who has written the best essay on amedieval subject.MUSICDepartment <strong>of</strong> Music Senior Award — awarded tothe outst<strong>and</strong>ing senior in the music department.PHILOSOPHYThe Dockweiler Medal for Philosophy — presentedto the senior submitting the best essay on a philosophicalsubject.The John A. Oesterle Award in Philosophy — awardsgiven when merited to graduating philosophy majorsfor excellence in philosophy.POLITICAL SCIENCEPaul Bartholomew Essay Prize — awarded to the seniormajor submitting the best senior honors essayin the fields <strong>of</strong> American politics or politicaltheory.The Stephen Kertesz Prize — awarded to a seniormajor submitting the best senior honors essay inthe fields <strong>of</strong> international relations or comparativepolitics.


89STUDENT AWARDS AND PRIZESPROGRAM OF LIBERAL STUDIESThe Edward J. Cronin Award — awarded annuallyto a student in the Program <strong>of</strong> Liberal Studies forexcellence in writing in regular coursework.The Willis D. Nutting Award — given to the seniormajor who has contributed most to the education<strong>of</strong> fellow students.The Otto A. Bird Award — awarded to the seniorin the Program <strong>of</strong> Liberal Studies who has writtenthe best senior essay.PSYCHOLOGYSenior Recognition Award in Psychology — given inrecognition <strong>of</strong> outst<strong>and</strong>ing achievement in research,academic performance <strong>and</strong> student-life activities,while pursuing a major course <strong>of</strong> study inpsychology.The John F. Santos Award for Distinctive Achievementin Psychology — to a senior psychology majorin recognition <strong>of</strong> outst<strong>and</strong>ing achievement in research,academic performance <strong>and</strong> student-lifeactivities.ROMANCE LANGUAGESAND LITERATURESWalter Langford Awards for Excellence in SpanishLiterature <strong>and</strong> Excellence in French Literature —two awards — to the graduating senior majors inFrench <strong>and</strong> Spanish literature whose work wasdeemed most outst<strong>and</strong>ing by the Romance languages<strong>and</strong> literatures faculty.The Joseph Italo Bosco Senior Award — awarded to agraduating senior for excellence in Italian studies.SOCIOLOGYThe Margaret Eisch Memorial Prize in Sociology —awarded to the outst<strong>and</strong>ing graduating senior majoringin sociology.The Sociology Major Essay Award — presented tothe senior sociology major who has written the bestessay.THEOLOGYThe Gertrude Austin Marti Award in Theology —presented to a graduating senior who has evidencedqualities <strong>of</strong> personal character <strong>and</strong> academicachievement in theological studies.The Rev. Joseph H. Cavanaugh, C.S.C., Award —awarded to the senior who has evidenced highqualities <strong>of</strong> personal character <strong>and</strong> academicachievement, particularly in theological studies.SERVICE AWARDSAMERICAN STUDIESJ. Sinnot Meyers Award — awarded to a senior inAmerican studies for outst<strong>and</strong>ing service to the academiccommunity.ECONOMICSLawrence J. Lewis Award — awarded to the seniorin the Department <strong>of</strong> Economics who has best distinguishedhimself or herself in community service.MUSICThe Daniel H. Pektke Memorial Award — presentedto two underclassmen in the <strong>Notre</strong> <strong>Dame</strong>Glee Club in recognition <strong>of</strong> musical leadership, exemplarypersonal character <strong>and</strong> overall contributionto the success <strong>of</strong> the group.Outst<strong>and</strong>ing B<strong>and</strong> Member — for loyalty, dedication<strong>and</strong> leadership.Gerald J. Smith Memorial Award — awarded forcitizenship <strong>and</strong> loyalty to b<strong>and</strong>.Outst<strong>and</strong>ing Marching B<strong>and</strong> Award — awarded fordedication, ability <strong>and</strong> leadership during marchingb<strong>and</strong> season.The Kobak Memorial Scholarship — for outst<strong>and</strong>inginstrument achievement for b<strong>and</strong>.Robert F. O’Brien Award — for outst<strong>and</strong>ing service<strong>and</strong> dedication to the b<strong>and</strong>.Thomas J. Kirschner B<strong>and</strong> Treasurer Prize —annual award to the elected b<strong>and</strong> treasurer.B<strong>and</strong> Vice President Prize — annual award to theelected vice president <strong>of</strong> the b<strong>and</strong>.Terry Baum Secretary Prize — awarded for the secretary<strong>of</strong> the b<strong>and</strong> presented by the <strong>University</strong> <strong>of</strong><strong>Notre</strong> <strong>Dame</strong>.Hall<strong>and</strong> President’s Prize — annual award for theoutgoing president <strong>of</strong> the b<strong>and</strong>.Social Chairperson Award — plaque given annuallyto the social chairperson in appreciation for dedication<strong>and</strong> service to the <strong>Notre</strong> <strong>Dame</strong> B<strong>and</strong>s.POLITICAL SCIENCEGeorge Brinkley Service Award — awarded to thestudent who best exemplifies the political sciencedepartment’s ideal <strong>of</strong> public service through serviceto the department, the <strong>University</strong>, or the widercommunity.ROMANCE LANGUAGESAND LITERATURESWilliam Richardson Award in Hispanic Culture foran African American Student — given to a graduatingAfrican American student who has shown anunusually strong interest in Hispanic Culturethrough his or her active participation in campus<strong>and</strong>/or community projects or activities.José Tito Sigüenza Award for Service to HispanicYouth — awarded to the senior who has studiedSpanish at <strong>Notre</strong> <strong>Dame</strong> <strong>and</strong> contributed outst<strong>and</strong>ingservice to Hispanic youth.Carlos Aballí Award in Hispanic Cultural Awareness— given to a graduating Hispanic student who hastaken Spanish at <strong>Notre</strong> <strong>Dame</strong> <strong>and</strong> has been activein promoting Hispanic cultural awareness at <strong>Notre</strong><strong>Dame</strong>.The Mara Fox Award for Service to the HispanicCommunity — awarded to a graduating senior whohas peformed outst<strong>and</strong>ing service to benefiting theHispanic community.


90SPECIAL ARTS AND LETTERS REQUIREMENTS ARTS AND LETTERS PROGRAMS MAJORSSpecial <strong>Arts</strong><strong>and</strong> <strong>Letters</strong>RequirementsLanguage Requirement. Students in arts <strong>and</strong>letters are required to reach intermediate pr<strong>of</strong>iciencyin a foreign language, but “intermediate pr<strong>of</strong>iciency”is defined differently in each <strong>of</strong> thelanguages, depending on the complexity <strong>of</strong> the languageitself <strong>and</strong> the intensity <strong>of</strong> the course. Studentswith some background in the language theyelect will be placed by examination: the CEEBAchievement Test, AP <strong>and</strong> SAT II tests, or the departmentalplacement examinations given duringfirst-year orientation <strong>and</strong> prior to spring preregistration.Depending upon the outcome <strong>of</strong> these examinations,students may receive up to six creditsin a given language. If for some reason a student receivesmore than six hours <strong>of</strong> credit, which appearson the transcript, they will be manually subtractedfrom the total number <strong>of</strong> degree credits. Regardless<strong>of</strong> the scores on these exams, it is impossible for astudent to test out <strong>of</strong> the language requirement inthe <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>. Everyone must takeat least one course at the appropriate level whichdeals with texts in the original language. For thespecific details <strong>of</strong> a given language <strong>of</strong>fering or program,check with the relevant department.Core Course. All sophomores in the <strong>College</strong> <strong>of</strong><strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> enroll in the two-semester corecourse — Ideas, Values, Images. Through a carefulselection <strong>of</strong> readings <strong>and</strong> problems, the course introducesthe new liberal arts students to the disciplines<strong>and</strong> subject matter normally encountered inthe college’s various departments. A special effort ismade to recognize the questions <strong>of</strong> value which underliethe various topics studied in the course.The course is normally taught in semester sections<strong>of</strong> 18, <strong>and</strong> the students stay together for theentire academic year. Authors <strong>of</strong> some <strong>of</strong> the booksbeing read, special contributions by the fine artsdepartments <strong>of</strong> the college, <strong>and</strong> audiovisual materialssupplement the ongoing class discussions.With the introduction <strong>of</strong> a core course into thecurriculum for the academic year 1979-80, the collegeacknowledged the increasingly urgent question<strong>of</strong> the nature <strong>and</strong> purpose <strong>of</strong> liberal education <strong>and</strong>attempted to provide its students with some productiveways to think about that question.For descriptions <strong>of</strong> the <strong>University</strong> <strong>and</strong> othercolleges’ requirements, see pages 18-19.<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>ProgramsThe programs <strong>of</strong>fered by the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong><strong>Letters</strong> include majors, supplementary majors, <strong>and</strong>minors, which may be either departmental or interdisciplinary.The latter includes what were formerlycalled concentration <strong>and</strong> area study programs. Everystudent in the college must complete one majorsequence. Supplementary majors <strong>and</strong> minors areoptional <strong>and</strong> may be taken to supplement or enhancea student’s major but do not lead to graduationin <strong>and</strong> <strong>of</strong> themselves.MajorsA major sequence is a carefully chosen combination<strong>of</strong> courses from an individual department or programthat st<strong>and</strong> alone in qualifying students for anundergraduate degree. They usually consist <strong>of</strong> betweeneight <strong>and</strong> 12 courses. In contrast to the <strong>University</strong><strong>and</strong> college requirements that providestudents with broad exposure to a variety <strong>of</strong> the liberalarts <strong>and</strong> sciences, the major affords the studentan opportunity to gain more specialized knowledge<strong>of</strong> a particular field or discipline.The major in liberal arts programs is normallychosen during the sophomore year <strong>and</strong> is completedduring the junior <strong>and</strong> senior years. Eachspring before preregistration, the college holds a series<strong>of</strong> programs <strong>and</strong> meetings to inform the studentsabout the various majors so that they maymake intelligent choices. Students pursue their majorsunder the direction <strong>of</strong> the departmental or programchair <strong>and</strong> its advising staff.


91MAJORS MINORS ELECTIVESSupplementary majors are those that cannotst<strong>and</strong> alone in qualifying a student for an undergraduatedegree but must be taken in conjunctionwith a primary major. They include both interdisciplinary<strong>and</strong> departmental <strong>of</strong>ferings.<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Prepr<strong>of</strong>essional Studies (ALPP)African <strong>and</strong> African American StudiesArt History (24 hours)Chinese (24 hours)Classical CivilizationComputer Applications (CAPP)Gender StudiesGerman (24 hours)Greek (24 hours)French (24 hours)Italian (24 hours)Japanese (24 hours)Latin (24 hours)Medieval Studies (24 hours)Music (36 hours)Philosophy (24 hours)Russian (24 hours)Spanish (24 hours)Theology (25 hours)Self-Designed Majors. A new program for a specialself-designed major was approved by the collegecouncil during the 1994-95 year. This is aspecial program for self-designed majors that willbe conducted on a limited, experimental basis.While it is not the intent to predetermine the kind<strong>and</strong> nature <strong>of</strong> majors to be proposed, it is the expectationthat they will involve substantive integration<strong>of</strong> the subject matter in ways that cannot beundertaken within any existing major, minor, areastudies or concentration program.The Process:1. Interested students, in consultation with threefaculty sponsors from at least two departments,should present a detailed written proposal <strong>of</strong> theirmajor (which has been signed by their faculty sponsors)to the Undergraduate Studies Advisory Committeeno later than Friday before the midsemesterbreak <strong>of</strong> each semester. One <strong>of</strong> the faculty sponsorsshould be identified as the chair <strong>of</strong> the supervisingcommittee.2. Approval <strong>of</strong> the special major will be granted bythe dean, on the recommendation <strong>of</strong> the UndergraduateStudies Advisory Committee. The committeewill review the proposals <strong>and</strong> communicatetheir recommendations to the students before thepreregistration period begins. As it deliberates, thecommittee may ask for additional informationfrom the student, faculty sponsors <strong>and</strong> other colleaguesin related areas to assist in further refining<strong>and</strong> rewriting the original proposal. It is the expectationthat the on-campus portions <strong>of</strong> the majorwill rely heavily on existing courses.3. Special majors must culminate in a capstone essayor where appropriate, other work, which will beevaluated by more than one faculty member. (Inmost cases, it is assumed that the faculty evaluatorswill be the faculty sponsors). A detailed proposal <strong>of</strong>the capstone project must be submitted to the facultysponsors by November 1 <strong>of</strong> the senior year. Itis expected that a capstone essay will consist <strong>of</strong> between30 <strong>and</strong> 50 pages (7,500-15,000 words).4. Changes in an individual program need the approval<strong>of</strong> the chair <strong>of</strong> the supervising committee<strong>and</strong> the dean. If students discover midstream thatthey are unable to complete the special major, itmay be “dropped,” but they must then completeone <strong>of</strong> the traditional departmental majors. Retroactiveproposals will not be considered. Thus, theseprograms should be well under way by the end <strong>of</strong>the junior year.5. Administration <strong>of</strong> special majors will take placethrough the Office <strong>of</strong> Undergraduate Studies in amanner similar to that <strong>of</strong> the ALPP program; i.e.,students will pick up their PINs in 101O’Shaughnessy.6. The college council will periodically review thespecial major program.MinorsMinors are five course sequences that can either bedepartmental or interdisciplinary. The college hasthree categories <strong>of</strong> minors: Departmental, Interdisciplinary(formerly Concentrations) <strong>and</strong> AreaStudies.Departmental:African <strong>and</strong> African American StudiesAnthropologyArt HistoryClassical CivilizationClassical LiteratureEast Asian Languages <strong>and</strong> Literature:ChineseJapaneseGermanGreekItalianLatinMusicRussianTheologyFor details, see the departmental descriptions in thesection “Programs <strong>of</strong> Study.”Interdisciplinary (formerly called Concentrations):Catholic Social TraditionEducation, Schooling, <strong>and</strong> SocietyGender StudiesHesburgh Program in Public ServiceJournalism, Ethics, <strong>and</strong> DemocracyMedieval StudiesPeace StudiesPhilosophy <strong>and</strong> LiteraturePhilosophy, Politics, <strong>and</strong> Economics (PPE)Religion <strong>and</strong> LiteratureScience, Technology, <strong>and</strong> ValuesArea Studies:AfricanAsianEuropeanIrishLatin AmericanMediterranean/Middle EastRussian <strong>and</strong> Eastern EuropeanElectivesIn addition to the <strong>University</strong> <strong>and</strong> college requirements<strong>and</strong> the major, the balance <strong>of</strong> a student’susual five-course-per-semester program consists <strong>of</strong>elective courses, which can be drawn from the <strong>of</strong>ferings<strong>of</strong> any department or college that are opento non-majors who have met the necessaryprerequisites.


92AMERICAN STUDIESP r o g r a m s o f S t u d yAmerican StudiesChair:Benedict F. GiamoPr<strong>of</strong>essors:F. Richard Ciccone (adjunct); Eugene Halton(concurrent); Thomas J. Schlereth; Robert P.Schmuhl (on leave spring 2003), Thomas J.Stritch (emeritus); H. Ronald Weber(emeritus)Associate Pr<strong>of</strong>essors:Elizabeth Christman (emerita); Walton Collins(adjunct); Jack Colwell (adjunct); Benedict F.GiamoAssistant Pr<strong>of</strong>essors:Heidi Ardizzone; Thomas Guglielmo; SusanOhmerVisiting Welch Chair Pr<strong>of</strong>essor:Alex Kotlowitz (fall semester only)David E. Nye (spring semester only)Visiting Pr<strong>of</strong>essor:Joel C. HodsonPr<strong>of</strong>essional Specialist:Ruthann Johansen (<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> CoreCourse)The Department <strong>of</strong> American Studies providesstudents with a unique opportunity to studyAmerican culture <strong>and</strong> society in challenging <strong>and</strong> innovativeways. Students majoring in AmericanStudies explore the American experience from bothintegrative <strong>and</strong> disciplinary perspectives by selectinginterdisciplinary courses taught by theDepartment’s faculty as well as cross-listed classes<strong>of</strong>fered by Anthropology, English, Political Science,History, <strong>and</strong> Sociology. With help from a facultyadvisor, a student plans a curriculum <strong>of</strong> 12 courses,six from within American Studies <strong>and</strong> six in Americansubjects <strong>of</strong>fered in cognate departments. Theinterdisciplinary courses housed in the Department<strong>of</strong> American Studies span a broad range <strong>of</strong> academicinterests: <strong>Arts</strong> <strong>and</strong> Material Culture; Journalism<strong>and</strong> Media Studies; Literature <strong>and</strong> Society; <strong>and</strong>Social History/Movements. Additional areas underdevelopment include Narrative Nonfiction as wellas Regional <strong>and</strong> Comparative Cultures. Courses inthese academic areas typically include an historicaldimension, insights gathered from a variety <strong>of</strong>sources, perspectives drawn from traditional disciplines,<strong>and</strong> an integrative approach that complementsspecialism. Because <strong>of</strong> its breadth, the majorenables students to experience much <strong>of</strong> the richness<strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>. Internships areavailable which <strong>of</strong>fer practical experience in the potentialcareer areas <strong>of</strong> historical research, journalism,publishing, <strong>and</strong> social service. Special featuresinclude an affiliated interdisciplinary minor inJournalism, Ethics, <strong>and</strong> Democracy.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.BEGINNING COURSES201. The Rise <strong>and</strong> Fall <strong>of</strong> the Modern RacialOrder: Race <strong>and</strong> Ethnicity in the 20th-CenturyUnited States(3-0-3)A mixture <strong>of</strong> lecture, discussion, <strong>and</strong> in-class groupprojects, this course is an introduction to the history<strong>of</strong> race <strong>and</strong> ethnicity in the 20th-centuryUnited States. The key questions <strong>of</strong> the course willbe: How has race, as a “social construction,” beenmade <strong>and</strong> un-made over the years? That is, howhave the “south Italian race” <strong>and</strong> the “Anglo-Saxonrace” come <strong>and</strong> gone, while the “white race” <strong>and</strong>“black race” have stayed with us? How have thesegroups <strong>and</strong> others encountered the nation’s racialorder over the years, with some attempting to dismantleit to gain greater equality (e.g. the civilrights movement) <strong>and</strong> others attempting to shore itup to protect their own privileges (e.g., the KKK<strong>and</strong> the Zoot Suit Riots)?250. Victorian America: Transformations inEveryday Life, 1876-1915(3-0-3) SchlerethAn introductory American Studies course designedto interpret <strong>and</strong> integrate the cultural <strong>and</strong> socialideas, institutions, <strong>and</strong> artifacts <strong>of</strong> averageAmericans in the period 1876-1915. Within thisVictorian era, the course will explore the changes<strong>and</strong> continuities in domestic life <strong>and</strong> housingarrangements, common foodways <strong>of</strong> eating <strong>and</strong>drinking, working places <strong>and</strong> patterns <strong>of</strong>recreational <strong>and</strong> leisure pursuits.251. Visual America(3-0-3) SchlerethAn introductory course, <strong>of</strong>fered as a sequel to <strong>Arts</strong>in America (AMST 357), that will exploredimensions <strong>of</strong> several types <strong>of</strong> visual expression—popular photography, cartography, genre <strong>and</strong>historical painting, chromolithography, thecommercial <strong>and</strong> graphic arts—in American culturalhistory from Louis Daguerre’s development <strong>of</strong>photography in 1839 to the public exhibition <strong>of</strong>television at the 1939 New York World’s Fair.254. The Technological American(3-0-3) OhmerIn this course we will explore the impact newtechnologies have had on our domestic <strong>and</strong> economiclives. We also will discuss how newtechnolo-gies have changed the way wecommunicate <strong>and</strong> the kinds <strong>of</strong> leisureentertainment we enjoy. Though technology is<strong>of</strong>ten celebrated for the promise <strong>of</strong> liberation, wewill see how new inventions have also raised fears<strong>of</strong> alienation <strong>and</strong> loss <strong>of</strong> control.255. American Identities(3-0-3) HodsonAmerican Identities surveys the development <strong>of</strong>American culture <strong>and</strong> society by examiningconstructs <strong>of</strong> identity. The course explores suchquestions as: What is a nation? How is nationalidentity determined? What constitutes Americanidentity, <strong>and</strong> how has it changed over time? Whohas been included <strong>and</strong> excluded from fullcitizenship in the past, <strong>and</strong> why? How domulticultural societies reconcile national <strong>and</strong> groupidentities? Where is the United States heading as asociety?256. American Conditions: Poverty <strong>and</strong>Affluence in the United States, 1930-1990(3-0-3) GiamoTo advance our inquiry, we will take aninterdisciplinary perspective on the relationshipbetween poverty <strong>and</strong> affluence in American culture<strong>and</strong> society. What is the nature <strong>of</strong> reality—themeaning <strong>and</strong> significance—concerning each realm<strong>of</strong> social existence? In addressing that question, wewill explore the social conditions, values, <strong>and</strong>attitudes associated with each dimension, especiallyin relationship to the broader American experience.Historical, socioeconomic, <strong>and</strong> political approacheswill be considered. In addition, we will focus oncultural perceptions <strong>of</strong> poverty <strong>and</strong> affluence, asseen through literature, photography, <strong>and</strong> film.258. American Art: History, Identity, Culture(3-0-3) SchlerethIntroductory <strong>and</strong> historical overview <strong>of</strong> the rolethat several arts—architecture, painting,sculpture—played in American cultural history,1640-1940. In addition to surveying major highstyle trends, attention is given to selected regional,folk, <strong>and</strong> vernacular artistic traditions. Basically alecture-format course in which the student preparestwo short papers, researches <strong>and</strong> assembles a 15-page visual portfolio, <strong>and</strong> takes two exams, a midterm<strong>and</strong> a final.


93AMERICAN STUDIESRobert P. Schmuhl, pr<strong>of</strong>essor <strong>of</strong> American studies264. American Social Experience: Traditions <strong>of</strong>Protest(3-0-3) ArdizzoneThis interdisciplinary survey <strong>of</strong> civil rights <strong>and</strong>social protest movements in the United Statesexamines suffrage inclusion, abolitionism <strong>and</strong> Blackcivil rights movements, labor organizing, <strong>and</strong>women’s rights in the nineteenth <strong>and</strong> twentiethcenturies, as well as several contemporary protestmovements. These movements certainly questionselected American ideologies, but they also draw onAmerican values <strong>and</strong> practices. We will use history,film, fiction, journalism, <strong>and</strong> autobiographies totrace a tradition <strong>of</strong> protest which both depends on<strong>and</strong> <strong>of</strong>fers challenges to a democratic society.282. American Political Life(3-0-3) SchmuhlAn introductory <strong>and</strong> interdisciplinary examination<strong>of</strong> American political culture, particularlycontemporary political thought <strong>and</strong> behavior.Although we will trace the development <strong>of</strong> ourpolitical culture from the nation’s beginning to thepresent, a principal concern <strong>of</strong> the class will be theinvolvement <strong>of</strong> the mass media in recent politicalhistory. In short, we will attempt to come to termswith questions about the role <strong>and</strong> influence <strong>of</strong> masscommunications in modern politics.INTERMEDIATE COURSES301. Fundamentals <strong>of</strong> Journalism(3-0-3) CicconeWhat is news? What are the most effective ways <strong>of</strong>presenting news to the public? What ethicaldecisions are involved in gathering <strong>and</strong> reportingnews? These are a few <strong>of</strong> the questions addressed in“Fundamentals <strong>of</strong> Journalism.”305. American L<strong>and</strong>scapes: Regions <strong>and</strong>Regionalism in North America(3-0-3) HodsonAmerican L<strong>and</strong>scapes examines aspects <strong>of</strong> thehistory, geography, politics, economy, <strong>and</strong> society<strong>of</strong> North America (the United States, Canada, <strong>and</strong>Mexico). It will explore discreet cultural regionsbut also adopt a comparative approach, analyzinginterregional as well as transnational issues, such asimmigration flows, labor st<strong>and</strong>ards, energy use, <strong>and</strong>environmental controls.306. Homefronts During War(3-0-3)How have Americans responded at home to war<strong>and</strong> threats <strong>of</strong> war throughout the twentieth century<strong>and</strong> into the first? What internal divisions <strong>and</strong>shared identities has war inspired or revealed? Wewill examine not the battles <strong>and</strong> factors that determinedthe military outcomes, but the domesticstruggles that have defined our national experience<strong>and</strong> informed many <strong>of</strong> our responses to currentevents. Topics will include: critiques <strong>of</strong> democracy<strong>and</strong> civil rights inclusion during WWI; treatment<strong>of</strong> Japanese Americans during WWII; development<strong>of</strong> peace movements, anti-nuclear movements; coldwar politics <strong>and</strong> fears <strong>of</strong> American communism; debatesover the draft, just-war, racism at home, <strong>and</strong>U.S. policies abroad in the wake <strong>of</strong> Vietnam. Thefinal unit will focus on the Gulf War, terrorism,<strong>and</strong> developments since September 11th.311. Television in American Culture(3-0-3) OhmerThis course examines the formation <strong>of</strong> commercialbroadcast television in the United States, focusingon the industrial, economic, technological <strong>and</strong>social forces that have shaped the images we see.We will look at how American television developedin the competitive business climate <strong>of</strong> the 1920s<strong>and</strong> 1930s, <strong>and</strong> how advertiser-supported networkscame to dominate. We then analyze the role <strong>of</strong>television in America’s social <strong>and</strong> political life: itslinks to suburbia <strong>and</strong> consumerism, its impact onthe political movements <strong>of</strong> the 1960s, <strong>and</strong> the waysit has represented America’s changing ideas <strong>of</strong> race,gender, <strong>and</strong> ethnicity.312H. Fashioning Identity in American HistorySee GSC 312.317E. Latino/Latina American LiteratureSee ENGL 316.322E. Passing in 20th-Century AmericanLiteratureSee ENGL 319.330. Culture <strong>and</strong> Society in the GreatDepression(3-0-3) GiamoThis course explores the culture <strong>and</strong> society <strong>of</strong> one <strong>of</strong>the most turbulent periods in American history. Theeconomic collapse <strong>and</strong> ensuing national crisis alteredthe political, social, <strong>and</strong> symbolic l<strong>and</strong>scape <strong>of</strong> thecountry. We will examine the historical context <strong>and</strong>social activism <strong>of</strong> this period (1929-1941), includingthe conditions <strong>and</strong> responses <strong>of</strong> those affected byvarious hardships. Also, we will be concerned with thecultural expression <strong>of</strong> Depression America as depictedin literature, film, the art <strong>of</strong> social realism, <strong>and</strong> variousdocumentary formats.


94AMERICAN STUDIES337. Race <strong>and</strong> Ethnicity in American Television(3-0-3) OhmerThis course examines the formation <strong>of</strong> commercialbroadcast television in the United States, focusingon the industrial, economic, technological <strong>and</strong> socialforces that have shaped the images we see. Wewill look at how American television developed inthe competitive business climate <strong>of</strong> the 1920s <strong>and</strong>1930s, <strong>and</strong> how advertiser-supported networkscame to dominate. We then analyze the role <strong>of</strong> televisionin America’s social <strong>and</strong> political life: its linksto suburbia <strong>and</strong> consumerism, its impact on thepolitical movements <strong>of</strong> the 1960s, <strong>and</strong> the ways ithas represented America’s changing ideas <strong>of</strong> race,gender, <strong>and</strong> ethnicity.338Z. Poverty, Inequality, <strong>and</strong> SocialStratificationSee SOC 338.340. Witnessing the Sixties(3-0-3) GiamoThe purpose <strong>of</strong> this interdisciplinary course is tw<strong>of</strong>old:to examine the social context <strong>and</strong> culturalchange <strong>of</strong> the sixties, on the one h<strong>and</strong>, <strong>and</strong> on theother to explore the various journalistic representations<strong>of</strong> events, movements, <strong>and</strong> transformation.We will focus on the manner in which each writerwitnessed the sixties <strong>and</strong> explore fresh styles <strong>of</strong>writing, such as the new journalism popularized byTom Wolfe. Major topics for consideration includethe counterculture <strong>and</strong> the movement—a combination<strong>of</strong> civil rights <strong>and</strong> anti-war protest.347H. Era <strong>of</strong> U.S. Civil War, 1848-1877See HIST 454.348G. Interest Group PoliticsSee POLS 303.350. The Craft <strong>of</strong> Journalism(3-0-3) SchmuhlThis class will focus on how print <strong>and</strong> broadcastjournalists work—how they think <strong>and</strong> act as well asthe dilemmas they face in delivering news, analysis,<strong>and</strong> commentary. Several sessions will be devotedto presentations by visiting correspondents, editors,<strong>and</strong> producers, explaining their approaches tospecific stories <strong>and</strong> circumstances. In addition,students will discuss the issues <strong>and</strong> questions raisedin a few books.351. Visual America(3-0-3) SchlerethOffered as a sequel to American Art (AMST 258).The course has two objectives: First, to introducestudents to the various methods scholars havedeveloped to use visual evidence in cultural historyresearch; <strong>and</strong> second, to provide students with acontent course in United States history, one wherethey receive an overview <strong>of</strong> the various roles thatthe art forms noted above have played in 19th- <strong>and</strong>20th-century American life. Iconographicanalysis—the uncovering <strong>of</strong> past <strong>and</strong> present,conflicting <strong>and</strong> paradoxical layers <strong>of</strong> culturalmeanings within an image or assemblage <strong>of</strong>images—will be an important part <strong>of</strong> the course.354. America Abroad: U.S. Media in a GlobalContext(3-0-3) OhmerThis course investigates the strategies companiesadopt when fashioning media for overseas markets.The course will begin during the 1940s, whenAmerica moved aggressively outward after the isolationism<strong>of</strong> the 1930s. We will examine how U.S.media companies tried to export American valuesto Latin America during the war <strong>and</strong> to Japan afterits surrender. The impact <strong>of</strong> satellites during the1960s will also be noted. In discussing the 1970s<strong>and</strong> 1980s, we will examine international responsesto American television news, game shows <strong>and</strong> dramas.In looking at media today we will analyze internationalco-productions that use American stars<strong>and</strong> studios but are intended to reach a wideraudience.357. The <strong>Arts</strong> in America(3-0-3) SchlerethIntroductory <strong>and</strong> historical overview <strong>of</strong> the rolethat several arts—architecture, painting, sculpture,photography, <strong>and</strong> the decorative arts—played inAmerican cultural history, 1640-1940. In additionto surveying major high style trends, attention willalso be given to selected regional, folk, vernacular,<strong>and</strong> popular artistic traditions. Basically a lectureformatcourse in which the student prepares oneresearch essay <strong>and</strong> takes two exams, a midterm <strong>and</strong>a final.360. News in American Life(3-0-3) CicconeThis course seeks to promote an underst<strong>and</strong>ing <strong>of</strong>modern media by examining the goals <strong>and</strong> motivations<strong>of</strong> newsmakers, the power <strong>of</strong> instant information,the future <strong>of</strong> news delivery <strong>and</strong> an examination<strong>of</strong> how the traditional principles <strong>of</strong> fairness,privacy <strong>and</strong> ethics are treated. Students will readseveral books <strong>and</strong> newspaper articles dealing withthe history <strong>and</strong> the business <strong>of</strong> the media, <strong>and</strong> willuse daily newspapers throughout the course.366H. African-American History ISee HIST 371.368H. U.S. Presidents: FDR to ClintonSee HIST 458.369H. Jacksonian AmericaSee HIST 369.380. The Presidency in American Culture(3-0-3) OhmerThis course examines the interactions amongjournalists, media companies, <strong>and</strong> Presidents in theUnited States since the Great Depression.Throughout the term we will emphasize severalgeneral principles or trends. We will explore hownew forms <strong>of</strong> technology have triggered changes inpolitical practice, a trend that becomes clear whenwe analyze the role the Internet has taken in thisyear’s campaign. During the semester we will lookat representations <strong>of</strong> Presidents <strong>and</strong> the Presidencythat are embodied in films <strong>and</strong> television programs.386H. U.S. Foreign Policy Since 1945See HIST 458.387H. American Peace Movement Since WorldWar IISee HIST 474.391E. Contemporary Short FictionSee ENGL 392E.ADVANCED COURSES401. Immigration, Ethnicity, <strong>and</strong> Race in theUnited States, 1840s-Present(3-0-3)Examining monographs, novels, film, photography,poetry, government records, <strong>and</strong> court cases, wewill explore a variety <strong>of</strong> immigrant groups <strong>and</strong> timeperiods—from the Irish <strong>of</strong> the mid-19th century toJamaicans, Mexicans, <strong>and</strong> the Vietnamese today.We will focus on questions <strong>of</strong> identity—how immigrantshave come to underst<strong>and</strong> themselves racially<strong>and</strong> ethnically over time—<strong>and</strong> questions <strong>of</strong> power—where immigrants have been located withinAmerica’s developing racial order <strong>and</strong> what differencethis has made in their everyday lives—theirjobs, homes, families, <strong>and</strong> opportunities.405G. Public Policy <strong>and</strong> BureaucracySee POLS 405.412. Comparative Cultural Studies(3-0-3) GiamoThe purpose <strong>of</strong> this seminar is to introducestudents to comparative dimensions <strong>of</strong> AmericanStudies. International perspectives will be explored<strong>and</strong> approaches that compare American culturewith another national culture will be encouraged.Intranational comparative topics will also bewelcome (example: Asian-American studies).Concepts, methods, <strong>and</strong> materials related tocomparative studies will be examined. Students willwork on selecting appropriate comparative topics,organizing information <strong>and</strong> ideas, developingthemes, <strong>and</strong> designing an interdisciplinaryframework for their projects.416H. American Thought, Belief, <strong>and</strong> ValuesSee POLS 416.419. American Nonfiction Narrative: TheLiterature <strong>of</strong> Social Concerns(3-0-3)This course will—through both reading <strong>and</strong> writing-explore,the place <strong>and</strong> the art <strong>of</strong> what is <strong>of</strong>tencalled literary journalism or narrative nonfiction.What makes for a compelling story? Why employthe use <strong>of</strong> narrative? How does it form our view <strong>of</strong>people <strong>and</strong> events? We’ll read nonfictionnarratives on such issues as war, poverty <strong>and</strong> race.Readings will include John Hersey’s Hiroshima,Philip Gourevitch’s We Wish To Inform You ThatTomorrow We Will Be Killed With Our Families,<strong>and</strong> Richard Wright’s Black Boy, as well as theinstructor’s The Other Side Of The River. We’ll alsoexplore the craft, itself—<strong>and</strong> work with rigor <strong>and</strong>discipline on the art <strong>of</strong> reporting <strong>and</strong> writing story.


95AMERICAN STUDIESThere will be regular writing assignments, <strong>and</strong> studentswill be encouraged to report <strong>and</strong> craft anarrative on an issue <strong>of</strong> interest to them. Thiscourse will be run as a seminar, so there will be anemphasis on critical class discussion, including presentationsby students.419E. African-American LiteratureSee ENGL 419C.420. America as a World Phenomenon(3-0-3) HodsonThis course considers the United States as a worldphenomenon by examining how currentglobalization processes are prefigured in Americanhistory <strong>and</strong> how they play out in the United Statestoday. Globalization is defined as a set <strong>of</strong>longst<strong>and</strong>ing <strong>and</strong> intensifying transformativeprocesses that include the flow <strong>of</strong> people, goods<strong>and</strong> services, capital, information, ideas, <strong>and</strong> othercommodities across borders.422. Confronting Homelessnessin American Culture <strong>and</strong> Society(3-0-3) GiamoThe purpose <strong>of</strong> this seminar is to examine theconditions <strong>of</strong> extreme poverty <strong>and</strong> homelessnesswithin the broader context <strong>of</strong> American culture <strong>and</strong>society. In order to confront the nature <strong>of</strong> theseconditions, this seminar will draw upon insightsfrom history, literature, documentary film <strong>and</strong>photography, <strong>and</strong> the social sciences. We will focuson the degree <strong>of</strong> permanence <strong>and</strong> change in ourapproach to both traditional <strong>and</strong> modern forms <strong>of</strong>the social problem. There will be an experientialcomponent to the seminar as well.425. Religion <strong>and</strong> Women’s Rights(3-0-3) ArdizzoneThis course focuses on religious aspects <strong>of</strong> thewomen’s rights movement <strong>and</strong> women’smovements within religious communities. Focusingprimarily on the Protestant, Catholic <strong>and</strong> Jewishtraditions, we will examine how women haveunderstood the relationship between their religiousbeliefs <strong>and</strong> their interest in exp<strong>and</strong>ing women’sroles. From this beginning, we will explore severalhistorical <strong>and</strong> contemporary examples <strong>of</strong> theinfluence <strong>of</strong> religion on the women’s rightsmovement <strong>and</strong>, by the 20th century, the influence<strong>of</strong> the women’s movement in American religion.425Z. Ethnicity in AmericaSee SOC 452.426. Leadership <strong>and</strong> Social ResponsibilitySee PSY 407.427. Jack Kerouac <strong>and</strong> the Beats(3-0-3) GiamoThis seminar will reexamine Kerouac <strong>and</strong> his prosein relation to Beat subculture <strong>and</strong> the larger context<strong>of</strong> post-World War II American society. Althoughthe work <strong>of</strong> other Beat writers, such as William S.Burroughs, Allen Ginsberg, <strong>and</strong> Gary Snyder willbe considered, the primary focus will be onKerouac. Moreover, the seminar will question thecultural codification <strong>of</strong> Kerouac as “King <strong>of</strong> theBeats” <strong>and</strong> advance the notion that he was a proseartist on a spiritual quest. Or, as Ginsberg aptly putit—an “American lonely Prose Trumpeter <strong>of</strong>drunken Buddha Sacred Heart.”429. Race <strong>and</strong> Ethnicity in U.S. Media(3-0-3) OhmerThis course analyzes how racial <strong>and</strong> ethnicdifferences have been addressed in a variety <strong>of</strong>media contexts from the 1950s through today,including narrative films, talk shows, situationcomedies, music videos <strong>and</strong> news. We will look athow film <strong>and</strong> television both shape <strong>and</strong> are shapedby social change <strong>and</strong> struggle, <strong>and</strong> how discourseson race <strong>and</strong> ethnicity intersect with issues <strong>of</strong> class,gender <strong>and</strong> national identity.430. American Spaces(3-0-3) SchlerethA comparative survey <strong>of</strong> the multiple histories <strong>of</strong>several natural <strong>and</strong> human-made environmentscreated in America from the New Engl<strong>and</strong>common to the Los Angeles freeway. Using specificcases studies, the course will analyze sites such asthe Mesa Verde pueblo, Rockefeller Center, theSouthern plantation, the Midwest Main Street, thePrairie style residence, the Brooklyn Bridge, NewHarmony (Indiana), U.S. Route 40, the Americancollege campus, Pullman (Illinois), the skyscraper,Spring Grove Cemetery (Cincinnati), the Victoriansuburb, Gr<strong>and</strong> Central Station, Golden Gate Park,Coney Isl<strong>and</strong>, Yosemite National Park,Chautauqua (New York), <strong>and</strong> the 1939 New YorkWorld’s Fair.436A. Society <strong>and</strong> Culture Through FilmsSee ANTH 436.437. Online America(3-0-3) OhmerThis seminar <strong>of</strong>fers students the opportunity toexplore one <strong>of</strong> the newest <strong>and</strong> most challengingforces that are reshaping American culture today:the Internet. The class will explore several issuestogether before focusing on individual studentprojects. We will read about the history <strong>of</strong> thiswired medium <strong>and</strong> compare its development tothat <strong>of</strong> more established technologies. Then we willexamine how the Net is affecting communication<strong>and</strong> information processing in journalism, politics<strong>and</strong> corporate life, to see how this new mediumchanges the ways we relate to each other <strong>and</strong> learnabout our social environment.439. Advanced Reporting(3-0-3) ColwellPrerequisite: Completion <strong>of</strong> a writing course abovefreshman level <strong>and</strong>/or previous news experience.This is an advanced course in journalistic reporting<strong>and</strong> writing devoted to learning how to prepare, ina pr<strong>of</strong>essional manner, in-depth articles on issues<strong>and</strong> events <strong>of</strong> community interest for <strong>Notre</strong> <strong>Dame</strong><strong>and</strong> in this area. Emphasis will be on thetechniques, ethics, <strong>and</strong> responsibilities <strong>of</strong>conducting interviews <strong>and</strong> research <strong>and</strong> craftingpieces for newspapers <strong>and</strong> other publications.440. Persuasion, Commentary, Criticism(3-0-3) ColwellThis course will consider the roles <strong>of</strong> persuasion,commentary <strong>and</strong> criticism in contemporaryAmerican culture, <strong>and</strong> will explore the techniques<strong>of</strong> these forms <strong>of</strong> expression. Following introductorysessions dealing with principles <strong>and</strong>concerns, students will prepare <strong>and</strong> discuss theirown writing assignments—including opinioncolumns, editorials <strong>and</strong> book or performancereviews.440A. Native Americans in Fact <strong>and</strong> FictionSee ANTH 440.440H. U.S. Latinos: A HistorySee HIST 440.441. Literary Journalism(3-0-3) CollinsThis writing course is open by application to a fewstudents who have shown unusual promise in otherjournalism courses <strong>and</strong>/or have demonstratedsuperior writing skills in student publications ormedia internships. Literary journalism is a dem<strong>and</strong>ingform <strong>of</strong> communication that combines fictionaltechniques with scrupulous adherence to fact.Students will be responsible for two to three majorpieces <strong>of</strong> writing <strong>and</strong> will work closely with oneanother <strong>and</strong> the instructor, who is the editoremeritus <strong>of</strong> <strong>Notre</strong> <strong>Dame</strong> magazine <strong>and</strong> anexperienced freelance writer.450. Writing for Publication(3-0-3) CollinsThis course is designed to improve <strong>and</strong> extendstudent skills in writing non-fiction articles, withemphasis on writing for magazines. It will touch onfreelancing, researching markets, underst<strong>and</strong>ingaudience, finding salable topics, writing queryletters, <strong>and</strong> working with editors. Students will beexpected to write several short articles <strong>and</strong> onemajor one, <strong>and</strong> they will be responsible fordeveloping a marketing plan for the long article.The instructor <strong>of</strong> this course is the editor emeritus<strong>of</strong> <strong>Notre</strong> <strong>Dame</strong> magazine.453H. Revolutionary AmericaSee HIST 452.456H. United States 1900-1945See HIST 456.


96AMERICAN STUDIES ANTHROPOLOGY460. Politics, Policy, <strong>and</strong> the Media(3-0-3) SchmuhlThe seminar will also explore how popular communicationsaffect the policy process <strong>and</strong> political lifeas well as the formation <strong>of</strong> public opinion. Althoughthe majority <strong>of</strong> the seminar’s time will bedevoted to analyzing contemporary, practical manifestations<strong>of</strong> the policy, politics, press relationships,we will also consider theoretical principles thatserve as the foundation for the interplay betweenour democratic/republic system <strong>and</strong> our “freepress.”470H. History <strong>of</strong> the American Woman IISee HIST 470.480. American Architecture(3-0-3) SchlerethA course designed to examine the social factors,technological innovation <strong>and</strong> artistic impulses thathave produced the American built environment,1740-1940. Comparing several building types—theprivate residence, the workplace, <strong>and</strong> the publicbuilding—the seminar will explore structures <strong>and</strong>spaces as material culture evidence <strong>of</strong> Americantechnological, artistic, <strong>and</strong> social history.483Z. Social Demography for U.S. MinoritiesSee SOC 483.484. Material America: Creating, Collecting,Consuming(3-0-3) SchlerethA seminar exploring how historians, archaeologists,art historians, folklorists, geographers, <strong>and</strong> culturalanthropologists use material culture as importantevidence in interpreting the American historical<strong>and</strong> contemporary experience. Research fieldworkin area museums <strong>and</strong> historical agencies such as theSnite Museum, the Northern Indiana Center ForHistory, National Studebaker Museum, <strong>and</strong>Copshalolm/Oliver Mansion will be part <strong>of</strong> theseminar.484E. Tragedy: Shakespeare <strong>and</strong> MelvilleSee ENGL 482C.486: Grecian Architecture <strong>and</strong> Furniture ISee ARCH 581.487. Building America: Architecture,Economics, Politics(3-0-3) SchlerethA seminar designed to examine the social <strong>and</strong>economic factors, energy <strong>and</strong> l<strong>and</strong> use policies,demographic urban/suburban trends, technologicalinnovations <strong>and</strong> artistic impulses that haveproduced the American built environment, 1640-1940. Comparing several building types—theprivate residence, the workplace, <strong>and</strong> the publicbuilding—the seminar will explore structures <strong>and</strong>spaces as material culture evidence <strong>of</strong> Americ<strong>and</strong>omestic, real estate, political <strong>and</strong> cultural history.498. Special Studies: Reading <strong>and</strong> Research(0-9-3) GiamoSpecial Studies <strong>of</strong>fers students the opportunity topursue an independent, semester-long reading orresearch project under the direction <strong>of</strong> a facultymember. The subject matter <strong>of</strong> Special Studiesmust not be duplicated in the regular curriculum.INTERNSHIPSAMERICAN STUDIES INTERNSHIPSAll American Studies Internships provide opportunitiesfor practical work experiences under the supervision<strong>of</strong> a pr<strong>of</strong>essional. Students will spendnine to twelve unpaid, supervised hours per weekon the job, the hours to be arranged between thestudent <strong>and</strong> the “employer.” Intern c<strong>and</strong>idatesshould so arrange their academic schedule as to allowlarge chunks <strong>of</strong> time for internship work, suchas entire days or entire mornings.496A. Publishing Internship(0-9-3) CollinsApprentice training with <strong>Notre</strong> <strong>Dame</strong> magazine.Satisfactory/unsatisfactory credit only.496B. Community Service Internship(0-9-3)Apprentice training with community social serviceorganizations. Satisfactory/unsatisfactory creditonly.496C. Historical Research Internship(0-9-3) SchlerethApprentice training in archives or museums or historicalpreservation with local organizations. Satisfactory/unsatisfactorycredit only.496D. News Internship(0-9-3) SchmuhlApprentice training with newspapers. Satisfactory/unsatisfactory credit only.AnthropologyChair:James J. McKennaEdmund P. Joyce Pr<strong>of</strong>essor <strong>of</strong> Anthropology:Roberto A. DaMatta; James J. McKennaNancy O’Neill Associate Pr<strong>of</strong>essor <strong>of</strong> Anthropology:Susan G. SheridanPr<strong>of</strong>essors:Leo A. Despres (emeritus); Carl W. O’Nell(emeritus); Irwin Press (emeritus)Associate Pr<strong>of</strong>essors:James O. Bellis; Susan D. Blum (on leave2002-03); Douglas E. Bradley (concurrent);Agustin Fuentes; Rev. Patrick D. Gaffney,C.S.C. (on leave spring 2003); Ian Kuijt;Joanne M. Mack (concurrent); CynthiaMahmood (on leave spring 2003); Kenneth E.Moore (emeritus); Carolyn R. NordstromAssistant Pr<strong>of</strong>essors:Meredith S. Chesson; Gregory J. Downey (onleave 2002-03); Satsuki Kawano (on leave2002-03); Karen E. Richman; Victoria D.L.Sanford; Mark R. Schurr; Cecilia Van HollenProgram <strong>of</strong> Studies. The undergraduate programin anthropology is designed to help studentsmove toward a number <strong>of</strong> possible career choiceswhile simultaneously <strong>of</strong>fering an intellectual core <strong>of</strong>underst<strong>and</strong>ing about human life essential to a liberaleducation. As a broad field <strong>of</strong> study, anthropologyis basic in that it addresses fundamentalquestions relating to the meaning <strong>of</strong> human nature.It is comprehensive in that it deals with human lifein virtually every aspect <strong>of</strong> activity ranging acrossthe political, artistic, social, religious, psychological<strong>and</strong> economic spheres. Anthropology <strong>of</strong>fers its studentsa well-rounded view <strong>of</strong> what it means to behuman. It does this through time comparisons, examininghuman adaptation from remote past to thepresent moment; <strong>and</strong> group comparisons, examiningthe rich array <strong>of</strong> cultural diversities from theirsimplest to most complex forms. It is through thecomparative perspective that students <strong>of</strong> anthropologyachieve a depth <strong>of</strong> appreciation for things humanthat is the hallmark <strong>of</strong> the field.Anthropology provides an excellent backgroundfor careers dem<strong>and</strong>ing expertise in underst<strong>and</strong>inghuman relations, motivations <strong>and</strong>activities; for example, law, business, education,public service <strong>and</strong> medicine. Should a student aspireto a career in anthropology, the undergraduatemajor constitutes an important step in preparingfor entrance to a graduate program.In addition to the major, other programmaticoptions are available. Some students will find it advantageousto take, in addition to anthropology, amajor or supplementary major in another discipline.Still other students may elect to minor in anthropology.The requirements for these options aredescribed below. Students are welcome to come tothe departmental <strong>of</strong>fice in 611 Flanner for furtherinformation.


97ANTHROPOLOGYMajor Programs:1. The Major. There are no prerequisites to themajor. The major requires 27 hours, six <strong>of</strong> whichmust be in the sequence <strong>of</strong> fundamentals,eitherANTH 326 (Fundamentals <strong>of</strong> Linguistic Anthropology)or ANTH 328 (Fundamentals <strong>of</strong> Social<strong>and</strong> Cultural Anthropology), <strong>and</strong> either ANTH327 (Fundamentals <strong>of</strong> Archaeology) or ANTH329 (Fundamentals <strong>of</strong> Human Evolution). ANTH430 (Development <strong>of</strong> Anthropological Theory)<strong>and</strong> ANTH 495 (Advanced Seminar) are also required<strong>of</strong> all students in the major sequence. It isrecommended that students take the fundamentals,ANTH 326 or 328 <strong>and</strong> ANTH 327 or 329, by theend <strong>of</strong> their junior year, whereas ANTH 430 isusually taken as a junior or senior. ANTH 495 isdesigned as a senior capstone seminar. The remaining15 hours must be apportioned among varioussubareas as follows: Approaches <strong>and</strong> Methods (sixhours); Evolutionary Perspectives <strong>and</strong> Cultural Adaptation(three hours); Area Studies (three hours);<strong>and</strong> Topics in Anthropolgy (three hours). Coursestaken for pass-fail credit will not satisfy requirementsfor the major.2. The Major with Senior Thesis. Students mayelect to complete a senior thesis (see ANTH 499)for six credits in addition to the requirements forthe major.3. The Minor in Anthropology. The minor requires15 credit hours. There are no prerequisites.Students must take either ANTH 326 or 328 <strong>and</strong>either ANTH 327 or 329 <strong>and</strong> are free to elect theremaining nine hours from among the 300- <strong>and</strong>400-level courses in the department. Courses takenfor pass-fail credit will not satisfy requirements forthe minor.4. Anthropology <strong>and</strong> the Prepr<strong>of</strong>essional Program.Prepr<strong>of</strong>essional students will find anthropology tobe a highly relevant major.SUBAREASCourses <strong>and</strong> Major Subareas<strong>of</strong> the Department. The department <strong>of</strong>ferscourses in four major subareas in addition to thefundamentals (ANTH 326, 327, 328, <strong>and</strong> 329),theory (ANTH 430), <strong>and</strong> capstone seminar(ANTH 495). See “The Major” on this page. Minimumrequired hours in each subarea are indicatedin parentheses.Approaches <strong>and</strong> Methods (six hours)305. Introduction to Human Ethology310. Health, Healing <strong>and</strong> Culture322. Black Music, World Market326. Fundamentals <strong>of</strong> Linguistic Anthropology327. Fundamentals <strong>of</strong> Archaeology382. The Anthropology <strong>of</strong> Gender386. Religion, Myth <strong>and</strong> Magic403. Anthropology <strong>of</strong> Art404. Topics in Biological Anthropology405. Biological Anthropology407. Human Osteology408. Native North American Art420. Person, Self, <strong>and</strong> Body451. Anthropology <strong>of</strong> Reproduction463. Gender <strong>and</strong> Power in Asian Cultures470. Engendering Archaeology472. Theory <strong>and</strong> Method in Archaeology473. The Archaeology <strong>of</strong> Death475. Archaeological Materials Analysis:Lithic Technology484. Museum Anthropology: An Introduction486. Mother-Baby Behavioral Sleep LaboratoryEvolutionary Perspectives <strong>and</strong> Adaptation(three hours)305. Introduction to Human Ethology336. Human Diversity340. Ancient Cities <strong>and</strong> States389. Prehistory <strong>of</strong> Eastern North America391. Prehistory <strong>of</strong> Western North America404. Topics in Biological Anthropology405. Biological Anthropology406. Primate Behavior407. Human Osteology452. Evolutionary Medicine458. Infancy: Evolution, History <strong>and</strong> Development470. Engendering Archaeology474. Environmental Archaeology477. Forager/Farmer TransitionArea Studies (three hours)322. Black Music, World Market340. Ancient Cities <strong>and</strong> States353. Societies <strong>and</strong> Cultures <strong>of</strong> South Asia354. Japanese Society359. Peoples <strong>of</strong> Africa361. Societies <strong>and</strong> Cultures <strong>of</strong> Latin America365. The Contemporary Middle East368. Native Peoples <strong>of</strong> North America370. Caribbean Diasporas389. Prehistory <strong>of</strong> Eastern North America391. Prehistory <strong>of</strong> Western North America408. Native North American Art414. Transnational Societies <strong>and</strong> Cultures421. Religious Life in Asian Cultures423. Tribe, Religion, Nation in Africa435. The Brazilian Experience436. Society <strong>and</strong> Culture Through Films482. Archaeology <strong>of</strong> Irel<strong>and</strong>Topics in Anthropology (three hours)382. The Anthropology <strong>of</strong> Gender386. Religion, Myth, <strong>and</strong> Magic414. Transnational Societies <strong>and</strong> Cultures420. Person, Self, <strong>and</strong> Body421. Religious Life in Asian Cultures423. Tribe, Religion, Nation in Africa431. Race, Ethnicity <strong>and</strong> Power432. Anthropology <strong>of</strong> War <strong>and</strong> Peace435. The Brazilian Experience436. Society <strong>and</strong> Culture Through Films440. Native Americans in Fact <strong>and</strong> Fiction451. Anthropology <strong>of</strong> Reproduction454. Cultural Aspects <strong>of</strong> Clinical Medicine463. Gender <strong>and</strong> Power in Asian CulturesCourse Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credit hours per semester areenclosed within parentheses. The names <strong>of</strong> theinstructors normally responsible for courses areindicated.Courses in which graduate students may enroll<strong>and</strong> for which graduate credit may be obtained areindicated with an asterisk (*) before the course number.Special requirements are made <strong>of</strong> graduate studentswho enroll in these courses.109. Introduction to Anthropology(3-0-3) StaffThis course deals with the nature <strong>of</strong> anthropology asa broad <strong>and</strong> diverse area <strong>of</strong> study. The anthropologicalstudy <strong>of</strong> humankind will be approached from theperspectives <strong>of</strong> physical anthropology; prehistory <strong>and</strong>archaeology; linguistic anthropology <strong>and</strong> socioculturalanthropology. The diversity <strong>of</strong> humankind willbe explored in all its aspects from times past to thepresent.180. Social Science <strong>University</strong> Seminar(3-0-3) StaffAnthropology, the holistic study <strong>of</strong> humans <strong>and</strong>their societies <strong>and</strong> cultures, is the focus <strong>of</strong> this seminarcourse. Through discussion <strong>and</strong> analysis <strong>of</strong> a variety<strong>of</strong> anthropology texts, this seminar course aimsto develop writing skills among first-year studentswhile exposing them to some central problems <strong>and</strong>issues within anthropology. Adopting an approachwhich reflects the four-field character <strong>of</strong> anthropology,the seminar will encourage students to exploretopics such as: (1) anthropology as a way <strong>of</strong> knowing;(2) anthropology as an encounter with <strong>and</strong> effortto explain human diversity; (3) anthropology asa discipline which uniquely contributes to our underst<strong>and</strong>ing<strong>of</strong> the symbolic dimensions <strong>of</strong> humanbehavior <strong>and</strong> communication; (4) anthropology as adiscipline which uniquely contributes to our underst<strong>and</strong>ing<strong>of</strong> human strategies for subsistence <strong>and</strong> survival;(5) anthropology as a discipline whichuniquely contributes to our underst<strong>and</strong>ing <strong>of</strong> humanbiological <strong>and</strong> cultural origins. This course satisfiesthe <strong>University</strong> social science requirement.


98ANTHROPOLOGY205/305. Introduction to Human Ethology(3-0-3) McKennaThis course explores the cultural <strong>and</strong> evolutionaryorigins <strong>of</strong> language, non-verbal communication, infantbehavior, parenting, human aggression, sexualbehavior, gender development <strong>and</strong> human courtshiprituals. Each subject is examined from a crossspecies,cross-cultural, evolutionary <strong>and</strong>developmental (including historical) perspective.310. Health, Healing, <strong>and</strong> Culture(3-0-3) Nordstrom, Van HollenPrerequisite: ANTH 109, 326, 327, 328, or 329.Disease has been a constant companion <strong>of</strong> humanity,shaped by the culture <strong>and</strong> through humanimpact on the environment. All societies have respondedby creating medical systems to cope withpoor health. After introducing the student to thediscipline <strong>of</strong> medical anthropology, the course focuseson the interaction between disease <strong>and</strong> culture<strong>and</strong> on the characteristics <strong>and</strong> functions <strong>of</strong> diversemedical systems.321. Folklore, National Culture, Irish History(3-0-3) GillanThe notion <strong>of</strong> folklore emerged in the late 18th<strong>and</strong> 19th centuries. Closely associated with ideas<strong>of</strong> cultural relativism, from the romantic period onit became an important resource to national movementsin search <strong>of</strong> cultural authenticity. Thiscourse will explore the idea <strong>of</strong> folklore within thehistory <strong>of</strong> ideas <strong>and</strong> will examine the relationshipsbetween folklore <strong>and</strong> popular culture <strong>and</strong> betweenfolklore <strong>and</strong> modernity. It will also outline the development<strong>of</strong> folklore as an academic discipline. Itwill look at the Irish case in detail, from the beginnings<strong>of</strong> scholarly interest in popular culture inIrel<strong>and</strong> to the central intellectual engagement <strong>of</strong>the literary revivals in English <strong>and</strong> Irish at the end<strong>of</strong> the 19th century, leading ultimately to the institutionalization<strong>of</strong> folklore study in the Irishstate.322. Black Music, World Market(3-0-3) DowneyPrerequisite: ANTH 109, 326, or 328.Slavery <strong>and</strong> the coerced migration <strong>of</strong> Africans tothe New World left a multitude <strong>of</strong> popular musicalstyles, the result both <strong>of</strong> seemingly inexhaustiblemusical creativity <strong>and</strong> <strong>of</strong> exchange amongBlack peoples (<strong>and</strong> others) on both sides <strong>of</strong> the Atlantic.This course is an examination <strong>of</strong> the diversity<strong>of</strong> Black popular musics on a global scale.323H. Modern Mexico(3-0-3) BeattyThis course examines the complex nation that isMexico in the 20th century, its challenges <strong>and</strong> itsprospects. Focusing primarily on the period since1870, we will study the social, economic, political<strong>and</strong> cultural forces that have shaped the history <strong>of</strong>the United States’ southern neighbor.324. Irish Traditional Culture(3-0-3) GillanTo examine Irish peasant culture, this course will focuson the materials accumulated by folklorists sincethe late 19th century. Folklorists recorded a hugevolume <strong>of</strong> information as part <strong>of</strong> a project to rescue<strong>and</strong> rehabilitate the Gaelic tradition within a modernizingIrel<strong>and</strong>. This information was from peasantsociety, but was <strong>of</strong>ten seen as transcending it(Gramsci’s “national-popular”). The course will interrogatethe notion <strong>of</strong> “traditional culture,” implicitor explicit in the work <strong>of</strong> folklorists, <strong>and</strong> will relatethat work to anthropological <strong>and</strong> other writing onIrel<strong>and</strong>. The notion <strong>of</strong> traditional culture as aknowledge system will also be discussed. There willbe particular emphasis on narrative traditions (stories<strong>and</strong> storytelling), popular religion (folk belief)<strong>and</strong> material culture (folklife), traditionally the coreareas for researchers in folklore <strong>and</strong> folklife.326. Fundamentals <strong>of</strong> Linguistic Anthropology(3-0-3) Blum, GaffneyAn inquiry into the origins <strong>of</strong> language, the nature <strong>of</strong>meaning, the power <strong>of</strong> language <strong>and</strong> how languagesystems are acquired <strong>and</strong> variously function in culture<strong>and</strong> society.327. Fundamentals <strong>of</strong> Archaeology(3-0-3) Chesson, Kuijt, SchurrThis course is an introduction to the methods, goals,<strong>and</strong> theoretical concepts <strong>of</strong> archaeology, with a primaryfocus on that practiced in the Middle East,North America, <strong>and</strong> Europe. Case studies <strong>of</strong> survey,excavation, <strong>and</strong> analytical techniques will focus onrecent or ongoing investigations <strong>of</strong> archaeologicalsites in North America, Central America, Europe,Africa, <strong>and</strong> the Middle East.328. Fundamentals <strong>of</strong> Social<strong>and</strong> Cultural Anthropology(3-0-3) Gaffney, Kawano, Nordstrom, Richman, VanHollenThis course addresses the question <strong>of</strong> how <strong>and</strong> whycultures differ, the relationship between environment<strong>and</strong> culture <strong>and</strong> how humans use culture to solvecommon problems while creating unique behavioralsystems. Students examine the cultural nature <strong>of</strong> language,personality, religion, economics, politics, family<strong>and</strong> kinship, play <strong>and</strong> even deviant behavior.329. Fundamentals <strong>of</strong> Human Evolution(3-0-3) Bellis, Fuentes, McKenna, Schurr, SheridanThis course deals with human evolution in both biological<strong>and</strong> cultural terms. Topics covered will includeprimate behavior, the mechanisms <strong>of</strong> evolution, thefossil record <strong>and</strong> the characteristics <strong>of</strong> prehistoric cultures.336. Human Diversity(3-0-3) SheridanPrerequisite: ANTH 327 or 329.Issues concerning the nature <strong>of</strong> human diversity(race, intelligence, sex, gender, etc.) are a continuingsource <strong>of</strong> social <strong>and</strong> scientific debate. This course isdesigned to present the issues <strong>and</strong> methods used byphysical anthropologists to study both the biologicalbasis <strong>of</strong> human differences, as well as the ongoingprocess <strong>of</strong> human adaptation <strong>and</strong> evolution in responseto climate, nutrition <strong>and</strong> disease.340. Ancient Cities <strong>and</strong> States(3-0-3) ChessonAncient civilizations are interesting not only for their<strong>of</strong>ten spectacular remains but also for what they cantell us about our own urban society. This courselooks at the archaeology <strong>of</strong> ancient cities <strong>and</strong> states,with a special emphasis on those <strong>of</strong> the easternMediterranean <strong>and</strong> the Near East. It also explorestheories about why ancient civilizations rose <strong>and</strong> fell.353. Societies <strong>and</strong> Cultures <strong>of</strong> South Asia(3-0-3) Van HollenThis course provides a broad introduction to societies<strong>and</strong> cultures <strong>of</strong> South Asia (including India,Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan,<strong>and</strong> the Maldives). Emphasis will be on the Indiansubcontinent. Central themes <strong>and</strong> topics <strong>of</strong> thecourse include religious pluralism <strong>and</strong> communalism;linguistic pluralism <strong>and</strong> ethnonationalism; theideologies <strong>and</strong> practices <strong>of</strong> caste, class, <strong>and</strong> gender;colonialism <strong>and</strong> postcolonial development projects;healing <strong>and</strong> the construction <strong>of</strong> the body; aesthetictraditions (film, dance, music, art); <strong>and</strong> experiences<strong>of</strong> the South Asian Diaspora (particularly in NorthAmerica).354. Japanese Society(3-0-3) KawaroThis course presents a survey <strong>of</strong> the social structures<strong>and</strong> forms <strong>of</strong> expression that make up the complexsociety <strong>of</strong> contemporary Japan. Drawing on a range<strong>of</strong> sources, including anthropological writings, history,reporting, film, <strong>and</strong> fiction, the course will explorethe basic institutions that underlie Japaneselife, including family, work settings, religious traditions,urban <strong>and</strong> rural dynamics, political <strong>and</strong> economicorder, gender relations, youth, <strong>and</strong> popularculture, as well as an inquiry into recent controversiesreflecting changing attitudes toward Japan’s nationalidentity.359. Peoples <strong>of</strong> Africa(3-0-3) BellisThis course is designed to provide an introduction tothe societies <strong>of</strong> Sub-Saharan Africa. It examines culturesin present-day Africa as well as in the past inorder to lend an underst<strong>and</strong>ing to the developmentalprocesses which led to their modern forms. The importance<strong>of</strong> the relation between a culture <strong>and</strong> itsphysical environment is stressed.


99ANTHROPOLOGY388E. Chinese Mosaic: Philosophy, Politics,Religion(3-0-3) JensenThis is a special topics class that provides anintroduction to the diverse lifeways constituting thepuzzle <strong>of</strong> the Chinese people. The course will chartthis terrain <strong>of</strong> current Chinese imagination as it hasbeen shaped from the contending, <strong>and</strong> <strong>of</strong>tencontentious, influences <strong>of</strong> religion, philosophy, <strong>and</strong>politics, introducing students to the heralded works<strong>of</strong> the Chinese intellectual tradition while requiringcritical engagement with the philosophic <strong>and</strong>religious traditions animating this culture. Thus, asthey learn about China, students also will reflect onhow Chinese <strong>and</strong> Westerners have interpreted it.Players <strong>of</strong> capoeira, an Afro-Brazilian martial art <strong>and</strong> dance, prepared to start a game in Salvador, Brazil.361. Societies <strong>and</strong> Cultures <strong>of</strong> Latin America(3-0-3) DowneyThis course introduces students to the diversecultures <strong>and</strong> societies <strong>of</strong> Latin America. Throughhistorical, ethnographic <strong>and</strong> literary study, itexplores relations <strong>of</strong> power, ideology <strong>and</strong> resistancefrom the colonial conquest to the present, includingeconomic dependency, underdevelopment <strong>and</strong>development, political institutions, the churches, themilitary, social movements, religious expressions,<strong>and</strong> ethnic <strong>and</strong> class relations. Contemporary issues<strong>of</strong> globalization, violence <strong>and</strong> migration willpreoccupy our discussion <strong>of</strong> Central <strong>and</strong> SouthAmerica <strong>and</strong> the Caribbean today.365. The Contemporary Middle East(3-0-3) GaffneySurveys Islamic civilization, the most important culturalinfluence in the Middle East, as context for discussion<strong>of</strong> the life <strong>of</strong> Middle Eastern peoples. Topicsexplored include the foundations <strong>of</strong> Islam, Muslimethics, Sunni-Shi’a split, religious pilgrimage, ethnicity,ecological adaptations, religious brotherhoods<strong>and</strong> sisterhoods, Sufism <strong>and</strong> concepts <strong>of</strong> the state.370. Caribbean Diasporas(3-0-3) RichmanPrerequisite: ANTH 109, 326, or 328.The movement <strong>of</strong> money <strong>and</strong> raw materials as wellas the displacement <strong>of</strong> people have long structuredthe Caribbean experience. This course explores thetransnational orientations <strong>and</strong> the multidimensionalconsequences <strong>of</strong> movement from the Carribean as itaffects sites in Miami, London, Paris or Brooklyn aswell as Havana, Jamaica, Haiti or Belize. Readingworks <strong>of</strong> ethnography, fiction <strong>and</strong> history, questionsabout the construction <strong>and</strong> reconstruction <strong>of</strong> familybonds, community identity, religion, political power<strong>and</strong> economic relations will be treated in the domestic<strong>and</strong> the global context.382. Anthropology <strong>of</strong> Gender(3-0-3) RichmanPrerequisite: ANTH 109, 326, or 328.This course introduces students to the main issues<strong>and</strong> debates characterizing the anthropology <strong>of</strong> gender<strong>and</strong> explores how anthropoligists have attemptedto underst<strong>and</strong> changing roles, sexualassymetry, <strong>and</strong> stratification. The class contrasts<strong>and</strong> compares the representation <strong>of</strong> women <strong>and</strong>men in different kinds <strong>of</strong> societies <strong>and</strong> in differentpolitical-economic contexts.386. Religion, Myth, <strong>and</strong> Magic(3-0-3) Gaffney, RichmanThe study <strong>of</strong> religious beliefs <strong>and</strong> practices in tribal<strong>and</strong> peasant societies emphasizing myths, ritual,symbolism <strong>and</strong> magic as ways <strong>of</strong> explaining man’splace in the universe. Concepts <strong>of</strong> purity <strong>and</strong> pollution,the sacred <strong>and</strong> the pr<strong>of</strong>ane, <strong>and</strong> types <strong>of</strong> ritualspecialists <strong>and</strong> their relation to social structure willalso be examined.387E. City in Modern Chinese Fiction(3-0-3) LinExamining portrayals <strong>of</strong> cities such as Beijing <strong>and</strong>Shanghai in fictional works, this course exploresthe image <strong>of</strong> the city as the big, the bad, <strong>and</strong> the irresistiblesite <strong>of</strong> desire for modernity in 20th-centuryChina.389. Prehistory <strong>of</strong> Eastern North America(3-0-3) SchurrThis course traces the development <strong>of</strong> a NativeAmerican culture from its earliest beginnings inNorth America to the time <strong>of</strong> European contact.Archaeology may provide answers as to when theAmerican Indians first entered North America,who the Moundbuilders were, how the NativeAmericans invented agriculture, how they developedsophisticated societies, <strong>and</strong> why historicAmerican Indian tribes were so diverse.390M. Islam: Religion <strong>and</strong> Culture(3-0-3) AfsaruddinThis course discusses the rise <strong>of</strong> Islam in theArabian peninsula in the seventh century <strong>and</strong> itssubsequent establishment as a major world religion<strong>and</strong> civilization. Lectures <strong>and</strong> readings deal withthe core beliefs <strong>and</strong> institutions <strong>of</strong> Islam, withparticular emphasis on religious <strong>and</strong> politicalthought from the Middle Ages through our owntime. All readings are in English. No prerequisite.391. Prehistory <strong>of</strong> Western North America(3-0-3) MackArchaeological data <strong>and</strong> cultural life <strong>of</strong> prehistoricWestern North America over the last 20,000 yearswill be covered. This course emphasizes origins <strong>and</strong>cultural development from an early pioneer stage tothe later, sophisticated, diverse cultures <strong>of</strong> NativeAmericans <strong>and</strong> focuses on material cultures, environmentalrelationships <strong>and</strong> technology to explorecultural change, l<strong>and</strong>-use patterns, economics <strong>and</strong>political complexity.*403. Anthropology <strong>of</strong> Art(3-0-3) BellisPrerequisite: ANTH 109, 326, 327, 328 or 329, orart major.This course will examine art as a functional part <strong>of</strong>culture from an anthropological point <strong>of</strong> view. Attentionis given to evolution <strong>of</strong> art as part <strong>of</strong> humanculture <strong>and</strong> to evolution <strong>of</strong> the study <strong>of</strong> art byanthropologists. Open to graduate students.


100ANTHROPOLOGY404. Topics in Biological Anthropology(3-0-3) FuentesPrerequisite: ANTH 109, 327, or 329.This course explores the latest developments inbiological anthropology, including but not limitedto population genetics, human diversity, theconcept <strong>of</strong> race, primate evolution <strong>and</strong> behavior,patterns <strong>of</strong> adaptation, <strong>and</strong> evolutionary medicine.Emphasis will be on the role culture playsin the development <strong>of</strong> biological systems.405. Biological Anthropology(3-1-4) Fuentes, SheridanPrerequisite: ANTH 109, 327, or 329.This course includes research pertaining to humanevolution <strong>and</strong> to epidemiological <strong>and</strong> nutritionalstudies both now <strong>and</strong> in the remote past, as well asthe applied physical anthropology fields <strong>of</strong> forensicsciences <strong>and</strong> genetics. The course will help the undergraduatestudent underst<strong>and</strong> the range <strong>of</strong> workpossible in biological anthropology.406. Primate Behavior(3-0-3) Fuentes, Sheridan, McKennaPrerequisites: ANTH 109, 327, or 329.This course will explore the similarities <strong>and</strong> differencesin behavior among members <strong>of</strong> the order <strong>of</strong>Primates. Investigations <strong>of</strong> the form, function <strong>and</strong>adaptations <strong>of</strong> our closest living relatives are essentialto the study <strong>of</strong> human evolution. Aspects <strong>of</strong>primate social interaction—mother/infant bonds,male/female interactions, dominance hierarchies,communication, reproductive strategies, <strong>and</strong> aberrantbehaviors—will be explored in light <strong>of</strong> theirrelationship to human origins.407. Human Osteology(3-1-4) SheridanPrerequisite: ANTH 327 or 329.This is a lab-intensive course that explores themethods used in physical anthropology for studyingindividual human skeletal remains, as well asthose employed to establish biocultural connectionsat the population level. Forensic techniques utilizedin individual identification will be developed in thefirst third <strong>of</strong> the course.408. Native North American Art(3-0-3) MackPrerequisite: ANTH 326 or 328 or ARHI 169.Contact with Western Europeans <strong>and</strong> their art traditionsbeginning about A.D. 1600 <strong>and</strong> thereafterwith the art traditions <strong>of</strong> Africans, Asians <strong>and</strong>South Americans modified form, technique <strong>and</strong>context <strong>of</strong> Native North American art. However,traditional form, technique <strong>and</strong> context continuedthrough the centuries since 1600. The perception<strong>of</strong> this art also changed. The collections <strong>of</strong> NativeNorth American art curated at the Snite Museum<strong>of</strong> Art exemplify the changing content, technique<strong>and</strong> context <strong>of</strong> this art. This course will allow studentsto work with our collections under direct supervision.414. Transnational Societies <strong>and</strong> Cultures(3-0-3) RichmanPrerequisite: ANTH 109, 326, or 328.This course analyzes how cultural identities <strong>and</strong> behaviorsare formed in the context <strong>of</strong> global systems.Through specific case studies, students will explorehow different social groups construct their culturesin interaction with other cultures <strong>and</strong> how, in sodoing, these groups are both responding to <strong>and</strong>shaping global agendas. This course will expose studentsto different theories <strong>of</strong> globalization <strong>and</strong> discusswhy the study <strong>of</strong> regional, national <strong>and</strong>international linkages has become a critical component<strong>of</strong> contemporary anthropological research.420. Person, Self, <strong>and</strong> Body(3-0-3) BlumPrerequisite: ANTH 109, 326 or 328.How is the private self different from the publicperson, <strong>and</strong> how do these contrasts vary in differentsocieties? How is the body valued, situated, <strong>and</strong>contested? What are the sources <strong>of</strong> conflict within aperson, between persons, <strong>and</strong> with the materialworld? How is identity constructed from thesecomponents? This course will examine contemporary<strong>and</strong> classical theoretical works as well as ethnographicaccounts <strong>of</strong> persons, selves, <strong>and</strong> bodies toaddress these questions. For juniors <strong>and</strong> seniorsonly.*421. Religious Life in Asian Cultures(3-0-3) KawanoPrerequisite: ANTH 109, 326 or 328.This course examines diverse religious expressions<strong>and</strong> lives <strong>of</strong> contemporary Asian peoples from ananthropological perspective. This course explorestopics such as ritual, ancestor worship, shamanism,spirit possession, divination, <strong>and</strong> festivals in changingAsian societies. Ethnographic examples will betaken from a variety <strong>of</strong> Asian societies, such as Japan,Korea, China, Malaysia, <strong>and</strong> India.*423. Tribe, Religion, Nation in Africa(3-0-3) GaffneyPrerequisite: ANTH 109, 326, or 328.This course will examine the key theoretical issuesin this difficult process <strong>of</strong> the formation <strong>of</strong> large,culturally heterogeneous <strong>and</strong> complex social groupingsfrom many smaller <strong>and</strong> more homogeneousethnic groups. Special attention will be given to theinfluence <strong>of</strong> religion in this process, both conceptually<strong>and</strong> institutionally. The role <strong>of</strong> Christianity<strong>and</strong> Islam as well as the influence <strong>of</strong> traditional Africanreligions <strong>and</strong> the many efforts at their revivalwill be considered as major forces in the establishment<strong>and</strong> advancement <strong>of</strong> some shared notions <strong>of</strong>the ideologies <strong>of</strong> peoplehood, nationhood <strong>and</strong> thegrowing awareness <strong>of</strong> the need for transnationalmovements. Open to graduate students.426. Ethnicity in America(3-0-3) ChrobotReview <strong>of</strong> the theory <strong>and</strong> history <strong>of</strong> ethnicity, itspolicy implications for family, education, economics,religion, government <strong>and</strong> international relations;in-depth study <strong>of</strong> one ethnic group <strong>of</strong> choice.430. Development <strong>of</strong> Anthropological Theory(3-0-3) Blum, DaMatta, Gaffney, SanfordPrerequisite: ANTH 326 or 328. Anthropologymajors only.The material to be covered in this course includesthe seminal contributions to American <strong>and</strong> Europeananthropological thought as these emerged inapproximate chronological order. Ideas about theplace <strong>of</strong> human beings in nature, the uniqueness <strong>of</strong>the human condition <strong>and</strong> the evolution <strong>of</strong> all naturedominated the intellectual ferment that gaverise to anthropology. This initial stage was followedby varied reactions to <strong>and</strong> revisions <strong>of</strong> the evolutionaryscheme, including controversy over the cultureconcept <strong>and</strong> the inception <strong>of</strong> theoreticalschools such as functionalism, historicism, materialism<strong>and</strong> structuralism, as well as the advancement<strong>of</strong> systematic field research, the primary tool in anthropologicalstudy.431. Race, Ethnicity, <strong>and</strong> Power(3-0-3)Prerequisite: ANTH 109, 326, or 328.Presents a review <strong>and</strong> discussion <strong>of</strong> social scientificresearch concerning the nature <strong>of</strong> race <strong>and</strong>ethnicity <strong>and</strong> their expression as social <strong>and</strong> culturalforces in the organization <strong>of</strong> multiethnic societies.The focus is multidisciplinary while giving primaryfocus to literature drawn from anthropology, politicalscience, <strong>and</strong> sociology. The course uses a mixedcase study/theoretical approach.432. Anthropology <strong>of</strong> War <strong>and</strong> Peace(3-0-3) Mahmood, NordstromPrerequisite: ANTH 109, 326, or 328.This class will explore the human capacity for war<strong>and</strong> peace. Anthropology provides a unique perspectiveon violence <strong>and</strong> conflict resolution as anthropologists<strong>of</strong>ten go to the front lines todocument the experience <strong>of</strong> war <strong>and</strong> peacebuildingfirsth<strong>and</strong>. The course will explore examples <strong>of</strong> themany forms <strong>of</strong> war in the world today, from tribalconflicts through guerilla warfare to conventional<strong>and</strong> nuclear war. It will also study societies withoutwar <strong>and</strong> populations with innovative ideas aboutpeace.*435. The Brazilian Experience(3-0-3) DaMattaPrerequisite: ANTH 109, 326, or 328.In this course we will discuss Brazil as a society <strong>and</strong>as a culture, taking as our main frame <strong>of</strong> referencefor discussion its daily routines, its basic values <strong>and</strong>its ritual system. Thus, we will see how popularmusic, carnival festivity, civic ceremonies, religiousbeliefs <strong>and</strong> folklore shape the life <strong>of</strong> this socialspace called Brazil. Open to graduate students.


101ANTHROPOLOGY436. Society <strong>and</strong> Culture Through Films(3-0-3) DaMattaPrerequisites: Two previous anthropology courses.This course will deal with a variety <strong>of</strong> social issuesas they are perceived, conceived, represented <strong>and</strong>understood by movies. The focus <strong>of</strong> this course willnot be on cinema history, cinema structure ormoviemaking processes but on how important humanproblems such as cultural diversity, race relations,the crafting <strong>of</strong> national identity <strong>and</strong> nationalheroes, urban life, class conflict, family structure,war, <strong>and</strong> values such as success, love, happiness,fairness, misfortune, destiny, honesty, faith <strong>and</strong> thelike are depicted <strong>and</strong> treated by movies.440. Native Americans in Fact <strong>and</strong> Fiction(3-0-3) MackPrerequisite: ANTH 109, 326, or 328.This course focuses on our images <strong>of</strong> NativeAmericans <strong>and</strong> how these images may have beenshaped by popular <strong>and</strong> scientific writing <strong>and</strong> film.Using an anthropological perspective, students readfiction <strong>and</strong> factual accounts <strong>of</strong> Native Americans<strong>and</strong> their cultures, both past <strong>and</strong> present, allowingthem to build a more accurate image <strong>of</strong> NativeAmericans. The course uses books <strong>and</strong> film tobroaden the underst<strong>and</strong>ing <strong>of</strong> Indian stereotypes,<strong>and</strong> students will compare them to ethnographicstudies which reveal much more realistically thediversity <strong>of</strong> Native American beliefs, lifestyles <strong>and</strong>material culture.443. Latinos in American Society(3-0-3) CardenasThis course will examine the sociology <strong>of</strong> theLatino experience in the United States, includingthe historical, cultural <strong>and</strong> political foundations <strong>of</strong>Latino life. We will approach these topics comparatively;thus, attention will be given to the variousexperiences <strong>of</strong> a multiplicity <strong>of</strong> Latino groups inthe United States.451. Anthropology <strong>of</strong> Reproduction(3-0-3) Van HollenPrerequisite: ANTH 310, 326, or 328.This course examines how societies throughout theglobe view <strong>and</strong> manage reproductive processes. Theemphasis will be primarily, though not exclusively,on women’s reproductive health throughout thelife cycle, including puberty, pregnancy, familyplanning, childbirth, <strong>and</strong> menopause. This courseprovides a global perspective on reproduction byboth examining reproduction cross-culturally <strong>and</strong>looking at reproduction in the context <strong>of</strong>globalization. A key question to be debatedthroughout the course will be: to what extent is thebiomedicalization <strong>of</strong> reproductive health occurringin a uniform way across the globe?452. Evolutionary Medicine(3-0-3) McKennaPrerequisite: ANTH 205, 305, 329, 394 or 458.This course will reconceptualize a variety <strong>of</strong> hum<strong>and</strong>iseases, syndromes <strong>and</strong> disorders from the st<strong>and</strong>point<strong>of</strong> evolution, in the modern cultural context.The evolution <strong>of</strong> infectious diseases, menopause,women’s reproductive cancers, allergy, pediatrictopics (colic, physiologic jaundice, sleep problems,SIDS), breastfeeding, obstetrics, geriatric medicine,structural <strong>and</strong> genetic abnormalities, psychiatricdisorders, psychological health, eating disorders,nutrition, obesity, myopia, emotional disorders,touch therapy <strong>and</strong> massage will be examined in thecontext <strong>of</strong> this exciting <strong>and</strong> emerging new field.453P. Psychology <strong>and</strong> Medicine(3-0-3) KolbergThis course has two basic objectives. First, it examinesfrom a lifespan <strong>and</strong> psychobiological perspectivethe factors that place individuals at differentstages <strong>of</strong> life at risk for illness <strong>and</strong> assist them inmaintaining their health. In addition, it addresses avariety <strong>of</strong> challenging psychological <strong>and</strong> social issuesthat physicians <strong>and</strong> other healthcare pr<strong>of</strong>essionalsmust face in the practice <strong>of</strong> medicine. Thecourse covers a range <strong>of</strong> topics dealing with healthissues related to different stages <strong>of</strong> human development(childhood, adolescence, <strong>and</strong> adulthood), disabledpopulations, culture <strong>and</strong> gender, stress,physician-patient interactions, death <strong>and</strong> dying,pr<strong>of</strong>essional ethics, <strong>and</strong> social policies relating tohealth care. The course is primarily intended forstudents intending to enter medical school.Most classes will involve brief formal presentationsby the instructors <strong>and</strong> invited guests, followedby discussion <strong>of</strong> assigned readings pretinent to theday’s topic. In addition, students will be exposed,via a limited practicum, to a variety <strong>of</strong> medicalsettings.454. Cultural Aspects <strong>of</strong> Clinical Medicine(3-1-4) WolosinPermission required.The course examines popular medical concepts <strong>and</strong>expectations patients bring with them to the clinicalor hospital setting, as well as the attitudes, organization<strong>and</strong> goals <strong>of</strong> the clinical medical care. Theinterface between these sets <strong>of</strong> concepts <strong>and</strong> expectationsis examined with regard to health care management<strong>and</strong> outcome <strong>of</strong> treatment. Studentsdivide their time between classroom <strong>and</strong> service aspatient/family liaisons in an area emergency room.Enrollment is by consent <strong>of</strong> instructor only, <strong>and</strong>limited to anthropology <strong>and</strong> premedical majors.Student access to a car is necessary. Open only tojuniors <strong>and</strong> seniors.458. Infancy: Evolution, History, <strong>and</strong>Development(3-0-3) McKennaPrerequisite: Senior majors <strong>and</strong> minors only.This course explores aspects <strong>of</strong> infant biology <strong>and</strong>socio-emotional development in relationship toWestern child care practices <strong>and</strong> parenting. Westernpediatric approaches to infancy <strong>and</strong> parentingare evaluated in light <strong>of</strong> Western cultural history<strong>and</strong> cross-cultural, human evolutionary <strong>and</strong> developmentaldata. A variety <strong>of</strong> mammals are includedas a comparative background to explore the relationshipsbetween infant physiology, mental <strong>and</strong>physical health <strong>and</strong> contemporary infant caregivingconcepts.463. Gender <strong>and</strong> Power in Asian Cultures(3-0-3) KawanoPrerequisite: ANTH 109, 326 or 328.The class studies the representations <strong>of</strong> women <strong>and</strong>men in different Asian societies <strong>and</strong> in different political,social, <strong>and</strong> economic contexts, <strong>and</strong> their affecton kinship, family, work, religion, <strong>and</strong> thestate. Ethnographic studies will cover Japan, Korea,China, Malaysia, Indonesia, <strong>and</strong> India, with a specialemphasis on contemporary Japan.464P. Child Development <strong>and</strong> Family Conflict(3-0-3) CummingsThis course provides an overview <strong>of</strong> the powerstructure <strong>and</strong> culture <strong>of</strong> Mexican society with specialattention to the various ways power has beendisplayed <strong>and</strong> exercised. It will start with some historicalantecedents <strong>of</strong> Mexico such as the nature <strong>of</strong>the Spanish conquest <strong>and</strong> the Colonial period, <strong>and</strong>the influence <strong>of</strong> pre-conquest cultures on contemporaryMexico. It will follow with selected topicssuch as kinship structure, rural-urban migration,urbanization <strong>and</strong> industrialization, the rise <strong>of</strong> themiddle class, <strong>and</strong> the role <strong>of</strong> the state in those processes<strong>of</strong> modernization. Taking an anthropologicalperspective on political culture, it will also examinerecent conflicts arising in various sectors, while assessingthe key factors that underlie the economic<strong>and</strong> social differences between the privileged, themarginal <strong>and</strong> those in the middle.468. Household Archaeology(3-0-3) ChessonPrerequisite: ANTH 327, 329, 340, or 389.This course explores the theoretical <strong>and</strong> methodologicalchallenges faced by archaeologists excavatingancient households, one <strong>of</strong> the most commoncontexts encountered in archaeological excavationsthroughout the world. Students will explore topicswhich include the social, economic, political <strong>and</strong>physical characteristics <strong>of</strong> households, the relationshipbetween households <strong>and</strong> communities, <strong>and</strong> thecontribution <strong>of</strong> household archaeology to architectural,artifactual, <strong>and</strong> social analyses <strong>of</strong> ancientcommunities.


102ANTHROPOLOGY470. Engendering Archaeology(3-0-3) ChessonPrerequisite: ANTH 327, 329, 340, or 389.This course will consider the historical <strong>and</strong> theoreticalfoundations <strong>of</strong> creating an engendered past,the methodological <strong>and</strong> practical aspects <strong>of</strong> “doing”engendered archaeology, <strong>and</strong> the intersection betweenpolitical feminism, archaeological knowledgeproduction, <strong>and</strong> the politics <strong>of</strong> an engenderedarchaeology.472. Theory <strong>and</strong> Method in Archaeology(3-0-3) Bellis, ChessonPrerequisite: ANTH 327, 329 or 488.Archaeology is not a discipline but a methodologicalapproach to an underst<strong>and</strong>ing <strong>of</strong> the humancondition which relies on an analysis <strong>of</strong> the materialculture remains <strong>of</strong> a society. Many differentdisciplines (e.g., anthropology, history, theology,classics <strong>and</strong> art history) use the method, <strong>and</strong> thecourse may be found useful for individuals fromany <strong>of</strong> these disciplines who may have an interest inarchaeological problems in their own field <strong>of</strong> study.The practice <strong>of</strong> archaeological research will be covered,from the various methods <strong>of</strong> identifying sitesin the field, to excavation procedures, to analysis <strong>of</strong>material in the laboratory.*473. The Archaeology <strong>of</strong> Death(3-0-3) SchurrPrerequisite: ANTH 327 or 329.Our species is unique because it is the only speciesthat deliberately buries its dead. Mortuary analysis(the study <strong>of</strong> burial patterns) is a powerful approachthat archaeologists use for the study <strong>of</strong> prehistoricsocial organization <strong>and</strong> ideology. Thiscourse explores the significance <strong>of</strong> prehistoric humanmortuary behavior, from the first evidence <strong>of</strong>deliberate burial by Ne<strong>and</strong>erthals as an indicator <strong>of</strong>the evolution <strong>of</strong> symbolic thought, to the analysis<strong>of</strong> the sometimes spectacular burial patterns foundin the complex societies such as ancient Egypt <strong>and</strong>Megalithic Europe. Open to graduate students.474. Environmental Archaeology(3-0-3) SchurrPrerequisite: ANTH 109, 327, 329, or 389.This course explores the relationships between pastsocieties <strong>and</strong> the ecosystems they inhabited <strong>and</strong>constructed. It will show how archaeologists investigatethe relations between past societies <strong>and</strong> theirenvironments using concepts from settlement archaeology,human geography, <strong>and</strong> paleoecology(the study <strong>of</strong> ancient ecosystems).475. Archaeological Materials Analysis: LithicTechnology(3-1-4) KuijtPrerequisite: ANTH 109, 327, 329, or 389.The course will cover laboratory procedures <strong>and</strong>techniques used in the analysis <strong>of</strong> a range <strong>of</strong> excavatedchipped stone artifacts from prehistoric contexts.Major lecture topics will includeprocurement <strong>and</strong> production <strong>of</strong> stone tools, typology,debitage analysis, style, ethnicity, <strong>and</strong> experimentaltechnology. Students will gain familiaritywith these topics in a laboratory context by participatingin flintknapping practice <strong>and</strong> working intensivelywith several archaeological collections.477. The Forager/Farmer Transition(3-0-3) KuijtPrerequisite: ANTH 109, 327, 329, or 389.The course explores the transition from hunting<strong>and</strong> gathering ways <strong>of</strong> life to agricultural societies<strong>and</strong> systems <strong>of</strong> food production in the Old <strong>and</strong>New Worlds. This course examines the origins <strong>of</strong>food production in diverse areas as a long-term social,conceptual <strong>and</strong> economic process.479H. History <strong>of</strong> Chinese Medicine(3-0-3) MurrayIn light <strong>of</strong> the contemporary currency <strong>of</strong> certainChinese practices in the field <strong>of</strong> alternative medicine,this course will explore the phenomenon <strong>of</strong>Chinese traditional medicine in both its historical<strong>and</strong> contemporary settings. The first unit, Medicinein Ancient China, will explore the earliestmedical ideas <strong>of</strong> the Chinese <strong>and</strong> will demonstratehow the state’s political unification gave rise to acorrelative cosmology that not only includedHeaven <strong>and</strong> Earth, but also human beings as integralelements <strong>of</strong> an organic cosmos. The secondunit will explore the influences <strong>and</strong> contributions<strong>of</strong> Taoism (Daoism) <strong>and</strong> Buddhism to Chinesemedicine <strong>and</strong> will explore what it meant to be bothphysicians <strong>and</strong> patients in late imperial China. Thethird unit will focus on medicine in contemporaryChina <strong>and</strong> will feature the experiences <strong>of</strong> ElisabethHsu, a student <strong>of</strong> Chinese medical anthropologywho as a part <strong>of</strong> her doctoral research enrolled as astudent in Yunnan Traditional Chinese Medical<strong>College</strong> between September 1988 <strong>and</strong> December1989. We will conclude the course with a brief examination<strong>of</strong> the influence <strong>of</strong> Chinese medicine onthe contemporary world.482. Archaeology <strong>of</strong> Irel<strong>and</strong>(3-0-3) KuijtPrerequisite: Permission required.This course examines the cultural <strong>and</strong> historicaltrajectory <strong>of</strong> the archaeology <strong>of</strong> Irel<strong>and</strong> from theNeolithic through the Viking period. Topics includethe emergence <strong>of</strong> the unique systems <strong>of</strong>communities, the development <strong>of</strong> systems <strong>of</strong>metallurgy in the Iron Age, regionalism, monetarypractices <strong>and</strong> ritual, <strong>and</strong> discussion <strong>of</strong> villagelife in ring forts during the Bronze Age.483. Social Demography <strong>of</strong> U.S. Minorities(3-0-3) GarciaThis course will focus on the demographic status <strong>of</strong>ethnic minorities in the United States. Some <strong>of</strong> themajor topics include population size <strong>and</strong> projections,geographical distribution, <strong>and</strong> residentialpatterns. Other issues are educational attainment,occupational status, <strong>and</strong> personal <strong>and</strong> family income.The course will cover the basics <strong>of</strong> demographicmethods <strong>and</strong> techniques.484. Museum Anthropology: An Introduction(3-0-3) MackPrerequisite: ANTH 326, 327, or 328.An introduction to the history, philosophy, <strong>and</strong>pr<strong>of</strong>essional practices <strong>of</strong> museums. It includes anexamination <strong>of</strong> the ethical <strong>and</strong> practical issues <strong>of</strong>museum work through readings, discussions, <strong>and</strong>h<strong>and</strong>s-on experience. Emphasis is on the role <strong>of</strong> anthropologistsin museums <strong>and</strong> the exhibition <strong>of</strong>non-Western European art.486. Mother-Baby Behavioral Sleep Laboratory(1-2-3) McKennaPrerequisite: ANTH 205, 305 or 394. Permissionrequired.This course examines the sleeping arrangements <strong>of</strong>infants <strong>and</strong> children, nighttime nurturing patternsby parents, <strong>and</strong> the cultural values <strong>and</strong> ideologiesthat underlie them. The focus will center largely onAmerican <strong>and</strong> European societies. Research will beconducted in a sleep laboratory on the sleep behavior<strong>of</strong> mothers, fathers <strong>and</strong> children from the localcommunity.495. Advanced Seminar(3-0-3) VariousPrerequisite: ANTH 430.This course will provide an opportunity for studentsto apply theoretical knowledge <strong>and</strong> criticalthinking skills that they have acquired in their anthropologycourses, especially ANTH 430, which isa prerequisite. The course is designed to be acapstone requirement to the anthropology major. Aresearch paper will be completed by the end <strong>of</strong> thecourse. This course may be used as the first semester<strong>of</strong> the two semester senior thesis sequence.497A. Directed Readings in Archaeology(V-V-V) Bellis, Chesson, Kuijt, Mack, SchurrPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent readings on a special problemarea in archaeology about which the studentwill be expected to produce a detailed annotatedbibliography <strong>and</strong> write a scholarly paper.497B. Directed Readings in BiologicalAnthropology(V-V-V) Fuentes, McKenna, SheridanPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent readings on a special problemarea in biological anthropology about whichthe student will be expected to produce a detailedannotated bibliography <strong>and</strong> write a scholarly paper.


103ANTHROPOLOGY ART, ART HISTORY, AND DESIGN497C. Directed Readingsin Sociocultural Anthropology(V-V-V) Blum, DaMatta, Downey, Gaffney,Kawano, Mack, Mahmood, Nordstrom, Richman,Sanford, Van HollenPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent readings on a special problemarea in sociocultural anthropology about whichthe student will be expected to produce a detailedannotated bibliography <strong>and</strong> write a scholarly paper.497D. Directed Readings in Bioarchaeology(V-V-V) Schurr, SheridanPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent readings on a special problemarea in biological anthropology <strong>and</strong>/or archaeologyabout which the student will be expected toproduce a detailed annotated bibliography <strong>and</strong>write a scholarly paper.498A. Directed Research in Archaeology(V-V-V) Bellis, Chesson, Kuijt, Mack, SchurrPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent research on a special problemarea in archaeology about which the studentwill be expected to produce a detailed annotatedbibliography <strong>and</strong> write a scholarly paper.498B. Directed Research in BiologicalAnthropology(V-V-V) Fuentes, McKenna, SheridanPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent research on a special problemarea in biological anthropology about whichthe student will be expected to produce a detailedannotated bibliography <strong>and</strong> write a scholarly paper.498C. Directed Researchin Sociocultural Anthropology(V-V-V) Blum, DaMatta, Downey, Gaffney,Kawano, Mack, Mahmood, Nordstrom, Richman,Sanford, Van HollenPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent research on a specialproblem area in sociocultural anthropology aboutwhich the student will be expected to produce adetailed annotated bibliography <strong>and</strong> write ascholarly paper.498D. Directed Research in Bioarchaeology(V-V-V) Schurr, SheridanPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent research on a special problemarea in biological anthropology <strong>and</strong>/or archaeologyabout which the student will be expected toproduce a detailed annotated bibliography <strong>and</strong>write a scholarly paper.498E. Directed Research Sleep Lab(V-V-V) McKennaPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s list,consent <strong>of</strong> instructor.Intensive independent research at the Mother-BabyBehavioral Sleep Laboratory about which the studentwill be expected to produce a detailed annotatedbibliography <strong>and</strong> write a scholarly paper.499. Anthropology Senior Thesis(V-V-V) VariousPrerequisites: Senior st<strong>and</strong>ing, dean’s list, consent <strong>of</strong>instructor.This course, which continues for two semesters,provides the student with the opportunity for independentstudy <strong>and</strong> the development <strong>of</strong> skills in research<strong>and</strong> writing during the senior year <strong>of</strong>undergraduate work. The effort is the student’sown, from the choosing <strong>of</strong> a topic to the conclusionpresented in the final paper. A thesis directoris chosen to guide the student <strong>and</strong> provideassistance.Art, Art History,<strong>and</strong> DesignChair:Rev. Austin I. Collins, C.S.C.Pr<strong>of</strong>essors:Frederick S. Beckman (emeritus); Dennis A.Doordan; Douglas Kinsey (emeritus); WilliamJ. Kremer; Dean A. Porter (emeritus); CharlesM. RosenbergAssociate Pr<strong>of</strong>essors:Charles E. Barber; Robert R. Coleman; Rev.Austin I. Collins, C.S.C.; Jean A. Dibble; PaulA. Down; Rev. James F. Flanigan, C.S.C.; RichardL. Gray; Martina A. Lopez; Rev. MartinLam Nguyen; Kathleen A. Pyne; Robin F.Rhodes; Maria C. TomasulaAssistant Pr<strong>of</strong>essors:Nyame O. Brown; John K. Caruso; MeredithGill; Robert Haywood; Robert P. SedlackAssociate Pr<strong>of</strong>essional Specialist:John F. ShermanAssistant Pr<strong>of</strong>essional Specialist:Derek L. ChalfantConcurrent Assistant Pr<strong>of</strong>essors:Douglas E. Bradley; Stephen R. MoriartyThe department. The Department <strong>of</strong> Art, ArtHistory, <strong>and</strong> Design at the <strong>University</strong> <strong>of</strong> <strong>Notre</strong><strong>Dame</strong>, as part <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>, isdedicated to the liberal education <strong>of</strong> the whole person.The art <strong>and</strong> design student, guided by an activefaculty, can expect to become critically aware<strong>of</strong> the rich artistic past <strong>and</strong> challenged to become athoughtful maker <strong>of</strong> contemporary visual expression.The art history student, under the tutelage <strong>of</strong>an expert faculty, will achieve a broad <strong>and</strong> evaluativeknowledge <strong>of</strong> the art <strong>of</strong> the Western world. Anactive lecture <strong>and</strong> visiting artist series <strong>and</strong> the extensivecollections <strong>of</strong> the Snite Museum <strong>of</strong> <strong>Arts</strong>trengthen <strong>and</strong> broaden the work in the classroom<strong>and</strong> studio. The South Bend <strong>and</strong> Chicago area provideadditional cultural activities <strong>and</strong> experiences.The department has 14 visual art <strong>and</strong> design<strong>and</strong> seven art history faculty. The student may pursueone <strong>of</strong> three degrees at the undergraduate level:the bachelor <strong>of</strong> arts (B.A.) in studio art <strong>and</strong> designor a B.A. in art history, or the bachelor <strong>of</strong> fine arts(B.F.A.) in studio art <strong>and</strong> design. Studio concentrationsare <strong>of</strong>fered in ceramics, design, painting, photography,printmaking <strong>and</strong> sculpture. The size <strong>of</strong>the department enables the serious student to receivea solid foundation <strong>and</strong>, through personal contactwith the faculty, to develop a creativeindividual direction in a discipline. The departmentis further enriched by an active graduate program<strong>of</strong>fering the M.F.A. degree in studio art <strong>and</strong>design <strong>and</strong> the M.A. degree in art history.


104ART, ART HISTORY, AND DESIGNThe art history classrooms, slide library <strong>and</strong>faculty <strong>of</strong>fices are housed on the first floor <strong>of</strong>O’Shaughnessy Hall near the central department<strong>of</strong>fice. Riley Hall houses all the visual arts activitiesin well-equipped studios that are always availablefor student use; faculty studios <strong>and</strong> the Isis Galleryare also in Riley Hall. Skilled technical staff <strong>and</strong>support facilities are available as appropriate foreach medium that is <strong>of</strong>fered.THE STUDIO ART AND DESIGNMAJORBachelor <strong>of</strong> <strong>Arts</strong> Degree in Studio Art<strong>and</strong> DesignThe Bachelor <strong>of</strong> <strong>Arts</strong> degree program in art <strong>and</strong> designis defined as a general liberal arts degree. TheB.A. degree is ideal for the student who desires aliberal education with a strong emphasis in art. Studentsenrolling in the B.A. degree program are requiredto complete a five-course core curriculumduring their first three semesters. These courses are:Drawing I, 2-D Foundations, 3-D Foundations, ArtTraditions I <strong>and</strong> Art Traditions II. Students are notrequired to select a major concentration for theB.A. degree, but some focus <strong>of</strong> study is encouraged.The B.A. degree consists <strong>of</strong> 36 hours in art <strong>and</strong>design, <strong>of</strong> which 27 are in studio <strong>and</strong> nine in arthistory.Bachelor <strong>of</strong> Fine <strong>Arts</strong> Degree in Studio Art<strong>and</strong> DesignThe bachelor <strong>of</strong> fine arts degree program in art <strong>and</strong>design is intended for the student who wishes topursue a pr<strong>of</strong>essional career in the visual arts. Theprogram is organized into a four-year sequence <strong>of</strong>study that provides a solid underst<strong>and</strong>ing <strong>of</strong> art <strong>and</strong>art history. The student has an opportunity to explorea variety <strong>of</strong> curricular options <strong>and</strong> thenchooses an intensive <strong>and</strong> pr<strong>of</strong>essional major concentration.In addition to a primary concentration,B.F.A. students are encouraged to select a secondaryarea <strong>of</strong> interest to broaden their thinking <strong>and</strong> toenrich their creative study. B.F.A. c<strong>and</strong>idates sharea close working relationship with the department’sfaculty who are active pr<strong>of</strong>essional artists <strong>and</strong> designers.Intensive studio work is complemented byan academic education with strong art history <strong>and</strong>liberal arts component. The B.F.A. degree consists<strong>of</strong> 66 credit hours in art, <strong>of</strong> which 54 are in studio<strong>and</strong> 12 in art history.B.F.A. Freshman <strong>and</strong> Sophomore YearsStudents beginning in the program are required tocomplete a seven-course studio core curriculumduring their first two years. Five <strong>of</strong> these coursesare m<strong>and</strong>ated: Drawing I, Figure Drawing, 2-DFoundations, 3-D Foundations <strong>and</strong> Photography I.The remaining two studio courses are optional,based on the student’s interest. This intensive curriculumestablishes a base for the studio practices<strong>and</strong> principles for all visual art expression. At theend <strong>of</strong> the fourth semester, students who haveearned a minimum 3.25 grade point average intheir studio core courses will be accepted as c<strong>and</strong>idatesfor the B.F.A. degree. Students who do notqualify are eligible for the B.A. degree. B.F.A. c<strong>and</strong>idatesare waived from the second History/SocialScience requirement <strong>and</strong> the <strong>University</strong> Fine <strong>Arts</strong>requirement.B.F.A. Junior <strong>and</strong> Senior YearsStudents accepted into the B.F.A. program begin atwo-year primary concentration in one <strong>of</strong> the followingstudio areas: ceramics, design, painting,photography, printmaking or sculpture. The concentrationrequires 15 hours <strong>of</strong> study in a majorconcentration area during the last four semesters.Teaching in the major is highly individualized <strong>and</strong>stresses the creative development <strong>and</strong> preparation<strong>of</strong> the student for the pr<strong>of</strong>essional world. In additionto pursuing a concentration, all B.F.A. majorsmust enroll in the B.F.A. Seminar <strong>and</strong> the SeniorThesis Course. The culmination <strong>of</strong> the B.F.A. degreeis the completion <strong>of</strong> a senior thesis. This twosemestersenior project, directed by a facultymember, will be exhibited <strong>and</strong> approved by the facultyas a requirement for graduation.STUDIO ART AND DESIGNCONCENTRATIONSCeramics ConcentrationCeramics is a concentration emphasizing clay as theprimary vehicle for expression. Pottery, vessel making<strong>and</strong> sculpture may be addressed through a variety<strong>of</strong> processes to include h<strong>and</strong>-building, throwing<strong>and</strong> casting. As students develop technical skillwith the medium, they will create <strong>and</strong> exploreforms <strong>and</strong> ideas <strong>of</strong> their own choosing. Beyondclay, students will be encouraged to study <strong>and</strong> utilizeother sculptural media as well as become familiarwith contemporary <strong>and</strong> historical sourcematerial which will inform their own direction inceramics.Design ConcentrationThe design program <strong>of</strong>fers courses in graphicdesign, product design <strong>and</strong> digital design. Thesethree disciplines can overlap, creating a uniquedesign educational <strong>of</strong>fering.Graphic Design is concerned with issues in visualcommunication through an underst<strong>and</strong>ing <strong>of</strong>the use <strong>of</strong> symbols, typography <strong>and</strong> images.Courses concentrate on the conceptual development<strong>and</strong> craft involved in the design <strong>of</strong> varioustypes <strong>of</strong> communication projects. The graphic designerhas a pr<strong>of</strong>ound influence on the visual style<strong>of</strong> today’s society. Everything published in everymedia, from print to video, is the potential domain<strong>of</strong> the designer. It is therefore a concern <strong>of</strong> the programto be sensitive to the designer’s ethical role insociety. Design need not only concern itself withcommerce but can also serve society by playing akey role in the positive communication <strong>of</strong> ideas.Product Design strives to give society the bestproducts within the context <strong>of</strong> a specific industry.The product designer is concerned with humanneeds as well as with the function <strong>and</strong> appearance<strong>of</strong> the product. In this sense, the contemporary designerinfluences the aesthetic <strong>and</strong> human conscience<strong>of</strong> industry. The introductory studiocourses emphasize a pragmatic/technical problemsolvingmethodology. The design student learnsskills in visual sensitivity <strong>and</strong> gains experience witha variety <strong>of</strong> materials, methods <strong>of</strong> construction,mechanisms <strong>and</strong> surfaces that are currently availableto designers for manufactured objects. Upperleveldesign studios stress the importance <strong>of</strong>conveying reason, justification <strong>and</strong> content todesign. The program aims to address cultural,social <strong>and</strong> technological concerns through progressive<strong>and</strong> communicative solutions. Emphasis isplaced on design interaction throughout the art<strong>and</strong> design studios. Students are encouraged to establisha meaningful theme throughout their work.Digital Design is an introduction to the technologythat has redefined the design field. Underst<strong>and</strong>ingthis technology <strong>and</strong> its non-linear-basedform is imperative in today’s design education.Digital imagemaking focuses on various ways <strong>of</strong>assembling image, from video capture, scanners,computer programming <strong>and</strong> graphic s<strong>of</strong>tware.Upper-level classes explore the presentation <strong>of</strong>information by nontraditional methods such as theInternet, hypermedia, CD-ROM <strong>and</strong> informationkiosks.By combining the advantages <strong>of</strong> this technologywith a foundation in graphic <strong>and</strong>/or productdesign, the student will establish a sensitivity <strong>and</strong>thorough working platform from which to enterthe world <strong>of</strong> the pr<strong>of</strong>essional designer.


105ART, ART HISTORY, AND DESIGNThe design faculty at <strong>Notre</strong> <strong>Dame</strong> are pr<strong>of</strong>essionalsin their fields. Their diverse experiences, aswell as their commitment to quality design education,complement an atmosphere for creative learning<strong>and</strong> problem solving. The faculty’s range <strong>of</strong>qualifications extend internationally to includeEastern <strong>and</strong> Western Europe, into the corporaterealm as design managers, design <strong>and</strong> manufacturingentrepreneurs, pr<strong>of</strong>essional design consultants<strong>and</strong> experts in digital design technologies. Thesecredentials present the students with a rich complement<strong>of</strong> educational resources plus a pr<strong>of</strong>essionalbase in which to network, both nationally <strong>and</strong>internationally.Painting ConcentrationPainting is a traditional visual expression <strong>of</strong> humanexperience that combines the direct manipulation<strong>of</strong> materials with an illusion <strong>of</strong> the world in space.Paintings can report what the eye sees as well aswhat the eye might see; it is fact <strong>and</strong> fantasy. Apainting can also stimulate <strong>and</strong> delight the consciousnesswith formulations <strong>of</strong> colored pastes on aflat surface. The concentration in painting exposesstudents to the varied traditions <strong>of</strong> the medium <strong>and</strong>encourages them to explore their own capacity tocreate. Emphasis is placed on discovering thestudent’s individual values <strong>and</strong> developing techniquesthat elucidate <strong>and</strong> clarify those values.Photography ConcentrationPhotographs mediate our experiences with thephysical world experiences that take place at the intersectionbetween art, culture <strong>and</strong> our own individualperceptions. The concentration inphotography is designed to inform students <strong>of</strong> photographictraditions while engaging them in issues<strong>of</strong> contemporary art practice. The photographyprogram seeks to facilitate growth <strong>and</strong> development<strong>of</strong> the art student through a full range <strong>of</strong> coursesdealing with technical, historical, critical <strong>and</strong> aestheticconcerns. The goal <strong>of</strong> the program is to enablestudents to be conversant with these issues <strong>and</strong>to recognize the power <strong>of</strong> photography as auniquely flexible medium for both personal <strong>and</strong>cultural expression.Printmaking ConcentrationThe printmaking concentration emphasizes a manner<strong>of</strong> thinking <strong>and</strong> making images thatprintmaking techniques allow <strong>and</strong> encourage. Asstudents become familiar with the various techniques<strong>and</strong> technologies <strong>of</strong> lithography, intaglio, relief<strong>and</strong> silkscreen, they learn methods <strong>of</strong>developing images <strong>and</strong> ideas. Experimentation <strong>and</strong>exploration <strong>of</strong> mixed print media images are encouraged.The courses are designed to progressivelydevelop skill, creativity, personal imagery <strong>and</strong>knowledge <strong>of</strong> relevant current issues. Advanced studentsare encouraged to work on a pr<strong>of</strong>essionallevel by creating a cohesive body <strong>of</strong> work <strong>and</strong> bystriving toward exhibiting that work.Jean A. Dibble, associate pr<strong>of</strong>essor <strong>of</strong> art, art history, <strong>and</strong> designSculpture ConcentrationThe goal <strong>of</strong> the sculpture program is to <strong>of</strong>fer studentsa solid underst<strong>and</strong>ing <strong>of</strong> sculptural materials,tools <strong>and</strong> techniques which will enable them to exp<strong>and</strong>their ideas into skillful <strong>and</strong> thoughtful individualexpression. Students work in well-equippedstudios under the direction <strong>of</strong> the sculpture faculty.A full range <strong>of</strong> sculptural experiences in traditional<strong>and</strong> nontraditional media are available in specificcourses. Independent study, visiting artist lectures<strong>and</strong> visits to area museums <strong>and</strong> galleries supplementcourse <strong>of</strong>ferings. By blending required <strong>and</strong>elective courses, students may design a curriculumthat will respond to their particular needs <strong>and</strong>direction.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, studio hours per week <strong>and</strong>credits each semester are in parentheses. “V” indicatesvariable.ART STUDIO COURSES121S-122S. Basic Drawing(0-6-3) (0-6-3)Open to all students.This course deals with form depiction in its manyaspects <strong>and</strong> modes <strong>and</strong> is intended for beginningstudents as well as advanced students who need additionalexperience in drawing.133S-134S. Basic Painting(0-6-3) (0-6-3)Open to all students.This course is an introduction to oil painting techniques<strong>and</strong> to stretcher <strong>and</strong> canvas preparation.The emphasis is on finding a personal direction.149S. 3-D Foundations(0-6-3) (0-6-3)This required core course for all art majors introducesthe student to three-dimensional art by producingsculptures (both figurative <strong>and</strong> abstract) in avariety <strong>of</strong> media. Contemporary movements insculpture are examined through slide lectures <strong>and</strong>attendance at visiting artist lectures <strong>and</strong> visits to exhibitions.209S-210S. Ceramics I(0-6-3) (0-6-3)Open to all students.This course examines basic techniques <strong>of</strong> wheelthrown<strong>and</strong> h<strong>and</strong>-built clay structures for sculpture<strong>and</strong> pottery.231S-232S. Watercolor I(0-6-3) (0-6-3)Open to all students.This course is an introduction to the watercolormedium <strong>and</strong> deals with a variety <strong>of</strong> methods, materials<strong>and</strong> techniques (both realistic <strong>and</strong> abstract)with special emphasis on color <strong>and</strong> composition.


106ART, ART HISTORY, AND DESIGN241S-242S. Wood Sculpture(0-6-3) (0-6-3)Open to all students.This course uses wood as a primary medium. Emphasisis placed on individual concept <strong>and</strong> design.Students learn the use <strong>of</strong> h<strong>and</strong> <strong>and</strong> power tools aswell as techniques <strong>of</strong> joining, laminating, fabricating<strong>and</strong> carving.243S-443S. Metal Foundry(0-6-3)Open to all students.This course focuses on work in fabricated <strong>and</strong>welded steel <strong>and</strong> cast bronze sculptures. Studentslearn basic welding techniques using oxygen <strong>and</strong>acetylene, <strong>and</strong> arc <strong>and</strong> heliarc welding. Moldmaking,working in wax, <strong>and</strong> metal finishing techniquesare also explored.245S-246S. Metal Sculpture I(0-6-3) (0-6-3)Open to all students.Metal is the medium <strong>of</strong> choice in this course designedto explore three-dimensional design with avariety <strong>of</strong> projects grounded in historical precedents.Students become familiar with as many metalworkingtechniques as time <strong>and</strong> safety allow, suchas gas <strong>and</strong> arc welding, basic forge work, <strong>and</strong> severalmethods <strong>of</strong> piercing, cutting <strong>and</strong> alternativejoinery.247S-248S. Figure Sculpture(0-6-3) (0-6-3)Open to all students.This course concentrates on modeling from the figure.Work is predominantly in clay, but mold-making<strong>and</strong> casting techniques are also explored.285S. Photography I(0-6-3)Open to all students.This course is an introduction to the tools, materials<strong>and</strong> processes <strong>of</strong> black-<strong>and</strong>-white photography.Lectures <strong>and</strong> demonstrations expose students toboth traditional <strong>and</strong> contemporary practices inphotography. Critiques <strong>of</strong> ongoing work encouragestudents to begin discovering <strong>and</strong> developing theirindividual strengths <strong>and</strong> interests in the medium.287S-288S. Relief <strong>and</strong> Collography(0-6-3) (0-6-3)Open to all students.This course investigates various relief methods <strong>of</strong>printmaking, including linocut, woodcut <strong>and</strong>collograph. Emphasis is on experimentation <strong>and</strong>combining media.289S. Silkscreen I(0-6-3)Open to all students.This course is an introduction to stencil processes<strong>and</strong> printing. H<strong>and</strong>-drawn <strong>and</strong> photographicstencil-making techniques are explored. Monoprinting<strong>and</strong> discovery <strong>of</strong> unique aspects <strong>of</strong>serigraphy are encouraged. Emphasis is on exploration<strong>of</strong> color <strong>and</strong> development <strong>of</strong> student’s ideas<strong>and</strong> methodologies.291S-292S. Etching I(0-6-3)Open to all students.This basic studio class introduces techniques <strong>of</strong>etching. Students learn basic plate making <strong>and</strong>printing techniques while learning to incorporatetheir own drawing skills <strong>and</strong> points <strong>of</strong> view. Historical<strong>and</strong> contemporary prints are reviewed.293S. Lithography(0-6-3)Open to all students.This course is an introduction to planographicprint techniques including drawing, painting, <strong>and</strong>photographic transfer on stone <strong>and</strong> metal plate.Basic black-<strong>and</strong>-white <strong>and</strong> color printing techniquesare practiced. Contemporary <strong>and</strong> historicalprints are reviewed. Emphasis is on development <strong>of</strong>the student’s own ideas <strong>and</strong> methodology.294S. Photolithography(0-6-3)Photolithography is a method <strong>of</strong> printmaking utilizinga metal plate that is photosensitive. H<strong>and</strong>drawn<strong>and</strong> computer-generated images as well astraditional photographs are used to create printsthat reflect an individual’s creativity. Emphasis isplaced on the student developing his or her own vision<strong>and</strong> its expression.297S. Artists’ Books <strong>and</strong> Papermaking(0-6-3)Open to all students.This introductory course explores the making <strong>of</strong>artists’ books <strong>and</strong> papermaking. Students learn basicbookbinding techniques for books <strong>and</strong> printingtechniques for stationery <strong>and</strong> posters. They alsolearn how to make h<strong>and</strong>made papers. Part <strong>of</strong> thefocus is on historical books as well as on what contemporaryartists are doing with books.309S-310S. Ceramics II(0-6-3) (0-6-3)Prerequisite: Ceramics I.This course explores advanced processes in clayfor pottery <strong>and</strong> sculpture as well as techniques <strong>of</strong>glazing.325S. Figure Drawing(0-6-3) (0-6-3)Open to all students.The emphasis is on drawing in all its aspects: materials,methods, techniques, composition, design <strong>and</strong>personal expression. The human figure is the subjectmatter. While anatomy is studied, the course isnot an anatomy class. Male <strong>and</strong> female models,clothed <strong>and</strong> nude, are used.333S-334S. Painting II(0-6-3) (0-6-3)Prerequisite: Painting I.This course is devoted to painting from models.The emphasis is on observing nature <strong>and</strong> incorporatingfigures into a composition.349S-350S. Advanced Sculpture(0-6-3) (0-6-3)Prerequisites: 3-D Foundations, Wood Sculpture orMetal Sculpture.This sculpture course allows students to work inone or a combination <strong>of</strong> the following media: clay,metal, wood, plaster, resins or concrete. Studentsare encouraged to develop an individual direction.366S-367S. Photography II(3-3-3) (0-6-3)Prerequisite: Photography I.This course extends <strong>and</strong> develops the skills <strong>and</strong>concepts initiated in Photography I. Students arealso introduced to a variety <strong>of</strong> photographic possibilitiesoutside traditional black-<strong>and</strong>-white printing.Techniques explored include darkroommanipulations, photo-constructions, Polaroidtransfers, installations <strong>and</strong> non-silver processes.Projects encourage students to continue definingtheir own areas <strong>of</strong> interest <strong>and</strong> to locate their ownconcerns within the broad range <strong>of</strong> photographicissues.375S. Color Photography(3-3-3)Prerequisite: Photography I.This course is an introduction to the tools, materials<strong>and</strong> processes used in color photography. Theassignments explore the use <strong>of</strong> color prints, slides<strong>and</strong> Polaroid materials, emphasizing the development<strong>of</strong> personal imagery. Slide lectures, demonstrations<strong>and</strong> critiques help students to refine theirtechnical <strong>and</strong> creative skills in the medium.377S. Documentary Photography(0-6-3)Prerequisite: Photography I.Through individual projects, readings <strong>and</strong> slide lectures,students explore the history <strong>and</strong> implications<strong>of</strong> the documentary tradition. Major styles, practitioners<strong>and</strong> techniques are discussed. Special attentionis paid to issues <strong>of</strong> truth <strong>and</strong> realism includingthe impact <strong>of</strong> digital imaging on the medium. Studentsproduce several creative projects.400S. B.F.A. Seminar(0-6-3)B.F.A. Majors Only.Required <strong>of</strong> all B.F.A. studio <strong>and</strong> design majors. B.A.students who have had four studio courses beyond thecore program are also eligible.This course is designed to broaden the context <strong>of</strong>the student’s chosen major in the department byintroducing the student to alternative <strong>and</strong> integratedpoints <strong>of</strong> view from all areas <strong>of</strong> study thatare represented by the studio <strong>and</strong> design field. Thiscourse will help junior B.F.A. majors to orient towardtheir chosen direction <strong>and</strong> project for theB.F.A. senior thesis year. Critical writing <strong>and</strong> directedreadings will be assigned throughout the semester.Slide lectures, visiting artist interviews,gallery visits, student presentations, portfoliopreparation <strong>and</strong> graduate school application procedureswill supplement the course.


107ART, ART HISTORY, AND DESIGN409S-410S. Ceramics Studio(0-6-V) (0-6-V)Prerequisites: Ceramics I <strong>and</strong> II.This advanced course is for students pursuing anindividual direction in ceramics. Emphasis is on individualconcepts <strong>and</strong> techniques.433S. Painting Studio(0-6-V)Permission required.This course is devoted to defining personal paintingdirections (oil/acrylic). Students gain experiencein criticism <strong>and</strong> in exhibition techniques.449S-450S. Sculpture Studio(0-6-V) (0-6-V)Prerequisites: 3-D Foundations, Wood Sculpture orSculpture Studio.This advanced sculpture course <strong>of</strong>fers serious studentsan opportunity to pursue a sculptural direction<strong>and</strong> to carry that direction to a pr<strong>of</strong>essionallevel <strong>of</strong> competence. It also develops the student’sawareness <strong>of</strong> definitions <strong>and</strong> criticism <strong>of</strong> sculpture.The work may be done in any three-dimensionalmedium.476S. Advanced Photography(0-6-3)Prerequisite: Color Photography or Photography II.This is an advanced photography course that allowsstudents to explore their own areas <strong>of</strong> interest whilelearning about a broad range <strong>of</strong> contemporary photographicissues. Students may work in any photomedium (black-<strong>and</strong>-white, color, digital, etc.) theychoose. Emphasis is on creating a portfolio <strong>of</strong> images.480S. Digital Photography(3-3-3)Permission required.This course explores the use <strong>of</strong> computers for creativeimagemaking. Students are introduced to thepractices <strong>and</strong> procedures <strong>of</strong> digital imaging with anemphasis on exploring their own personal work.485S. Studio Photography(0-6-3)Prerequisites: Photography I <strong>and</strong> Photography II orColor Photography I.This course introduces the student to the fundamentals<strong>of</strong> studio photography. Included are lightingskills <strong>and</strong> the basics <strong>of</strong> large-format cameras.The course serves as an introduction to both commercialillustration <strong>and</strong> methods for personal workwith the view camera.491S-492S. Printmaking Studio—Etching(0-6-V) (0-6-V)Permission required.This course <strong>of</strong>fers advanced experience inprintmaking. The emphasis is on developing personalimagery <strong>and</strong> techniques.493S-494S. Printmaking Studio—Lithography(0-6-V) (0-6-V)Permission required.This course <strong>of</strong>fers advanced experience in mixedprint media printmaking. The emphasis is on developingpersonal imagery <strong>and</strong> techniques.495S. Topics in Photography(0-6-3)Permission required.This is a topics course for advanced photographystudents. Students are engaged in critical issues involvingcontemporary studio practice through slidelectures, discussions, visiting artist interviews, galleryvisits <strong>and</strong> student presentations. Directed readings<strong>and</strong> critical writings will be assigned duringthe semester. Students will concurrently develop acreative project.498. Special Studies(0-V-V)Permission required.Independent study in art studio: directed readings,research or creative projects. Open to qualified seniorswith permission <strong>of</strong> the instructor.499S. B.F.A. Thesis(0-6-3)Prerequisite: B.F.A. c<strong>and</strong>idacy.The B.F.A. Thesis is defined by an independentthesis project, continuing for two semesters duringthe senior year. The B.F.A. Thesis is a personal visualstatement that is the culmination <strong>of</strong> a student’scollective development within the department. TheB.F.A. Thesis can be the extension <strong>of</strong> an ongoingbody <strong>of</strong> work or a defining project. The thesisproject is supported by a written statement definingthe project, which is due at the end <strong>of</strong> the first seniorsemester. The thesis project culminates in thesecond senior semester with a B.F.A. Thesis Exhibition.The B.F.A. Thesis student signs up with a facultymember working in the student’s area <strong>of</strong>interest, who serves as an advisor for the thesisproject.DESIGN COURSES111S. 2-D Foundations(0-6-3)Art majors only.This course deals with fundamentals <strong>of</strong> two-dimensionaldesign <strong>and</strong> is intended for students enteringstudio practice for the first time. The course is alsoopen to more advanced students who wish to increasetheir knowledge <strong>of</strong> the elements <strong>and</strong> principles<strong>of</strong> design. The course is project-oriented.Studio practice in the basic principles <strong>of</strong> design employingcolor theory, form <strong>and</strong> space organization,as well as materials <strong>and</strong> processes used in the designprocess, are emphasized.217S. Visual Dialogue(0-6-3)Open to all students.Emphasis is placed on developing a sensitive visualthinking process <strong>and</strong> acquiring drawing skills essentialto both Product Design <strong>and</strong> Graphic Design.The course is intended for students entering studiopractice for the first time as well as for advancedstudents who wish to deepen their visualization <strong>and</strong>illustration skills.218S. Product Design I(0-6-3)This foundation 3-D design studio begins as anatural extension <strong>of</strong> Basic Design. Students are encouragedto think <strong>and</strong> work in three-dimensionalmedia. A series <strong>of</strong> fundamental design problems areassigned during the course <strong>of</strong> the semester. Emphasisis placed on the transformation <strong>of</strong> imaginationfrom mind to paper to model.281S. Graphic Design I(0-6-3)Prerequisite: 2-D Foundations.This is an introductory course in the use <strong>of</strong> materials<strong>and</strong> processes related to the production <strong>of</strong>graphic media. Laboratory applications in typography,photographic processes, <strong>and</strong> printing technologyare utilized in the development <strong>of</strong>student-designed projects.314S. Digital 3-D(0-6-3)Permission required.This course introduces students to sophisticated,complex three- <strong>and</strong> four-dimensional computers<strong>of</strong>tware for designing objects <strong>and</strong> images <strong>and</strong> animatedgraphic sequences. In this digital exploration,computer technology will be used to generate,modify <strong>and</strong> present design ideas. An intense session<strong>of</strong> CAD instruction for technical documentationwill be included.316S. Graphic Design — Br<strong>and</strong>s(3-0-3)Open to sophomores <strong>and</strong> juniors.This course focuses on creative projects in advertisingcampaigns employed in the dem<strong>and</strong> creationstrategies for br<strong>and</strong>s <strong>and</strong> services.317S. Product Design II — Materials<strong>and</strong> Processes(0-6-3)Prerequisites: Visual Dialogue, Introduction toProduct Design.This course exposes Art <strong>and</strong> Art Design students tocommon low- <strong>and</strong> high-production manufacturingprocesses. Students use these methods to executetheir own original designs. Students are introducedto plastic therm<strong>of</strong>orming, injection molding, sheet<strong>and</strong> pr<strong>of</strong>ile extrusion, blow-molding, rotationalmolding, reaction-injection molding, <strong>and</strong> openmold laminating. Metal processes include rollforming, foundry s<strong>and</strong> casting, die casting, extrusion,stamping, anodizing <strong>and</strong> plating.


108ART, ART HISTORY, AND DESIGN318S. Product Design III(0-6-3)Prerequisite: Product Design II.This Design Research Studio challenges the advancedstudent with problems requiring a combination<strong>of</strong> skills. Investigation leads to an identification<strong>of</strong> needs. Final proposals will demonstrateconcern for human factors, knowledge <strong>of</strong> material<strong>and</strong> process <strong>and</strong> a sensitivity <strong>of</strong> form. Presentationstypically include project documentation, conceptualinformation, control drawings, renderings, <strong>and</strong>finished presentation models. National <strong>and</strong> regionalindustry-sponsored projects are employed onoccasion.330S. Furniture I(0-6-3)Open to all students.In this course, students gain an underst<strong>and</strong>ing <strong>of</strong>the design <strong>and</strong> construction <strong>of</strong> furniture. Lectures<strong>and</strong> demonstrations expose students to the history<strong>of</strong> furniture, basic woodworking techniques, <strong>and</strong>the use <strong>of</strong> woodworking tools <strong>and</strong> equipment. Studentsconstruct full-scale furniture <strong>of</strong> their originaldesign.415S. Graphic Design II(0-6-3)Prerequisite: Graphic Design I.This advanced course in Visual Communication isfor students interested in the layout <strong>and</strong> production<strong>of</strong> advertising campaigns, corporate identity <strong>and</strong>packaging.416S. Graphic Design III(0-6-3)Prerequisite: Graphic Design II.This advanced course in Visual Communication isfor students interested in the layout <strong>and</strong> production<strong>of</strong> advertising campaigns, corporate identity <strong>and</strong>packaging.417S. I.D. Research Project(0-6-3)Prerequisite: Product Design II.This advanced-level studio is directed toward theproduct design student who is preparing to entereither graduate school or pr<strong>of</strong>essional practice. Fulfillment<strong>of</strong> this studio requires the completion <strong>of</strong>one research <strong>and</strong> design project. In addition, portfolios<strong>and</strong> resumes are prepared. Emphasis is placedon knowledge, analytical skills, logic, creativity <strong>and</strong>excellence in visualization.418S. Product Design V(0-6-3)Prerequisite: Product Design IV.This advanced-level studio is directed toward theproduct design student who is preparing to entereither graduate school or pr<strong>of</strong>essional practice. Fulfillment<strong>of</strong> this studio requires the completion <strong>of</strong>one research <strong>and</strong> design project. In addition, portfolios<strong>and</strong> resumes are prepared. Emphasis is placedon knowledge, analytical skills, logic, creativity, excellencein visualization <strong>and</strong> modeling skills, as wellas on oral presentation skills.430S. Furniture Design Studio(0-6-3)Open to all students.This course <strong>of</strong>fers advanced students an opportunityto develop a personal direction, using wood asa material <strong>of</strong> expression.481S-482S. Multimedia Design(0-6-3) (0-6-3)Permission required.This advanced digital imagemaking course gives thestudio or design major the opportunity to pursueresearch <strong>and</strong> development in an advanced area <strong>of</strong>technology. In some semesters, a topic is announcedas a focus for the course, such asPostScript programming or hypermedia design.496. Design Internship(V-V-V) DownPermission required.This course provides an opportunity for the designstudent to earn credit at an approved design <strong>of</strong>fice.498. Special Studies(0-V-V) (0-V-V)Permission required.Independent study in design.499S. B.F.A. Thesis(0-6-3)Prerequisite: B.F.A. c<strong>and</strong>idacy.The B.F.A. Thesis is defined by an independentthesis project, continuing for two semesters duringthe senior year. The B.F.A. Thesis is a personal visualstatement that is the culmination <strong>of</strong> a student’scollective development within the department. TheB.F.A. Thesis can be the extension <strong>of</strong> an ongoingbody <strong>of</strong> work or a defining project. The thesisproject is supported by a written statement definingthe project, due at the end <strong>of</strong> the first senior semester,<strong>and</strong> is represented in the second senior semesterwith a B.F.A. Thesis Exhibition. The B.F.A. Thesisstudent will sign up with a faculty member, workingin the student’s area <strong>of</strong> interest, to serve as anadvisor for the thesis project course.THE ART HISTORY MAJORThe bachelor <strong>of</strong> arts degree program in art historyis a 30-credit-hour major. An art history majorshould strive to achieve a broad knowledge <strong>of</strong> thedevelopment <strong>of</strong> the art <strong>of</strong> the Western world. Majorsare required to take Art Traditions I <strong>and</strong> II (sixcredit hours) <strong>and</strong> the Art History Methods seminar(three credit hours). In addition, the department<strong>of</strong>fers courses in four areas <strong>of</strong> Western art: ancient,medieval, Renaissance <strong>and</strong> baroque, <strong>and</strong> modern(19th <strong>and</strong> 20th centuries). An art history majormust take at least one course in each <strong>of</strong> these areas(12 credit hours). The remaining nine credit hourscan be taken in any period. The sequence in whichthe area <strong>and</strong> elective courses are taken is left to thediscretion <strong>of</strong> the individual student. The Art HistoryMethods seminar should be taken in the senioryear. Majors are also encouraged to take six electivehours <strong>of</strong> studio or design courses.All 400-level art history courses include an intensivewriting component for art history majors.In addition, all majors are required to write a researchpaper in the context <strong>of</strong> their fulfillment <strong>of</strong>the required course in art history methods (ARHI496).Students with a first major in another departmentcan complete a second major in art historyby taking Art Traditions I <strong>and</strong> II, the Art HistoryMethods seminar, one course in each <strong>of</strong> the fourdepartmental areas, <strong>and</strong> one optional art historycourse (24 credit hours total).Students wishing to minor in art history c<strong>and</strong>o so by taking five art history courses, typicallyArt Traditions I <strong>and</strong> II <strong>and</strong> three additional 400-level courses (15 credit hours total).Courses taken for the second major or the minorcannot be counted in more than one <strong>University</strong>program, with the exception <strong>of</strong> undergraduate majorsin studio art or design.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week, <strong>and</strong> credits each semester are in parentheses.“V” indicates variable. Prerequisites, ifany, are also given. Most <strong>of</strong> the following coursesare <strong>of</strong>fered at least once over a three-year period. Besure to consult the course elective booklet publishedby the department each semester for particular<strong>of</strong>ferings.180. Fine <strong>Arts</strong> <strong>University</strong> Seminar: Topicsin Art History(3-0-3)<strong>University</strong> seminars will address a variety <strong>of</strong> topicsin the history <strong>of</strong> art depending on the interests <strong>of</strong>the pr<strong>of</strong>essor. Topics which have been treated inthe past in the context <strong>of</strong> this course are visual narrative<strong>and</strong> biography, the art <strong>of</strong> Andy Warhol <strong>and</strong>the language <strong>of</strong> art. These courses require severalshort papers as well as a final written exercise appropriateto the material.230. Survey <strong>of</strong> Medieval Art(3-0-3)Open to all students.This course will provide an introduction to the visualarts <strong>of</strong> the period c. A.D. 300 to c. A.D. 1300.In the course <strong>of</strong> the semester, we shall devote muchtime to considering the possibility <strong>of</strong> a history <strong>of</strong>Medieval art, as the objects <strong>and</strong> practices <strong>of</strong> theMiddle Ages will be shown to make our assumptionsabout the nature <strong>of</strong> art history problematic.Working from individual objects <strong>and</strong> texts we willconstruct a series <strong>of</strong> narratives that will attend tothe varieties <strong>of</strong> artistic practices available to theMiddle Ages. From these, it will be shown that artwas a vital, complex, lucid <strong>and</strong> formative elementin the societies <strong>and</strong> cultures, both secular <strong>and</strong> sacred,that shaped this period.


109ART, ART HISTORY, AND DESIGN231. Survey <strong>of</strong> Early Christian <strong>and</strong> Byzantine Art(3-0-3)Open to all students.This course will provide an introduction to the visualarts <strong>of</strong> the period c. A.D. 200 to c. A.D. 1600.We will begin by examining the complex relationsbetween Early Christian iconography <strong>and</strong> its LateAntique context. We will then consider the birth<strong>and</strong> history <strong>of</strong> the icon, the development <strong>of</strong> an imperialart, the theological implications <strong>of</strong> art, <strong>and</strong>the question <strong>of</strong> colonialism <strong>and</strong> cultural exchangein a Medieval context.251. Art Traditions I(3-1-4)Open to all students. Required—Major/Minor.A chronological survey <strong>of</strong> Western art from prehistorictimes to the end <strong>of</strong> the 15th century. Thiscourse is team-taught by three faculty members inthree, five-week sections. The course is designed tointroduce students to fundamental issues in the history<strong>of</strong> art, to acquaint them with certain keymonuments (e.g. the Parthenon, Chartes Cathedral,Ghiberti’s Gates <strong>of</strong> Paradise) <strong>and</strong> to equipthem to speak intelligently about art. There is noassumption <strong>of</strong> any prior knowledge about art.252. Art Traditions II(3-1-4)Open to all students. Required — Major/Minor.This course is a discussion <strong>of</strong> major themes in thelater history <strong>of</strong> Western art from the HighRenaissance to contemporary culture. Thesethemes are considered in their historical context<strong>and</strong> will include constructions <strong>of</strong> power <strong>and</strong> art,gender identities in art, the emergence <strong>of</strong> the avantgarde,<strong>and</strong> conflicts between secular <strong>and</strong> religiousspheres <strong>of</strong> culture. The course is team- taught bythree faculty members in three, five-week sections.It is designed as an introduction to art historywhich will acquaint students with certain keymonuments (e.g., St. Peter’s, Impressionistpainting, Pop Art) <strong>and</strong> will equip them to speakintelligently about art. There is no assumption <strong>of</strong>any prior knowledge about art.269. Underst<strong>and</strong>ing Museums(3-0-3)Open to all students.This course is designed to present the museum as aresource from the past, present, <strong>and</strong> future forlearning <strong>and</strong> enjoyment. It introduces the studentto the issues that challenge art museums in general<strong>and</strong> The Snite Museum <strong>of</strong> Art in particular. Itprovides the tools that make a museum visit moremeaningful <strong>and</strong> immediate.311: Pre-Columbian Art: The Olmec<strong>and</strong> Their Legacy: 1500 B.C.–A.D. 1500(3-0-3)Open to all students.The Olmec civilization was the mother culture <strong>of</strong>Mesoamerica, <strong>and</strong> beginning in 1500 B.C. Itforged the template <strong>of</strong> pre-Columbian culturaldevelopment for the next 3,000 years. This coursewill introduce the student to the Mesoamericanworldview by tracing the origins <strong>of</strong> Mexican art,religion <strong>and</strong> culture from the development <strong>of</strong> theOlmec civilization up to Aztec times. Each week’sclasses will consist <strong>of</strong> a thorough examination <strong>of</strong>the iconography <strong>and</strong> function <strong>of</strong> art objectsthrough slide lectures, as well as h<strong>and</strong>s on, in-depthstudy <strong>of</strong> individual pieces <strong>of</strong> sculpture. Specialemphasis will be placed upon the essential unity <strong>of</strong>religious concepts as iconography evolved over this3,000-year time span.This will be an objectorientedcourse. Students will be called upon toreason logically, voice opinions, <strong>and</strong> make aestheticjudgments. A good visual memory is helpful.321. Survey <strong>of</strong> Greek Art <strong>and</strong> Architecture(3-0-3)Open to all students.This course analyzes <strong>and</strong> traces the development <strong>of</strong>Greek architecture, painting, <strong>and</strong> sculpture in thehistorical period from the eighth through secondcentury B.C., with some consideration <strong>of</strong> prehistoricGreek forebears <strong>of</strong> the Mycenaean Age. Particularemphasis is placed upon monumental art, itshistorical <strong>and</strong> cultural contexts, <strong>and</strong> how it reflectschanging attitudes toward the gods, humanachievement, <strong>and</strong> the relationship between the divine<strong>and</strong> the human.324. Etruscan <strong>and</strong> Roman Art <strong>and</strong> Architecture(3-0-3)Open to all students.Roman art <strong>of</strong> the Republic <strong>and</strong> Empire is one focus<strong>of</strong> this course, but other early cultures <strong>of</strong> the Italianpeninsula <strong>and</strong> their rich artistic production are alsoconsidered. In particular, the arts <strong>of</strong> theVillanovans <strong>and</strong> the Etruscans are examined <strong>and</strong>evaluated as both unique expressions <strong>of</strong> discretecultures <strong>and</strong> as ancestors <strong>of</strong> <strong>and</strong> influence onRome. The origins <strong>and</strong> development <strong>of</strong> monumentalarchitecture, painting, portraiture <strong>and</strong> historicalrelief sculpture are isolated <strong>and</strong> traced from theearly first millennium B.C. through the earlyfourth century <strong>of</strong> the modern era.330. Survey <strong>of</strong> Medieval Art(3-0-3) StaffThis course will provide an introduction to the visualarts <strong>of</strong> the period c. A.D. 300 to c. A.D. 1300.In the course <strong>of</strong> the semester, we shall devote muchtime to considering the possibility <strong>of</strong> a history <strong>of</strong>Medieval art, as the objects <strong>and</strong> practices <strong>of</strong> theMiddle Ages will be shown to make our assumptionsabout the nature <strong>of</strong> art history problematic.Working from individual objects <strong>and</strong> texts we willconstruct a series <strong>of</strong> narratives that will attend tothe varieties <strong>of</strong> artistic practices available to theMiddle Ages. From these, it will be shown that artwas a vital, complex, lucid <strong>and</strong> formative elementin the societies <strong>and</strong> cultures, both secular <strong>and</strong> sacred,that shaped this period.331. Late Antique <strong>and</strong> Early Christian Art(3-0-3)Open to all students.Art in late antiquity has traditionally been characterizedas an art in decline, but this judgment isrelative, relying on st<strong>and</strong>ards formulated for art <strong>of</strong>other periods. Challenging this assumption, we willexamine the distinct <strong>and</strong> powerful transformationswithin the visual culture <strong>of</strong> the period between thethird <strong>and</strong> the eighth centuries A.D. This periodwitnesses the mutation <strong>of</strong> the institutions <strong>of</strong> theRoman Empire into those <strong>of</strong> the Christian ByzantineEmpire. The fundamental change in religiousidentity that was the basis for this development hada direct impact upon the visual material that survivesfrom this period, such that the eighth centurywitnesses extensive <strong>and</strong> elaborate debates about thestatus <strong>and</strong> value <strong>of</strong> religious art in Jewish, Moslem,Byzantine <strong>and</strong> Carolingian society. This course willexamine the underlying conditions that made imagesso central to cultural identity at this period.332. Early Medieval Art(3-0-3)Open to all students.This course will investigate the art produced inwestern Europe in the period between the seventh<strong>and</strong> 11th centuries. Often characterized as a DarkAge, this period in fact demonstrates a fertile, fluid<strong>and</strong> inventive response to the legacy <strong>of</strong> Late AntiqueChristianity. The course will focus on theproduction <strong>and</strong> reception <strong>of</strong> illuminated manuscripts,using facsimiles <strong>of</strong> these works as a basis forteaching. Students will become familiar with arthistoricalmethods for the examination <strong>of</strong> suchworks <strong>and</strong> will be invited to contemplate the interplay<strong>of</strong> word <strong>and</strong> image that these books propose.Categories <strong>of</strong> material discussed include: insularart, the Carolingian scriptoria, Ottonian imperialimage making, Anglo-Saxon art, Spanishapocalypses, <strong>and</strong> Italian exultets.


110ART, ART HISTORY, AND DESIGN333. Byzantine Art(3-0-3)Open to all students.Byzantine art has <strong>of</strong>ten been opposed to the traditions<strong>of</strong> Western naturalism <strong>and</strong>, as such, has beenan undervalued or little known adjunct to the story<strong>of</strong> Medieval art. To develop a more sophisticatedunderst<strong>and</strong>ing <strong>of</strong> this material, we will examine theart produced in Byzantium in the period from theninth to the 12th century, a period that marks thehigh point <strong>of</strong> Byzantine artistic production <strong>and</strong> influence.Stress will be placed upon the function <strong>of</strong>this art within the broader setting <strong>of</strong> this society.Art theory, the notions <strong>of</strong> empire <strong>and</strong> holiness, theburdens <strong>of</strong> the past <strong>and</strong> the realities <strong>of</strong> contemporarypraxis will be brought to bear upon our variousanalyses <strong>of</strong> material from all media. How art historianscan write the history <strong>of</strong> this rich culture willbe a central issue <strong>of</strong> this course.334. Romanesque Art(3-0-3)Open to all students.This course will examine the place <strong>of</strong> art in anexp<strong>and</strong>ing culture. The 11th <strong>and</strong> 12th centurieswitnessed the economic <strong>and</strong> military expansion <strong>of</strong>the societies <strong>of</strong> Western Europe. This growthproduced a complex <strong>and</strong> rich art that can bebroadly labeled as Romanesque. The course willinvestigate this phenomenon (or rather thesephenomena) through three actual <strong>and</strong> metaphoricaljourneys: the pilgrimage to Santiago deCompostela, a journey to the ruins <strong>of</strong> ancientRome, <strong>and</strong> a visit to the Palestine <strong>of</strong> the Crusades.These journeys, in many ways typical <strong>of</strong> thisperiod, will provide the means <strong>of</strong> examining howthe art <strong>of</strong> this period responds to the various newdem<strong>and</strong>s <strong>of</strong> an increasing knowledge provoked bytravel.335. Gothic Art in France(3-0-3)Open to all students.This course will examine the art produced inFrance in the 13th <strong>and</strong> 14th centuries. Alongsidethe more traditional discussions <strong>of</strong> court culture<strong>and</strong> <strong>of</strong> the development <strong>of</strong> Gothic architecture, thisclass will use the power, class, gender, spirituality,identity, <strong>and</strong> learning. The first half <strong>of</strong> this coursewill treat such institutions as Saint-Denis, Chartres,<strong>and</strong> the Sainte-Chapelle as complex culturalphenomena that weave together a variety <strong>of</strong> visualmedia into strong political <strong>and</strong> spiritual messages.The second half <strong>of</strong> the course will examinedevotional practices <strong>and</strong> their importance indefining responses to the arts available at thisperiod.342. Survey <strong>of</strong> Italian Renaissance Art(3-0-3)Open to all students.This course will examine the painting, sculpture<strong>and</strong> architecture produced in Italy from the veryend <strong>of</strong> the 12th through the beginning <strong>of</strong> the 16thcentury, from Giotto’s Franciscan spirituality toMichelangelo’s heroic vision <strong>of</strong> man <strong>and</strong> God. Awide variety <strong>of</strong> questions will be considered in thecontext <strong>of</strong> this chronological survey, includingchanging conventions <strong>of</strong> representation, the socialfunction <strong>of</strong> art, <strong>and</strong> the impact <strong>of</strong> the Renaissanceideology <strong>of</strong> individual achievement on the production<strong>of</strong> art <strong>and</strong> the role <strong>of</strong> the artist.346. Survey <strong>of</strong> Italian Baroque Art:From Caravaggio to Tiepolo(3-0-3)Open to all students.This course surveys Italian painting, sculpture, <strong>and</strong>architecture <strong>of</strong> the 17th <strong>and</strong> 18th centuries, aperiod which also witnessed the foundation <strong>and</strong>suppression <strong>of</strong> the Jesuit Order, the Counter-Reformation, absolute monarchy, <strong>and</strong> democraticnations. Thus, the course begins with the “newRome” <strong>of</strong> Pope Sixtus V, which attracted pilgrims<strong>and</strong> artists from all over Europe, <strong>and</strong> ends with theearly years <strong>of</strong> Enlightenment. From Northern Italycame Caravaggio <strong>and</strong> the Carracci, artists who wereresponsible for creating a new style based uponHigh Renaissance principles <strong>and</strong> a new kind <strong>of</strong>naturalism derived from the study <strong>of</strong> life. Therewas Bernini, whose architectural <strong>and</strong> sculpturalmonuments almost singleh<strong>and</strong>edly gave Rome itsBaroque character. Other artists <strong>and</strong> architects <strong>of</strong>this era under discussion include such diversepersonalities as Borromini, Guarini, Algardi,Artemisia Gentileschi, <strong>and</strong> the great ceiling paintersPietro da Cortona, Baciccio, Pozzo, <strong>and</strong> Tiepolo.347. Survey <strong>of</strong> European Baroque Art(3-0-3)Open to all students.This course will examine the art <strong>of</strong> Europe duringthe 17th century. The first third <strong>of</strong> the semesterwill be devoted to the world <strong>of</strong> Counter-ReformationItaly <strong>and</strong> the work <strong>of</strong> individual artists such asCaravaggio <strong>and</strong> Gian Lorenzo Bernini. The secondthird <strong>of</strong> the term will focus on Spanish painting,particularly the work <strong>of</strong> Francisco Zurbáran <strong>and</strong>Diego Velázquez. The final section <strong>of</strong> the coursewill consider painting in the Low Countries, lookingat the art <strong>of</strong> Rubens, Rembr<strong>and</strong>t, Vermeer <strong>and</strong>others. Among the issues to be addressed are art<strong>and</strong> spirituality, shifting modes <strong>of</strong> patronage, art<strong>and</strong> politics, <strong>and</strong> definitions <strong>of</strong> gender.365. History <strong>of</strong> Photography(3-0-3)Open to all students.This course deals with the development <strong>and</strong> use <strong>of</strong>photography as an artistic medium from the time<strong>of</strong> its invention in the mid-19th century to thepresent. Besides viewing slides, the student will beable to view a large number <strong>of</strong> original photographsfrom the Snite Museum <strong>of</strong> Art.366. Modern Art I—1900 to 1955: Utopianism<strong>and</strong> Iconoclasm(3-0-3)Open to all students.This introductory course focuses on early 20th-centuryart <strong>and</strong> cultural politics in Europe, Russia <strong>and</strong>the United States. In the early modern period,many <strong>of</strong> the most ambitious <strong>and</strong> innovative artistsstrove to destroy old models <strong>of</strong> art, <strong>of</strong>ten replacingthem with models that advocate revolutionaryforms for a new, imaginary society; at other times,artists have employed art to undermine acceptednorms <strong>of</strong> bourgeois culture <strong>and</strong> to liberate art <strong>and</strong>experience from convention. These are themes addressedin this course, along with the contradictoryreality in which the art arose: an era defined bymassive wars, racist ideologies, <strong>and</strong> violent suppressions.Among the selected artists analyzed are PabloPicasso, Henri Matisse, Piet Mondrian, MarcelDuchamp, Hannah Höch, Lyubov Popova, SalvadorDali, Walter Gropius, Diego Rivera <strong>and</strong> JacksonPollock.367. Twentieth-Century Art II: 1955 to present(3-0-3)Open to all students.This introductory course is subtitled “Techno-Capitalism <strong>and</strong> the Art <strong>of</strong> Accommodation.” Thepost-World War II era, particularly in the UnitedStates, is marked by the greatest expansion <strong>of</strong> corporate<strong>and</strong> consumer capitalism in history. Massivewars are fought to defend capitalist ideology. (Acase in point is the tragic Vietnam War.) How hasart figured into these social transformations? Hasart protested these conditions or easily accommodateditself to overpowering economic, political,<strong>and</strong> legalistic techno-capitalist regimes? These questionsarise throughout this course, which concentrateson selective artistic events in the UnitedStates <strong>and</strong> Europe during the second half <strong>of</strong> the20th century. Movements considered include popart, minimalism, op art, arte povera,postminimalism, earth art, conceptual art, photorealism,video <strong>and</strong> performance art, <strong>and</strong> other recentpicture/theory approaches to art making. Thiscourse focuses on recent developments in painting<strong>and</strong> sculpture. It also examines associated theories<strong>of</strong> art criticism.


111ART, ART HISTORY, AND DESIGN369. The Art <strong>of</strong> Mythology(3-0-3) StaffOpen to all students.This cross-disciplinary class is an exploration <strong>of</strong> therepresentation <strong>of</strong> classical myth in Western art <strong>and</strong>literature, ranging from the seventh century B.C.E.to the 18th century C.E. Beginning with mythologicalsubjects in the political <strong>and</strong> religious sculpture,temple architecture <strong>and</strong> vase decoration <strong>of</strong>Ancient Greece, we will move on to study Romanpainting <strong>and</strong> sculpture, medieval Ovidian allegory,the Renaissance reinvention <strong>of</strong> classical types <strong>and</strong>18th-century neo-classicism. We will compare literary<strong>and</strong> visual narratives, evaluating the discursivemodes <strong>of</strong> each, <strong>and</strong> analyzing how <strong>and</strong> why poets,philosophers, artists, sculptors, <strong>and</strong> architects selected<strong>and</strong> adapted the episodes that they did. Primaryreadings will include selections from Greek<strong>and</strong> Roman epic, lyric <strong>and</strong> dramatic poetry, Greek<strong>and</strong> Roman philosophical mythology, <strong>and</strong> earlyanalyses <strong>of</strong> the relationship between art <strong>and</strong> mythsuch as Philostratus’ Eikones. Among the artisticworks that we will examine will be Raphael’s Romancycles, Bellini <strong>and</strong> Titian’s poesie, <strong>and</strong>Bernini’s sculpted dramas. We will consider theerudite contexts for such works, including gardens,drawing rooms, princely residences, <strong>and</strong> civic institutions.We will discuss the connection betweenpolitical power <strong>and</strong> myth, <strong>and</strong> concepts such asheroism, metamorphosis, <strong>and</strong> earthly <strong>and</strong> divinelove. One aim <strong>of</strong> this class will be to identify theexplanatory character <strong>of</strong> myth, <strong>and</strong> <strong>of</strong> story-tellingwithin culture, as means <strong>of</strong> historical self-underst<strong>and</strong>ing,self-revelation, <strong>and</strong> catharsis.370. Modeling Sanctity: The Saint in Image <strong>and</strong>Text(3-0-3)Open to all students.This course examines the lives <strong>and</strong> legacy <strong>of</strong> selectedsaints with a view to defining the ideal qualities<strong>and</strong> criteria by which sainthood is madeknown.Incorporating visual as well as textual materials,hagiographies, theological writings <strong>and</strong> written testimonies,this course will consider the varieties <strong>of</strong>evidence that testify to sanctity. An important part<strong>of</strong> this course will be a discussion <strong>of</strong> how differentkinds <strong>of</strong> evidence must be evaluated according totheir medium <strong>and</strong> audience — for example, howvisual portraits (whether portrait, narrative cycle ormanuscript representations) can be compared towritten ones <strong>and</strong> differentiated from textual sourcesnot only in iconographic terms but as unique <strong>and</strong>forceful forms <strong>of</strong> knowledge in their own right.The saints we will focus on during the semester(concentrating on the period extending from latemedieval times through the 17th century) include,most prominently, Saints Augustine, Bernard,Dominic, Francis, <strong>and</strong> Theresa <strong>of</strong> Avila. Eachmember <strong>of</strong> the class will choose a saint other thanthose studied as a case study <strong>and</strong> the subject <strong>of</strong> thestudent’s independent research.371. Art <strong>of</strong> the Mexican Ballgame(3-0-3)Open to all students.The ritual ballgame was an athletic event thatformed one <strong>of</strong> the major religious expressions <strong>of</strong>Mexican culture from 1500 B.C. to A.D. 1521.The ceramic, stone <strong>and</strong> wood sculptures used todepict players, to protect them, to hit the ball, <strong>and</strong>to mark the position <strong>of</strong> the ball in the ball courtreflect the basic themes <strong>of</strong> Mesoamerican existence:the concern with the promotion <strong>of</strong> life <strong>and</strong> fertility,the necessity <strong>of</strong> human sacrifice to maintain orderin the universe, <strong>and</strong> the duality expressed in thetension between these two forces. Ballgamesculptures remain among the finest art objectsproduced in Mesoamerica. This course willintroduce the student to the Mesoamericanworldview by tracing the origins <strong>of</strong> ballgame artfrom the Olmec civilization — the mother culture<strong>of</strong> Mesoamerica that forged the template <strong>of</strong> pre-Columbian cultural development — down to Aztectimes. Each week’s classes will consist <strong>of</strong> a thoroughexamination <strong>of</strong> the iconography <strong>and</strong> function <strong>of</strong> artobjects through slide lectures, as well as h<strong>and</strong>s on,in-depth study <strong>of</strong> individual pieces <strong>of</strong> sculpturefrom the collections <strong>of</strong> the Snite Museum <strong>of</strong> Art.Special emphasis will be placed upon the essentialunity <strong>of</strong> religious concepts as iconography evolvedover a 3,000-year time span. This will be an objectorientedcourse. Students will be called upon toreason logically, voice opinions, <strong>and</strong> make aestheticjudgments. A good visual memory is helpful.374. African Art <strong>and</strong> Culture(3-0-3)Open to all students.This course outlines the power <strong>and</strong> elegance <strong>of</strong>African sculpture from the last 500 years againstthe rich fabric <strong>of</strong> constantly evolving Africancultures. This will be an object-oriented course,<strong>and</strong> typical works <strong>of</strong> art from the five sculptureproducingculture areas <strong>of</strong> the continent will beexamined in each session. Slide lectures willprovide the cultural context <strong>of</strong> each style. Studentswill be called upon to reason logically, voiceopinions, <strong>and</strong> make aesthetic judgments. A goodvisual memory is helpful.375B. Fashioning Identity in American History(3-0-3)Open to all students.This course will focus on dress <strong>and</strong> material/visualculture in American history starting with the Colonialperiod. It will provide an introduction tomethodology, <strong>and</strong> <strong>of</strong>fer an overview <strong>of</strong> key themesin the history <strong>of</strong> dress <strong>and</strong> consumerism within theframework <strong>of</strong> gender studies. In one segment <strong>of</strong> thecourse, we will focus on the Colonial period as acase study: we will analyze the economics <strong>of</strong> dress(the production, marketing <strong>and</strong> acquisition <strong>of</strong>clothing) <strong>and</strong> will assess the importance <strong>of</strong> fashionto commerce. We will then evaluate the role <strong>of</strong>dress in the construction <strong>of</strong> colonial identities, <strong>and</strong>we will examine the ways that dress operated as avisual focus for racial, class <strong>and</strong> ethnic encountersin American societies. In another segment, studentswill be given the opportunity to work on <strong>and</strong>present independent research from any period orarea <strong>of</strong> American studies.403. Anthropology <strong>of</strong> Art(3-0-3)Open to all students.This course is an examination <strong>of</strong> art as a functionalpart <strong>of</strong> culture from the anthropological point <strong>of</strong>view. Attention will be given to both the evolution<strong>of</strong> art as part <strong>of</strong> human culture <strong>and</strong> to the evolution<strong>of</strong> the study <strong>of</strong> art by anthropologists.408. Native North American Art(3-0-3)Art department majors only.Native North American art existed for thous<strong>and</strong>s <strong>of</strong>years <strong>and</strong> continues to be created today. Its originalcontext was most <strong>of</strong>ten sacred (both public <strong>and</strong>private) <strong>and</strong>/or political. Contact with WesternEuropeans <strong>and</strong> their art traditions beginning aboutA.D. 1600 <strong>and</strong> thereafter, along with the arttraditions <strong>of</strong> Africans, Asians, <strong>and</strong> South Americans,modified form, technique, <strong>and</strong> context <strong>of</strong>Native North American art.This course will allow students to work with thecollections <strong>of</strong> Native North Americans curated atthe Snite Museum. Students will observe some <strong>of</strong>the changes in art which have occurred in the last150 years. Students’ final projects will include avisual presentation <strong>of</strong> a particular change in content,context or technique, which they have determinedthrough research <strong>and</strong> direct examination <strong>of</strong>selected pieces from our collections. The course islimited to 15 students <strong>and</strong> will be held in the SniteMuseum.


112ART, ART HISTORY, AND DESIGN421. Classical Greek Art(3-0-3)Open to all students.This course analyzes <strong>and</strong> traces the development <strong>of</strong>Greek architecture, painting <strong>and</strong> sculpture from thebeginning <strong>of</strong> the fifth century B.C. through thedeath <strong>of</strong> Alex<strong>and</strong>er the Great in 323 B.C. Particularemphasis is placed upon the monumental arts,their historical <strong>and</strong> cultural contexts, <strong>and</strong> how theyreflect changing attitudes toward the gods, humanachievement, <strong>and</strong> the relationship between the divine<strong>and</strong> the human.422. Hellenistic Art(3-0-3)Open to all students.This course examines the complex artistic production<strong>of</strong> the Greek world in the three centuries followingthe death <strong>of</strong> Alex<strong>and</strong>er the Great in 323B.C. <strong>and</strong> the division <strong>of</strong> his immense empire intoseparately administered kingdoms. The relationship<strong>of</strong> Hellenistic art <strong>and</strong> culture to their Classical forebears,the development <strong>of</strong> an artistic <strong>and</strong> culturalkoine in the Hellenistic world, <strong>and</strong> the Hellenization<strong>of</strong> Republican Rome will all be considered.423. Greek Architecture(3-0-3)Open to all students.In this course, the development <strong>of</strong> Greek monumentalarchitecture <strong>and</strong> the major problems thatdefine it will be traced from the eighth through thesecond centuries B.C., from the late Geometricthrough the Archaic, Classical <strong>and</strong> Hellenistic periods.Among themes to be treated are the relationshipbetween l<strong>and</strong>scape <strong>and</strong> religious architecture,the humanization <strong>of</strong> temple divinities, the architecturalexpression <strong>of</strong> religious tradition <strong>and</strong> even specifichistory, architectural procession <strong>and</strong> hieraticdirection, emblem <strong>and</strong> narration in architecturalsculpture, symbolism <strong>and</strong> allusion through architecturalorder, religious revival <strong>and</strong> archaism, <strong>and</strong>the breaking <strong>of</strong> the architectural <strong>and</strong> religiouscanon.425. Roman Architecture(3-0-3)Open to all studentsThe content <strong>of</strong> this course spans 11 centuries, fromthe eighth century B.C. to the fourth century <strong>of</strong> themodern era, <strong>and</strong> traces the development <strong>of</strong> Romanarchitecture from its origins in Iron Age huts onthe Palatine Hill <strong>and</strong> Etruscan temples <strong>and</strong> tombs,through the Roman colonization <strong>of</strong> the Italian peninsula<strong>and</strong> the establishment <strong>of</strong> basic tenets <strong>of</strong> townplanning, through the conquest <strong>of</strong> Greece <strong>and</strong> theconsequent Hellenization <strong>of</strong> Rome, through the invention<strong>of</strong> Roman concrete <strong>and</strong> the gradual exploration<strong>of</strong> its practical properties <strong>and</strong> its potentialfor spatial manipulation, through the architecturalexpression <strong>of</strong> propag<strong>and</strong>a <strong>and</strong> ideal in the greatbuilding programs <strong>of</strong> the emperors, to the creation<strong>of</strong> a specifically Christian architecture from thecombined architectural forms <strong>and</strong> spirit <strong>of</strong> Greece<strong>and</strong> Rome.441. Trecento: Giotto to the Duomo(3-0-3)Open to all students.Beginning with Giotto’s Scrovegni Chapel inPadua, we will examine the arts in Italy in the1300s, concluding with Brunelleschi’srevolutionary design for the dome <strong>of</strong> FlorenceCathedral <strong>of</strong> 1436. We will consider the regionaltraditions <strong>of</strong> Rome <strong>and</strong> the city-states, includingSiena, Venice, Florence <strong>and</strong> Pisa <strong>and</strong> as expressedin narrative fresco programs, altarpieces, sculpture<strong>and</strong> architecture. Among our subjects are the royaltombs in Naples <strong>and</strong> Milan, the evolution <strong>of</strong> theequestrian monument, St. Mark’s in Venice, thecharacter <strong>of</strong> Gothic expression in Italy, <strong>and</strong> theimpact <strong>of</strong> the Black Death.442. 15th-Century Italian Art(3-0-3)Open to all students.This course investigates the century most fullyidentified with the Early Renaissance in Italy. Individualworks by artists such as Brunelleschi,Donatello, Ghiberti, Botticelli, <strong>and</strong> Alberti are setinto their social, political <strong>and</strong> religious context.Special attention is paid to topics such as the origins<strong>of</strong> art theory, art <strong>and</strong> audience, portraiture <strong>and</strong>the definition <strong>of</strong> self, Medician patronage, <strong>and</strong> artfor the Renaissance courts <strong>of</strong> northern Italy <strong>and</strong>Naples.443. Northern Renaissance Art(3-0-3)Open to all students.This course traces the development <strong>of</strong> painting innorthern Europe (France, Germany, Fl<strong>and</strong>ers, <strong>and</strong>Holl<strong>and</strong>) from approximately 1300 to 1560.Special attention is given to the art <strong>of</strong> Jan vanEyck, Heironymus Bosch, Albrecht Dürer, <strong>and</strong>Pieter Brueghel. In tracing the evolution <strong>of</strong>manuscript <strong>and</strong> oil painting <strong>and</strong> the graphic media,students become conscious <strong>of</strong> the special wedding<strong>of</strong> nature, art, <strong>and</strong> spirit that defines theachievement <strong>of</strong> the northern Renaissance.444. Italian High Renaissance <strong>and</strong>Mannerist Art(3-0-3)Leonardo, Michelangelo, Bramante <strong>and</strong> Raphaelprovide the basis for a study <strong>of</strong> one <strong>of</strong> the most impressiveperiods <strong>of</strong> artistic activity in Italy — theHigh Renaissance in Rome <strong>and</strong> Florence. Thecourse also investigates the origins <strong>of</strong> Mannerism inthe expressive achievements <strong>of</strong> such notable figuresas Jacopo Pontormo, Rosso Fiorentino <strong>and</strong> the succeedinggeneration <strong>of</strong> late-Renaissance maniera artistswho helped to formulate a new courtly style.446. Seminar: Venetian <strong>and</strong> Northern ItalianArt(3-0-3)This course focuses on significant artistic developments<strong>of</strong> the 16th century in Venice, with brief excursionsinto Lombardy <strong>and</strong> Piedmont. Giorgione,Titian <strong>and</strong> Palladio, the formulators <strong>of</strong> the HighRenaissance style in Venice, <strong>and</strong> subsequent artistssuch as Tintoretto <strong>and</strong> Veronese are examined. Aninvestigation <strong>of</strong> the art produced in important provincial<strong>and</strong> urban centers such as Brescia, Cremona,Milan, Parma, Varallo <strong>and</strong> Vercelli also provide insightinto the unique traditions <strong>of</strong> the local schools<strong>and</strong> their patronage.447. Italian Baroque Art(3-0-3)The focus <strong>of</strong> this course is on Roman art <strong>of</strong> the17th century. The evolution <strong>of</strong> the style <strong>and</strong> content<strong>of</strong> painting, sculpture <strong>and</strong> architecture in baroqueItaly is considered in light <strong>of</strong> the social,political <strong>and</strong> religious climate <strong>of</strong> the period. Amongthe artists considered are Caravaggio, the BologneseCarracci <strong>and</strong> their followers, Guercino, ArtemisiaGentileschi, Bernini <strong>and</strong> Borromini.448. Northern Baroque Painting(3-0-3)Open to all students.Epitomized by the self-conscious art <strong>of</strong> Rembr<strong>and</strong>t,Northern Baroque painting <strong>and</strong> printmaking notonly became a domestic commodity sold in a moremodern-looking marketplace, it also continued toserve its traditional political, moral <strong>and</strong> spiritualfunctions. This course will concentrate onpaintings <strong>and</strong> prints produced in Fl<strong>and</strong>ers, Spain,<strong>and</strong> the Dutch Republics during the 17th century,an era <strong>of</strong> extraordinary invention. The work <strong>of</strong>artists such as Rubens, van Dyck, Velázquez,Zurbarán, Leyster, Hals, <strong>and</strong> Rembr<strong>and</strong>t will beconsidered in the context <strong>of</strong> a number <strong>of</strong>interrelated themes, including the business <strong>of</strong> art,the status <strong>of</strong> the artist, art in service <strong>of</strong> the state, therise <strong>of</strong> genre, gender stereotypes, allegory, <strong>and</strong> art,religion, <strong>and</strong> spirituality.449. Seminar in 18th-Century European Art(3-0-3)Open to all students.Pr<strong>of</strong>ound <strong>and</strong> universal inquiry into all aspects <strong>of</strong>knowledge marked the history <strong>of</strong> the century <strong>of</strong> theEnlightenment <strong>and</strong> the Gr<strong>and</strong> Tour. The rise <strong>of</strong>the collective idea <strong>of</strong> nature, the study <strong>and</strong> instrumentality<strong>of</strong> the antique, the foundations <strong>of</strong>religion, the state, morality <strong>and</strong> reason, the relationship<strong>of</strong> the arts to the state, the philosophy <strong>of</strong>aesthetic were all critically analyzed <strong>and</strong>questioned.


113ART, ART HISTORY, AND DESIGNThis course investigates various stylistic trendsin 18th-century art in Italy, France <strong>and</strong> Engl<strong>and</strong>with a focus on the institutionalization <strong>of</strong> artthrough the academies. Discussion also centers onclassical art theory <strong>and</strong> its relationship to the academiesin light <strong>of</strong> the social, political <strong>and</strong> religiousclimate <strong>of</strong> the period. We will also consider theaesthetical, art historical <strong>and</strong> social consequences <strong>of</strong>the writings <strong>of</strong> Kant, Burke <strong>and</strong> Winckelmann.The course begins with the late baroque paintings<strong>of</strong> Carlo Maratti <strong>and</strong> his followers <strong>and</strong> then movesto subsequent stylistic trends as neoclassicism,Egyptian revival, <strong>and</strong> the rococco. Attention is alsogiven to the vedute painters <strong>and</strong> to such diversepersonalities as Piranesi, Mengs, Kauffmann,Tiepolo, Watteau <strong>and</strong> Chardin.451. American Art(3-0-3)This course examines American painting, architecture<strong>and</strong> sculpture from Puritan culture to the end<strong>of</strong> World War I. The approach is to examine thedevelopment <strong>of</strong> American art under the impact <strong>of</strong>social <strong>and</strong> philosophical forces in each historicalera. The course explores the way in which artists<strong>and</strong> architects give expression to the tensions <strong>and</strong>sensibilities <strong>of</strong> each period. Among the majorthemes <strong>of</strong> the course are the problem <strong>of</strong> America’sself-definition, the impact <strong>of</strong> religious <strong>and</strong> scientificthought on American culture, Americans’ changingattitudes toward European art, <strong>and</strong> the Americancontribution to modernism.452. British Art(3-0-3)This course is a general survey <strong>of</strong> the development<strong>of</strong> British painting from 1560 to 1900. In this context,the relationship between English 17th-century<strong>and</strong> early 18th-century <strong>and</strong> American colonialpainting are considered, alongside a discussion <strong>of</strong>uniquely British traditions.453. Nineteenth-Century European Art(3-0-3)Open to all students.This survey <strong>of</strong> 19th-century painting treats themajor figures <strong>of</strong> the period within the context <strong>of</strong>the social, political, <strong>and</strong> intellectual ferment thatshaped the culture. Among the artists included areJacques-Louis David, Eugène Delacroix, FranciscoGoya, Jean-Auguste-Dominique Ingres, CasparDavid Friedrich, Joseph Mallard William Turner,John Constable, Gustave Courbet, Camille Corot,Jean- François Millet, Édouard Manet, ClaudeMonet, Pierre-Auguste Renoir, <strong>and</strong> Edgar-HilaireDegas. Some <strong>of</strong> the major themes addressed are therelationships between tradition <strong>and</strong> innovation,between the artist <strong>and</strong> the public, <strong>and</strong> between theartist <strong>and</strong> nature. These topics are set against thedynamic forces <strong>of</strong> change released with the Frenchrevolution <strong>and</strong> the urban <strong>and</strong> industrialrevolutions.463. History <strong>of</strong> Design: Form, Values,<strong>and</strong> Technology(3-0-3)Open to all students.This course will provide a historical perspective onthe development <strong>of</strong> industrial, product <strong>and</strong> graphicdesign in the 19th <strong>and</strong> 20th centuries. More thanthe aesthetic styling <strong>of</strong> products, design mediatesthe intersection <strong>of</strong> technology <strong>and</strong> cultural valuesin the modern era. The role <strong>of</strong> the modern designeras both a facilitator <strong>and</strong> a critic <strong>of</strong> industrial technologywill be examined.471. Topics in Greek <strong>and</strong>/or Roman Art(3-0-3)Topics course on special areas <strong>of</strong> Greek <strong>and</strong>/orRoman art.472. Topics in Byzantine Art(3-0-3)Prerequisite: 200- or 300-level Art History courseor permission.The content <strong>of</strong> this course will change from year toyear. Intended for senior undergraduates, it will examinenarrow themes. Readings <strong>and</strong> discussion willbe central to this class. Topics that might be addressedinclude gender <strong>and</strong> sexuality, court culture,monasticism <strong>and</strong> spirituality, <strong>and</strong> colonialism.473. Topics in Renaissance Art(3-0-3)Topics course on special areas <strong>of</strong> Renaissance art.474. Topics in Baroque Art(3-0-3)Topics course on special areas <strong>of</strong> Baroque art.475. Topics in American Art(3-0-3)Topics course on special areas <strong>of</strong> American art.476. Topics in British Art(3-0-3)Topics course on special areas <strong>of</strong> British art.477. Topics in Modern European Art(3-0-3)Topics course on special areas <strong>of</strong> 19th-century <strong>and</strong>20th-century European art.478. Topics in Contemporary Art(3-0-3)Topics course on special areas <strong>of</strong> Contemporaryart.481. Seminar in Greek <strong>and</strong>/or Roman Art*(3-0-3)Permission required.Seminar on specific subjects in Greek <strong>and</strong>/orRoman art.482. Seminar in Medieval Art*(3-0-3)Permission required.Seminar on specific subjects in Medieval art.483. Seminar in Renaissance Art*(3-0-3)Permission required.Seminar on specific subjects in Renaissance art.484. Seminar in Baroque Art*(3-0-3)Permission required.Seminar on specific subjects in Baroque art.485. Seminar in American Art*(3-0-3)Permission required.Seminar on specific subjects in American art.486. Seminar in British Art*(3-0-3)Permission required.Seminar on specific subjects in British art.487. Seminar in Modern European Art*(3-0-3)Permission required.Seminar on specific subjects in 19th-century <strong>and</strong>20th-century European art.488. Seminar in Contemporary Art*(3-0-3)Permission required.Seminar on specific subjects in Contemporary art.490. Art History Methods(3-0-3)Required <strong>of</strong> all art history majors. Permission required.This seminar is a survey <strong>of</strong> the historiography <strong>of</strong> arthistory, with special attention paid to the varioustypes <strong>of</strong> methodology which have been applied tothe analysis <strong>of</strong> art. Special attention is given to19th-century <strong>and</strong> 20th-century art historical methods,including connoisseurship, biography,iconology, psychoanalysis, <strong>and</strong> semiotic <strong>and</strong> feministapproaches.498. Special Studies(V-V-V)Permission required.Independent study in art history under the direction<strong>of</strong> an individual faculty member.* In seminars, the particular area <strong>of</strong> concentrationwill be determined each time the course is <strong>of</strong>fered.Students will be expected to research a topic, presenttheir findings to the seminar, <strong>and</strong> submit a papersummarizing their conclusions.


114CLASSICSClassicsChair:Keith R. BradleyEli J. Shaheen Pr<strong>of</strong>essor <strong>of</strong> Classics:Keith R. BradleyPr<strong>of</strong>essor:Daniel J. SheerinAssociate Pr<strong>of</strong>essors:Joseph P. Amar (Classics: Arabic); W. MartinBloomer; Elizabeth Forbis Mazurek; J. WilliamHunt (emeritus); Brian A. Krostenko; David J.LadouceurAssistant Pr<strong>of</strong>essors:Asma Afsaruddin (Classics: Arabic); Rev.Leonard N. Banas,C.S.C. (emeritus); Li Guo(Classics: Arabic); Sarah E. McKibben(Classics: Irish); Chris McLaren; Peter T.G.McQuillan (Classics: Irish); BrianÓ Conchubhair (visiting); Catherine M.Schlegel; Robert A. VaccaConcurrent Associate Pr<strong>of</strong>essors:Blake Leyerle; David O’Connor; Robin RhodesConcurrent Assistant Pr<strong>of</strong>essor:Tadeusz R. MazurekAdjunct Assistant Pr<strong>of</strong>essor:Joseph P. StanfielThe department. The Department <strong>of</strong> Classics <strong>of</strong>fersprograms <strong>of</strong> courses in the languages, literatures,archaeology, history <strong>and</strong> civilization <strong>of</strong> theancient world. Cooperation with other departments<strong>of</strong> the college makes available to Classics studentsadditional courses in the art, philosophy, politicaltheory <strong>and</strong> religions <strong>of</strong> antiquity.The department also provides the administrativehome for the programs in the languages <strong>and</strong>cultures <strong>of</strong> the Middle East <strong>and</strong> in Irish literature<strong>and</strong> culture.MAJORS IN CLASSICSClassics majors encounter at their sources the perennialcultures <strong>of</strong> Greece <strong>and</strong> Rome, cultures thatcontinue to exercise a pr<strong>of</strong>ound influence on Euro-American civilization. Classical training impartsenhanced skills in close reading <strong>and</strong> analysis <strong>of</strong> literary<strong>and</strong> rhetorical forms, as well as repeated experience<strong>of</strong> the integration <strong>of</strong> literature, history <strong>and</strong>ancillary studies. Thus, a major in classics providesthe archetypal humanistic education <strong>and</strong> an idealpreparation for entry into any <strong>of</strong> the pr<strong>of</strong>essionswhich require mastery <strong>of</strong> language, close analysis <strong>of</strong>documents <strong>and</strong> integration <strong>of</strong> multiplex details.The lower-level courses equip the student withrudimentary knowledge <strong>of</strong> languages <strong>and</strong> with aconspectus <strong>of</strong> ancient history <strong>and</strong> culture. Advancedcourses in Latin <strong>and</strong> Greek literature <strong>and</strong>the limited-enrollment courses in Ancient Civilizationprovide opportunities for more focused <strong>and</strong>detailed study <strong>and</strong> are conducted in a seminar formatwith emphasis on research <strong>and</strong> writing.In addition to the other <strong>University</strong> requirements,students majoring in classics will, undernormal circumstances, complete at least 10courses in one <strong>of</strong> three areas <strong>of</strong> concentration:Greek, Latin or Classical Civilization.Greek major5 courses in Greek language/literature:103 <strong>and</strong> above 152 courses in Latin 62 courses in classics or related subjects approvedby the department 6Greek History 3————30Latin major5 courses in Latin language/literature:103 <strong>and</strong> above 152 courses in Greek 62 courses in Classics or related subjects approvedby the department 6Roman History 3————30Classical Civilization majorGreek Literature <strong>and</strong> Culture(or approved equivalent) 3Roman Literature <strong>and</strong> Culture(or approved equivalent) 3Greek & Roman Mythology 32 additional courses in Classics or related subjectsapproved by the department 6Greek History 3Roman History 33 courses in Greek or Latin 9————30Supplementary majorsSupplementary majors in Greek are exempt fromthe Latin requirement. Supplementary majors inLatin are exempt from the Greek requirement.Supplementary majors in Classical Civilization areexempt from the Latin or Greek requirement butare expected to take an additional course in classics.All other requirements are the same as those for theprimary major.MINORS IN CLASSICSMinors provide students majoring in other areaswith structure <strong>and</strong> certification for a variety <strong>of</strong> approachesto the study <strong>of</strong> Greek <strong>and</strong> Latin language,literature <strong>and</strong> civilization.Latin minorThe Latin minor provides a solid grounding in thephilological <strong>and</strong> literary study <strong>of</strong> Latin texts <strong>of</strong> theclassical period, or, for those who prefer, <strong>of</strong> ChristianLatin literature. It consists ordinarily <strong>of</strong> fivecourses (15 hours) in Latin: (1) Intermediate Latinor its equivalent. This can be fulfilled by successfulcompletion <strong>of</strong> Intermediate Latin or by advancedplacement; (2) Latin Literature <strong>and</strong> Stylistics; (3-5)three courses to be chosen from Latin courses at the300/400 level. Students interested in later Latintexts are directed to the joint <strong>of</strong>ferings <strong>of</strong> the department<strong>and</strong> the Medieval Institute.Greek minorThe minor in Greek provides a solid grounding inthe philological <strong>and</strong> literary study <strong>of</strong> Greek texts<strong>of</strong> the classical <strong>and</strong> Hellenistic periods. It consistsordinarily <strong>of</strong> five courses (15 hours) in Greek:(1) Intermediate Greek, or equivalent; (2) GreekLiterature <strong>and</strong> Stylistics; (3-5) three courses to bechosen, with departmental approval, from Greekcourses at the 300/400 level.Classical Civilization minorThis minor provides a broadly based orientation tothe history <strong>and</strong> civilization <strong>of</strong> the classical world.The three specifically required courses supply theneeded framework <strong>of</strong> study <strong>of</strong> history <strong>and</strong> religiousthought. Requirements for the minor: (1) GreekHistory; (2) Roman History; (3) Greek <strong>and</strong> RomanMythology; (4-5) two courses chosen either fromCLAS courses, whether <strong>of</strong>fered by the departmentor crosslisted courses <strong>of</strong>fered by other programs, orfrom Greek or Latin language courses above the introductorylevel.Classical Literature (in Translation) minorThe minor in Classical Literature in translation isdesigned to provide a broad experience <strong>of</strong> Greek<strong>and</strong> Latin literature studied in English translation.Requirements for the minor: (1) Greek Literature<strong>and</strong> Culture; (2) Roman Literature <strong>and</strong> Culture;(3) Classical Mythology; (4-5) two electives chosen,subject to departmental approval, either fromCLAS courses (whether <strong>of</strong>fered by the departmentor cross-listed courses <strong>of</strong>fered by other programs)or from Greek or Latin language courses above theintroductory level.


115CLASSICSCourse Descriptions. The following course descriptionsgive the number, title <strong>and</strong> a brief characterization<strong>of</strong> each course. Lecture or class hours perweek, laboratory or tutorial hours per week <strong>and</strong>credits each semester are in parentheses. Not all <strong>of</strong>these courses are <strong>of</strong>fered every year.NOTE: All literature courses at the 300 level orabove, whether in translation or in the original,will satisfy the arts <strong>and</strong> letters elective option inliterature.GREEK101-102. Beginning Greek I <strong>and</strong> II(3-0-3) (3-0-3) Ladoceur, SchlegelFor beginning language students. The course aimsat developing a reading knowledge <strong>of</strong> Attic prose.Plato <strong>and</strong> Xenophon are the primary authors.103. Intermediate Greek(3-0-3) VaccaPrerequisite: 102 or the equivalent.Practice in reading Greek literature. Selectionsfrom Homer, Greek tragedy <strong>and</strong> philosophy.325. Greek Literature <strong>and</strong> Stylistics(3-0-3) VaccaProvides an introduction to the advanced study <strong>of</strong>Greek literary texts through close reading <strong>of</strong> selectedtexts combined with practice in Greek composition.410. Greek Historians(3-0-3) LadouceurReadings in Herodotus <strong>and</strong> Thucydides. Close literary<strong>and</strong> historiographical analysis <strong>of</strong> texts.421. Homer(3-0-3) VaccaReading <strong>and</strong> analysis <strong>of</strong> selections from Iliad <strong>and</strong>Odyssey. Theory <strong>of</strong> oral composition. Current issuesin Homeric scholarship.432. Philosophical Poetry(3-0-3) McLarenThis course consists <strong>of</strong> a survey <strong>of</strong> extant Greekphilosophical poetry, along with a detailedexamination <strong>of</strong> its place in the histories <strong>of</strong> bothliterature <strong>and</strong> philosophy in antiquity.450. Early Greek Poetry(3-0-3) MazurekReadings in Hesiod <strong>and</strong> the Homeric Hymns. Literary<strong>and</strong> cultural developments <strong>of</strong> Archaic Greece.457. Hellenistic Literature(3-0-3) StaffTexts from Aristotle, Theophrastus, Men<strong>and</strong>er <strong>and</strong>Plutarch. Analysis <strong>of</strong> the development <strong>of</strong> fiction afterthe classical period.460. Greek Comedy(3-0-3) VaccaReading <strong>and</strong> analysis <strong>of</strong> selected comic plays <strong>of</strong>Aristophanes. The role <strong>of</strong> the comic theatre in theAthenian community.465. Tragedy(3-0-3) SchlegelTexts selected from Aeschylus, Sophocles <strong>and</strong>Euripides. Tragedy as a dramatic genre <strong>and</strong> as aview <strong>of</strong> life. Introduction to scholarship in thissubject.466/566. Images <strong>of</strong> Alex<strong>and</strong>er(3-0-3) MazurekThe career <strong>of</strong> Alex<strong>and</strong>er the Great (356-323B.C.E.) <strong>and</strong> his effect on world history, ancient <strong>and</strong>modern, are examined through close reading <strong>of</strong>Arrian’s History <strong>and</strong> Plutarch’s Life <strong>of</strong> Alex<strong>and</strong>er<strong>and</strong> the different images they <strong>of</strong>fer <strong>of</strong> thisfascinating yet controversial figure. Alex<strong>and</strong>er’sinfluence on our concepts <strong>of</strong> empire, monarchy,<strong>and</strong> the divide between East <strong>and</strong> West are givenspecial emphasis.467. Advanced Greek: Plato(3-0-3) VaccaThis course will consider Plato’s rejection <strong>of</strong> hisown Athenian culture <strong>and</strong> efforts to establish thephilosophical life as a comprehensive personal alternative.Texts from Plato’s middle period, particularlyGorgias <strong>and</strong> Republic, will be central.470. Greek Orators(3-0-3) LadouceurHistorical <strong>and</strong> cultural examination <strong>of</strong> the speeches<strong>of</strong> Lysias <strong>and</strong> Demosthenes. Discussions <strong>of</strong> AtticLaw, stylistic analysis <strong>and</strong> compositional exercises.475. Greek Philosophical Texts(3-0-3) VaccaReading <strong>and</strong> analysis <strong>of</strong> selected Platonic dialogues.Consideration <strong>of</strong> political, moral <strong>and</strong> metaphysicaltopics in Platonic philosophy. Current scholarlyissues.498. Special Studies in Greek Literature(3-0-3) StaffPermission <strong>of</strong> department required.LATIN101-102. Beginning Latin I <strong>and</strong> II(3-0-3) (3-0-3) StaffAn introductory course for students beginningtheir study <strong>of</strong> Latin.103. Intermediate Latin(3-0-3) StaffPrerequisite: 102 or the equivalent.For students with two semesters <strong>of</strong> college-levelLatin or the equivalent, this course aims both toconsolidate knowledge <strong>of</strong> Latin vocabulary <strong>and</strong>syntax <strong>and</strong> to introduce students to Latinliteratures through readings <strong>of</strong> more extensiveselections.118. Intensive Latin I <strong>and</strong> II(5-0-5) LadouceurThis course is intended for students who wish tolearn a full year <strong>of</strong> Latin in one semester. Successfulcompletion <strong>of</strong> the course leads students to Latin103, after which they will have satisfied the collegelanguage requirement.325. Latin Literature <strong>and</strong> Stylistics(3-0-3) KrostenkoProvides an introduction to the advanced study <strong>of</strong>Latin literary texts through close reading <strong>of</strong> selectedtexts combined with practice in Latin composition.350. Age <strong>of</strong> Cicero(3-0-3) StaffReadings in historical <strong>and</strong> literary texts <strong>of</strong> the lateRepublic; to include works by Sallust <strong>and</strong>Lucretius, as well as the letters <strong>of</strong> Cicero <strong>and</strong>Caesar’s Civil War.355. Age <strong>of</strong> Augustus(3-0-3) MazurekRoman history <strong>and</strong> literature from 44 B.C.-A.D.14. A study <strong>of</strong> Augustus as a social, political <strong>and</strong>cultural focal point. Texts: Res Gestae, texts bySuetonius, Horace, Vergil, Ovid.365. Later Latin Literature(3-0-3) SheerinAn introduction to the Latin fathers, with attentiongiven to the development <strong>of</strong> Christian Latin idiom,the emergence <strong>of</strong> new literary genres <strong>and</strong> theChristianization <strong>of</strong> classical genres.400. Latin Lyric Poetry(3-0-3) SchlegelExtensive readings in the lyrics <strong>of</strong> Catullus <strong>and</strong>Horace.410. Roman Historians(3-0-3) StaffA survey <strong>of</strong> Roman historical writings from the fall<strong>of</strong> the Republic to the early Principate. Readings inSallust, Caesar, Livy <strong>and</strong> Tacitus.415. Roman Satire(3-0-3) SchlegelA study <strong>of</strong> satire as a mockery <strong>of</strong> Roman society<strong>and</strong> its anomalies. Readings in Lucilius, Horace<strong>and</strong> Juvenal.416. Roman Oratory, Theory, <strong>and</strong> Practice(3-0-3) KrostenkoWe examine the relationship between oratoricalstyle <strong>and</strong> political ideology in three speeches <strong>of</strong>Cicero. Latin composition also is featured.420. Roman Epic: Virgil(3-0-3) StaffAn introduction to the poetry <strong>of</strong> Virgil, coveringselections from the Georgics <strong>and</strong> the Aeneid.431. Advanced Latin: Poetry(3-0-3) BradleyRepresentative selections from the poets <strong>of</strong> the lateRoman Republic, including Lucretius, Catullus,Horace, <strong>and</strong> Virgil.465. St. Augustine’s Confessions(3-0-3) SheerinThis course provides an introduction to St.Augustine’s Confessions, through reading <strong>of</strong>extensive selections from the Latin text, a carefulreading <strong>of</strong> the entire work in English translation,<strong>and</strong> the application <strong>of</strong> a variety <strong>of</strong> criticalapproaches, old <strong>and</strong> new.


116CLASSICS475. Introduction to Christian Latin Texts(Medieval Latin I)(3-0-3) SheerinThis class has two goals: to improve the student’sall-around facility in dealing with Latin texts <strong>and</strong> tointroduce the student to the varieties <strong>of</strong> ChristianLatin texts. Medieval Latin II, a survey <strong>of</strong> medievalLatin texts, follows this course in the spring term.498. Special Studies in Latin Literature(3-0-3) StaffPermission <strong>of</strong> department required.CLASSICS COURSES IN ENGLISHNo prerequisites.121. Ancient Greece <strong>and</strong> Rome(3-0-3) MazurekAn introduction to the major historical <strong>and</strong>cultural periods <strong>of</strong> ancient Greek <strong>and</strong> Romancivilization through close reading <strong>of</strong> texts central tothe Classical Greek <strong>and</strong> Latin literary traditions.Topics to be considered include: concepts <strong>of</strong> thedivine; heroism <strong>and</strong> virtue; concepts <strong>of</strong> gender;democracy, empire, <strong>and</strong> civic identity. The courseaims to deepen students’ appreciation for theClassical roots <strong>of</strong> their own social, intellectual, <strong>and</strong>religious lives.150. Introduction to Greco-Roman Mythology(3-0-3) McLarenThis course surveys the mythologies <strong>of</strong> Greece <strong>and</strong>Rome <strong>and</strong> traces their transmission <strong>and</strong> influencedown to the present day. We examine Greek <strong>and</strong>Roman myths as embodied in a wide variety <strong>of</strong>ancient media, as well as the way in which thesestories <strong>and</strong> characters survive <strong>and</strong> are transformedin later literature <strong>and</strong> the visual arts. The class isdesigned not only to introduce students to anumber <strong>of</strong> the characters, themes, <strong>and</strong> plot linesthat have helped define the West, but also tointroduce students early in their college careers to anumber <strong>of</strong> the interpretive methodologies currentlyat the forefront <strong>of</strong> teaching <strong>and</strong> scholarship in thehumanities.180H. History <strong>University</strong> Seminar(3-0-3) StanfielAn introduction to the seminar method <strong>of</strong> instructionthat introduces students to the material life<strong>and</strong> culture <strong>of</strong> the Roman Empire <strong>and</strong> that emphasizesresearch methods as well as organization <strong>and</strong>expression <strong>of</strong> arguments.180J. Literature <strong>University</strong> Seminar(3-0-3) StaffIntroduces first-year students to the study <strong>of</strong> classicalliterature on a comparative basis, with readingsfrom Greco-Roman, Irish <strong>and</strong> Arabic literature.207. Egyptian Civilization(3-0-3) LadouceurAn introduction to the history <strong>and</strong> culture <strong>of</strong>pharaonic Egypt, with particular attention to thehistory <strong>of</strong> Egyptian religion, literature, art <strong>and</strong> architecture.300. Greek Literature <strong>and</strong> Culture(3-0-3) StaffSurvey <strong>of</strong> masterpieces <strong>of</strong> Greek literature, history<strong>and</strong> philosophy, designed as classical backgroundfor humanities students. Readings from Homer,Aeschylus, Sophocles, Euripides, Thucydides, Plato<strong>and</strong> Aristotle.301. Roman Literature <strong>and</strong> Culture(3-0-3) StaffSurvey <strong>of</strong> masterpieces <strong>of</strong> Latin literature, history<strong>and</strong> philosophy designed as classical backgroundfor humanities students. Readings from Catullus,Lucretius, Cicero, Virgil, Ovid, Tacitus <strong>and</strong>Juvenal.305. Greek History(3-0-3) VaccaAncient Greek history from the Bronze Age to theRoman conquest <strong>and</strong> the appearance <strong>of</strong> Christianity.Emphasizes social <strong>and</strong> cultural developments aswell as political history.306. Roman History(3-0-3) StaffIntroduction to the history <strong>of</strong> the Roman Empire,from the founding <strong>of</strong> Rome in the eighth centuryB.C . to the collapse <strong>of</strong> the western empire in thefifth century A.D. Special topics include the politicalcareers <strong>of</strong> Cicero, Julius Caesar <strong>and</strong> Augustus,social issues such as warfare <strong>and</strong> slavery, <strong>and</strong> thelegacy <strong>of</strong> Roman historical writing.307. Introduction to Egyptology(3-0-3) LadouceurA methods-oriented course that provides an introductionto the discipline <strong>of</strong> Egyptology; areas coveredinclude the history <strong>of</strong> Egyptology, interpretation<strong>of</strong> archeological evidence, the reading <strong>of</strong> hieroglyphictexts, the establishment <strong>of</strong> chronology,<strong>and</strong> the use <strong>of</strong> comparative social science models.Prior enrollment in Egyptian Civilization is not requiredbut strongly advised.308. Roman Law <strong>and</strong> Governance(3-0-3) MazurekStudents will study all branches <strong>of</strong> Roman government,with special emphasis on the judiciary <strong>and</strong>the development <strong>of</strong> Roman law from the XIITables to Justinian’s Digest. Students will gain athorough underst<strong>and</strong>ing <strong>of</strong> the bureaucratic operation<strong>of</strong> the ancient Roman state.Prior study <strong>of</strong> Roman history is recommendedbut not required.310. Latin Literature in Translation(3-0-3) SheerinThis is a survey, in lecture/discussion format, <strong>of</strong>selected works <strong>of</strong> Classical Latin literature. Inaddition to close reading <strong>of</strong> the texts, we routinelygive attention to the sociocultural worlds thatproduced Latin litreature <strong>and</strong> to the character <strong>of</strong>Latin literature’s abiding influence in Christianantiquity, the Middle Ages, the Renaissance <strong>and</strong>early modern periods, <strong>and</strong> modern cultures.Weekly quizzes, biweekly essays, <strong>and</strong> a final.311. Roman Slavery(3-0-3) BradleyA survey <strong>of</strong> the role slavery played in themaintenance <strong>of</strong> Roman civilization <strong>and</strong> culture.Topics studied include how the Romans acquiredslaves, how they were treated, what jobs theyperformed, their living conditions, <strong>and</strong> theirresponse to being enslaved. Particular attention ispaid to ancient philosophical thought aboutslavery, including early Christian thought.326. Medieval Latin Literature in Translation(3-0-3) SheerinA survey <strong>of</strong> works <strong>of</strong> Medieval Latin literature fromthe sixth through the 13th century read in Englishtranslation.330. Hieroglyphs <strong>and</strong> History(3-0-3) LadouceurThis course focuses on Egyptian hieroglyphs bothas a means to reconstruct Egyptian history <strong>and</strong> cultureas well as a reflection <strong>of</strong> that culture. The studentwill be taught to translate <strong>and</strong> interpretprimary sources, especially on monuments <strong>and</strong> archaeologicalfinds.335. History <strong>of</strong> Ancient Medicine(3-0-3) LadouceurThis course will trace the development <strong>of</strong> ancientmedicine from the neolithic period down to thesecond century after Christ. The emphasis will beon three cultures, Egyptian, Greek, <strong>and</strong> Roman.How historians use the three main categories <strong>of</strong>evidence (written documents, human remains <strong>and</strong>artistic representations) will be clearly illustrated.340. Democracy <strong>and</strong> the Greeks(3-0-3) VaccaAn in-depth study <strong>of</strong> the Athenian Democracy <strong>and</strong>its critics, <strong>and</strong> the influence <strong>of</strong> this material for thefundamentals <strong>of</strong> European practical theory. Alltexts in translation.355. Women in Antiquity(3-0-3) MazurekAn examination <strong>of</strong> women’s roles in ancient Greek<strong>and</strong> Roman society. A comparison <strong>of</strong> mythological<strong>and</strong> literary images <strong>of</strong> women with everyday lives <strong>of</strong>Greek <strong>and</strong> Roman women. Origins <strong>of</strong> Western attitudestoward women.356. Portraits <strong>of</strong> Heroic Womenfrom Classical <strong>and</strong> Early Christian Literature(3-0-3) SheerinFigures to be studied include Helen <strong>of</strong> Troy <strong>and</strong>Mary <strong>of</strong> Egypt, Hypatia <strong>and</strong> Lysistrata,Clytemnestra <strong>and</strong> Alcestis; particular attention willbe given to the fragmentary self-portraits left bySappho <strong>and</strong> Vibia Perpetua.360. Classical Love Literature(3-0-3) SheerinA survey <strong>of</strong> the Greco-Roman literature <strong>of</strong> love:amatory poetry, drama, romance <strong>and</strong> theoreticaltreatments <strong>of</strong> love <strong>and</strong> friendship. Both pagan <strong>and</strong>Christian texts will be explored.


117CLASSICS369. The Art <strong>of</strong> Mythology(3-0-3) McLaren, GilThis course surveys the mythologies <strong>of</strong> Greece <strong>and</strong>Rome <strong>and</strong> traces their transmission <strong>and</strong> influencedown to the present day. We examine Greek <strong>and</strong>Roman myths as embodied in a wide variety <strong>of</strong> ancientmedia, as well as the way in which these stories<strong>and</strong> characters survive <strong>and</strong> are transformed inlater literature <strong>and</strong> the visual arts. The class is designednot only to introduce students to a number<strong>of</strong> the characters, themes, <strong>and</strong> plot lines that havehelped define the West, but also to introduce themearly in their college careers to a number <strong>of</strong> the interpretivemethodologies that are currently at theforefront <strong>of</strong> teaching <strong>and</strong> scholarship in thehumanities.423. Greek Architecture(3-0-3)In this course, the development <strong>of</strong> Greek monumentalarchitecture <strong>and</strong> the major problems thatdefine it will be traced from the eighth through thesecond centuries B.C., from the late Geometricthrough the Archaic, Classical <strong>and</strong> Hellenistic periods.Among themes to be treated are the relationshipbetween l<strong>and</strong>scape <strong>and</strong> religious architecture,the humanization <strong>of</strong> temple divinities, the architecturalexpression <strong>of</strong> religious tradition <strong>and</strong> even specifichistory, architectural procession <strong>and</strong> hieraticdirection, emblem <strong>and</strong> narration in architecturalsculpture, symbolism <strong>and</strong> allusion through architecturalorder, religious revival <strong>and</strong> archaism, <strong>and</strong>the breaking <strong>of</strong> the architectural <strong>and</strong> religiouscanon.450. Greek <strong>and</strong> Roman Mythology(3-0-3) McLarenThe major mythical tales <strong>and</strong> figures from the classicalworld which have influenced world literature.Study <strong>of</strong> the Olympic <strong>and</strong> vegetation cults. Homer<strong>and</strong> Hesiod, national <strong>and</strong> local myth, Syncretism,Mysteries.455. Classical Epic(3-0-3) SchlegelA study <strong>of</strong> the epic literature <strong>of</strong> classical antiquityin English translation, this course will give studentsa solid grasp <strong>of</strong> the texts <strong>of</strong> the classical epics <strong>and</strong>the cultural contexts in which they were set.460. Greek Tragedy (in translation)(3-0-3) McLarenOrigins <strong>and</strong> functions <strong>of</strong> tragedy. Readings fromAeschylus, Sophocles, Euripides.470. Roman Satire(3-0-3) MazurekA study <strong>of</strong> the origins, forms <strong>and</strong> influence <strong>of</strong> RomanSatire. Readings from the works <strong>of</strong> Lucilius,Horace, Persius, Petronius, Juvenal, Lucian, Swift<strong>and</strong> Pope.482. Sem: Vision <strong>and</strong> Ecstasy in Medieval Art(3-0-3) BarberThis seminar addresses a wide range <strong>of</strong> Medievaltexts <strong>and</strong> objects that will enable us to analyze thenature <strong>of</strong> Medieval vision as it pertains to the visualarts. The type <strong>of</strong> texts included will be theological,epistological, liturgical, rhetorical, <strong>and</strong> philosophical.Objects will include architecture, illuminatedmanuscripts, frescoes, mosaics, <strong>and</strong> icons. Theseminar encompasses both Byzantium <strong>and</strong> theLatin West. The primary purpose <strong>of</strong> the seminar isto examine the complexity <strong>of</strong> visual experience as aform <strong>of</strong> knowledge. The secondary purpose is toconsider the extent to which this experience is ecstatic,disrupting our modernist notion <strong>of</strong> the observantsubject as the foundation <strong>of</strong> knowledge.Participants in the seminar will be expected towrite a lengthy term paper on a topic that intereststhem.498. Special Studies(V-V-V)PROGRAM IN IRISHThe program in Irish <strong>of</strong>fers language courses at thebeginning (two semesters) <strong>and</strong> intermediate (onesemester) levels. Irish is the Celtic language <strong>of</strong>tencalled “Gaelic.” It is one <strong>of</strong> the languages <strong>of</strong> the socalled“Celtic fringe” <strong>of</strong> northwest Europe <strong>and</strong> isrelated, most closely, to Scottish Gaelic <strong>and</strong>, moredistantly, to Welsh <strong>and</strong> Breton (northwest France).These are all fully-fledged modern languages intheir own right, but they <strong>of</strong>fer something fascinatingly“different” in the Western European context.Irish is the oldest attested written European languageoutside the classical languages <strong>and</strong>, as such,<strong>of</strong>fers a window on a kind <strong>of</strong> civilization longpassed away in most <strong>of</strong> Western Europe. The emphasis<strong>of</strong> these courses is, however, very much amodern one: They teach the contemporary languageas spoken in the “Gaeltacha/i” (Irish-speakingareas) <strong>of</strong> Irel<strong>and</strong> today. The initial emphasis ison basic listening, speaking <strong>and</strong> writing. At leastone class per week is conducted in the LanguageResource Center to enable students to work onpronunciation <strong>and</strong> communicative skills. Studentsare also introduced to various aspects <strong>of</strong> Irish language<strong>and</strong> culture through the reading <strong>of</strong> simpletexts in the original language.Interested students should also consult the listingsin this Bulletin under Irish studies, English,political science, history, <strong>and</strong> medieval studies forcomplementary courses in Irish studies. Graduatestudents should consult the Graduate School Bulletinfor information on the appropriate 500-level“Studies in the Irish Language” courses.Course Descriptions. The following course descriptionsgive the number, the title <strong>and</strong> a briefcharacterization <strong>of</strong> each course. Lecture or classhours per week, laboratory or tutorial hours perweek <strong>and</strong> credits each semester are in parentheses.Not all <strong>of</strong> these courses are <strong>of</strong>fered every year.101-102. Beginning Irish I <strong>and</strong> II(3-0-3) (3-0-3) StaffThe first two courses in Irish; see preceding fordescription <strong>of</strong> program.103. Intermediate Irish(3-0-3) McQuillanPrerequisite: 102 or the equivalent.Continuation <strong>of</strong> the study <strong>of</strong> the Irish languagethrough the intermediate stage.301. The Irish in Their Own Words(3-0-3) McQuillanThis course is designed as an introduction to theliterature <strong>of</strong> Medieval Irel<strong>and</strong>. Particular emphasiswill be placed on the prose saga texts like the T/ainB/o Cuailnge or Cattle Raid <strong>of</strong> Cooley, which featuresthe legendary hero C/u Chulainn; also thevarious texts in both prose <strong>and</strong> poetry <strong>of</strong> the Feniancycle <strong>of</strong> Fionn Mac Cumhaill (Finn McCool). Themanner in which such texts shed light on the nature<strong>of</strong> medieval Irish society will be examined.There will be regular reading <strong>and</strong> writing assignments,<strong>and</strong> students will be expected to take part inclass discussion.PROGAM IN SEMITIC LANGUAGESCourses in Arabic, Syriac <strong>and</strong> Hebrew <strong>of</strong>fer instructionin the languages, literatures <strong>and</strong> cultures <strong>of</strong> theMiddle East. The study <strong>of</strong> these languages is necessaryfor an underst<strong>and</strong>ing <strong>of</strong> Semitic culture <strong>and</strong> asbackground for the development <strong>of</strong> Judaism,Christianity, Islam <strong>and</strong> Middle Eastern contactswith the Classical world, with Africa, Europe <strong>and</strong>America.In recent years, the West has become increasinglyaware <strong>of</strong> the Arabic-speaking East. Courses inArabic language <strong>and</strong> literature are a prerequisite foran underst<strong>and</strong>ing <strong>of</strong> the rise <strong>of</strong> Islam, the literatureit produced <strong>and</strong> subsequent developments amongArabic-speaking Muslems <strong>and</strong> Christians.Courses in Syriac taught at the graduate levelare available to qualified undergraduates bypermission.


118CLASSICSCourse Descriptions. The following course descriptionsgive the number, the title <strong>and</strong> a briefcharacterization <strong>of</strong> each course. Lecture or classhours per week, laboratory or tutorial hours perweek <strong>and</strong> credits each semester are in parentheses.Not all <strong>of</strong> these courses are <strong>of</strong>fered every year.Arabic Major4 semesters <strong>of</strong> Arabic 122 literature courses in Classicstaught by the Arabic faculty 62 courses in Middle East history 61 course in Islam 31 elective, subject to departmental approval 3————30Mediterranean/Middle East Area StudiesMinorThis is a broad-based program that includes all aspects<strong>of</strong> the ancient <strong>and</strong> modern cultures that surroundthe Mediterranean. Courses from threeregions apply. In Europe, this includes the study <strong>of</strong>Classical Greece <strong>and</strong> Rome as well as modern Italy,France, Spain <strong>and</strong> Portugal in Europe. Courses onthe Middle East are related to the study <strong>of</strong> Semiticpeoples <strong>and</strong> their cultures, languages, religions <strong>and</strong>politics. In North Africa, Arab <strong>and</strong> Francophonehistory <strong>and</strong> civilization are the focus.Students are required to fulfill a sequence <strong>of</strong> 12credits (four courses distributed over the area). Inaddition, they are required to write a major researchessay under the direction <strong>of</strong> one <strong>of</strong> the advisorsfor three credits.Arabic101-102. Beginning Arabic I <strong>and</strong> II(3-0-3) StaffAn introduction to modern st<strong>and</strong>ard Arabic. Principles<strong>of</strong> basic grammar, syntax <strong>and</strong> vocabulary.103. Intermediate Arabic(3-0-3) StaffA continuation <strong>of</strong> Arabic I <strong>and</strong> II with emphasis onwriting <strong>and</strong> speaking for self-expression.104. Continuing Arabic(3-0-3) GuoContinues the study <strong>of</strong> Arabic beyond the intermediatelevel <strong>and</strong> introduces students to modern journalistictexts.105. Advanced Arabic I(3-0-3) StaffCommences study <strong>of</strong> formal Arabic literary textswith additional emphasis on classroom discussionin Arabic.106. Advanced Arabic II(3-0-3) StaffContinuation <strong>of</strong> advanced study <strong>of</strong> literary Arabic.Courses in English235. Arabic Literature in English Translation:Fiction(3-0-3) GuoThe object <strong>of</strong> this course is to introduce the studentto Arabic literature — a major world literaturethat remains largely unexplored in the West —from its beginning to the present. The course willread <strong>and</strong> discuss, in a seminar context <strong>and</strong> from abroadly comparative perspective, key works <strong>of</strong> medievalArabic narrative prose, the Arabian Nights<strong>and</strong> the Maqmat, <strong>and</strong> selected works <strong>of</strong> modernArabic fiction by the Nobel laureate NaguibMahfouz (Egypt), among others. There will also beseveral screenings <strong>of</strong> the film adaptations. Some <strong>of</strong>the issues to be discussed are the influence <strong>of</strong> theArabian Nights in Western literature, representation<strong>and</strong> interpretation, <strong>and</strong> literary compositionalstrategies in “domesticating” an “imported” genre,namely fiction, used by modern Arab writers.240. Middle East History(3-0-3) AmarA survey <strong>of</strong> the Middle East from ancient tomodern times.242. Revelation to Revolution: The Middle Eastfrom A.D. 100 to 1000(3-0-3) AmarThis class investigates the interplay betweenChristianity <strong>and</strong> Islam in the Middle East fromA.D. 100 to 1000. Topics include religiousinteraction, politics <strong>of</strong> empire, Arabic literature,art, <strong>and</strong> architecture.255. Women’s Memories, Women’s Narratives(3-0-3) AfsaruddinThis course will focus primarily on women’s memoirs,autobiographies, <strong>and</strong> fiction to analyze theconstruction <strong>of</strong> the feminine self <strong>and</strong> identity inmodern Arab societies. Rather than look at theseworks through the prism <strong>of</strong> sweeping gender paradigms,we will be more concerned with letting thewomen speak for themselves through the immediacy<strong>of</strong> their own experiences. A broad knowledge<strong>of</strong> Middle Eastern history <strong>and</strong> political events ishelpful but not vital. All readings are in Englishtranslation.260. The Golden Age <strong>of</strong> Islamic Civilization(3-0-3) AfsaruddinThis course will deal with the period A.D. 750-1055, commonly dubbed the “golden age” <strong>of</strong> Islamiccivilization. This period under the Abbasiddynasty saw the greatest flowering <strong>of</strong> the arts, architecture,literature, the sciences, <strong>and</strong> religious <strong>and</strong>philosophical thought. This is the time, for example,<strong>of</strong> the caliph Harun al-Rashid <strong>of</strong> ArabianNights fame, a man <strong>of</strong> legendary wealth <strong>and</strong> generosity,whose court attracted the best <strong>and</strong> the brightest<strong>of</strong> its time. The influence <strong>of</strong> medieval Islamiccivilization upon Europe will be considered as well.All readings will be in English translation; no priorknowledge <strong>of</strong> Islam <strong>and</strong> its civilization is assumed.The course will supplement texts with audiovisualmaterials to attempt to provide an authentic “taste”<strong>of</strong> the age.350. Christianity in the Middle East: Origins tothe Present(3-0-3) AmarCrosslisted with HIST 462 <strong>and</strong> THEO 345.The spread <strong>of</strong> Christianity from Jerusalem intoAsia Minor <strong>and</strong> Europe is well documented. ButChristianity is not a European phenomenon; it isMiddle Eastern <strong>and</strong> Semitic in its origins. Why wasthe existence <strong>of</strong> Christianity in the Middle Eastmarginalized by the earliest Christian historians?Why is Christianity in the Middle East soinadequately understood today? This courseexamines the evidence for Christianity articulatedin the native Aramaic language <strong>and</strong> culture <strong>of</strong> theregion. We investigate the origins <strong>and</strong> development<strong>of</strong> the indigenous “Oriental” churches <strong>of</strong> Syria,Lebanon, Jordan, Iraq <strong>and</strong> Iran, <strong>and</strong> the missionaryactivity that took the gospel into India <strong>and</strong> China.Topics include the Semitic approach to Jesus <strong>and</strong>the Gospel; Christianity <strong>and</strong> the Arabs; the impact<strong>of</strong> the Crusades. The course concludes with aninvestigation <strong>of</strong> Islamic fundamentalism <strong>and</strong> thediaspora <strong>of</strong> Middle Eastern Christians in Europe<strong>and</strong> the Americas. Drawing from local history,native accounts <strong>and</strong> archaeological evidence, wepiece together the largely untold story <strong>of</strong>Christianity in the Middle East.360. Canon <strong>and</strong> Literature <strong>of</strong> Islam(3-0-3) AfsaruddinThis course is an introduction to the religiousliterature <strong>of</strong> the Arab-Islamic world. Emphasis is onworks from the classical <strong>and</strong> medieval periods <strong>of</strong>Islam, roughly from the seventh to the 14thcentury <strong>of</strong> the common era. We will read selectionsfrom the Qur’an (the sacred scripture <strong>of</strong> Islam), theHadith literature (sayings attributed to the prophetMuhammed), the biography <strong>of</strong> the Prophet,commentaries on the Qur’an, historical <strong>and</strong>philosophical texts, <strong>and</strong> mystical poetry. All textswill be read in English translation. No priorknowledge <strong>of</strong> Islam <strong>and</strong> its civilization is assumed,although helpful.


119CLASSICS EAST ASIAN LANGUAGES AND LITERATURES390. Islam: Religion <strong>and</strong> Culture(3-0-3) AfsaruddinThis course discusses the rise <strong>of</strong> Islam in theArabian peninsula in the seventh century <strong>and</strong> itssubsequent establishment as a major world religion<strong>and</strong> civilization. Lectures <strong>and</strong> readings deal withthe core beliefs <strong>and</strong> institutions <strong>of</strong> Islam, withparticular emphasis on religious <strong>and</strong> politicalthought from the Middle Ages through our owntime. All readings are in English. No prerequisite.400. Modern Arabic Fiction in Translation(3-0-3) GuoAn introduction to the Arabic short story <strong>and</strong>novel, with emphasis on the emergence <strong>of</strong> Arabicfiction in the 20th century.405. Arabic Literature in Translation(3-0-3) Guo(Crosslisted with ENGL 318C)A survey <strong>of</strong> the development <strong>of</strong> Arabic literature inEnglish translation. From the Qur’an through theclassical period.455. Cross, Crescent, Kublai Khan(3-0-3) AmarStudy <strong>of</strong> the English translation <strong>of</strong> the diary <strong>of</strong> two13th-century Christian monks <strong>of</strong> their journeyfrom Beijing to the West.498. Special Studies(3-0-3) StaffPermission <strong>of</strong> department required.HEBREW481-482. Elementary Biblical Hebrew I-II(3-0-3) (3-0-3) StaffA beginning course in classical Biblical Hebrewgrammar <strong>and</strong> readings. An introduction to the Hebrewlanguage, principally Biblical Hebrew grammar,morphology, vocabulary, syntax. We willwork through a st<strong>and</strong>ard textbook <strong>of</strong> Biblical Hebrew,incorporating some work in Mishnaic <strong>and</strong>Modern Hebrew. No previous knowledge <strong>of</strong> Hebrewis assumed.East Asian Languages<strong>and</strong> LiteraturesChair:Lionel M. JensenResearch Pr<strong>of</strong>essor:Howard GoldblattAssociate Pr<strong>of</strong>essors:Michael C. Brownstein; Liangyan Ge; LionelM. JensenAssistant Pr<strong>of</strong>essors:Sylvia Li-chun Lin; Lili I. SeldenMargaret Baptist Wan; Xiaoshan YangAssociate Pr<strong>of</strong>essional Specialist:Noriko HanabusaAssistant Pr<strong>of</strong>essional Specialists:Setsuko Shiga; Chengxu YinThe peoples <strong>of</strong> East Asia comprise one quarter <strong>of</strong>the world’s population <strong>and</strong> account for a similarproportion <strong>of</strong> the world’s production <strong>and</strong> consumption.This, along with the contemporary fusion<strong>of</strong> Asia <strong>and</strong> the West politically <strong>and</strong>economically, makes knowledge <strong>of</strong> the diverse languages<strong>and</strong> cultures <strong>of</strong> East Asia vital to an underst<strong>and</strong>ing<strong>of</strong> our global community <strong>and</strong>indispensable for the preparation <strong>of</strong> careers in thePacific Rim focusing on business, public policy, literatures,<strong>and</strong> the arts. The Department <strong>of</strong> EastAsaian Languages <strong>and</strong> Literatures provides the resources<strong>and</strong> instruction necessary for success in all<strong>of</strong> these fields. The department is dedicated to providingrigorous language training in Chinese <strong>and</strong>Japanese as well as courses taught in English onChinese <strong>and</strong> Japanese philosophy, religion, literature,<strong>and</strong> culture. Complementary courses in otherdisciplines are listed in this Bulletin under departmentssuch as history, philosophy, theology, politicalscience, economics, <strong>and</strong> anthropology.Completion <strong>of</strong> First-Year Chinese or Japanese(10 credits) or Beginning Japanese (nine credits)will satisfy the language requirement for both the<strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> <strong>and</strong> the <strong>College</strong> <strong>of</strong> Science.Although the <strong>College</strong> <strong>of</strong> Business does nothave a language requirement, it strongly supportsintegration <strong>of</strong> language courses into its curriculum<strong>and</strong> encourages students to participate in the InternationalStudy Programs (See “International StudyPrograms” under Mendoza <strong>College</strong> <strong>of</strong> Business).Placement <strong>and</strong> Language Requirement. Studentswho wish to enroll in a Chinese or Japaneselanguage course beyond the 101 or 111 level musttake a placement examination administered by theDepartment. Students testing out <strong>of</strong> 100-level languagecourses must complete at least one course atthe 200 level or higher to satisfy the language requirement.PROGRAM IN CHINESEThe program in Chinese <strong>of</strong>fers language classes inM<strong>and</strong>arin Chinese at the first-, second-, third-, <strong>and</strong>fourth-year levels, as well as courses in English onclassical <strong>and</strong> modern Chinese literature <strong>and</strong> culture.Qualified students also have the opportunity to attendEast China Normal <strong>University</strong> in Shanghai,People’s Republic <strong>of</strong> China.The Chinese program <strong>of</strong>fers first <strong>and</strong> supplementarymajors <strong>and</strong> a minor.Basic requirements: For the major, studentsmust complete 30 credit hours, including Third-Year Chinese. For the supplementary major, studentsmust complete 24 credit hours, includingThird-Year Chinese. For the minor, students mustcomplete 15 credit hours, including two semesters<strong>of</strong> language classes beyond the first year.Other requirements: In addition to the languagecourse requirements described above, First<strong>and</strong> Supplementary majors as well as the Minoralso requires one course in Chinese literature. Remainingcredit hours may be satisfied by taking additionalChinese language <strong>and</strong> literature courses, orEast Asia-related courses approved by the academicadvisor.PROGRAM IN JAPANESEThe program in Japanese <strong>of</strong>fers language classes inmodern Japanese at the beginning, intermediate<strong>and</strong> advanced levels, as well as courses in Englishon classical <strong>and</strong> modern Japanese literature <strong>and</strong> culture.Qualified students also have the opportunityto attend Nanzan <strong>University</strong> in Nagoya,Japan.The Japanese program <strong>of</strong>fers first <strong>and</strong> supplementarymajors <strong>and</strong> a minor.Basic requirements: For the major, studentsmust complete 30 credit hours, including 22 creditsin language classes beyond the first year. For thesupplementary major, students must complete 24credit hours, including 16 credits in languageclasses beyond the first year. For the minor, studentsmust complete 15 credit hours including twosemesters <strong>of</strong> language classes beyond thefirst year.Other requirements: In addition to the languagecourse requirements described above, first<strong>and</strong> supplementary majors as well as the minor alsorequire one course in Japanese literature. Remainingcredit hours may be satisfied by taking additionalJapanese language <strong>and</strong> literature courses, orEast Asia-related courses approved by theacademic advisor.


120EAST ASIAN LANGUAGES AND LITERATURESSHANGHAI AND NAGOYAPROGRAMSThe Shanghai <strong>and</strong> Nagoya programs provide studentswith the opportunity to spend an academicyear at Nanzan <strong>University</strong> in Nagoya, Japan, or asemester or academic year at East China Normal<strong>University</strong> in Shanghai, People’s Republic <strong>of</strong>China. To qualify for the Shanghai Program, studentsmust complete at least one semester <strong>of</strong> Chineselanguage study at <strong>Notre</strong> <strong>Dame</strong> with at least a3.0 grade point average in the language courses.For the Nagoya Program, at least one year <strong>of</strong>Japanese language studies at <strong>Notre</strong> <strong>Dame</strong> with a3.0 grade point average or better in the languagecourses is required. Students may attend Nanzanor East China Normal during their sophomore orjunior year. Students who intend to combine aFirst or Supplementary major in Chinese or Japanesewith a major in another discipline <strong>and</strong> who intendto apply for the Shanghai or Nagoya programsare urged to plan their course <strong>of</strong> studies carefully inconsultation with their advisors prior to applyingfor either program. For more information <strong>and</strong>course listings, see “Nagoya Program” or “ShanghaiProgram” under “International Study Programs” inthis Bulletin.Course Descriptions. The following course descriptionsgive the number, title <strong>and</strong> brief characterization<strong>of</strong> each course. Lecture or class hours perweek, laboratory or tutorial hours per week <strong>and</strong>credits each semester are in parentheses. Not all <strong>of</strong>these courses are <strong>of</strong>fered every year.CHINESE LANGUAGE COURSES101-102-103. Beginning Chinese I, II, <strong>and</strong> III(3-0-3)(3-0-3)(3-0-3) Yin, YangFor students with no background in Chinese.This is a three-semester sequence <strong>of</strong> three credithours per semester covering the same material as111-112 <strong>and</strong> designed to prepare students to enter211. The sequence begins each spring with 101 <strong>and</strong>concludes the following spring with 103. Equalemphasis is placed on the basic skills <strong>of</strong> listening,speaking, reading, <strong>and</strong> writing. Students mayexpect to master a spoken vocabulary <strong>of</strong> about1,000 words <strong>and</strong> a written vocabulary <strong>of</strong>500 characters.111-112. First-Year Chinese I <strong>and</strong> II(5-0-5) (5-0-5) YinFor students with no background in Chinese. Introductionto M<strong>and</strong>arin Chinese using traditionalcharacters. Equal emphasis on the basic skills <strong>of</strong> listening,speaking, reading <strong>and</strong> writing. Studentsmay expect to master a spoken vocabulary <strong>of</strong>about 1,000 words <strong>and</strong> a written vocabulary <strong>of</strong>500 characters.211-212. Second-Year Chinese I <strong>and</strong> II(5-0-5) (5-0-5) LinPrerequisite: 112 or instructor’s permission.Grammar review <strong>and</strong> training in the four basicskills to higher levels <strong>of</strong> sophistication: oral/auralskills for fluency in communication, reading forcritical underst<strong>and</strong>ing, <strong>and</strong> the ability to writesimple compositions.311-312. Third-Year Chinese I <strong>and</strong> II(3-0-3) (3-0-3) YinPrerequisite: 212 or instructor’s permission.Development <strong>of</strong> advanced conversational, reading<strong>and</strong> writing skills, using a wide range <strong>of</strong> authenticmaterials, including material from news media.411-412. Fourth-Year Chinese I <strong>and</strong> II(3-0-3) (3-0-3) GePrerequisite: 312 or instructor’s permission.Practice in advanced conversational, reading <strong>and</strong>writing skills, using newspapers, short fiction, videotapes<strong>and</strong> other authentic materials.498. Special Studies(V-V-V) StaffPrerequisite: instructor’s permission.Requires “contractual agreement” with the pr<strong>of</strong>essorprior to scheduling. For advanced students whowish to pursue an independent research projectreading Chinese language materials.JAPANESE LANGUAGE COURSES101-102-103. Beginning Japanese I, II, <strong>and</strong> III(3-0-3)(3-0-3)(3-0-3) Hanabusa, ShigaFor students with no background in Japanese.This is a three-semester sequence <strong>of</strong> three credithours per semester covering the same material as111-112 <strong>and</strong> designed to prepare students to enter211. The sequence begins each spring with 101 <strong>and</strong>concludes the following spring with 103. The seriesprovides an introduction to the fundamentals <strong>of</strong>modern Japanese, with equal emphasis on speaking,listening, reading, <strong>and</strong> writing. An introduction isprovided <strong>of</strong> the hiragana <strong>and</strong> katakana syllabaries,<strong>and</strong> 200 kanji.111-112. First-Year Japanese I <strong>and</strong> II(5-0-5) (5-0-5) HanabusaIntroduction to the fundamentals <strong>of</strong> modern Japanese.Equal emphasis on speaking, listening, reading<strong>and</strong> writing. Introduction <strong>of</strong> the hiragana <strong>and</strong>katakana syllabaries, <strong>and</strong> 200 kanji.211-212. Second-Year Japanese I <strong>and</strong> II(5-0-5) (5-0-5) ShigaPrerequisite: 112 or instructor’s permission.Continued training in the fundamentals <strong>of</strong> themodern language. Equal emphasis on speaking, listening,reading <strong>and</strong> writing. Introduction <strong>of</strong> approximately200 kanji.311-312. Third-Year Japanese I <strong>and</strong> II(3-0-3) (3-0-3) HanabusaPrerequisite: 212 or instructor’s permission.The first in a sequence <strong>of</strong> intermediate courses <strong>of</strong>feredfor those students who do not participate inthe Year-in-Japan Program. Development <strong>of</strong> oral/aural skills with an emphasis on typical conversationalsituations. Improvement <strong>of</strong> reading <strong>and</strong>writing skills.411-412. Fourth-Year Japanese I <strong>and</strong> II(3-0-3) (3-0-3) ShigaPrerequisite: 312 or instructor’s permission.The second in a sequence <strong>of</strong> intermediate courses<strong>of</strong>fered for those students who do not participate inthe Year-in-Japan. Aimed at achieving a high pr<strong>of</strong>iciencyin the four skills: speaking, listening, reading<strong>and</strong> writing.498. Special Studies(3-0-3) Selden, HanubasaPrerequisite: Instructor’s permission based onstudent’s performance on a placement exam <strong>and</strong>oral interview at the beginning <strong>of</strong> the semester.This course takes students beyond textbook Japaneseby introducing original materials created forJapanese audiences (literature, current events <strong>and</strong>video materials, etc.). Emphasis is on grammar <strong>and</strong>syntax, vocabulary building, speaking, reading<strong>and</strong> writing.COURSES IN ENGLISHThe courses listed below use materials in Englishtranslation <strong>and</strong> require no prior background inAsian studies.180. Literature <strong>University</strong> Seminar(3-0-3) StaffAn introduction to the study <strong>of</strong> East Asianliterature. Focus either on Chinese or Japaneseliterature.190. Chinese Calligraphy(1-0-1) GeA workshop for appreciating <strong>and</strong> practicing Chinesecalligraphy <strong>and</strong> studying the history <strong>of</strong> the art.250. Chinese Literary Traditions(3-0-3) YangA survey course introducing students to the majorthemes <strong>and</strong> genres <strong>of</strong> Chinese literature through selectedreadings <strong>of</strong> representative texts.252. Introduction to Japanese Civilization(3-0-3) BrownsteinA survey <strong>of</strong> Japan’s cultural history from its originsin prehistoric times up to the middle <strong>of</strong> the 18thcentury.


121EAST ASIAN LANGUAGES AND LITERATURES253. Introduction to Chinese Civilization(3-0-3) StaffThis course provides general historical <strong>and</strong> culturalbackground with a view to preparing students formore specialized courses in Asian studies. A historicaloverview accompanies thematic presentation <strong>of</strong>cultural achievements in philosophical <strong>and</strong> religiousthought, literature <strong>and</strong> the fine arts.347. Modern JapanSee HIST 348.350. Love, Death, <strong>and</strong> Revenge in TraditionalJapanese Drama(3-0-3) BrownsteinAn introduction to Japanese classical theater (Noh,Kyogen, Bunraku <strong>and</strong> Kabuki) through readings<strong>and</strong> videotapes <strong>of</strong> selected plays.353. Societies <strong>and</strong> Cultures <strong>of</strong> South AsiaSee ANTH 353.358. Gender Images in Modern Japanese Fiction(3-0-3) SeldenAn examination <strong>of</strong> the changing images <strong>of</strong> men <strong>and</strong>women during the modern era as seen in the novels<strong>and</strong> short stories <strong>of</strong> Japan’s finest male <strong>and</strong> femalewriters.360. Heroism <strong>and</strong> Eroticism in Chinese Fiction(3-0-3) GeA study <strong>of</strong> selected readings from pre-modern Chineseliterature, <strong>and</strong> an examination <strong>of</strong> heroism <strong>and</strong>eroticism as two major literary themes in the Chinesecontext.362. The Image <strong>of</strong> Woman in Chinese Literature(3-0-3) WanThis course explores changing images <strong>of</strong> woman inChinese literature, from her early appearance infolk poetry to the dominant role she comes to playin the vernacular novel <strong>and</strong> drama.364. Sc<strong>and</strong>al <strong>and</strong> Intrigue in TraditionalJapanese Literature(3-0-3) SeldenExplore the aesthetics <strong>and</strong> politics <strong>of</strong> courtship <strong>and</strong>marriage among the aristocracy <strong>of</strong> Japan. Readingsinclude 10th- <strong>and</strong> 11th-century classics such as ThePillow Book, The Tale <strong>of</strong> Genji, <strong>and</strong> The GossamerYears.368. Self <strong>and</strong> Societyin Modern Japanese Literature(3-0-3) BrownsteinA study <strong>of</strong> Japan’s modern masters <strong>of</strong> prose with afocus on how writers address the problem <strong>of</strong> “self”<strong>and</strong> the issue <strong>of</strong> what it means to be Japanese in themodern world.370. 20th-Century Chinese Literature(3-0-3) GeCrosslisted with HIST 362N.A study <strong>of</strong> selected works from 20th-century Chineseliterature (mainly fiction but also drama), witha special focus on underst<strong>and</strong>ing literary developmentsin their social context.378. Japanese Women Writers(3-0-3)A study <strong>of</strong> Japanese “female” literature that reviewsthe important role <strong>of</strong> women writers in creating<strong>and</strong> maintaining the literary traditions <strong>of</strong> the l<strong>and</strong><strong>of</strong> the rising sun.380. Chinese Ways <strong>of</strong> Thought(3-0-3) JensenThis is a special topics class on religion, philosophy,<strong>and</strong> the intellectual history <strong>of</strong> China that introducesthe student to the world view <strong>and</strong> lifeexperience <strong>of</strong> Chinese as they have been drawnfrom local traditions, as well as worship <strong>and</strong> sacrificeto heroes, <strong>and</strong> the cult <strong>of</strong> the dead. Through aclose reading <strong>of</strong> primary texts in translation, it alsosurveys China’s gr<strong>and</strong> philosophical legacy <strong>of</strong>Daoism, Buddhism, “Confucianism,” <strong>and</strong> “Neo-Confucianism” <strong>and</strong> the later religious accommodation<strong>of</strong> Christianity <strong>and</strong> Islam.384. Popular Religion <strong>and</strong> the Practice<strong>of</strong> Philosophy in China(3-0-3) JensenThis lecture/discussion course will introduce thestudent to the plural religious traditions <strong>of</strong> theChinese as manifested in ancestor worship,sacrifice, exorcism, <strong>and</strong> spirit possession. From anunderst<strong>and</strong>ing <strong>of</strong> these practices, the course will<strong>of</strong>fer insight into the mantic foundations <strong>of</strong>Chinese philosophy, especially metaphysics.Readings will consist <strong>of</strong> texts in translation <strong>of</strong>popular cults, as well as scholarly interpretations <strong>of</strong>these phenomena.386. Chinese Pop Songs: Global/Local(3-0-3) WanThis course uses popular songs since the 1980sfrom China, Taiwan, <strong>and</strong> Hong Kong to examinevarious ways Chinese construct images <strong>of</strong> the self.Issues to be examined include nationalism, love asallegory, family, tradition versus modernity, <strong>and</strong>language politics. Attention will be given to thecontexts in which popular music is produced <strong>and</strong>consumed globally <strong>and</strong> locally.387. The City in Modern Chinese Fiction(3-0-3) LinExamining portrayals <strong>of</strong> cities such as Beijing <strong>and</strong>Shanghai in fictional works, this course exploresthe image <strong>of</strong> the city as the big, the bad, <strong>and</strong> the irresistiblesite <strong>of</strong> desire for modernity in 20th-centuryChina.388. A Chinese Mosaic: Philosophy, Politic, <strong>and</strong>Religion(3-0-3) JensenThis is a special topics class that provides anintroduction to the diverse lifeways constituting thepuzzle <strong>of</strong> the Chinese people. The course will chartthis terrain <strong>of</strong> current Chinese imagination as it hasbeen shaped from the contending, <strong>and</strong> <strong>of</strong>tencontentious, influences <strong>of</strong> religion, philosophy, <strong>and</strong>politics, introducing students to the heralded works<strong>of</strong> the Chinese intellectual tradition while requiringcritical engagement with the philosophic <strong>and</strong>religious traditions animating this culture. Thus, asthey learn about China, students also will reflect onhow Chinese <strong>and</strong> Westerners have interpreted it.460. The Garden in Chinese Literature(3-0-3) YangThis course examines the literary representations <strong>of</strong>the garden in the Chinese tradition. Supplementedby visual materials, readings in poetry, fiction,drama <strong>and</strong> prose illustrate the variegated configurations<strong>of</strong> the garden as a religious, philosophical,moral <strong>and</strong> aesthetic space.463. Gender <strong>and</strong> Power in Asian CulturesSee ANTH 463.478. History <strong>of</strong> Chinese MedicineSee HIST 478M.


122ECONOMICSEconomicsChair:Richard JensenDirector <strong>of</strong> Undergraduate Studies:Frank J. BonelloDirector <strong>of</strong> Undergraduate Advising:William H. LeahyCarl E. Koch Pr<strong>of</strong>essor <strong>of</strong> Economics:Philip MirowskiPr<strong>of</strong>essors:Rev. Ernest J. Bartell, C.S.C.; Charles Craypo(emeritus); John T. Croteau (emeritus);Amitava K. Dutt; Rev. Mark J. Fitzgerald,C.S.C. (emeritus); Denis Goulet (emeritus);Richard A. Jensen; Kwan S. Kim; William H.Leahy; Jaime Ros; Roger B. Skurski; ThomasR. Swartz; Charles K. Wilber (emeritus)Associate Pr<strong>of</strong>essors:David M. Betson; Frank J. Bonello; GregoryCurme (emeritus); Byung-Joo Lee; TeresaGhilarducci; Lawrence C. Marsh; Vai-LamMui; James J. Rakowski; Kali P. Rath; David F.Ruccio; Esther-Mirjam Sent; Jennifer Warlick;Martin H. WolfsonAssistant Pr<strong>of</strong>essor:James X. SullivanAssistant Research Pr<strong>of</strong>essor:Kajal MukhopadhyayProgram <strong>of</strong> Studies. The undergraduate majorin economics within the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>is designed to make a unique contribution to thestudent’s liberal education. The program providesstudents with the insights <strong>of</strong> scientific analysis <strong>and</strong>social perspective to deepen their underst<strong>and</strong>ing <strong>of</strong>the complex economic forces at work in society.Such an underst<strong>and</strong>ing is an essential ingredient inthe intellectual development <strong>of</strong> an educated person.The program is also designed to prepare the studentfor a variety <strong>of</strong> pr<strong>of</strong>essional objectives, includingcareers in public service <strong>and</strong> law as well asmanagerial positions in business <strong>and</strong> industry.The major requires eight 300- <strong>and</strong> 400-levelcourses in economics. The best preparation for beginningthe major is the completion <strong>of</strong> the two-semesterPrinciples <strong>of</strong> Economics sequence (ECON123/223 <strong>and</strong> 224), but these courses do not countas part <strong>of</strong> the required eight courses. The completion<strong>of</strong> the one-semester course Introduction toEconomics (ECON 115/225) is an adequate alternativebeginning to the major.All majors must take three courses:301. Intermediate Economic Theory — Micro302. Intermediate Economic Theory — Macro303. Statistics for EconomicsIn addition, students must satisfy a distribution requirementby taking one course in at least three <strong>of</strong>the following 10 areas.Policy310. Economics, Ethics, <strong>and</strong> Public Policy335. Economics <strong>of</strong> Poverty337. Economics <strong>of</strong> Education340. Introduction to Public Policy404. Topics in Applied Microeconomics441. Public Budget Expenditure Policy442. Tax Policy446. Environmental Economics447. Seminar in Health Care Policy448. Seminar in Current Economic Policy449. Seminar in Policy Evaluation465. Stabilization PolicyQuantitative Methods408. Game Theory <strong>and</strong> Strategic Analysis433. Mathematics for Economists434. Applied Econometrics490. EconometricsHistory <strong>and</strong> Philosophy <strong>of</strong> Economics305. Philosophy <strong>of</strong> Economics306. History <strong>of</strong> Economic Thought307. Seminar in History <strong>and</strong> Philosophy <strong>of</strong>Economic Thought405. Consumption <strong>and</strong> HappinessMonetary <strong>and</strong> Financial Economics421. Money, Credit, <strong>and</strong> Banking422. The Financial SystemLabor Economics350. Labor Economics450. Labor Relations Law451. Employment Relations Law <strong>and</strong> HumanResources Practices453. Collective Bargaining: the Private Sector454. Collective Bargaining: the Public Sector455. Topics in Labor457. Economics <strong>of</strong> Gender <strong>and</strong> EthnicDiscrimination458. Labor ArbitrationDevelopment Economics380. Development Economics484. Economic Development <strong>of</strong> Latin AmericaInternational Economics471. International Economics472. International Trade473. International MoneyIndustrial Organization345. Industrial Organization445. The Economics <strong>of</strong> Industrial OrganizationPolitical Economy315. Introduction to Political Economy334. Topics in Political Economy413. Marxian Economic Theory414. Beyond Economic Man416. Problems in Political Economy435. Law <strong>and</strong> EconomicsUrban <strong>and</strong> Regional Economics367. Restoring Economic Vitality to the InnerCity430.The New Urban Crisis <strong>and</strong> EconomicAnalysis489. Regional Economic DevelopmentThe remaining two courses may be any other 300-<strong>and</strong> 400-level courses the department <strong>of</strong>fers, exceptthose specifically designated as not fulfilling majorrequirements.In addition, the student must fulfill an intensivewriting requirement in one <strong>of</strong> the followingways: by taking a 300- or 400-level course specificallydesignated as an intensive writing course (studentswill receive information on this everysemester); or by taking a special studies coursewhich involves writing a term paper under the supervision<strong>of</strong> a faculty member; or writing a senioressay.Course Clusters Within Economics. The economicsprogram <strong>of</strong>fers the undergraduate studentthe opportunity to concentrate in several differentareas that may correspond to a student’s career goalor that may represent a broad common themewithin economics. These areas are only suggestions,<strong>and</strong> there is no requirement that a student completea cluster. Indeed, the economics major maydesire to pursue a different cluster or some combination<strong>of</strong> the clusters listed below.Pre-law Cluster345. Industrial Organization435. Law <strong>and</strong> Economics441. Public Budget Expenditure Policy442. Tax Policy445. The Economics <strong>of</strong> IndustrialOrganization450. Labor Relations Law451. Employment Relations Law <strong>and</strong> HumanResource Practices453. Collective Bargaining — PrivateSector454. Collective Bargaining — PublicSector458. Labor ArbitrationPre-M.B.A. Economics Cluster345. Industrial Organization350. Labor Economics421. Money, Credit, <strong>and</strong> Banking422. The Financial System434. Applied Econometrics465. Stabilization Policy471. International Economics472. International Trade473. International Money


123ECONOMICSLabor Economics <strong>and</strong> Industrial RelationsCluster350. Labor Economics450. Labor Relations Law451. Employment Relations Law <strong>and</strong> HumanResource Practices453. Collective Bargaining — Private Sector454. Collective Bargaining — Public SectorInternational Development Cluster380. Development Economics471. International Economics472. International Trade473. International Money484. Economic Development <strong>of</strong> Latin AmericaPublic Policy Cluster310. Economics, Ethics, <strong>and</strong> Public Policy335. Economics <strong>of</strong> Poverty337. Economics <strong>of</strong> Education345. Industrial Organization416. Problems in Political Economy421. Money, Credit <strong>and</strong> Banking422. The Financial System430. The New Urban Crisis <strong>and</strong> EconomicAnalysis441. Public Budget Expenditure Policy442. Tax Policy446. Environmental Ecomonics445. The Economics <strong>of</strong> Industrial Organization448. Seminar in Current Economic Policy449. Seminar in Policy Evaluation451. Employment Relations Law <strong>and</strong> HumanResource Practices457. Economics <strong>of</strong> Gender <strong>and</strong> EthnicDiscrimination465. Stabilization PolicyPre-Graduate ClusterStudents who plan to pursue graduate studies ineconomics are strongly advised to consider the followingcourses (graduate courses require permissionfrom the student’s advisor):433. Mathematics for Economists434. Applied Econometrics501. Graduate Macro Theory I502. Graduate Micro Theory I591. Graduate Statistics592. Graduate Econometricsor a broad range <strong>of</strong> undergraduate field coursessuch as:350. Labor Economics380. Development Economics408. Game Theory <strong>and</strong> Strategic Analysis416. Problems in Political Economy421. Money, Credit, <strong>and</strong> Banking445. The Economics <strong>of</strong> IndustrialOrganization471. International Economicsas well as courses that are crosslisted with thegraduate program. It is also recommended that studentstake a course in linear algebra <strong>and</strong> a one-yearsequence <strong>of</strong> calculus courses.Departmental advisors will assist students indesigning a program <strong>of</strong> study that meets their educational<strong>and</strong> career goals. Students are also encouragedto pursue related courses in other departments<strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> <strong>and</strong> in theMendoza <strong>College</strong> <strong>of</strong> Business. Materials relating topr<strong>of</strong>essional work in law, graduate study in business<strong>and</strong> graduate programs in public <strong>and</strong> foreign serviceare available from the director <strong>of</strong> undergraduatestudies.Graduate Courses. Advanced undergraduate majorsare encouraged (in consultation with departmentaladvisors) to select graduate courses as a part<strong>of</strong> their programs. The following are recommended.501. Graduate Macroeconomic Theory I502. Graduate Microeconomic Theory I506. History <strong>of</strong> Economic Thought <strong>and</strong>Methodology522. Financial Institutions, Markets,<strong>and</strong> Instability541. Labor Economics542. Labor Theory561. Economic Development562. International Trade581. Industrial Organization591. Graduate Statistics592. Econometrics ICourse Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name, as available, isalso included.115. Introduction to Economics(3-0-3) StaffA one-semester survey <strong>of</strong> micro- <strong>and</strong> macroeconomics,national income, fiscal <strong>and</strong> monetarypolicy, supply <strong>and</strong> dem<strong>and</strong>, stabilization policy <strong>and</strong>alternative views <strong>of</strong> the economy.123. Principles <strong>of</strong> Economics I(3-0-3) StaffAn introduction to economics with emphasis onthe nature <strong>and</strong> method <strong>of</strong> economics, national income<strong>and</strong> its determinants, fluctuations in nationalincome, money <strong>and</strong> credit, fiscal <strong>and</strong> monetarypolicies, economic growth.180. Social Science <strong>University</strong> Seminar(3-0-3) StaffEconomics sections will deal with different aspects<strong>of</strong> economic analysis <strong>and</strong> policy issues. The focuswill be on underst<strong>and</strong>ing how economists thinkabout theoretical issues <strong>and</strong> how they apply theiranalytical tools to real-world economic problems<strong>and</strong> policies. No background in economics is assumed.The seminars will satisfy the <strong>University</strong> <strong>and</strong><strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> social science requirementsin addition to the <strong>University</strong> seminarrequirement.223. Principles <strong>of</strong> Economics I(3-0-3) StaffAn introduction to economics with emphasis onthe nature <strong>and</strong> method <strong>of</strong> economics, national income<strong>and</strong> its determinants, fluctuations in nationalincome, money <strong>and</strong> credit, fiscal <strong>and</strong> monetarypolicies <strong>and</strong> economic growth. Not open to studentswho have taken ECON 123.224. Principles <strong>of</strong> Economics II(3-0-3) StaffAn introduction to economics, with particular attentionto the pricing mechanism, competitive <strong>and</strong>monopolistic markets, government regulation <strong>of</strong>the economy, labor-management relations <strong>and</strong> programs,income determination <strong>and</strong> public policy,foreign trade <strong>and</strong> the international economy. Notopen to first-year students.225. Introduction to Economics(3-0-3) StaffA one-semester survey <strong>of</strong> micro- <strong>and</strong> macroeconomics,national income, fiscal <strong>and</strong> monetarypolicy, supply <strong>and</strong> dem<strong>and</strong>, stabilization policy <strong>and</strong>alternative views <strong>of</strong> the economy. Not open to studentswho have taken ECON 115.301. Intermediate Economic Theory — Micro(3-0-3) Betson, Marsh, Mui, Rakowski, RathPrerequisite: ECON 115 or 225 or 224.An examination <strong>of</strong> the language <strong>and</strong> analytical tools<strong>of</strong> microeconomics, emphasizing the functional relationshipbetween the factor <strong>and</strong> product markets<strong>and</strong> resource allocation.302. Intermediate Economic Theory — Macro(3-0-3) Bonello, Dutt, Ros, SentPrerequisite: ECON 115 or 225 or 123 or 223.An intensive examination <strong>of</strong> macroeconomics, withparticular reference to the determination <strong>of</strong> economicgrowth, national income, employment ,<strong>and</strong>the general price level.303. Statistics for Economics(3-1-4) Betson, Lee, MarshThe course is devised to present statistics <strong>and</strong> statisticalinference appropriately for economics students.There are two goals for the course: first, toprepare the student to read elementary quantitativeanalysis studies; <strong>and</strong> second, to prepare the studentto undertake elementary quantitative analyses.305. Philosophy <strong>of</strong> Economics(3-0-3) Mirowski, SentPrerequisites: ECON 115 or 225 or 123 or 223 or224.What does it mean to do good research in economics?If you thought the answer to this question wasstraightforward, you will be in for a surprise! Theintention <strong>of</strong> the course is to problematize such notionsas “prediction is the goal <strong>of</strong> economics” or“there is progress in economics” or “assumptions ineconomics should be (un)realistic.” To do this, wewill explore literature on philosophy <strong>of</strong> science, sociology<strong>of</strong> scientific knowledge, <strong>and</strong> economictheory.


124ECONOMICS306. History <strong>of</strong> Modern Economic Thought(3-0-3) Mirowski, SentThe problems <strong>of</strong> the construction <strong>of</strong> a scientificdiscipline <strong>of</strong> economics are surveyed from thePhysiocrats to the early 20th century. Particularemphasis is placed upon the theories <strong>of</strong> value, production<strong>and</strong> distribution. While the major stresswill focus upon the history <strong>of</strong> classical politicaleconomy <strong>and</strong> neoclassical economics, some attentionwill also be given to the German Historicist<strong>and</strong> American Institutionalist schools. The courserelies upon a mixture <strong>of</strong> primary texts <strong>and</strong> secondarysources.307. Seminar in the History <strong>of</strong> EconomicThought(3-0-3) Mirowski, Ruccio, SentEach seminar is devoted to a specific topic in methodology<strong>and</strong> the history <strong>of</strong> economic thought. Examplesinclude the problem <strong>of</strong> measurement errors,economics <strong>and</strong> natural images, postmodernism <strong>and</strong>economics, Keynes <strong>and</strong> the Bloomsbury Group,feminist criticisms <strong>of</strong> “economic man,” <strong>and</strong> the role<strong>of</strong> the gift in economic thought. All seminars involveextensive reading, writing <strong>and</strong> independentresearch. Graduate students <strong>and</strong> undergraduate studentsoutside economics are encouraged to enroll,with permission from the instructor.310. Economics, Ethics, <strong>and</strong> Public Policy(3-0-3) StaffPrerequisite: ECON 115 or 225 or 224.A study <strong>of</strong> the interaction <strong>of</strong> economics <strong>and</strong> ethics,both in economic theory <strong>and</strong> economic policy. Focuswill be on selected economic issues, employmentpolicy, international trade policy, etc.Theoretical issues will include process vs. end-resulttheories <strong>of</strong> justice, Pareto optimality vs. the CommonGood, etc. Special attention will be given tothe Catholic contribution to the debates.315. Introduction to Political Economy(3-0-3) Ghilarducci, RuccioPrerequisite: ECON 115 or 225, or 224.An introduction to theoretical frameworks, economicpolicies, <strong>and</strong> social factors <strong>of</strong>ten downplayedor ignored in mainstream economics. Topics includealternative theories <strong>of</strong> political economy, therelationship between economics <strong>and</strong> politics <strong>and</strong>the analysis <strong>of</strong> institutions.333. Justice Seminar(3-0-3) StaffThe Justice Seminar undertakes a criticalexamination <strong>of</strong> major theories <strong>of</strong> justice, both thedeontological (e.g., contract theory) <strong>and</strong> teleological(e.g., utilitarian <strong>and</strong> virtue-based theories). Thisis the core course for the concentration in Philosophy,Politics, <strong>and</strong> Economics (PPE).334. Topics in Political Economy(3-0-3) Ghilarducci, WolfsonSeminar course concerned with policy problemssuch as unemployment, inflation, growth, balance<strong>of</strong> payments <strong>and</strong> income distribution. Alternativemethods <strong>of</strong> analysis <strong>and</strong> policy prescriptions arediscussed. Orthodox views are studied <strong>and</strong>compared to nontraditional approaches to theanalysis <strong>of</strong> the United States <strong>and</strong> other advancedeconomics.335. Economics <strong>of</strong> Poverty(3-0-3) WarlickPrerequisites: ECON 115 or 225 or 123 or 223 or224.An examination <strong>of</strong> the extent <strong>and</strong> causes <strong>of</strong> povertyin the United States. The current system <strong>of</strong> governmentprograms to combat poverty is analyzed. Reforms<strong>of</strong> this system are also considered.337I. Economics <strong>of</strong> Education(3-0-3) WarlickPrerequisite: ECON 115 or 225 or 224.This course reviews economic literature addressingcurrent educational issues in America, includingthe adequacy <strong>of</strong> our K-12 public school system, theeffectiveness <strong>of</strong> market-based reforms (vouchers<strong>and</strong> charter schools) <strong>and</strong> administered forms <strong>of</strong> accountability(st<strong>and</strong>ardized testing). We also examinethe rate <strong>of</strong> return to additional years <strong>of</strong>education (how much education should individualsundertake?), access to higher education, financialaid systems, <strong>and</strong> options to <strong>of</strong>fset the rising cost <strong>of</strong>higher education.340. Introduction to Public Policy(3-0-3) BetsonThis course focuses on the policy process from theperspective <strong>of</strong> both the policymaker <strong>and</strong> analyst <strong>of</strong>policy. To achieve these two perspectives, thiscourse will make substantial use <strong>of</strong> case studies <strong>of</strong>public policy problems <strong>and</strong> decisions. Among thesubjects <strong>of</strong> these case studies will be the areas <strong>of</strong> taxreform, social welfare <strong>and</strong> defense.345. Industrial Organization(3-0-3) Mui, WarlickPrerequisite: ECON 115 or 225 or 224.Introduces the student to economic thinking aboutthe role <strong>of</strong> industry organization in economic performance.Traditional economic thinking thatoligopolistic industry structures lead to poor performanceis contrasted to theories which suggestthat such organization may under some circumstanceslead to superior performance. The two perspectivesare used to evaluate the relativeperformance <strong>of</strong> U.S. <strong>and</strong> Japanese industries.350. Labor Economics(3-0-3) GhilarducciPrerequisite: ECON 115 or 225 or 224.A survey course covering the economics <strong>of</strong> employment<strong>and</strong> unemployment; wages <strong>and</strong> income distribution;poverty, education <strong>and</strong> discrimination;unions <strong>and</strong> labor <strong>and</strong> industrial relations systems;<strong>and</strong> comparative labor systems.367. Restoring Economic Vitality to the InnerCity: What Works, What Doesn’t, <strong>and</strong> Why(3-0-3)Prerequisite: ECON 115 or 225 or 224.This community-based learning <strong>and</strong> researchcourse examines the political economy <strong>of</strong> U.S. inner-cityrevitalization, with South Bend as a casestudy. Community-based learning (CBL) requiresthat students both learn <strong>and</strong> apply what they arelearning within a setting outside the classroom. Inaddition to in-class seminar sessions, CBL activitieswill include meetings with local organizations thatlink public agencies <strong>and</strong> private enterprise, visits tovaried businesses in urban South Bend, <strong>and</strong> meetingswith area government representatives <strong>and</strong> relevantchurch <strong>and</strong> neighborhood organizations.During the first third <strong>of</strong> the semester, students willlearn about the central problems <strong>of</strong> the U.S. city<strong>and</strong> their roots, viewing the issues firsth<strong>and</strong> locally.In the second third, they will study how inner-cityproblems are being addressed in selected areas <strong>of</strong>the country as well as in South Bend. The SouthBend Heritage Foundation (SBHF) will act as a clientorganization for this course by posing researchquestions for students to investigate during the lastthird <strong>of</strong> the semester. The SBHF is a private, notfor-pr<strong>of</strong>itservice <strong>and</strong> community development corporationdedicated to the stabilization,enhancement, <strong>and</strong> empowerment <strong>of</strong> South Bend’sinner-city neighborhoods.380. Development Economics(3-0-3) Dutt, Kim, Ros, RuccioPrerequisite: ECON 115 or 225 or 123 or 223 or224.The current problems <strong>of</strong> Third World countries areanalyzed in a historical context, with attentiongiven to competing theoretical explanations <strong>and</strong>policy prescriptions. The course will combine thestudy <strong>of</strong> the experiences <strong>of</strong> Latin American, African<strong>and</strong> Asian countries with the use <strong>of</strong> the analyticaltools <strong>of</strong> economics.398. Special Studies(3-0-3) Staff404. Topics in Applied Microeconomics(3-0-3) Rakowski, MuiPrerequisite: ECON 301.This course applies microeconomic analysis to underst<strong>and</strong>a selection <strong>of</strong> policy-related issues. Thetopics chosen will vary from semester to semester,but there will be a coverage <strong>of</strong> issues highlighted incurrent policy debates. Examples <strong>of</strong> topics are distributiveeffects <strong>of</strong> taxes, the effects <strong>of</strong> minimumwages, health insurance, immigration, trade policy.


125ECONOMICS405. Consumption <strong>and</strong> Happiness(3-0-3) DuttPrerequisite: 301 or 302 or permission <strong>of</strong>instructor.We live in an age in which consumption in manyparts <strong>of</strong> the globe has increased to unprecendentedlevels <strong>and</strong> continues to rise. Many people take it forgranted that this increase in consumption is a goodthing because it increases human happiness. Butothers are more skeptical, arguing that increasingconsumption has adverse consequences on thepoor, the environment, <strong>and</strong> future growth; that itresults in moral deprivation; <strong>and</strong> that it does noteven make those who consume more any happier.This course critically examines this debate, whichrelates to all <strong>of</strong> us as consumers, using the tools <strong>of</strong>economic analysis.408. Game Theory <strong>and</strong> Strategic Analysis(3-0-3) MuiPrerequisites: MATH 104 or equivalent, MATH105 or equivalent, ECON 301 or permission <strong>of</strong> instructor.The objective <strong>of</strong> this course is to help students developa good underst<strong>and</strong>ing <strong>of</strong> the basic concepts ingame theory <strong>and</strong> learn how to employ these conceptsto better underst<strong>and</strong> strategic interactions.Topics covered will include normal form games,extensive form games, pure <strong>and</strong> mixed strategies,Nash Equilibrium, subgame perfect equilibrium,repeated games, <strong>and</strong> introduction to games <strong>of</strong> incompleteinformation. Selected applications will includecompetition <strong>and</strong> collusion in oligopoly, entrydeterrence, political competition <strong>and</strong> rent seeking,social norms <strong>and</strong> strategic interaction.413. Marxian Economic Theory(3-0-3) RuccioPrerequisites: ECON 115 or 225 or 224.An introduction to Marxian economic analysis.Topics include the differences between mainstream<strong>and</strong> Marxian economics, general philosophy <strong>and</strong>methodology, Marxian value theory, <strong>and</strong> criticalappraisals <strong>and</strong> current relevance <strong>of</strong> Marx’s “critique<strong>of</strong> political economy.”414. Beyond Economic Man(3-0-3) Ruccio, SentThe aim <strong>of</strong> this course is to explore the presence<strong>and</strong> effects <strong>of</strong> feminist theory in contemporary economics.We begin by examining some <strong>of</strong> the basicthemes <strong>and</strong> concepts <strong>of</strong> feminist theory <strong>and</strong> the debatessurrounding the history <strong>of</strong> feminism in relationto economics. Then we look at the impact thatfeminist theory is having on contemporary discussionsin economics, especially the idea that mainstreameconomics is a gendered discourse. Finally,we examine some <strong>of</strong> the implications <strong>of</strong> the feministcritique <strong>of</strong> economic theory in specific areassuch as the household, labor, industrial policies <strong>and</strong>Third World development.Jaime Ros, pr<strong>of</strong>essor <strong>of</strong> economics <strong>and</strong> fellow in the Helen Kellogg Institute for International Studies416. Problems in Political Economy(3-0-3) WolfsonPrerequisite: ECON 115 or 225 or 123 or 223 or224.A seminar course concerned with policy problemssuch as poverty, unemployment, quality <strong>of</strong>worklife, energy <strong>and</strong> the environment, corporatepower, military power <strong>and</strong> discrimination. Alternativepolicy prescriptions <strong>and</strong> methods <strong>of</strong> analysisare discussed. Orthodox, conservative <strong>and</strong> liberalviews are studied <strong>and</strong> later compared with nontraditionalapproaches to the analysis <strong>of</strong> Americancapitalism <strong>and</strong> its institutional modifications.421. Money, Credit, <strong>and</strong> Banking(3-0-3) Bonello, WolfsonPrerequisite: ECON 302.An examination <strong>of</strong> the money <strong>and</strong> credit-supplyprocesses <strong>and</strong> the role <strong>of</strong> money <strong>and</strong> credit in theeconomy. Topics include financial intermediaries,financial markets, the changing regulatory environment,monetary policy <strong>and</strong> international monetaryarrangements.422. The Financial System(3-0-3) WolfsonPrerequisite: ECON 115 or 225 or 123 or 223 or224.An examination <strong>of</strong> the functioning <strong>of</strong> the U.S. financialsystem, both domestically <strong>and</strong> internationally.The emphasis will be on underst<strong>and</strong>ingcurrent developments in historical context. Examples<strong>of</strong> topics include financial crises; financialinnovation <strong>and</strong> deregulation; the changing roles <strong>of</strong>commercial banks, investment banks, <strong>and</strong> savings<strong>and</strong> loan associations; the evolution <strong>of</strong> the internationalmonetary system; <strong>and</strong> the implications <strong>of</strong>corporate <strong>and</strong> government debt.430. The New Urban Crisis: An EconomicAnalysis(3-0-3) SwartzPrerequisite: ECON 301 or 303.The purpose <strong>of</strong> this seminar/lecture course is to introduceclass participants to a series <strong>of</strong> economicproblems <strong>and</strong> issues surrounding the public finance<strong>of</strong> urban America. In our federal system <strong>of</strong> government,which is undergoing a radical transformationthrough devolution, fiscal responsibility is primarilythe concern <strong>of</strong> state <strong>and</strong> local governments.Thus, this course will focus on this <strong>of</strong>ten neglectedarea <strong>of</strong> state <strong>and</strong> local public finance.Class participants are expected to generate anoriginal research product. The focus <strong>of</strong> this researchproduct varies from semester to semester. Some issuesconsidered in the past have been (1) “working<strong>and</strong> poor in urban America,” (2) “the collapse <strong>of</strong>urban commercial <strong>and</strong> residential property markets<strong>and</strong> the resulting impact on property taxation” <strong>and</strong>(3) “the changing face <strong>of</strong> fiscal federalism.”


126ECONOMICS433. Mathematics for Economists(3-0-3) Dutt, Lee, MukhopadhyayPrerequisite: ECON 301 or ECON 302 or permission<strong>of</strong> instructor.Exposition <strong>of</strong> mathematical methods used in economictheory <strong>and</strong> analysis, with application <strong>of</strong>these methods to economic theory. Major methodscovered include differential <strong>and</strong> integral calculus<strong>and</strong> matrix algebra. Recommended for studentsplanning to go to graduate school in economics.434. Applied Econometrics(3-0-3) LeePrerequisites: ECON 301 or permission <strong>of</strong>instructor.This course introduces the statistical <strong>and</strong> econometricmethods using the least squares estimationmethod in empirical economic applications. It isoriented toward the practical applications <strong>of</strong> economictheory with econometric methods ratherthan the theoretical development <strong>of</strong> these subjects.Emphasis will be placed on the analysis <strong>of</strong> economicproblems such as the capital asset pricingmodel, wage discrimination, <strong>and</strong> the marriedwomen workforce participation decision issues.435. Law <strong>and</strong> Economics(3-0-3) SkurskiPrerequisite: ECON 301.An introduction to the use <strong>of</strong> economic methodsfor the analysis <strong>of</strong> legal rules <strong>and</strong> decisions. Emphasiswill be in applications. Much <strong>of</strong> the course materialwill come from cases. A variety <strong>of</strong> subjects,such as torts, contracts, <strong>and</strong> labor law, will be covered.Students are not presumed to have any legalknowledge.441. Public Budget Expenditure Policy(3-0-3) BetsonPrerequisite: ECON 301.This course will introduce students to normative<strong>and</strong> positive economic theories <strong>of</strong> the role <strong>of</strong> governmentalagencies in the economy, privatization<strong>and</strong> the role <strong>of</strong> nonpr<strong>of</strong>its; discussion <strong>of</strong> what level<strong>of</strong> government should undertake collective action(fiscal federalism); examination <strong>of</strong> the level <strong>and</strong>composition <strong>of</strong> our federal <strong>and</strong> local governments’budgets as well as the current budgeting process;cost-benefit analysis, theoretical <strong>and</strong> pragmaticpractices; <strong>and</strong> the impact <strong>of</strong> governmental rules <strong>and</strong>regulations on the economy.442. Tax Policy(3-0-3) BetsonPrerequisite: ECON 301.This course will introduce students to the followingtopics: description <strong>of</strong> alternative tax instruments;historical trends <strong>of</strong> tax policies <strong>of</strong> the federal <strong>and</strong>state governments; discussion <strong>of</strong> what would be a“good” tax <strong>and</strong> criteria for choosing among differenttaxes; theoretical analysis <strong>of</strong> taxes on household<strong>and</strong> business decisions; empirical evidence <strong>of</strong> thedistribution <strong>and</strong> efficiency consequences <strong>of</strong> differenttaxes; debt <strong>and</strong> deficits.445. The Economics <strong>of</strong> Industrial Organization(3-0-3) WarlickPrerequisite: ECON 301 or 302.An investigation into the structure <strong>of</strong> American industry<strong>and</strong> an analysis <strong>of</strong> the implications <strong>of</strong> corporateeconomic power for public welfare.446. Environmental Economics(3-0-3) JensenPrerequisite: 115 or 225 or 224.An analysis <strong>of</strong> the welfare economics <strong>of</strong> environmentalproblems, emphasizing market failures dueto negative environmental externalities. Air, water,<strong>and</strong> l<strong>and</strong> pollution are classic examples <strong>of</strong> these externalities,which occur when third parties bearcosts resulting from the transactions <strong>of</strong> the two primarymarket participants. The theory <strong>and</strong> practice<strong>of</strong> environmental policy to promote efficiency atthe U.S. local, state, <strong>and</strong> federal levels <strong>and</strong> in othercountries is explored. International problems suchas transboundary pollution <strong>and</strong> global warming arealso studied.447. Seminar in Health Care Policy(3-0-3) BetsonPrerequisite: ECON 301 or premission <strong>of</strong>instructor.What has caused the dramatic rise in health careexpenditures? Are we getting our money’s worthfrom our health care dollar? Who is paying thebills? Is the health care system equitable? In thisseminar we will attempt to answer these questionsfrom not only an economic perspective but als<strong>of</strong>rom a historical <strong>and</strong> political perspective.448. Seminar in Current Economic Policy(3-0-3) BetsonPrerequisites: ECON 301, 302 <strong>and</strong> 303 or equivalent.The purpose <strong>of</strong> the seminar is to discuss currenteconomic policy issues. Students will be required toread newspapers (Wall Street Journal/New YorkTimes) on a daily basis <strong>and</strong> be prepared to discussthe economics <strong>of</strong> what was in the newspapers. Periodicallythroughout the semester, the students willwrite one- to two-page critiques <strong>of</strong> the coverage <strong>of</strong>an issue they found in the newspaper <strong>and</strong> will writea major paper on a current issue <strong>and</strong> make a presentationin the seminar.449. Seminar in Policy Evaluation(3-0-3) WarlickPrerequisite: ECON 303 or equivalent.Nontraditional seminar in which students collectivelyanalyze a current policy issue relevant to St.Joseph County, Indiana. The majority <strong>of</strong> the semesteris spent outside the classroom. Research activitiesinclude conducting interviews, datacollection <strong>and</strong> report writing.450. Labor Relations Law(3-0-3) LeahyA study <strong>of</strong> the development <strong>of</strong> common <strong>and</strong> statutorylaw with reference to industrial relations in theUnited States, giving emphasis to the case method.451. Employment Relations Law<strong>and</strong> Human Resource Practices(3-0-3) LeahyA case approach using primarily U.S. SupremeCourt cases <strong>of</strong> the various federal laws that are encounteredin personnel management. The coursewill cover the impact <strong>of</strong> law in such areas <strong>of</strong> thepersonnel function as recruitment <strong>and</strong> selection <strong>of</strong>employees, training, promotion, affirmative action,testing, evaluation, wages, fringe benefits <strong>and</strong> safety<strong>and</strong> health.453. Collective Bargaining: The Private Sector(3-0-3) LeahyAn analysis <strong>of</strong> the procedures <strong>and</strong> economic implications<strong>of</strong> collective bargaining as it now operatesin the United States. Emphasizes a game theoryapproach resulting in the negotiation <strong>of</strong> a laborcontract.454. Collective Bargaining: The Public Sector(3-0-3) LeahyThis course will examine the relevant state <strong>and</strong> federallaws covering public-sector collective bargaining.It will examine the various issues <strong>and</strong>techniques covering collective bargaining in government.The major part <strong>of</strong> this course will be agame theory in which an actual contract will bebargained.455. Topics in Labor(3-0-3) GhilarducciTopics vary with instructors <strong>and</strong> current trends.Examples include employment <strong>and</strong> earnings experiences<strong>of</strong> pr<strong>of</strong>essional <strong>and</strong> managerial employees,new managerial systems, incentive <strong>and</strong> compensationsystems, the health care crisis, the decline <strong>of</strong>unions, poverty <strong>and</strong> working poor, <strong>and</strong> labor marketregulations.457. Economics <strong>of</strong> Gender<strong>and</strong> Ethnic Discrimination(3-0-3) GhilarducciWomen <strong>and</strong> ethnic minorities have the lowest incomes,worst jobs <strong>and</strong> highest levels <strong>of</strong> unemployment<strong>and</strong> poverty in the United States today. Thiscourse examines the role <strong>of</strong> racism <strong>and</strong> sexism inthe U.S. economy.458. Labor Arbitration(3-0-3) LeahyPrerequisite: Permission <strong>of</strong> instructor.Analysis <strong>of</strong> the practice <strong>and</strong> procedures <strong>of</strong> arbitrationin labor grievances, with emphasis on rights<strong>and</strong> interest issues in both public- <strong>and</strong> private-sectoremployment. Course stresses an analysis <strong>of</strong>arbitral awards.


127ECONOMICS ENGLISH465. Stabilization Policy(3-0-3) RosPrerequisite: ECON 302.An in-depth examination <strong>of</strong> the various actionsthat have been <strong>and</strong> may be used to achieve themacroeconomic objectives <strong>of</strong> economic growth, fullemployment <strong>and</strong> price stability. The actions includemonetary <strong>and</strong> fiscal policy, wage <strong>and</strong> pricecontrols <strong>and</strong> other types <strong>of</strong> income policies. Theactions are compared at both the theoretical level<strong>and</strong> in terms <strong>of</strong> the results obtained in the past. Althoughthe primary focus is on the United States,the student will be exposed to policies <strong>and</strong> experiences<strong>of</strong> other countries.471. International Economics(3-0-3) Kim, RakowskiPrerequisites: ECON 115 or 225 or 123 or 223 or224.A study <strong>of</strong> the general theory <strong>of</strong> international trade;the pattern <strong>of</strong> trade, gains from trade, tariffs, trade<strong>and</strong> special interest groups, trade <strong>and</strong> growth, foreignexchange markets, balance-<strong>of</strong>-payment problems<strong>and</strong> plans for monetary reform.472. International Trade(3-0-3) Dutt, Kim, RakowskiPrerequisite: ECON 301 or equivalent.This course examines major theoretical, empirical<strong>and</strong> institutional issues in the study <strong>of</strong> internationaltrade <strong>and</strong> international factor movements. The topicscovered include determinants <strong>of</strong> trade patterns,trade <strong>and</strong> welfare, commercial policy, trade <strong>and</strong>growth, customs unions, international capital <strong>and</strong>labor movements, <strong>and</strong> trade <strong>and</strong> development.473. International Money(3-0-3) Kim, RosPrerequisite: ECON 302 or equivalent.This course examines major institutional changesin the international financial system, theoretical developmentsin the field <strong>of</strong> international monetaryeconomics, <strong>and</strong> policy issues in the contemporaryglobal financial market. Topics include balance<strong>of</strong>-paymentsaccounts, exchange rate markets <strong>and</strong>systems, open-economy macroeconomics, internationaldebt, <strong>and</strong> contemporary international monetary<strong>and</strong> financial arrangements.481. History <strong>of</strong> Economic Development(3-0-3) RuccioPrerequisite: ECON 115 or 225 or 224.This course focuses on the history <strong>of</strong> modern capitalist<strong>and</strong> socialist development around the world.Particular emphasis will be given to the history <strong>of</strong>economic development in Latin America. Boththeoretical models <strong>and</strong> historical cases will bestudied.484. Economic Development <strong>of</strong> Latin America(3-0-3) BartellPrerequisite: ECON 115 or 225 or 123 or 223 or224.An examination <strong>of</strong> the roots <strong>of</strong> dependence inLatin America. An analysis <strong>of</strong> the key problems <strong>of</strong>economic development <strong>and</strong> the policies prescribedfor their solution.489. Regional Economic Development(3-0-3) LeahyPrerequisite: ECON 115 or 225 or 123 or 223 or224.An analysis <strong>of</strong> regional economic problems in theUnited States <strong>and</strong> selected European countries,with a focus on regional theory, methods <strong>of</strong> regionalanalysis <strong>and</strong> pertinent developmentprograms.490. Econometrics(3-0-3) Lee, Marsh, MukhopadhyayPrerequisite: ECON 303 or permission <strong>of</strong>instructor.Provides students with an underst<strong>and</strong>ing <strong>of</strong> when<strong>and</strong> how to use basic econometric methods in theirwork as an economists, including the ability to recognizewhich econometric technique is appropriatein a given situation as well as what explicit <strong>and</strong> implicitassumptions are being made using themethod. Topics covered include estimation <strong>and</strong> hypothesistesting using basic regression analysis,problems with basic regression analysis, alternativeeconometric methods, limited dependent variables<strong>and</strong> simultaneous equation models.READING AND RESEARCHCOURSES398. Special Studies: Readings <strong>and</strong> Research(3-0-3) StaffPrerequisites: Junior st<strong>and</strong>ing, dean’s list average<strong>and</strong> written consent <strong>of</strong> instructor.Independent study under the direction <strong>of</strong> a facultymember. Course requirements may include substantialwriting as determined by the director. Thedirector will disenroll a student early for failure tomeet course requirements. Students who have beendisenrolled or who have failed at the end <strong>of</strong> the firstsemester are disqualified for Special Studies in thefollowing term.495. Senior Honors Essay I <strong>and</strong> II(3-0-3) (3-0-3) StaffSenior economics majors only.A two-semester tutorial requiring a completed essayon a selected topic in economics in depth. TheJohn Harold Sheehan Prize Essay Award with inscribedplaque is awarded by the Department <strong>of</strong>Economics to the graduating senior who has writtenthe best Senior Honors Essay. Senior economicsmajors only.498. Special Studies: Readings <strong>and</strong> Research(3-0-3) StaffPrerequisites: Senior st<strong>and</strong>ing, dean’s list average<strong>and</strong> written consent <strong>of</strong> instructor. See above.EnglishChair:Chris V<strong>and</strong>en BosscheAssistant to the Chair:Matthew BenedictDirector <strong>of</strong> Undergraduate Studies:James P. DoughertyDirector <strong>of</strong> Graduate Studies:Greg P. KucichDirector <strong>of</strong> Creative Writing:Sonia G. GernesAssistant to Director <strong>of</strong> Creative Writing:Kymberly TaylorWilliam B. <strong>and</strong> Hazel White Pr<strong>of</strong>essor <strong>of</strong> English:Gerald L. BrunsWilliam R. Keenan Chair <strong>of</strong> English:Joseph A. ButtigiegDonald <strong>and</strong> Marilyn Keough Pr<strong>of</strong>essor <strong>of</strong> IrishStudies:Seamus DeaneJohn <strong>and</strong> Barbara Glynn Family Pr<strong>of</strong>essor<strong>of</strong> Literature:Margaret Anne Doody<strong>Notre</strong> <strong>Dame</strong> Chair:Michael Lapidge<strong>Notre</strong> <strong>Dame</strong> Chair:Jill Mann<strong>Notre</strong> <strong>Dame</strong> Chair:Katherine O’Brien O’KeefePr<strong>of</strong>essors:Joseph X. Brennan (emeritus), JacquelineVaught Brogan, Donald P. Costello (emeritus),James P. Dougherty, Christopher B. Fox,Stephen A. Fredman, Dolores W. Frese, SoniaG. Gernes, Luke Gibbons, Thomas J.Jemielity, Edward A. Kline (emeritus), RobertLordi (emeritus), John E. Matthias, WilliamO’Rourke, Valerie Sayers, Chris V<strong>and</strong>enBossche, Edward Vasta (emeritus), James H.Walton, Barbara Walvoord (concurrent), ThomasWergeAssociate Pr<strong>of</strong>essors:James M. Collins (concurrent); Stephen M.Fallon (concurrent); Barbara J. Green; StuartGreene; S<strong>and</strong>ra Gustafson; Graham Hammill;Glenn Hendler; Cyraina Johnson-Roullier;Theresa Krier; William J. Krier; Greg P.Kucich; Leslie H. Martin (emeritus); Lewis E.Nicholson (emeritus); Kathy Psomiades; PaulA. Rathburn (emeritus); Donald C.Sniegowski; Ewa Ziarek; Krzyszt<strong>of</strong> ZiarekAssistant Pr<strong>of</strong>essors:Kate Baldwin; John Duffy; Susan Harris;Antonette Irving; Jesse L<strong>and</strong>er; Holly Martin(concurrent); Orl<strong>and</strong>o Menes; Maura Nolan;John Staud (concurrent)Pr<strong>of</strong>essional Specialists:Matthew Benedict; J. Anne Montgomery;Noreen Deane-Moran; Stephen Tomasula;Kymberly Taylor


128ENGLISHProgram <strong>of</strong> Studies. The Department <strong>of</strong> English<strong>of</strong>fers its majors a variety <strong>of</strong> courses in language<strong>and</strong> literature. The <strong>of</strong>ferings include courses in theseveral periods <strong>of</strong> British literature from medievalto modern times, in American literature fromcolonial to modern times, in certain aspects <strong>of</strong>classical <strong>and</strong> European literature, <strong>and</strong> in otherliteratures written in English; in the genres <strong>of</strong>literature, in major authors, in rhetorical, linguistic<strong>and</strong> literary theory, <strong>and</strong> in expository <strong>and</strong> creativewriting. All courses taught in the department, notjust those designated as writing courses, containsignificant writing components. All majors alsotake a research seminar that emphasizes intensivewriting.The English major at <strong>Notre</strong> <strong>Dame</strong> studies theEnglish language both as it has been used by skilledartists <strong>and</strong> as it can be used by the student. Preciselyhow the study proceeds is a matter <strong>of</strong> continuingdecision by the student major.The department, then, makes available a widevariety <strong>of</strong> courses, encouraging each major to developa program <strong>of</strong> selections suitable to his or herdesires <strong>and</strong> needs; each major is assigned a facultyadvisor to assist in this planning. The English majoris thus able to select from a broad spectrum <strong>of</strong>possible combinations in designing a comprehensiveeducation in the humanities. Of course, eachmajor will vary his or her program to select coursesappropriate to individual postcollege plans whichmight include careers in, e.g., education, business,journalism, government service or a graduate degreein business, law school, medical or dentalschool, graduate study for an M.A., M.F.A., orPh.D., or some less overtly vocational notion orpurpose.The requirements for the English major include:a minimum total <strong>of</strong> 10 courses (30 credithours) in addition to the courses required by thecollege (two first-year courses <strong>and</strong> one literaturecourse). The total credit hours must include threecourses (nine credit hours) in British <strong>and</strong> AmericanLiterary Traditions <strong>and</strong> seven other courses(21 credit hours) at the 400- or 500-level includinga one-semester course designated “Methods”early in the major <strong>and</strong> a one-semester course designated“Seminar” to be taken in the senior year.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory, <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.For fuller descriptions <strong>and</strong> recent additions tocourse <strong>of</strong>ferings, consult the department coursedescription booklet for the current semester, or theDepartment’s Web site, www.nd.edu/~english/.180J. Literature <strong>University</strong> Seminar(3-0-3) StaffAn introduction to the seminar method <strong>of</strong> instruction,emphasizing the analysis <strong>of</strong> literary texts.200. Introduction to Creative Writing(3-0-3) StaffAn introduction to writing fiction <strong>and</strong> poetry, withoutside readings <strong>and</strong> coverage <strong>of</strong> basic criticalterms. In-class discussion <strong>of</strong> student work.201. Introduction to Fiction Writing(3-0-3) StaffA workshop on the writing <strong>of</strong> fiction.202. Introduction to Poetry Writing(3-0-3) StaffA workshop on the writing <strong>of</strong> poetry.300D. Image <strong>and</strong> Text(3 0 3) MontgomeryThis course investigates the interaction between theverbal language <strong>of</strong> poetry <strong>and</strong> prose on the page<strong>and</strong> the visual images which are designed toaccompany them.301. Fiction Writing(3-0-3) O’Rourke, Sayers, Gernes, Walton,Benedict, TomasulaA course in writing the short story <strong>and</strong> relatedforms <strong>of</strong> brief fiction.302. Poetry Writing(3-0-3) Matthias, Gernes, Taylor, MenesA workshop on writing poetry, from exercises onthe making <strong>of</strong> images to poetry as objective narrative,subjective journal, monologue <strong>and</strong> directaddress.305B. Writing, Rhetoric, <strong>and</strong> Public Life(3-0-3) DuffyThis course is devoted to the study <strong>and</strong> practice <strong>of</strong>writing in public life, or writings about political,environmental, <strong>and</strong> cultural issues.309A. Creative Non-Fiction(3-0-3) StaffThis is a course in “close writing” in a wide range<strong>of</strong> dynamic <strong>and</strong> innovative genres <strong>of</strong> creative nonfiction,from the personal essay to meditations toliterary journalism.313. Introduction to Linguistics(3-0-3) Brogan, Ziarek, MontgomeryStudy <strong>of</strong> the basic forms <strong>and</strong> syntax <strong>of</strong> the Englishlanguage with application to teaching, writing, <strong>and</strong>literature.315A. Self <strong>and</strong> Society In Modern JapaneseFiction(3-0-3) BrownsteinCrosslisted with LLEA 368.This class explores how writers responded to thechallenges <strong>of</strong> an “imported” “modern” Japan,particularly after World War II.315B. City in Modern Chinese Fiction(3-0-3) LinExamining portrayals <strong>of</strong> cities such as Beijing <strong>and</strong>Shanghai in fictional works, this course exploresthe image <strong>of</strong> the city as the big, the bad, <strong>and</strong> the irresistiblesite <strong>of</strong> desire for modernity in 20th-centuryChina.316. Latino <strong>and</strong> Latina American Literature(3-0-3) StaffStudies <strong>of</strong> Latino <strong>and</strong> Latina authors, includingChicano, Caribbean, or South American.316G. Border Crossings: Mexican <strong>and</strong> CanadianLiterature(3-0-3) LeMayMexican <strong>and</strong> Canadian literature emphasizingcultural interaction between the USA <strong>and</strong> itssouthern <strong>and</strong> northern neighbors.316I. Late 20th-Century Canadian Literature(3-0-3) LeMayThe course examined selected works bycontemporary Canadian authors, including thosefrom Quebec.317A. C. S. Lewis, Tolkien, <strong>and</strong> the Inklings(3-0-3) TomkoThis course considers both the literary <strong>and</strong> thespiritual dimensions <strong>of</strong> a group <strong>of</strong> British writers <strong>of</strong>fiction, fantasy, romance, <strong>and</strong> allegory.319A. Native American Literature(3-0-3) StaffThis course serves as an introductory exploration <strong>of</strong>the literatures written by Native American authors—oralliteratures, transitional literatures (acombination <strong>of</strong> oral <strong>and</strong> written expression), <strong>and</strong>contemporary poetry <strong>and</strong> prose.319D. A Survey <strong>of</strong> Black Women Writing inAmerica(3-0-3) IrvingThis course is designed to familiarize students withthe diverse concerns <strong>of</strong> Black women’s writingfrom the first novel written in 1854 through thepresent.319G. “Passing” in 20th-Century AmericanLiterature(3-0-3) AhadInterracial relationships as depicted in the writings<strong>of</strong> black <strong>and</strong> white American writers.322. Point-<strong>of</strong>-View <strong>of</strong> the Novel(3-0-3) Deane-MoranThis course focuses on an introduction to the novelas a form, as a means to view the world <strong>of</strong> the author/artist<strong>and</strong> that <strong>of</strong> the reader.322E. Realism <strong>and</strong> the Supernatural(3-0-3) WaltonThis course is an attempt to develop a theory <strong>of</strong> thesupernatural <strong>and</strong> the uncanny in “realistic” fictionfrom Daniel Defoe to Henry James.324. Crime <strong>and</strong> Detection in Popular Culture(3-0-3) HarrisAn overview <strong>of</strong> the development <strong>of</strong> crime fiction asa genre, from its origins in Victorian sensationalistfiction to the proliferation <strong>of</strong> sub-genres in contemporaryAmerican film <strong>and</strong> television.328. Satire(3-0-3) JemielityStudies in satirical literature from the classicalperiod to the present.


129ENGLISH328B. Studies in Comedy(3-0-3) JemielityVarious forms <strong>of</strong> comic literature through the ages.333. Arthurian Literatures(3-0-3) FreseSurvey <strong>of</strong> Arthurian literature.337. The Journey in Medieval Literature(3-0-3) BaysMap’s The Quest <strong>of</strong> the Holy Grail; Dante’s DivineComedy; Chaucer’s Canterbury Tales’ Cervantes’Don Quixote.340. Shakespeare(3-0-3) MartinShakespeare’s plays, including histories, tragedies,<strong>and</strong> comedies.342. Love <strong>and</strong> Knowledge in the Renaissance(3-0-3) NicholsConflicts <strong>and</strong> concords between love <strong>and</strong> the questfor scientific knowledge, as found in the poetry,drama, <strong>and</strong> prose <strong>of</strong> the English Renaissanc.e366. The Romantic Tradition(3-0-3) NortonCrosslisted with GE/RU 330.This course focuses principally on the Germancontribution to the movement known asRomanticism by tracing its origins, development<strong>and</strong> eventual decline in works <strong>of</strong> literature,philosophy, theology, music, painting, <strong>and</strong>architecture.369. Madness in Victorian Literature(3-0-3) KarpenkoStudies in transgression, madness, <strong>and</strong> deviancy asdepicted in British fiction <strong>of</strong> the 19th century.372C. Irish Writing <strong>and</strong> Colonial Experience,1600-2000(3-0-3) SundellCrosslisted with IRST 379.The course surveys Irish literature from the 18ththrough the 20th century, from the time <strong>of</strong>Irel<strong>and</strong>’s colonization to its current prosperity <strong>and</strong>status in the European Union.373A. Writing <strong>and</strong> Politics in Northern Irel<strong>and</strong>(3-0-3) SmythCrosslisted with IRST 372B.This course explores the politics <strong>of</strong> culture, <strong>and</strong> thecultures <strong>of</strong> politics, in the North <strong>of</strong> Irel<strong>and</strong> duringthe 20th century, using a multiplicity <strong>of</strong> genres:drama, fiction, poetry, film, painting, <strong>and</strong>documentary material.373C. Imprisonment in Irish Literature(3-0-3) O’BrienCrosslisted with IRST 380.Confinement (literal or metaphorical) in Irish literaturefrom 1842 to 1925.373G. Victorian Empire Writing 1868-1901(3-0-3) WallaceThis course studies how literature bolstered the ideology<strong>of</strong> imperialism in the Victorian popularimagination.373I. Crime in Irish in the 19th-Century BritishNovel(3-0-3) O’BrienDiverse perspectives on Irish <strong>and</strong> British history<strong>and</strong> literature provide a frame for discussing violence<strong>and</strong> social change, sexuality, economics <strong>and</strong>politics in novels written in Irel<strong>and</strong> <strong>and</strong> Britainduring the last half <strong>of</strong> the 19th century.381. Readings in 19th-CenturyAmerican Literature(3-0-3) StaudThis course focuses on major literary figures <strong>and</strong>works <strong>of</strong> 19th-century America, focusing chiefly onthe two decades before the Civil War, a period <strong>of</strong>tenhailed as the first flowering <strong>of</strong> a genuine“American” literature.381A. Literature <strong>of</strong> America I(3-0-3) LundinThis course eamines the literature <strong>of</strong> America fromthe 17th century through the Civil War, with thecentral focus being the question <strong>of</strong> identity inAmerican culture.390. Travel in American Literature(3-0-3) GustafsonThis course focuses on how the notion <strong>of</strong> travel isrepresented <strong>and</strong> explored, through a survey <strong>of</strong>American literature across the centuries.392A. West Indian Poetry(3-0-3) MenesPoems from the many languages <strong>and</strong> cultures <strong>of</strong> theCaribbean region.392B. American Novel(3-0-3) Dougherty, WergeNovels from Hawthorne to Morrison.392E. Contemporary Short Fiction(3-0-3) GibleyA study <strong>of</strong> short stories <strong>and</strong> novellas written in thelast half <strong>of</strong> the 20th century.393B. Paranoia, Identity, <strong>and</strong> the NarrativeCrisis in the 20th Century(3-0-3) HansenThe course evaluates the ways in which narrative fillsthe implied need <strong>of</strong> the self to find a comfortablepattern for life, even if that pattern is self-destructive.393C. “Testimonios” as Literature, Story, <strong>and</strong>Holy Texts(3-0-3) MorenoCrosslisted with ILS 393B.This course explores “testimonios,” statements ortestaments by Latina women about their lives, asliterature, life stories, <strong>and</strong> “holy” texts.393G. The Criminal in American Literature(3-0-3) CrosbyReadings in Poe, Douglass, Melville, Holmes, <strong>and</strong>20th-century fiction, poetry <strong>and</strong> film.395. Leaving the 20th Century(3-0-3) HertzThis course maps out the stylistic <strong>and</strong> ideologicalpreoccupations <strong>of</strong> British novelists at the end <strong>of</strong> the20th century.395A. Postmodern British Novels(3-0-3) HertzReadings in Peter Ackroyd, Martin Amis, JulianBarnes, Anthony Burgess, Angela Carter, JohnFowles, Doris Lessing, Irvine Welsh, <strong>and</strong> JeanetteWinterson398. Special Studies(3-0-3) StaffPrerequisites: Junior or senior st<strong>and</strong>ing, dean’s listaverage, written consent <strong>of</strong> instructor <strong>and</strong> approval<strong>of</strong> the chair.Independent study under the direction <strong>of</strong> a facultymember.400M-499M. Methods Course(3-0-3) StaffMethods courses encourage the student to seeEnglish as a discipline, having its own assumptions,procedures, <strong>and</strong> outcomes. The content <strong>and</strong>approach <strong>of</strong> each methods course are chosen by theinstructor.400Z-499Z. Research Seminars(3-0-3) StaffSeminar classes on various literary topics for second-semesterjunior <strong>and</strong> first-semester senior Englishmajors, emphasizing literary research <strong>and</strong>intensive writing.401. Advanced Fiction Writing(3-0-3) Walton, O’Rourke, SayersA seminar in the students’ own writing <strong>of</strong> prose fiction;for students with previous experience orcoursework in writing.401A. Fiction Writing for English Majors(3-0-3) Sayers, O’Rourke, Gernes, WaltonAn intensive fiction workshop for English majors.401J. Fiction Writing for Majors(3-0-3) Sayers, O’Rourke, Gernes, WaltonAn intensive fiction workshop exclusively for Englishmajors.402. Advanced Poetry Writing(3-0-3) Matthias, Gernes, Taylor, MenesA course in poetry writing for students with previousexperience or coursework in writing.402B. Poetry Writing for English Majors(3-0-3) Taylor, Gernes, Matthias, MenesA intensive poetry workshop for English majors.402C. Advanced Poetry Writing(3-0-3) Matthias, Gernes, Taylor, MenesA course in poetry writing for students with previousexperience or coursework in writing.402M. Methods: Close Reading—PoetryMatthiasAn introduction to the study <strong>of</strong> literature throughlearning how to read poetry, with close attention todetails <strong>of</strong> sound <strong>and</strong> sense.405. Writing About Literature(3-0-3) V<strong>and</strong>en BosscheReading, discussing, <strong>and</strong> writing about literarytexts.


130ENGLISH405C. Rhetoric <strong>and</strong> Public Life(3-0-3) DuffyIntensive practice in mastering the skills <strong>of</strong> expository<strong>and</strong> argumentative writing.407. Perspectives on Literacy(3-0-3) GreeneWhat it means to be “literate” <strong>and</strong> the conditionsthat enable literacy to flourish.408A. Philosophy <strong>and</strong> Literature Seminar(4-0-4) Bruns, K. ZiarekThe introduction to the Concentration in Philosophy<strong>and</strong> Literature.410. British Literary Traditions I(3-0-3) StaffIntensive survey <strong>of</strong> British writers <strong>and</strong> literaryforms from the beginnings through theRenaissance.411. British Literary Traditions II(3-0-3) StaffIntensive survey <strong>of</strong> British writers <strong>and</strong> literaryforms <strong>of</strong> the 18th <strong>and</strong> 19th centuries.412-413. American Literary Traditions I <strong>and</strong> II(3-0-3) StaffIntensive survey <strong>of</strong> American writers <strong>and</strong> literaryforms.413E. Greek Tragedy(3-0-3) McLarenCrosslisted with CLAS 460This course acquaints students with the tragicphilosophy <strong>and</strong> the dramatic techniques <strong>of</strong> classicalGreek theater.414M. Methods: Approaches to Otherness:The American Context(3-0-3) BaldwinThis course explores different theoreticalapproaches to conventional categories <strong>of</strong>“otherness.”415B. Religious Imaginationin American Literature(3-0-3) WergeThe ways in which selected American writers <strong>and</strong>works are informed <strong>and</strong> illuminated by religioustraditions, ideas, <strong>and</strong> concerns.416M. Methods: Feminist Literary Studies(3-0-3) GreenIntroduces English majors to literary study byexamining the many ways in which the concerns <strong>of</strong>the feminist movement have influenced theinterpretation <strong>of</strong> works <strong>of</strong> literature.418G. Dramatic Literature Before 1900(3-0-3) AronsCrosslisted with FTT 482.This survey <strong>of</strong> theatrical literature from the earliestplays to the 20th century examines the ways theatrereflected <strong>and</strong> shaped people’s perception <strong>of</strong> themselvesthrough history, paying particular attentionto issues <strong>of</strong> gender <strong>and</strong> power as depicted in plays.Krzyszt<strong>of</strong> Ziarek, associate pr<strong>of</strong>essor <strong>of</strong> English419C. African-American Literature(3-0-3) StaffA historical <strong>and</strong> thematic account <strong>of</strong> the rise <strong>and</strong>achievement <strong>of</strong> African-American authors overseveral centuries.425. Comparative Studies <strong>of</strong> Modern Poetry(3-0-3) K. ZiarekEnglish translations <strong>of</strong> 20th-century poetry originallywritten in various languages.428C. Studies in Comedy(3-0-3) JemielityA multimedia examination <strong>of</strong> recurring patterns<strong>and</strong> themes in comedy.430B. History <strong>of</strong> the English Language(3-0-3) O’Brien O’KeeffeThis course is designed to introduce students to thehistorical development <strong>of</strong> the English language,from its earliest recorded appearance to its currentstate as a world language.430C. Introduction to Old English(3-0-3) Lapidge, O’ Brien O’KeeffeTraining in reading the Old English language, <strong>and</strong>study <strong>of</strong> the literature written in Old English.430Z.Seminar: Medieval Dreams Before Freud(3-0-3) FreseDreams as a source <strong>of</strong> wisdom, <strong>and</strong> dream-visionpoems, in medieval literature.431E. Latin Literature in Translation(3-0-3) SheerinLiterature <strong>of</strong> ancient Rome, from Plautus to SaintAugustine, tracing such themes as the individual’srelation to his community, the state as modeled onthe household, <strong>and</strong> the roles within the public <strong>and</strong>private spheres that men, women, <strong>and</strong> childrenwere expected to assume432A. Chaucer: Canterbury Tales(3-0-3) MannChaucer’s masterwork, studied in its originalMiddle English.438A. Falling in Love in the Middle Ages(3-0-3) MannThis course attempts to explore the variety <strong>of</strong>medieval representations <strong>of</strong> love, <strong>and</strong> to show howthey are intimately bound up with questions <strong>of</strong> freewill <strong>and</strong> destiny, gender relations, the secularization<strong>of</strong> learning, time, <strong>and</strong> eternity.


131ENGLISH440C. Love <strong>and</strong> Gender in the Renaissance(3-0-3) T. KrierExamining works by Sydney, Spenser, Shakespeare,Marvell, Donne, <strong>and</strong> others, this course discusseshow cultural underst<strong>and</strong>ings <strong>of</strong> gender influencethe depiction <strong>of</strong> love.442Z. Seminar: Shakespeare <strong>and</strong> HisContemporaries(3-0-3) L<strong>and</strong>erThis seminar places Shakespeare’s plays within thevibrant world <strong>of</strong> Tudor-Stuart drama.448. Milton(3-0-3) HammillThis course includes close readings <strong>of</strong> Milton’swork, from all stages <strong>of</strong> his career, <strong>and</strong> discussions<strong>of</strong> his highly self-conscious attempt to makehimself into Engl<strong>and</strong>’s greatest poet.451Z. Seminar: Virtue, Sex, <strong>and</strong> the Good Life:18th-Century Novels(3-0-3) DoodyThe 18th-century novel deals with the questions <strong>of</strong>social, political, sexual, <strong>and</strong> economic identities <strong>and</strong>choices in a time <strong>of</strong> great change, <strong>and</strong> this courseexamines several novels representative <strong>of</strong> the timeperiod.453. Visits to Bedlam(3-0-3) FoxLiterary, medical <strong>and</strong> social views <strong>of</strong> madness in the18th century.455B. Irish <strong>and</strong> British Literature, 1790-1815(3-0-3) DeaneCrosslisted with IRST 455.Burke, Paine, Godwin, Wordsworth, Edgeworth,<strong>and</strong> Scott in the context <strong>of</strong> the French Revolution<strong>and</strong> the Irish political situation at the end <strong>of</strong> the18th century.464B. Victorian Literature: Science <strong>and</strong> Art(3-0-3) PsomiadesNovels by Braddon, Eliot, <strong>and</strong> James in the context<strong>of</strong> art, science, <strong>and</strong> their place in a changing socialstructure.468B. Victorian Fiction(3-0-3) V<strong>and</strong>en Bossche, PsomiadesAn examination <strong>of</strong> major Victorian novels.468Z. Seminar: 19th-Century British Novel(3-0-3) V<strong>and</strong>en BosscheThe British novel, 1830-1860, as a popular mediumthrough which writers explored serious concerns:E. Brontë, Gaskell, Dickens, Collins.470A. Anglo-Irish Identities 1600-1800(3-0-3) FoxCrosslisted with IRST 470.Focusing on the 200-year historical period that wascrucial in the formation <strong>of</strong> “Irel<strong>and</strong>,” this courseexplores the complex <strong>and</strong> contested cultural,political, <strong>and</strong> ideological identities <strong>of</strong> a group wehave come to call the Anglo-Irish.471B. Studies in Six Irish Writers(3-0-3) DeaneW.B. Yeats, Elizabeth Brown, Bram Stoker, J.M.Synge, Seamus Heaney, Medbh McGuckian.472. Postmodern British Poetry(3-0-3) HukStudy <strong>of</strong> competing galaxies <strong>of</strong> late-20th-centuryBritish poets, for whom more than art was at stake:agendas <strong>of</strong> race, gender, region, class, <strong>and</strong> othercultural materials472E. Modernism/Modernity(3-0-3) E. ZiarekChanging contours <strong>of</strong> literary modernism in thelarger context <strong>of</strong> the philosophical, social, <strong>and</strong> politicalculture <strong>of</strong> modernity.472I. Becoming Modern: The European Novel(3-0-3) HertzThis course is intended to introduce students toModernism as it formed in Europe.472M. Art, Technology, the Avant-Garde(3-0-3) K. ZiarekThis course explores the importance <strong>of</strong> technologyfor the radical 20th-century art <strong>and</strong> literature.473C. Studies in Modern Poetry(3-0-3) K. ZiarekThis course focuses on four highly important <strong>and</strong>innovative, though still <strong>of</strong>ten underrated, poets:Velimir Khlebnikov, Gertrude Stein, Mina Loy,<strong>and</strong> Miron Biaoszewski.474Z. Seminar: Contemporary Irish Literature(3-0-3) HarrisIrish drama, fiction, <strong>and</strong> poetry <strong>of</strong> the second half<strong>of</strong> the 20th century.475. Phantoms <strong>of</strong> Modernity: GothicImagination <strong>and</strong> Literary Modernism(3-0-3) HansenThe course explores the ways in which such themesas doubling, haunting, terror, <strong>and</strong> sexual anxiety,themes that inhere in the Gothic novel, operate inmodernist fiction.475Z. T.S. Eliot, David Jones, <strong>and</strong> W.H. Auden(3-0-3) MatthiasThis course is an in-depth study <strong>of</strong> three majorpoets <strong>of</strong> the 20th century: T.S. Eliot, David Jones,<strong>and</strong> W.H. Auden.478Z. Seminar: Postmodern British Poetry <strong>and</strong>Contemporary Culture(3-0-3) HukA discussion <strong>of</strong> communities <strong>of</strong> late-20th-centurypoets differentiating themselves according tovarious agendas inflected by race, gender, region,class, intranational “nation” <strong>and</strong> aesthetic genealogy;<strong>and</strong> <strong>of</strong> British culture since World War II.480B. Nature in American Literature(3-0-3) LundinThis course examines the central <strong>and</strong> changing role<strong>of</strong> nature in American literature, from thetypological eschatology <strong>of</strong> the Puritans to the popcultureapocalypticism <strong>of</strong> Don DeLillo’s WhiteNoise.481M. Methods: Interpreting America in the1850s(3-0-3) HendlerThis course focuses on several widely discussedAmerican literary texts from the 1850s:Hawthorne’s The Scarlet Letter, Stowe’s UncleTom’s Cabin, Melville’s “Benito Cereno,” <strong>and</strong>Jacobs’s Incidents in the Life <strong>of</strong> a Slave Girl.482C. Tragedy: Shakespeare <strong>and</strong> Melville(3-0-3) StaudUsing concepts <strong>of</strong> tragedy as a linking principle,this course reads several Shakespearean plays <strong>and</strong>then Moby-Dick, noting Shakespeare’s influence onthe American novelist.483Z. Writing the “New World”: Literatures <strong>of</strong>the American L<strong>and</strong>scape(3-0-3) GustafsonThis course examines literary works that portraythe l<strong>and</strong>scapes <strong>of</strong> North America <strong>and</strong> the places <strong>of</strong>humans within those l<strong>and</strong>scapes.485C. Mark Twain <strong>and</strong> the AmericanImagination(3-0-3) WergeThe influence <strong>of</strong> the literature <strong>of</strong> Mark Twain onAmerican culture.488. American Film(3-0-3) KrierW. KrierPresentations <strong>and</strong> discussions <strong>of</strong> the several genres<strong>of</strong> film produced in America since the early 1900s.489M. Methods: Reading Ulysses(3 0 3) Johnson-RoullierThis course explores various ways to read literatureby employing different theoretical approaches tostudy James Joyce’s most famous text.490Z. Seminar: Black Cultural Studies(3-0-3) IrvingThis interdisciplinary course considers theconflicted ways in which “racial” identities <strong>and</strong>differences have been constructed throughout U.S.culture.492J. Lost Generation(3-0-3) BroganThis course studies the writings <strong>of</strong> authors, mostlyAmericans, who achieved prominence in the 1920s:Hemingway, Fitzgerald, H.D., Stein, Cummings,Hughes, <strong>and</strong> others.493B. Latino Poetry(3-0-3) MenesThis course will focus on several prominentcontemporary Latino <strong>and</strong> Latina poets—amongthem, Gary Soto, Lorna Dee Cervantes, VictorHern<strong>and</strong>ez Cruz, Martin Espada—whose work hasenriched <strong>and</strong> diversified the canon <strong>of</strong> Americanpoetry.


132ENGLISH FILM, TELEVISION, AND THEATRE493C. American Women Writers(3-0-3) Baldwin, BroganThis course examines literature written by Americanwomen during the middle decades <strong>of</strong> the century,investigating intersections between race,gender <strong>and</strong> nation in the war years <strong>and</strong> early ColdWar period. Of key interest is the place <strong>of</strong> Americanwomen within the concurrent political discourses<strong>of</strong> containment <strong>and</strong> expansionism.493Z. Seminar: American Women Writers(3-0-3) BroganThis course will focus on the work <strong>of</strong> womenwriters after World War II <strong>and</strong> up to the end <strong>of</strong>this past century, with the idea <strong>of</strong> gaining anunderst<strong>and</strong>ing <strong>of</strong> the range <strong>of</strong> women writers inthis country during this period.494G. Film Melodrama(3-3-3) RadnerCrosslisted with FTT 470.This course looks at the influence <strong>of</strong> 19th-centurymelodramatic sensibilities on the development <strong>of</strong>film drama, emphasizing the woman’s weepies <strong>of</strong>the 1930s <strong>and</strong> the Hollywood family melodramas<strong>of</strong> the 1950s.498. Special Studies(3-0-3) StaffPrerequisites: Dean’s list average, <strong>and</strong> written consent<strong>of</strong> instructor <strong>and</strong> approval <strong>of</strong> chair. For Englishmajors only.Independent study under the direction <strong>of</strong> a facultymember.Graduate Courses. Courses numbered between500 <strong>and</strong> 599 are open to qualified students.Description <strong>of</strong> these courses <strong>and</strong> <strong>of</strong> graduate workin English is in the Graduate School Bulletin <strong>of</strong>Information.501. Graduate Fiction Writing Seminar501C. Teaching Creative Writing502. Graduate Poetry Writing Seminar504. The Writing Pr<strong>of</strong>ession505. English for Non-Native Speakers506. Introduction to Graduate Studies531. Beowulf533A. English Religious Writing538C. What Happened Before Chaucer?Literature 1066–1350538. Canterbury Tales548A. Books, Authors & Readers in EarlyModern Engl<strong>and</strong>553. The Stupendous, the Charming, theGrotesque, <strong>and</strong> the Strange: A SecondLook at the Aesthetics <strong>of</strong> Enlightenment564. 19th-Century British Novel573C. History <strong>and</strong> Theory <strong>of</strong> Aesthetics579C. Modern Geographies596C. Poetics: Modern <strong>and</strong> Contemporary603. Small-Press Literature <strong>and</strong> Publishing702A. Practicum: Preparation for Pr<strong>of</strong>essionFilm, Television,<strong>and</strong> Theatre(Fomerly Communication <strong>and</strong> Theatre)Acting Chair:Mark PilkintonAssociate Chair <strong>and</strong> Director<strong>of</strong> Undergraduate Studies:James M. CollinsMcMeel Chair in Shakespeare StudiesPeter Holl<strong>and</strong>Pr<strong>of</strong>essors:Donald Crafton (on leave 2002-03); VincentFriedewald Jr. (visiting); Luke Gibbons(concurrent); Jill Godmilow; Mark C.Pilkinton; John Welle (concurrent)Associate Pr<strong>of</strong>essors:Reginald F. Bain (emeritus); James M. Collins;Rev. Arthur S. Harvey, C.S.C. (emeritus);Hilary Radner; Frederic W. Syburg (emeritus);Pamela WojcikAssistant Pr<strong>of</strong>essors:Wendy Arons; Christine Becker; JessicaChalmers (on leave 2002-03); Gary Sieber(adjunct); William L. Wilson (visiting)Pr<strong>of</strong>essional Specialists:Thomas M. Barkes (concurrent);Richard E. Donnelly; Karen Heisler (visiting)Associate Pr<strong>of</strong>essional Specialists:Kevin C. Dreyer; Theodore E. M<strong>and</strong>ell; AvaPreacher (concurrent)Assistant Pr<strong>of</strong>essional Specialists:William Donaruma; Siiri Scott (artist inresidence)Instructor:Christopher Sieving (visiting)The department. The Department <strong>of</strong> Film, Television,<strong>and</strong> Theatre curriculum includes study <strong>of</strong>the arts <strong>of</strong> theatre <strong>and</strong> performance, film <strong>and</strong> video,<strong>and</strong> television. Our goal is to provide students withintellectual <strong>and</strong> intuitive resources for analysis <strong>and</strong>production <strong>of</strong> these performing <strong>and</strong> media arts. Weseek both to encourage <strong>and</strong> inspire intellectual discipline<strong>and</strong> curiosity as well as to discover <strong>and</strong> nurturestudent creativity. We <strong>of</strong>fer, therefore, both ascholarly <strong>and</strong> creative context for education <strong>of</strong> thegeneral liberal arts student at <strong>Notre</strong> <strong>Dame</strong> as wellas the individual seeking an intensive preparationfor advanced study in these fields. In an interdisciplinaryspirit <strong>of</strong> collaboration, students in this departmentinvestigate film, television, <strong>and</strong> theatre(<strong>and</strong> occasionally other media) as complex culturalphenomena in order to develop skills in analysis,evaluation, <strong>and</strong> theory formation as well as to engagein creative production.Students graduating from this department havenumerous postgraduate choices. Many <strong>of</strong> ourgraduates seek careers in law, medicine, business,education, public service, or other pr<strong>of</strong>essions.Others will pursue careers in theatre, film, or television.However, we are not a pr<strong>of</strong>essional trainingprogram. Rather, we seek to provide the creative<strong>and</strong> technological tools for student scholar/artiststo build a basis for advanced study <strong>and</strong> pr<strong>of</strong>essionalcareers in the arts should they so desire. It is ourhope that those whose work <strong>and</strong> determinationlead them to seek careers in these fields will bechallenged <strong>and</strong> assisted by their liberal arts curriculum.Our courses provide tools to underst<strong>and</strong> theanalytical, technical <strong>and</strong> imaginative processes <strong>of</strong>the field, whether pursued as future work, study, oras an enhancement <strong>of</strong> intellectual life.Most FTT courses fulfill the <strong>University</strong> finearts requirement.For more information <strong>and</strong> up-to-date listings<strong>of</strong> courses <strong>and</strong> FTT events, visit the Web atwww.nd.edu/~ftt.Program <strong>of</strong> Studies. In 1998, all COTH coursesbecame FTT. Students interested in the major areencouraged to visit the departmental <strong>of</strong>fice (314O’Shaughnessy Hall) for information about theprograms <strong>and</strong> department faculty. You also mayvisit our Web site at www.nd.edu/~ftt. It is recommendedthat interested students complete one <strong>of</strong>the freshman/sophomore basic courses, Basics <strong>of</strong>Film <strong>and</strong> Television (FTT 104/204) or Introductionto Theatre (FTT 105/205), before selectingthe major. These courses are essential introductionsto the subjects <strong>and</strong> methodologies <strong>of</strong> the two departmentalconcentrations, as well as prerequisitesfor most departmental courses. When taking eithercourse is impossible, instructors <strong>of</strong> the courses mayapprove students for concurrent registration.Step-by-step instructions for becoming a majorare available on our Web site. All students declaringa major first must obtain the signature <strong>of</strong> thedepartment chair or associate chair <strong>and</strong> select a departmentalfaculty advisor, with whom the studentwill consult to prepare a plan <strong>of</strong> study reflectingtheir educational interests <strong>and</strong> goals. Students mayelect to major in the department as either a first orsecond major in accordance with college guidelines.Normally, students concentrate in either Film/Television or in Theatre. At least 30 credit hoursare needed to complete the major. The Film/Televisionconcentration requires at least one electiveon an international subject <strong>and</strong> at least three upperlevelcourses. The Theatre concentration <strong>of</strong>fers asupplementary major requiring 24 credit hours, atleast three <strong>of</strong> which must be at the 400 level, dependingon the choice <strong>of</strong> concentration. The Film/Television concentration requires at least one electiveon an international subject, <strong>and</strong> the departmentrequires writing throughout the curriculum.(A major combining courses from both areas <strong>of</strong>the department is possible with approval <strong>of</strong> the departmentchair.)


133FILM, TELEVISION, AND THEATREThe Department <strong>of</strong> Film, Television, <strong>and</strong> Theatreparticipates in two international programs bycrosslisting courses <strong>and</strong> sponsoring internships. Formore information, see the Bulletin descriptions forthe Dublin program <strong>and</strong> the London program.Several courses are <strong>of</strong>fered in the summer session,including FTT 104/204 <strong>and</strong> 105/205. See theSummer Session Bulletin for availability <strong>and</strong> furtherinformation.Film/Television Concentration. The unifyingelement in the Film/Television Concentration <strong>of</strong>the department is the four-course fundamanetalsrequirement, which provides students not onlywith resources for the critical examination <strong>of</strong> form,style, <strong>and</strong> meaning <strong>of</strong> the media in contemporaryculture but also a theoretical foundation for intensiveh<strong>and</strong>s-on production experience.Summary <strong>of</strong> Requirements: Basics <strong>of</strong> Film <strong>and</strong>Television (FTT 104/204), History <strong>of</strong> Film I (FTT310), History <strong>of</strong> Film II (FTT 311), Film <strong>and</strong>Television Theory (FTT 377). In addition to thesefour courses, students must elect six courses fromamong the many <strong>of</strong>ferings <strong>of</strong> the department in theareas <strong>of</strong> film <strong>and</strong> television studies, film <strong>and</strong> televisionproduction, theatre <strong>and</strong> other media studiesfor a total <strong>of</strong> at least 30 hours. At least three hoursmust be taken on an international topic. See advisors<strong>and</strong> the Web site for specific <strong>of</strong>ferings. Normally,three <strong>of</strong> these electives must be at the 400level (not including internships).Theatre Concentration. The Theatre Concentrationrequires students to obtain a broad generaleducation in all areas <strong>of</strong> theatre study — history,theory, <strong>and</strong> production. Students may focus theirstudies in selected areas by choosing electives intheir particular areas <strong>of</strong> interest.Summary <strong>of</strong> Requirements: Introduction to Theatre(FTT 105/205), Stage Management (FTT241), Theatre Seminar (FTT 494). Plus two <strong>of</strong> thefollowing three courses: Scene Design <strong>and</strong> Methodology(FTT 360), Lighting Design <strong>and</strong> Methodology(FTT 363), Costume Design <strong>and</strong> Methodology(FTT 364). Plus three <strong>of</strong> the following four courses:History <strong>of</strong> Theatre Before 1700 (FTT 411), History<strong>of</strong> Theatre Since 1700 (FTT 413), DramaticLiterature <strong>and</strong> Criticism Before 1900 (FTT 482),Dramatic Literature <strong>and</strong> Criticism Since 1900(FTT 483). Plus two other courses within the department,selected in consultation with an advisor, for atotal <strong>of</strong> at least 30 hours.Students selecting the Theatre Concentrationas a supplementary major may do so by completingonly the eight core requirements.Complementary Nature <strong>of</strong> Departmental Concentrations:There is a strong creative <strong>and</strong> scholarly relationshipin the mix <strong>of</strong> courses <strong>and</strong> activities <strong>of</strong> thedepartment <strong>of</strong> which students should be aware.The concentrations <strong>of</strong>fered by this department canprovide many complementary areas <strong>of</strong> creative <strong>and</strong>technical study for students involved in film <strong>and</strong>television production, as well as overlapping historical,theoretical <strong>and</strong> critical concerns. Similarly,those concentrating in theatre are urged to availthemselves <strong>of</strong> the many opportunities for productionexperience <strong>and</strong> critical, cultural <strong>and</strong> theoreticalstudies <strong>of</strong>fered by the film <strong>and</strong> television faculty.Co-curricular Activities: The department encouragesnon-majors to elect courses, participate as audiencein our extensive film <strong>and</strong> theatre series, <strong>and</strong> involvethemselves in film, television <strong>and</strong> theatre productionas a means <strong>of</strong> informing <strong>and</strong> complementingtheir liberal arts education at <strong>Notre</strong> <strong>Dame</strong>. Occasionalguest artists <strong>and</strong> lecturers are also sponsoredby the department. Information on all departmentsponsoredactivities is available in the department<strong>of</strong>fice <strong>and</strong> on the department’s Web site.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory hours per week<strong>and</strong> credits each semester are in parentheses. Theinstructor’s name is also included. Many courses requirecompletion <strong>of</strong> prerequisite courses, early application<strong>and</strong>/or permission prior to registration inorder to assure the student’s readiness to take thecourse <strong>and</strong> to control numbers in the class. Studentsshould discuss their interests <strong>and</strong> clarifycourse registration requirements with the course instructors<strong>and</strong>/or their advisors. Virtually all coursesin this department require attendance at cinemascreenings (labs), plays <strong>and</strong> other arts events.104/204. Basics <strong>of</strong> Film <strong>and</strong> Television(3-2-3) StaffCorequisite: FTT 104L/204L.This course introduces students to the study <strong>of</strong> film<strong>and</strong> television, with particular emphasis on narrative.Students will learn to analyze audio-visualform, including editing, framing, mise-en-scène, <strong>and</strong>sound. Students will consider topics in film <strong>and</strong>television studies such as authorship, genre, stardom,<strong>and</strong> feminism. Focusing on Classical Hollywood<strong>and</strong> American TV, the course will alsointroduce students to international <strong>and</strong>/or alternativecinemas <strong>and</strong> television styles. Evening screeningsare required. Serves as prerequisite to mostupper-level courses in film <strong>and</strong> television.105/205. Introduction to Theatre(3-2-3) StaffA study <strong>of</strong> theatre viewed from three perspectives:historical, literary <strong>and</strong> contemporary productionpractices. Through lectures, readings <strong>and</strong> discussion,students will study this art form <strong>and</strong> underst<strong>and</strong>its relevance to their own life as well as toother art forms. A basic underst<strong>and</strong>ing <strong>of</strong> the history<strong>of</strong> theatre <strong>and</strong> the recognition <strong>of</strong> the duties<strong>and</strong> responsibilities <strong>of</strong> the personnel involved inproducing live theatre performances will allow studentsto become more objective in their own theatreexperiences.215. American Film Genres(3-2-3) StaffCorequisite: FTT 215L.This course explores the ways in which Hollywoodhas developed productions in waves <strong>and</strong> cycles <strong>of</strong>films with similar subjects <strong>and</strong> styles. In addition toexploring the idea <strong>of</strong> genre itself as a critical issue,there are case studies <strong>of</strong> specific groups <strong>of</strong> films.These include the traditional American genres, e.g.,gangster films, westerns <strong>and</strong> musicals, as well aslesser-known genres, which vary each year.221. Acting: Process(3-0-3) Scott, StaffPrerequisite: FTT 105/205.This is a basic introduction to the art <strong>and</strong> craft <strong>of</strong>acting. It is a workshop course including lecture,exercises, rehearsal techniques <strong>and</strong> scene study. Theemphasis is on development <strong>and</strong> growth <strong>and</strong> noton finished work. In addition, students are requiredto see the mainstage plays <strong>and</strong> keep a journalincorporating notes on class work, rehearsals<strong>and</strong> outside reading.228. Irish <strong>and</strong> American Tap Dance(1.5-0-1.5) McKennaThis course will teach a range <strong>of</strong> fundmentalAmerican tap steps in addition to at least two finishedtap dance pieces set to music. Several hardshoe Irish tap dances will be taught, <strong>and</strong> dependingon the ability <strong>of</strong> the students, several other completeddances are possible. The particular range <strong>of</strong>individual tap dances learned will permit the studentto use these steps <strong>and</strong> exp<strong>and</strong> them to fit awide diversity <strong>of</strong> music types <strong>and</strong> rhythms. Althoughthe class is intended for students who havenever learned tap previously, both elementary <strong>and</strong>middle-range students have found the class suitedto their needs. Tap shoes are a necessity <strong>and</strong> shouldbe purchased before the class begins.Does not fulfill the fine arts requirement.


134FILM, TELEVISION, AND THEATRE229. Ballet I(3-0-1.5) BarkesBallet I is an exploration <strong>of</strong> fundamental ballettechnique. It is an activity course that is heavily dependentupon attendance. The course will begeared toward those who have had little or no ballettraining, with the intention <strong>of</strong> getting the classmoving quickly enough that those with some trainingwill find it useful. Ballet, if pursued correctly,can be a great help to those who engage in othermovement activities. While it is a stylized form,ballet fundamentals can provide a solid foundationfor actors, athletes, <strong>and</strong> even normal pedestrians.For example, good ballet placement is also goodposture. For the first class, dress comfortably <strong>and</strong>be ready to move. The only monetary investmentfor the course is a pair <strong>of</strong> ballet shoes, which maybe purchased at The Ballet Shop in the nearbyTown <strong>and</strong> Country Shopping Center.Does not fulfill the fine arts requirement.230. Performance Workshop I(3-2-3) ChalmersCorequisite: FTT 230L.This class represents an exciting new venture for<strong>Notre</strong> <strong>Dame</strong> theater, introducing students to thealternative practices <strong>of</strong> performance art <strong>and</strong> performancetheater. Bringing together painters, videoartists, musicians, <strong>and</strong> writers (among others), performancehas emphasized modernist <strong>and</strong> avantgardeexperimentation. The work <strong>of</strong> these <strong>and</strong>other artists are studied through readings <strong>and</strong> film<strong>and</strong> video documentation. Students also will beasked to use these examples as models to create aseries <strong>of</strong> their own short performance pieces. Studentsat all levels <strong>and</strong> disciplines are encouraged toenroll. A background in theater is not required—only a spirit <strong>of</strong> collaboration <strong>and</strong> openness towardalternative uses <strong>of</strong> character, text, space, lighting,<strong>and</strong> sound.241. Stage Management(3-0-3) DreyerPrerequisite: FTT 105/205 or permission.This course will explore the duties <strong>and</strong> functions <strong>of</strong>the stage manager in both the pre-production <strong>and</strong>production phases <strong>of</strong> the mounting <strong>of</strong> a show. Studentswill learn how to produce a promptbook <strong>and</strong>to track <strong>and</strong> block a show. They will also learnperformance etiquette <strong>and</strong> documentation <strong>of</strong> aproduction.260. Introduction to New Media(3-0-3) StaffThe Internet, interactive computer technologies,<strong>and</strong> unprecedented ways <strong>of</strong> performing <strong>and</strong>expressing ideas make an awareness <strong>of</strong> new media(broadly defined) necessary. This course examinesthe history, application, <strong>and</strong> social impact <strong>of</strong> thesenew systems.300. Principles <strong>of</strong> Television<strong>and</strong> Multimedia Production(3-0-3) FriedewaldThis course is designed to provide a fundamentalunderst<strong>and</strong>ing <strong>of</strong> video <strong>and</strong> multimedia programproduction, from initial concept to final broadcast.The point <strong>of</strong> view is from the perspective <strong>of</strong> the executiveproducer, who oversees all business <strong>and</strong> creativeaspects <strong>of</strong> television programs. All mediawhich incorporate video, including broadcast television,CD-ROM, DVD <strong>and</strong> the Internet, will becovered. Topics include proposal development <strong>and</strong>budgets; underst<strong>and</strong>ing the target audience; audienceexposure, attention, perception <strong>and</strong> retention;production elements; locations; the script; sponsorrelations; credibility <strong>and</strong> ethics; motivational television;<strong>and</strong> on-camera interview techniques.301. History <strong>of</strong> Television(3-0-3) BeckerCorequisite: FTT 301L. Majors only through thirdperiod; then open to all.This course examines the historical evolution <strong>of</strong>television, focusing on the industrial, political,technological, <strong>and</strong> cultural forces that have shapedthe development <strong>of</strong> the medium in the UnitedStates <strong>and</strong> abroad. In addition to analyzing thehistory <strong>of</strong> American broadcasting, we cover thehistories <strong>of</strong> other television systems, includingthose <strong>of</strong> Great Britain, China, Latin America, <strong>and</strong>the Middle East. As such, we explore the variety <strong>of</strong>forms this ubiquitous mass medium has taken onacross the globe <strong>and</strong> investigate the historicalfactors that bought about those forms.308. Broadcast Journalism(3-0-3) SieberPrerequisite: By application only.Four major topics are covered: (1) Writing forbroadcast: Emphasis on developing the student’sunderst<strong>and</strong>ing <strong>of</strong> grammar <strong>and</strong> style in the construction<strong>of</strong> effective news stories. (2) Newsroomstructure: Underst<strong>and</strong>ing who does what in today’sbroadcast newsroom <strong>and</strong> how economics affects theflow <strong>of</strong> information. (3) Journalism ethics: Analysis<strong>of</strong> personal values, ethical principles, <strong>and</strong> journalisticduties that influence newsroom decisions. (4)Legal considerations in news gathering with specialattention paid to libel laws <strong>and</strong> invasion <strong>of</strong> privacy.310. History <strong>of</strong> Film I(3-2-3) CraftonPrerequisite: FTT 104/204.Corequisite: FTT 310L.This course traces the major developments withinthe history <strong>of</strong> U.S. <strong>and</strong> international cinema fromits beginnings to 1946. It will look at films fromthe major cinematic movements <strong>and</strong> genres <strong>and</strong>from major filmmakers. These films <strong>and</strong> filmmakerswill be considered in terms <strong>of</strong> the social, economic,technological <strong>and</strong> aesthetic forces that haveshaped them.311. History <strong>of</strong> Film II(3-2-3) Becker, CollinsPrerequisite: FTT 310 or consent <strong>of</strong> instructor.Corequisite: FTT 311L.This course is a continuation <strong>of</strong> FTT 310, examiningthe most important developments in world cinemafrom 1946 to the present.317. History <strong>of</strong> Popular Culture(3-2-3) CollinsPrerequisite: FTT 104/204.Corequisite: FTT 317L.The focus <strong>of</strong> this course is a consideration <strong>of</strong> thedevelopment <strong>of</strong> popular culture through a reinvestigation<strong>of</strong> its history <strong>and</strong> place within the past <strong>and</strong>present cultures. Novels <strong>and</strong> other print media areconsidered, as well as film <strong>and</strong> television.322. Acting: Character(3-0-3) ScottPrerequisite: FTT 105/205 or 221 or permission.The second course in the acting progression, thiscourse exp<strong>and</strong>s on basic methodology <strong>and</strong> incorporatesphysical techniques for building a character.Students explore psychological gestures, Laban effortshapes, <strong>and</strong> improvisation as they develop apersonal approach to creating a role.325. Acting: Role/Modern(3-0-3) StaffPrerequisite: FTT 221 or permission.Advanced exploration <strong>of</strong> technique <strong>and</strong> methodologyfocusing on problem solving in approachingroles from the literature <strong>of</strong> the modern theatre.326. Acting: Role/Classical(3-0-3) ScottPrerequisite: FTT 221 or permission.This course looks at Shakespeare’s texts from theactors’ perspective. Various techniques for unlockingmeaning <strong>and</strong> emotional content will be introduced.Students will use the First Folio for textualanalysis <strong>and</strong> explore the fine arts in Elizabethan Engl<strong>and</strong>to discover the physical world <strong>of</strong>Shakespeare’s characters. The course culminates ina series <strong>of</strong> vignettes allowing each student to createseveral different classical roles.327. Acting: Role/Contemporary(3-0-3) StaffPrerequisites: FTT 221 or permission.Advanced exploration <strong>of</strong> technique <strong>and</strong> methodology,focusing on problem solving in approachingroles from the literature <strong>of</strong> the contemporarytheatre.328. Voice <strong>and</strong> Movement(3-0-3) ScottPrerequisites: FTT 105/205 <strong>and</strong> 221.A course designed to help the advanced acting studentfocus on kinesthetic awareness. The actor willidentify <strong>and</strong> work to remove physical <strong>and</strong> vocaltensions which cause habituated movement <strong>and</strong>impede natural sound production. Through movement<strong>and</strong> vocal exercises created for actors, studentswill experience what “prepared readiness” forthe stage consists <strong>of</strong>, <strong>and</strong> how to meet the dem<strong>and</strong>s<strong>of</strong> a live performance.


135FILM, TELEVISION, AND THEATRE330. Advanced Tap <strong>and</strong> Choreography(1-0-1) McKennaDoes not apply to overload.This class is directed toward advanced dancestudents interested in creating <strong>and</strong> performingadvanced tap techniques <strong>and</strong> choreographing, withthe instructor or, in some cases, independently.Tap pieces covering a range <strong>of</strong> tap genres, includingIrish hard shoe step dancing, are included.334A. National Cinemas(3-2-3) StaffCorequisite: FTT 334L.Every industrialized country, <strong>and</strong> many nonindustrializedones, have developed distinctive nationalcinemas. Often these productions are a dynamicmix <strong>of</strong> Hollywood influences, assertive local cultures,<strong>and</strong> government control. This course examinesthe films <strong>of</strong> one or more countries to revealtheir distinctive styles, stories, <strong>and</strong> visual <strong>and</strong> narrativetechniques. (The nationality varies each year.)The idea <strong>of</strong> “nation” as a critical concept is also addressed.Satisfies the FTT “International Area” requirementfor Film/TV concentrators. May berepeated. Fulfills the <strong>University</strong> fine artsrequirement <strong>and</strong> the Film/TV international arearequirement.335. National Theatre(3-0-3) StaffThis course provides students with insight into thedevelopment <strong>of</strong> European theatre, from Brecht-Weigel’s work at the Berliner Ensemble to thetheatre works <strong>of</strong> Giorgio Strehler at the Piccolo(Italy), Peter Brook at the Buffes de Nord (UK,France), Ariane Mnouchkine at Theatre de Soleil(France), Peter Stein at the Schaubeuhne, PinaBausch at Tanztheater Wuppertal, <strong>and</strong> HeinerMueller <strong>and</strong> Einar Schleef at the Volksbuehne <strong>and</strong>the Berlin Ensemble (Germany). Students areintroduced to the main productions <strong>of</strong> thesedirectors, their theatrical roots, <strong>and</strong> their influenceon contemporary European theater <strong>and</strong>playwriting.344. Directing: Process(3-0-3) StaffPrerequisite: FTT 105/205 or permission.All aspects <strong>of</strong> directing a play will be analyzed <strong>and</strong>discussed including working with text, space, actor<strong>and</strong> audience. There will be three exercises stagedin class. Each student will direct a one-act play <strong>and</strong>submit a full detailed promptbook <strong>of</strong> that productionas a final project for the course. All work forthe final is outside regular class time.350. Love, Death, Revenge: Japanese Drama(3-0-3)An introduction to Japanese classical theater (Noh,Kyogen, Bunraku <strong>and</strong> Kabuki) through readings<strong>and</strong> videotapes <strong>of</strong> selected plays.351. Playwriting <strong>and</strong> Screenwriting(3-2-3) PilkintonPrerequisite: Majors only; non-majors require theinstructor’s permission, because <strong>of</strong> the limited enrollment.This creative-writing course deals with the principles<strong>of</strong> dramatic construction with consideration<strong>of</strong> character development, plot structure, dialogue<strong>and</strong> critical analysis, as well as the evolution <strong>of</strong> dramaticform into cinematic narrative. Students canchoose to work in either (or both) formats, that is,theatre or film. Students will develop plays orscreenplays appropriate for later production withinthe department <strong>and</strong> will analyze <strong>and</strong> evaluate eachother’s creative work. Screenings <strong>and</strong> play performancesoutside class are required. Advancedstudents only.355. Topics in Performance Studies(3-0-3) ChalmersThis course introduces students to performancestudies, a new interdisciplinary field. This class willexplore the meanings <strong>of</strong> “performativity” as it hasbeen applied by scholars <strong>of</strong> performance studies toevents both in <strong>and</strong> outside theater. We will beginby looking at leading critic’s work on ritual <strong>and</strong>theater. Next, these founding concepts, developedin an academic context, will be discussed in relationto the practice <strong>of</strong> performance art <strong>and</strong> experimentaltheater since the late 1950s.360. Scene Design <strong>and</strong> Methodology(3-0-3) AuerbachPrerequisite: FTT 105/205 or permission.An introduction to the theories <strong>and</strong> practice <strong>of</strong> scenicdesign for the stage. Students will explore thedesign process as well as study the practical considerations<strong>of</strong> the execution <strong>of</strong> a design. Specific topicscovered will include elements <strong>of</strong> design, drafting,construction techniques, model building <strong>and</strong> rendering.Various periods <strong>and</strong> styles will be exploredalong with the role <strong>of</strong> the designer within the artisticinfrastructure <strong>and</strong> play analysis from thedesigner’s point <strong>of</strong> view.361. Introduction to Film <strong>and</strong> Video Production(3-3-4) M<strong>and</strong>ellPrerequisite: Application to instructor.An introductory course in the fundamentals <strong>of</strong>shooting, editing <strong>and</strong> writing for film <strong>and</strong> videoproductions. This is a h<strong>and</strong>s-on production courseemphasizing aesthetics, creativity, <strong>and</strong> technical expertise.The course requires significant amounts <strong>of</strong>shooting <strong>and</strong> editing outside class. Students produceshort video projects using digital video <strong>and</strong>Super 8mm film cameras <strong>and</strong> edit digitally on computerworkstations. The principles <strong>of</strong> three-camerastudio production are also covered.363. Lighting Design <strong>and</strong> Methodology(3-0-3) DreyerPrerequisite: FTT 105/205 or permission.This course serves as an introduction to the theories<strong>and</strong> practice <strong>of</strong> lighting design for the stage.Students will explore the design process as well asstudy the practical considerations <strong>of</strong> the execution<strong>of</strong> a design. Specific topics covered will includeelectricity, light, theatrical equipment <strong>and</strong> its development,communication <strong>of</strong> the design, <strong>and</strong> the role<strong>of</strong> the designer within the artistic infrastructure.364. Costume Design <strong>and</strong> Methodology(3-0-3) DonnellyPrerequisite: FTT 105/205 or permission.This course teaches the principles <strong>of</strong> costume designfor the stage <strong>and</strong> the techniques <strong>of</strong> constructingcostumes. The course will explore the use <strong>of</strong>costumes to express character traits by analyzingplay scripts. The course will include an introduction<strong>of</strong> the basic skills needed to constructcostumes.365. Makeup for the Stage(3-0-3) DonnellyPrerequisite: FTT 105/205 or permission.Theory <strong>and</strong> practice <strong>of</strong> makeup design, includingbasic, corrective, old-age <strong>and</strong> special charactermakeup.366. History <strong>of</strong> Costume(3-0-3) DonnellyThis course is an overview <strong>of</strong> the history <strong>of</strong> costume<strong>and</strong> fashion from the prehistoric culturesthrough the 20th century. The course will look atthe ever-changing trends in clothing <strong>and</strong> providean underst<strong>and</strong>ing <strong>of</strong> the cultural <strong>and</strong> historical effects<strong>of</strong> those changes. The class will investigatehow fabric, style, color <strong>and</strong> the psychology <strong>of</strong>clothing reflects personal choice, cultural impressions<strong>and</strong> historical perspectives.373. History <strong>of</strong> Documentary Film(3-2-3) GodmilowPrerequisite: FTT 104/204 or permission.Corequisite: FTT 373L.This course will track the history <strong>of</strong> nonfiction film<strong>and</strong> television, examining various structures <strong>and</strong>formats including expository, narrative, experimental,formalist, docudrama <strong>and</strong> “reality TV.” It willalso examine the uses <strong>of</strong> “actuality” footage in filmsthat make no pretense to objectivity. At the center<strong>of</strong> the course will be a deconstruction <strong>of</strong> the notion<strong>of</strong> “film truth.” Students will develop skills in thecritical analysis <strong>of</strong> documentary <strong>and</strong> examine thest<strong>and</strong>ards by which we evaluate them.


137FILM, TELEVISION, AND THEATRE446. Theatre for Youth(3-0-3) StaffDesigned for both majors <strong>and</strong> non-majors, thisclass combines history, literature, theory <strong>and</strong> practicefor a h<strong>and</strong>s-on experience <strong>of</strong> theatre for youngaudiences. The class takes a comprehensive look atthe trends during the 100 years <strong>of</strong> theatre, pr<strong>of</strong>essional<strong>and</strong> nonpr<strong>of</strong>essional, that has been performedby adults for a mainly child audience. Thestudents are required to attend all Theatre forYouth productions in the area <strong>and</strong> will bring togethertheir studies in a performance <strong>and</strong> an accompanyingeducational study guide.448. Intermediate Film/Video Production(3-2-4) DonarumaPrerequisites: FTT 361.This film-production course will focus on 16mmblack-<strong>and</strong>-white silent narrative film production. Itwill explore the technical <strong>and</strong> aesthetic aspects <strong>of</strong>the film camera <strong>and</strong> various equipment <strong>and</strong> focuson narrative script development for the short film.Students will shoot a composition video exercise, afilm-lighting exercise <strong>and</strong> finally write, produce,shoot <strong>and</strong> edit one 16mm black-<strong>and</strong>-white film inteams <strong>of</strong> two. Students will edit on film <strong>and</strong> completea cut workprint. There is a strong emphasison cinematography, the technical skills involved<strong>and</strong> the process <strong>of</strong> working in a crew environment.Also required are a midterm exam, some Fridayworkshops <strong>and</strong> evening screenings.463. Pr<strong>of</strong>essional Video Production(3-3-3) M<strong>and</strong>ellPrerequisites: FTT 361 or DESN 282S or permission<strong>of</strong> instructor.A course for the advanced production student interestedin the techniques <strong>and</strong> technology <strong>of</strong> thebroadcast video industry, utilizing the followingpost-production s<strong>of</strong>tware: Avid Media Composer,Adobe After Effects, Lightwave 3D, <strong>and</strong> DigidesignPro Tools. Students produce projects usingBetacamSP <strong>and</strong> DV video equipment while learningthe basics <strong>of</strong> non-linear editing, digital audiosweetening, 2-D compositing <strong>and</strong> 3-D animationtechniques.465. CAD for the Stage(3-2-3) StaffPrerequisite: Permission <strong>of</strong> instructor.The study <strong>of</strong> the use <strong>of</strong> the computer to designscenery <strong>and</strong> lighting for the stage. The course willbegin at a rudimentary level <strong>of</strong> underst<strong>and</strong>ing <strong>of</strong>computer-aided design <strong>and</strong> progress to 2-D <strong>and</strong>then 3-D design techniques. A basic underst<strong>and</strong>ing<strong>of</strong> the Macintosh computer system is necessary, <strong>and</strong>significant computer work is required outside class.470. Film <strong>and</strong> Melodrama(3-2-3) RadnerCorequisite: FTT 470L.Melodrama, one <strong>of</strong> the most important literary <strong>and</strong>cinema modes, has its roots in the 19th century.This course incorporates recent critical thought onmelodramatic forms into a study <strong>of</strong> (mostly)French cinema. Examples <strong>of</strong> films that may bestudied include Written on the Wind, Quai desbrumes, Les Enfants du Paradis, Vivre sa vie <strong>and</strong>Madame Bovary.471. French Cinema <strong>and</strong> Culture(3-2-3) RadnerCorequisite: FTT 471L.France has been a leading producer <strong>of</strong> films <strong>and</strong> aninnovator in artistic form <strong>and</strong> content throughoutthe 20th century. This course, the focus <strong>of</strong> whichvaries each year, examines French cinema <strong>and</strong> itsrelations to political, social, <strong>and</strong> cultural developments.Satisfies the FTT “International Area” requirementfor Film/TV concentrators. May berepeated.473A. Feminist Theory <strong>and</strong> Representation(3-2-3) RadnerCorequisite: FTT 473L.The course <strong>of</strong>fers an introduction to feministtheory <strong>and</strong> its relation to mass culture. The coursewill look at how the representation <strong>of</strong> gender playsan important role in the way we see the world <strong>and</strong>in the stories we tell ourselves about it.473B. Sex <strong>and</strong> Gender in Cinema(3-2-3) WojcikPrerequisite: FTT 104/204.Corequisite: FTT 473L.This course analyzes representations <strong>of</strong> <strong>and</strong> theoriesabout sex <strong>and</strong> gender in cinema. Students will readmajor texts in feminist theory, queer theory, <strong>and</strong>masculinity studies, in order to become familiarwith important concepts <strong>and</strong> debates within thefield. Topics covered will include “the male gaze,”spectatorship, performance <strong>and</strong> stardom, camp,“reading against the grain,” consumption, gender<strong>and</strong> genre, race <strong>and</strong> gender, masquerade,authorship, <strong>and</strong> masculinity “in crisis.” Studentswill view classical Hollywood films, silent films,<strong>and</strong> avant-garde films <strong>and</strong> videos. Eveningscreenings required.474. Film <strong>and</strong> Media Genres(3-2-3) WojcikPrerequisite: FTT 104/204 or permission<strong>of</strong> instructor.Corequisite: FTT 474L.The course will look at types <strong>of</strong> stories in film, televisionor other media. The course may concentrateon a particular genre, such as the Hollywoodmusical, detective fiction, the Western or the soapopera; or, it may <strong>of</strong>fer a more general exploration<strong>of</strong> the concept <strong>of</strong> “genre.”


138FILM, TELEVISION, AND THEATRE475. Topics(3-2-3) CraftonPrerequisite: FTT 104/204 <strong>and</strong> majors only.Corequisite: FTT 475L.This is an advanced study <strong>of</strong> the use <strong>of</strong> film or televisiontechnique. Students examine group styles —such as the Hollywood cinema or the European artcinema — or the individual styles <strong>of</strong> major film ortelevision artists.Topics vary from semester to semester.476. Gender <strong>and</strong> Genre(3-2-3) StaffPrerequisite: FTT 104/204.Corequisite: FTT 476L.Starting from the fact that certain film genres havebeen seen as appealing largely to one gender, thiscourse will examine the connections between genre<strong>and</strong> gender, attempting to get beyond conventionalexplanations <strong>of</strong> the gendering <strong>of</strong> genres (e.g., “guyslike violence”; “women like romance”). The coursewill consider various theories <strong>of</strong> male <strong>and</strong> femalespectatorship <strong>and</strong> attempt to assess their applicabilityto different genres. At the same time, however,this course will question the rigid demarcation <strong>of</strong>both gender <strong>and</strong> genres, looking closely at theseemingly increasing prevalence <strong>of</strong> “gender-bending”<strong>and</strong> “genre-blending.”477. Third Cinema(3-2-3) StaffPrerequisite: FTT 104/204 or permission.Corequisite: FTT 477L.“Third Cinema” is the terms for a wide,multicultural range <strong>of</strong> films from the Third World.Their stylistic <strong>and</strong> thematic practices differentiatethem from the Hollywood <strong>and</strong> European traditionsthat have dominated world cinema. We will notstudy these films merely as isolated masterpieces,but rather in relation to their larger cultural, historical<strong>and</strong> theoretical contexts. To this end, thecourse readings will include essays concerning notonly the films themselves but also the theoretical<strong>and</strong> political issues they engage: colonialism <strong>and</strong>post-colonialism, cultural, ethnic, racial <strong>and</strong> sexualdifference, <strong>and</strong> questions <strong>of</strong> otherness <strong>and</strong>multiculturalism.478. Film Culture(3-2-3) CollinsPrerequisite: FTT 104/204 or permission.Corequisite: FTT 478L.This course will investigate how films are circulated<strong>and</strong> evaluated throughout cultures at differentpoints in the history <strong>of</strong> the medium. The focus willbe on the way films acquire varying levels <strong>of</strong> culturalsignificance in terms <strong>of</strong> how they are accessedby which audiences <strong>and</strong> how they intersect withother media: publishing industries, popular music,magazines, <strong>and</strong> literary culture.479. New American Cinema <strong>and</strong> Culture(3-2-3) CollinsPrerequisite: FTT 104/204 or permission.Corequisite: FTT 479L.This course concentrates on the most importantdevelopments in American cinema <strong>and</strong> culturesince the 1960s. Beginning with the collapse <strong>of</strong> theclassic studio system at the end <strong>of</strong> the 1950s, thiscourse explores the pr<strong>of</strong>ound changes that the filmindustry has undergone over the decades, <strong>and</strong> investigatesthe major aesthetic developments that occurredin film <strong>and</strong> other media during the sameperiod — pop art, metafiction, <strong>and</strong>postmodernism.480. Ritual <strong>and</strong> Drama(3-0-3) StaffIn this course, performance is studied as a past orimaginary behavior that is restored in the present soas to create a certain effect on spectators. Performanceconcepts are used to learn how to distinguishritual from theatre <strong>and</strong> how to find ritual intheatre. The time structures <strong>of</strong> dramatic performanceare studied. Students present analyses <strong>of</strong>scripts <strong>and</strong> performances <strong>of</strong> drama using these concepts.Regular attendance <strong>and</strong> required screeningsare part <strong>of</strong> this course. Recommended <strong>University</strong>elective.481. Drama <strong>and</strong> Directors(3-0-3) StaffThis course investigates the major directing styles<strong>of</strong> Euro-American directors <strong>of</strong> drama. Styles mayinclude realism, theatricalism, interculturalism,epic theatre, avant-garde <strong>and</strong> New Vaudeville. Directorsinclude Stanislavsky, Brecht, Welles, Kazan,Brook <strong>and</strong> Schechner. Students make presentationsbased on readings <strong>and</strong> performances. Regular attendancein class <strong>and</strong> the viewing <strong>of</strong> several films outsideclass are required. Recommended <strong>University</strong>elective.482. Dramatic Literature <strong>and</strong> CriticismBefore 1900(3-0-3) AronsPrerequisite: FTT 105/205 or instructor’spermission.An advanced survey <strong>of</strong> theatrical literature <strong>and</strong>criticism from the earliest plays to the beginning <strong>of</strong>the 20th century. Students will read one to twoplays per week along with selected secondarycritical literature.483. Dramatic Literature <strong>and</strong> CriticismSince 1900(3-0-3) AronsPrerequisite: FTT 105/205 or instructor’spermission.An advanced survey <strong>of</strong> theatrical literature <strong>and</strong>criticism since the beginning <strong>of</strong> the 20th century.Students will read one to two plays per week alongwith selected secondary critical literature.484. Critical Theory in Film <strong>and</strong> TelevisionStudies(3-2-3) CollinsPrerequisites: FTT 104/204, FTT 377.Corequisite: FTT 484L.This course <strong>of</strong>fers an introduction to the philosophical,aesthetic, cultural <strong>and</strong> historical issuesthat inform current scholarship <strong>and</strong> production infilm <strong>and</strong> television. The focus <strong>of</strong> the course mayvary from semester to semester.485. Contemporary Narrative(3-2-3) CollinsPrerequisite: Permission <strong>of</strong> instructor.Corequisite: FTT 485L.This seminar will focus on the different types <strong>of</strong>storytelling that have emerged within the past decadein literature <strong>and</strong> film.486. Overcoming Political TragedySee GE 484.487. Advanced Film/Video Script Development(3-0-3) GodmilowTopic varies. Refer to department.488. Advanced Film/Video Production(3-2-6) GodmilowPrerequisite: FTT 488A; permission required byapplication.This is a film/video production workshop for advancedstudents, focusing on the development <strong>and</strong>production <strong>of</strong> 16mm short films <strong>and</strong> videotapes inthe fiction, documentary or formal mode. Itstresses writing skills with an emphasis on innovationsthat exp<strong>and</strong> the existing traditions <strong>of</strong> <strong>and</strong>boundaries between fiction <strong>and</strong> non-fiction practices.Students will work in teams <strong>of</strong> two <strong>and</strong> utilize16mm color film processes <strong>and</strong>/or Betacamvideotape technologies. Some evening screeningsrequired.489. Advanced Topics in Media Theory, History,<strong>and</strong> Research(3-2-3) StaffPrerequisites: FTT 104/204, FTT 310, 311, <strong>and</strong>permission <strong>of</strong> instructor. May be repeated forcredit.An advanced investigation <strong>of</strong> selected topics concerningmedia or cultural studies.490. Advanced Theatre Production Workshop(3-4-3) AronsPrerequisite: Instructor’s permission.Corequisite: FTT 490L.A workshop course in the process <strong>of</strong> theatre production,in which students learn to do a dramaturgicalanalysis <strong>of</strong> a play for production as well asassume a major production responsibility including,but not limited to, that <strong>of</strong> performer, stagemanager, assistant stage manager, prop master, costumer,technical director <strong>and</strong> assistant director.Does not count toward overload. May be repeated.


139FILM, TELEVISION, AND THEATRE GERMAN AND RUSSIAN LANGUAGES AND LITERATURES493. Special Projects in Film(3-2-3) GodmilowPrerequisites: FTT 447-448 or FTT 487-488.This is a film production workshop for advancedstudents, focusing on the development <strong>and</strong> production<strong>of</strong> short films in the fiction, documentary orformal mode. It stresses writing skills with an emphasison innovations that exp<strong>and</strong> the existing traditions<strong>of</strong> <strong>and</strong> boundaries between fiction <strong>and</strong>nonfiction practices. Students will work in teams <strong>of</strong>three <strong>and</strong> utilize 16mm color film processes <strong>and</strong>/orBetacam videotape technologies. Some eveningscreenings required.494A. Theatre Seminar(3-V-3) ScottPrerequisite: Senior majors only, or with permission.Corequisite: 494L.Preparation for advanced study <strong>of</strong> theatre. A course<strong>of</strong> study for the semester is developed between thestudent <strong>and</strong> a faculty advisor or advisors (selectedon the basis <strong>of</strong> goals established at the beginning <strong>of</strong>the course). Students who will be taking this courseshould consult with the instructor during thespring preregistration period to preliminarily discussfuture goals.494B. Media Seminar(V-V-V) StaffPrerequisite: Permission <strong>of</strong> instructor.Variable topic seminar. May be repeated for creditwith permission.495. Practicum(V-V-V) PilkintonPrerequisite: Majors only, <strong>and</strong> permission required.Individual practical projects for the advanced student.May be repeated up to six hours credit.Taken S/U only.496A. Broadcast Internship (WNDU)(V-O-V) HeislerPrerequisites: FTT 361 or 395, <strong>and</strong> application toinstructor.Students may receive academic credit by completingan internship at WNDU-TV. Interns will enhancetheir skills <strong>and</strong> knowledge about thebroadcasting/video production industry while gainingpractical experience. Interns generally work 10-12 hours a week, complete a midsemester <strong>and</strong> finalevaluation report <strong>and</strong> produce a project <strong>of</strong> significancefor the department in which they intern.DOES NOT COUNT as a Film/TV upper-levelcourse. Taken S/U only.496B. Broadcast Internship(V-O-V) M<strong>and</strong>ellPrerequisites: FTT 361 or FTT 395 or FTT 399,<strong>and</strong> application to instructor.Placement <strong>of</strong> advanced students with local commercialor public broadcasting facility. DOESNOT COUNT as a Film/TV 400-level course.Taken S/U only.496C. Theatre Internship(V-0-V) StaffPrerequisite: Permission <strong>of</strong> instructor by application.Placement <strong>of</strong> advanced students with local pr<strong>of</strong>essionalor community theatre organizations. DOESNOT COUNT as a Film/TV upper-level course.Taken S/U only.496E. Film Production Internship(V-0-V) M<strong>and</strong>ellPrerequisites: FTT 447/448, <strong>and</strong> permission by applicationto instructor.Placement <strong>of</strong> advanced students as crew memberswith local, pr<strong>of</strong>essional <strong>and</strong> educational film productions.DOES NOT COUNT as a Film/TV upper-levelcourse. Taken S/U only.496F. Media InternshipCannot be counted toward FTT major. (Intendedfor non-FTT majors. 1 credit.)498. Special Studies(V-V-V) StaffPrerequisite: Permission <strong>of</strong> the sponsoring pr<strong>of</strong>essor<strong>and</strong> chair required, by application.Research for the advanced student.German <strong>and</strong> RussianLanguages <strong>and</strong>LiteraturesChair:Robert E. NortonRev. Edmund P. Joyce, C.S.C., Pr<strong>of</strong>essor<strong>of</strong> German Language <strong>and</strong> Literature:Mark W. RocheMax Kade Distinguished Visiting Pr<strong>of</strong>essor <strong>of</strong>German:Wolfgang BraungartPaul G. Kimball Pr<strong>of</strong>essor <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>:Vittorio HöslePr<strong>of</strong>essors:Vittorio Hösle; R<strong>and</strong>olph J. Klawiter (emeritus);Klaus Lanzinger (emeritus); Thomas G.Marullo; Robert E. Norton; Vera B. Pr<strong>of</strong>it;Konrad Schaum (emeritus)Associate Pr<strong>of</strong>essors:David W. Gasperetti; Albert K. WimmerAssistant Pr<strong>of</strong>essors:Jan Lüder Hagens; Kirsten M. Christensen;Alyssa W. Dinega; John I. LiontasVisiting Assistant Pr<strong>of</strong>essor:Karla A. CruiseAssociate Visiting Instructor:Denise M. DellaRossaPr<strong>of</strong>essional Specialist:Hannelore WeberProgram <strong>of</strong> Studies. The study <strong>of</strong> German <strong>and</strong>Russian languages <strong>and</strong> literatures provides educationalopportunities relevant to an increasingly interdependentworld. The acquisition <strong>of</strong> foreignlanguage skills in general is an important component<strong>of</strong> liberal education because it enhances students’powers <strong>of</strong> communication <strong>and</strong> it serves tointroduce them to enduring cultural achievements<strong>of</strong> other peoples. In this sense, the study <strong>of</strong> German<strong>and</strong> Russian widens students’ intellectual horizons,stimulates the underst<strong>and</strong>ing <strong>of</strong> two significant culturaltraditions <strong>and</strong> allows the examination <strong>of</strong> thesetraditions in a more sophisticated <strong>and</strong> cosmopolitanmanner.Beginning, elementary <strong>and</strong> intermediatecourses develop students’ abilities to underst<strong>and</strong>,speak, read <strong>and</strong> write German or Russian with facility<strong>and</strong> confidence. Weekly exercises in the languageresource center provide further practice inoral communication. Courses in advanced Germanor Russian language, literature, culture <strong>and</strong> civilizationexpose the student to a wealth <strong>of</strong> literary, cultural<strong>and</strong> humanistic traditions as well as facilitate abetter underst<strong>and</strong>ing <strong>of</strong> the rich national cultures<strong>of</strong> the German-speaking countries <strong>and</strong> <strong>of</strong> Russia.


140GERMAN AND RUSSIAN LANGUAGES AND LITERATURESThe department. The Department <strong>of</strong> German<strong>and</strong> Russian Languages <strong>and</strong> Literatures <strong>of</strong>fers instructionin German <strong>and</strong> Russian at all levels <strong>of</strong>competence, from beginning language courses atthe 100 level to literature <strong>and</strong> civilization courseson the 300 <strong>and</strong> 400 levels.THE GERMAN PROGRAMRequirements for German MajorsThe requirements for a major in German includecompetency in the target language <strong>and</strong> the successfulcompletion <strong>of</strong> 10 courses (30 credit hours)above the three-semester language requirement, <strong>of</strong>which at least four have to be taken on the advancedlevel (300 or 400) within departmental<strong>of</strong>ferings.Supplementary majors are expected to demonstratecompetency in German <strong>and</strong> complete aminimum <strong>of</strong> eight courses (24 credit hours) abovethe three-semester language requirement, <strong>of</strong>which at least three must be taken at the advancedlevel (300 or 400) within departmental <strong>of</strong>ferings.For majors or supplementary majors in German,a year <strong>of</strong> study abroad in Innsbruck, Austria,is considered customary. They are, therefore,strongly encouraged to participate in this programduring their sophomore or junior year. For furtherinformation, see the section on International StudyPrograms.Students are encouraged to consider taking asupplementary major in German. It is manageableto fulfill requirements next to any major. Past experiencehas shown that a major in German can bevery helpful for any future career plans.The Minor in German15 credits, or 5 courses, <strong>of</strong> which at least fourmust be in German language <strong>and</strong>/or literature atthe 200 level or above <strong>and</strong> conducted in German;<strong>of</strong> these four, at least one must be at the 300 or400 level. The fifth course may be a course onGerman literature taught in English, or a courseon a German subject in another discipline(Philosophy, Political Science, History, Theology,etc.).Senior ThesisGerman majors who wish to graduate with honorsmay write a Senior Thesis. For those German majorswho elect to write a thesis, several requirementsmust be met: (1) The student must have a GPA <strong>of</strong>3.5 or higher in the major, (2) the thesis must be atleast 40 pages long, <strong>and</strong> (3) the thesis must be writtenin German.The student writing a thesis enrolls in German499 <strong>and</strong> receives one course credit (three credithours) for the course. Although the thesis is gradedby the advisor (to receive honors, the thesis mustreceive a grade <strong>of</strong> B+ or higher), the entire departmentreads the thesis, acting as an advisory body tothe advisor. The thesis is due the week after springbreak, <strong>and</strong> the student is strongly advised to beginthinking about it <strong>and</strong> start conferring with the advisorbefore the October break <strong>of</strong> the fall term.THE RUSSIAN PROGRAMRequirements for Russian MajorsMajors in Russian must complete 10 courses (30credit hours) beyond the three-semester languagerequirement, <strong>of</strong> which four must be taken at the300 or 400 level from departmental <strong>of</strong>ferings. Atleast two <strong>of</strong> these courses must be literature in theoriginal Russian (400-level). In addition, onecourse may be on a Russian subject in another discipline,e.g., art, political science, or history.Supplementary majors in Russian must completeeight courses (24 credit hours) beyond thethree-semester language requirement, <strong>of</strong> whichthree must be taken at the 300 or 400 level fromdepartmental <strong>of</strong>ferings. As with the major, two <strong>of</strong>these courses must be in Russian literature in theoriginal. In addition, one course may be on a Russiansubject in another discipline, e.g., art, politicalscience, or history.Minor in Russian15 credits, or five courses, <strong>of</strong> which at least fourmust be in Russian language <strong>and</strong>/or literature atthe 200 level or above <strong>and</strong> conducted in Russian;<strong>of</strong> these four, at least one must be at the 400 level.The fifth course may be a course on Russianliterature taught in English, or a course on aRussian subject in another discipline (e.g., art,philosophy, political science, history, theology,etc.).Minor in Russian <strong>and</strong> East European StudiesFor a minor in Russian <strong>and</strong> East European studies,students must have (1) at least four college semestersor the equivalent <strong>of</strong> Russian or a language spokenin Central or Eastern Europe (German will beaccepted in certain cases); (2) four area studiescourses beyond the major, chosen from at leastthree departments (students with double majorscan normally count two courses in the second majortoward fulfilling this requirement); <strong>and</strong> (3) athesis normally written in the senior year <strong>and</strong> directedby a faculty member in the Russian <strong>and</strong> EastEuropean Studies program. Students can typicallyattain six credits for this project, i.e., three creditsfor directed readings in the first semester <strong>and</strong> threecredits for writing the thesis in the second.Students studying Russian are urged to spend asummer or a semester in Russia through an approvedinternational study program. Courses inlanguage <strong>and</strong> literature taken in Russia in approvedprograms may substitute for certain Russian courseshere at <strong>Notre</strong> <strong>Dame</strong>.Students are encouraged to consider taking asupplementary major in Russian. It is manageableto fulfill requirements next to any major. Past experiencehas shown that a supplementary major inRussian can be very helpful for any career plans.Writing-Intensive CoursesAll 300- <strong>and</strong> 400-level literature courses in Germanor Russian are writing intensive. Majors in Germanor Russian who take upper-level literature coursesfulfill the writing-intensive requirement <strong>of</strong> the <strong>College</strong><strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>.Placement <strong>and</strong> Language RequirementAt the beginning <strong>of</strong> each semester, placement testsin German <strong>and</strong> Russian will be administered thatwill allow students either to test out <strong>of</strong> one or twosemesters <strong>of</strong> the language requirement or enroll in acourse commensurate with their language pr<strong>of</strong>iciency.The placement test is m<strong>and</strong>atory for studentswho had German or Russian in high school.Students testing out <strong>of</strong> three semesters mustcomplete an additional course at the 200 level orhigher before receiving credit <strong>and</strong> testing out <strong>of</strong> thelanguage requirement.Course Descriptions. The following course descriptionsgive the number, title <strong>and</strong> a brief characterization<strong>of</strong> each course. Lecture or class hours perweek, laboratory or tutorial hours per week <strong>and</strong>credits each semester are in parentheses. Not all <strong>of</strong>these courses are <strong>of</strong>fered every year.GERMAN101-102. Beginning German I <strong>and</strong> II(4-0-3) (4-0-3) StaffNo prerequisite.An introductory course <strong>of</strong> the spoken <strong>and</strong> writtenlanguage. Aims at the acquisition <strong>of</strong> basic structures,vocabulary <strong>and</strong> sound systems. For studentswith no previous study <strong>of</strong> the language.101F-102F. Intensive Beginning German I <strong>and</strong> IINo prerequisite.(6-0-5) (6-0-5) WeberIn this course students will develop skills in underst<strong>and</strong>ing,speaking, reading <strong>and</strong> writing German.They will also attain a grasp <strong>of</strong> the basic structures<strong>of</strong> the language. During class, emphasis will beplaced on using the language to communicate <strong>and</strong>interact in a variety <strong>of</strong> situations <strong>and</strong> contexts. Inaddition, there will be a comprehensive introductionto the culture <strong>of</strong> German-speaking countries,with a particular emphasis on Austria, as this courseis designed to prepare students with no previousstudy <strong>of</strong> German to participate in the InternationalStudies Program in Innsbruck.180. Literature <strong>University</strong> Seminar(3-0-3) StaffThis course introduces students to German literature<strong>and</strong> culture while also serving as an introductionto the seminar method <strong>of</strong> instruction. Thecourse is writing intensive with emphasis given toimproving students’ writing skills through the carefulanalysis <strong>of</strong> specific texts.


141GERMAN AND RUSSIAN LANGUAGES AND LITERATURES201. Intermediate German I(3-0-3) StaffPrerequisite: Two semesters or equivalent.In this course, students will build on <strong>and</strong> developtheir communicative abilities acquired in BeginningGerman I <strong>and</strong> II. The four skills approach(speaking, listening, reading, writing) is centeredon authentic texts, recordings, videos, <strong>and</strong> otherimages. The course includes grammar review, concentratedvocabulary expansion, <strong>and</strong> intensivepractice.201F-202F. Intensive Intermediate German I<strong>and</strong> II(4-1-5) (4-1-5) WeberPrerequisite: Two semesters or equivalent.Comprehensive training in all language skills leadingto a balanced mastery <strong>of</strong> German. For studentswith two to three years <strong>of</strong> German in high school,this course serves as preparation for the InnsbruckInternational Study Program.202. Intermediate German II(3-0-3) StaffPrerequisite: Three semesters or equivalent.In this bridge course, students will strengthen <strong>and</strong>refine the four linguistic skills (speaking, listening,reading, writing). Students will work towardgreater fluency, accuracy, <strong>and</strong> complexity <strong>of</strong> expression.They will debate, analyze, <strong>and</strong> express opinions.Materials <strong>and</strong> class discussions will center ona cultural topic that will carry through the entiresemester.210. Readings in German Cultural History(3-0-3) StaffPrerequisite: Three semesters or the equivalent.An introduction to the development <strong>and</strong> flowering<strong>of</strong> the various epochs <strong>of</strong> German culture against thebroader background <strong>of</strong> European history as awhole.241. Intermediate Conversation <strong>and</strong>Composition(3-0-3) Hagens, WimmerPrerequisite: Three semesters or the equivalent.This course is designed to strengthen the student’sability to master the German language in the principalskills <strong>of</strong> speaking, comprehension <strong>and</strong> writing.The various text selections used should help thestudent to become familiar with some <strong>of</strong> the issues<strong>and</strong> problems <strong>of</strong> contemporary life <strong>of</strong> Germanspeakingcountries <strong>and</strong> to develop an ability tocommunicate thoughts on topics <strong>of</strong> general interest,both orally <strong>and</strong> in writing.253. Philosophy <strong>of</strong> Power(3-0-3) HösleNo prerequisite.Power is a pervasive feature <strong>of</strong> human relations butnevertheless difficult to grasp. It is unavoidable <strong>and</strong>at the same time in dire need <strong>of</strong> moral restraints.This lecture course is dedicated to a logical analysis<strong>of</strong> the concept <strong>of</strong> power, to a phenomenology <strong>of</strong> itsforms <strong>and</strong> to a systematization <strong>of</strong> the maxims <strong>of</strong>power-oriented individuals as well as to an ethicalevaluation <strong>of</strong> those forms <strong>and</strong> those maxims. Wewill use many examples from history <strong>and</strong> literature.302. The ABCs <strong>of</strong> Reading <strong>and</strong> Writing aboutLiterature (in German)(3-0-3) Pr<strong>of</strong>itPrerequisite: 202 or equivalent.At most two works will be read: Dürrenmatt’s DerRichter und sein Henker <strong>and</strong> Der Besuch der alten<strong>Dame</strong>. We will read these carefully with greatattention to detail. Writing assignments will evolvefrom the readings; they may include a characterportrayal, the description <strong>of</strong> an outdoor event, ashort conversation, description <strong>of</strong> a crime scene,etc. They will increase in length from a singleparagraph to two or three pages.303. German for Conversation(3-0-3) LiontasThis is an advanced German language course, designedfor students who have successfully completeda minimum <strong>of</strong> four semesters <strong>of</strong> German.This course exp<strong>and</strong>s on the grammatical structures<strong>of</strong> the German language spoken in German-speakingcountries today, with emphasis on communication<strong>and</strong> acquisition <strong>of</strong> advanced language skills:reading <strong>and</strong> listening comprehension, <strong>and</strong> oral <strong>and</strong>written expression. A study <strong>of</strong> everyday Germanculture supports the language study. The conversationalcomponent <strong>of</strong> the course requires student/teacher <strong>and</strong> student/student interaction (in large<strong>and</strong> small group settings) to exchange information,clarify meanings, express opinions, argue points <strong>of</strong>view, <strong>and</strong> engage in any other communicative functionfor which native speakers use language. Thecourse includes ongoing evaluation <strong>of</strong> students, usinga variety <strong>of</strong> evaluative instruments <strong>and</strong> communicativecontexts.Note: Native speakers or students who alreadyhave achieved a high level <strong>of</strong> oral pr<strong>of</strong>iciency (to bedetermined by an Oral Pr<strong>of</strong>iciency Interview withthe instructor) will not be given credit for thiscourse.305. Advanced Stylistics <strong>and</strong> Composition(3-0-3) ChristensenThis course <strong>of</strong>fers students the opportunity to increasethe sophistication <strong>of</strong> their written German.Speaking, listening, <strong>and</strong> reading skills also will benefit.Assignments are varied widely to address theinterests <strong>and</strong> strengths <strong>of</strong> all students <strong>and</strong> to allowmany opportunities for creativity. For example,students may work at writing letters, biography orautobiography, short stories, editorials, film reviews,or advertisements, to name just a few <strong>of</strong> thegenres <strong>and</strong> writing styles we explore. In the process,students build their vocabulary, including idiomaticexpressions, <strong>and</strong> solidify their underst<strong>and</strong>ing <strong>of</strong>German grammar. German culture, as expressed inshort texts, the Internet, films, <strong>and</strong> music, providea rich <strong>and</strong> meaningful context for the writing process.Students work frequently in groups to read<strong>and</strong> edit each other’s work.306. The Face(s) <strong>of</strong> German Identity(3-0-3) DellaRossaPrerequisite: GE 202 or equivalent.The dismantling <strong>of</strong> the border between the twoGerman states not only changed the German l<strong>and</strong>scapebut also disrupted the silence regarding concepts<strong>of</strong> national identity in Germany. This courseexamines the cultural constructions <strong>of</strong> nation <strong>and</strong>identity in Germany, beginning with the FrenchRevolution <strong>and</strong> continuing to today. The subjectswe examine include essays, poetry, short stories,films, architecture, <strong>and</strong> painting, facilitating classroomdiscussions on the intersecting discourses <strong>of</strong>geography, religion, gender, ethnicity, <strong>and</strong> nationality<strong>and</strong> their influence on German identity.309. Literatur von Gestern und Heute(3-0-3) DellaRossaPrerequisite: GE 202 or equivalent.This course acquaints students with the major periods<strong>and</strong> issues <strong>of</strong> German literature through the examination<strong>of</strong> a significant constellation <strong>of</strong> literarytexts. Students read, discuss, <strong>and</strong> analyze selectedtexts from prose, poetry, <strong>and</strong> drama <strong>and</strong> become familiarwith basic techniques <strong>of</strong> approaching <strong>and</strong> interpretingtexts that will prepare them for a widerrange <strong>of</strong> more specialized courses.310. Literary Forms <strong>and</strong> Composition(3-0-3) StaffPrerequisite: Four semesters.This course fosters careful reading <strong>and</strong> a sensitivityto different kinds <strong>of</strong> literary texts. Discussions <strong>and</strong>weekly essays will refine the student’s languageskills <strong>and</strong> written expression in German.313. Business German (in German)(3-0-3) WimmerPrerequisite: Four semesters.German business language <strong>and</strong> practices. Designedto introduce the internationally oriented business<strong>and</strong> German major to the language, customs <strong>and</strong>practices <strong>of</strong> the German business world.315. Medieval German Literature(3-0-3) WimmerPrerequisite: Four semesters or equivalent.GE 315 constitutes a survey <strong>of</strong> German literaturefrom its beginnings during Germanic times untilthe 16th century. Ideas, issues <strong>and</strong> topics are discussedin such a way that their continuity can beseen throughout the centuries. Lectures <strong>and</strong> discussionsare in German, but individual students’ languageabilities are taken into consideration.Readings include modern German selections frommajor medieval authors <strong>and</strong> works such asHildebr<strong>and</strong>slied, Rol<strong>and</strong>slied, Nibelungenlied, Iwein,Parzival, Tristan, courtly lyric poetry, the Germanmystics, secular <strong>and</strong> religious medieval drama, DerAckermann aus Böhmen, <strong>and</strong> the beast epic ReinekeFuchs. Class discussions <strong>and</strong> brief presentations inGerman by students on the selections are intendedas an opportunity for stimulating exchange <strong>and</strong> formaluse <strong>of</strong> German.


142GERMAN AND RUSSIAN LANGUAGES AND LITERATURES330. The Romantic Tradition(3-0-3) NortonNo prerequisite.Crosslisted with ENGL 366.Between 1790 <strong>and</strong> 1830, the movement known asRomanticism pr<strong>of</strong>oundly changed the artistic, musical,historical, religious, <strong>and</strong> political sensibilititeson the Continent <strong>and</strong> in Britain. Romanticismmarked a turn from the rational formalism <strong>of</strong> theClassical period <strong>and</strong> reawakened an interest inmyth, religious faith, the imagination, <strong>and</strong> emotionalexperience. In this course we will focus principallyon the German contribution toRomanticism <strong>and</strong> trace its origins, development,<strong>and</strong> eventual decline in works <strong>of</strong> literature, philosophy,theology, music, painting, <strong>and</strong> architecture.Works to be studied will include those by the writersLudwig Tieck, Friedrich von Hardenberg(Novalis), <strong>and</strong> Friedrich Schelgel; the philosophersFichte <strong>and</strong> Shcelling; the theologian FriedrichSchleiermacher; the painters Caspar DavidFriedrich <strong>and</strong> some members <strong>of</strong> the Nazareneschool; the composers Franz Schubert, FelixMendelssohn, <strong>and</strong> Robert Schumann; <strong>and</strong> the architectKarl Friedrich Schinkel.350. The Nazi Past in Postwar German Film (inEnglish)(3-3-3) HagensPrerequisite: None for those taking the class intranslation; to receive German credit, advancedst<strong>and</strong>ing in German (minimum <strong>of</strong> four semestersor the equivalent) is required.How have German films since 1945 been trying todeal with the Nazi past? How do Germans picturetheir memories <strong>of</strong> the Third Reich, how do theydefine themselves within <strong>and</strong> against theircountry’s history, <strong>and</strong> how do they live with theirremembrances now? Primarily, this class aims at issuesin the realm <strong>of</strong> ethics (perpetrators, victims,<strong>and</strong> passive accomplices; stereotypes; courage <strong>and</strong>cowardice; personal <strong>and</strong> national guilt; revisionism,coming-to-terms, <strong>and</strong> productive memory; responsibility<strong>and</strong> the [im]possibility <strong>of</strong> reconciliation).Some central questions about German history duringthe Third Reich <strong>and</strong> the postwar era will bedealt with. The course will also develop basic categories<strong>of</strong> film analysis <strong>and</strong> ask questions about thespecial capacity <strong>of</strong> film to help a nation workthrough its past. Films subtitled, dubbed, or Englishlanguage. Readings, lectures <strong>and</strong> discussionsin English.365. German Novelle(3-0-3) StaffPrerequisite: Four semesters or the equivalent.This course will explore the German “Novelle,”one <strong>of</strong> the most popular genres <strong>of</strong> 19th-centuryGerman literature. Each work will be read <strong>and</strong> discussedwith careful attention to its formal characteristicsas well as its historical <strong>and</strong> culturalcontexts. By proceeding chronologically throughthe literary periods <strong>of</strong> Romanticism, Biedermeier,Poetic Realism, <strong>and</strong> Naturalism, students will gaina sense <strong>of</strong> literary developments in the 19th century<strong>and</strong> how these reflect shifts within the broader culture.Among the writers to be read: Goethe, Tieck,Kleist, H<strong>of</strong>fmann, Eichendorff, Stifter, Storm,Keller <strong>and</strong> Hauptmann. As a 300-level course, writingwill be emphasized. Students will be required torewrite each <strong>of</strong> their essays.366. 19th-Century German Literature (inGerman)(3-0-3) NortonPrerequisite: Four semesters or equivalent.The 70 years that separate the death <strong>of</strong> Goethe in1832 <strong>and</strong> the turn <strong>of</strong> the 20th century are rich inexamples <strong>of</strong> literary <strong>and</strong> cultural achievement. Thisdiversity <strong>and</strong> complexity has given rise to a variety<strong>of</strong> epochal designations — Biedermeyer,“Vormärz,” Realism, Naturalism, Symbolism, toname the most prominent — which have served tocategorize each successive generation’s literary,political, <strong>and</strong> social agenda. In this course, we willconsider the main outlines <strong>of</strong> 19th-century Germanliterature (including in Austria <strong>and</strong> Switzerl<strong>and</strong>) bystudying representative works <strong>of</strong> all major genres— prose, poetry, drama — <strong>and</strong> by some <strong>of</strong> thegreatest writers <strong>of</strong> their day: Mörike, Heine,Grillparzer, Hebbel, Keller, Meyer, Raabe,Fontane, George.370. Ostalgie? The Cultural Legacies <strong>of</strong> theGDR(3-0-3) DellaRossaThrough literature, film, <strong>and</strong> news sources, thiscourse examines the cultural production <strong>of</strong> theGerman Democratic Republic. We look at howEast German cultural policies influenced literarycontent <strong>and</strong> style, what forms that resistance tothese policies took, <strong>and</strong> how East German artistsgrappled with Nazi Germany <strong>and</strong> the Holocaust<strong>and</strong> have now transformed into the new unifiedGermany.390. Germany <strong>and</strong> the New Millennium(3-0-3) LiontasPrerequisite: Four semesters or the equivalent.This course addresses the most important political,socioeconomic, cultural, <strong>and</strong> environmental issuescurrently confronting Germany, Austria, <strong>and</strong> Switzerl<strong>and</strong>.The course is designed to develop confidencein communicative skills <strong>and</strong> greater facilityin dealing with ideas in German <strong>and</strong> aims to exp<strong>and</strong>the learners’ cultural knowledge acquired inprevious German courses, with emphasis on communication<strong>and</strong> acquisition <strong>of</strong> the advanced languageskills: genre-based reading <strong>and</strong> listeningcomprehension, <strong>and</strong> oral <strong>and</strong> written expression oncontemporary topics. The conversational component<strong>of</strong> this course will require student/teacher <strong>and</strong>student/student interaction (in large <strong>and</strong> smallgroup settings) to exchange cultural information,clarify meanings, express opinions, argue points <strong>of</strong>view, <strong>and</strong> engage in communicative functions thatlanguage is used for. This course will include anongoing evaluation <strong>of</strong> students, using a variety <strong>of</strong>evaluative instruments <strong>and</strong> communicative contexts.398. Special Studies I <strong>and</strong> II(3-0-3) StaffPrerequisite: Junior st<strong>and</strong>ing, dean’s list.420. Love <strong>and</strong> Violence in Medieval GermanLiterature (in German)(3-0-3) ChristensenPrerequisite: Four semesters or the equivalent.This course will investigate the interplay <strong>of</strong> love<strong>and</strong> violence in a fascinating variety <strong>of</strong> secular <strong>and</strong>religious texts by both women <strong>and</strong> men from theGerman Middle Ages. Knowledge <strong>of</strong> Middle HighGerman is not required, but, where available,students will read modern German with facingmedieval text.440. Goethe <strong>and</strong> His Time(3-0-3) NortonPrerequisite: Four semesters.An intensive study <strong>of</strong> Goethe’s major works <strong>of</strong> poetry,prose <strong>and</strong> drama within the cultural framework<strong>of</strong> his times.448. German Cinema in the Weimar Republic(1918-1933) (in English)(3-0-3) HagensPrerequisites: None for those taking the class intranslation. For those desiring German credit,advanced st<strong>and</strong>ing in German (five semesters orpermission <strong>of</strong> instructor) is necessary.The years between 1918 <strong>and</strong> 1933 are theGolden Age <strong>of</strong> German film. In its developmentfrom Expressionism to Social Realism, the Germancinema produced works <strong>of</strong> great variety, many <strong>of</strong>them in the international avant-garde. This coursegives an overview <strong>of</strong> the silent movies <strong>and</strong> soundfilms made during the Weimar Republic <strong>and</strong>situate them in their artistic, social, <strong>and</strong> politicalcontext. The oeuvre <strong>of</strong> Fritz Lang, the greatestGerman director, receives special attention. Shouldwe interpret Lang’s disquieting visual style as ahighly individual phenomenon independent <strong>of</strong> itsenvironment, or can we read his obsessive themes(world conspiracies <strong>and</strong> terrorized masses,compulsive violence <strong>and</strong> revenge, entrapment <strong>and</strong>guilt) as a mirror image <strong>of</strong> the historical period?Might his films, as come critics have suggested,even illustrate how a national psyche gets enmeshedin fascist ideology?Films subtitled, dubbed, or in English; readings,lectures, <strong>and</strong> discussions in English.455. German Drama 1750 to the Present (inGerman)(3-0-3) HagensPrerequisite: Five semesters or the equivalent, orpermission <strong>of</strong> the instructor.We will read <strong>and</strong> discuss some <strong>of</strong> the greatest playsin the German dramatic tradition, by authors suchas Lessing, Goethe, Schiller, Kleist, Grillparzer,Nestroy, Freitag, Hauptmann, H<strong>of</strong>mannsthal,Brecht, <strong>and</strong> Werfel. This semester we will focus onthe so-called “drama <strong>of</strong> reconciliation,” a newlyrediscovered genre, where the conflict is serious butends harmoniously. By interpreting classicGerman-language plays in the original, you will (1)learn how to approach drama analysis, <strong>and</strong> you will


143GERMAN AND RUSSIAN LANGUAGES AND LITERATURES(2) develop a sense for the history <strong>of</strong> dramathroughout the past 250 years. In addition, we willstudy a few short, <strong>and</strong> <strong>of</strong>ten English-language, textsin the theory <strong>of</strong> drama (Aristotle, Schelling,Carriere, <strong>and</strong> Cavell, as well as our department’sown Hösle <strong>and</strong> Roche), which will (3) allow you todifferentiate between the basic genres <strong>of</strong> drama(tragedy, comedy, <strong>and</strong> drama <strong>of</strong> reconciliation),<strong>and</strong> you will (4) underst<strong>and</strong> better the nature <strong>of</strong>conflict <strong>and</strong> reconciliation. Students interested inother national literatures will have the opportunityto draw comparisons with plays by authors such asAeschylus, Sophocles, Shakespeare, Calderón,Corneille, Racine, <strong>and</strong> Ibsen; <strong>and</strong> those interestedin film may branch out into analyzing works bydirectors such as Hitchcock, Renoir, Ford, Capra,Curtiz, Hawks, Chaplin, <strong>and</strong> Kurosawa.470. Modern Lyric Poetry(3-0-3) Pr<strong>of</strong>itPrerequisite: Four semesters.A close reading <strong>and</strong> analysis <strong>of</strong> 20th-century poetryfrom expressionism to the present.471. 20th-Century Prose <strong>and</strong> Poetry(3-0-3) Pr<strong>of</strong>itPrerequisite: Four semesters.To make the student aware <strong>of</strong> the rich diversity <strong>of</strong>both form <strong>and</strong> content extant in 20th-century literature,a wide variety <strong>of</strong> materials will be studied.They will not only encompass various genres (thepoem, the short story, the novel <strong>and</strong> the drama)but will also represent various time periods, fromthe early 1900s to the ’70s. Among others, readingswill include Rilke; Die Weise von Liebe und Tod desCornets Christoph Rilke; Kafka, Der L<strong>and</strong>arzt;Dürrenmatt, Der Richter und sein Henker; Borchert,Draussen vor der Tür.472. The Modern German Short Story(3-0-3) StaffPrerequisite: Four semesters.Modern German Prose: the German short story<strong>and</strong> other forms <strong>of</strong> prose from the “Stunde Null” in1945 to the 1990s. Authors range from East <strong>and</strong>West German writers <strong>of</strong> the immediate postwar erato the most recent commentators on issues <strong>of</strong> politics,society, gender <strong>and</strong> aesthetics.473. Drama <strong>and</strong> Directors(3-0-3) AronsNo prerequisite.“Brecht <strong>and</strong> Beyond.” The German playwright <strong>and</strong>director Bertolt Brecht is considered to be one <strong>of</strong>the most influential theatre artists <strong>of</strong> the 20thcentury. This course will look at his impact on thedevelopment <strong>of</strong> theatre here <strong>and</strong> abroad. In the firsthalf <strong>of</strong> the semester, we will read several <strong>of</strong> Brecht’splays <strong>and</strong> discuss his directorial practices <strong>and</strong>theoretical work. In the second half, we will look atplays <strong>and</strong> productions in the United States <strong>and</strong>Europe that have been influenced by Brecht’s work.475. The World as Theater (in German)(3-0-3) HagensPrerequisite: Four semesters <strong>of</strong> German or theequivalent.“All the world’s a stage” — this insight has beendramatized by many playwrights. While the core <strong>of</strong>this idea seems to have remained the same (namely,the world is like a theatre, human existence like aplay, <strong>and</strong> we are like actors), the form <strong>of</strong> the ideahas gone through many telling variations. By observingthese changes, we will learn not only aboutthe history <strong>of</strong> drama <strong>and</strong> theatre over the past 350years but also about the relation between a stageplay <strong>and</strong> the rest <strong>of</strong> reality; <strong>and</strong> most importantly,we will find out what the foremost dramatists advocatedour proper role in life should be. We willread, discuss <strong>and</strong> write about some <strong>of</strong> the greatestdramas in the German-language tradition, by authorssuch as Weise, Tieck, Buechner, Schnitzler,H<strong>of</strong>mannsthal, Brecht, Weiss, H<strong>and</strong>ke,Duerrenmatt <strong>and</strong> Tabori.477. Holocaust in German Film <strong>and</strong> Theatre(in German)(3-0-3) HagensPrerequisite: Five semesters <strong>of</strong> German orpermission <strong>of</strong> instructor.We will study German, Austrian, <strong>and</strong> Swiss stageplays <strong>and</strong> films that have the Holocaust for theircentral issue. Our close analyses will be framed bybroader questions: How can the (re)presentation <strong>of</strong>evil on stage or screen become meaningful—or issuch an endeavor beyond the limits <strong>of</strong> (re)presentation?What are the respective weaknesses <strong>and</strong>strengths <strong>of</strong> theatre <strong>and</strong> cinema when confrontedwith this challenging topic? How do German <strong>and</strong>Austrian plays <strong>and</strong> films about the Holocaust differfrom the ones produced in other countries?479. Aesthetics, Aestheticism, Aestheticization(in English)(3-0-3) NortonNo prerequisite.One <strong>of</strong> the persistent clichés <strong>of</strong> modern Germanculture was that Germany was the l<strong>and</strong> <strong>of</strong> “poets<strong>and</strong> thinkers,” with politics largely falling outsidethe equation. Obviously, this disregard for politicsis itself a deeply political gesture, with potentially— <strong>and</strong> in Germany’s case, verifiably — disastrousconsequences. In this class, we explore the relationshipbetween art, theories <strong>of</strong> art, <strong>and</strong> politics, withan emphasis on the peculiarly German desire toenvision a political utopia based on aestheticprinciples. Spanning nearly two centuries, the textswe study trace a development that began in the Enlightenment<strong>and</strong> reached a conclusion during themiddle <strong>of</strong> this century. Readings may includeworks by Herder, Schiller, Hegel, Heine, Marx,Nietzsche, Thomas Mann, Walter Benjamin,Heidegger, Georg Lukacs, <strong>and</strong> Adorno.480. The German Novel Since 1945(3-0-3) Pr<strong>of</strong>itPrerequisite: Four semesters.An extensive study <strong>of</strong> the post-World War II novel<strong>of</strong> the German-speaking countries, its characteristicthemes <strong>and</strong> forms. Readings will include Böll, Wolf<strong>and</strong> Dürrenmatt.481. Die DDR: Die Ideen und die Menschen(3-0-3) ChristensenPrerequisite: Four semesters.We will begin this course by discussing the end <strong>of</strong>World War II <strong>and</strong> the consequent division <strong>of</strong> Germany.We will study the German Democratic Republicfrom the inside, that is, through literaturethat was <strong>of</strong>ficially sanctioned by the GDR government.This will include writings to represent eachdecade from the 1940s through the 1980s, culminatingwith the fall <strong>of</strong> the Berlin Wall, by authorssuch as Friedrich Wolf, Willi Bredel, StephanHermlin, Christa Wolf, Ulrich Plenzdorf <strong>and</strong>Christoph Hein. To provide important perspective,we will also read works by artists who were compelledto leave the GDR to continue their craft,such as Wolf Biermann <strong>and</strong> Freya Kliwer. We willalso consider news articles, letters, interviews,school texts <strong>and</strong> political cartoons, which will <strong>of</strong>fera diverse, provocative, authentic <strong>and</strong> sometimesquite personal approach to the study <strong>of</strong> the GDR.We will also study the short but significant span <strong>of</strong>time between the fall <strong>of</strong> the Wall <strong>and</strong> the unification<strong>of</strong> the two German states <strong>and</strong> will conclude byreading several short stories by Doris Doerrie treatingthe lasting complexities <strong>of</strong> unification.482. Literature <strong>of</strong> Unified Germany 1989-2000(in German)(3-0-3) ChristensenPrerequisite: Four semesters or the equivalent.How has German identity changed since 1989? Inwhat ways has the status quo <strong>of</strong> divided Germanybeen maintained, even fortified, by unification? Isthe literature written in Germany since 1989merely reflecting or is it influencing societal, culturalor political change? Or is it indeed independent<strong>of</strong> such changes? To begin to answer thesequestions, we read a variety <strong>of</strong> texts written in Germanysince late 1989. To facilitate deep exploration<strong>and</strong> discussion, we read a relatively smallnumber <strong>of</strong> texts that will nonetheless represent awide range <strong>of</strong> genres (novel, short story, drama, poetry,reportage). Authors include Christa Wolf,Günther Grass, Dürs Grünbein, Holger Teschke,Ingo Schulze, Luise Endlich, Dorris Dörrie. To illuminatethe literary works we will read, we alsoread <strong>and</strong> debate what some German authors havewritten <strong>and</strong> are writing about their own social <strong>and</strong>historical role — <strong>and</strong> the role <strong>of</strong> their writings —in Germany today.


144GERMAN AND RUSSIAN LANGUAGES AND LITERATURES483. Seminar on German Women Writers (inGerman)(3-0-3) ChristensenParticipants in this seminar will explore the rich literaryhistory <strong>of</strong> female writers from German-speakingEurope. We read works <strong>of</strong> many genres (drama,short story, novella, novel, letter) by women fromthe early Middle Ages to the present. In the process,we encounter Europe’s first playwright, one <strong>of</strong>the 21st century’s brightest young literary stars, <strong>and</strong>an array <strong>of</strong> intriguing women who lived in the interim.We scrutinize <strong>and</strong> apply various theoretical<strong>and</strong> critical approaches to women’s literature, bothin writing <strong>and</strong> in lively debates.484. Overcoming Political Tragedy(3-0-3) HagensPrerequisite: If taken for German, five semesters <strong>of</strong>German. Otherwise, none. Fulfills literature requirementin the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>.An interdisciplinary course in drama <strong>and</strong> peacestudies. Drama is a potentially fascinating topic forpeace studies because, at the heart <strong>of</strong> traditionaldrama <strong>and</strong> theatre, there is conflict—<strong>and</strong> the question<strong>of</strong> whether it can be resolved. Moreover, justas politics is <strong>of</strong>ten dramatic, drama is <strong>of</strong>ten political;there is, for example, an extensive tradition <strong>of</strong>plays that make a theme <strong>of</strong> political revolution,usually in the form <strong>of</strong> tragedy or comedy. Studentsin this course read classic political dramas that areneither tragedies nor comedies but rather bring potentiallytragic public conflict to positive yet nontrivialresolution.Having discussed definitions <strong>of</strong> tragedy <strong>and</strong>comedy, <strong>and</strong> what might be the advantages <strong>of</strong> aestheticrenditions <strong>of</strong> conflict, the class then readssome <strong>of</strong> these dramas <strong>of</strong> political reconciliation:Aeschylus, Oresteia/Eumenides; Shakespeare, Measurefor Measure; Calderón, The Mayor <strong>of</strong> Zalamea;Corneille, Cinna; Lessing, Nathan the Wise;Schiller, William Tell; Kleist, The Prince <strong>of</strong> Homburg;Brecht, The Caucasian Chalk Circle; Lan, Desire;<strong>and</strong> Fugard, Valley Song. (We also may includeselected films, such as Meet John Doe, On the Waterfront,or Twelve Angry Men.) We will examinethese plays (<strong>and</strong> films) through both the categories<strong>of</strong> drama analysis <strong>and</strong> theories <strong>of</strong> conflict resolution,mediation, <strong>and</strong> transformation, with the expectation<strong>of</strong> achieving greater depth in ourinterpretations <strong>of</strong> the dramatic texts <strong>and</strong> in our underst<strong>and</strong>ing<strong>of</strong> the theories <strong>of</strong> conflict resolution.Students <strong>of</strong> peace studies <strong>and</strong> political sciencewho are familiar with these pieces <strong>of</strong> world literaturewill have acquired a new kind <strong>of</strong> resource fortheir ability to think through <strong>and</strong> work in conflictresolution. Being able to draw on such artisticallycrafted illustrations <strong>of</strong> political mediation opens uphistorically diverse, cross-cultural, <strong>and</strong> emotionallynuanced perspectives onto the topic <strong>of</strong> their studies.Conversely, students <strong>of</strong> drama <strong>and</strong> theatre willacquire more sophisticated technical instrumentsfor the analysis <strong>of</strong> aesthetic conflict.It is hoped that guest speakers from other departmentswill participate in the class. All discussions,texts, <strong>and</strong> papers are in English, <strong>and</strong> specialarrangements can be made for students <strong>of</strong> German.485. Religious Themes in Modern GermanLiterature <strong>and</strong> Thought(3-0-3) RochePrerequisite: Four semesters.This course addresses a variety <strong>of</strong> religious issues,ranging from 18th-century secularization <strong>and</strong> discussions<strong>of</strong> the theodicy to the 19th century’s variouscritiques <strong>of</strong> religion <strong>and</strong> 20th-centurydiscussions <strong>of</strong> the responsibility <strong>of</strong> the Church <strong>and</strong><strong>of</strong> religion <strong>and</strong> intellectuals. The course addressesboth the literary embodiment <strong>of</strong> religious themes<strong>and</strong> essayistic analyses <strong>of</strong> religious issues. Authorsto be read <strong>and</strong> discussed include Lessing, Novalis,Hölderlin, Büchner, Grillparzer, Feuerbach, Marx,Nietzsche, Freud <strong>and</strong> Hochhuth.486. Der Artusroman—Arthurian Epic(3-0-3) ChristensenCome <strong>and</strong> explore the enduring legend <strong>of</strong> KingArthur <strong>and</strong> his court as interpreted by German authors<strong>of</strong> the high Middle Ages (late 12th <strong>and</strong> 13thcenturies). We spend the majority <strong>of</strong> the semesteron the three best-known <strong>and</strong> most completeArthurian epics in the German tradition: Erec <strong>and</strong>Iwein by Hartmann von Aue, <strong>and</strong> Wolfram vonEschenbach’s Parzival, as well as other later Germanadaptations they influenced. These tales areamong the most imaginative <strong>and</strong> fascinating in theGerman canon, full <strong>of</strong> the adventures <strong>and</strong> exploits<strong>of</strong> knights <strong>and</strong> ladies. Our exploration <strong>of</strong> these textsfocuses on their relationship to their French <strong>and</strong>English predecessors, on the many twists <strong>and</strong> turnsin story line <strong>and</strong> character development that eachindividual author creates, <strong>and</strong> on the informationthey suggest about “real” life in the medieval world.We also take a look at some <strong>of</strong> the most interestingmodern literary <strong>and</strong> film adaptations <strong>of</strong> theArthurian legend.487. Literature in the Age <strong>of</strong> Technology(3-0-3) RochePrerequisite: Four semesters.By way <strong>of</strong> philosophical analyses <strong>and</strong> literary exampleswe shall analyze the role <strong>of</strong> literature <strong>and</strong>the humanities in an age increasingly defined bytechnology. Works will be chosen from authorssuch as Schiller, H<strong>of</strong>fmann, Storm, Kaiser, Benjamin,Heidegger, Benn <strong>and</strong> Dürrenmatt.488. Philosophical Dialogues(3-0-3) HösleNo prerequisite.Philosophy is communicated in different literarygenres, as essays, treatises, didactic poems, thechoice <strong>of</strong> which influences in a subtle manner thecontents exposed. One <strong>of</strong> the most interesting literarygenres used by philosophers is certainly the dialogue,since it allows to hide the author’s mindbehind a variety <strong>of</strong> different positions that get thechance to articulate themselves <strong>and</strong> since it showsthe connection between philosophical ideas <strong>and</strong>discoursive behavior. We shall read different textsranging from Plato to Feyerabend to see how differentphilosophers have exploited the possibilities<strong>of</strong> this genre.489. Literature <strong>and</strong> Religion (in German)(3-0-3) BraungartPrerequisite: Four semesters.Literature, according to Martin Walser, descendsfrom religion just as irrefutably as human beings d<strong>of</strong>rom the apes. Indeed, there is no denying thateven during aesthethic modernism, literature, art,<strong>and</strong> religion are closely intertwined. When artachieved autonomous status in the second half <strong>of</strong>the 18th century, it did shed its subservient functionrelative to religion, yet in terms <strong>of</strong> its topics,themes, <strong>and</strong>, most particularly, its claim to interpret<strong>and</strong> give meaning to human existence, literatureremained tied to religion <strong>and</strong> also became itsgreat rival.This class examines several stations <strong>of</strong> this development.Beginning with church hymns duringthe Renaissance <strong>and</strong> Barock, we see how the Biblewas seen as a literary text in the 18th century. Atthe end <strong>of</strong> the century, art is conceived as an autonomous<strong>and</strong> even holy artifact. Poetry, for some,even becomes the medium <strong>of</strong> human self-definition<strong>and</strong> the place in which new myths are created. Inthe Romantic period, art <strong>and</strong> religion again becomefused into a single unity. A century later, art <strong>and</strong>religion again come into close contact in lyric poetry<strong>of</strong> the fin-de-siècle. The class concludes with aconsideration <strong>of</strong> the psalm form in 20th-centurypoetry. Readings include works by Luther, PaulGerhardt, Klopstock, Hölderlin, Wackenroder,Stefan George, Rilke, Trakl, Brecht, Celan, <strong>and</strong>Bachmann.492. Schopenhauer(3-0-3) HöslePrerequisite: Senior st<strong>and</strong>ing, dean’s list.Schopenhauer’s philosophy signifies a great breakin the history <strong>of</strong> Western philosophy: No longerReason, but the Will becomes the grounding principle;Schopenhauer claims furthermore to integratein a productive way Buddhism into hispessimistic world view. His influence on the philosophy,but also on the arts <strong>of</strong> the 19th <strong>and</strong> 20thcenturies, has been enormous, not least <strong>of</strong> all because<strong>of</strong> his original aesthetics. We will read hismain work, The World as Will <strong>and</strong> Representation.493. Nietzsche(3-0-3) HöslePrerequisite: Senior st<strong>and</strong>ing, dean’s list.Nietzsche’s philosophy represents one <strong>of</strong> the greatestinterruptive moments in the history <strong>of</strong> philosophy:No one has destroyed as many assumptions asradically as Nietzsche. At the same time, his workrepresents a challenge to the literary mindinasmuch as Nietzsche discovered new forms <strong>of</strong> expressionfor philosophical thought. All who are interestedin German intellectual history as well as inthe philosophy <strong>of</strong> the 20th century should studyhis work, even if they conclude that Nietzsche’s argumentsfor this break in the tradition are notconvincing.


145GERMAN AND RUSSIAN LANGUAGES AND LITERATURES494. Thomas Mann(3-0-3) HösleThomas Mann is certainly the most influentialGerman novelist <strong>of</strong> the 20th century. Rooted in theBildungsbürgertum <strong>of</strong> the 19th century, influencedby Richard Wagner <strong>and</strong> the philosophies <strong>of</strong> ArthurSchopenhauer <strong>and</strong> Friedrich Nietzsche, he is at thesame time a pr<strong>of</strong>oundly modern writer withremarkable innovations in narrative techniques. Weshall read three <strong>of</strong> his novels which deal withgeneral cultural (<strong>and</strong> sometimes also very specificGerman) issues—the humanizing power <strong>of</strong> myth(Joseph <strong>and</strong> His Brothers), the greatness <strong>of</strong> anoutst<strong>and</strong>ing individual <strong>and</strong> its unhealthy impact onhis environment (Lotte in Weimar), thedevelopment <strong>of</strong> modern art at the price <strong>of</strong> thedissolution <strong>of</strong> its bonds with morality <strong>and</strong> itspolitical consequences (Doktor Faustus).498. Special Studies I <strong>and</strong> II(3-0-3) WimmerPrerequisite: Senior st<strong>and</strong>ing, dean’s list.RUSSIAN101-102. Beginning Russian I <strong>and</strong> II(3-0-3) (3-0-3) Dinega, Marullo, CruiseNo prerequisite.An intensive introduction to the essentials <strong>of</strong> Russiangrammar, with specific emphasis on the noun<strong>and</strong> verbal systems. Aims at the acquisition <strong>of</strong> basicstructures, vocabulary <strong>and</strong> sound systems.201-202. Intermediate Russian I <strong>and</strong> II(3-0-3) GasperettiPrerequisite: 102 or the equivalent.This course is an intensive review <strong>of</strong> grammardesigned to facilitate a native-like mastery <strong>of</strong> theform <strong>and</strong> function <strong>of</strong> the Russian noun, verbal, <strong>and</strong>adjectival systems. Exceptional forms are stressed,<strong>and</strong> reading selections on contemporary Russianlife <strong>and</strong> excerpts from literary texts are employed toimprove comprehension <strong>and</strong> build conversationalskills.241-242. Advanced Russian I <strong>and</strong> II(3-0-3) (3-0-3) StaffPrerequisite: 202 or the equivalent.Drill in everyday patterns <strong>of</strong> conversation; emphasison idiomatic Russian; vocabulary expansion;grammar review; reading <strong>and</strong> discussion <strong>of</strong> Russianliterature <strong>and</strong> culture; written compositions, newspapers<strong>and</strong> magazines used as supplementarymaterials.373-374. 19th-Century Russian LiteratureSurvey I <strong>and</strong> II (in English)(3-0-3) (3-0-3) MarulloNo prerequisite.19th-Century Russian Literature I (1800-1860) inEnglish is the first part <strong>of</strong> a two-semester survey <strong>of</strong>long <strong>and</strong> short fiction <strong>and</strong> focuses on the rise <strong>of</strong>Realism in Russia, in particular the early fiction <strong>of</strong>Turgenev, Tolstoy <strong>and</strong> Dostoevsky. Readings includeAlex<strong>and</strong>er Pushkin’s The Tales <strong>of</strong> Belkin(1830), “The Queen <strong>of</strong> Spades” (1830), “TheRobert E. Norton, chair <strong>of</strong> German <strong>and</strong> Russian languages <strong>and</strong> literaturesBronze Horseman” (1833) <strong>and</strong> Eugene Onegin(1833); Mikhail Lermontov’s A Hero <strong>of</strong> Our Time(1840); Nikolai Gogol’s “Nevsky Prospekt” (1835),“The Portrait” (1835), “The Overcoat” (1842) <strong>and</strong>Dead Souls (1842); Ivan Turgenev’s Notes <strong>of</strong> aHuntsman (1852) <strong>and</strong> Rudin (1856); FyodorDostoevsky’s Poor Folk (1845), The Double (1846)<strong>and</strong> Netochka Nezvanova (1849); <strong>and</strong> Leo Tolstoy’sChildhood (1852) <strong>and</strong> The Sevastopol Sketches(1855-1856).Topics to be included are the content <strong>and</strong>method <strong>of</strong> Realism (“gentry,” “urban,” “classical,”“romantic,” <strong>and</strong> “psychological”); the evolution <strong>of</strong>the “family” chronicle; the nature <strong>and</strong> development<strong>of</strong> the Russian hero <strong>and</strong> heroine, particularly, theso-called “superfluous” <strong>and</strong> “little” man; the interplay<strong>of</strong> “patriarchal,” “matriarchal,” <strong>and</strong> messianic”voices; the dynamics <strong>of</strong> Russian soul <strong>and</strong> soil; theinteraction <strong>of</strong> lord <strong>and</strong> peasant; <strong>and</strong> finally, theconflict between city <strong>and</strong> country, “old” <strong>and</strong>“new,” Russia <strong>and</strong> the West.Daily readings <strong>and</strong> discussions. Several smallpapers, projects, <strong>and</strong> exams.375-376. 20th-Century Russian Literature I <strong>and</strong>II (in English)(3-0-3) (3-0-3) MarulloNo prerequisite.RU 375 investigates the literary expression that attendedthe explosion in the arts in Russia—for example,Stravinsky in music, Diaghilev in ballet,Chagall in painting—in the first 30 years <strong>of</strong> the20th century. Literary movements covered includedecadence, proletarian literature, <strong>and</strong> modernism.RU 376 focuses on literature as protest against Soviettotalitarianism <strong>and</strong> as an assertion <strong>of</strong> the freedom<strong>and</strong> dignity <strong>of</strong> the individual in the face <strong>of</strong>challenges from the state <strong>and</strong> from “modern life.”


146GERMAN AND RUSSIAN LANGUAGES AND LITERATURES379. Brothers Karamazov (in English)(3-0-3) GasperettiNo prerequisite.This course is a multifaceted investigation into thephilosophical, political, psychological, religious,<strong>and</strong> literary determinants <strong>of</strong> Dostoevsky’s longest<strong>and</strong> most complex novel. Emphasis is placed ondaily, in-depth discussions based on a close reading<strong>of</strong> The Brothers Karamazov. Collateral assignmentsilluminate a variety <strong>of</strong> themes in the novel, fromthe author’s visionary political predictions <strong>and</strong>rejection <strong>of</strong> West European materialism to hiscritique <strong>of</strong> rationalism <strong>and</strong> mockery <strong>of</strong> literaryconvention.381. Russian Women Memoirists(3-0-3) DinegaThroughout the history <strong>of</strong> Russian literature, thegenres <strong>of</strong> autobiography, memoir, <strong>and</strong> diary haveprovided a venue for women to find their voices ina private arena safely distanced from the privilegedgenres <strong>of</strong> novels <strong>and</strong> lyric poetry. This course examinesthe history <strong>and</strong> development <strong>of</strong> the femalememoir in Russian litreature, from the 18th-centurymemoirs <strong>of</strong> a courtier <strong>of</strong> Catherine the Greatto documents <strong>of</strong> the Stalinist terror <strong>and</strong> prisoncamp life <strong>of</strong> the 20th century. We also will addresstheoretical questions about women’s autobiographicalwriting <strong>and</strong> consider the relationship <strong>of</strong>the works we read to the dominant “male” literarytradition.393. Dostoevsky (in English)(3-0-3) MarulloNo prerequisite.Selections from Dostoevsky’s short stories, novellas<strong>and</strong> novels.394. Tolstoy (in English)(3-0-3) CruiseNo prerequisite.Selections from Tolstoy’s folk tales, short stories,novellas <strong>and</strong> novels.451. St. Petersburg as Russian Cultural Icon(3-0-3) GasperettiSt. Petersburg’s rich cultural heritage is used to investigateRussia’s struggle for national identity. Areascovered include literature (Pushkin, Gogol,Dostoevsky, Blok, Akhmatova, Zamiatin), painting(Repin, Surikov, Malevich), music (Stravinksy,Shostakovich), dance (Diaghliev, Fokine), <strong>and</strong> film(Eisenstein).461. 19th-Century Russian Literature Survey(in Russian)(3-0-3) GasperettiPrerequisite: 202 or the equivalent.Introduces the major movements <strong>and</strong> authors <strong>of</strong>the 19th century. Special attention is given to thegenesis <strong>of</strong> the modern tradition <strong>of</strong> Russian literaturein the first half <strong>of</strong> the century <strong>and</strong> to the roleliterary culture played in the political <strong>and</strong> social ferment<strong>of</strong> the period. Readings, discussions <strong>and</strong> writtenassignments are in Russian.462. 20th-Century Russian Literature Survey(in Russian)(3-0-3) Dinega, GasperettiPrerequisite: 202 or the equivalent.Surveys the literary innovation <strong>and</strong> political suppression<strong>of</strong> literature that defined Russia in the20th century. Introduces such movements/periodsas Symbolism, Acmeism, Futurism, the “FellowTravelers,” Socialist Realism, <strong>and</strong> the “Thaw.”471. Introduction to Russian Poetry (inRussian)(3-0-3) DinegaPrerequisite: 202 or the equivalent.An introduction to Russian poetry, poeticmovements, <strong>and</strong> verse forms. We will survey themajor periods <strong>and</strong> styles <strong>of</strong> Russian poetry,including Classicism <strong>and</strong> the Baroque (18thcentury), Romanticism <strong>and</strong> the post-Romantics(19th century), <strong>and</strong> the early Modernist poetry <strong>of</strong>the pre-Revolutionary period (includingSymbolism, Acmeism, <strong>and</strong> Futurism), as well aslater 20th-century Russian poetry. Readings willinclude poems by Derzhavin, Pushkin, Pavlova,Zhukovskii, Tiutchev, Nekrasov, Blok, Akhmatova,M<strong>and</strong>el’shtam, Pasternak, Khlebnikov,Maiakovskii, Tsvetaeva, Vysotskii, Brodskii, <strong>and</strong>others. Emphasis will be placed on the evolution <strong>of</strong>verse forms <strong>and</strong> poetics, as we attempt to fathomthe extraordinary power <strong>of</strong> the Russian poetic wordin the context <strong>of</strong> Russian society, history, <strong>and</strong>culture. Students will be required to write shortcompositions in Russian, make oral presentations,<strong>and</strong> translate selected passages from assigned works.493. Pushkin <strong>and</strong> His Time (in Russian)(3-0-3) Dinega, GasperettiPrerequisite: 202 or the equivalent.An analysis <strong>of</strong> the lyric <strong>and</strong> narrative poetry,drama, <strong>and</strong> prose fiction <strong>of</strong> Russia’s national literarytreasure. Discussions focus on Pushkin’s contributionsto the creation <strong>of</strong> a literary language, histransition from Romanticism to Realism, his innovativetreatment <strong>of</strong> genres, <strong>and</strong> his role in the development<strong>of</strong> the Russian tradition <strong>of</strong> prose fiction.494. Tolstoy (in Russian)(3-0-3) GasperettiPrerequisite: 202 or the equivalent.Samples Tolstoy’s novellas, short stories, <strong>and</strong>folktakes, with excerpts from the major novels.Themes include Tolstoy’s Realism, his critique <strong>of</strong>the institutions <strong>of</strong> church <strong>and</strong> state, his philosophy<strong>of</strong> nonviolence, <strong>and</strong> the impact <strong>of</strong> his religious “crisis”on the latter half <strong>of</strong> his literary career.498. Special Studies(3-0-3) StaffPrerequisite: Senior st<strong>and</strong>ing, dean’s list.COMPARATIVE LITERATURENo prerequisites.411. Self-Definition <strong>and</strong> the Quest for Happinessin Continental <strong>and</strong> American Prose <strong>of</strong> the 20thCentury (English <strong>and</strong> German)(3-0-3) Pr<strong>of</strong>itPrerequisite: Four semesters <strong>of</strong> German or theequivalent.Everyone from the ancients to the most technologicallyconscious CEOs tell us that those who succeedknow the difference between the important<strong>and</strong> the unimportant <strong>and</strong> they allocate their timeaccordingly. But how does one make these choices?If in fact success <strong>and</strong> happiness are synonymous, assome would claim, which way lies success, lies happiness?And what are the guideposts?What really matters? In an age such as ours,does anything have lasting value? Do I really matter?If I am most assuredly defined by my beliefs<strong>and</strong> my deeds, what then do I believe, what do Ido? In the final analysis, who am I?If literature, as so many maintain, not onlymirrors but also foretells world events, how haveseveral 20th-century authors representing diversenational traditions formulated the answers to theseseminal questions? Readings will include F. ScottFitzgerald, The Great Gatsby; Albert Camus, TheStranger; Max Frisch, Homo Faber.470. The Outsider in 20th-Century EuropeanFiction (English <strong>and</strong> German)(3-0-3) Pr<strong>of</strong>itCritical analysis <strong>of</strong> six modern works, Gide <strong>and</strong>Hesse among them, which will attempt to definethe nature <strong>of</strong> the outsider, the man without aphysical <strong>and</strong> spiritual home <strong>and</strong> his pivotal significancefor our times.491. Evil <strong>and</strong> the Lie (English <strong>and</strong> German)(3-0-3) Pr<strong>of</strong>itIn an attempt to define the nature <strong>of</strong> evil <strong>and</strong> its relationto such phenomena as lying <strong>and</strong> the preservation<strong>of</strong> a self-image, this seminar will carefullyanalyze works spanning the years 1890-1972.Among them will be Wilde, The Picture <strong>of</strong> DorianGray; Gide, The Immoralist; <strong>and</strong> Frisch, Andorra.Further courses acceptable for ComparativeLiterature majors will be found listed by the Department<strong>of</strong> English. Consultation <strong>of</strong> program directoris required.


147HISTORYHistoryChair:John T. McGreevyDirector <strong>of</strong> Graduate Studies:Olivia Remie ConstableDirector <strong>of</strong> Undergraduate Studies:Rev. Thomas Blantz, C.S.C.Associate Director <strong>of</strong> Undergraduate Studies:Daniel A. GraffAndrew V. Tackes Pr<strong>of</strong>essor <strong>of</strong> History:Nathan O. HatchAndrew V. Tackes Pr<strong>of</strong>essor <strong>of</strong> History:John H. Van Engen (on leave 2002-03)Andrew V. Tackes Pr<strong>of</strong>essor <strong>of</strong> History:Thomas P. SlaughterFrancis A. McAnaney Pr<strong>of</strong>essor <strong>of</strong> History:George M. Marsden (on leave spring 2003)Rev. John A. O’Brien Associate Pr<strong>of</strong>essor <strong>of</strong> History:John T. McGreevyCarl E. Koch Assistant Pr<strong>of</strong>essor <strong>of</strong> History:Richard Pierce (on leave fall 2002)Rev. John J. Cavanaugh, C.S.C., Pr<strong>of</strong>essor <strong>of</strong>Humanities:James TurnerRobert M. Conway Director <strong>of</strong> the Medieval Institute:Thomas NobleJohn M. Regan Jr. Director <strong>of</strong> the Joan B. KrocInstitute for International Peace Studies:R. Scott ApplebyPr<strong>of</strong>essors:R. Scott Appleby; Kathleen A. Biddick (onleave 2002-03); Rev. Thomas Blantz, C.S.C.;Gary M. Hamburg; Christopher S. Hamlin;Nathan O. Hatch; Ivan A. Jaksic (on leave2002-03); Thomas A. Kselman (on leave spring2003); George S. Marsden (on leave spring2003); Dian H. Murray; Thomas Noble;Thomas P. Slaughter; James Turner; John H.Van Engen (on leave 2002-03); J. Robert Wegs(on leave 2002-03)Pr<strong>of</strong>essors Emeritus:Robert E. Burns; Vincent P. De Santis; Jay P.Dolan; J. Philip Gleason; Rev. Robert L.Kerby; Bernard P. Norling; Walter Nugent;Rev. Marvin R. O’Connell; Andrzej WalickiAssociate Pr<strong>of</strong>essors:Gail Bederman (on leave 2002-03); DorisBergen; Olivia Remie Constable; Gregory E.Dowd;John T. McGreevy; Rev. Wilson D.Miscamble, C.S.C.; James Smyth (on leave2002-03); Rev. Robert Sullivan; Julia Thomas;David WaldstreicherAssistant Pr<strong>of</strong>essors:Ted Beatty; Paul Cobb (on leave 2002-03);Laura A. Crago; Semion Ly<strong>and</strong>res; AideenO’Leary; Emily Osborn (on leave fall 2002);Richard B. Pierce (on leave fall 2002)Pr<strong>of</strong>essional Specialist<strong>and</strong> Concurrent Associate Pr<strong>of</strong>essor:D’Arcy Jonathan BoultonAssistant Pr<strong>of</strong>essional Specialist:Daniel A. GraffAssociated Faculty:Michael J. Crowe (Program <strong>of</strong> Liberal Studies);Lionel Jensen (East Asian Languages <strong>and</strong>Literatures); Thomas Schlereth (AmericanStudies); Phillip Sloan (Program <strong>of</strong> LiberalStudies); Kevin Whelan (Keough Institute forIrish Studies)Concurrent assistant pr<strong>of</strong>essors:Steven Brady; Kathleen Sprows Cummings;Dorothy PrattProgram <strong>of</strong> Studies. The Department <strong>of</strong> History<strong>of</strong>fers courses for undergraduates designed to exposethem to life in the past as it was experiencedin Europe, Asia, Africa, <strong>and</strong> the Americas. In additionto courses that contribute to an underst<strong>and</strong>ing<strong>of</strong> Western culture <strong>and</strong> its roots, the departmentalso <strong>of</strong>fers courses on Middle Eastern, East Asian,Native American <strong>and</strong> African American history, aswell as ones that explore the historical dimensions<strong>of</strong> issues <strong>of</strong> race, class <strong>and</strong> gender. Courses <strong>of</strong>feredconsist <strong>of</strong> lectures <strong>and</strong> seminars that requirestudents to develop a critical appreciation <strong>of</strong> primary<strong>and</strong> secondary texts, <strong>and</strong> skills in historicalwriting.To major in history, a student must take a total<strong>of</strong> 24 semester hours (eight courses) numbered300 or above <strong>and</strong> distributed as follows:* six hours in Africa/Asia/Europe (pre-1600)* six hours in Africa/Asia/Europe (post-1600)* six hours in the history <strong>of</strong> the Americas* six hours <strong>of</strong> electivesThe study <strong>of</strong> history provides an ideal contextwithin which students can sharpen their analytical<strong>and</strong> verbal skills. To encourage this process, everyhistory major is required to enroll in at least onedepartmental seminar (491-493), a course that willrequire students to engage in extensive research <strong>and</strong>write a major essay.Qualified students, with the permission <strong>of</strong> theinstructor, may elect courses in the 500 series <strong>of</strong> thehistory department (see the Graduate School Bulletin<strong>of</strong> Information). Work in one <strong>of</strong> the concentrationsor area studies programs described below mayalso be undertaken in conjunction with the Department<strong>of</strong> History.History Honors Program. The history department<strong>of</strong>fers a special program <strong>of</strong> study, the HistoryHonors Program, for the most talented <strong>and</strong> motivatedhistory majors. The program, consisting <strong>of</strong> athree-course sequence, began in the spring 2002 semesterwith an inaugural class <strong>of</strong> 15 juniors. Succeedingclasses <strong>of</strong> junior history majors will beinvited to join in the fall semester <strong>of</strong> each academicyear.A student in the History Honors Program willtake 30 hours, rather than 24, <strong>of</strong> upper-divisionhistory courses to satisfy both the Honors Program<strong>and</strong> History Major requirements. The HistoryHonors student will follow the regular program <strong>of</strong>studies above <strong>and</strong>, in addition, take HIST 495H,494H, <strong>and</strong> 499H, replacing HIST 491-493.Each History Honors student also will select afield <strong>of</strong> concentration (pre-1600 Europe, post-1600Asia, the Americas, Intellectual History, etc.) <strong>and</strong>will take three courses (nine hours) in this field tocomplete the program.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are inparentheses. The instructor’s name is also included.111. Western Civilization I(3-0-3) Noble, O’LearyA survey <strong>of</strong> the major events <strong>and</strong> issues in Westernhistory from the emergence <strong>of</strong> civilization in Egypt<strong>and</strong> Mesopotamia until the 15th century. Subjectsstudied at length include Greek culture, democracy,<strong>and</strong> imperialism; the Roman Republic <strong>and</strong>Empire; <strong>and</strong> the emergence <strong>of</strong> the Christian civilization<strong>of</strong> the Middle Ages.112. Western Civilization II(3-0-3) Bergen, Crago, Hamburg, KselmanThis course will examine important topics in Europeanhistory from the Renaissance to the present:the evolution <strong>of</strong> statecraft in Machiavelli’s Florence;the impact <strong>of</strong> the Reformation on Europeansociety <strong>and</strong> political life; the Scientific Revolution<strong>and</strong> the Enlightenment; the French Revolution <strong>and</strong>its aftermath; the development <strong>of</strong> liberalism, socialism,feminism <strong>and</strong> nationalism in the 19thcentury; the evolution <strong>of</strong> 20th-century warfare; theRussian Revolution <strong>of</strong> 1917; the bloody history <strong>of</strong>fascism <strong>and</strong> Nazism; the Holocaust; the “atomicage,” the Cold War <strong>and</strong> the collapse <strong>of</strong> the Sovietempire.115. The Growth <strong>of</strong> the American Nation(3-0-3) Dowd, Waldstreicher, TurnerA survey <strong>of</strong> the social, cultural <strong>and</strong> political history<strong>of</strong> the British North American colonies <strong>and</strong> theUnited States to the close <strong>of</strong> the Civil War. Organizedaround the question <strong>of</strong> American “nationhood,”topics include Indian, European <strong>and</strong>African encounters; regional <strong>and</strong> sectional divergence;religious impulses <strong>and</strong> revivals; imperial conflict<strong>and</strong> revolution; constitutional development<strong>and</strong> argument; immigration <strong>and</strong> nativism; the frontierhypothesis <strong>and</strong> westward expansion; slavery<strong>and</strong> emancipation; sectional division <strong>and</strong> the CivilWar.


148HISTORY116. The Development <strong>of</strong> Modern America(3-0-3) Blantz, McGreevy, Miscamble, Bederman,BradyThe purpose <strong>of</strong> this course is to provide the studentwith a basic underst<strong>and</strong>ing <strong>of</strong> the political, diplomatic,social <strong>and</strong> economic development <strong>of</strong> theUnited States from the end <strong>of</strong> the Civil War to thepresent. Major topics to be covered include the industrialrevolution <strong>of</strong> the late 19th century, thePopulist movement, the progressive presidencies <strong>of</strong>Theodore Roosevelt <strong>and</strong> Woodrow Wilson, theGreat Depression, the causes <strong>and</strong> effects <strong>of</strong> WorldWars I <strong>and</strong> II, the Cold War years <strong>of</strong> PresidentsHarry Truman <strong>and</strong> Dwight Eisenhower, theNew Frontier <strong>and</strong> Great Society, the Civil RightsMovement, Vietnam, President Richard Nixon <strong>and</strong>Watergate, <strong>and</strong> the presidency <strong>of</strong> Ronald Reagan.The class format will be two lectures <strong>and</strong> one discussionsession per week.121. Ancient Greece <strong>and</strong> Rome(3-0-3) MazurekIn this course, first-year students will explore thehistory <strong>and</strong> culture <strong>of</strong> ancient Greece <strong>and</strong> Romethrough study <strong>of</strong> texts central to the ClassicalGreek <strong>and</strong> Latin literary traditions. Major authorsto be read include Homer, Sophocles, Plato, <strong>and</strong>Vergil. Important topics to be considered throughoutthe semester include concepts <strong>of</strong> the divine;heroism <strong>and</strong> virtue; concepts <strong>of</strong> gender; democracy,empire, <strong>and</strong> civic identity. Students should comeaway from the course with deeper appreciation forthe Classical roots <strong>of</strong> their own social, intellectual,<strong>and</strong> religious lives.150. Modern Russia 1600 to Present(3-0-3) Hamburg, Ly<strong>and</strong>resThis course is an introduction to the turbulent political<strong>and</strong> cultural history <strong>of</strong> modern Russia. Lectureswill treat such topics as the rise <strong>and</strong> fall <strong>of</strong> theRussian empire, the bloody legacy <strong>of</strong> the SovietUnion <strong>and</strong> Russia’s current experiment with constitutionalgovernment <strong>and</strong> capitalism.155. Collapse <strong>of</strong> European Communism(3-0-3) CragoWhy did certain countries become communistregimes after World War II? And how didcommunism collapse there? This course willexplore the rise <strong>and</strong> fall <strong>of</strong> communism in EasternEurope from World War II to 1989. Emphasis willbe placed on the Hungarian, Czech, Polish, <strong>and</strong>Yugoslav experiences. Students will examine theperiod by reading traditional historical <strong>and</strong> politicalwritings as well as examining literature <strong>and</strong> filmsfrom the period. The reading includesapproximately five books. Although a lecture class,the instructor has reserved Fridays for in-classdiscussion. Students will also be expected to sit fora midterm <strong>and</strong> final examination <strong>and</strong> to complete a10- to 15-page research paper.180. History <strong>University</strong> Seminar(3-0-3) StaffAn introduction to the seminar method <strong>of</strong> instructionwhich explores the major methodologies <strong>of</strong> thehistorical discipline <strong>and</strong> which accents the organization<strong>and</strong> expression <strong>of</strong> arguments suggested byreadings in historical topics.214. Europe from the French Revolution toWorld War I(3-0-3) BergenThis course explores Europe from 1789 to 1945,150 years that included both the peak <strong>of</strong> Europeanworld power <strong>and</strong> its unprecedented wars <strong>of</strong> selfdestruction.We will address the wars, revolutions,ideas, social movements, <strong>and</strong> the individuals thatshaped Europe from the French Revolution toHitler. Nationalism, liberalism, conservatism,socialism, imperialism, racism, antisemitism, <strong>and</strong>feminism are among the intellectual <strong>and</strong> politicaltrends to be examined. The course will includelectures as well as small group discussions based onreading <strong>of</strong> primary sources <strong>and</strong> literary works bywriters such as Shelley, Marx, Flaubert,Dostoevsky, Ibsen, Freud, Kafka, Woolf, <strong>and</strong> Levi.We will also watch several classic films.222. Burned at the Stake: Medieval Heresy(3-0-3) O’LearyThis class will cover the principal heresies <strong>of</strong> theMiddle Ages, beginning with the teachings <strong>and</strong>developments <strong>of</strong> early heretical movements.Students will investigate what constituted a heresy<strong>and</strong> how “orthodox” Christianity responded tosuch challenges. Requirements includeparticipation in class discussion, a final exam, <strong>and</strong> apaper on a topic <strong>of</strong> the student’s choice.224. The Holocaust(3-0-3) BergenIn this lecture/discussion class we will study theNazi German program <strong>of</strong> mass killings that hascome to be known as the Holocaust. We will explorethe ideas, decisions, <strong>and</strong> actions that culminatedin the murder <strong>of</strong> an estimated hundredthous<strong>and</strong> people deemed h<strong>and</strong>icapped, half a millionRoma (Gypsies), <strong>and</strong> six million EuropeanJews. The role <strong>of</strong> historical prejudices, the impact<strong>of</strong> National Socialist ideology <strong>and</strong> leadership, <strong>and</strong>the crucial factor <strong>of</strong> the war itself will all beconsidered. We will address the experiences <strong>of</strong>those targeted for annihilation as well as the actions<strong>of</strong> perpetrators <strong>and</strong> the role <strong>of</strong> others: byst<strong>and</strong>ers,witnesses, <strong>and</strong> rescuers. At the same time we willexamine how attacks on other groups — for example,homosexuals, Polish intellectuals, Sovietprisoners <strong>of</strong> war, Jehovah’s Witnesses, <strong>and</strong> Afro-Germans —fit into the overall Nazi scheme for a“new world order.” The legacy <strong>of</strong> the Holocaust after1945 will be discussed as well.235. Irish American Experience(3-0-3) DolanFor sophomores only.This course will examine the history <strong>of</strong> the Irish inthe United States. In many respects the Irish arethe great success story in American history. Theyhave moved from the shantytowns <strong>of</strong> urbanAmerica to the board rooms <strong>of</strong> Wall Street. Alongthe way they have left their mark on American politics,literature, religion <strong>and</strong> the labor movement.These are the areas that the course will study. Sincethe story must begin in Irel<strong>and</strong>, one-third <strong>of</strong> thecourse will examine the history <strong>of</strong> modern Irel<strong>and</strong>so that the students can better underst<strong>and</strong> theIrish experience in the United States. After studyingthe famine <strong>of</strong> the 1840s, the course will turn tothe theme <strong>of</strong> emigration in order to bring the Irishto the United States. Then it will study the greatthemes <strong>of</strong> Irish American history—politics, literature,religion <strong>and</strong> labor. The heart <strong>of</strong> the coursewill be the century <strong>of</strong> immigration, 1820-1920.240. Vikings(3-0-3) O’LearyThe Vikings are notorious in European history forplunder <strong>and</strong> pillage, pagan savagery, <strong>and</strong> hornedhelmets. Participants in this lecture-<strong>and</strong>-discussioncourse will study the impact <strong>of</strong> Viking invaders inEurope <strong>and</strong> North America over four centuries,<strong>and</strong> will consider whether Sc<strong>and</strong>inavians made anyreal contribution to the societies they terrorized.Discussion (including heated debates) will be basedon medieval primary sources from Engl<strong>and</strong>, Irel<strong>and</strong>,France, <strong>and</strong> Russia. Sc<strong>and</strong>inavian life at home<strong>and</strong> the possible reasons for migration will also beconsidered, as background to the more excitingevents abroad. The importance <strong>of</strong> archaeologicalevidence (including art), <strong>and</strong> modern treatments <strong>of</strong>Vikings in film <strong>and</strong> literature, will also be included.246. History <strong>of</strong> Communication Technologies(3-0-3) StaffThe Internet is creating a revolution in the ways wecommunicate <strong>and</strong> organize information. Thiscourse seeks to deepen our underst<strong>and</strong>ing <strong>of</strong> currentissues about the access to information, ownership<strong>of</strong> ideas <strong>and</strong> the possibilities for change. Wecan gain a new perspective by examining the history<strong>of</strong> previous shifts in the technology <strong>of</strong> communicationin ancient, medieval <strong>and</strong> early modernsocieties. We begin by learning about the effectsthat the earliest forms <strong>of</strong> writing had on ancient societies.Next, we discuss the role <strong>of</strong> Christianity inthe transfer from the scroll to the codex. The third<strong>and</strong> larger section explores the development <strong>of</strong> differentkinds <strong>of</strong> books, from illuminated manuscriptslike the fabulous Book <strong>of</strong> Kells <strong>and</strong> tinybooks for private prayer to mass-produced booksfor university students. We then examine the shiftsfollowing the invention <strong>of</strong> the printing press in the15th century. Finally, we consider the current revolution<strong>of</strong> cyberspace.


149HISTORY250. Modern Russia to the Present(3-0-3) Hamburg, Ly<strong>and</strong>resThis course is an introduction to the turbulent political<strong>and</strong> cultural history <strong>of</strong> modern Russia. Lectureswill treat such topics as the rise <strong>and</strong> fall <strong>of</strong> theRussian empire, the bloody legacy <strong>of</strong> the SovietUnion <strong>and</strong> Russia’s current experiment with constitutionalgovernment <strong>and</strong> capitalism.258. American Art: History, Identity, Culture(3-0-3) SchlerethIntroductory <strong>and</strong> historical overview <strong>of</strong> the rolethat several arts (architecture, painting, sculpture)played in American cultural history, 1640-1940. Inaddition to surveying major high style trends, attentionwill also be given to selected regional, folk,vernacular <strong>and</strong> popular artistic traditions.261. American Catholic Experience(3-0-3) Appleby, CummingsA survey <strong>of</strong> the history <strong>of</strong> Roman Catholicism inthe United States from colonial times to thepresent, with emphasis on the 20th-centuryexperience. The first half <strong>of</strong> the course covers theCatholic missions <strong>and</strong> settlements in the NewWorld, Republican-era Catholicism’s experimentwith democracy, <strong>and</strong> the immigrant church from1820 to 1950. The second half <strong>of</strong> the course focuseson the preparations for, <strong>and</strong> impact <strong>of</strong>, theSecond Vatican Council (1962-65). Assigned readingincludes a packet <strong>of</strong> articles <strong>and</strong> primarysources about the Liturgical Renewal, Catholic Action,social justice movements <strong>and</strong> otherpreconcilliar developments.265. Visual America(3-0-3) SchlerethThis course explores dimensions <strong>of</strong> several types <strong>of</strong>visual expression: popular photography, genre <strong>and</strong>historical painting, chromolithography, commercialarts in American culture history from LouisDaguerre’s development <strong>of</strong> photography in 1839 tothe public exhibition <strong>of</strong> television at the 1939 NewYork World’s Fair.270. The Civil Rights Movement(3-0-3) PierceThere may not be a term in American societywhich is as recognized yet misunderstood as “civilrights.” Often civil rights are conflated with humanrights, even though each is distinct from the other.During the semester, we will trace the Civil RightsMovement in the United States during the 20thcentury <strong>and</strong> its lasting impact on American society.We will do so using as many media as possible.Fortunately, we will have the opportunity to studyan important part <strong>of</strong> American history in significantdetail. The time span we cover will not be thatgreat, but the issues we investigate challenge thefounding principles <strong>of</strong> American society to its core.285. King Arthur in History <strong>and</strong> Literature(3-0-3) BoultonThis course, intended to introduce undergraduatesto one <strong>of</strong> the major themes as well as to the interdisciplinaryapproaches characteristic <strong>of</strong> MedievalStudies, is a team-taught examination <strong>of</strong> the development<strong>and</strong> influence <strong>of</strong> the legend <strong>of</strong> Arthur,King <strong>of</strong> Britain, both in history <strong>and</strong> in literature.305. Greek History(3-0-3) VaccaThe primary purpose <strong>of</strong> the course is to provide abasic narrative history <strong>of</strong> Greece from the BronzeAge through the Roman conquest. Another purposeis systematic insight into special problems <strong>of</strong>two key phases <strong>of</strong> Greek development, the archaic<strong>and</strong> classical periods. The rapid growth <strong>of</strong> the citystate<strong>and</strong> the cultural ideals <strong>and</strong> problems that ledto the invention <strong>of</strong> philosophy <strong>and</strong> tragedy are considered.The course then takes up the institutions<strong>and</strong> policies <strong>of</strong> democratic <strong>and</strong> imperialistic Athens<strong>and</strong> the political theories they embodied. The classends with a look at the new Hellenistic world <strong>and</strong>the impact <strong>of</strong> Greek values on Christianity.306. Roman History(3-0-3) MazurekAn introduction to ancient Roman history, tracingthe development <strong>of</strong> Roman civilization through political,religious <strong>and</strong> social institutions <strong>of</strong> the Republic<strong>and</strong> Empire. Students read original sourcesin translation as well as secondary works by modernhistorians.307. Middle Ages I(3-0-3) Boulton, Van EngenThis course is designed as a topical introduction toEuropean history between 500 <strong>and</strong> 1000. It will examinethe evolution <strong>of</strong> various forms <strong>of</strong> economicsystems, societies, <strong>and</strong> civilizations in Western Europeduring this period, concentrating on France,Italy, Engl<strong>and</strong>, <strong>and</strong> Germany. History majors aswell as students interested in a historical introductionto medieval civilization are welcome.308. Middle Ages II(3-0-3) Constable, Van EngenThis course is designed as a topical introduction toEuropean history between 1000 <strong>and</strong> 1500. It willexamine the evolution <strong>of</strong> various forms <strong>of</strong> economicsystems, societies, <strong>and</strong> civilizations in WesternEurope during this period, concentrating onFrance, Italy, Engl<strong>and</strong>, <strong>and</strong> Germany. Historymajors as well as students interested in a historicalintroduction to medieval civilization are welcome.310. 100 Years’ War (1337-1453)(3-0-3) StaffThis course surveys the history <strong>of</strong> France <strong>and</strong> Engl<strong>and</strong>during the 14th <strong>and</strong> early 15th centuries.Major themes include the dynastic claims <strong>of</strong> Englishkings upon the crown <strong>of</strong> France, the BlackDeath, the rise <strong>of</strong> the Burgundian state, the growth<strong>of</strong> a middle class, the question <strong>of</strong> growing nationalidentity, <strong>and</strong> new trends in the arts.311. Gender/Sexuality/Power: Medieval Europe(3-0-3) BiddickWhat has gender to do with sexuality <strong>and</strong> how canwe think about its entanglements in terms <strong>of</strong> a history<strong>of</strong> power? How do shifting borders betweenwhat counts as masculine <strong>and</strong> what counts as feminineproduce other kinds <strong>of</strong> bodies in medieval societies:bodies that don’t matter? Using originalsources <strong>and</strong> material remains produced from thethird through 15th centuries, together with currentfeminist <strong>and</strong> queer theory, students will thinkabout the work <strong>of</strong> gendered embodiment <strong>and</strong> theproduction <strong>of</strong> bodies that don’t matter.311E. Western Civilization I(3-0-3) Noble, O’LearyFor students intending to seek certification in secondaryteaching through the Saint Mary’s EducationProgram only.A survey <strong>of</strong> the major events <strong>and</strong> issues in Westernhistory from the emergence <strong>of</strong> civilization in Egypt<strong>and</strong> Mesopotamia until the 15th century. Subjectsstudied at length include Greek culture, democracy,<strong>and</strong> imperialism; the Roman Republic <strong>and</strong>Empire; <strong>and</strong> the emergence <strong>of</strong> the Christian civilization<strong>of</strong> the Middle Ages.312E. Western Civilization IIBergen, Crago, Hamburg, KselmanFor students intending to seek certification in secondaryteaching through the Saint Mary’s EducationProgram only.See HIST 112.315E. The Growth <strong>of</strong> the American NationDowd, Waldstreicher, TurnerFor students intending to seek certification in secondaryteaching through the Saint Mary’s EducationProgram only.See HIST 115.316E. The Development <strong>of</strong> Modern AmericaBlantz, McGreevy, Miscamble, Bederman, BradyFor students intending to seek certification in secondaryteaching through the Saint Mary’s EducationProgram only.See HIST 116.314. Engl<strong>and</strong> Since 1789(3-0-3) SullivanThe course involves reading <strong>and</strong> thinking about<strong>and</strong> discussing both the history <strong>and</strong> the historicalinterpretations <strong>of</strong> some major elements in thedevelopment <strong>of</strong> modern English politics, society,<strong>and</strong> culture.


150HISTORY316. Medieval Towns <strong>and</strong> Urban Life(3-0-3) ConstableThis lecture course will cover the structure <strong>and</strong> development<strong>of</strong> urban centers in Europe <strong>and</strong> theMediterranean World from the Late Antique perioduntil the 14th century. The course will beginwith a general discussion <strong>of</strong> modern urban theorytogether with ancient <strong>and</strong> medieval conceptions <strong>of</strong>what makes a “city.” From this point, we will trackthe history <strong>of</strong> urban life in medieval Europe,Byzantium <strong>and</strong> the Islamic World, with lecturesdevoted to urban geography, architecture, society,economy <strong>and</strong> demography. We will also look indepth at medieval life in individual cities, includingLondon, Paris, Cairo <strong>and</strong> Constantinople, in orderto consider variations in urban society <strong>and</strong> institutionsin different regions.320. The Making <strong>of</strong> Modern Europe(3-0-3) StaffThis course traces the development <strong>of</strong> Europe as itemerged from the Middle Ages <strong>and</strong> slowly teeteredforward to the modern era. Our focus will be onthe growth <strong>of</strong> the modern state. From an interdisciplinaryperspective we investigate critical changesin politics, science, economics, religion <strong>and</strong> the artswhich helped usher in the new European system.Attention will also be paid to the segments <strong>of</strong> societywho stood apart from many <strong>of</strong> these innovationsaffecting the European state. We will seek tounderst<strong>and</strong> the place <strong>of</strong> women, Jews <strong>and</strong> other“outsiders” in this new European order.323. History <strong>of</strong> Modern Mexico(3-0-3) BeattyThis course examines the complex nation that isMexico in the 20th century, its challenges <strong>and</strong> itsprospects. Focusing primarily on the period since1870, we will study the social, economic, political<strong>and</strong> cultural forces that have shaped the history <strong>of</strong>the United States’ southern neighbor.325. Enlightenment In Europe(3-0-3) SullivanBy studying works as diverse as Vico’s New Science,Mozart’s Don Giovanni, Voltaire’s PhilosophicalDictionary, Turner’s Sun Rising Through Vapour<strong>and</strong> Laclos’s Dangerous Liaisons, we first try to mapthe sheer variety <strong>of</strong> the cultural achievements <strong>of</strong>Europeans, from Dublin to Naples <strong>and</strong>Koenigsberg to Madrid, during the long 18th century(c. 1687-1807). Then we critically analyzesome <strong>of</strong> the major scholarly efforts to reduce <strong>and</strong>organize into some unitary movement, usuallycalled “the Enlightenment,” the stubborn complexity,<strong>and</strong> frequent contradiction, <strong>of</strong> the ways inwhich self-consciously modern, or enlightened, Europeansin their prose, poetry, paintings, <strong>and</strong> musicrepresented power, knowledge, faith, emotions, history,<strong>and</strong> progress.326. Irish History I(3-0-3) SmythThis course consists <strong>of</strong> lectures <strong>and</strong> readings examiningIrish political history from the beginning <strong>of</strong>the Tudor Reconquest to the enactment <strong>of</strong> the legislativeunion in 1801. Attention is given tocolonization, religious conflict, the Ulster Plantation,political <strong>and</strong> constitutional reactions to Britishgovernment policies, <strong>and</strong> the rise <strong>of</strong> Protestantpatriotism.327. Making <strong>of</strong> the Irish Nation II(3-0-3) SmythThis course will consist <strong>of</strong> lectures <strong>and</strong> readings examiningIrish political history <strong>and</strong> Anglo-Irish relationsfrom 1801 up to <strong>and</strong> including the currentconflict in contemporary Northern Irel<strong>and</strong>. Attentionwill be given to religious conflict, the development<strong>of</strong> romantic <strong>and</strong> revolutionary nationalism,the changing nature <strong>of</strong> Anglo-Irish relations, theIrish American dimension, <strong>and</strong> the special problems<strong>of</strong> the north.332. History <strong>of</strong> the U.S. South, 1876-Present(3-0-3) PrattThis survey relies on cultural, social, <strong>and</strong> politicalanalysis to develop an underst<strong>and</strong>ing <strong>of</strong> the region<strong>and</strong> its identity. Circumstances <strong>and</strong> events uniqueto the South will be evaluated in context <strong>of</strong> thecommon experiences <strong>of</strong> the United States.332M. 20th-Century Jerusalem(3-0-3) StaffThis course will focus on the city <strong>of</strong> Jerusalem <strong>and</strong>examine the religious <strong>and</strong> national contestationover the holy city during the 20th century. There isan overwhelming body <strong>of</strong> literature on Jerusalem.The course will be limited to exploring the roleJerusalem has played during the 20th century infour distinct political eras: Ottoman rule, the BritishM<strong>and</strong>ate for Palestine, <strong>and</strong> Hashemite Jordanian<strong>and</strong> Israeli control in Jerusalem. In the firsttwo situations, Jerusalem was part <strong>of</strong> a great empire;in the last two, part <strong>of</strong> a modern nation-state.We will look at the role <strong>of</strong> religion <strong>and</strong> holy placeswithin these political systems as well as consider nationalaspirations, whether met or unmet. Thecourse will also consider the Palestinians <strong>and</strong> theirrole in the competition for holy city/national capital-in-the-making.333. British History: 1660-1800(3-0-3) SmythThis course <strong>of</strong> lectures <strong>and</strong> readings concentrateson British history from the restoration <strong>of</strong> monarchyin 1660 to the great crisis detonated by the FrenchRevolution <strong>and</strong> war in the 1790s. The otherthemes addressed include Protestant dissent, politicalideologies, the role <strong>of</strong> parliament <strong>and</strong> the rise <strong>of</strong>the radical parliamentary reform movement.343. Intellectuals <strong>and</strong> Politicsin Latin American Society(3-0-3) JaksicThis course will discuss the role <strong>of</strong> intellectuals inthe politics <strong>of</strong> modern Latin America. It will identify<strong>and</strong> define who is an intellectual in LatinAmerica, review the range <strong>of</strong> their concerns, <strong>and</strong> ascertainthe impact <strong>of</strong> their ideas on their respectivenations. Themes to be addressed include the role <strong>of</strong>intellectuals in nation-building in 19th-centuryLatin America, the participation <strong>of</strong> intellectuals inelectoral politics, their role in university reformmovements, <strong>and</strong> their opposition to military dictatorship,among others. Intellectuals will also beseen in the larger context <strong>of</strong> such movements as liberalism,positivism, Marxism, <strong>and</strong> Christian democracy,among others.345. Europe from the French Revolutionto World War I(3-0-3) KselmanDuring this time Europe changed dramatically inways that shaped the 20th century: political reformmovements advocating nationalism, democracy,<strong>and</strong> socialism challenged established regimes; theindustrial revolution led to massive changes in society<strong>and</strong> the economy, including the emergence <strong>of</strong> alarge <strong>and</strong> affluent middle class <strong>and</strong> an industrialproletariat; European states consolidated power <strong>and</strong>mobilized popular support <strong>and</strong> an advanced technologyfor wars in Europe <strong>and</strong> throughout theworld, into which they exp<strong>and</strong>ed as colonial powers;writers, artist,s <strong>and</strong> composers reacted to thechanges <strong>and</strong> conflicts with novels, paintings, songs,<strong>and</strong> symphonies that, in their variety <strong>of</strong> styles, suggestthe vitality <strong>and</strong> anxiety <strong>of</strong> this period.346. Making Australia(3-0-3) MiscambleThis course will provide both a broad coverage <strong>of</strong>Australian history <strong>and</strong> an analysis <strong>of</strong> some issues<strong>and</strong> developments <strong>of</strong> special significance incontemporary Australia.348. Modern Japan(3-0-3) ThomasThis introduction to modern Japanese history focuseson political, social, economic, <strong>and</strong> military affairsin Japan from around 1600 to the earlypost-WWII period. It considers such paradoxes assamurai bureaucrats, entrepreneurial peasants, upper-classrevolutionaries, <strong>and</strong> Asian fascists. Thecourse has two purposes: (1) to provide a chronological<strong>and</strong> structural framework for underst<strong>and</strong>ingthe debates over modern Japanese history, <strong>and</strong> (2)to develop the skill <strong>of</strong> reading texts analytically todiscover the argument being made. The assumptionoperating both in the selection <strong>of</strong> readings <strong>and</strong>in the lectures is that Japanese history, as with allhistories, is the site <strong>of</strong> controversy. Our efforts atthis introductory level will be dedicated to underst<strong>and</strong>ingthe contours <strong>of</strong> some <strong>of</strong> the most important<strong>of</strong> these controversies <strong>and</strong> judging, as far aspossible, the evidence brought to bear in them.


151HISTORY352. Gilded Age <strong>and</strong> Progressive Era(3-0-3) McGreevy, CummingsThrough discussion <strong>and</strong> lectures, students examinethe emergence <strong>of</strong> a recognizably modern UnitedStates. Topics examined will include the emergence<strong>of</strong> the corporation, progressive reforms, the changingcontours <strong>of</strong> American religion, the character <strong>of</strong>the New South, the battle for women’s suffrage, developmentsin the arts, <strong>and</strong> American involvementin the First World War.353. Polish <strong>and</strong> Lituanian Commonwealth(3-0-3) CragoThis course will survey the history <strong>of</strong> the Polish<strong>and</strong> Lithuanian Commonwealth from its origins inthe 1386 dynastic union <strong>of</strong> Jogailo, Gr<strong>and</strong>Duke <strong>of</strong> Lithuania, with Hedvig, the daughter <strong>of</strong>Polish king, Louis the Great (1370-1382), throughthe transformation into a political union at Lublinin 1569 to the collapse <strong>of</strong> the Commonwealthwhich culminated in three partitions at the end <strong>of</strong>the 18th century. Special emphasis will be placedon the political processes which transformed theCommonwealth into one <strong>of</strong> the most democraticcountries in the world, but also ultimately contributedto its decline. Attention, too, will be paid tothe wars which ravaged the Commonwealth, includingthose with Muscovy, Sweden, the OttomanEmpire, <strong>and</strong> with the peoples <strong>of</strong> what today ismodern Ukraine.356. American Social History(3-0-3) StaffThis upper-division course examines the social history<strong>of</strong> the United States. Format may include lectures,readings, discussions, exams <strong>and</strong> apaper.360M. Media <strong>and</strong> American Culture from theAge <strong>of</strong> Print to the Internet(3-0-3) WaldstreicherThis course examines the myths <strong>and</strong> realities <strong>of</strong> mediain the American past <strong>and</strong> present, paying particularattention to the ways in which old media<strong>and</strong> new have combined to change our lives, <strong>and</strong>the ways different groups <strong>of</strong> Americans have usedvarious media to make history.361M. Origins <strong>of</strong> American Political Traditions(3-0-3) WaldstreicherThe ideas, movements, <strong>and</strong> structures that shapedthe development <strong>of</strong> American politics (<strong>and</strong>, arguably,American society) from the late colonialperiod until the eve <strong>of</strong> the Civil War. Topics willinclude theories <strong>of</strong> politics <strong>and</strong> society (monarchy,colonialism, republicanism, liberalism, democracy);political parties <strong>and</strong> their ideologies; constitutionalism;presidential leadership; social movements; rebellions;nationalism, regionalism <strong>and</strong> localism;<strong>and</strong> the popular political practices that made politicspart <strong>of</strong> everyday life.369. Jacksonian America(3-0-3) GraffThis course explores the early 19th-century history<strong>of</strong> the United States, from the close <strong>of</strong> the War <strong>of</strong>1812 to the coming <strong>of</strong> the Civil War (1815-1850).Although the era <strong>and</strong> course take their name fromPresident Andrew Jackson, we will cover muchmore than national politics <strong>and</strong> affairs <strong>of</strong> state. Wewill explore the birth <strong>of</strong> mass political parties, conflictsbetween nationalism <strong>and</strong> sectionalism, earlyindustrialization <strong>and</strong> the rise <strong>of</strong> class conflict, thedevelopment <strong>of</strong> slavery <strong>and</strong> antislavery, changinggender roles <strong>and</strong> the rise <strong>of</strong> feminism, evangelicalreligion <strong>and</strong> reform, <strong>and</strong> Native American resistance<strong>and</strong> removal. The course will emphasize activeparticipation by students through regulardiscussion <strong>and</strong> frequent writing assignments.371. Survey <strong>of</strong> African American History I(3-0-3) PierceThis course is a survey <strong>of</strong> the history <strong>of</strong> AfricanAmericans, beginning with an examination <strong>of</strong> theirwest African origins <strong>and</strong> ending with the Civil Warera. We will discuss the 14th <strong>and</strong> 15th centuries,west African kingdoms, forms <strong>of</strong> domestic slavery<strong>and</strong> west African cultures, the Atlantic slave trade,early slave societies in the Caribbean, slavery in colonialAmerica, the beginnings <strong>of</strong> African Americancultures in the north <strong>and</strong> south during <strong>and</strong> afterthe revolutionary era, slave resistance <strong>and</strong> rebellions,the political economy <strong>of</strong> slavery <strong>and</strong> resultingsectional disputes, the significance <strong>of</strong> “bloody Kansas”<strong>and</strong> the Civil War.372. Survey <strong>of</strong> African American History II(3-0-3) PierceThis course will survey the history <strong>of</strong> AfricanAmericans from 1865 to 1980. Specifically, thiscourse will focus on the problems <strong>of</strong> Reconstructionin the South after the Civil War, the adjustments<strong>and</strong> reactions <strong>of</strong> African Americans t<strong>of</strong>reedom, the economic exploitation <strong>of</strong> sharecropping,northern black communities at the end <strong>of</strong> the19th century, the migration <strong>of</strong> black Southerners tonorthern urban areas, black political leadership, theCivil Rights Movement, current examples <strong>of</strong> institutionalracism <strong>and</strong> affirmative action in America.375. Anglo-American Thought(3-0-3) TurnerA survey <strong>of</strong> the intellectual history <strong>of</strong> Britain <strong>and</strong>English-speaking America from around 1600 to themid-19th century, including European backgrounds<strong>and</strong> contexts. Emphasis on writings aboutreligion, government, natural science, education<strong>and</strong> human nature.377. Engendering War, Business, <strong>and</strong> Law(3-0-3) BiddickDuring the 12th century the Anglo-Norman royalcourt made revolutionary advances in killing,counting <strong>and</strong> judging at the same time that theypatronized the emergence <strong>of</strong> Arthurian romance inhistorical writing. History textbooks usually compartmentalizethe history <strong>of</strong> war, accounting, thelaw, <strong>and</strong> romance. This course, instead, asks whatthey have in common, specifically, how they wereengendered on the bodies <strong>of</strong> imaginary dead maidens,cannibalized Muslims, <strong>and</strong> tortured Jews.378. Polish History I: From the Jaqielloniansto Stansislaw Augustus(3-0-3) CragoThis course will examine Polish history from theunion <strong>of</strong> Lithuania with Pol<strong>and</strong> in 1386 to the partitions<strong>of</strong> Pol<strong>and</strong> in 1772, 1793, <strong>and</strong> 1795. Inother words, the course will survey Polish historyfrom the period when Pol<strong>and</strong> emerged as a unique<strong>and</strong> great European state through the period whenPol<strong>and</strong> experienced political <strong>and</strong> social decline <strong>and</strong>succumbed to political extinction. Topics to be examinedmay include: the growth <strong>of</strong> unprecedentedparliamentary institutions; religious toleration inthe age <strong>of</strong> the Reformation <strong>and</strong> the Counter Reformation;the emergence <strong>of</strong> unprecedented politicalfreedoms for the nobility; the Renaissance; the“second serfdom”; the Commonwealth’s militaryexploits; the crisis <strong>of</strong> Polish democracy in the 17th<strong>and</strong> 18th centuries; Polish “orientalism” <strong>and</strong>“Sarmatianism”; <strong>and</strong> the Polish Enlightenment.379. European Women in the 20th Century(3-0-3) BergenThis course explores European history <strong>of</strong> the 20thcentury as it has been shaped, experienced <strong>and</strong> interpretedby women. Using a variety <strong>of</strong> sources —memoirs, government documents, novels, films <strong>and</strong>newspaper accounts—we will examine women’slives from the turn <strong>of</strong> the century to the presentday. Themes to be addressed include women <strong>and</strong>war, the women’s movements, wealth <strong>and</strong> poverty,paid <strong>and</strong> unpaid work, women’s bodies <strong>and</strong> reproductiveissues, ethnicity, religion, <strong>and</strong> popular representations<strong>of</strong> femininity. Rather than provide ageneralized survey, the course will focus on differentsocieties <strong>and</strong> regions as case studies for specificissues.380. East-Central Europe I(3-0-3) CragoA survey <strong>of</strong> the history <strong>of</strong> East-Central Europefrom A.D. 966 to the partitions <strong>of</strong> Pol<strong>and</strong>. The lecturewill place special emphasis on the political, social<strong>and</strong> cultural histories <strong>of</strong> Poles, Czechs, Slovaks,Croats <strong>and</strong> Hungarians.


152HISTORY380M. United States Labor History(3-0-3) GraffThis course will examine the history <strong>of</strong> paid <strong>and</strong>unpaid labor in the United States from colonialtimes to the near present. We will seek to underst<strong>and</strong>how working people both shaped—<strong>and</strong> wereshaped by—the American Revolution, the debatesover slavery <strong>and</strong> free labor culminating in the CivilWar <strong>and</strong> Reconstruction, the rise <strong>of</strong> big business,the creation <strong>of</strong> a national welfare state, the ColdWar-era repression <strong>of</strong> the left, <strong>and</strong> continuing debatesover the meanings <strong>of</strong> work, citizenship, <strong>and</strong>democracy. Throughout the course, we will devoteconsiderable time to the organizations workers createdto advance their own interests, namely the labormovement. We will also pay special attentionto the complicated yet crucial connections betweenwork <strong>and</strong> racial <strong>and</strong> gender identities. Specific topicsmay include: slavery, farm labor, women’s domesticwork, trade unions, questions <strong>of</strong> industrialdemocracy, the role <strong>of</strong> radicalism <strong>and</strong> the challengesconfronting workers in the current era <strong>of</strong>corporate globalization <strong>and</strong> anti-sweatshopactivism.381. East-Central Europe II(3-0-3) CragoA survey <strong>of</strong> the history <strong>of</strong> East-Central Europefrom the partitions <strong>of</strong> Pol<strong>and</strong> to the outbreak <strong>of</strong>World War II. The lecture will place special emphasison the political, social <strong>and</strong> cultural histories<strong>of</strong> Poles, Czechs, Slovaks, Croats, <strong>and</strong> Hungarians.382. Eastern Europe Since 1945(3-0-3) CragoThe course surveys the emergence <strong>of</strong> communistEastern Europe in the wake <strong>of</strong> World War II <strong>and</strong>then explores the seminal developments which contributedto the collapse <strong>of</strong> communism. Emphasiswill be placed on the Hungarian, Czech, Polish,<strong>and</strong> Yugoslav experiences. Students in the coursewill examine the evolution in Eastern European societyby reading traditional historical <strong>and</strong> politicalwritings as well as drawing on literary <strong>and</strong> film accounts<strong>of</strong> the period.383. 19th- <strong>and</strong> 20th-Century Polish History(3-0-3) CragoThis course will examine the history <strong>of</strong> Pol<strong>and</strong>since the partitions <strong>of</strong> the Polish state (1772) untilcontemporary times.384. Modern European Diplomacy(3-0-3) CragoThis course will investigate some <strong>of</strong> the main problemsin the history <strong>of</strong> European relations from themiddle <strong>of</strong> the 19th century to the present. The emphasiswill be on the patterns <strong>of</strong> political interactionbetween <strong>and</strong> among the European powers(Britain, France, Germany, Austria-Hungary, Russia<strong>and</strong> Italy). We shall also examine their respectivemilitary strategies, both in peacetime <strong>and</strong> inwar, <strong>and</strong> whether those strategies changed overtime. Our other concern will be to place Europeanrelations with the context <strong>of</strong> the great-power systemas a whole.385M. American Political Traditions Since 1865(3-0-3) McGreevyStudents will investigate the political debates—<strong>and</strong>simultaneous examinations <strong>of</strong> democracy’s character—thathave animated American reformers <strong>and</strong>intellectuals since the Civil War. The focus will beon these political traditions, not the studies <strong>of</strong> voterbehavior or policy implementation that also constitutean important part <strong>of</strong> political history. Thecourse will begin with discussion <strong>of</strong> the character <strong>of</strong>Reconstruction, <strong>and</strong> move through the “socialquestion” <strong>of</strong> the late 19th century, Progressive reformin the early 20th century, the New Deal, theorigins <strong>of</strong> modern conservatism, <strong>and</strong> various post-World War II social reform movements. Readingswill include court cases, memoirs, speeches <strong>and</strong>a sampling <strong>of</strong> the philosophical <strong>and</strong> historicalliterature.386. Europe Since 1945(3-0-3) WegsThis course introduces students to the economicsocialaspects <strong>of</strong> post-World War II Europe. Specifictopics include the Cold War, the Soviet Union<strong>and</strong> Eastern Europe, European unity, economic<strong>and</strong> social change, 1968, thought <strong>and</strong> culture since1945 <strong>and</strong> the revolutionary events <strong>of</strong> 1989-90.388. Environment <strong>and</strong> Environmentalism inHistory(3-0-3) HamlinThis course is an introduction to the new field <strong>of</strong>environmental history. In recent decades, historianshave begun to actively explore the past sensibilities<strong>of</strong> various groups toward the quality <strong>of</strong> their air,water <strong>and</strong> l<strong>and</strong>; the passionate discussions <strong>of</strong> philosophers,theologians <strong>and</strong> social <strong>and</strong> natural scientistsabout resource use, the safety <strong>of</strong> the environment,<strong>and</strong> long-term prospects for humanity; <strong>and</strong>the customs, laws <strong>and</strong> managerial systems thatguided use <strong>of</strong> the environment. Historians havealso increasingly paid attention to the ways environmentalfactors have affected the course <strong>of</strong> history:the effects <strong>of</strong> the distribution <strong>of</strong> water, wood<strong>and</strong> minerals <strong>and</strong> <strong>of</strong> changes in climate or endemicdisease. This course ranges widely in methodologyfrom the history <strong>of</strong> ideas to paleoclimatology, geographicallyfrom the ancient near east to modernAmerica, topically from wood-cutting rights in medievalFrance to the rise <strong>of</strong> the organic farmingmovement <strong>and</strong> water-allocation laws in the 20thcenturyAmerican West.391. Religions in China(3-0-3) MurrayThis course will examine the religions <strong>of</strong> Chinafrom both the historical <strong>and</strong> cultural perspective.It will focus on Confucianism, Taoism, <strong>and</strong>Buddhism.392. History <strong>of</strong> Christianity to 1500(3-0-3) SullivanA survey <strong>of</strong> the development <strong>of</strong> Christianity fromlate antiquity to the eve <strong>of</strong> the 16th-century Reformation.Emphases include processes <strong>of</strong> Christianization,definitions <strong>of</strong> prescribed <strong>and</strong> proscribedbeliefs <strong>and</strong> practices, institutional elaboration, relationswith imperial <strong>and</strong> royal authority, impact <strong>of</strong><strong>and</strong> on culture, <strong>and</strong> varieties <strong>of</strong> religious behaviors.Although the history <strong>of</strong> the Latin (Catholic) churchis highlighted, the dynamics <strong>and</strong> consequences <strong>of</strong>its separation first from the Oriental <strong>and</strong> then fromthe Orthodox churches will be examined. Thecourse aspires to achieve a routine <strong>of</strong> interactivelectures.393. History <strong>of</strong> Christianity II,1600 to the Present(3-0-3) SullivanA course surveying the development <strong>of</strong> modernChristianity, with emphasis on the West. Subjectsinclude ideas <strong>and</strong> movements <strong>of</strong> reform, churchgovernment <strong>and</strong> structures, missionary enterprises,forms <strong>of</strong> spirituality <strong>and</strong> worship, <strong>and</strong> the politicalrole <strong>and</strong> cultural impact <strong>of</strong> Christianity.394. Medieval Middle East(3-0-3) CobbThis course <strong>of</strong>fers a survey <strong>of</strong> Middle Eastern historyfrom the rise <strong>of</strong> Islam in the seventh centuryA.D. until the rise <strong>of</strong> Mongol successor polities inthe 15th century. The course is structured to coverpolitical <strong>and</strong> cultural developments <strong>and</strong> their relationshipwith broader changes in society during theformative centuries <strong>of</strong> Islamic civilization.395. Modern Middle East(3-0-3) CobbThis course surveys Middle Eastern history from1500 to the present. The primary themes to be coveredinclude the emergence <strong>and</strong> demise <strong>of</strong> the lastMuslim unitary states; European colonial <strong>and</strong> imperialpenetration <strong>of</strong> the Middle East in the 19thcentury; the social <strong>and</strong> cultural impact <strong>of</strong> imperialism;state-building in the 20th century; new ideologies/nationalisms;contemporary problems <strong>of</strong>political <strong>and</strong> economic development. We will alsoconsider the most important movements <strong>of</strong> Islamicreform <strong>and</strong> revival over the past two centuries.404. Mediterranean World, 400-1400(3-0-3) ConstableThis lecture course covers the history <strong>of</strong> the Mediterraneanworld from the fifth to the 15th century,from the fall <strong>of</strong> Rome to the fall <strong>of</strong> Constantinople.It examines both elements <strong>of</strong> unity <strong>and</strong> diversityfound around the shores <strong>of</strong> the medievalMediterranean. Many features, including climate,agriculture, a common Greco-Roman cultural heritage,<strong>and</strong> the sea itself served to unify the Mediterraneanregion, while others, such as religion <strong>and</strong>politics, created tensions <strong>and</strong> disunity. This coursesurveys the political history <strong>of</strong> Southern Europe,Byzantium, <strong>and</strong> the Islamic world <strong>and</strong> looks at specializedtopics such as the crusades; commercial exchange;intellectual contacts between Christianity,Judaism <strong>and</strong> Islam; the impact <strong>of</strong> the plague;


153HISTORYMediterranean families <strong>and</strong> the position <strong>of</strong> women;<strong>and</strong> Mediterranean food.405. Chivalry, Faith <strong>and</strong> Splendor:The Court <strong>of</strong> Burgundy, 1363-1519(3-0-3) BoultonThis course will examine the relationships betweenpolitical power, Catholic Christianity (both <strong>of</strong>ficial<strong>and</strong> popular), chivalry, <strong>and</strong> the fine arts, in thecourt <strong>of</strong> Dukes <strong>of</strong> Burgundy <strong>of</strong> the Valois line: therichest <strong>and</strong> most influential court <strong>of</strong> LatinChristendom <strong>of</strong> its day. It will be team-taught bymembers <strong>of</strong> several relevant departments.409. Renaissance Europe(3-0-3) StaffThis course will focus primarily on the city-states<strong>of</strong> Italy, especially Florence <strong>and</strong> Venice, fromroughly 1300 to 1550. We will explore the social<strong>and</strong> economic foundations <strong>of</strong> the Italian Renaissance,its artistic <strong>and</strong> intellectual expressions (humanism<strong>and</strong> Neoplatonism), <strong>and</strong> the structures <strong>of</strong>power <strong>and</strong> the life <strong>of</strong> the family within the citystates.We will also devote attention to cultural <strong>and</strong>political developments in Germany, France, Engl<strong>and</strong><strong>and</strong> Spain, particularly the spread <strong>of</strong> humanismnorth <strong>of</strong> the Alps <strong>and</strong> the development <strong>of</strong>centralized monarchies, monarchies that wouldhelp to put an end to the Italian Renaissance.410. The Reformation(3-0-3) StaffThis course examines the great religious convulsionthat gripped Europe in the 16th <strong>and</strong> 17th centuries.Chronologically, however, we will begin in thelate medieval period as we consider importantchanges that were occurring in European culture<strong>and</strong> society culminating with Europe’s first Reformation,not in Germany but in Bohemia. We concludeby considering the relaxation <strong>of</strong> religioustensions in the late 17th century <strong>and</strong> concurrentgrowth <strong>of</strong> toleration <strong>and</strong> skepticism. Throughoutthe course we will consider religion as a dynamicthat has a broad impact on society affecting notonly personal belief but also the politics, social patterns,<strong>and</strong> the intellectual <strong>and</strong> cultural production<strong>of</strong> the early modern world.412. Religious Movementsin the High Middle Ages(3-0-3) Van EngenThis course will study major religious movementsin the high middle ages, that is, beginning aboutthe year 1200 <strong>and</strong> concluding about 1450. Religiousmovements refers broadly to a series <strong>of</strong> bothorganized <strong>and</strong> dissenting groups that helped set thetone for religious life in the higher middle ages.The purpose <strong>of</strong> the course is less to <strong>of</strong>fer surveystyle“coverage” than to introduce students to representativegroups <strong>and</strong> especially to the writingsthat came from these groups. The religious women,<strong>and</strong> it will end with Hussites, a massive rebellionagainst the medieval church. It will include suchgroups as the Franciscans, both the accepted conventualvarieties <strong>and</strong> the dissenting spirituals; theso-called “Rhinel<strong>and</strong> mystics”; <strong>and</strong> the “moderndevotion.”Kathleen A. Biddick, pr<strong>of</strong>essor <strong>of</strong> history413. History/Fantasy/Colony(3-0-3) BiddickWhat is the relation <strong>of</strong> history, fantasy, colony? Usingtwo major texts written in the 12th century(History <strong>of</strong> the Kings <strong>of</strong> Britain <strong>and</strong> History <strong>and</strong> Topography<strong>of</strong> Irel<strong>and</strong>), we will analyze the fabrication<strong>of</strong> Englishness <strong>and</strong> the other within not only in the12th centry but also as a repeating problem in history,fantasy, colony in 19th- <strong>and</strong> 20th-centuryBritain.Some other course materials include two films:H<strong>and</strong>sworth Songs (Black Audio Collective) <strong>and</strong>Robin Hood: Prince <strong>of</strong> Thieves. We also will questionhow major British cultural institutions, such asthe Public Record Office, represent themselves onthe Web <strong>and</strong> compare that representation withtheir contested histories. Students will work togetherin group discussion <strong>and</strong> reports.414. Early Imperial Russia, 1700 to 1861(3-0-3) Hamburg, Ly<strong>and</strong>resThis course explores the political, cultural <strong>and</strong> socialhistory <strong>of</strong> Russia from Peter the Great’s reformsto the abolition <strong>of</strong> serfdom in 1861.415. 20th-Century Russian History(3-0-3) Hamburg, Ly<strong>and</strong>resThis course examines the birth <strong>of</strong> the Soviet state,the genesis <strong>and</strong> operation <strong>of</strong> the Stalinist system <strong>of</strong>government, post-Stalinist socialism <strong>and</strong> the end <strong>of</strong>the Soviet Union.416. American Thought, Belief, <strong>and</strong> ValuesSince 1865(3-0-3) MarsdenA study <strong>of</strong> Americans’ most characteristic Americanintellectual, moral, <strong>and</strong> religious beliefs, especiallyas expressed by leading thinkers, <strong>and</strong> <strong>of</strong> why thesebeliefs have flourished in the American cultural setting.Topics will include questions such as thecompeting authorities <strong>of</strong> faith <strong>and</strong> science, thesearch for truth in a pluralistic society, pr<strong>of</strong>essional<strong>and</strong> popular philosophies including pragmatism<strong>and</strong> post modernism, moral authority in democraticculture, social science <strong>and</strong> law, the relation <strong>of</strong>individuals to communities, the relation <strong>of</strong> Americanmaterialism to American beliefs, the outlooks<strong>of</strong> diverse sub-cultures, African-American outlooks,feminist perspectives, competing religious <strong>and</strong>secular faiths, <strong>and</strong> roles <strong>of</strong> various forms <strong>of</strong> Christianity<strong>and</strong> other religious beliefs in American life.417. Dostoyevsky’s Russia(3-0-3) Hamburg, Ly<strong>and</strong>resThis course will focus: 1. on Dostoyevsky’s life, hisreligious <strong>and</strong> ideological beliefs as articulated inmajor fictional <strong>and</strong> nonfictional works, his contributionsto 19th-century debates about Russia’splace in the world <strong>and</strong> its historical “mission”; <strong>and</strong>2. on the Russian social, religious <strong>and</strong> ideologicalcontext(s) in which Dostoyevsky operated. Thereading will likely include Dostoyevsky’s Notes fromthe House <strong>of</strong> the Dead, Notes from the Underground,Crime <strong>and</strong> Punishment, The Idiot, <strong>and</strong> BrothersKaramazov.


154HISTORY418. Modern Russian Society <strong>and</strong> Culture I(3-0-3) Ly<strong>and</strong>resThis course examines selected critical issues in thefoundations <strong>of</strong> modern Russian society <strong>and</strong> culturefrom the late 19th through the first half <strong>of</strong> the 20thcentury. Lectures <strong>and</strong> discussions include such topicsas late Imperial politics <strong>and</strong> society, cultural innovation<strong>of</strong> the “Silver Age,” World War I,Revolutions <strong>of</strong> 1917, creation <strong>of</strong> socialist society<strong>and</strong> culture, <strong>and</strong> the experience <strong>of</strong> the Stalinist terror.420. Austria from the Hapsburgs to Haider(3-0-3) WegsThe course will examine the political, social <strong>and</strong>cultural history <strong>of</strong> Austria. It will begin withAustria’s dominant position in Europe under theHabsburgs after the Napoleonic wars <strong>and</strong> continuewith the struggle against Germany for dominancein Europe in the late 19th century <strong>and</strong> the destruction<strong>of</strong> the Habsburg Monarchy in World War I.The 20th century section will include Austrian fascismin the interwar period, the Second WorldWar, Austria’s rebirth following the war <strong>and</strong>present political, social <strong>and</strong> cultural history includingthe emergence <strong>of</strong> a right-wing populist groupled by Jorg Haider. Course requirement will includea midterm <strong>and</strong> final examination <strong>and</strong> an extendedhistorical essay.421. Europe in the Nazi Era(3-0-3) BergenThis class will explore Germany <strong>and</strong> those parts <strong>of</strong>Europe under German control between 1933 <strong>and</strong>1945. An important focal point will be the Holocaust<strong>and</strong> its origins, course <strong>and</strong> context. Topics tobe covered include National Socialist ideology;Hitler’s rise to power; European antisemitism;women’s <strong>and</strong> men’s roles in the Third Reich; persecutions<strong>of</strong> homosexuals, Jehovah’s Witnesses, Communists,Slavs <strong>and</strong> others <strong>and</strong> their relation to theShoah; World War II in Europe; the so-called Euthanasiaprogram <strong>and</strong> the attack on Europe’s Gypsies;ghettoization, deportation <strong>and</strong> murder <strong>of</strong> Jews;collaboration, rescue <strong>and</strong> resistance inside <strong>and</strong> outsideGermany; the collapse <strong>of</strong> the Nazi empire.422. Germany <strong>and</strong> Austria Since 1870(3-0-3) WegsThe German history segment will include the imperialperiod <strong>of</strong> Bismarck <strong>and</strong> Emperor Wilhelm II,World War I, the Weimar Republic, the Nazi period<strong>and</strong> the post-1945 period. The Austrian segmentwill consider the decline <strong>and</strong> fall <strong>of</strong> theHabsburg Monarchy, the interwar turn toauthoritarianism, the Nazi occupation <strong>and</strong> thepost-1945 recovery.423. 20th-Century German History(3-0-3) BergenThis course examines modern Germany from nationalunification in 1871 to the recent unification<strong>of</strong> the two Germanies <strong>and</strong> beyond. We will investigatecultural, political <strong>and</strong> social dimensions <strong>of</strong>Germany’s dynamic role in Europe <strong>and</strong> in theworld.424. Holocaust(3-0-3) Bergen, WegsThis course will combine lectures, discussions <strong>and</strong>films in an attempt to describe <strong>and</strong> reach some underst<strong>and</strong>ing<strong>of</strong> the Nazi policy <strong>of</strong> eliminatingEurope’s Jewish population (The Holocaust). Thecourse will consist <strong>of</strong> a background to German-Jewish relations before the Nazi period, the Naziseizure <strong>of</strong> power <strong>and</strong> its impact on Germany’s Jewishpopulation, World War II <strong>and</strong> the Holocaust,<strong>and</strong> the subsequent postwar problem <strong>of</strong> comprehending<strong>and</strong> coping with the Holocaust.425. France in the Old Regime(3-0-3) KselmanIn 1700, France, under the Sun King, Louis XIV,was the most powerful state in Europe. Louis’ courtat Versailles was a brilliant cultural center enviedby the rest <strong>of</strong> Europe, whose kings saw France as amodel to be emulated. In 1789, the French Revolutionchallenged <strong>and</strong> eventually destroyed the monarchy,but the power <strong>of</strong> France nonetheless grew.By 1800, France under the leadership <strong>of</strong> the consulNapoleon was exp<strong>and</strong>ing rapidly in Europe <strong>and</strong>would eventually control an empire that includedSpain, Italy <strong>and</strong> much <strong>of</strong> central Europe. Thiscourse examines French history from the establishment<strong>of</strong> the Bourbon family on the throne in 1589to the rise <strong>of</strong> Napoleon in 1790s, with about onethird<strong>of</strong> the class concentrating on the revolutionaryevents that began in 1789. The course isorganized around major political developments <strong>and</strong>seeks to underst<strong>and</strong> how the monarchy, so potentin 1700, could have collapsed less than a centurylater.426. Modern France(3-0-3) KselmanThis course will examine the political, social <strong>and</strong>cultural developments in France from Napoleonthrough the present. After a review <strong>of</strong> the legacy <strong>of</strong>the Revolution <strong>of</strong> 1789, students will explore thecontinuing importance <strong>of</strong> the revolutionary traditionin France, which led to major upheavals in1830, 1848, 1870 <strong>and</strong> 1968. The political history<strong>of</strong> France will be discussed in a context <strong>of</strong> social<strong>and</strong> economic development which produced classconflict that the state tried to control in a variety <strong>of</strong>ways, ranging from the repression <strong>of</strong> dissent to occasionalflirtation with socialism. Social <strong>and</strong> politicaldevelopments will also be related to changesthat occurred in private life, in family relations, <strong>and</strong>in the use <strong>of</strong> leisure time.427. Medieval Spain(3-0-3) ConstableThis course, a smaller reading plus discussioncourse, examines the history <strong>of</strong> Spain in the MiddleAges. Topics to explore include the arrival <strong>of</strong> Islam,the Christian Reconquest, Iberian Jewish life, Iberianeconomy <strong>and</strong> urban life under Christian rule,the idea <strong>of</strong> Iberian society, <strong>and</strong> Jews <strong>and</strong> Muslimsunder Christian rule.428. Anglo-Saxon Engl<strong>and</strong>(3-0-3) O’LearyIn this course (based on lectures <strong>and</strong> discussion),students will gain an appreciation <strong>of</strong> the major developmentsin Engl<strong>and</strong> from pre-Christian timesuntil the Norman conquest in the 11th century.Through weekly discussion <strong>of</strong> primary <strong>and</strong> secondarysources — political, ecclesiastical, <strong>and</strong> literary— students will form their own judgments on theprincipal issues in English history. We will alsoconsider Engl<strong>and</strong>’s political <strong>and</strong> cultural relationswith her neighbors, especially Irel<strong>and</strong>, Scotl<strong>and</strong>,Wales <strong>and</strong> France.429. Late Imperial Russia(3-0-3) HamburgThis course examines Russian history from the end<strong>of</strong> serfdom in 1861 to the revolutions <strong>of</strong> 1917. Theinstructor will acquaint students not only with thepolitical history <strong>of</strong> Russia in this turbulent period,but also with topics that are sometimes neglected inbroad surveys: the resemblances between Russianserfdom <strong>and</strong> American slavery; the history <strong>of</strong> familylife, gender relations <strong>and</strong> sexuality in Russia; therole <strong>of</strong> religion in defining Russian identities; thepsychological underpinnings <strong>of</strong> political radicalism<strong>and</strong> terrorism; the difficult relationships betweenvarious ethnic groups in the “prison <strong>of</strong> peoples.”Course requirements will include: a short essay, amidterm examination <strong>and</strong> a final examination. Noprior knowledge <strong>of</strong> Russian history required.431. The Nobility <strong>of</strong> Medieval Engl<strong>and</strong><strong>and</strong> France(3-0-3) BoultonThis course is intended both to introduce studentsto the historiography <strong>of</strong> the dominant stratum <strong>of</strong>English society from the time <strong>of</strong> the Anglo-Saxoninvasions <strong>of</strong> the fifth <strong>and</strong> sixth centuries to the Tudorperiod <strong>and</strong> to the problems <strong>and</strong> methods <strong>of</strong>historical research <strong>and</strong> analysis relative to the period<strong>and</strong> area in question. The course will concentrateon the period after the Norman Conquest <strong>of</strong>1066 <strong>and</strong> will examine the development <strong>of</strong> the variousstrata <strong>of</strong> the noble class in Engl<strong>and</strong> after thatevent: the baronage <strong>and</strong> peerage, the knightage <strong>and</strong>the lesser “gentry” <strong>of</strong> squires <strong>and</strong> gentlemen.433M. Europe Between the Wars(3-0-3) StaffBetween the end <strong>of</strong> the First World War <strong>and</strong> thebeginning <strong>of</strong> the Second, there were only 20 years.But during this short period were Hitler, Stalin, theGreat Crisis, the League <strong>of</strong> Nations, <strong>and</strong> muchmore. Underst<strong>and</strong>ing the present requires a knowledge<strong>of</strong> these pivotal years.435. Medieval Irel<strong>and</strong>(3-0-3) O’LearyThis course comprises a survey <strong>of</strong> the history <strong>and</strong>culture <strong>of</strong> the Irish <strong>and</strong> the other Celtic peoplesfrom the Neolithic era to approximately A.D.1500. We will explore the main documentarysources in translation—mythological <strong>and</strong> historical,ecclesiastical <strong>and</strong> secular—as well as discussing theimportance <strong>of</strong> the archaeological evidence.


155HISTORY436M. Foreign Influences In Medieval Irel<strong>and</strong>(3-0-3) O’LearyThis course is a broadly-based exploration <strong>of</strong> Irel<strong>and</strong><strong>and</strong> her neighbors from the eighth century tothe 16th. Beginning with the long-term consequences<strong>of</strong> Viking activity in Irel<strong>and</strong> <strong>and</strong> Engl<strong>and</strong>,students will consider in detail the reasons behindthe Norman conquests <strong>of</strong> Irel<strong>and</strong> <strong>and</strong> Britain, <strong>and</strong>the pr<strong>of</strong>ound French political, social <strong>and</strong> culturalinfluence on the region. We will then focus onIrish interprovincial warfare, especially the extentto which the real Brian Boru corresponded to thesaintly champion portrayed in some historicalsources. We will assess relations among Irel<strong>and</strong>,Engl<strong>and</strong>, Wales <strong>and</strong> France by examining questions<strong>of</strong> church <strong>and</strong> state; <strong>and</strong> investigate why propag<strong>and</strong>a<strong>and</strong> “forged” history became predominant inthe British Isles in the 12th century. The coursealso includes analysis <strong>of</strong> English colonization in Irel<strong>and</strong>from English, Irish <strong>and</strong> Scottish perspectives;<strong>and</strong> assessment <strong>of</strong> Gaelic politics <strong>and</strong> culture duringthe Tudor conquest.440M. The Vikings(3-0-3) O’LearyThe Vikings are notorious in European history forplunder <strong>and</strong> pillage, pagan savagery, <strong>and</strong> hornedhelmets. Participants in this lecture-<strong>and</strong>-discussioncourse will study the impact <strong>of</strong> Viking invaders inEurope <strong>and</strong> North America over four centuries,<strong>and</strong> will consider whether Sc<strong>and</strong>inavians made anyreal contribution to the societies they terrorized.Discussion (including heated debates) will be basedon medieval primary sources from Engl<strong>and</strong>, Irel<strong>and</strong>,France, <strong>and</strong> Russia. Sc<strong>and</strong>inavian life at home<strong>and</strong> the possible reasons for migration will also beconsidered, as background to the more excitingevents abroad. The importance <strong>of</strong> archaeologicalevidence (including art), <strong>and</strong> modern treatments <strong>of</strong>Vikings in film <strong>and</strong> literature, will also be included.442. Nineteenth-Century Irel<strong>and</strong>(3-0-3) StaffDrawing on monographs <strong>and</strong> general studies, thiscourse invites students to consider how differentsocial groups experienced the pr<strong>of</strong>ound changesthat transformed 19th-century Irel<strong>and</strong>. Althoughthe course traces political developments, it paysequal attention to socioeconomic <strong>and</strong> cultural issues,including the shift from high fertility tosexual restraint; patterns <strong>of</strong> emigration, consumption<strong>and</strong> social unrest; improvements in education<strong>and</strong> literacy; linguistic change; changing devotionalpractices <strong>and</strong> cultural “revival” in the late 1800s.442M. The Emergence <strong>of</strong> Nationalismin Latin America(3-0-3) JaksicThis course provides an introduction to the majorthemes <strong>of</strong> 19th-century Latin American history. Itprovides an overview <strong>of</strong> the colonial background tothe independence struggle that engulfed the regionin the early part <strong>of</strong> the century, describes the motivations,<strong>and</strong> in many cases reluctance, <strong>of</strong> the coloniesto disengage from the Spanish empire, <strong>and</strong> thelegacies <strong>and</strong> opportunitities for the construction <strong>of</strong>a new social, political <strong>and</strong> economic order in theregion. The course examines the influence <strong>of</strong> regionalismin the emergence <strong>of</strong> the new nations, <strong>and</strong>pays particular attention to the impact <strong>of</strong> liberalismon social, political <strong>and</strong> economic structures in theregion.443. African History I(3-0-3) OsbornInteraction, adaptation, creativity, innovation <strong>and</strong>change have characterized the history <strong>of</strong> Africafrom the earliest times. State building, trade relations<strong>and</strong> the impact <strong>of</strong> world religions such as Islam<strong>and</strong> Christianity have acted as catalysts forchange across the continent. This course exploresthese themes by drawing from a variety <strong>of</strong> regionalexamples that span the period before 1800. We willexamine ancient Egypt <strong>and</strong> the early Christiankingdom <strong>of</strong> Axum (Ethiopia), the Swahili coast <strong>and</strong>Great Zimbabwe. We will discuss trans-Saharantrade <strong>and</strong> Islam in the kingdoms <strong>of</strong> the westernSudan, the introduction <strong>of</strong> Christianity in theCongo, <strong>and</strong> the settlement <strong>of</strong> the Cape <strong>of</strong> GoodHope. This course will conclude by investigatingthe development <strong>of</strong> the Atlantic Slave Trade <strong>and</strong>the arrival <strong>of</strong> Europeans to sub-Saharan Africa fromthe fifteenth to the 18th century.444. African History Since 1800(3-0-3) OsbornThis course on the social <strong>and</strong> political history <strong>of</strong>Africa begins by investigating the legacies <strong>of</strong> thetrans-Atlantic slave trade <strong>and</strong> the dynamism thatshaped the era <strong>of</strong> so-called legitimate commerceJihads, the rise <strong>of</strong> new states, cash crop production,missionary movements, the intensification <strong>of</strong> domesticAfrican slavery, <strong>and</strong> the growth <strong>of</strong> European<strong>and</strong> black settler communities contributed to 19thcenturyprocesses <strong>of</strong> change in Africa. By the start<strong>of</strong> the 20th century, European powers laid claim to<strong>and</strong> colonized almost the whole <strong>of</strong> Africa. The attemptsby Europeans to control Africans <strong>and</strong> theircultural, economic, <strong>and</strong> social lives <strong>of</strong>ten took brutalforms, but Africans nevertheless hindered <strong>and</strong>resisted the colonial project in both covert <strong>and</strong>overt ways. Analyzing European education, labor,<strong>and</strong> political policies sheds light on how the colonialstate sought to remake Africans <strong>and</strong> how Africancolonial subjects developed alternative interpretations<strong>and</strong> possibilities for the future, as nationalistmovements demonstrate. This course willconclude by focusing on independence movements<strong>and</strong> the challenges faced by post-colonial Africannation-states. Case Studies include the DemocraticRepublic <strong>of</strong> Congo (Congo-Zaire), Kenya, Nigeria,Sierra Leone, Senegal, South Africa <strong>and</strong> Tanzania.444M. History <strong>of</strong> Chile(3-0-3) JaksicChile is generally considered as an exceptionallystable <strong>and</strong> even prosperous country when comparedwith many <strong>of</strong> its neighbors in the region. Thiscourse will explore the politics, culture, <strong>and</strong>economy <strong>of</strong> Chile since independence in order toassess whether the country is unique, or has sharedmany <strong>of</strong> the difficulties <strong>and</strong> challenges <strong>of</strong> otherLatin American nations. The readings, lectures, <strong>and</strong>discussions will cover such topics as Chilean independence,wars <strong>and</strong> revolutions in the 19th century,as well as labor unrest, political mobilization,<strong>and</strong> state-led economic development. The coursewill also cover the Pinochet dictatorship <strong>and</strong> humanrights, <strong>and</strong> the return to democracy in the1990s. In addition to textbooks, students will useother sources, such as novels <strong>and</strong> films to exploredifferent facets <strong>of</strong> Chilean history.445. Modern China(3-0-3) MurrayThis course begins with a brief examination <strong>of</strong> certainkey themes in Chinese history from the lateMing dynasty to the 18th century <strong>and</strong> devotes themajor portion <strong>of</strong> the semester to a study <strong>of</strong> internal<strong>and</strong> external pressures for changes that led “traditional”China onto a path <strong>of</strong> “modernization.” Specialemphasis is placed on China’s relations withthe three nations—Japan, the United States <strong>and</strong>Russia—that helped chart its course toward revolution<strong>and</strong> communism. Topics to be examined includethe collapse <strong>of</strong> the Manchu dynasty, theestablishment <strong>of</strong> the first republic, the shift <strong>of</strong>power from the nationalists to the communists inthe Civil War, the creation <strong>of</strong> the People’s Republic<strong>of</strong> China, <strong>and</strong> some contemporary issues.448. War/Money/Romance: 1100-1200(3-0-3) BiddickDuring the 12th century, the royal court <strong>of</strong> Engl<strong>and</strong>made revolutionary advances in killing,counting, <strong>and</strong> judging at the same time that theypatronized the emergence <strong>of</strong> Arthurian romance.History textbooks usually compartmentalize thehistory <strong>of</strong> war, accounting, the law, <strong>and</strong> romance.This course, instead, asks what they may have incommon, specifically how they were engendered onthe bodies <strong>of</strong> imaginary dead maidens, cannibalizedMuslims, <strong>and</strong> tortured Jews.We will study breakthroughs in royal accountingprocedures as a powerful formal rhetoric withlinks to law <strong>and</strong> war. As a formal rhetoric capable<strong>of</strong> abstracting space, accounting transformed thesocial space <strong>of</strong> the body, household, <strong>and</strong> court <strong>and</strong>also inaugurated new notions <strong>of</strong> social time.We also will consider how the same court patronizednew forms <strong>of</strong> Arthurian romance. We willask how romance renders violence <strong>and</strong> forgets theviolence prepetrated by Christians elsewhere, especiallyon the Crusades (First Crusade, 1096-1102;Second Crusade, 1147-1149; Third Crusade,1189-1192; Fourth Crusade, 1202-1204). Finally,we will question how accounting <strong>and</strong> violence intersectwith the treatment <strong>of</strong> Jewish communitiesresiding in Engl<strong>and</strong> during the 12th century.


156HISTORY451. Colonial America(3-0-3) DowdWhat is America <strong>and</strong> how did it happen? These arequestions that run through this course. The historicalsetting is eastern North America from the firstSpanish contracts to the beginnings <strong>of</strong> the imperialcrises that led to the American Revolution. Themes<strong>of</strong> the course include the expansion <strong>of</strong> Europe overseas;the establishment <strong>of</strong> various English colonies;the complex relations among Indians, Europeans,<strong>and</strong> Africans; the rise <strong>of</strong> Puritanism <strong>and</strong> evangelicalreligion; the development <strong>of</strong> highly differentiatedcolonial societies; the problem <strong>of</strong> colonial unity;<strong>and</strong> the horror, meaning, <strong>and</strong> striking results <strong>of</strong> colonialwarfare.452. Revolutionary America(3-0-3) Dowd, SlaughterThis course examines the American Revolution asboth a process <strong>of</strong> change <strong>and</strong> an event with pr<strong>of</strong>oundconsequences for the history <strong>of</strong> the Americanpeople. It emphasizes conditions <strong>and</strong> consequences<strong>of</strong> the Revolution for common people <strong>and</strong> for thoseliving at the fringes <strong>of</strong> economic subsistence <strong>and</strong>political power—laborers, women, slaves, <strong>and</strong> Indians—inaddition to the ambitions <strong>of</strong> the foundingfathers. The long-term preconditions for revolutionare considered within the contexts <strong>of</strong> domestic <strong>and</strong>international politics. We will focus on the conflictthat was the heart <strong>of</strong> the Revolutionary experience<strong>and</strong> that was the fundamental legacy <strong>of</strong> the war forAmerican society.453. The New Nation, 1781-1841(3-0-3) WaldstreicherThis course examines the social, political, <strong>and</strong> culturalhistory <strong>of</strong> the United States from the ratification<strong>of</strong> the Constitution to the beginnings <strong>of</strong> thepolitical crisis over expansion <strong>and</strong> slavery. It coversthe democratization <strong>of</strong> politics <strong>and</strong> the problems <strong>of</strong>national independence in the wake <strong>of</strong> the Revolution;territorial expansion; economic change; thedevelopment <strong>of</strong> regional, class, religious, racial, ethnic,<strong>and</strong> gendered subcultures; slavery <strong>and</strong> resistanceto slavery; <strong>and</strong> the new political <strong>and</strong> reformmovements that respond to the era’s deep <strong>and</strong> lastingchanges.453M. Pre-Modern Japan(3-0-3) ThomasThis course examines the development <strong>of</strong> Japaneseculture from earliest times to the early 19th centuryin the context <strong>of</strong> the major political <strong>and</strong> socialforces that molded the country’s history. Major periods<strong>and</strong> cultural epochs to be examined include acourtier culture during the Heian period (794-1185), a samurai culture developing in the 12thcentury on, a Zen culture during a medieval age,the Christian century, a bourgeois culture <strong>and</strong> anurban popular culture during the Tokugawa period(1603-1868). Japan’s relations with other Asian<strong>and</strong> European nations is also examined to underst<strong>and</strong>Japan’s receptivity to cultural influences fromabroad <strong>and</strong> its effort to synthesize them with nativetaste.454. Era <strong>of</strong> the Civil War, 1848-1877(3-0-3) Pratt, Waldstreicher, GraffIn the mid-19th century the American political systemcollapsed. Divergent visions <strong>of</strong> the Americanideal plunged north <strong>and</strong> south into the bloodiestwar in the Republic’s history. This lecture courseexamines the roots <strong>of</strong> the nation’s sectional division,the disintegration <strong>of</strong> mechanisms for politicalcompromise, the structures <strong>and</strong> policies <strong>of</strong> thewartime Confederate <strong>and</strong> Union governments, thestrategic conduct <strong>of</strong> the armed conflict, the societiesat war <strong>and</strong> the Union’s first hesitant steps towardreconstruction <strong>and</strong> recovery.455M. Concepts <strong>of</strong> Nature <strong>and</strong> the Environmentin Japan <strong>and</strong> Europe(3-0-3) ThomasThe purpose <strong>of</strong> this course is to explore Japaneseconcepts <strong>of</strong> nature in comparison with those <strong>of</strong> theWest <strong>and</strong> then to ask how these concepts effectmodern Japan’s underst<strong>and</strong>ing <strong>of</strong> environmentalprotection. In other words, this course combinesintellectual history <strong>and</strong> environmental history inJapan <strong>and</strong> Europe. We discuss the relationshipamong nature, divinity, <strong>and</strong> human beings in theBible <strong>and</strong> Shinto <strong>and</strong> Confucian texts. We readradical agrarianist Ando Shoeki <strong>and</strong> see how hisvision <strong>of</strong> the natural state compares with that <strong>of</strong> hisFrench counterpart, Rousseau. We consider hownature shapes political history in Hegel <strong>and</strong>Maruyama. Finally, we try to figure out what theclaim that the Japanese love nature means both interms <strong>of</strong> aesthetics <strong>and</strong> nationalism <strong>and</strong> in terms <strong>of</strong>environmental protection.456. The United States, 1900-1945(3-0-3) BlantzThe purpose <strong>of</strong> this course is to study the political,diplomatic, economic, social <strong>and</strong> culturaldevelopment <strong>of</strong> the United States from 1900 to1945. The principle topics to be investigated willbe the Progressive Period legislation <strong>of</strong> PresidentsTheodore Roosevelt, William Taft, <strong>and</strong> WoodrowWilson, the causes <strong>and</strong> effects <strong>of</strong> World War I, thecultural developments <strong>of</strong> the 1920s, the causes <strong>of</strong>the Wall Street Crash <strong>and</strong> Great Depression, theNew Deal legislation <strong>of</strong> President FranklinRoosevelt, the diplomacy <strong>of</strong> the interwar period,<strong>and</strong> the home from during World War II.457. United States Since World War II(3-0-3) BlantzThe purpose <strong>of</strong> this course is to study the political,diplomatic, economic, social <strong>and</strong> cultural development<strong>of</strong> the United States from 1945 through thepresidency <strong>of</strong> Ronald Reagan. Although the military<strong>and</strong> diplomatic history <strong>of</strong> World War II will beconsidered by way <strong>of</strong> background, the principaltopics <strong>of</strong> investigation will be the Fair DealProgram <strong>of</strong> President Truman, the Cold War, theKorean Conflict, the Eisenhower Presidency, theNew Frontier, Vietnam, President Johnson’sGreat Society, the Civil Rights Movement, theNixon Years, the social <strong>and</strong> intellectual climate <strong>of</strong>this postwar era, <strong>and</strong> the presidencies <strong>of</strong> JimmyCarter <strong>and</strong> Ronald Reagan.458. U.S. Presidents: FDR to Clinton(3-0-3) DeSantisA study <strong>of</strong> the personalities, style, policies <strong>and</strong> performances<strong>of</strong> American presidents from FranklinD. Roosevelt to Bill Clinton as they developed themodern American presidency <strong>and</strong> made it the mostimportant elective <strong>of</strong>fice in the world.461. Survey <strong>of</strong> Latin American History(3-0-3) Beatty, JaksicThis course surveys the history <strong>of</strong> Latin Americafrom A.D. 900 to 1810. In particular, it looks atthe impact <strong>of</strong> the conquest on Amerindian groups<strong>and</strong> the formation <strong>of</strong> a distinctive colonial society<strong>and</strong> economy. Topics will include the nature <strong>of</strong>pre-Columbian populations, European expansion,the conquest <strong>of</strong> the Aztec <strong>and</strong> Inca Empires, theColumbian Exchange, the formation <strong>of</strong> export economics,the beginnings <strong>of</strong> the African slave trade<strong>and</strong> slavery, the introduction <strong>of</strong> Christianity to thehemisphere, <strong>and</strong> the consolidation <strong>of</strong> colonialsociety.462M. Latin American History II(3-0-3) Beatty, JaksicThe goal <strong>of</strong> this course is to enable students to underst<strong>and</strong>contemporary Latin America — its structures,problems <strong>and</strong> alternatives — by placing themwithin a historical perspective. Economic growth,integration into the world market, social change,authoritarian rule, reform <strong>and</strong> revolution are some<strong>of</strong> the themes that will be treated. Examples will bedrawn from the histories <strong>of</strong> Mexico, Cuba, Brazil,Bolivia, Chile, Argentina <strong>and</strong> Central America.464. Society <strong>and</strong> Culture in the High MiddleAges(3-30-3) Van EngenThis course will introduce students to major topicsin current historical debates about the Europeanmiddle ages, focusing upon the 12th <strong>and</strong> 13th centuries.The readings will juxtapose primary sourceswith current interpretations. The major topics tobe covered include the founding <strong>of</strong> universities <strong>and</strong>the thought <strong>of</strong> schoolmen, the forming <strong>of</strong> courtculture <strong>and</strong> vernacular lyric, new religious groups<strong>and</strong> a literature <strong>of</strong> devotion <strong>and</strong> mysticism, animaltales as allegories for society, <strong>and</strong> history-writing asa form <strong>of</strong> social critique.468. American Indian History(3-0-3) DowdThis course examines the complicated history <strong>of</strong>American Indian relations with the British NorthAmerican colonies <strong>and</strong> the United States. Beginningwith a brief survey <strong>of</strong> American Indian cultures,we will focus on relations along the movingfrontier between the two peoples. Topics includemutual adaptation <strong>and</strong> exchange, invasion <strong>and</strong> resistance,environment <strong>and</strong> economics, racism <strong>and</strong>ethnic identity. Covering almost half a millennium,the course will give roughly equal time to the fourcenturies that followed the first serious attempt atBritish colonization (1585). Almost two-thirds <strong>of</strong>the course will therefore deal with peoples east <strong>of</strong>the Mississippi River in the years before 1838.


157HISTORY469. History <strong>of</strong> American Women I(3-0-3) BedermanThis course surveys the social, cultural <strong>and</strong> politicaldevelopments that shaped American women’s livesfrom the colonial period to 1890. It will analyzeboth the ways American culture defined women’splace during different historical periods <strong>and</strong> theways women themselves worked to comply with orto resist those definitions. Topics includepre-industrial society, transformations in work <strong>and</strong>family life, industrialism <strong>and</strong> class formation, slavery,women’s culture <strong>and</strong> the emergence <strong>of</strong> awoman’s movement. Throughout, stress will belaid on the importance <strong>of</strong> class, race <strong>and</strong> ethnicityin shaping women’s historical experience.470. History <strong>of</strong> American Women II(3-0-3) BedermanThis course surveys women’s relationship to the social,cultural <strong>and</strong> political developments shapingAmerican society from 1890 to the present, concentratingon developments in women’s activism<strong>and</strong> in popular culture. Topics include the newwoman <strong>and</strong> Progressivism, the transformation <strong>of</strong>feminism in the 1920s, women’s paid <strong>and</strong> unpaidlabor, the “feminine mystique,” the Women’s LiberationMovement <strong>of</strong> the 1960s, <strong>and</strong> changing genderroles in recent decades. Particular attention willbe paid to the impact <strong>of</strong> class, race <strong>and</strong> ethnicity onissues <strong>of</strong> gender.471. U.S. <strong>and</strong> the Vietnam War(3-0-3) Miscamble, BradyThis course examines the participation <strong>of</strong> theUnited States in its “longest war”: the conflict inVietnam. The course is taught primarily from an“American” as opposed to a “Vietnamese”perspective.472. U.S. Foreign Policy Before 1945(3-0-3) Miscamble, BradyThis course covers the main developments inAmerican foreign policy from the Spanish AmericanWar in 1898 through World War II. It tracesthe emergence <strong>of</strong> the United States as a majorworld power <strong>and</strong> examines in some detail how theUnited States became involved in two world wars.473. U.S. Foreign Policy Since 1945(3-0-3) Miscamble, BradyThis course covers the main developments inAmerican foreign policy from World War IIthrough the Bush presidency. The principal topics<strong>of</strong> investigation will be wartime diplomacy <strong>and</strong> theorigins <strong>of</strong> the Cold War; the Cold War <strong>and</strong> containmentin Europe <strong>and</strong> Asia: Eisenhower/Dullesdiplomacy; Kennedy-Johnson <strong>and</strong> Vietnam;Nixon-Kissinger <strong>and</strong> detente; Carter <strong>and</strong> the diplomacy<strong>of</strong> Human Rights; Reagan <strong>and</strong> the revival <strong>of</strong>containment; Bush <strong>and</strong> the end <strong>of</strong> the Cold War.474. American Peace MovementSince World War II(3-0-3) DeSantisThis course examines the emergence <strong>of</strong> the ModernAmerican Peace Movement between the two WorldWars <strong>and</strong> its development in the Nuclear Age sinceWorld War II. It examines the shifting patterns <strong>of</strong>support for the peace movement, the curious waysAmericans have searched <strong>and</strong> worked for peace,<strong>and</strong> some <strong>of</strong> the important peace groups <strong>and</strong>leaders.477. Pre-Modern China(3-0-3) MurrayThe course will provide a general survey <strong>of</strong> Chinesehistory from the Shang Dynasty (1766-1027 B.C.)to A.D. 1600 Besides highlighting the major developments<strong>of</strong> each dynasty, the course will devotespecial attention to the Confucian <strong>and</strong> Legalist underpinnings<strong>of</strong> the Chinese empire, the influence <strong>of</strong>Buddhism on Chinese society, the emergence <strong>of</strong>gentry culture <strong>and</strong> the civil service examination system,<strong>and</strong> the phenomenon <strong>of</strong> “barbarian” conquest<strong>and</strong> cultural interaction.478M. History <strong>of</strong> Chinese Medicine(3-0-3) MurrayIn light <strong>of</strong> the contemporary currency <strong>of</strong> certainChinese practices in the field <strong>of</strong> alternative medicine,this course will explore the phenomenon <strong>of</strong>Chinese traditional medicine in both its historical<strong>and</strong> contemporary settings. The first unit, Medicinein Ancient China, will explore the earliestmedical ideas <strong>of</strong> the Chinese <strong>and</strong> will demonstratehow the state’s political unification gave rise to acorrelative cosmology that not only includedHeaven <strong>and</strong> Earth, but also human beings as integralelements <strong>of</strong> an organic cosmos. The secondunit will explore the influences <strong>and</strong> contributions<strong>of</strong> Taoism (Daoism) <strong>and</strong> Buddhism to Chinesemedicine <strong>and</strong> will explore what it meant to be bothphysicians <strong>and</strong> patients in late imperial China. Thethird unit will focus on medicine in contemporaryChina <strong>and</strong> will feature the experiences <strong>of</strong> ElisabethHsu, a student <strong>of</strong> Chinese medical anthropologywho as a part <strong>of</strong> her doctoral research enrolled as astudent in Yunnan Traditional Chinese Medical<strong>College</strong> between September 1988 <strong>and</strong> December1989. We will conclude the course with a brief examination<strong>of</strong> the influence <strong>of</strong> Chinese medicine onthe contemporary world.479. American Religious History(3-0-3) Appleby, CummingsThis course will review the interaction between religion<strong>and</strong> America from at least four sets <strong>of</strong> perspectives:the perspectives <strong>of</strong> Native Americans,New Engl<strong>and</strong> Puritans <strong>and</strong> their descendants,Catholic <strong>and</strong> Jewish immigrants, <strong>and</strong> 20th-centurysocial reformers.482. Technology <strong>of</strong> War <strong>and</strong> Peace(3-0-3) HamlinThis course surveys the impact <strong>of</strong> military technologieson world history. Topics include the rise<strong>of</strong> gunpowder weaponry <strong>and</strong> the fortification revolutionin the early modern period, navalism,particularly in the 19th century, the role <strong>of</strong> militarytechnologies in European colonial expansion, <strong>and</strong>the science-based military <strong>of</strong> the 20th century,leading up to the age <strong>of</strong> nuclear weapons. Thecourse considers also military technologies asdeterrents, <strong>and</strong> issues <strong>of</strong> war <strong>and</strong> peace as stimuli totechnological development.483. Sensibility, Mind, <strong>and</strong> Culture in LateMedieval Europe(3-0-3) Van EngenThis course studies the culture <strong>and</strong> thought <strong>of</strong> medievalEurope on the eve <strong>of</strong> its transition into themodern world, focusing on the 14th <strong>and</strong> 15th centuries.This era is <strong>of</strong>ten depicted as a time <strong>of</strong> extremes,<strong>of</strong> mystics, sophisticated court masques,impenetrably difficult scholastic thought, <strong>and</strong> thedance <strong>of</strong> death. Because contemporaries proved unusuallyarticulate in expressing their passions <strong>and</strong>worries in literature <strong>and</strong> art, historians can examinetheir sense <strong>of</strong> life <strong>and</strong> <strong>of</strong> death with care. Combination<strong>of</strong> lectures <strong>and</strong> discussions; readings in primary<strong>and</strong> secondary materials.486. Medicine in Modern History(3-0-3) HamlinAn exploration <strong>of</strong> themes in European <strong>and</strong> Americanmedicine. This course integrates the perspectives<strong>and</strong> issues <strong>of</strong> social history—who were themedical practitioners, who were their patients,what relations existed between these groups, howhave the realities <strong>of</strong> illness <strong>and</strong> death figured in thelives <strong>of</strong> ordinary people in different places <strong>and</strong>times—with the perspectives <strong>and</strong> issues <strong>of</strong> the historyor medicine as a science: What underst<strong>and</strong>ings<strong>of</strong> the human body <strong>and</strong> its ills have practitionershad, what tools have they developed <strong>and</strong> used forintervening in illnesses? Topics include the humoralpathology, epidemics as social crises, the rise<strong>of</strong> pathological anatomy, the germ theory <strong>and</strong> publichealth, the transformation <strong>of</strong> the hospital, thehistory <strong>of</strong> nursing, changing modes <strong>of</strong> health care,finance <strong>and</strong> administration, relations between“regular” doctors <strong>and</strong> sectarian medical traditionssuch as homeopathy <strong>and</strong> osteopathy.487. Technology in History(3-0-3) HamlinA thematic survey <strong>of</strong> the history <strong>of</strong> technology,from the Neolithic discovery <strong>of</strong> agriculture to theinformation age. Topics include the chemistry <strong>and</strong>metallurgy <strong>of</strong> antiquity (high-tech ca. 1000 B.C.),technology in Christian theology; the power revolution<strong>of</strong> 1200; arms races from the 15th centuryonward; the marriage <strong>of</strong> art <strong>and</strong> science; the industrial,agricultural, transport <strong>and</strong> communicationsrevolutions; the American system <strong>of</strong> manufactures;the evolution <strong>of</strong> the engineering pr<strong>of</strong>ession; <strong>and</strong>modern efforts to plan the technological future.


158HISTORYThese topics form the basis for exploring the followingthemes: How does technology change? Howdid we get where we are — do we have thetechnology now that we must have, should have, orneed to have? What guides technical creativity?How have social effects <strong>of</strong> technologies been assessed<strong>and</strong> dealt with? How have technologies fundamentallychanged ordinary life <strong>and</strong> societalorganization?491, 492, 493. Seminar Series in HistoryAll history majors must take one seminar, thoughthe faculty encourages majors to take at least two.Juniors, in particular, should consider enrolling ina seminar during the spring semester. Each seminartreats a special theme by reading, discussion, <strong>and</strong>writing <strong>of</strong> a paper based on original research. Enrollmentin each seminar is limited to 18.491A. America in the 20th Century(3-0-3) BlantzThe purpose <strong>of</strong> this course is tw<strong>of</strong>old. First, it permitsthe student to gain a greater familiarity withseveral <strong>of</strong> the major topics in 20th-century Americanhistory — the Progressive Period <strong>of</strong> TheodoreRoosevelt <strong>and</strong> Woodrow Wilson; the Wall StreetCrash <strong>of</strong> 1929 <strong>and</strong> Great Depression that followed;the New Deal legislation <strong>of</strong> Franklin Roosevelt; theorigins <strong>of</strong> World War I <strong>and</strong> World War II; theCold War; the domestic legislation <strong>of</strong> PresidentsHarry Truman, Dwight Eisenhower, JohnKennedy, <strong>and</strong> Lyndon Johnson; the Civil RightsMovement <strong>and</strong> the Feminist Movement;Richard Nixon <strong>and</strong> Watergate; aspects <strong>of</strong> 20th-centuryAmerican culture; <strong>and</strong> the presidency <strong>of</strong>Ronald Reagan. Second, <strong>and</strong> more importantly, thecourse <strong>of</strong>fers each student the opportunity to research<strong>and</strong> produce a major paper on a topic <strong>of</strong>one’s own choosing in 20th-century Americanhistory.491F. <strong>Notre</strong> <strong>Dame</strong> History(3-0-3) TurnerUsing <strong>Notre</strong> <strong>Dame</strong> as a case study, this course willexplore the social, intellectual, religious, <strong>and</strong> institutionalhistory <strong>of</strong> American higher education. Themajor work <strong>of</strong> the course will be a 25- to 30-pagepaper based on primary research in the <strong>Notre</strong><strong>Dame</strong> archives.491G. Americans in Paris <strong>and</strong> Vice Versa(3-0-3) KselmanAmericans love to go to Paris <strong>and</strong> love to returnwith stories about how difficult the Parisians were.This typical tourist experience suggests along-st<strong>and</strong>ing love-hate relationship betweenFrance <strong>and</strong> the United States that will be the subjectmatter <strong>of</strong> this seminar. Ranging from diplomaticto cultural history, we will begin with somegeneral readings about the history <strong>of</strong> French-American relations. Students will then focus onparticular topics based on their interests <strong>and</strong> producea seminar paper <strong>of</strong> about 25 pages based onresearch in primary sources.491H. Irel<strong>and</strong> in the Age <strong>of</strong> Revolution(3-0-3) SmythThis seminar focuses on the crisis <strong>of</strong> Irish politics<strong>and</strong> society in the final quarter <strong>of</strong> the 18th century.It consists <strong>of</strong> close readings <strong>and</strong> discussion <strong>of</strong> secondary<strong>and</strong> contemporary literature, mapping theroad from reformism, through radicalism torevolution.491J. Latin American Independence Movements(3-0-3) JaksicThis seminar will focus on the breakdown <strong>of</strong> theSpanish empire in Latin America <strong>and</strong> the emergence<strong>of</strong> new nation-states in the region in the firstquarter <strong>of</strong> the 19th century. Contrary to commonexpectations, the former colonies did not form aunited nation but rather split into 10 differentrepublics that developed their own unique histories,only to split further apart during the course <strong>of</strong>the century. This seminar will examine the origins<strong>and</strong> actors <strong>of</strong> the independence movements, the development<strong>of</strong> an ideology <strong>of</strong> emancipation, <strong>and</strong> thevariegated causes <strong>of</strong> fragmentation.491M. The United States <strong>and</strong> the Cold War(3-0-3) Miscamble, BradyThis course will examine the various issues surroundingthe United States <strong>and</strong> the Cold War,from its inception to the tearing down <strong>of</strong> the BerlinWall.491N. Jerusalem(3-0-3) CobbThis research seminar provides an in-depth examination<strong>of</strong> the city <strong>of</strong> Jerusalem <strong>and</strong> its diverse historicalexperiences from the rise <strong>of</strong> Islam tothe present (c. 600-2000). This course is primarilystudent-driven: students will lead portions <strong>of</strong> discussions,present their research, <strong>and</strong> constructivelycritique the work <strong>of</strong> their peers.491P. Europe in the Two World Wars(3-0-3) BergenStudents in this seminar will devote much <strong>of</strong> theirtime to producing a major research paper on someaspect <strong>of</strong> European history in the age <strong>of</strong> the worldwars. Substantial work with primary sources is required.As a group we will also read <strong>and</strong> discusssome important studies by scholars <strong>of</strong> World WarsI <strong>and</strong> II.491Q. North American Indians to 1890(3-0-3) DowdIn this seminar, we will discuss both histories <strong>and</strong>documents <strong>of</strong> Native American relations with theBritish colonies <strong>and</strong> the United States. We will beginwith the first English efforts at settlement <strong>and</strong>end with the 1890s, the “low point” <strong>of</strong> AmericanIndian history. Topics include: trade <strong>and</strong> warfare;accommodation <strong>and</strong> resistance; missions <strong>and</strong> religiousrevitalization; environment <strong>and</strong> economics;racism <strong>and</strong> ethnic identity. The emphasis in thiscourse is on research <strong>and</strong> writing. In the first half <strong>of</strong>the course, students <strong>and</strong> the pr<strong>of</strong>essor will read <strong>and</strong>discuss a small portion <strong>of</strong> the vast literature onAmerican Indian history. In the second part <strong>of</strong> thecourse, students will conduct their research <strong>and</strong>produce their papers. The object, as in all historyseminars, is a 25-page paper, based largely upon“primary” sources. There are abundant sources inthe library for such work.491X. Sem: Nationalism in Europe(3-0-3) CragoThis course will begin with several joint sessionsdevoted to an examination <strong>of</strong> the role nationalismhas played in shaping modern European history.Given the broad nature <strong>of</strong> the course, emphasis willbe placed on the theoretical underpinnings <strong>of</strong> nationalism<strong>and</strong> on how national mythology influenceshistoriography. The second portion <strong>of</strong> thecourse <strong>of</strong>fers students an opportunity to conductresearch on topics approved by the instructor.491Y. Heretics <strong>and</strong> Friars, Mystics <strong>and</strong> Nuns(3-0-3) VanEngenFrom about 1100 until about 1400, European societywitnessed wave after wave <strong>of</strong> new religiousmovements. These energies yielded groups <strong>and</strong>teachers <strong>of</strong> all stripes, men <strong>and</strong> women regarded asheretics <strong>and</strong> as saints. This course will treat themost important <strong>of</strong> these, from the Cistercianmonks who rejected the established ways <strong>of</strong> theirfellow Benedictines around 1100, to Francis <strong>of</strong>Assisi’s lay penitents <strong>and</strong> preachers, to suspectbeguines in the Lowl<strong>and</strong>s <strong>and</strong> the Rhinel<strong>and</strong> mystics.The emphasis will fall upon studying textsfrom these religious teachers <strong>and</strong> actors that willhelp us get at the aspirations <strong>of</strong> these new religious,while setting them into their social <strong>and</strong> cultural environments.492C. U.S. Catholic History(3-0-3) CummingsThis seminar is designed with two goals in mind: tointroduce students to the major events <strong>and</strong> themesin the history <strong>of</strong> American Catholicism, <strong>and</strong> to helpstudents organize, research, <strong>and</strong> write an originalwork <strong>of</strong> historical scholarship. During the first half<strong>of</strong> the semester, we will read <strong>and</strong> discuss a variety <strong>of</strong>primary <strong>and</strong> secondary sources concerning the followingtopics: immigrant <strong>and</strong> ethnic Catholicism;the experience <strong>of</strong> Catholic women, especiallywomen religious; Catholic devotional life; Catholicsocial movements; <strong>and</strong> the relationship betweenCatholics <strong>and</strong> the broader American society. Wewill explore some <strong>of</strong> the major historical interpretations<strong>of</strong> the Catholic experience, <strong>and</strong> become familiarwith methods <strong>of</strong> historical research. During thesecond half <strong>of</strong> the semester, students will work independently(in consultation with the instructor)to prepare their research papers. At the end <strong>of</strong> thesemester, they will share their findings with otherparticipants in the seminar through an oral presentation.


159HISTORY MATHEMATICS492D. Occupation <strong>of</strong> Japan(3-0-3) ThomasToday President Bush argues that American shouldnot be involved in “nation building” in Afghanistan,but in 1945 the United States was determinedto rebuild Japan along peaceful <strong>and</strong> democraticlines. As American troops poured into the bombedout<strong>and</strong> defeated country, nation building was theirgoal. Was it reasonable <strong>and</strong> just for Occupation <strong>of</strong>ficialsto hope to alter the fundamental political,economic, <strong>and</strong> cultural framework <strong>of</strong> their formerenemy? How did they attempt this monumentaltask? To what extent were they successful? Andhow did the Japanese respond? From movie theatersto agricultural regulations, from elementaryschools to national defense, no aspect <strong>of</strong> Japaneselife remained untouched, but were they truly remodeled?492E. Europe in the Nazi Era(3-0-3) BergenThis research seminar will address issues related tothe rise, expansion, <strong>and</strong> defeat <strong>of</strong> Nazism between1933 <strong>and</strong> 1945. Although Germany occupies acentral place in this history, we will focus on theEurope-wide impacts <strong>of</strong> Nazi ideas <strong>and</strong> aggression.Students will read <strong>and</strong> discuss key works in thefield dealing with topics such as Hitler’s rise topower, European diplomacy in the 1930s; thecourse <strong>of</strong> World War II; Nazi occupation practices;the Holocaust <strong>and</strong> other programs <strong>of</strong> mass killing;women <strong>and</strong> the war effort; popular consensus, collaboration,<strong>and</strong> resistance; <strong>and</strong> the immediate postwarperiod. At the same time, each student willwrite a major research paper, based on primarysources, that explores in depth some aspect <strong>of</strong> thiscrucial period <strong>of</strong> European history.492G. Era <strong>of</strong> Richard III(3-0-3) StaffThis course considers the historical evidence regardingthe English King Richard III (r. 1483-1485). Richard’s reputation suffered greatlyfollowing his defeat at the Battle <strong>of</strong> Bosworth Fieldin 1485. He was immediately cast as the villainwhose reign was a fitting climax to 100 years <strong>of</strong> Englishsuffering during the Wars <strong>of</strong> the Roses, <strong>and</strong>Tudor propag<strong>and</strong>a—culminating in Shakespeare’sRichard II —was enormously successful in perpetuatingthis image. But dissident voices occasionallyspoke out, <strong>and</strong> even today there are those who arguethat Richard is misunderstood, <strong>and</strong> completelyinnocent <strong>of</strong> the deaths <strong>of</strong> the two princes in theTower <strong>of</strong> London. This course covers a wide range<strong>of</strong> readings, including Shakespeare’s Richard III, a20th-century mystery, secondary accounts <strong>of</strong> 15thcenturyEnglish history, <strong>and</strong> translated primarysources for Richard III. This is a writing-intensivecourse requiring reviews <strong>and</strong> essays, <strong>and</strong> culminatingin a major review essay in which the studentswill use primary sources to support or challenge theTudor version <strong>of</strong> Richard III.494. Introduction to Historical Methods(3-0-3) Bederman, CragoThis seminar, <strong>of</strong>fered for the first time in fall 1999,provides select, invited juniors an opportunity togain a general introduction to research methodologiesused by historians. It is specifically designedfor students who have yet to take the research seminarbut nonetheless have defined a future pr<strong>of</strong>essionalinterest in research <strong>and</strong> writing. Theemphasis in the seminar will be on learning how toconduct primary research, to master the mechanics<strong>of</strong> scholarly writing, <strong>and</strong> to transform research intoa well-argued piece <strong>of</strong> historiography. The seminarwill focus on the ability to think creatively <strong>and</strong> totranslate both thoughts <strong>and</strong> inquires into a clear,concise, well-researched piece <strong>of</strong> scholarship.494H. Honors MethodologyStaffHistory Honors Program students only.In the spring <strong>of</strong> the junior year, the History Honorsstudent will enroll in this Reading <strong>and</strong> Discussioncolloquium. The course is intended tointroduce the student to basic issues <strong>of</strong> critical interpretation<strong>and</strong> historiography through a specificfield. This course will rotate between various divisionswithin the department. (Those studyingabroad will take this course in the spring <strong>of</strong> the senioryear.)495H. Honors ColloquiumStaffHistory Honors Program students only.In the fall <strong>of</strong> the senior year, the History Honorsstudent will enroll in this course, where he or shewill complete a research paper <strong>of</strong> up to 25 pages.Like the Reading <strong>and</strong> Discussion colloquium, thisseminar will rotate among the department’s variousdivisions. To encourage breadth <strong>of</strong> knowledge, theMethodology seminar <strong>and</strong> the Reading <strong>and</strong> Discussioncolloquium will be <strong>of</strong>fered in two differentfields in successive semesters.498. Special Studies(0-1-3) StaffPrerequisite: Written consent <strong>of</strong> instructor.Independent study, writing <strong>and</strong> research under thedirection <strong>of</strong> a faculty member.499H. Honors ThesisStaffHistory Honors Program students only.In the spring <strong>of</strong> the senior year, the History Honorsstudent will work on a thesis (up to 50 pages)under the supervision <strong>of</strong> a specific faculty member.This directed writing course will satisfy the seminarrequirement (HIST 491, 492, or 493) <strong>of</strong> the major<strong>and</strong> will be written within the student’s field <strong>of</strong>concentration.MathematicsChair:Steven A. BeuchlerAssociate Chair:Alex A. HimonasDirector <strong>of</strong> Graduate Studies:Federico XavierDirector <strong>of</strong> Undergraduate Studies:Juan MiglioreWilliam J. Hank Family Pr<strong>of</strong>essor <strong>of</strong> Mathematics:William G. Dwyer (on leave 2002-03)Charles L. Huisking Pr<strong>of</strong>essor <strong>of</strong> Mathematics:Julia F. KnightVincent J. Duncan <strong>and</strong> Annamarie Micus DuncanPr<strong>of</strong>essor <strong>of</strong> Mathematics:Andrew SommeseJohn A. Zahm, C.S.C., Pr<strong>of</strong>essor <strong>of</strong> MathematicsStephen A. StolzKenna Associate Pr<strong>of</strong>essor <strong>of</strong> Mathematics:Xiaobo LiuPr<strong>of</strong>essors:Mark S. Alber; Steven A. Buechler; JianguoCao (on leave 2002-03); Francis X. Connolly;Leonid Faybusovich; Alex<strong>and</strong>er J. Hahn; AlexA. Himonas; Alan Howard; Bei Hu; JuanMigliore; Timothy O’Meara (Kenna Pr<strong>of</strong>essor<strong>of</strong> Mathematics, emeritus, <strong>and</strong> provost emeritus);Richard R. Otter (emeritus); Barth Pollak(emeritus); Joachim Rosenthal; Mei-Chi Shaw;Brian Smyth; Dennis M. Snow; Nancy K.Stanton; Wilhelm Stoll (Duncan Pr<strong>of</strong>essor <strong>of</strong>Mathematics, emeritus); Laurence R. Taylor; E.Bruce Williams (on leave 2002-03); Pit-MannWong; Warren J. Wong (emeritus); FredericoXavierAssociate Pr<strong>of</strong>essors:Mario Borelli; Ferdin<strong>and</strong> L. Brown, C.S.C.(emeritus); Peter A. Cholak; John E. Derwent;Jeffrey A. Diller (on leave fall 2002); MatthewJ. Dyer (on leave 2002-03); Samuel R. Evens;Michael Gekhtman; Abraham Goetz (emeritus);Matthew Gursky; Brian C. Hall; QingHan (on leave 2002-03); Cecil B. Mast (emeritus);Gerard K. Misiolek; Liviu Nicolaescu;Sergei Starchenko; Vladeta Vuckovic (emeritus)Assistant Pr<strong>of</strong>essors:Katrina D. Barron; Karen A. Ch<strong>and</strong>ler; RichardHind; George McNinch; David P.Nicholls; Claudia Polini (on leave fall 2002)


160MATHEMATICS MEDIEVAL STUDIESProgram <strong>of</strong> Studies. Students in the <strong>College</strong> <strong>of</strong><strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> may pursue a major in mathematicswith a concentration in honors. (Note that thisprogram should not be confused with the <strong>Arts</strong> <strong>and</strong><strong>Letters</strong>/Science Honors program <strong>and</strong> that severalconcentrations, including Honors, are availablewith a major in mathematics in the <strong>College</strong> <strong>of</strong> Science.)The mathematics major in arts <strong>and</strong> lettersaims to give the student a thorough liberal intellectualdiscipline <strong>and</strong> to furnish an adequate backgroundfor other fields <strong>of</strong> study. At the same time itprepares the student for graduate work in mathematics,<strong>and</strong> many <strong>of</strong> those who have taken theprogram have entered graduate schools in thatfield. Others have entered philosophy, medicine,law, economics <strong>and</strong> industrial management.Students intending to follow this major in the<strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> must declare their intentionto the advisor indicated by the mathematicsdepartment <strong>and</strong> the dean <strong>of</strong> arts <strong>and</strong> letters at advanceregistration in the spring <strong>of</strong> their freshmanyear. Students must have completed or be completingsatisfactory work in MATH 165 <strong>and</strong> 166. Theprogram <strong>of</strong> their studies is subject in its entirety toapproval by the advisor.Students whose first major is in the <strong>College</strong> <strong>of</strong><strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> may also pursue a second major inmathematics. See “Mathematics As a Second Major”on page 286 <strong>of</strong> this Bulletin for informationabout this option.THE PROGRAM OF COURSESFirst YearFirst SemesterEnglish 3History or Social Science 3MATH 165: Honors Calculus I 4Natural Science 3Language: (French, German orRussian recommended) 3Physical Education ————————16Second SemesterLanguage: French, German or Russian 3<strong>University</strong> Seminar 3MATH 166: Honors Calculus II 4Natural Science 3Electives 3Physical Education ————16Sophomore YearFirst SemesterCore Course 3Language: French, German or Russian 3Fine <strong>Arts</strong> Elective 3MATH 261: Honors Algebra I 3MATH 265: Honors Calculus III 4Introduction to Philosophy 3Core Course 3Theology 3MATH 262: Honors Algebra II 3MATH 266: Honors Calculus IV 4———16Junior YearFirst SemesterTheology 3MATH 361: Honors Algebra III 3MATH 365: Honors Analysis I 3Elective 5History or Social Science 3———17Second SemesterPhilosophy 3MATH 362: Honors Algebra IV 3MATH 366: Honors Analysis II 3English/American Literature 3Elective 3———15Second SemesterSenior Year———16First SemesterMathematics Electives 6Electives 9———15Second SemesterMathematics Electives 6Electives 9———15(At least six credits <strong>of</strong> mathematics electives mustbe at the 400 level.)Course Descriptions. See “Mathematics” in the<strong>College</strong> <strong>of</strong> Science section <strong>of</strong> this Bulletin.Medieval StudiesRobert M. Conway Director <strong>of</strong> the Medieval Institute:Thomas F.X. NobleDirector <strong>of</strong> Undergraduate Studies:Calvin M. BowerFaculty <strong>of</strong> the Institute:Pr<strong>of</strong>essors:The Rt. Rev. Abbot Astrik Gabriel (emeritus);Stephen Ellis Gersh (philosophy)Librarian:Marina SmythAssociated Faculty:Pr<strong>of</strong>essors:Kathleen A. Biddick (history); Alex<strong>and</strong>erBlachly (music); Maureen McCann Boulton(Romance languages: French); Calvin M.Bower (music); Keith R. Bradley (classics: Romanhistory); Rev. David Burrell, C.S.C. (philosophy);Theodore J. Cachey (Romancelanguages: Italian); Lawrence S. Cunningham(theology); Rev. Brian E. Daley, S.J. (theology);Kent Emery Jr. (liberal studies: philosophy);Alfred J. Freddoso (philosophy); DoloresWarwick Frese (English); Michael Lapidge (English);Ralph M. McInerny (philosophy); JillMann (English); Katherine O’Brien O’Keeffe(English); Charles Rosenberg (art history);Dayle Seidenspinner-Núñez (Romance languages:Spanish); Daniel J. Sheerin (Classics:Latin); Michael Signer (theology); John VanEngen (history)Associate Pr<strong>of</strong>essors:Joseph Amar (Classics: Arabic); Charles Barber(art history); W. Martin Bloomer (classics:Latin); John C. Cavadini (theology); OliviaRemie Constable (history); Robert Coleman(art history); JoAnn Della Neva (Romance languages:French); Rev. Michael Driscoll (theology);Stephen Dumont (philosophy); PaulaHiggins (music); Rev. John Jenkins, C.S.C.(philosophy); Blake Leyerle (theology); ChristianR. Moevs (Romance languages: Italian);Gretchen Reydams-Schills (liberal studies:philospohy); Susan Guise Sheridan (anthropology,archaeology) Joseph P. Wawrykow (theology);Albert Wimmer (German)Concurrent Associate Pr<strong>of</strong>essor:D’Arcy Jonathan Boulton (history)Assistant Pr<strong>of</strong>essors:Asma Afsaruddin (Classics: Arabic); KirstenChristensen (German); Paul Cobb (history);Meredith Gill (art history); Li Guo (Classics:Arabic); Encarnacion Juarez (Romance languages:Spanish); Mary Keys (political science);Julia Marvin (liberal studies); Maura Nolan(English); Aideen O’Leary (history); ThomasPruegl (theology)Postdoctoral Teaching Fellow:Daniel B. HobbinsMellon Visiting Fellow:Deborah McGrady


161MEDIEVAL STUDIESThe Medieval Institute UndergraduatePrograms.The liberal arts were first cultivated as a universitycurriculum during the Middle Ages; thus, the undergraduateprograms in Medieval Institute <strong>of</strong>feran ideal context in which to pursue them in themodern world. Medieval Studies foster close reading,precise textual analysis, careful writing, <strong>and</strong>vigorous discussion. Medieval Studies thereforeprovide not only a solid foundation for graduatestudy, but also—<strong>and</strong> even more significantly—asuperb liberal arts education relevant to a wide variety<strong>of</strong> personal <strong>and</strong> pr<strong>of</strong>essional goals. The objective<strong>of</strong> undergraduate programs in the MedievalInstitute is to introduce students to medieval culture<strong>and</strong> to the disciplinary <strong>and</strong> interdisciplinaryskills necessary for the serious pursuit <strong>of</strong> the liberalarts in general <strong>and</strong> medieval studies in particular.Undergraduate studies in the Medieval Institutemay follow one <strong>of</strong> four tracks:1. Major in Medieval Studies2. The Supplementary Major3. The Major in Medieval Studies with SpecialistOption4. The Minor in Medieval StudiesAll four <strong>of</strong> these programs enable students to take awide variety <strong>of</strong> courses focused on the intellectual,cultural, <strong>and</strong> religious heritage <strong>of</strong> Europe. Studentshave access to the resources <strong>of</strong> the collection <strong>and</strong>staff <strong>of</strong> the library that forms the core <strong>of</strong> the MedievalInstitute, located on the seventh floor <strong>of</strong> theHesburgh Library; they also are encouraged to participatein the intellectual life <strong>of</strong> the Medieval Institute,particularly to attend the institute’s lectureseries <strong>and</strong> to engage guest scholars, faculty members,<strong>and</strong> graduate students, as well as undergraduatecolleagues. Undergraduates in the institutecompete for the Michel Prize, awarded to an outst<strong>and</strong>ingpaper written by an undergraduate on amedieval topic, <strong>and</strong> participate in the uniquegraduation ceremony sponsored by the institute.1. The Major in Medieval Studies.Students wishing to major in Medieval Studiesbuild their program <strong>of</strong> studies from courses <strong>of</strong>feredby the 10 departments that participate in the interdisciplinaryprogram <strong>of</strong> the Medieval Institute: (1)Anthropology; (2) Art, Art History, <strong>and</strong> Design(art history); (3) Classics (Latin); (4) English (Old<strong>and</strong> Middle English); (5) German <strong>and</strong> Russian(Old <strong>and</strong> Middle High German); (6) History; (7)Music (musicology); (8) Philosophy; (9) RomanceLanguages <strong>and</strong> Literatures (Old <strong>and</strong> MiddleFrench, Old Provençal, Spanish <strong>and</strong> Italian); <strong>and</strong>(10) Theology. While students are encouraged toexplore various directions in all these department,the fundamental requirements for the major in MedievalStudies are as follows.A. Two semesters <strong>of</strong> a language appropriate toMedieval Studies. 6 or 0 creditsTwo semesters <strong>of</strong> a language appropriate to MedievalStudies forms a prerequisite for any major.Normally, Latin will form the language componentin the program, but the student is encouraged tostudy Greek, Hebrew, or Arabic if his or her interestlies in Eastern Europe or in Arabic culture.Syriac may be taken if the student has a strong interestin Eastern liturgies <strong>and</strong> patristic studies. Ifthe student counts two semesters <strong>of</strong> Latin, for example,as the college requirement, the prerequisiteis fulfilled, but the credit does not apply to the major;if, on the other h<strong>and</strong>, the student uses anotherlanguage to meet the college requirement, two semesters<strong>of</strong> Latin may be added to the major.Courses in an appropriate language above 300 maybe counted below in G.B. Both courses from the Medieval Historysequence (307 <strong>and</strong> 308) 6 creditsC. An interdisciplinary course 3 creditsNormally, this course should be one <strong>of</strong>fered withinthe Medieval Institute.D. One course in Medieval Art History, MusicHistory, or Vernacular Literature 3 creditsE. One course in Medieval Philosophy orTheology 3 creditsF. One advanced seminar (400 level or above) inMedieval Studies 3 creditsThis course will be selected carefully in consultationwith the undergraduate advisor. The coursenormally will be taken in an area in which the studenthas a strong background <strong>and</strong>, in certain cases,even may be a graduate-level seminar.G. Four (or two) further courses in MedievalStudies chosen from any <strong>of</strong> the participatingdisciplines. 6 or 12 creditsThese courses should be chosen in consultationwith the undergraduate advisor, so that they bothstrengthen the student’s principal interests <strong>and</strong>broaden the student’s background <strong>and</strong> disciplinaryskills. Upper-level courses in an additional foreignlanguage may fulfill this requirement. (Cf. requirementA: If Latin is counted as credit in the major,two further courses meet this requirement.)Total credits for major: 362. The Supplementary Major.Many students pursuing a major in one <strong>of</strong> the departmentsthat participate <strong>and</strong> contribute to thebroad mission <strong>of</strong> the Medieval Institute may wishto supplement <strong>and</strong> strengthen their primary majorwith a second major in Medieval Studies. The followingprogram is available to students as a supplementarymajor.A. Two semesters <strong>of</strong> a language appropriate toMedieval Studies 6 or 0 creditsSee qualifications stated above under major.B. Both courses from the Medieval History sequence(307 <strong>and</strong> 308) 6 creditsC. An interdisciplinary course 3 creditsNormally, this course should be one <strong>of</strong>fered withinthe Medieval Institute.D. One course in Medieval Art History, MusicHistory, or Vernacular Literature 3 creditsE. One course in Medieval Philosophy orTheology 3 creditsF. One advanced seminar (400 level or above) inMedieval Studies 3 creditsThis course will be selected carefully in consultationwith the undergraduate advisor. The coursenormally will be taken in an area in which the studenthas a strong background <strong>and</strong>, in certain cases,even may be a graduate-level seminar.G. Two further courses in Medieval Studieschosen from any <strong>of</strong> the participating disciplines0 or 6 creditsThese courses should be chosen in consultationwith the undergraduate advisor, so that they bothstrengthen the primary field <strong>of</strong> interest <strong>and</strong>broaden the student’s background <strong>and</strong> disciplinaryskills. Upper-level courses in an additional foreignlanguage may fulfill this requirement.Total credits for supplementary major: 303. The Medieval Studies Major—SpecialistOption (in Either History, English, orComparative Literature)Students with an interest in medieval culture <strong>and</strong> aclear disciplinary focus in Comparative Literature,English, or History may pursue the Medieval StudiesMajor with specialist option. The goal <strong>of</strong> thisprogram is to prepare students for advanced studiesby providing them with (1) a broad overview <strong>of</strong> themajor events <strong>and</strong> developments <strong>of</strong> the Middle Ages,(2) a grounding in the topics <strong>and</strong> approaches tomedieval studies in one particular discipline, (3) anintroduction the study <strong>of</strong> medieval culture in two


162MEDIEVAL STUDIESor three other disciplines, <strong>and</strong> (4) certain basicskills (linguistic, methodological <strong>and</strong> theoretical)necessary for the serious pursuit <strong>of</strong> medieval studieson the graduate level. Twelve courses are requiredin this curriculum, distributed as follows.A. Two semesters <strong>of</strong> a language appropriate toMedieval Studies 6 creditsNormally, Latin (any level) will form the languagecomponent in the program, especially if the studentis specializing in English or Comparative Literature.The student may study Greek or Arabic if hisor her interest lies in Eastern Europe or in Arabicculture.B. Both courses from the Medieval Historysequence (307 <strong>and</strong> 308) 6 creditsC. An interdisciplinary course 3 creditsNormally, this course should be one <strong>of</strong>fered withinthe Medieval Institute.D. One course in Medieval Art History, MusicHistory, or Vernacular Literature 3 creditsVernacular Literature is highly recommended forstudents whose specialist discipline is English orComparative Literature.E. One advanced seminar (400 level or above) inMedieval Studies 3 creditsThis course will be selected carefully in consultationwith the undergraduate advisor <strong>and</strong> the advisorin the student’s primary field. The coursenormally will be taken in an area in which the studenthas a strong background <strong>and</strong>, in certain cases,even may be a graduate-level seminar.F. One seminar in the history, methodology,or theory <strong>of</strong> the history or literature 3 creditsP. Requirements determined by specialist:3 or 6 credits1. History: two semesters <strong>of</strong> medieval survey in onediscipline or two disciplines. (6)2. For English, one medieval English survey. (3)3. Comparative Literature: one medieval literaturesurvey. (3)Q. Two or three additional courses in the specialistdiscipline (if only one seminar was taken underF) 9 or 6 creditsTotal credits for major with specialist option: 364. The Medieval Studies Minor.The Minor in Medieval Studies allows studentswho are also committed to other programs <strong>of</strong> studyto pursue their interests in medieval culture bycombining a focused group <strong>of</strong> courses treating theMiddle Ages with a Major <strong>and</strong>/or a SupplementaryMajor in other departments.Requirements:Five courses treating aspects <strong>of</strong> the Middle Agesdistributed among three disciplines. Students areencouraged to use at least one course <strong>of</strong>fered in theMedieval Institute itself as one <strong>of</strong> the “disciplines.”While the minor has no specific language requirement,the student is encouraged to use coursesin a language to complete the minor. Minors aretaken seriously in the Medieval Institute <strong>and</strong> participatefully in the graduation ceremony sponsoredby the institute. For further details, see the listingunder Minors.Most courses in the major <strong>and</strong> minor programs aredrawn from participating departments, <strong>and</strong> fullcourse descriptions should be sought in the relevantsections <strong>of</strong> the Bulletin. For additional informationon specific programs in the institute <strong>and</strong> availability<strong>and</strong> sequence <strong>of</strong> courses, see the director <strong>of</strong> undergraduatestudies.Course Descriptions. The following list <strong>of</strong>courses gives the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, studio hours per week, <strong>and</strong>credits each semester are in parentheses. Theinstructor’s name is also included.180. <strong>University</strong> SeminarBecause medieval studies is an interdisciplinaryprogram, this seminar, depending on the expertise<strong>of</strong> the instructor, will introduce students to theparadigms <strong>of</strong> medieval philosophy, history or literature<strong>and</strong> in doing so will satisfy the respective <strong>University</strong>requirement. In addition, each coursecontains a significant writing component with aminimum <strong>of</strong> 24 pages required <strong>of</strong> each student.241. Music History I: Medieval <strong>and</strong>Renaissance(3-0-3) BowerSee MUS 241.285. King Arthur in History <strong>and</strong> Literature(3-0-3) D.J. Boulton, M. BoultonSee HIST 285.301. Ancient <strong>and</strong> Medieval Philosophy(3-0-3) Burrell, Dumont, or FreddosoSee PHIL 301.302. Medieval German Literature(3-0-3) WimmerSee GE 315.307. Middle Ages I(3-0-3) StaffSee HIST 307.308. Middle Ages II(3-0-3) Van EngenSee HIST 308.310 A. Hundred Years’ War (1337-1453)(3-0-3) HobbinsSee HIST 310.311. Gender, Sexuality, <strong>and</strong> Power in theMiddle Ages(3-0-3) BiddickSee HIST 311.316. Medieval Towns <strong>and</strong> Urban Life(3-0-3) ConstableSee HIST 316.318. Survey <strong>of</strong> Spanish Literature I(3-0-3) Seidenspinner-NúñezSee ROSP 318.325. Latin Literature <strong>and</strong> Stylistics(3-0-3) MazurekSee CLLA 325.330. Survey <strong>of</strong> Medieval Art(3-0-3) BarberSee ARHI 330.345. Introduction to Italian Literature I(3-0-3) MoevsSee ROIT 345.353. Polish <strong>and</strong> Lithuanian Commonwealth(3-0-3) StaffSee HIST 353.360. Canon <strong>and</strong> Literature <strong>of</strong> Islam(3-0-3) AfsaruddinSee MELC 360.369. The Art <strong>of</strong> Mythology(3-0-3) Gill, McLarenSee ARHI 369.370. Modeling Sanctity: The Saint in Image<strong>and</strong> Text(3-0-3) GillSee ARHI 370.371. Survey <strong>of</strong> French Literature I(3-0-3) M. BoultonSee ROFR 371.390. Medieval Middle East(3-0-3) StaffSee HIST 394.391. Islam: Religion <strong>and</strong> Culture(3-0-3) AfsaruddinSee MELC 390.392. History <strong>of</strong> Christianity to 1500(3-0-3) SullivanSee HIST 392.395. Christian Theological Traditions I(3-0-3) Cunningham, WawrykowSee THEO 395.405. Chivalry, Faith, <strong>and</strong> Splendor(3-0-3) J. BoultonSee HIST 405.412A. Renaissance <strong>and</strong> Baroque Poetry<strong>of</strong> Spain(3-0-3) JuarezSee ROSP 412.413A. History/Fantasy/Colony(3-0-3) BiddickSee HIST 413.421. Introduction to Old French <strong>and</strong> Anglo-Norman(3-0-3) BoultonSee ROFR 421.


163MEDIEVAL STUDIES MUSIC422. Dante I(3-0-3) Cachey or MoevsSee ROIT 421.422C. Dante’s Commedia(3-0-3) BoitaniSee ROIT 421C.423.423. Dante II(3-0-3) Cachey or MoevsSee ROIT 422.427. Medieval Spain(3-0-3) ConstableSee HIST 427.428. Anglo-Saxon Engl<strong>and</strong>(3-0-3) O’LearySee HIST 428.430B. History <strong>of</strong> the English Language(3-0-3) O’Brien O’KeeffeSee ENGL 430B.430C. Introduction to Old English(3-0-3) O’Brien O’KeeffeSee ENGL 430C.431B. Readings in Medieval Literature(3-0-3) FreseSee ENGL 431.432A. Chaucer: Canterbury Tales(3-0-3) MannSee ENGL 432A..435A. Life, Love, <strong>and</strong> Literaturein Renaissance Lyon(3-0-3) Della NevaSee ROFR 432.438A. Medieval Romance(3-0-3) NolanSee ENGL 438438B. Falling in Love in the Middle Ages(3-0-3) MannSee ENGL 438A..439. Classics <strong>of</strong> the Italian Renaissance(3-0-3) CacheySee ROIT 439.440. Trecento: Giotto to the Duomo(3-0-3) GillSee ARHI 441.440H. The Vikings(3-0-3) O’LearySee HIST 440M.442. 15th-Century Italian Renaissance Art(3-0-3) RosenbergSee ARHI 442.443. Northern Renaissance Painting(3-0-3) RosenbergSee ARHI 443.445. Jews <strong>and</strong> Christians Throughout History(3-0-3) SignerSee THEO 441.448. War/Money/Romance: 1100-1200(3-0-3) BiddickSee HIST 448.457. Byzantine Art(3-0-3) BarberSee ARHI 433.460. Heretics <strong>and</strong> Friars, Mystics <strong>and</strong> Nunsin the High Middle Ages(3-0-3) Van EngenSee HIST 491Y.461A. Petrarch(3-0-3) Cachey, MoevsSee ROIT 432.471. The Vulgate <strong>and</strong> Related Texts(3-0-3) BowerReadings in the Latin <strong>of</strong> the Vulgate, texts byJerome associated with this translation, <strong>and</strong> readingsfrom Augustine (de doctrina christiana) concerninghow scriptures should be read.472. Martyrs <strong>and</strong> Monastic Lives(3-0-3) LeyerleSee THEO 356.473. The Romans <strong>and</strong> Their Gods(3-0-3) BradleySee CLAS 472.474. Family <strong>and</strong> Household in the Roman World(3-0-3) BradleySee CLAS 475.475. Introduction to Christian Latin(3-0-3) SheerinSee CLLA 475.476. Medieval Latin Survey(3-0-3) SheerinSee CLLA 475.481. The Medieval Book(3-0-3) BowerA historical survey <strong>of</strong> the medieval book as a cultural,archeological, artistic, <strong>and</strong> commercial objectfrom about A.D. 300 to 1500.482. Medieval Art Seminar(3-0-3) BarberSee ARHI 482.483. Renaissance Art Seminar(3-0-3) RosenbergSee ARHI 483.486. Der Artusroman/Arthurian Epic(3-0-3) ChristensenSee GE 486.491. Jerusalem(3-0-3) CobbSee HIST 491N.495F. French Senior Seminar(3-0-3) M. Boulton, Della NevaSee ROFR 495.495I. Italian Senior Seminar(3-0-3) Cachey, MoevsSee ROIT 495.497. Directed Readings(3-0-3)MusicChair:Paul JohnsonPr<strong>of</strong>essors:Alex<strong>and</strong>er Blachly; Calvin M. Bower; WilliamCerny (emeritus); Craig J. Cramer; KennethW. Dye; Ethan T. Haimo; Paula M. Higgins;Eugene J. Leahy (emeritus); Luther M. Snavely(emeritus); Susan L. YouensAssociate Pr<strong>of</strong>essors:Karen L. Buranskas; Paul Johnson; Rev. PatrickMaloney, C.S.C. (emeritus); Robert F. O’Brien(emeritus); Carolyn R. Plummer; GeorgineResick; Peter H. SmithAssistant Pr<strong>of</strong>essors:John Blacklow; Mary Fr<strong>and</strong>sen; James S.Phillips (emeritus)Associate Pr<strong>of</strong>essional Specialist:Daniel C. Stowe; Rev. George Wiskirchen,C.S.C. (emeritus); Lawrence H. DwyerVisiting Assistant Pr<strong>of</strong>essional Specialist:Lane W. WeaverAdjunct Faculty:John Apeitos: Darlene Catello; Walter R.Ginter; Samuel L. SanchezProgram <strong>of</strong> Studies. The Department <strong>of</strong> Music<strong>of</strong>fers students a variety <strong>of</strong> musical experiences inaccordance with its two objectives: (1) to provideall students, regardless <strong>of</strong> their major, knowledge<strong>and</strong> training in music through introductory, historical<strong>and</strong> theoretical courses, through participationin large <strong>and</strong> small ensembles <strong>and</strong> throughapplied instrumental or vocal study; <strong>and</strong> (2) to provideintensive curriculum <strong>and</strong> training for the studentwho chooses music as a major.Four areas <strong>of</strong> specialization are <strong>of</strong>fered for advancedtraining in music <strong>and</strong> are recommended forthose students wishing to pursue graduate study inthe field. These are the specializations in musichistory, music theory, <strong>and</strong> sacred music, each <strong>of</strong>which requires 54 hours, <strong>and</strong> the specialization inperformance, which requires 69 hours.The requirements for a 69-credit performancemajor are:CLASS CREDITSMusic History Survey I-III 9Theory I-V 15Musicianship I-IV 4Applied Lessons 24Performance Specialization 15Recitals (junior <strong>and</strong> senior) 2—Music total 69Collegiate/<strong>University</strong> Requirements 51———Total 120


164MUSICThe major in performance waives the college requirementsfor a second social science <strong>and</strong> a course in thefine arts.The requirements for a 54-credit music historymajor are:CLASS CREDITSMusic History Survey I-III 9Theory I-V 15Musicianship I-IV 4Applied Lessons 8Advanced History 9Counterpoint 3Orchestration 3Senior Honors Thesis 3—Music total 54Collegiate/<strong>University</strong> Requirements 60Electives 6———Total 120The requirements for a 54-credit music theorymajor are:CLASS CREDITSMusic History Survey I-III 9Theory I-V 15Musicianship I-IV 4Applied Lessons 8Advanced Theory 9Counterpoint 3Orchestration 3Senior Honors Thesis 3—Music total 54Collegiate/<strong>University</strong> requirements 60Electives 6——Total 120The requirements for a 54-credit major in sacredmusic are:CLASS CREDITSMusic History I-III 9Theory I-IV 15Musicianship I-IV 4Conducting I-II 4Music <strong>of</strong> the Catholic Rite 3Counterpoint or Orchestration 3Senior Seminar in Sacred Music 3Applied Music 13-15———Total 54-56Students considering these programs should contactthe department as early as possible, preferablyin the freshman year. Given the number <strong>of</strong> creditsrequired for these specializations, it is difficult tocomplete the curriculum if the student does not beginintensive musical studies in the freshman year.In addition to its programs leading to degreesappropriate for further pr<strong>of</strong>essional study in thefield, the Department <strong>of</strong> Music <strong>of</strong>fers a 36-creditprogram in music, usually taken as a supplementarymajor. This program allows for the study <strong>of</strong>the basic foundations <strong>of</strong> music while pursuing amajor in another field.The requirements for a 36-credit performancemajor are:CLASSCREDITSMusic History Survey I-III 9Theory I-IV 12Musicianship I-II 2Applied Lessons 13—Music Total 36Collegiate/<strong>University</strong> Requirements 60Electives 24———Total 120The requirements for a 36-credit theory/historymajor are:CLASSCREDITSMusic History Survey I-III 9Theory I-IV 12Musicianship I-II 2Applied Lessons 7Additional History/Theory 6—Music Total 36Collegiate/<strong>University</strong> Requirements 60Electives 24———Total 120The requirements for the 36-credit major in sacredmusic are:CLASS CREDITSMusic History I-III 9Theory I-IV 12Musicianship I-II 2Music <strong>of</strong> the Catholic Rite 3Applied Music 10—Music total 36Collegiate/<strong>University</strong> Requirements 60Electives 24————Total 120The Department <strong>of</strong> Music also <strong>of</strong>fers an 18-creditminor.The requirements for a minor are:CLASSCREDITSMusic History Survey I-III (choice <strong>of</strong> 2) 6Theory I-II 6Applied Lessons 6———Total 18All <strong>of</strong> the major degree programs have requirementsbeyond the course work. These can includerecitals, juries, piano pr<strong>of</strong>iciency <strong>and</strong> so forth. Studentsshould contact the department for details.All students who wish to participate in large orsmall ensembles must qualify through audition.Students who elect courses in music may do sowith permission <strong>of</strong> the student’s dean or faculty advisor.Applied music lessons are available to all students,with or without credit; a fee <strong>of</strong> $190 isrequired <strong>of</strong> students for the 14 half-hour lessonsper semester. (Fees are charged to the students’ accounts,<strong>and</strong> no partial refunds are made after thethird full week <strong>of</strong> class.)Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.MUSIC ORGANIZATIONS100. B<strong>and</strong> (Marching-Varsity)(V-0-1) Dye, DwyerPerforms for athletic events <strong>and</strong> special functions.Admission by audition.101. Orchestra(V-0-1) StowePerforms music from the 18th to the 20th centuryin several concerts a year. Admission by audition.102. Chamber Orchestra(V-0-1) BlachlyAn ensemble <strong>of</strong> 10-15 players drawn primarilyfrom the ranks <strong>of</strong> the <strong>Notre</strong> <strong>Dame</strong> Orchestra. Admissionby audition.103. Glee Club(V-0-1) Stowe<strong>Notre</strong> <strong>Dame</strong>’s traditional all-male choir. Admissionby audition.107. Concert B<strong>and</strong>(V-0-1) Dye, DwyerThe large wind ensemble. Tours during spring vacation.Admission by audition.


165MUSIC110. Chamber Ensemble(V-0-1) StaffThis ensemble is organized according to the needs<strong>of</strong> those who audition through the regular processat the beginning <strong>of</strong> each semester. It consists <strong>of</strong>those for whom the larger ensembles are inappropriate.Admission by audition.110A. Percussion Ensemble(V-0-1) SanchezAdmission by audition.121D. Jazz Ensemble(V-0-1) DwyerOpen through audition.170. Collegium Musicum(V-0-1) StoweA select choir that concentrates its performances inthe medieval <strong>and</strong> Renaissance repertoire. Admissionby audition.203. Chorale(V-0-1) BlachlyA select group devoted to the singing <strong>of</strong> diversifiedsacred <strong>and</strong> secular literature. Performs at <strong>Notre</strong><strong>Dame</strong> <strong>and</strong> on tour. Admission by audition.407. Brass Ensemble(1-0-1) Dwyer408. Woodwind Ensemble(1-0-1) Dye427D. Opera Workshop(1-0-1) ResickA group devoted to the performance <strong>of</strong> classical operas.Admission by audition.APPLIED MUSIC INSTRUCTION210. Piano Class(1-0-1) StaffA class for beginners in piano.213. Guitar Class(1-0-1) StaffA class for beginners in guitar.214. Voice Class(1-0-1) ResickA class for beginners in voice.308. Harp(V-0-V) StaffPrerequisite: Musical background.Individual instruction.309. Viola(V-0-V) StaffPrerequisite: Musical background.Individual instruction.310. Piano(V-0-V) StableinPrerequisite: Musical background.Individual instruction according to the level <strong>and</strong>ability <strong>of</strong> the student.311. Organ(V-0-V) CramerPrerequisite: Musical background.Individual instruction.312. Harpsichord(V-0-V) CatelloPrerequisite: Musical background.Individual instruction.313. Classical Guitar(V-0-V) StaffPrerequisite: Musical background.Individual instruction.314. Voice(V-0-V) ResickPrerequisite: Musical background.Individual instruction.315A. Violin(V-0-V) PlummerPrerequisite: Musical background.Individual instruction.315C. String Bass(V-0-V) StaffPrerequisite: Musical background.Individual instruction.316. Cello(V-0-V) BuranskasPrerequisite: Musical background.Individual instruction.317. Brass(V-0-V) DwyerPrerequisite: Musical background.Individual instruction.318. Woodwinds(V-0-V) DyePrerequisite: Musical background.Individual instruction.319. Percussion(V-0-V) DyePrerequisite: Musical background.Individual instruction.401. String Performance Techniques(1-0-1) Buranskas, PlummerPerformance class/master class format designed togive string students opportunities to perform.410. Piano(V-0-V) StableinLessons for advanced students.411. Organ(V-0-V) CramerLessons for advanced students.412B. Harp(V-0-V) StaffLessons for advanced students.412D. Harpsichord(V-0-V) CatelloLessons for advanced students.413. Guitar(V-0-V) StaffLessons for advanced students.414. Voice(V-0-V) ResickLessons for advanced students.415A. Violin(V-0-V) PlummerLessons for advanced students.415B. Viola(V-0-V) StaffLessons for advanced students.415C. String Bass(V-0-V) StaffLessons for advanced students.416. Cello(V-0-V) BuranskasLessons for advanced students.417. Brass(V-0-V) DwyerLessons for advanced students.418. Woodwinds(V-0-V) DyeLessons for advanced students.419. Percussion(V-0-V) DyeLessons for advanced students.COURSES120/220. Introduction to Classical Music(3-0-3) StoweHistorical survey <strong>of</strong> Western art music from theMiddle Ages to the present, with emphasis on thestudy <strong>of</strong> selected significant vocal <strong>and</strong> instrumentalworks.121/221. Introduction to Jazz(3-0-3) DwyerA music appreciation course requiring no musicalbackground <strong>and</strong> no prerequisites. General coverage<strong>of</strong> the history, various styles <strong>and</strong> major performers<strong>of</strong> jazz, with an emphasis on current practice.123/223. Music <strong>of</strong> the Catholic Rite(3-0-3) Fr<strong>and</strong>senA study <strong>of</strong> the music composed for the Mass, theOffice hours (primarily Vespers), <strong>and</strong> the RequiemMass from the Middle Ages to the present day. Themusical repertoire <strong>of</strong> each era is examined bothfrom a purely musical st<strong>and</strong>point <strong>and</strong> in light <strong>of</strong>the reactions <strong>of</strong> various popes, from John XXIIIthrough Pius X, to the sacred music <strong>of</strong> their day.Documents on sacred music issued after Vatican IIalso are examined in relation to postconciliarchurch music for both the choir <strong>and</strong> thecongregation.


166MUSIC125/225. Current Jazz(3-0-3) DwyerA study <strong>of</strong> the jazz performers <strong>and</strong> practices <strong>of</strong> today<strong>and</strong> <strong>of</strong> the preceding decade — the roots, stylisticdevelopments <strong>and</strong> directions <strong>of</strong> individualartists, small combos <strong>and</strong> big b<strong>and</strong>s.126/226. American Music(3-0-3) StaffAn appreciation-level course that will concentrateupon the major stylistic <strong>and</strong> historical developments<strong>of</strong> American music since the colonial period.127/227. Gender, Race, Class, <strong>and</strong> Sexualityin Western Musical Culture(3-0-3) HigginsThis course adopts a cultural studies approach,focused on issues <strong>of</strong> gender, race, class, <strong>and</strong>sexuality, to the study <strong>of</strong> a wide selection <strong>of</strong> bothclassical <strong>and</strong> popular musics, rangingchronologically from pastourelles from the MiddleAges to the music videos <strong>of</strong> Madonna, with specialattention to two operas: Mozart’s Don Giovanni<strong>and</strong> Bizet’s Carmen. Students will learn how tolisten to <strong>and</strong> recognize common musical practicescomposers <strong>and</strong> musicians use—specific uses <strong>of</strong>melody, rhythm, meter, tempi, harmonic scales <strong>and</strong>chord progressions, dynamics, <strong>and</strong>instrumentation—<strong>and</strong> to explore critical modes <strong>of</strong>interpreting them within specific ideologicalframeworks.180. Fine <strong>Arts</strong> <strong>University</strong> SeminarThe nature <strong>and</strong> principles <strong>of</strong> music in cultural context.Recent topics have included Mozart,Beethoven, <strong>and</strong> Schubert; Gender <strong>and</strong> Sexuality inOpera; Impressionism in Music; Music <strong>of</strong> J.S.Bach.228. 20th-Century Music(3-0-3) JohnsonAn introduction to the history <strong>and</strong> ideas <strong>of</strong> Westernclassical music from 1900 to 1998.229. Music <strong>of</strong> the 18th Century(3-0-3) Fr<strong>and</strong>senIntroduction to the major composers <strong>and</strong> musicalgenres <strong>of</strong> the 18th century. Composers studied includeVivaldi, Bach, H<strong>and</strong>el, C.P.E. Bach, Gluck,Mozart, <strong>and</strong> Haydn; musical genres studied includethe cantata, concerto, sonata, fantasia, quartet, opera,<strong>and</strong> oratorio. Readings include reactions <strong>and</strong>criticisms <strong>of</strong> 18th-century listeners, <strong>and</strong> writings <strong>of</strong>modern music scholars.230. Theory for Non-Majors(3-0-3) Haimo, SmithA one-semester survey <strong>of</strong> the structure <strong>of</strong> tonal music.Topics covered include chord formation, voiceleading, harmonic progression, cadences, dissonancetreatment <strong>and</strong> form.231-232. Music Theory I <strong>and</strong> II(3-0-3) Haimo, Johnson, SmithPrerequisite: Musical background.A systematic approach to the underst<strong>and</strong>ing <strong>and</strong>manipulation <strong>of</strong> the basic materials <strong>of</strong> music. Required<strong>of</strong> <strong>and</strong> intended for music majors <strong>and</strong> minors,but open to students with sufficient musicalbackground.233-234. Musicianship I <strong>and</strong> II(2-0-1) StoweExercise <strong>and</strong> mastery <strong>of</strong> basic skills in music: melodic,harmonic, rhythmic <strong>and</strong> keyboard. To betaken along with Theory I <strong>and</strong> II. Required <strong>of</strong> allstudents intending to major in music.241-242-243. Music History I, II <strong>and</strong> III(3-0-3) Blachly, Bower, Fr<strong>and</strong>sen, Higgins, YouensA survey <strong>of</strong> music. The study <strong>of</strong> the major forms<strong>and</strong> styles in Western history. Required <strong>of</strong> musicmajors <strong>and</strong> minors, but open to students with sufficientmusical background.251. Music Theory III(3-0-3) Haimo, Johnson, SmithPrerequisites: Music Theory I <strong>and</strong> II.Studies in advanced harmony.253-254. Musicianship III <strong>and</strong> IV(2-0-1) StoweExercise <strong>and</strong> mastery <strong>of</strong> more advanced skills inmusic: melodic, harmonic, rhythmic, keyboard <strong>and</strong>score-reading. To be taken along with Theory III<strong>and</strong> IV. Required <strong>of</strong> all students majoring in music.335. Music Theory V(3-0-3) Haimo, Johnson, SmithPrerequisite: Theory I-IV.A study <strong>of</strong> the procedures for harmonic, melodic,rhythmic <strong>and</strong> formal analysis.395. Junior Recital(V-0-1) Staff409. Chamber Music(1-0-1) Buranskas, PlummerStudy <strong>and</strong> performance <strong>of</strong> selected chamber compositions.Intended for music majors or with specialpermission.425-426. Conducting I <strong>and</strong> II(2-0-2) GinterPrerequisite: Individual approval.Basic techniques <strong>of</strong> instrumental <strong>and</strong> choral conducting.Opportunities for practical experience.432. 20th-Century/Music Theory IV(3-0-3) Haimo, JohnsonPrerequisite: Approved background. Intended formusic majors.The theoretical <strong>and</strong> historical sources <strong>and</strong> development<strong>of</strong> music from Debussy to the present.461. Counterpoint(3-0-3) Haimo, Johnson, SmithPrerequisite: Approved background.The technique <strong>of</strong> writing counterpoint <strong>and</strong> the use<strong>of</strong> contrapuntal devices.463. Composition(V-0-V) Haimo, JohnsonPrerequisite: Approved background.Creative writing in various forms, conventional <strong>and</strong>contemporary. Private instruction only.486. Vocal Pedagogy(1-0-1) ResickBasic techniques <strong>of</strong> vocal pedagogy.495. Senior Recital(V-0-1) Staff498. Special Studies(V-0-V) StaffPrerequisite: Approval <strong>of</strong> the chair.An individualized course in directed studies underpersonal supervision <strong>of</strong> the teacher.499. Undergraduate Thesis Direction(V-0-V) Staff


167PHILOSOPHYPhilosophyChair:Paul J. WeithmanMichael P. Grace Pr<strong>of</strong>essor <strong>of</strong> Medieval Studies:Ralph McInernyF.J. <strong>and</strong> H.M. O’Neill Pr<strong>of</strong>essor <strong>of</strong> Science,Technology <strong>and</strong> Values:Kristin Shrader-FrechetteRev. Theodore M. Hesburgh Pr<strong>of</strong>essor<strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>:Rev. David Burrell, C.S.C.McMahon/Hank Pr<strong>of</strong>essor <strong>of</strong> Philosophy:Karl AmeriksRev. John A. O’Brien Pr<strong>of</strong>essor <strong>of</strong> Philosophy:Alvin Plantinga; Philip L. QuinnJohn Cardinal O’Hara Pr<strong>of</strong>essor Emeritus<strong>of</strong> Philosophy:Rev. Ernan McMullin (emeritus)John Cardinal O’Hara Pr<strong>of</strong>essor <strong>of</strong> Philosophy:Peter Van InwagenGeorge N. Shuster Pr<strong>of</strong>essor <strong>of</strong> Philosophy:Michael J. LouxSenior Research Pr<strong>of</strong>essor:Alasdair C. MacIntyrePr<strong>of</strong>essors:Joseph Bobik; Fred Dallmayr; Marian A.David; Cornelius F. Delaney; Michael R.DePaul; Michael Detlefsen; Thomas P. Flint;Alfred Freddoso; Gary M. Gutting; VittorioHösle (concurrent); Don A. Howard; LynnJoy;Edward Manier; Kenneth Sayre; Sun-Joo Shin;James P. Sterba; Stephen H. Watson; Paul J.WeithmanAssociate Pr<strong>of</strong>essors:Patricia Blanchette; Sheilah Brennan (emerita);Stephen Dumont; Rev. John Jenkins, C.S.C.;Janet A. Kourany; Vaughn R. McKim; DavidK. O’Connor; William Ramsey; Michael Rea;Rev. Herman Reith, C.S.C. (emeritus); JohnRobinson; W. David Solomon; LeopoldStubenberg; Ted A. WarfieldAssistant Pr<strong>of</strong>essors:Timothy Bays; Paul Franks; Anja Jauernig;Lenny Moss; Fred Rush; Rev. Charles Weiher,C.S.C. (emeritus)Pr<strong>of</strong>essional Specialists:Montey G. Holloway; Alven NeimanProgram <strong>of</strong> Studies. There are two ways to majorin philosphy: Regular philosophy majors arerequired to take eight courses in philosophy beyondthe general two-course <strong>University</strong> requirement.Three specific courses must be includedamong the eight: a two-semester sequence <strong>of</strong>courses in the history <strong>of</strong> philosophy, Ancient <strong>and</strong>Medieval Philosophy (PHIL 301) <strong>and</strong> Modern Philosophy(PHIL 302), <strong>and</strong> a course in formal logic(PHIL 313 or, for qualified students, PHIL 513.The logic requirement can also be fulfilled byMATH 210, though this course does not count towardthe eight courses required for the major). Inaddition, regular majors must take at least twocourses at the 400-level on some topic in contemporaryphilosophy <strong>and</strong> three upper-division electives.Students in the <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Prepr<strong>of</strong>essionalProgram or the <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> EngineeringProgram who take the regular major in philosophyare required to take seven rather than eightphilosophy courses beyond the two-course <strong>University</strong>requirement but otherwise must fulfill all otherrequirements for the major.Honors philosophy majors are required totake 10 courses in philosophy beyond the generaltwo-course <strong>University</strong> requirement. In addition tothe courses taken to satisfy the regular major requirements,honors majors must take one additional400-level seminar in a contemporary area <strong>of</strong>philosophy <strong>and</strong> write a senior thesis (PHIL 499) inthe fall semester <strong>of</strong> the senior year. The senior thesiswill count as a regular three-hour course <strong>and</strong>should be planned with the director <strong>of</strong> undergraduatestudies during the semester prior to its writing.The honors major is intended primarily for studentsplanning postgraduate study, <strong>and</strong> a minimumgrade point average <strong>of</strong> 3.5 is expected,though exceptions are possible. Students in the <strong>Arts</strong><strong>and</strong> <strong>Letters</strong> Prepr<strong>of</strong>essional Program or the <strong>Arts</strong><strong>and</strong> <strong>Letters</strong> Engineering Program who takethe honors major in philosophy are required to takenine rather than 10 philosophy courses beyond thetwo-course <strong>University</strong> requirement but otherwisemust fulfill all other requirements for the major.Students majoring in other departments maycomplete a supplementary major in philosophy bytaking six courses beyond the two-course <strong>University</strong>requirement. These six courses must includethe history <strong>of</strong> philosophy sequence (PHIL 301 <strong>and</strong>302) <strong>and</strong> two additional courses at the 300-level orhigher, selected in consultation with one <strong>of</strong> thephilosophy department’s faculty advisors. Studentsin the Program <strong>of</strong> Liberal Studies may complete thesupplementary major with five rather than sixcourses beyond the <strong>University</strong> two-course requirementbut otherwise must fulfill all other requirementsfor the second major. Philosophy alsocontributes to a number <strong>of</strong> interdepartmentalconcentrations in the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>.Details can be found in the section <strong>of</strong> the Bulletinon Interdicsiplinary Minors Within the <strong>College</strong>.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.101. Introduction to Philosophy(3-0-3) StaffA general introduction to philosophy, with emphasison perennial problems such as the existence <strong>of</strong>God, human freedom <strong>and</strong> moral obligation. Thecourse is also intended to sharpen the student’sskills <strong>of</strong> critical thinking. Satisfies the <strong>University</strong>requirement for a first course in philosophy. Forfirst-year students only.180. Philosophy <strong>University</strong> Seminar(3-0-3) StaffA general introduction to philosophy, with emphasison perennial problems such as the existence <strong>of</strong>God, human freedom <strong>and</strong> moral obligation. Thecourse is also intended to sharpen the student’sskills <strong>of</strong> critical thinking. Satisfies the <strong>University</strong> requirementfor a first course in philosophy.195. Honors Philosophy Seminar(3-0-3) StaffA general introduction to philosophy, with emphasison perennial problems such as the existence <strong>of</strong>God, human freedom, <strong>and</strong> moral obligation. Thecourse is also intended to sharpen the student’sskills <strong>of</strong> critical thinking. Satisfies the <strong>University</strong> requirementfor a first course in philosophy. For studentsin the <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>/Science HonorsProgram.201. Introduction to Philosophy(3-0-3) StaffA general introduction to philosophy, with emphasison perennial problems such as the existence <strong>of</strong>God, human freedom, <strong>and</strong> moral obligation. Thecourse is also intended to sharpen the student’sskills <strong>of</strong> critical thinking. Satisfies the <strong>University</strong> requirementfor a first course in philosophy.IMAGES OF HUMANITY206. Philosophy <strong>and</strong> Psychiatry(3-0-3) ManierA comparative analysis <strong>of</strong> first-person narratives <strong>of</strong>life with mental disorder <strong>and</strong> a comparative evaluation<strong>of</strong> anthropological, philosophical, <strong>and</strong> biomedicalperspectives on the lived experiences <strong>of</strong>mental illness.207. Knowledge <strong>and</strong> Mind(3-0-3) StubenbergAn introductory survey <strong>of</strong> a number <strong>of</strong> issues in thetheory <strong>of</strong> knowledge <strong>and</strong> the philosophy <strong>of</strong> mind.210. Simone De Beauvoir(3-0-3) Shrader-FrechetteAn analysis <strong>of</strong> the philosophical writings <strong>of</strong> thegreatest feminist theorist <strong>of</strong> the 20th century, perhaps<strong>of</strong> all time. The main focus <strong>of</strong> the course is onThe Second Sex, but the readings also include TheEthics <strong>of</strong> Ambiguity, Old Age, <strong>and</strong> The WomanDestroyed.


168PHILOSOPHY215. Gender, Politics, <strong>and</strong> Evolution(3-0-3) ManierAn examination <strong>of</strong> ethical/political models <strong>of</strong> gender-neutralaccess to public <strong>and</strong> domestic requisitesfor the development <strong>of</strong> basic human capabilities,<strong>and</strong> a comparison <strong>of</strong> these models with currentstudies <strong>of</strong> the significance <strong>of</strong> human sexual dimorphismin evolutionary psychology.216. Ancient Wisdom <strong>and</strong> Modern Love(3-0-3) O’ConnorAn examination <strong>of</strong> contemporary issues <strong>of</strong> love <strong>and</strong>friendship from the perspective <strong>of</strong> ancient philosophy.Course materials range from Plato <strong>and</strong>Aristotle to Shakespeare <strong>and</strong> contemporary film.217. Visual Thinking(3-0-3) ShinA examination <strong>of</strong> the relation between thought <strong>and</strong>imagery, one <strong>of</strong> the most debated topics in philosophy,psychology, <strong>and</strong> anthropology.219. A Brief History <strong>of</strong> Time, Space, <strong>and</strong> Motion(3-0-3) JauernigAn examination <strong>of</strong> the historical evolution <strong>of</strong> thephilosophical conceptions <strong>of</strong> time, space, <strong>and</strong> motionfrom Plato to Einstein. Special attention willbe paid to the influence <strong>of</strong> developments in physicson this evolution in philosophical theorizing (<strong>and</strong>vice versa).221. Philosophy <strong>of</strong> Human Nature(3-0-3) Weiher, MossAn examination <strong>of</strong> some competing views <strong>of</strong> humannature based on classical readings rangingfrom Plato to the present day.222. Images <strong>of</strong> Humanity: Existentialist Themes(3-0-3) Ameriks, WatsonAn examination <strong>of</strong> fundamental questions aboutthe nature <strong>of</strong> human beings <strong>and</strong> their destiny-basedon a critical examination <strong>of</strong> the work <strong>of</strong> pivotal existentialistthinkers: Kierkegaard, Marcel <strong>and</strong>Sartre.224. Memoirs <strong>of</strong> Madness(3-0-3) ManierAn introduction to biological, psychological <strong>and</strong>cultural perspectives on mental disorders. Theoverarching philosophical issue <strong>of</strong> the course is theproblem <strong>of</strong> personal identity, the construction <strong>of</strong>the self as a center <strong>of</strong> responsible human agency.The most important subtopic is the social <strong>and</strong> culturalconstruction <strong>of</strong> gender roles <strong>and</strong> their relationshipto human sexual dimorphism. A large,growing number <strong>of</strong> excellent “memoirs <strong>of</strong> madness”facilitate discursive analysis <strong>of</strong> the subject.225. Images <strong>of</strong> Humanity: ScientificPerspectives(3-0-3) Howard, RamseyAn inquiry into the conception <strong>of</strong> a person suggestedby the results <strong>of</strong> modern science. Such issuesas the mind-body problem, the problem <strong>of</strong> humanfreedom <strong>and</strong> the uniqueness <strong>of</strong> human rationalitywill be dealt with in light <strong>of</strong> research findings inneurophysiology, psychology, linguistics, biology<strong>and</strong> the physical sciences.226. Images <strong>of</strong> Humanity: Aesthetics <strong>and</strong> thePhilosophy <strong>of</strong> Art(3-0-3) RushAn introductory course in the application <strong>of</strong> philosophicalmethods to questions <strong>of</strong> aesthetics <strong>and</strong> art.The first part <strong>of</strong> the course will concern the history<strong>of</strong> aesthetics, concentrating on the views <strong>of</strong> Plato,Aristotle, Horace, Aquinas, Kant <strong>and</strong> Hegel. Thesecond part <strong>of</strong> the course will consider contemporaryapproaches to problems such as the nature <strong>of</strong>aesthetic properties <strong>and</strong> categories, what distinguishesart from other things, <strong>and</strong> the role <strong>of</strong> criticalinterpretation in the experience <strong>of</strong> art.227. Ways <strong>of</strong> Knowing(3-0-3) David, StubenbergThis course examines a number <strong>of</strong> “ways <strong>of</strong> knowing”:mathematical, scientific, historical, literary,legal <strong>and</strong> theological, in order to determine significantdifferences <strong>and</strong> similarities. The course willdraw upon the experience students have had in differentmajor fields <strong>of</strong> study. It is thus primarily designedfor upper-level students.228. Philosophy <strong>and</strong> the <strong>Arts</strong>(3-0-3) A. GuttingA consideration <strong>of</strong> the nature <strong>of</strong> art <strong>and</strong> the aestheticusing both philosophical texts <strong>and</strong> works <strong>of</strong>art drawn from a wide variety <strong>of</strong> media (painting,literature, film, architecture, etc.).229. Death <strong>and</strong> Dying(3-0-3) WarfieldThis course examines metaphysical <strong>and</strong> ethical issuesassociated with bodily death. Metaphysical issuestaken up in this course include the following:What is death? Is death a bad thing? Is there anyhope for survival <strong>of</strong> death? Ethical issues to be discussedinclude suicide, euthanasia <strong>and</strong> abortion.232. Women: Alternative PhilosophicalPerspectives(3-0-3) KouranyAn examination <strong>of</strong> some <strong>of</strong> the most pressing problemscurrently confronting women, the more importanttheories, from the ultraconservative to theradical feminist, that have been proposed to explainthese problems <strong>and</strong> the concrete proposals forchange in society suggested by such theories.234. Self <strong>and</strong> World(3-0-3) DumontA general introduction to the fundamental questionsabout the nature <strong>of</strong> the world <strong>and</strong> our placein it, the area <strong>of</strong> philosophy called metaphysics.235. Philosophy <strong>and</strong> Fantasy(3-0-3) SayreA consideration <strong>of</strong> fantasy literature from a philosophicvantage point as dramatizing human beings’age-old wonderment regarding the nature <strong>of</strong> theuniverse <strong>and</strong> their place within it.236. Classics <strong>of</strong> Political <strong>and</strong> ConstitutionalTheory(3-0-3) FlintAn examination <strong>of</strong> a number <strong>of</strong> the fundamentaltexts in political <strong>and</strong> constitutional theory, with anemphasis on works <strong>of</strong> special importance to theBritish <strong>and</strong> American political systems.237. Philosophy <strong>and</strong> Classical Physics(3-0-3) HowardA survey <strong>of</strong> the history <strong>of</strong> natural philosophy <strong>and</strong>physics from antiquity to the end <strong>of</strong> the 19th century,but with an emphasis on the philosophical issuesthat arise in this history, meaning questions<strong>of</strong> metaphysics, epistemology <strong>and</strong> scientificmethodology.238. Education <strong>of</strong> the Spirit(3-0-3) NeimanWhat is spirituality? Is there such a thing as spiritualintelligence, or what the ancients called wisdom?If so, can it be taught? Finally, if education <strong>of</strong>the spirit is possible, is it compatible with educationfor democratic virtue (with its separation <strong>of</strong>church <strong>and</strong> state)? In this course we examine someanswers to these questions as suggested by theChristian Monastic tradition, the pragmatism <strong>of</strong>William James, “12-step groups” <strong>and</strong> several versions<strong>of</strong> feminism.239. Minds, Brains <strong>and</strong> Persons(3-0-3) Jenkins, StubenbergThis course will treat some central issues in the philosophy<strong>of</strong> mind, such as freedom <strong>of</strong> the will, personalidentity <strong>and</strong> the relationship between mind<strong>and</strong> body.MORALS AND POLITICS241. Ethics(3-0-3) DePaul, Holloway, WarfieldAn examination <strong>of</strong> the relationship betweenthought <strong>and</strong> action in light <strong>of</strong> contemporary <strong>and</strong>traditional accounts <strong>of</strong> the nature <strong>of</strong> ethics.242. Basic Concepts in Political Philosophy(3-0-3) Bays, WeithmanAn introduction to important thinkers <strong>and</strong> problems<strong>of</strong> political philosophy. Basic concepts to beconsidered are equality, liberty <strong>and</strong> authority.243. Moral Problems(3-0-3) Sterba, WarfieldAn introduction to the field <strong>of</strong> moral philosophy,with major emphasis on contemporary moralissues.244. Philosophy <strong>of</strong> Law(3-0-3) RobinsonAn examination <strong>of</strong> the relationship between fairprocedures <strong>and</strong> just outcomes in the judicial process,a study <strong>of</strong> the conditions under whichpunishment is morally defensible, an investigation<strong>of</strong> the extent to which the state may regulate theprivate affairs <strong>of</strong> its citizens, <strong>and</strong> a consideration <strong>of</strong>the role that moral theory has to play in the process<strong>of</strong> constitutional interpretation.


169PHILOSOPHY245. Medical Ethics(3-0-3) SolomonAn exploration from the point <strong>of</strong> view <strong>of</strong> ethicaltheory <strong>of</strong> a number <strong>of</strong> ethical problems in contemporarybiomedicine. Topics discussed will includeeuthanasia, abortion, the allocation <strong>of</strong> scarce medicalresources, truth-telling in the doctor-patient relationship,the right to medical care <strong>and</strong> informedconsent <strong>and</strong> human experimentation.246. Ethics <strong>and</strong> Business(3-0-3) HollowayThis course aims at helping the student recognizethe moral aspects <strong>of</strong> business decisions on the personallevel <strong>and</strong> <strong>of</strong> business institutions on the sociallevel.247. Environmental Ethics(3-0-3) DePaul, SterbaThe course will be an attempt to come to gripscritically with the moral significance <strong>of</strong> contemporaryconcern for ecology <strong>and</strong> the environment.248. Modern Science <strong>and</strong> Human Values(3-0-3) QuinnApplications <strong>of</strong> ethical theory to moral problemscreated by science, such as distributing scarce medicalresources, experimenting with animals, teachingcreationism <strong>and</strong> dealing with computer invasions <strong>of</strong>privacy.251. Modern Physics <strong>and</strong> Moral Responsibility(3-0-3) HowardAn examination <strong>of</strong> such questions as: What are themoral responsibilities <strong>of</strong> the scientist? Should thescientist be held accountable for what might bedone with the results <strong>of</strong> his or her scientific research?Does the scientist have any special role toplay, as a citizen, in public debate about sciencepolicy? Should the scientist sometimes simplyrefuse to engage in some kinds <strong>of</strong> research because<strong>of</strong> moral concerns about the consequences <strong>of</strong> thatresearch?254. Morality <strong>and</strong> Modernity(3-0-3) SolomonAn examination <strong>of</strong> the complex relation <strong>of</strong> morality<strong>and</strong> modernity, both to moral critiques <strong>of</strong> modernity<strong>and</strong> to the claim that morality is a particularlymodern phenomenon.255. Contemporary Social <strong>and</strong> PoliticalPhilosophy(3-0-3) SterbaA critical evaluation <strong>of</strong> the major political ideals <strong>of</strong>our time, namely, libertarian justice, welfare liberaljustice, socialist justice, feminist justice, communitarianjustice, <strong>and</strong> postmodern justice. Further considerationwill be given to how these political idealsapply to a range <strong>of</strong> practical problems.256. Science, Technology, <strong>and</strong> Society(3-0-3) Shrader-Frechette, McKimThis course focuses on the many ways in which science<strong>and</strong> technology interact with society <strong>and</strong> exploresthe character <strong>of</strong> the value-ladencontroversies which such interaction frequentlyproduces.260. Virtues <strong>and</strong> Vices(3-0-3) MacIntyreAn examination <strong>of</strong> what qualities <strong>of</strong> mind <strong>and</strong>character differentiate the good from the bad. Sixdifferent <strong>and</strong> rival answers to this question are considered:those <strong>of</strong> Confucius, Socrates, Aquinas,Machiavelli, Hume, <strong>and</strong> Nietzsche.270A. Chinese Mosaic: Philosophy, Politics,Religion(3-0-3) JensenThis is a special topics class that provides anintroduction to the diverse lifeways constituting thepuzzle <strong>of</strong> the Chinese people. The course will chartthis terrain <strong>of</strong> current Chinese imagination as it hasbeen shaped from the contending, <strong>and</strong> <strong>of</strong>tencontentious, influences <strong>of</strong> religion, philosophy, <strong>and</strong>politics, introducing students to the heralded works<strong>of</strong> the Chinese intellectual tradition while requiringcritical engagement with the philosophic <strong>and</strong>religious traditions animating this culture. Thus, asthey learn about China, students also will reflect onhow Chinese <strong>and</strong> Westerners have interpreted it.PHILOSOPHY OF RELIGION261. Philosophy <strong>of</strong> Religion(3-0-3) Bobik, Van InwagenA discussion <strong>of</strong> some basic issues: the nature <strong>of</strong> thephilosophy <strong>of</strong> religion, the notion <strong>of</strong> God, groundsfor belief <strong>and</strong> disbelief in God, faith, revelation, religiouslanguage <strong>and</strong> knowledge, verification,immortality.263. Science <strong>and</strong> Religion(3-0-3) ReaAn examination <strong>of</strong> the interrelation <strong>and</strong> tensionbetween contemporary science <strong>and</strong> traditionalreligious belief.264. Faith <strong>and</strong> Reason(3-0-3) Freddoso, JenkinsThis course will deal with the relation betweenfaith <strong>and</strong> reason. Some questions to be discussedare: Can the doctrines <strong>of</strong> the faith conflict with thedeliverances <strong>of</strong> reason found in philosophy <strong>and</strong> science?Is it possible to defend the doctrines <strong>of</strong> thefaith against the objections <strong>of</strong> nonbelievers in anon-question-begging way? How might one goabout constructing an apologetics for the Christianfaith? Authors to be read include St. ThomasAquinas, G.K. Chesterton <strong>and</strong> C.S. Lewis.269. Thought <strong>of</strong> Aquinas(3-0-3) McInerny, NeimanA general introduction to Aquinas’ overallphilosophical view.SPECIALIZED ELECTIVES301. Ancient <strong>and</strong> Medieval Philosophy(3-0-3) Burrell, Freddoso, Jenkins, O’ConnorThis course will concentrate on major figures <strong>and</strong>persistent themes. A balance will be sought betweenscope <strong>and</strong> depth, the latter ensured by a close reading<strong>of</strong> selected texts.302. Modern Philosophy(3-0-3) Ameriks, David, Delaney, Kremer,SolomonAn examination <strong>of</strong> the perennial tension betweenreason <strong>and</strong> experience as exemplified in classicalmodern rationalism <strong>and</strong> empiricism; its subsequentsynthesis in Kant.303. 19th- <strong>and</strong> 20th-Century Philosophy(3-0-3) Ameriks, WatsonA survey <strong>of</strong> developments in philosophy sinceKant. Readings in both the Continental <strong>and</strong> Anglo-American traditions.304. History <strong>of</strong> Ethics(3-0-3) SolomonA survey <strong>of</strong> Western philosophical ethics fromSocrates to Nietzsche. Major figures <strong>and</strong> schools tobe discussed include Socrates, Plato, Aristotle, theStoics, the Epicureans, Augustine, Aquinas,Hobbes, Butler, Hume, Kant, Mill, Marx <strong>and</strong>Nietzsche.313. Formal Logic(3-0-3) Blanchette, Detlefsen, ShinAn introduction to the fundamentals <strong>and</strong> techniques<strong>of</strong> logic for majors. This course does notsatisfy the <strong>University</strong> requirement.326. God, Philosophy, <strong>and</strong> Universities(3-0-3) MacIntyreEnquiry <strong>and</strong> teaching in Catholic universities haveaimed at underst<strong>and</strong>ing how the universe—physical,animal, <strong>and</strong> human—is ordered to God. Onetask <strong>of</strong> philosophy in the Catholic tradition hasbeen to show how the various secular disciplinesboth contribute to such underst<strong>and</strong>ing <strong>and</strong> remainincomplete without theology. This course examinesthe question <strong>of</strong> how this task is to be carried out.335. Journalism <strong>and</strong> Ethics(3-0-3) O’ConnorAn examination <strong>of</strong> such questions as: Does journalismhave special responsibilities because <strong>of</strong> its importanceto democracy? Have internet technologiesthat produce “instant journalism” changed ourethical st<strong>and</strong>ards? What ethical issues arise whenthe line between journalism <strong>and</strong> entertainment becomesblurred?


170PHILOSOPHY352. Ethics, Ecology, Economics, <strong>and</strong> Energy(3-0-3) SayreA critical examination <strong>of</strong> the following hypotheses:(1) that continuing economic growth requires everincreasingconsumption <strong>of</strong> energy, (2) that increasingenergy consumption results in increasingdegradation <strong>of</strong> the biosphere, <strong>and</strong> (3) that increasingdegradation <strong>of</strong> the biosphere poses an increasingthreat to human existence.354. Gender <strong>and</strong> Science(3-0-3) KouranyAn exploration <strong>of</strong> the ways in which science isgendered, starting with the ways in which womenhave been excluded from science, <strong>and</strong> movingthrough such issues as the invisibility <strong>and</strong> shabbytreatment <strong>of</strong> women with the products <strong>of</strong> scientificresearch, the contributions <strong>of</strong> women to science<strong>and</strong> whether these are different in kind from thecontributions <strong>of</strong> men, <strong>and</strong> the differential effects <strong>of</strong>science on men’s <strong>and</strong> women’s lives.357. Introduction to the Philosophy <strong>of</strong> Biology(3-0-3) MossAn examination <strong>of</strong> key concepts <strong>and</strong> controversiesin contemporary biology. The meaning <strong>of</strong> gene, organism,<strong>and</strong> environment <strong>and</strong> their interrelationshipsin the context <strong>of</strong> development, evolutionarytheory, <strong>and</strong> ecology are closely considered.389. Philosophical Issues in Physics(3-0-3) HowardThis course is intended for non-science studentswho desire to begin an examination <strong>of</strong> the origins<strong>of</strong> the modern laws <strong>of</strong> physics <strong>and</strong> for science studentswho wish to know the actual route to the discovery<strong>and</strong> broader implications <strong>of</strong> the formaltheories with which they are already familiar.401. Socrates <strong>and</strong> Athens(3-0-3) O’Connor, VaccaA study <strong>of</strong> the moral upheaval in Athens during thePeloponnesian War, using Thucydides,Aristophanes, Euripides, <strong>and</strong> Sophocles as primarysources. Then, an examination <strong>of</strong> Socrates as respondingto that crisis, using Alcibiades I, Gorgias,<strong>and</strong> other dialogues.402. The Moral Doctrine <strong>of</strong> Thomas Aquinas(3-0-3) McInernyA lecture course in which the main features <strong>of</strong> themoral teaching <strong>of</strong> Thomas Aquinas will be systematicallydiscussed. The Summa theologiae, primasecunde <strong>and</strong> Thomas’s Commentary on theNichomachean Ethics will be the principal sources.403. Plato(3-0-3) SayreA detailed <strong>and</strong> systematic reading, in translation, <strong>of</strong>the fragments <strong>of</strong> the pre-Socratics <strong>and</strong> <strong>of</strong> the followingPlatonic dialogues: Euthyphro, Apology,Crito, Meno, Protagoras, Phaedo, Republic, Phaedrus,Symposium <strong>and</strong> Theaetetus.404. Aristotle(3-0-3) LouxAn examination <strong>and</strong> evaluation <strong>of</strong> Aristotle’s philosophy,with special emphasis on the logical,physical <strong>and</strong> metaphysical writings.406. The Ethics <strong>of</strong> Thomas Aquinas(3-0-3) FreddosoA seminar on the philosophical thought <strong>of</strong>Aquinas, focusing upon the first part <strong>of</strong> the secondpart <strong>of</strong> the Summa Theologiae, viz., the treatises onhappiness, action, passion, habit, virtue, sin, law<strong>and</strong> grace.407. Descartes <strong>and</strong> Locke(3-0-3) DavidAn attempt to underst<strong>and</strong> <strong>and</strong> an evaluation <strong>of</strong> theopposing views <strong>of</strong> Descartes, the figurehead <strong>of</strong>modern rationalism, <strong>and</strong> Locke, the figurehead <strong>of</strong>modern empiricists.408. Kant(3-0-3) AmeriksAn examination <strong>of</strong> the background <strong>of</strong> Kant’s work,followed by a tracing <strong>of</strong> some <strong>of</strong> the principalthemes <strong>of</strong> the Critiques, especially themajor themes <strong>of</strong> The Critique <strong>of</strong> Pure Reason.409. Philosophy <strong>and</strong> Literature Seminar(4-0-4) O’Connor, Ziarek, WatsonThis intensive four-credit seminar is the introductionto the concentration in philosophy <strong>and</strong> literature<strong>and</strong> will pursue interdisciplinary approaches toliterary, theoretical <strong>and</strong> philosophical texts.411. Agustine <strong>and</strong> William James(3-0-3) NeimanA course devoted, for the most part, to a carefulreading <strong>of</strong> significant parts <strong>of</strong> Augustine’s Confessions<strong>and</strong> James’ The Variety <strong>of</strong> Religious Experience.The goal is to come to an underst<strong>and</strong>ing <strong>of</strong> whatthese two great philosophers <strong>and</strong> psychologists canteach us about the spiritual quest.418. Kierkegaard <strong>and</strong> William James(3-0-3) NeimanAn examination <strong>of</strong> the views <strong>of</strong> Kierkegaard <strong>and</strong>James on the traditional philosophical ideas <strong>of</strong>meaning <strong>and</strong> truth, knowledge <strong>and</strong> explanation.419. Maritain: Science, Metaphysics,Mysticism(3-0-3) NeimanAn attempt to better underst<strong>and</strong> one particulartype <strong>of</strong> knowledge—i.e, the grace-infused type <strong>of</strong>contemplation best exemplified by mystics such asSt. John <strong>of</strong> the Cross.420. Locke’s Moral Philosophy(3-0-3) Shrader-FrechetteA careful, evaluative reading <strong>of</strong> Locke’s Letter ConcerningToleration, his Second Treatise on Civil Government,<strong>and</strong> his Questions Concerning the Law <strong>of</strong>Nature as well as a more cursory look at his SomeThoughts Concerning Education.421. Three Catholic Philosophers(3-0-3) MacIntyreA study <strong>of</strong> the enquiries <strong>of</strong> three 20th-centuryCatholic philosophers at work within three verydifferent philosophical traditions, designed to identifythe relationship between a commitment tophilosophical enquiry <strong>and</strong> Catholic faith. To beconsidered are Jacques Maritain’s pursuit <strong>of</strong> questionsopened up by Aristotle <strong>and</strong> Aquinas, EdithStein’s progress beyond Husserl in her phenomenologicalenquiries, <strong>and</strong> G.E.M. Anscombe’s responseto Wittgenstein.422. Epistemology(3-0-3) David, StubenbergThe aim <strong>of</strong> this class is to provide an underst<strong>and</strong>ing<strong>of</strong> the fundamental issues <strong>and</strong> positions in the contemporarytheory <strong>of</strong> knowledge.423. Ethical Theory(3-0-3) Solomon, SterbaA systematic study <strong>of</strong> philosophical foundations <strong>of</strong>morality, drawing from major historical developments.Basic concepts <strong>of</strong> classical ethics will be developed—humannature, happiness or fulfillment,freedom, virtue—<strong>and</strong> their place in relation tomoral judgment will be examined. Special attentionto subjectivism vs. objectivism on the question <strong>of</strong>ethical norms <strong>and</strong> principles.424. Metaphysics(3-0-3) Flint, Freddoso, Loux, Van InwagenAn examination <strong>of</strong> the nature <strong>of</strong> metaphysics <strong>and</strong><strong>of</strong> those metaphysical issues that have proved centralin Western philosophical tradition. Topics discussedwill include mind-body problem, freedom<strong>of</strong> will, universals, substance, time, categories <strong>and</strong>God.425. Topics in Philosophy <strong>of</strong> Religion(3-0-3) WarfieldAn examination <strong>of</strong> central topics in contemporaryphilsophy <strong>of</strong> religion <strong>and</strong> Christian philosophicaltheology.427. Advanced Moral Problems(3-0-3) SterbaAn in-depth discussion <strong>of</strong> three very importantmoral problems <strong>of</strong> our time: Affirmative Action,Animal Rights, <strong>and</strong> Sexual Harassment.429. Philosophy <strong>of</strong> Mind(3-0-3) Ramsey, StubenbergDualist <strong>and</strong> reductionist emphases in recent analyses<strong>of</strong> mind. Topics covered will include identity <strong>of</strong>mind <strong>and</strong> body, intentionality, actions <strong>and</strong> theirexplanation <strong>and</strong> problems about other minds.431. Contemporary Philosophy <strong>of</strong> Religion(3-0-3) QuinnA critical examination <strong>of</strong> the philosophical import<strong>of</strong> some contemporary theories <strong>of</strong> religion. Thecourse will be organized around the attempt to discovera meaningful place for religious forms <strong>of</strong> lifein a secular culture.


171PHILOSOPHY433. Justice Seminar(3-0-3) O’Connor, Solomon, WeithmanA critical examination <strong>of</strong> major theories <strong>of</strong> justice,both deontological (e.g., contract theories) <strong>and</strong> teleological(e.g., utilitarian <strong>and</strong> virtue-based theories).The seminar focuses on the careful reading <strong>of</strong>one or more major theoretical works <strong>and</strong> requiressubstantial participation <strong>of</strong> the students both in theform <strong>of</strong> seminar papers <strong>and</strong> in oral discussion. Thisis the core course for the minor in philosophy, politics,<strong>and</strong> economics (PPE).435. Philosophy <strong>of</strong> Science(3-0-3) Howard, KouranyA detailed consideration <strong>of</strong> the central methodological<strong>and</strong> epistemological questions bearing onscience.436. Religion <strong>and</strong> Science(3-0-3) GuttingAn examination <strong>of</strong> the nature <strong>and</strong> limits <strong>of</strong> bothscientific <strong>and</strong> religious knowledge, <strong>and</strong> a discussion<strong>of</strong> several cases in which science <strong>and</strong> religion seemto either challenge or support one another.439. Faith <strong>and</strong> Reason(3-0-3) FreddosoAn examination <strong>of</strong> some key theoretical issues concerningfaith <strong>and</strong> reason. Among these issues arethe nature <strong>of</strong> faith, the nature <strong>of</strong> intellectual inquiry,the role <strong>of</strong> affections in intellectual inquiry,the main competing accounts <strong>of</strong> intellectual inquiry<strong>and</strong> <strong>of</strong> the philosophical life. Authors to beread include Aquinas, Descartes, Hume, Mill,Nietzsche, Chesterton <strong>and</strong> Pope John Paul II.440. Four Moral Philosophers(3-0-3) SolomonA careful reading <strong>of</strong> basic texts from Aristotle,Hume, Kant, <strong>and</strong> Nietzsche, <strong>and</strong> an examination<strong>of</strong> the ways in which their views are appropriatedfor purposes associated with the contemporaryproblematic in normative ethics.442. The Origins <strong>of</strong> Analytic Philosophy(3-0-3) BlanchetteAn examination <strong>of</strong> fundamental writings at the beginning<strong>of</strong> the 20th century that ushered in the linguistic<strong>and</strong> logical tradition <strong>of</strong> analytic philosophy.443. Analytic Philosophy(3-0-3) McKimAn in-depth survey focusing on the techniques <strong>and</strong>presuppositions <strong>of</strong> linguistic analysis (<strong>of</strong> both ideal<strong>and</strong> ordinary language varieties) as they have beendeveloped by English <strong>and</strong> American philosophersin this century.444. Postmodern Analytic Philosophy(3-0-3) GuttingA study <strong>of</strong> several philosophers who combine ananalytic commitment to clarity <strong>and</strong> argument withan interest in the history <strong>and</strong> critique <strong>of</strong> modernthought. Philosophers to be considered are RichardRorty, Charles Taylor, Bernard Williams, <strong>and</strong>Martha Nussbaum.Paul J. Weithman, pr<strong>of</strong>essor <strong>and</strong> chair <strong>of</strong> philosophy448. Philosophy <strong>of</strong> Language(3-0-3) Blanchette, David, ShinThe aim <strong>of</strong> this course is to provide an overview <strong>of</strong>the field. Major topics include the relation betweentruth <strong>and</strong> meaning; truth-conditional semantics;the meaning <strong>of</strong> sentences, proper names, definitedescriptions, general terms <strong>and</strong> indexicals; the relationsbetween expressing a belief, making a statement<strong>and</strong> uttering a sentence.449. Phenomenology(3-0-3) WatsonAn introduction to the arguments <strong>and</strong> themes <strong>of</strong>phenomenology, a school <strong>of</strong> philosophy based onthe description <strong>of</strong> lived experience that had broadimpact on 20th-century philosophy.452. Contemporary German Philosophy:Habermas(3-0-3) MossThe course will attempt to cover the “formative”phase <strong>of</strong> Habermas’ career extending from his point<strong>of</strong> departure from Marx, <strong>and</strong> his analysis <strong>of</strong> thepublic sphere, through his critique <strong>of</strong> the humansciences <strong>and</strong> up to the beginning <strong>of</strong> his theory <strong>of</strong>communicative action.454. Hellenistic Ethics <strong>and</strong> the Subject(3-0-3) Reydam-SchilsAn examination <strong>of</strong> the very distinctive manner inwhich Hellenistic philosophy (Cynics, Epicureans,Stoics, New Academy) defines the subject, <strong>of</strong>knowledge, <strong>of</strong> action, <strong>and</strong> <strong>of</strong> interaction with othersin the environment.455. Anselm(3-0-3) FlintAn examination <strong>of</strong> the major philosophical <strong>and</strong>theological writings <strong>of</strong> St. Anselm. His Monologion,Proslogion, <strong>and</strong> Cur Deus Homo will be <strong>of</strong> centralconcern, but several lesser-known texts will also beread. Topics discussed in these writings include argumentsfor the existence <strong>of</strong> God, the divine nature,the Trinity, the Incarnation, freedom (<strong>and</strong> itscompatibility with divine foreknowledge), <strong>and</strong>truth.456. Divine Attributes(3-0-3) FlintA consideration <strong>of</strong> the attributes Christians havetraditionally ascribed to God, such as omnipotence,omniscience, omnibenevolence, eternality <strong>and</strong> simplicity.The course will examine both the reasonsfor attributing such properties to God <strong>and</strong> the waysin which philosophers have tried to explicate theseconcepts.457. Wittgenstein(3-0-3) SayreA careful reading <strong>and</strong> detailed discussion <strong>of</strong> several<strong>of</strong> Wittgenstein’s works, including TractatusLogico-Philosophicus, Philosophical Investigations,Culture <strong>and</strong> Value, On Certainty, <strong>and</strong> Remarks onthe Foundations <strong>of</strong> Mathematics.458. Classical Philosophy <strong>of</strong> Religion(3-0-3) QuinnA critical examination <strong>of</strong> some classical philosophicaltheories <strong>of</strong> religion. The central focus <strong>of</strong> thecourse will be issues concerning justification <strong>and</strong>explanation in religion.


172PHILOSOPHY459. Philosophical Poets: Dante <strong>and</strong> Claudel(3-0-3) McInernyA discussion <strong>of</strong> the difference between poetic <strong>and</strong>philosophical modes <strong>of</strong> discourse, with special referenceto Dante <strong>and</strong> Paul Claudel.460. Joint Seminar in Philosophy <strong>and</strong> Theology(3-0-3) StaffPrerequisite: Six hours in theology; permission isrequired.This seminar, led by a theologian <strong>and</strong> a philosopher,will examine an issue in which the differingapproaches <strong>of</strong> philosophy <strong>and</strong> theology may provefruitful. Both the topic <strong>and</strong> the instructors willchange from year to year.469. Philosophy <strong>of</strong> Law(3-0-3) WarfieldA survey <strong>of</strong> theoretical topics in philosophy <strong>of</strong> law<strong>and</strong> the relation between philosophy <strong>of</strong> law <strong>and</strong>other areas <strong>of</strong> philosophical inquiry, <strong>and</strong> an examination<strong>of</strong> topics in “applied” philosophy <strong>of</strong> law.471. Episodes in Ethics(3-0-3) MacIntyreA study <strong>of</strong> three debates in the history <strong>of</strong> ethics,that in which Aristotle responds to earlier Greekthought <strong>and</strong> practice, that in which Aquinas confrontsproblems <strong>of</strong> law in the 13th century, <strong>and</strong>that in which Hume, Diderot, Kant <strong>and</strong> Mill definemoral modernity.472. Kierkegaard <strong>and</strong> Newman(3-0-3) McInernyAn examination <strong>of</strong> the thought <strong>of</strong> two 19th-centuryfigures <strong>of</strong> fundamental importance: SorenKierkegaard (1813-1855) <strong>and</strong> John HenryNewman (1801-1890).474. Philosophy <strong>and</strong> Psychiatryin the 20th Century(3-0-3) ManierA course dealing with (1) the intellectual history <strong>of</strong>psychiatry from the time <strong>of</strong> Freud <strong>and</strong> Kraepelin tothe present, (2) the social history <strong>of</strong> the care <strong>of</strong> thementally ill since World War II, <strong>and</strong> (3) the interpretation<strong>and</strong> critique <strong>of</strong> Freud <strong>and</strong> psychiatry.475. Topics in Philosophical Logic:Modal Metatheory(3-0-3) BaysA consideration <strong>of</strong> topics in the metatheory <strong>of</strong>modal logic, including basic correspondencetheory, <strong>and</strong> completeness <strong>and</strong> the finite modalproperty.478. Do Faith <strong>and</strong> Reason Clash?— Religion<strong>and</strong> Science(3-0-3) PlantingaA course focusing on such questions as: Does currentscience, or perhaps the method <strong>of</strong> science implyor suggest that Christian <strong>and</strong> theistic ways <strong>of</strong>thinking <strong>of</strong> ourselves are out <strong>of</strong> date or superseded?Are religion <strong>and</strong> science two different ways <strong>of</strong> comingto know important truths about ourselves? Canthey conflict? If they do, what is the right response—give up the science? Give up the religious ways <strong>of</strong>thinking? Try not to think about them at the sametime? Or what?479. Environmental Risk Assessment(3-0-3) Shrader-FrechetteAn investigation <strong>of</strong> the probabilistic <strong>and</strong> decisiontheoreticmethods <strong>of</strong> evaluating environmental hazards.Emphasis is on the epistemological <strong>and</strong>ethical assumptions in the methods <strong>and</strong> the consequencesfollowing from their acceptance or use.480. Ethics <strong>and</strong> Risk(3-0-3) Shrader-FrechetteAn investigation <strong>of</strong> classical ethical papers, all incontemporary, analytic, normative ethics, that attemptto develop the ethical theory necessary todeal with legitimate imposition <strong>of</strong> risk <strong>of</strong> harm.482. Philosophy <strong>of</strong> Math(3-0-3) Blanchette, BaysAn examination <strong>of</strong> such questions as: How do wecome to know truths <strong>of</strong> mathematics, since we cannot see or touch its (apparent) subject matter? Arethere really such purely mathematical things asnumbers <strong>and</strong> functions, or are these just useful fictions?How are abstract mathematical truths able toplay such an important role in empirical applications?No particular mathematical background ispresupposed.483. Ethics <strong>of</strong> Scientific Research(3-0-3) Shrader-FrechetteAn analysis <strong>of</strong> the ethical theories provided by contemporaryphilosophers to guide scientific research<strong>and</strong> an investigation <strong>of</strong> the different norms providedby alternative ethical theories. The coursewill cover pr<strong>of</strong>essional codes <strong>of</strong> ethics adopted byscientific societies, as well as case studies <strong>of</strong> ethicalproblems in community ecology, conservation biology,toxicology, <strong>and</strong> engineering design.485. Philosophy <strong>of</strong> Human Biology(3-0-3) MossAn examination <strong>of</strong> the evolution <strong>of</strong> such things asadvanced motor control capable <strong>of</strong> dancing <strong>and</strong>mimetic communication, human emotion <strong>and</strong>sexuality, <strong>and</strong> human developmental plasticity. Thesignificance <strong>of</strong> human biological specificity forquestions in the philosophies <strong>of</strong> language, mind,ethics, <strong>and</strong> aesthetics will be considered.486. Philosophy <strong>of</strong> Social Science(3-0-3) McKimAn exploration <strong>of</strong> central philosophical issues thatarise from reflection on the nature <strong>and</strong> practice <strong>of</strong>social science, viz., causal/explanatory vs. interpretiveconceptions <strong>of</strong> social inquiry, individual rationality<strong>and</strong> cultural relativism, the role <strong>of</strong> values/ideology in social theorizing, <strong>and</strong> questions aboutthe metaphysical status <strong>of</strong> social reality (holism vs.individualism).487. Biomedical Ethics <strong>and</strong> Public Health Risk(3-0-3) Shrader-FrechetteAn analysis <strong>of</strong> the ethical theories provided by contemporaryphilosophers to guide research <strong>and</strong> practicein biomedicine. The course will focus onanalysis <strong>of</strong> contemporary public health problemscreated by environmental/technological pollution<strong>and</strong> will address classic cases <strong>of</strong> biomedical ethicsproblems.490. Topics in Philosophical Anthropology:Emotions(3-0-3) MossAn examination <strong>of</strong> recent empirical work in areasincluding neurobiology, evolutionary biology, <strong>and</strong>developmental psychology which attempt to characterize<strong>and</strong> explain the causes <strong>of</strong> emotion. The coursewill survey some <strong>of</strong> this new work <strong>and</strong> attempt tobring it into a larger philosophical perspective.491. Mind <strong>and</strong> Language(3-0-3) ShinAn examination <strong>of</strong> the Innateness Hypothesis as ananswer to the question <strong>of</strong> how human beings acquiretheir first languages.497. Directed Readings(V-0-V) StaffPrerequisites: Dean’s list average, written consent<strong>of</strong> instructor <strong>and</strong> approval <strong>of</strong> department. Advancedseniors are permitted to take a tutorial witha faculty member; readings will be assigned in aparticular area <strong>and</strong> writing assignments required.499. Senior Thesis(3-0-3) StaffAn opportunity for senior philosophy majors towork on a sustained piece <strong>of</strong> research in a one-toonerelationship with a faculty member.


173PHILOSOPHY AND THEOLOGY JOINT MAJOR POLITICAL SCIENCEPhilosophy <strong>and</strong>Theology Joint MajorDirector:Jennifer Herdt, theologyFaculty:Additional faculty for the joint majorare drawn from the departments <strong>of</strong>philosophy <strong>and</strong> theology.Program <strong>of</strong> Studies. The joint major is intendedfor undergraduates who are intrigued by philosophical<strong>and</strong> theological ideas <strong>and</strong> who have anequal commitment to both disciplines. It seeks toequip such students to h<strong>and</strong>le theology <strong>and</strong> philosophyadeptly. The major is structured, providingundergraduates with a suitable introduction to thestudy <strong>of</strong> both disciplines, but also flexible, grantingstudents considerable scope for the pursuit <strong>of</strong> theirown interests.The joint major <strong>of</strong>fers the opportunity for aninformed investigation <strong>of</strong> religious <strong>and</strong> philosophicalideas <strong>and</strong> should appeal especially to those whointend to pursue graduate work in philosophy ortheology.The joint major incorporates the <strong>University</strong> requirementsin the two departments <strong>and</strong> most <strong>of</strong> theformal requirements <strong>of</strong> the first majors in theology<strong>and</strong> philosophy. Students in the joint major willtake the two-semester sequence in Christian Traditions<strong>and</strong> an upper-level course in Scripture. Thejoint major, however, does not require the onecreditproseminar in theology.Other formal requirements are peculiar to thejoint major. Students will study a classical languagefor two semesters. (For practical as well as pedagogicalreasons, this will normally be Greek.) Majorswill also be expected to take the joint seminar<strong>of</strong>fered each spring. Each seminar, led by a theologian<strong>and</strong> a philosopher, will examine an issue inwhich the differing approaches <strong>of</strong> philosophy <strong>and</strong>theology may prove fruitful. The topic <strong>and</strong> instructorswill change from year to year. Finally, eachmajor will submit a senior thesis prepared underthe direction <strong>of</strong> two advisors, drawn from each department.At the option <strong>of</strong> the directors, this thesismay be presented <strong>and</strong> discussed in an informal colloquiumconsisting <strong>of</strong> the other students in thejoint major.The remaining courses in the joint major willbe at the discretion <strong>of</strong> the student. Normally takenat the 400 level, there should be an equal distributionin the electives between theology <strong>and</strong> philosophy.However, students who wish may devote upto six hours within the joint major to additionallanguage work. These hours may add to the classicallanguage previously studied, or used to beginanother language <strong>of</strong> significance for philosophical<strong>and</strong> theological work.The joint major differs from a first major inone discipline <strong>and</strong> a supplementary major in theother in that the latter requires 55 credit hours,whereas the joint major requires 60. Furthermore,the joint major calls for language instruction beyondwhat the <strong>University</strong> requires for all undergraduates.Finally, the joint seminars should proveespecially challenging, inviting students to exploreimportant topics in an interdisciplinary way. Thesefeatures should make the joint major particularlyattractive to students preparing for advanced study.Requirements in Philosophy:PHIL 101 or 201, <strong>and</strong> 2XX-level course (<strong>University</strong>-requiredcourses; a higher-level course may besubstituted for the latter).PHIL 301 <strong>and</strong> 302. History <strong>of</strong> PhilosophyI <strong>and</strong> II.PHIL 313. Formal Logic.Requirements in Theology:THEO 100 or 200 <strong>and</strong> 2XX-level course(<strong>University</strong>-required courses).THEO 395 <strong>and</strong> 396. Christian TraditionsI <strong>and</strong> II.THEO 401 or 411. Upper division scripturecourse.Plus:Classical language (normally Greek) —two semesters.Joint seminar(s).Senior thesis.Electives (including up to an additional six credithours in language study).Political ScienceChair:Rodney E. HeroDirector <strong>of</strong> Graduate Studies:Andrew GouldDirector <strong>of</strong> Undergraduate Studies:John RoosPackey J. Dee Pr<strong>of</strong>essor <strong>of</strong> Political Science:Fred R. DallmayrHelen Kellogg Pr<strong>of</strong>essor <strong>of</strong> International Studies:Guillermo O’Donnell (on leave 2002-03)Joseph <strong>and</strong> Elizabeth Robbie Pr<strong>of</strong>essor<strong>of</strong> Political Science:Donald P. KommersHelen Conley Pr<strong>of</strong>essor <strong>of</strong> Political Science:Scott P. Mainwaring (on leave 2002-03)William M. Scholl Pr<strong>of</strong>essor <strong>of</strong> International Affairs:A. James McAdamsNancy Reeves Dreux Pr<strong>of</strong>essor <strong>of</strong> Political Science:Catherine Zuckert (on leave spring 2003)Nancy Reeves Dreux Pr<strong>of</strong>essor <strong>of</strong> Political Science:Michael P. Zuckert (on leave 2002-03)Packey J. Dee Pr<strong>of</strong>essor <strong>of</strong> Political Science:Rodney E. HeroPackey J. Dee Assistant Pr<strong>of</strong>essor <strong>of</strong> Political Science:Christina WolbrechtThomas J. <strong>and</strong> Robert T. Rolfs Assistant Pr<strong>of</strong>essor<strong>of</strong> Political Science:Layna Mosley (on leave 2002-03)Pr<strong>of</strong>essors:Peri E. Arnold; Sotirios A. Barber (on leave2002-03); A. J. Beitzinger (emeritus); GeorgeA. Brinkley (emeritus); Rev. Raymond F. Cour,C.S.C. (emeritus); Alan K. Dowty; Michael J.Francis; Edward A. Goerner (emeritus);Vittorio G. Hösle (concurrent); RobertJohansen; David C. Leege (emeritus); GilburtD. Loescher (emeritus spring 2002); GeorgeLopez (on leave); A. James McAdams; Peter R.Moody; Walter Nicgorski (concurrent); JohnRoos; Rev. Timothy R. Scully, C.S.C.; RaimoVayrynen (on leave 2002-03); A. Peter Walshe;Catherine Zuckert (on leave spring 2003);Michael Zuckert (on leave 2002-03)Associate Pr<strong>of</strong>essors:Michael Coppedge; Andrew C. Gould; FrancesHagopian; Anthony M. Messina (on leave fall2002); Christina WolbrechtAssistant Pr<strong>of</strong>essors:Louis J. Ayala; Eileen M. Botting; David E.Campbell; Kathleen A. Collins; Barbara M.Connolly; John D. Griffin; Gretchen Helmke(on leave 2002-03); Theodore B. Ivanus(emeritus); Mary M. Keys; Keir A. Lieber;Daniel A. Lindley III (on leave 2002-03);Martha Merritt; Layna Mosley (on leave 2002-03); Mitchell S. S<strong>and</strong>ers; Alvin B. Tillery Jr.;Christopher Welna (concurrent)Associate Pr<strong>of</strong>essional Specialist:Joshua B. Kaplan


174POLITICAL SCIENCEProgram <strong>of</strong> Studies. The Department <strong>of</strong> PoliticalScience <strong>of</strong>fers its majors a liberal education inan important field <strong>of</strong> the social sciences. The majoraims at educating the student in basic problems inunderst<strong>and</strong>ing politics. The department <strong>of</strong>ferscourses in four main subfields: American politics,comparative politics, international relations <strong>and</strong>political theory. Students majoring in political sciencego on to work in a wide variety <strong>of</strong> vocations,including government, law, nongovernmentalorganizations, teaching, politics, journalism <strong>and</strong>business.Requirements. The major requires a minimum<strong>of</strong> 10 courses: an introductory 100- or 200-levelcourse in each <strong>of</strong> the four subfields, four 300- or400-level (below 491) courses <strong>and</strong> two seniorwriting seminars. When choosing their upper-levelcourses, students are free to specialize in a subfieldor take courses in several different fields.All majors are required to take a senior writingseminar or 500-level course in each semester <strong>of</strong>their senior year. These seminars are numbered 491in the fall <strong>and</strong> 492 in the spring. Pi Sigma Alphamembers may take these courses in the second semester<strong>of</strong> their junior year, with permission. Theseseminars give seniors the opportunity to take small,discussion-oriented courses, as well as do morewriting in their field. The senior thesis can take theplace <strong>of</strong> one <strong>of</strong> these seminars.Students on the dean’s list may also take individualdirected readings.Honors Track. Students in the department mayreceive departmental honors. To graduate with departmentalhonors a student must have a 3.55 cumulativeaverage <strong>and</strong> a 3.55 average in the major,must complete a senior honors essay or area studiesessay with a grade <strong>of</strong> at least B-plus, <strong>and</strong> must replaceone <strong>of</strong> their 300-level courses with an advancedcourse. The advanced course may be eitheran additional writing seminar, a 500-level course,or the research design course.Senior Thesis. Students who achieve a gradepoint average <strong>of</strong> 3.5 or above are encouraged towrite a senior thesis in their senior year. This yearlongproject involves working closely with a facultyreader on original research <strong>and</strong> <strong>of</strong>fers the opportunityto explore more deeply <strong>and</strong> independently atopic <strong>of</strong> the student’s choice.Pi Sigma Alpha. Students who have taken aminimum <strong>of</strong> four political science courses, whohave received no grade lower than a B in their governmentcourses <strong>and</strong> who have a cumulative gradepoint average <strong>of</strong> 3.55 or above are eligible for PiSigma Alpha, the national political science honorsociety.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are inparentheses. The instructor’s name is also included.COURSES IN THE FIRST YEAROF STUDIES140. Introduction to American Politics(3-0-3) StaffThis course surveys the basic institutions <strong>and</strong> practices<strong>of</strong> American politics. The course aims to makestudents better informed <strong>and</strong> more articulate. It examinesthe institutional <strong>and</strong> constitutional framework<strong>of</strong> American politics <strong>and</strong> identifies the keyideas needed to underst<strong>and</strong> the subject <strong>and</strong> developa basis for evaluating politics today. The premise <strong>of</strong>the course is that American government has advantages<strong>and</strong> disadvantages alike, which come from thesame source—the Constitution <strong>and</strong> the Americanapproach to power that it reflects. Themes <strong>of</strong> thecourse include the logic <strong>and</strong> consequences <strong>of</strong>checks <strong>and</strong> balances <strong>and</strong> the separation <strong>of</strong> powers;the causes <strong>and</strong> consequences <strong>of</strong> divided government;the importance <strong>of</strong> procedures <strong>and</strong> the builtinbiases <strong>of</strong> institutions <strong>and</strong> procedures; the waysAmerican government both fragments <strong>and</strong> concentratespower; the implications <strong>of</strong> America’s weakparty system; the nomination, campaign-finance,congressional, <strong>and</strong> budgetary reforms <strong>of</strong> the 1970s;the ways those reforms have shaped American politicstoday; <strong>and</strong> the trends <strong>and</strong> tendencies <strong>of</strong> thepast 30 years. Although the course will prepare prospectivepolitical science majors for further study <strong>of</strong>American politics, its primary aim is to introducestudents <strong>of</strong> all backgrounds <strong>and</strong> interests to the information,concepts, <strong>and</strong> ideas that will enablethem to underst<strong>and</strong> American politics better <strong>and</strong>help them to become more thoughtful <strong>and</strong> responsiblecitizens. This course fulfills a political sciencemajor requirement.141. Introduction to International Relations(3-0-3) StaffThis course provides a basic underst<strong>and</strong>ing <strong>of</strong> themajor concepts, issues, <strong>and</strong> theories in internationalrelations. What explains conflict <strong>and</strong> cooperationin world politics? We will examine competingtheories <strong>of</strong> state behavior, briefly review theevolution <strong>of</strong> international history, <strong>and</strong> discussenduring <strong>and</strong> contemporary issues such asinterstate war; civil, ethnic, <strong>and</strong> religious conflict;proliferation <strong>of</strong> weapons <strong>of</strong> mass destruction;terrorism; international trade <strong>and</strong> finance;globalization; the information revolution; <strong>and</strong>international law, organization, <strong>and</strong> institutions.The ultimate goal <strong>of</strong> the course is to enhance ourcapacity to think critically about the basic forcesthat drive international politics, thereby improvingour ability to evaluate <strong>and</strong> shape our world.Discussion sections use historical <strong>and</strong> currentevents to illustrate concepts introduced in lectures.This course fulfills a political science majorrequirement.142. Introduction to Comparative Politics(3-0-3) StaffThis course is an introduction to the main themes<strong>and</strong> areas <strong>of</strong> the comparative politics subfield. Thecourse covers issues such as regime type, Leninism<strong>and</strong> socialism’s collapse, authoritarianism <strong>and</strong> authoritariancollapse, Islam <strong>and</strong> theocracy, transitionsto democracy, democratic state-building,political parties <strong>and</strong> electoral systems, economic reform,<strong>and</strong> civil <strong>and</strong> ethnic conflict. Geographically,the course introduces students to the institutions<strong>and</strong> politics <strong>of</strong> most regions <strong>of</strong> the world. The emphasisis on East Asia, Africa, the former SovietUnion, South Asia, <strong>and</strong> Latin America. This coursefulfills a political science major requirement.180E. <strong>University</strong> Seminar(3-0-3) StaffA seminar for first-year students devoted to an introductorytopic in political science in which writingskills are stressed. It will fulfill the <strong>College</strong> <strong>of</strong><strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> social science requirements butdoes not count toward the politial science major.REQUIRED COURSESIN THE MAJOR240. Introduction to American Government(3-0-3) StaffThis course provides students with an overview <strong>of</strong>the American political system. Topics include thepresidency, Congress, the Supreme Court, bureaucracy,separation <strong>of</strong> powers, federalism, politicalparties, interest groups, the public policy process,voting, public opinion, <strong>and</strong> participation. Thiscourse cannot be taken if you have already takenGOVT 140.241. International Relations(3-0-3) StaffThis course provides students with anunderst<strong>and</strong>ing <strong>of</strong> historical <strong>and</strong> current events inworld politics. As such, the course has three centralobjectives: to introduce various theoreticalframeworks for analyzing international political<strong>and</strong> economic events, to provide an overview <strong>of</strong>substantive topics in international relations, <strong>and</strong> tosupply a basic underst<strong>and</strong>ing <strong>of</strong> contemporaryinternational events. We explore substantive issuessuch as cooperation <strong>and</strong> conflict in internationalrelations, the causes <strong>of</strong> war, nuclear proliferation,regional free trade agreements, the causes <strong>and</strong>effects <strong>of</strong> economic globalization, <strong>and</strong> the role <strong>of</strong>international law <strong>and</strong> institutions. Discussionsections use historical case studies <strong>and</strong> currentevents to illustrate concepts introduced in lectures.


175POLITICAL SCIENCE242. Comparative Government(3-0-3) StaffThis course poses three questions in the study <strong>of</strong>politics: (1) Why are some countries democratic<strong>and</strong> others authoritarian? (2) In what ways dodemocratic regimes vary from one another? (3)What constitutes “good” government? In answeringthese questions, we study two different types <strong>of</strong>mobilization (nationalist <strong>and</strong> developmental) <strong>and</strong>four countries: the United States, Russia, China,<strong>and</strong> Great Britain.243. Political Theory(3-0-3) StaffThis course serves as the departments’ required introductorycourse in political theory, <strong>and</strong> also as a<strong>University</strong> elective. It introduces students to keyquestions in political theory, such as the nature <strong>of</strong>law, the question <strong>of</strong> conventional versus naturalmoral st<strong>and</strong>ards, the relationship between individual<strong>and</strong> community, <strong>and</strong> the relationship betweenindividualistic- versus community-orientedpolitical theories. Authors studied include Madison,Aristotle, Aquinas, Hobbes, Locke, ScottMomady, Sophocles, Plato, <strong>and</strong> FlanneryO’Connor. Students will write three one-page papersanalyzing specific cases, <strong>and</strong> then two fourpagepapers. There is a comprehensive final. InFriday discussion groups, students will critically applythe materials covered in class to specific cases.ELECTIVE COURSESIN THE MAJORAMERICAN GOVERNMENTAND POLITICS304. Presidential Leadership(3-0-3) ArnoldThis course examines the role <strong>of</strong> the presidency inthe American regime <strong>and</strong> its change over time. Particularattention will be given to expectations aboutpresidential leadership through the course <strong>of</strong>American political history. Beginning with questionsabout the original design <strong>and</strong> role <strong>of</strong> thepresidency, the course turns to consideration <strong>of</strong> therole <strong>of</strong> leadership styles for change <strong>and</strong> continuityin American politics. Finally, cases <strong>of</strong> presidentialleadership are studied to comprehend the way leadership<strong>and</strong> political context interact.305. The American Congress(3-0-3) RoosThis class will expose the student to the practicalworkings <strong>of</strong> the U.S. Congress, some major theoriesattempting to explain those workings, <strong>and</strong>some <strong>of</strong> the methods <strong>and</strong> materials needed to doresearch on Congress. It will place the study <strong>of</strong>Congress in the context <strong>of</strong> democratic theory, <strong>and</strong>in particular the problem <strong>of</strong> the way in which theinstitution across time grapples with the problem<strong>of</strong> the common good.306. Gender <strong>and</strong> the Constitution(3-0-3) M. ZuckertThis course will cover the decisions <strong>of</strong> the SupremeCourt in the area <strong>of</strong> gender issues from the 19thcenturybeginnings <strong>of</strong> a constitutional law <strong>of</strong>gender through such 20th-century issues asabortion, equal rights, <strong>and</strong> affirmative action. Classwill focus not only on court cases but also on thebroader constitutional, ethical <strong>and</strong> philo-sophicalimplications.308. American Voting <strong>and</strong> Elections(3-0-3)This course will examine voting <strong>and</strong> opinions, <strong>and</strong>the linkage between political leaders <strong>and</strong> the masspublic. Possible topics include an introduction toelectoral analysis; the history <strong>of</strong> recent electoralpolitics; the nature <strong>of</strong> political participation, especiallythe rationality <strong>of</strong> voting turnout <strong>and</strong> nonelectoralspecialization; party identification <strong>and</strong>opinions, attitudes <strong>and</strong> ideology; social groups <strong>and</strong>cultural identities; mass media <strong>and</strong> image campaigns;<strong>and</strong> differences between presidential <strong>and</strong>congressional elections.309. Religion <strong>and</strong> Politics(3-0-3)An examination <strong>of</strong> the linkage among religious beliefs,world views, group identifications, politicalattitudes <strong>and</strong> behavior, based on literature in politicalscience, sociology, psychology <strong>and</strong> theology.Topics include the meaning <strong>and</strong> measurement <strong>of</strong>religiosity; religious <strong>and</strong> anti-religious values embeddedin American political institutions; religiousworld views <strong>and</strong> political philosophy; cue giving<strong>and</strong> political mobilization by religious groups, denominationaltraditions, partisanship <strong>and</strong> issue positions;religious movements, social conflict <strong>and</strong>political coalitions.313. Constitutional Law(3-0-3) KommersThis course examines the main principles <strong>of</strong> AmericanConstitutional law, the process <strong>of</strong> constitutionalinterpretation, <strong>and</strong> the role <strong>of</strong> the SupremeCourt in the American political system. Topicscovered are presidential war powers, congressionalexecutiverelations, free speech, church-state relations,the right to life (abortion, right to die, <strong>and</strong>death penalty), race <strong>and</strong> gender discrimination, <strong>and</strong>the American federal system. A good deal <strong>of</strong> attentionis given over to recent personnel changes onthe Supreme Court <strong>and</strong> the extent to which thesechanges are reflected in the court’s opinions. Abackground in American national government isdesirable.314. Race <strong>and</strong> the Constitution(3-0-3) M. ZuckertThis course will cover the decisions <strong>of</strong> the SupremeCourt in the area <strong>of</strong> race relations, from the 19thcenturyproblem <strong>of</strong> fugitive slaves to current problemsinvolving school desegregation, affirmativeaction <strong>and</strong> “private” acts <strong>of</strong> race discrimination.Class will focus not only on court cases but also onthe broader constitutional <strong>and</strong> philosophicalimplications.315G. Comparative Constitutionalism(3-0-3) LanganThis course examines the principles <strong>of</strong> constitutionallaw <strong>and</strong> constitutional interpretation <strong>of</strong> twomodern federal constitutional systems. We will explorehow the people, politicians, <strong>and</strong> jurists <strong>of</strong>each country underst<strong>and</strong> the role <strong>of</strong> constitutionalinterpretation, the role <strong>of</strong> supreme courts in thepolitical lives <strong>of</strong> each nation, <strong>and</strong> the meaning <strong>of</strong>individual rights <strong>and</strong> liberties in each political system.The course will help students underst<strong>and</strong> thedifferent interpretive theories <strong>of</strong> law as well as therole <strong>of</strong> constitutional law in separation <strong>of</strong> powerconflicts <strong>and</strong> the political <strong>and</strong> legal disputes overcivil liberties.318. Introduction to Public Policy(3-0-3) AyalaThe objective <strong>of</strong> this course is to introduce studentsto the process <strong>of</strong> public policy formation in Americanpolitics. The course will be divided into threeparts. The first section will encompass a brief review<strong>of</strong> some <strong>of</strong> the more important mechanisms <strong>of</strong>American politics that affect the legislative process(political participation, interest groups, congressionalelections, etc.). We will then engage in ageneral review <strong>of</strong> how such factors have affected thedirection <strong>and</strong> tone <strong>of</strong> federal public policy over thepast 30 years. The final two sections <strong>of</strong> the coursewill be devoted to detailed analysis <strong>of</strong> two publicpolicy areas <strong>of</strong> particular interest to younger voters:education reform <strong>and</strong> drug laws. Building on theearlier readings <strong>and</strong> the analytical tools developed,we will examine the current debates <strong>and</strong> prospectsfor reform in these policy areas, with an eye towardunderst<strong>and</strong>ing the political realities <strong>of</strong> public policyformation.332. Arab-Israeli Conflict(3-0-3) DowtyThis course tracks the Arab-Israeli conflict from itsorigins in the late 19th century to the present,making special use <strong>of</strong> primary sources that expressdiffering perspectives in their full intensity. Currentissues <strong>of</strong> the conflict will be analyzed in depthwith the help <strong>of</strong> current periodical <strong>and</strong> electronicsources. Classes will include a mixture <strong>of</strong> lectures,video, <strong>and</strong> role-playing. There will be a midtermexam <strong>and</strong> a short policy paper.


176POLITICAL SCIENCE333. International Environmental Politics(3-0-3) ConnallyThis course presents an introduction to the role <strong>of</strong>states, NGOs, international organizations, scientists,<strong>and</strong> other actors in international environmentalpolitics. We consider policy instruments such aseconomic incentives, international treaties, <strong>and</strong> aid.Case studies include ozone depletion, deforestation,biodiversity, climate change, issues <strong>of</strong> developingcountries, acid rain, trade <strong>and</strong> the environment,<strong>and</strong> UNCED.333W. Soc Con Sem: Washington, D.C.Crosslisted from the Center for Social Concerns.See “Center for Social Concerns” in the front section<strong>of</strong> this Bulletin.339V. Diplomacy <strong>of</strong> U.S. Foreign Policy(3-0-3) KammanThe United States emerged from World War II ina new peacetime role as a superpower. We had todiscover for ourselves how to combine diplomacy<strong>and</strong> military power in a manner consistent with ourdemocratic principles. While the policy choiceswere stark in the days <strong>of</strong> the Cold War, they havebecome more complex in recent years.Presented by a career diplomat who headedU.S. overseas missions in four countries, the courseemphasizes case studies <strong>and</strong> the practical problemsthat have confronted U.S. leaders from the end <strong>of</strong>World War II to the present. The issues treated willillustrate the height <strong>of</strong> tensions in the Cold War,the emergence <strong>of</strong> détente <strong>and</strong> deterrence, <strong>and</strong> thechallenges <strong>of</strong> the global agenda after the end <strong>of</strong> theCold War.The course aims to help the student underst<strong>and</strong>current foreign policy issues, which will be discussedbriefly in class. A research paper (10 pages),a midterm exam, <strong>and</strong> a final exam are required.341G. Latin American Politics <strong>and</strong> EconomicDevelopment(3-0-3) CastiglioniDuring the past few decades, Latin America has undergonedeep political <strong>and</strong> economic change. Thepatterns <strong>of</strong> political polarization <strong>and</strong> the implementation<strong>of</strong> import substitution industrializationmodels that characterized the region were alteredby the emergence <strong>of</strong> bureaucratic authoritarian regimes.From the 1980s on, Latin American nationssought to reinstall democracy <strong>and</strong> promote economicdevelopment, yet the paths they followed tothose ends have been quite diverse, as have theirachievements. This course examines those divergentpaths during the past four decades. After introducingstudents to some contextual information on theregion, the course will examine the different roadsto democratic breakdown, the emergence <strong>of</strong> authoritarianregimes, <strong>and</strong> the contrasting paths toredemocratization <strong>and</strong> development.346. Democratic Regimes(3-0-3) HelmkeThis course surveys the main theoretical <strong>and</strong> empiricalissues around the topic <strong>of</strong> democratization.It will examine competing conceptions <strong>of</strong> democracy,the conditions under which democraciesemerge <strong>and</strong> consolidate, <strong>and</strong> the impact <strong>of</strong> democraticregimes on economic development <strong>and</strong> politicalaccountability. Because institutions indemocratic regimes vary widely from country tocountry, particular emphasis will be placed on examininginstitutional choices <strong>and</strong> the subsequenteffects <strong>of</strong> specific institutions—includingpresidentialism, parliamentarianism, political parties,<strong>and</strong> non-elected institutions such as courts, themilitary, <strong>and</strong> bureaucracies—on democratic governance.Empirical examples will be drawn from abroad array <strong>of</strong> countries in Latin America, Russia,<strong>and</strong> Eastern Europe.375. Machiavellianism(3-0-3) StaffMachiavelli is notorious for promoting a certain“hard-nosed realism” in political analysis <strong>and</strong> practice.This course explores Machiavellianism in themaster himself <strong>and</strong> in the tradition to which wegive his name. We will read representatives <strong>of</strong> Machiavellianrepublication, including a novel with adecidedly Machiavellian lesson (Mark Twain’s TomSawyer), <strong>and</strong> conclude with the recent book byJohn Mearsheimer, <strong>of</strong>ten thought to be the leadingMachiavellian analyst <strong>of</strong> international politics <strong>of</strong>our day.377. Politics <strong>and</strong> Conscience(3-0-3) KeysAgainst a backdrop <strong>of</strong> large-scale society, massmovements, <strong>and</strong> technological bureaucracy, the invocation<strong>of</strong> “conscience” recalls the individual humanperson as a meaningful actor in the politicalsphere. But what is conscience, <strong>and</strong> what are itsrights <strong>and</strong> responsibilities? What is it about consciencethat ought to comm<strong>and</strong> governmental respect,<strong>and</strong> are there any limits to its autonomy?What role should conscience play in questions <strong>of</strong>war <strong>and</strong> peace, law-abidingness <strong>and</strong> civil disobedience,citizenship <strong>and</strong> political leadership? And howdoes the notion <strong>of</strong> conscience connect with concepts<strong>of</strong> natural law <strong>and</strong> natural rights, nationality<strong>and</strong> prudence, religion <strong>and</strong> toleration? This courseengages these questions through select readingsfrom the history <strong>of</strong> political thought. We also willconsider various 20th-century reflections on conscience,expressed in essays, plays, short stories,speeches, <strong>and</strong> declarations.416. Constitution <strong>and</strong> Federalism(3-0-3) BarberThis course takes up our oldest <strong>and</strong> perhaps ourmost pervasive constitutional problem: the properrelationship between the powers <strong>of</strong> the nationalgovernment <strong>and</strong> the powers <strong>of</strong> the states. The root<strong>of</strong> this problem lies in the kind <strong>of</strong> country <strong>and</strong>people the Constitution commits us to be. Its manybranches include political <strong>and</strong> legal questions relatingto the regulation <strong>of</strong> the economy, federal powerover the nation’s morals, race relations in America,the nature <strong>of</strong> community in America <strong>and</strong> thenation’s obligation to the poor. This course is designedfor undergraduates with a background inAmerican national government.419. Constitutional Interpretation(3-0-3) BarberAmericans have always debated Supreme Courtopinions on specific constitutional questions involvingthe powers <strong>of</strong> government <strong>and</strong> the rights <strong>of</strong>individuals <strong>and</strong> minorities. The leading objective <strong>of</strong>this course is to acquaint students with the basic issues<strong>of</strong> constitutional interpretation <strong>and</strong> to showhow they influence questions involving constitutionalrights <strong>and</strong> powers <strong>and</strong> the scope <strong>of</strong> judicialreview.INTERNATIONAL RELATIONS320. Theories <strong>of</strong> War(3-0-3) VayrynenThe course explores major theories <strong>of</strong> war fromMachiavelli to Martin van Creveld. Rather thanfocusing on military details, the course tries tocontextualize the theories <strong>of</strong> war <strong>and</strong> militarystrategies, to show how they reflect economicconditions, technological capabilities, dominantpolitical ideologies, <strong>and</strong> cultural beliefs <strong>of</strong> each era.Therefore, theories are transformed with changes inthese underlying factors. The emphasis <strong>of</strong> thecourse will be on the conceptions by the 19th- <strong>and</strong>20th-century political <strong>and</strong> social theorists about thenature, functions, <strong>and</strong> consequences <strong>of</strong> warfare.These conceptions concern the role <strong>of</strong> war in stateformation, bureaucratization <strong>of</strong> society, economicdevelopment, <strong>and</strong> ideological currents. The authorsto be discussed in detail include Carl vonClausewitz, Alexis de Tocqueville, ThorsteinVeblen, Joseph Schumpeter, Raymond Aron,Henry Kissinger, <strong>and</strong> Martin van Creveld. Thecourse will also pay attention to the political <strong>and</strong>economic foundations <strong>of</strong> deterrence <strong>and</strong> otherdoctrines concerning nuclear weapons.321. Regionalism in International Relations(3-0-3) VayrynenThe course explores different theories <strong>of</strong>regionalism <strong>and</strong> its manifestations in internationalrelations. Theories range from the early studies <strong>of</strong>regional integration in the 1960s through the focuson regional conflict formations in the 1980s to therevival <strong>of</strong> this area <strong>of</strong> research in the 1990s.Current studies on regionalism view it as anoutcome <strong>of</strong> economic processes rather than a result<strong>of</strong> governmental decisions.


177POLITICAL SCIENCERegionalism in the Americas, Asia, <strong>and</strong> Europecan be thus construed as a response to the forces <strong>of</strong>globalization, an effort to create both a shelter <strong>and</strong>a base for expansion vis-a-vis external competitors.In the security realm, regional cooperation isincreasingly focused on the prevention <strong>and</strong>management <strong>of</strong> local conflicts <strong>and</strong> the creation <strong>of</strong>peaceful security communities. In addition totheories, the course covers several regionalintegration schemes, such as the European Union(EU), the North American Free Trade Area(NAFTA), the Economic Community <strong>of</strong> WestAfrican States (ECOWAS), the Gulf CooperationCouncil (GCC), the Association <strong>of</strong> South EastAsian Nations (ASEAN), <strong>and</strong> Mercosur in theSouthern Cone.324. Introduction to American Foreign Policy(3-0-3) LindleyThe United States is the most powerful state in theworld today. Its actions are important not just forU.S. citizens, but they also affect whether others goto war, whether they will win their wars, whetherthey receive economic aid, whether they will gobroke, or whether they will starve. What determinesU.S. foreign policy? What is the national interest?When do we go to war? Would you sendU.S. soldiers into war? If so, into which wars <strong>and</strong>for what reasons? How do our economic policiesaffect others? Does trade help or hurt the U.S.economy <strong>and</strong> its citizens? We first study severaltheories about foreign policy. We then examine theU.S. foreign policy process, including the president,Congress, the bureaucracy, the media, <strong>and</strong>public opinion. To see how this all works, we turnto the history <strong>of</strong> U.S. foreign policy, fromWashington’s farewell address through the WorldWars <strong>and</strong> the Cold War to the Gulf War. We thenstudy several major issue areas, including weapons<strong>of</strong> mass destruction, trade <strong>and</strong> economics, <strong>and</strong> theenvironment. Finally, we develop <strong>and</strong> debate forecasts<strong>and</strong> strategies for the future. This course requirespapers about the history <strong>of</strong> American foreignpolicy <strong>and</strong> about a current policy problem, as wellas a comprehensive final. Participation, debate, <strong>and</strong>oral presentation skills are also important.326. International Law <strong>and</strong> Institutions(3-0-3) MosleyInternational law <strong>and</strong> institutions are increasinglyimportant for underst<strong>and</strong>ing the nature <strong>of</strong> worldpolitics. This course investigates the interaction betweeninternational law <strong>and</strong> international politics.We examine how international institutions operate,the significance <strong>of</strong> international law to state behavior,<strong>and</strong> the connections between internationalnorms <strong>and</strong> domestic law. The substantive issuesaddresed in this course include trade, humanrights, <strong>and</strong> environmental protection.328. International Organization(3-0-3)Examination <strong>of</strong> governance in international relations,including both formal <strong>and</strong> informal institutions.The functioning <strong>of</strong> organizations such as theUnited Nations, International Monetary Fund,World Trade Organization, European Union, <strong>and</strong>multilateral development banks. Research paperson topics including peacekeeping <strong>and</strong> humanitarianintervention, political conflicts surrounding tradeliberalization, <strong>and</strong> assessment <strong>of</strong> economic developmentprograms.330. International Political Economy(3-0-3) MosleyThis course examines the interactions betweeninternation politics <strong>and</strong> international economics byproviding students with an overview <strong>of</strong> several keyissues in international political economy. We beginwith a brief overview <strong>of</strong> the economic rationale fortrade <strong>and</strong> financial relations. We then examine therecent history <strong>of</strong> the world economy: How did theinternational trade <strong>and</strong> monetary systems operatein the early <strong>and</strong> mid-20th century, <strong>and</strong> what roledid politics play in these systems? We then devotethe bulk <strong>of</strong> the class to considering issues central tocontemporary international political economy:trade liberalization, coordination <strong>and</strong> cooperationin monetary policy (including the advent <strong>of</strong> thesingle currency in Europe), implications <strong>of</strong> national<strong>and</strong> regional financial crises, <strong>and</strong> the links amongeconomic globalization, environmental regulation,<strong>and</strong> human rights.331. International Relations <strong>of</strong> the Middle East(3-0-3) DowtyPrerequisite: POLS 141 or 241.This course covers the relations among the contemporarystates <strong>of</strong> the core Middle East, with emphasison the Arab-Israel conflict. It includes thehistorical <strong>and</strong> cultural background in the region,the foreign policy perspectives <strong>of</strong> contemporarystates <strong>and</strong> current diplomatic issues.334. International Relations in East Asia(3-0-3) MoodyThis course is intended to provide the cultural, historical<strong>and</strong> political background necessary for underst<strong>and</strong>ingEast Asia’s current conditions <strong>and</strong>speculating about its prospects.335. U.S. Relations with Latin America(3-0-3) FrancisThis class begins with a historical overview <strong>of</strong>United States relations with Latin America sinceWorld War II. It will analyze separately the LatinAmerican politics <strong>of</strong> the presidents from Kennedyto Clinton. It will also focus on some particularquestions, including the role <strong>of</strong> economic integration,theories <strong>of</strong> declining hegemony, the Cubansituation, illegal immigration into the UnitedStates <strong>and</strong> other problems. A number <strong>of</strong> videotapeswill be shown during the semester. The form <strong>of</strong> theclass <strong>and</strong> some <strong>of</strong> the assignments will be influencedby the size <strong>of</strong> the class, but at least one piece<strong>of</strong> research will be required, one group project, amidterm test <strong>and</strong> a final examination.348. The European Union(3-0-3) MosleyIn this course, we will explore the process <strong>of</strong> financial<strong>and</strong> trade integration in Europe <strong>and</strong> the politicalforces that either promote or retard furtherintegration. For example, we will consider the role<strong>of</strong> national governments, <strong>of</strong> national trade unions,<strong>and</strong> <strong>of</strong> business interest groups in the integrationprocess. We will devote particular attention to thedevelopment <strong>and</strong> implementation <strong>of</strong> EuropeanMonetary Union <strong>and</strong> to the expansion <strong>of</strong> the EuropeanUnion’s involvement to the areas <strong>of</strong> socialpolicy <strong>and</strong> political cooperation. Students will readgeneral course materials <strong>and</strong> will select additionalreading materials that deal with particular topics ornations.379. Latin American International Relations(3-0-3) HagopianThis course examines the international relations <strong>of</strong>Latin America with an emphasis on whatdetermines U.S. policy toward Latin America,<strong>and</strong> the policies <strong>of</strong> Latin American states towardthe United States, other regions <strong>of</strong> the world, <strong>and</strong>each other. It analyzes recurring themes in U.S.-Latin American relations, including the response <strong>of</strong>the United States to dictatorships, expropriations<strong>of</strong> U.S.-owned property, <strong>and</strong> revolution. It alsostudies new directions <strong>and</strong> issues in Latin America’sinternational relations, e.g., trade policy, theenvironment, migration, <strong>and</strong> drugs in a post-ColdWar world.481. The International Economy<strong>and</strong> Domestic Politics(3-0-3) MosleyIn this course, we examine the reciprocal interactionbetween the international economy <strong>and</strong> domesticpolitical processes, with an emplasis ondeveloped democracies. The course employs conceptsbased in international relations, internationaleconomics <strong>and</strong> comparative politics. The first part<strong>of</strong> the course introduces the basic concepts neededto analyze the connections between the internationaleconomy <strong>and</strong> domestic politics. The secondpart <strong>of</strong> the course focuses on the ways in which private(“dem<strong>and</strong> side”) actors — industries, firms,<strong>and</strong> investors — respond to changing internationaleconomic conditions. We consider how domesticactors are affected by <strong>and</strong> respond to internationaltrade <strong>and</strong> financial relations.COMPARATIVE GOVERNMENT301. Leadership <strong>and</strong> Social Change(3-0-3) ScullyPrerequisite: Permission <strong>of</strong> instructor.This course is intended to introduce seminar participantsto themes in leadership. Through readings,presentations, <strong>and</strong> other media (such as film<strong>and</strong> interaction with visitors), the course aims toprovide critical reflections on the nature <strong>and</strong>sources <strong>of</strong> differing types <strong>of</strong> leadership <strong>and</strong> authority,<strong>and</strong> a deeper underst<strong>and</strong>ing <strong>of</strong> the vocation tolead.


178POLITICAL SCIENCELeft to right: Daniel Lindley, assistant pr<strong>of</strong>essor; Alvin Tillery, assistant pr<strong>of</strong>essor;Christina Wolbrecht, Packey J. Dee Assistant Pr<strong>of</strong>essor343. European Politics <strong>and</strong> Institutions(3-0-3) GouldThis course considers politics in Europe. We willexamine the literature on three major issues: regionalintegration, origins <strong>of</strong> modern political authority,<strong>and</strong> industrial political-economy. Readingson the European Union, Germany, France, Spain,<strong>and</strong> contemporary political debates.347. Nuts <strong>and</strong> Bolts <strong>of</strong> Russian Politics(3-0-3) MerrittHow are we to underst<strong>and</strong> a return to the symbolism<strong>of</strong> Russian royalty by those who were communists<strong>and</strong> now claim to be democrats? The frequentsquabbles between president <strong>and</strong> parliament, includingthe October 1993 shelling <strong>of</strong> the ParliamentBuilding? The high assassination rate forjournalists, bankers <strong>and</strong> police <strong>of</strong>ficers? This coursefocuses on the nuts <strong>and</strong> bolts <strong>of</strong> Russianpolitics, including the similarities <strong>and</strong> differencesbetween Communist Russia <strong>and</strong> the current Russianstate. Familiarity with Soviet politics is a crucialprecondition to analysis <strong>of</strong> the modern politicalscene, so students first develop an underst<strong>and</strong>ing <strong>of</strong>the nature <strong>of</strong> Bolshevik rule <strong>and</strong> its collapse.351. Politics <strong>of</strong> Tropical Africa(3-0-3) WalsheFollowing an introduction to traditional politicalinstitutions, the colonial inheritance <strong>and</strong> the rise <strong>of</strong>African nationalism, the course concentrates on thecurrent economic <strong>and</strong> political problems <strong>of</strong> tropicalAfrica. This includes case studies <strong>of</strong> political organizations,ideologies <strong>and</strong> government institutionsin Ghana, Nigeria <strong>and</strong> Tanzania.352. Politics <strong>of</strong> Southern Africa(3-0-3) WalsheThis course focuses on the key state <strong>of</strong> the region— the republic <strong>of</strong> South Africa. After outlining thepolitical history <strong>of</strong> apartheid, the phenomenon <strong>of</strong>Afrikaner nationalism, <strong>and</strong> the rise <strong>of</strong> African nationalism<strong>and</strong> the liberation movements, attentionturns to the country’s escalating turmoil <strong>of</strong> the1980s <strong>and</strong> resulting political transition in the1990s. South Africa’s political <strong>and</strong> economic prospectsare also examined. The semester concludeswith a survey <strong>of</strong> the transitions that brought SouthAfrica’s neighboring territories to independence,the destabilization strategies <strong>of</strong> the apartheidregime <strong>and</strong> United States policy in that region.354. Political Economy <strong>of</strong> Post-Industrial States(3-0-3) MessinaThis course investigates the nexus between politics<strong>and</strong> economics in the advanced industrial democracies.After a brief discussion <strong>of</strong> the theoretical principles<strong>of</strong> economic liberalism, the course focuses onthe impact <strong>of</strong> economic actors <strong>and</strong> conditions onpolitics <strong>and</strong> the political <strong>and</strong> economic consequences<strong>of</strong> the organization <strong>of</strong> the world economyalong market principles. It concludes by examiningthe relationship between domestic politics <strong>and</strong> theproject for economic integration in the case <strong>of</strong> theEuropean Union.355. Parties <strong>and</strong> Party Systems(3-0-3) CoppedgePolitical parties are the most crucial link betweenstate <strong>and</strong> society in democratic regimes. They areresponsible for recruiting c<strong>and</strong>idates, devising programs,shaping the political agenda, aggregating interests,organizing the work <strong>of</strong> legislatures,bargaining with executives, <strong>and</strong> defending democracy.In some countries, they also help to administergovernment programs. Parties around the worldvary tremendously in the ways they perform, or failto perform, these functions; yet whether partiesperform these tasks well or poorly, party characteristicspowerfully influence the quality <strong>and</strong> stability<strong>of</strong> democracy. This course examines parties in comparativeperspective, exploring how the nature <strong>of</strong>parties <strong>and</strong> party systems affects democratic governanceprimarily in Europe, Latin America, <strong>and</strong> theUnited States.356. Tradition <strong>and</strong> Modernization in China<strong>and</strong> Japan(3-0-3) MoodyThis course compares the traditional social, political,cultural <strong>and</strong> economic systems <strong>of</strong> China <strong>and</strong>Japan <strong>and</strong> compares the way in which each systemhas changed in response to the intrusion <strong>of</strong> theWestern powers into east Asia. It concludes with anextended discussion <strong>and</strong> analysis <strong>of</strong> the contemporarysituation in each country. Class requirementswill include class participation, a midterm examination,two brief discussion papers dealing with materialrelevant to the course, <strong>and</strong> a final examination.


179POLITICAL SCIENCE358. Comparative Politics <strong>of</strong> Eastern Europe(3-0-3) McAdamsAn examination <strong>of</strong> the principal characteristics <strong>of</strong>Eastern European politics <strong>and</strong> institutions in thepost-war era, focusing on the communist experience,relations with the Soviet Union, <strong>and</strong> post-1989 efforts to create stable democracies <strong>and</strong>capitalist economies.359. Chinese Politics(3-0-3) MoodyStudy <strong>of</strong> the contemporary Chinese political system<strong>and</strong> process in the light <strong>of</strong> Chinese history <strong>and</strong> culture.Some <strong>of</strong> the topics treated include the traditionalpolitical order; the revolutionary movements;the rise <strong>of</strong> communism; Maoism <strong>and</strong> the rejection<strong>of</strong> Maoism; the political structure; leadership, personalities,<strong>and</strong> power struggles; economic policy;social policy <strong>and</strong> movements; problems <strong>of</strong> corruption<strong>and</strong> instability; <strong>and</strong> prospects for democraticdevelopment. There will be some attention to Taiwan<strong>and</strong> Hong Kong as special Chinese societies.405. Public Policy <strong>and</strong> Bureaucracy(3-0-3) ArnoldThis course explores the process, substance, <strong>and</strong> efficacy<strong>of</strong> public policymaking <strong>and</strong> policy implementationin the United States. We begin byasking: Why do some problems become public issueswhile others do not? Attention is given to howgovernment identifies problems <strong>and</strong> formulatespolicies meant to address them. Then we ask, onceformulated, how policies are implemented. Thecourse will examine government’s “menu” <strong>of</strong> optionsfor policy implementation. Student researchpapers will focus on the evolution over time <strong>of</strong> aspecific policy, examining how that policy’s implementationaffected its impact.Requirements for the course include a midtermexam, a research paper, <strong>and</strong> a final exam. Duringthe semester, students will be required to prepareseveral shorter papers as progress reports on theirresearch papers. Students taking this course alreadyshould have taken POLS 140 or 240, Introductionto American Government. It also will be helpful tohave had an Introduction to Economics course.415. Juidicial Politics(3-0-3) ColucciThis course examines the effect <strong>of</strong> the legal systemon American politics, government, <strong>and</strong> society. Webegin by reviewing the institutions, actors, <strong>and</strong> processes<strong>of</strong> the legal system, focusing on the institutional<strong>and</strong> individual influences on judicialdecision-making. In the second part <strong>of</strong> the semester,we closely analyze the political consequences <strong>of</strong>legal decisions in areas such as criminal law, race<strong>and</strong> education—including desegregation, school finance,<strong>and</strong> school choice—abortion, the death penalty,<strong>and</strong> homosexual rights. We conclude byevaluating the extent toe which courts can <strong>and</strong>should be expected to bring about social <strong>and</strong> politicalchange.431. Building the European Union(3-0-3) MessinaThis course introduces the contemporary projectfor greater economic, political, <strong>and</strong> security integrationamong the current 15 members <strong>of</strong> the EuropeanUnion within its appropriate historicalcontext, its current economic <strong>and</strong> political setting,<strong>and</strong> its projected future ambitions. The course isthus very much concerned with recent events <strong>and</strong>important European events-in-the-making, includingthe implementation <strong>of</strong> the Amsterdam Treaty,the expansion <strong>of</strong> the membership <strong>of</strong> the EuropeanUnion <strong>and</strong> EU-sponsored strategies to facilitatedemocratic transitions in Eastern Europe.435. International Political Economy(3-0-3) StaffThis course examines the interactions between internationalpolitics <strong>and</strong> international economics.We begin with a brief exploration <strong>of</strong> the economicrationale for trade <strong>and</strong> financial relations <strong>and</strong> thenexamine the recent political history <strong>of</strong> global trade<strong>and</strong> finance. Topics include global <strong>and</strong> regionaltrade liberalization, coordination <strong>and</strong> cooperationin monetary policy (including the advent <strong>of</strong> thesingle currency in Europe), causes <strong>and</strong> implications<strong>of</strong> financial crises, <strong>and</strong> the linkages among economicglobalization, environmental regulation, <strong>and</strong>human rights.440. Latin American Politics(3-0-3) Mainwaring, Welna, Hagopian, CoppedgeThis course is an introduction to Latin Americanpolitics. Thematically, we will focus on two <strong>of</strong> thegreat issues facing this region <strong>of</strong> the world at theend <strong>of</strong> the 20th century: democratization <strong>and</strong> strategiesfor promoting economic development. Afterspending the first part <strong>of</strong> the course examiningthese two issues in a broad way, we will then analyzethese same issues, but focused on Brazil, Chile<strong>and</strong> Mexico.440G. Colombia Pol: Drug Runners(3-0-3) HinojosaColombia is a country in crisis. It is home to a civilwar that dates back some 40 years, has one <strong>of</strong> theworld’s largest concentrations <strong>of</strong> internally displacedpeople, <strong>and</strong> is the center <strong>of</strong> the world’s largest<strong>and</strong> most sophisticated drug traffickingnetworks. The civil war is being waged by two leftistinsurgency movements (the FARC <strong>and</strong> theELN) <strong>and</strong> a right-wing paramilitary organization(the AUC), all <strong>of</strong> which receive substantial financingfrom drug trafficking as well as kidnappings<strong>and</strong> extortion, <strong>and</strong> all three <strong>of</strong> which were on theState Department’s list <strong>of</strong> terrorist organizationseven before September 11.The Colombian state is, according to varyinganalysts, semi-democratic or semi-collapsed. In responseto the crisis, the current U.S. administrationis making Colombia a focal point <strong>of</strong> its LatinAmerican policy <strong>and</strong> the third largest recipient <strong>of</strong>U.S. military aid. In this course we examine thecurrent crisis <strong>and</strong> its antecedents in detail, the U.S.response to it, <strong>and</strong> broader U.S.-Colombian relations.In an effort to gain an important comparativeperspective, we also will examine theexperiences <strong>of</strong> other countries in the region withinsurgency <strong>and</strong> paramilitary movements, refugee<strong>and</strong> internal displacement crises, narcotics trafficking,<strong>and</strong> relations with the United States. This willbe a writing-intensive, seminar-style course.441. The Political Economy <strong>of</strong> Latin America(3-0-3) HagopianThis course analyzes the political bases <strong>of</strong> the developmental<strong>and</strong> distributive strategies pursued byseveral Latin American countries in the postwar period<strong>and</strong> the relationship between economic crisesin the region <strong>and</strong> political change. It explicitly examinesthe relationship between regime type <strong>and</strong>economic policies <strong>and</strong> performance.443. German Politics(3-0-3) KommersThis course examines various aspects <strong>of</strong> Germangovernment <strong>and</strong> politics, including the party system,elections <strong>and</strong> voting, patterns <strong>of</strong> political participation,civil liberties, policymaking institutions,<strong>and</strong> foreign policy. The course also deals with thehistorical debates over Germany’s past <strong>and</strong> currentattempts to come to terms with it. It also focuseson Germany’s constitutional order together withthe political <strong>and</strong> societal problems arising out <strong>of</strong>Germany’s reunification.449C. Social Transformations <strong>and</strong> DemocraticChile(3-0-3)Crosslisted with the Department <strong>of</strong> History. SeeHistory or SOC 491 for description.474. The Enlightenment <strong>and</strong> Its Revolutions(3-0-3) HuntThis course explores the enduring significance <strong>of</strong>the Enlightenment <strong>and</strong> its many revolutions: thescientific revolutions (Bacon, Newton), the philosophical<strong>and</strong> theological revolutions (Descartes,Voltaire, Hume, Kant), <strong>and</strong> the social revolutionsin the family <strong>and</strong> civil society (Wollstonecraft,Smith). We will examine the legecy, both good <strong>and</strong>bad, <strong>of</strong> these Enlightenment revolutions for contemporaryAmerican liberalism.


180POLITICAL SCIENCEPOLITICAL THEORY371. Politics, Poetry, <strong>and</strong> Philosophy in AncientGreece(3-0-3) C. ZuckertDemocratic politics <strong>and</strong> philosophical investigations<strong>of</strong> nature—two distinctive components <strong>of</strong>Westeren civilization—were invented in ancientGreece. How <strong>and</strong> why did these distinctive forms<strong>of</strong> human activity arise? Are they essentially relatedto one another? If so, how? To answer these questions,in this course we will first read the celebration<strong>of</strong> replacement <strong>of</strong> military monarchy by therule <strong>of</strong> law, based on popular consent in the tragedies<strong>of</strong> Aeschylus. Then we will look at Thcydides’critique <strong>of</strong> the “poetic” account <strong>of</strong> the origins <strong>of</strong>political order <strong>and</strong> the more “imperialistic” description<strong>of</strong> political necessity he gives in his History <strong>of</strong>the Peloponnesian War. Aristophanes opposed thepolitics <strong>of</strong> war with comedies advocating the pleasure<strong>of</strong> peace. He introduced a new element intothe discussion <strong>of</strong> the requirements <strong>and</strong> most desirableform <strong>of</strong> politics, moreover, by attackingSocratic philosophy as a corrupting force. In thesecond half <strong>of</strong> the course, we will, therefore, examinePlato’s response to Aristophanes’ critique in hisApology <strong>of</strong> Socrates <strong>and</strong> Symposium as well as Plato’ssomewhat comic response to Aristotle’s attempt t<strong>of</strong>ormulate a comprehensive science <strong>of</strong> politics in thePolitics. In all cases, we will be asking whether <strong>and</strong>to what extent the things these ancient authors sayabout political life still hold true for us.373. Early Modern Political Theory(3-0-3) M. ZuckertAn examination <strong>of</strong> the development <strong>of</strong> modern politicaltheory from Machiavelli to Rousseau, focusingon Renaissance <strong>and</strong> Reformation individualism,emergence <strong>of</strong> national sovereignty (Bodin), variants<strong>of</strong> social contract theory (Hobbes, Locke,Rousseau), <strong>and</strong> Enlightenment ideas (Voltaire,Diderot).372. Christian Political Theory(3-0-3) KeysThis course introduces students to the rich tradition<strong>of</strong> Christian reflection on politics <strong>and</strong> its placein human life. Central questions include(1) the relation <strong>of</strong> Christian ethics to citizenship<strong>and</strong> to the sometimes harsh necessities <strong>of</strong> politicalleadership; <strong>and</strong> (2) the interplay between reason<strong>and</strong> revelation, philosophy <strong>and</strong> theology in thevarious theoretical approaches we will study. Readingswill span the patristic, medieval <strong>and</strong> contemporaryperiods <strong>and</strong> will also include somedocuments from 20th-century Catholic socialteaching.374. Republicanism <strong>and</strong> the Origins<strong>of</strong> American Liberalism(3-0-3) HuntThis course traces the evolution <strong>of</strong> republican politicaltheory, from the ancient Greeks <strong>and</strong> Romansto the Italian <strong>and</strong> Northern European Renaissanceto the British <strong>and</strong> French Enlightenments, <strong>and</strong> exploresthe legacy <strong>of</strong> republicanism for the Americanconstitutional tradition. Readings may includePlato, Aristotle, Polybius, Cicero, Contarini,Machiavelli, Savonarola, Calvin, Milton, Locke,Montesquieu, Rosseau, Jefferson, Madison, Mill,Rawls, <strong>and</strong> Arendt.376. American Political Thought(3-0-3) M. ZuckertA selective survey <strong>of</strong> classic works <strong>and</strong> thinkers inthe American political tradition. Themes <strong>and</strong> readingswill vary from time to time, but texts such asthe Puritan writings on politics, the Federalist <strong>and</strong>Anti-Federalist writings on the Constitution, thewritings <strong>of</strong> Thomas Jefferson, James FenimoreCooper, Abraham Lincoln, Walt Whitman,Frederick Douglass, Herbert Croly, ReinholdNiebuhr, John Courtney Murray <strong>and</strong> MartinLuther King are among the materials to be studied.378. 19th-Century Political Thought(3-0-3) KaplanThis course surveys the works <strong>and</strong> themes <strong>of</strong> selected19th-century political theorists, includingJoseph de Maistre, Auguste Comte, Alexis deTocqueville, G.W.F. Hegel, <strong>and</strong> Karl Marx. Thecourse focuses on the role <strong>of</strong> theory in the aftermath<strong>of</strong> the French Revolution. The goal <strong>of</strong> thecourse is to underst<strong>and</strong> the characteristic concerns<strong>and</strong> approaches <strong>of</strong> 19th-century political theory<strong>and</strong> to consider the relevance <strong>of</strong> those concerns <strong>and</strong>approaches today.379. Contemporary Liberal Theory(3-0-3) M. ZuckertEver since the publication <strong>of</strong> John Rawls’ A Theory<strong>of</strong> Justice in 1971, liberal political theory has experienceda great revival <strong>and</strong> now is a flourishing enterprise.This course will take Rawls as its point <strong>of</strong>departure <strong>and</strong> survey the state <strong>of</strong> current liberal politicalphilosophy, considering such thinkers asRonald Dworkin, Joseph Raz, Richard Rorty, <strong>and</strong>Robert Nozick.382. Non-Western Political Thought(3-0-3) DallmayrThe course <strong>of</strong>fers an introduction to prominentmodes <strong>of</strong> non-Western thought, such as Islam,Hinduism, Buddhism, <strong>and</strong> Confucianism, with afocus on the political implications <strong>of</strong> these teachings.In each case, attention will be given both toclassical <strong>and</strong> to modern texts <strong>and</strong> developments.Among classical sources, consideration will be givento Al-Farabi, Averroes, Ibn Khaldun, the Vedas,Upanishads, some Buddhist Sutras, <strong>and</strong> theAnalects; among modern or recent developmentsthe focus will be on Islamic “fundamentalism” <strong>and</strong>secularism, on G<strong>and</strong>hi <strong>and</strong> Indian nationalism, <strong>and</strong>on “engaged Buddhism” <strong>and</strong> Chinese communism.383. War <strong>and</strong> Peace(3-0-3) C. ZuckertFrom the time political associations arose in ancientGreece, thoughtful observers have asked whythe people within such societies <strong>and</strong> also the politiesthemselves seem always to come into conflict.Are such conflicts inevitable? Are they necessarilyviolent? Or can conflict be controlled, if not resolvedpeacefully? In this course, we will read a variety<strong>of</strong> different attempts to answer these questionsin classic works <strong>of</strong> political theory byThucydides, Machiavelli, Hobbes, Grotius,Montesquieu, <strong>and</strong> Kant.384. Politics <strong>and</strong> Literature(3-0-3) C. ZuckertThis course involves the study <strong>of</strong> works <strong>of</strong> politicaltheory <strong>and</strong> literature in order to address some <strong>of</strong>the central questions <strong>of</strong> political theory in the modernage. The examination <strong>of</strong> the relation betweentruth, faith <strong>and</strong> politics, <strong>and</strong> the nature <strong>of</strong> politicalaction will form central questions <strong>of</strong> the course.We will pay special attention to the problems <strong>of</strong>founding polities <strong>and</strong> membership in politicalcommunities.389. The Enlightenment Political Novel(3-0-3) HuntThis course will investigate the place <strong>of</strong> the novel inEnlightenment political theory. Authors such asDaniel Dafoe (Robinson Crusoe) used the novel toexpress radical new moral <strong>and</strong> political ideas thatdeeply influenced later Enlightenment politicaltheorists. Many <strong>of</strong> the great political theorists <strong>of</strong>the Enlightenment also used the novel alongsidethe philosophical treatise to express their innovativemoral <strong>and</strong> political ideas. Enlightenment thinkers<strong>of</strong>ten have been narrowly construed as archrationalists<strong>and</strong> individualists who were inattentiveto the role <strong>of</strong> the passions <strong>and</strong> human relationshipsin morality <strong>and</strong> politics. The political novels <strong>of</strong>Swift, Montesquieu, Rousseau, Voltaire,Wollstonecraft, <strong>and</strong> Godwin break down this inaccuratecaricature <strong>of</strong> Enlightenment political theory.We will read the political novels <strong>of</strong> these thinkersalongside selections from their philosophical <strong>and</strong>political essays <strong>and</strong> treatises <strong>and</strong> examine how theirnovels both expound <strong>and</strong> reinterpret their “enlightened”ideas on rights, liberty, moral <strong>and</strong> civil laws,manners <strong>and</strong> mores, social <strong>and</strong> economic inequality,political justice, love, family, <strong>and</strong> the good life.Readings may include Robinson Crusoe; Gulliver’sTravels; The Persian <strong>Letters</strong>; Emile, Julie or the NewHeloise; C<strong>and</strong>ide; Mary, a Fiction; Maria, or theWrongs <strong>of</strong> Woman; <strong>and</strong> Caleb Williams.471. Justice Seminar(3-0-3) RoosAn examination <strong>of</strong> major theories <strong>of</strong> justice, bothancient <strong>and</strong> modern. Readings include representatives<strong>of</strong> liberal theorists <strong>of</strong> right, such as JohnRawls, as well as perfectionist alternatives. Thecourse also serves as the core seminar for the philosophy,politics <strong>and</strong> economics concentration.


181POLITICAL SCIENCE PROGRAM OF LIBERAL STUDIES475. Contemporary Political Theory(3-0-3) DallmayrAn introduction to contemporary political philosophyas articulated both by American <strong>and</strong> Europeanthinkers. The main aim <strong>of</strong> the course is to investigatewhether our century makes room for genuinepolitical thought. Among those discussed are LeoStrauss, Michael Oakeshott, Eric Voegelin,Hannah Arendt, John Rawls, <strong>and</strong> JuergenHabermas.476. Continental Political Theory(3-0-3) DallmayrThis course <strong>of</strong>fers an introduction to the social <strong>and</strong>political thought <strong>of</strong> leading representatives <strong>of</strong> Continentalphilosophy in the 20th century. After exploringthe work <strong>of</strong> the main “founders” <strong>of</strong>phenomenology <strong>and</strong> existentialism (Husserl,Heidegger, Jaspers), the course will concentratechiefly on the “French school” <strong>of</strong> existentialism <strong>and</strong>existential phenomenology (Marcel, Camus, Sartre,Merleau-Ponty <strong>and</strong> Ricoeur). The course will concludewith some reflections on contemporary postphenomenology<strong>and</strong> deconstruction (Foucault,Derrida).495V. Mock Trial(3-0-3) DwyerPermission required.This course is designed to prepare students to participatein the American Mock Trial Associationannual mock trial tournaments. Students will learnto apply the judicial rules <strong>of</strong> civil/criminal procedure<strong>and</strong> rules <strong>of</strong> evidence to the 2002-03 nationalcase. Participants will assume the roles <strong>of</strong> trial attorneys<strong>and</strong> witnesses for the plaintiff <strong>and</strong> defense<strong>and</strong> will develop critical analytical <strong>and</strong> communicationsskills in preparing <strong>and</strong> presenting the casethrough the direct examination <strong>and</strong> cross examinationat trial.OTHER COURSES418. Research Design <strong>and</strong> Methods(3-0-3) StaffThis course reviews approaches to the study <strong>of</strong> social<strong>and</strong> political phenomena. Students will learn tostructure a research question <strong>and</strong> to review possiblemethods for answering the questions that are raisedby observing political <strong>and</strong> social processes. Thecourse will acquaint students with a variety <strong>of</strong> researchmethods <strong>and</strong> with the advantages <strong>and</strong> drawbackseach method introduces. The course isdesigned for junior political science majors interestedin writing a senior honors thesis <strong>and</strong> for otherstudents whose careers may require research skills.Students will learn to develop research proposals<strong>and</strong> to critically review the research reported in themass media <strong>and</strong> in more specialized source. Bothqualitative <strong>and</strong> quantitative methods are presentedto help students become critical consumers <strong>of</strong> research.491/492. Writing SeminarsThese intensive writing seminars are requiredcourses. Open to senior majors <strong>and</strong> second-semesterjunior Pi Sigma Alpha members with permission<strong>of</strong> the director <strong>of</strong> undergraduate studies.The Writing Seminars give seniors the opportunityto work in a seminar setting, to explore a topicmore deeply, <strong>and</strong> to gain experience writing intheir field. Recent topics have included Issue Politics,the Constitution <strong>and</strong> Public Policy, ConstitutionalRights, African Politics, Israeli Politics,Issues in Democratic Politics, Latin American Politics,The Problem <strong>of</strong> the Common Good, Women<strong>and</strong> Politics, Non-Western Political Thought, Politics<strong>and</strong> Literature, <strong>and</strong> The Politics <strong>of</strong> CulturalDifferences.496. Internships(3-0-3) ArroyoThe goal <strong>of</strong> the internship program is to provideopportunities to integrate coursework with experientiallearning. To this end we sponsor internshipsthrough the <strong>Notre</strong> <strong>Dame</strong> area with a variety <strong>of</strong> localgovernment or government-related agencies.Learning through internships encompasses polishingyour resume, honing your interviewing skills,<strong>and</strong> improving writing <strong>and</strong> analytical skills by enteringthe world <strong>of</strong> work <strong>and</strong> getting h<strong>and</strong>s-on experience.All internships are nonpaid. Internshipcredits do not fulfill the political science major requirements.Permission required.497. Directed Readings: Reading<strong>and</strong> Research(0-V-0) StaffStudents with a G.P.A. at the Dean’s list level areeligible for independent study under the direction<strong>of</strong> a faculty member. Registration requires a“contractual agreement” with pr<strong>of</strong>essor prior toscheduling.499. Senior Honors Thesis(0-V-3) StaffSeniors with a grade point average <strong>of</strong> 3.5 or aboveare encouraged to write a senior honors thesis. Forthis project, the student works closely with a facultymember on a topic <strong>of</strong> the student’s choice.The senior honors thesis builds on the student’scoursework, experience, <strong>and</strong> interests <strong>and</strong> trains thestudent to work deeply <strong>and</strong> independently. Threecredits <strong>of</strong> this two-semester project fulfill one seniorwriting seminar requirement. The other threecredits can count toward elective credit but not towardthe major.500-Level Courses. Many 500-level graduatecourses are open to qualified undergraduates with agrade point average <strong>of</strong> 3.6 or higher <strong>and</strong> permission<strong>of</strong> the instructor. Descriptions <strong>of</strong> these courses areavailable in the Graduate School Bulletin <strong>of</strong> Information,as well as in the political science department<strong>of</strong>fice.Program <strong>of</strong> LiberalStudiesChair:F. Clark PowerRev. John J. Cavanaugh, C.S.C.,Pr<strong>of</strong>essor <strong>of</strong> Humanities:Michael J. Crowe (emeritus)Pr<strong>of</strong>essors:Rev. Nicholas Ayo, C.S.C.; Frederick J.Crosson (emeritus); Kent Emery Jr.; Walter J.Nicgorski; F. Clark Power; Phillip R. SloanAssociate Pr<strong>of</strong>essors:Edward J. Cronin (emeritus); Stephen M.Fallon; G. Felicitas Munzel; GretchenReydams-Schils; M. Katherine Tillman;Henry M. WeinfieldAssistant Pr<strong>of</strong>essors:Steven G. Affeldt; Edmund Goehring; JuliaMarvin; Fabian E. UdohProgram <strong>of</strong> Studies. The Program <strong>of</strong> LiberalStudies, <strong>Notre</strong> <strong>Dame</strong>’s Great Books program, <strong>of</strong>fersan integrated three-year sequence <strong>of</strong> studies leadingto the bachelor <strong>of</strong> arts degree. Students enter theprogram at the end <strong>of</strong> the First Year <strong>of</strong> Studies.Fundamental to the program is a conception <strong>of</strong>a liberal arts education that aims to avoid the separation<strong>of</strong> the humanities <strong>and</strong> sciences. Theprogram seeks to provide a unified undergraduateeducation in all <strong>of</strong> the liberal arts. For this reasonthe program is not to be equated with a “generalhumanities” educational program. The study <strong>of</strong>literature, philosophy, natural <strong>and</strong> social science,theology, history <strong>and</strong> fine arts will take placewithin a larger unifying conception <strong>of</strong> the liberalarts that cuts across many <strong>of</strong> the disciplinaryboundaries suggested by these names. Because thegoal <strong>of</strong> the program education is more than anintroduction to various subject matters, none <strong>of</strong> thetutorials or seminars st<strong>and</strong>s alone in the program.The curriculum grows organically over the threeyears, with each course presuming all <strong>of</strong> itspredecessors.Although the program emphasizes education inthe liberal arts, it also considers the liberal arts inthemselves as insufficient for a complete education.The liberal arts are the critical tools <strong>of</strong> learning, butthey are also to be related to the larger search forgenuine underst<strong>and</strong>ing <strong>and</strong> philosophic wisdom.Philosophy, which explores the basic questions <strong>of</strong>epistemology, ethics, <strong>and</strong> politics, is also related tothe claims <strong>of</strong> the Christian tradition. The programmaintains specific tutorials in the variousdisciplines to enable these relationships to developsystematically.The normal method <strong>of</strong> instruction in theprogram is through the reading <strong>and</strong> discussion <strong>of</strong>primary texts. The student is asked to take anactive role in the learning process. Particularly inthe seminar, the authors <strong>of</strong> the great books areconsidered to be the primary teachers.


182PROGRAM OF LIBERAL STUDIESThe program requires writing throughout thecurriculum, especially in the tutorial classes. In thespring semester <strong>of</strong> their senior year, all students arerequired to write a major research essay under thedirection <strong>of</strong> a faculty advisor. The senior essay<strong>of</strong>fers students a particularly intensive writingexperience <strong>and</strong> an opportunity to investigate aspecialized topic <strong>of</strong> interest in depth.To accomplish the goals <strong>of</strong> the program, thestudent must take the entire sequence <strong>of</strong> courses,each building upon the earlier components toachieve a cumulative <strong>and</strong> organic educational experience.For this reason, the program must constitutethe student’s major. Sufficient electives areavailable in each <strong>of</strong> the three years, however, to allowoutside concentrations to be completed.Supplementary majors are difficult but not impossible<strong>and</strong> can be accommodated.Students must formally apply for entrance intothe program by a stated date in the spring <strong>of</strong> thefirst year, <strong>and</strong> application blanks will be availableby mid-January. Students interested in entering theprogram are urged to complete the <strong>University</strong> science,mathematics, <strong>and</strong> first theology requirementin the first year. In some special cases, typically involvinginternational study, a student may beginthe program at a later date, but in no case after thebeginning <strong>of</strong> the junior year. Students admitted tothe program at later stages must be prepared tomake up prior components.SEQUENCE OF COURSESSophomore YearFirst Semester241. Philosophical Inquiry 3243. Literature I: Poetic Diction 3281. Great Books Seminar I 4Elective 3Elective 3______16Second Semester244. Mathematical Sciences <strong>and</strong>Classical Astronomy 3246. The Bible <strong>and</strong> Its Interpretation 3282. Great Books Seminar II 4Elective 3Elective 3______16Junior YearFirst Semester341. Fine <strong>Arts</strong> 3343. Mechanics/Life Sciences 3347. Ethics 3381. Great Books Seminar III 4Elective 3______16Second Semester346. Literature II: Shakespeare <strong>and</strong>Milton/Spenser/Wordsworth 3348. Political <strong>and</strong> Constitutional Theory 3382. Great Books Seminar IV 4Elective 3Elective 3______16Senior YearFirst Semester443. Christian Theological Tradition 3445. Intellectual <strong>and</strong> Cultural History 3481. Great Books Seminar V 4Elective 3Elective 3______16Second Semester444. Metaphysics <strong>and</strong> Epistemology 3446. Modern Astronomy/Developmental Psychology 3462. Essay Tutorial 3482. Great Books Seminar VI 4Elective 3______16Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.SEMINARS180. Literature <strong>University</strong> Seminar I <strong>and</strong> II(3-0-3) (3-0-3) StaffThe introductory seminar to the program will fulfillthe <strong>University</strong> literature requirement. It is designedto develop the art <strong>of</strong> careful reading,discussion <strong>and</strong> writing. Students will read foundationalworks <strong>of</strong> Greek <strong>and</strong> Latin civilization. Authorstreated include Homer, the Greek dramatists,Thucydides, Plato, Aristotle, Virgil, <strong>and</strong> Augustine.281-282. Great Books Seminar I <strong>and</strong> II(4-0-4) (4-0-4) StaffThe introductory seminar sequence is designed tointroduce the student to the great books seminarmethodology. A discussion format is intended todevelop the art <strong>of</strong> discussion <strong>and</strong> the communication<strong>of</strong> complex ideas through readings in the foundationalworks <strong>of</strong> Greek <strong>and</strong> Latin civilization.Authors treated include Homer, the Greek dramatists,Herodotus, Thucydides, Plato, Aristotle,Cicero, Virgil, Augustine, <strong>and</strong> Bonaventure.381-382. Great Books Seminar III <strong>and</strong> IV(4-0-4) (4-0-4) StaffThe second seminar sequence deals with the primaryworks <strong>of</strong> the High Middle Ages, the Renaissance,<strong>and</strong> early modern authors through theEnlightenment. Authors treated include ThomasAquinas, Dante, Chaucer, Luther, Cervantes, Bacon,Descartes, Hobbes, Pascal, Milton, Hume,Rousseau, Swift, Austen, Kant, <strong>and</strong> Goethe.481-482. Great Books Seminar V <strong>and</strong> VI(4-0-4) (4-0-4) StaffThe third sequence deals with 19th- <strong>and</strong> 20th-centuryworks, including some consideration <strong>of</strong> theprimary works <strong>of</strong> the Eastern tradition. Authorstreated include selected writings <strong>of</strong> Chinese <strong>and</strong>Hindu authors, Hegel, Tocqueville, Melville,Tolstoy, Mill, Marx, Kierkegaard, Newman, Darwin,Nietzsche, Freud, Peirce, James, Heidegger,Woolf, Wittgenstein, Ellison, <strong>and</strong> Dostoevsky.LITERATURE243. Literature I: Poetic Diction(3-0-3) Fallon, MarvinAn introduction to poetry through intensive study<strong>of</strong> several lyric poets writing in English. Throughclose reading <strong>of</strong> selected works in English, studentswill become familiar with central literary devices,including rhythm <strong>and</strong> meter, image, metaphor,symbol, paradox <strong>and</strong> irony. Authors may includeShakespeare, Herbert, Marvell, Keats, Wordsworth,Yeats, <strong>and</strong> Eliot. Fall.346. Literature II: The Longer Forms(3-0-3) Fallon, MarvinBuilding on the techniques <strong>of</strong> close reading developedin Literature I, this course will turn to longerliterary works. Attention will be focused on methodsby which authors unify long works <strong>and</strong> on theexpressive power <strong>of</strong> literary genres, modes, <strong>and</strong>conventions. The reading list normally will includeworks by Shakespeare <strong>and</strong> at least one <strong>of</strong> the centralnarrative poets in English (Chaucer, Spenser,Milton, Pope, Wordsworth). Spring.PHILOSOPHY AND THEOLOGY241. Philosophical Inquiry(3-0-3) Reydams-Schils, StaffExercises in philosophical inquiry in the context <strong>of</strong>the liberal arts tradition, including a study <strong>of</strong> bothclassical <strong>and</strong> modern texts <strong>and</strong> an introduction tothe forms <strong>of</strong> logical argument. Fall.246. The Bible <strong>and</strong> Its Interpretations(3-0-3) AyoA close study <strong>of</strong> the Bible. Selected passages will beanalyzed in detail. The course will consider the role<strong>of</strong> the Bible in the life <strong>of</strong> the church, the history <strong>of</strong>its interpretation <strong>and</strong> the various approaches <strong>of</strong>modern scholarship. Spring.


183PROGRAM OF LIBERAL STUDIES347. Ethics(3-0-3) AffeldtAn examination <strong>of</strong> modes <strong>of</strong> moral reasoning <strong>and</strong>what constitutes the good life, based primarily onthe study <strong>of</strong> the ethical teachings <strong>of</strong> some <strong>of</strong> themain philosophers <strong>and</strong> theologians <strong>of</strong> the Westerntradition. Readings will include Aristotle <strong>and</strong> Kant<strong>and</strong> a selection from such authors as Augustine,Rousseau, <strong>and</strong> Mill <strong>and</strong> from works on moral development.Fall.348. Political <strong>and</strong> Constitutional Theory:Ancient <strong>and</strong> Modern(3-0-3) Affeldt, NicgorskiAn approach to underst<strong>and</strong>ing the fundamentalproblems <strong>of</strong> political community <strong>and</strong> the nature <strong>of</strong>various solutions to these, especially the democraticsolution. Readings include Aristotle’s Politics,Locke’s Second Treatise, <strong>and</strong> The Federalist. Spring.443. Christian Theological Tradition(3-0-3) Ayo, EmeryA study <strong>of</strong> the major Christian doctrines in theirdevelopment, including God, creation <strong>and</strong> humanity,incarnation <strong>and</strong> redemption, <strong>and</strong> the sacraments.The course moves toward a historical <strong>and</strong>systematic underst<strong>and</strong>ing <strong>of</strong> Christianity, specificallythe Roman Catholic tradition. Readings typicallyinclude patristic authors, medieval authorssuch as Aquinas, <strong>and</strong> the documents <strong>of</strong> Vatican II.Fall.Michael J. Crowe, pr<strong>of</strong>essor emeritus in the Program <strong>of</strong> Liberal Studies444. Metaphysics <strong>and</strong> Epistemology(3-0-3) Munzel, Reydams-SchilsAn inquiry into the nature <strong>of</strong> knowledge <strong>and</strong> reality,<strong>and</strong> their relation, based on close study <strong>of</strong> selectwritings <strong>of</strong> Plato, Aristotle, Aquinas, Kant, Arendt<strong>and</strong> others. Spring.SCIENCE244. Mathematical Sciences<strong>and</strong> Classical Astronomy(3-0-3) Bordogna, SloanDrawing on a great-books approach to sciencethrough use <strong>of</strong> classic texts, the science tutorialcourses constitute a distinctive attempt to underst<strong>and</strong>the main principles <strong>and</strong> developments in thesciences <strong>and</strong> mathematics that have most dramaticallyinfluenced humanity’s view <strong>of</strong> itself <strong>and</strong> itsuniverse through the study <strong>of</strong> select primarysources. Laboratory <strong>and</strong> observatory experience willbe incorporated to bring students into direct contactwith the critical scientific observations <strong>and</strong> experiments.The first half <strong>of</strong> the first natural sciencecourse explores the nature <strong>of</strong> mathematical reasoning,primarily by the study <strong>of</strong> Euclidean geometry.The second half, focused on a study <strong>of</strong> the Copernicanrevolution, begins with readings fromAristotle, Plato <strong>and</strong> Ptolemy, followed by a selectivestudy <strong>of</strong> the new theories <strong>of</strong> Copernicus,Kepler <strong>and</strong> Galileo. Spring.343. Mechanics/Life Sciences(3-0-3) SloanThis course is divided into halves. The first halfstudies the development <strong>of</strong> mechanics by a consideration<strong>of</strong> the contributions <strong>of</strong> such authors asAristotle, Descartes, Galileo, Newton <strong>and</strong> Einstein.The second unit concentrates on the sciences <strong>of</strong> livingnature, exploring this first through a case study<strong>of</strong> the development <strong>of</strong> Harvey’s theory <strong>of</strong> the circulation<strong>of</strong> the blood, with readings from Galen,Harvey <strong>and</strong> Descartes. This will be followed by theanalysis <strong>of</strong> Darwin’s theory <strong>of</strong> evolution <strong>and</strong> theDarwin debates, concentrating on a reading <strong>of</strong> TheOrigin <strong>of</strong> Species <strong>and</strong> related texts. Fall.446. Modern Astronomy/DevelopmentalPsychology(3-0-3) Crowe, PowerThis semester will be composed <strong>of</strong> two half-semesterunits. One will deal with the development <strong>of</strong>stellar <strong>and</strong> extra-galactic astronomy. Writings underconsideration will include works by Herschel,Shapley, <strong>and</strong> Hubble. The second unit will examinemodern social science. The focus <strong>of</strong> this unitwill be on the cognitive developmental psychology<strong>of</strong> Jean Piaget with supplementary readings fromJohn Dewey, Lawrence Kohlberg <strong>and</strong> StanleyMilgram. Spring.FINE ARTS341. Fine <strong>Arts</strong>(3-0-3) StaffThis course serves as an introduction to the arts,aesthetics, critical vocabularies, <strong>and</strong> ways <strong>of</strong> seeing<strong>and</strong> hearing <strong>of</strong> literate Western culture. Principalemphasis is placed on the major genres <strong>of</strong> Westernart—music from the Middle Ages to the present,including the Mass, oratorio, opera, symphony,<strong>and</strong> song—but more important developments inthe visual arts <strong>and</strong> relevant literary <strong>and</strong> intellectualmovements may also be considered. Using variouslive artistic resources <strong>of</strong> the Michiana <strong>and</strong> Chicagoareas, recordings <strong>and</strong> reproductions, slides <strong>and</strong>films, as well as important readings on theory, aesthetics<strong>and</strong> criticism, students will develop a conceptualframework through which to evaluate <strong>and</strong>discuss the arts. Fall.


184PROGRAM OF LIBERAL STUDIES PSYCHOLOGYHISTORY445. Intellectual <strong>and</strong> Cultural History(3-0-3) StaffThis tutorial will deal with the issue <strong>of</strong> history <strong>and</strong>its location in the great-books curriculum. The firstportion <strong>of</strong> the course will examine the issues <strong>of</strong> historiography<strong>and</strong> the use <strong>of</strong> historical analysis <strong>and</strong>contextualized reading. The course after this pointwill examine selectively critical issues in the foundations<strong>of</strong> the modern era by means <strong>of</strong> primary <strong>and</strong>secondary sources dealing with the French Revolution<strong>and</strong> its aftermath, the transformation at theend <strong>of</strong> the 18th century in philosophy, <strong>and</strong> the IndustrialRevolution. The course will conclude witha select examination <strong>of</strong> issues at the end <strong>of</strong> the 19thcentury. Texts to be treated will include Carr, Whatis History; Montesquieu, The Spirit <strong>of</strong> the Laws;Rousseau, The Social Contract; Kant, What is Enlightenment<strong>and</strong> Idea <strong>of</strong> a Universal Peace; primarydocuments on the French Revolution; Dickens,Hard Times; Mann, The Magic Mountain; Eliade,Cosmos <strong>and</strong> History. Fall.SPECIAL COURSES462. Essay Tutorial(3-0-3) StaffThis course provides the framework in which seniorsin the program prepare a substantial essay,culminating their three years in the program. Facultymembers working with small groups <strong>of</strong> studentshelp them define their topics <strong>and</strong> guidethem, usually on a one-to-one basis, in the preparation<strong>of</strong> their essays. Spring.497. Directed Readings(3-0-3) Staff498. Special Studies(3-0-3) StaffInstructor’s written permission <strong>and</strong> permission <strong>of</strong>chair required. Reading courses in areas <strong>of</strong> interestto the student.PsychologyChair:Jeanne D. DayDirector <strong>of</strong> Undergraduate Studies:Anré VenterAndrew J. McKenna Pr<strong>of</strong>essor <strong>of</strong> Psychology:John G. BorkowskiNancy Reeves Dreaux Pr<strong>of</strong>essor <strong>of</strong> Psychology:Naomi M. MearaMatthew A. Fitzsimons Pr<strong>of</strong>essor <strong>of</strong> Psychology:Scott E. Maxwell<strong>Notre</strong> <strong>Dame</strong> Pr<strong>of</strong>essor <strong>of</strong> Catholic Education:G. Michael PressleyPr<strong>of</strong>essors:Rev. William A. Botzum, C.S.C. (emeritus);E. Mark Cummings: Jeanne D. Day; George S.Howard; Don Pope-Davis; Thomas L.WhitmanAssociate Pr<strong>of</strong>essors:Willis E. Bartlett (emeritus); Cindy S.Bergeman; Julie M. Braungart-Rieker; LauraCarlson; Charles R. Crowell; William E.Dawson; Bradley S. Gibson; Anita E. Kelly;Sheridan P. McCabe (emeritus); Thomas V.Merluzzi; Darcia Narveaz; G.A. Radavansky;David A. SmithConcurrent Associate Pr<strong>of</strong>essor:Patrick W. UtzAssistant Pr<strong>of</strong>essors:Steven M. Boker; Alex<strong>and</strong>ra F. Corning;Kathleen Eberhard; Dawn Gondoli; Christ<strong>of</strong>Schuster; Michael J. Wenger; Robert L. WestAdjunct Assistant Pr<strong>of</strong>essors:Rita J. Donley; Leonard A. Hickman; WendySettle; Susan C. Steibe-Pasalich; Julianne C.Turner; Robert D. White; Mickey FrancoAssociate Pr<strong>of</strong>essional Specialist:Anre VenterAdjunct Instructors:Roya Ghiaseddin; Kathy Gibney; AliciaKnoedler; Kathleen KolbergProgram <strong>of</strong> Studies. Psychology is the scientificstudy <strong>of</strong> the behavior <strong>of</strong> organisms with a primaryfocus on human behavior. It is concerned with thebiological <strong>and</strong> environmental determinants <strong>of</strong> behavioras reflected in the study <strong>of</strong> physiological,sensory, perceptual, cognitive, motivational, learning,developmental, aging <strong>and</strong> social processes. Theundergraduate program seeks a balance between exposureto basic psychological principles <strong>and</strong> theories<strong>and</strong> their extension to the applied areas such aschild education, counseling, mental retardation <strong>and</strong>behavioral deviancy.The undergraduate courses are intended tomeet the needs <strong>of</strong> students who plan to(1) major in psychology <strong>and</strong> later attend graduateschool in psychology or affiliated fields, (2) majorin psychology as part <strong>of</strong> a general cultural program,(3) obtain training in psychology as a specialsupplement to their major interest or (4) use psychologyto satisfy social science requirements orelectives.One <strong>of</strong> the department’s main features is anemphasis on opportunities for close faculty-studentinvolvement in research projects at the undergraduatelevel. The research specialties in which majorsmay become involved range from basic research insuch areas as psychophysics, human <strong>and</strong> animallearning, child development, aging <strong>and</strong>psycholinguistics, to applied research in a communitysetting. Students planning to do graduate workin psychology will plan their program in close coordinationwith their faculty advisors.Undergraduate major. The psychology majorrequires a minimum <strong>of</strong> seven three-credit courses,two four-credit courses (341 <strong>and</strong> 342) <strong>and</strong> oneone-credit course (300), <strong>and</strong>, therefore, a minimum<strong>of</strong> 30 credit hours.The specific requirements comprising the minimum30 credit hours are as follows. All majors arerequired to take three credits <strong>of</strong> PSY 111, IntroductoryPsychology (for freshmen), or PSY 211 or211A, Introductory Psychology (for upperclass students)as a prerequisite for the content psychologycourses. In addition, all psychology majors are requiredto take PSY 341, Experimental PsychologyI: Statistics (four credits), <strong>and</strong> PSY 342, ExperimentalPsychology II: Research Methods (fourcredits). Majors then have a choice in that they arerequired to complete two <strong>of</strong> the following fourcourses in the Social <strong>and</strong> Developmental Processes(CLASS A): PSY 350, Developmental Psychology;PSY 352, Social Psychology; PSY 353, Personality;<strong>and</strong> PSY 354, Abnormal Psychology. Similarly, majorsare required to complete two <strong>of</strong> the followingfour courses in the Biological <strong>and</strong> Learning Processes(CLASS B): PSY 355, Physiological Psychology;PSY 356, Learning <strong>and</strong> Memory; PSY 357,Sensation <strong>and</strong> Perception; <strong>and</strong> PSY 359, Cognition.In their senior year each major must take twocontent courses at the 400 level, which are small,in-depth discussion-oriented seminars generally inthe instructor’s specific area <strong>of</strong> expertise. All 400-level seminars are designated writing-intensivecourses, satisfying the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>writing requirement. (See arts <strong>and</strong> letters writingrequirement, page 79.) PSY 498, Special Studies,cannot be used to satisfy the 400-level major requirement.Finally, in the spring semester followingtheir declaration <strong>of</strong> a major in psychology, new majorsare expected to participate in a one-credit-hourseminar called PSY 300, Psychology: Science, Practice,Policy, which provides an introduction to thedepartment <strong>and</strong> the faculty.


185PSYCHOLOGYNote: PSY 398 or PSY 498, Special Studies cannotbe used to satisfy any <strong>of</strong> the 300 level or 400 levelcourses. However, these credits are strongly recommendedfor any students intent on pursuing agraduate career in psychology. In addition, eventhough Introductory Psychology (PSY 111, PSY211, or PSY 211A) is a prerequisite for the contentarea courses, it does not fulfill any <strong>of</strong> the 30-credithourrequirements for the major.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.111. Introductory Psychology FY(3-0-3) Venter, Radvansky, UtzA broad coverage <strong>of</strong> the methods <strong>and</strong> findingswhich characterize scientific psychology, includinga description <strong>of</strong> historical <strong>and</strong> recent developmentsin the areas <strong>of</strong> learning <strong>and</strong> motivation; perceptual,cognitive <strong>and</strong> physiological processes; social, personality<strong>and</strong> child development; <strong>and</strong> abnormal behavior<strong>and</strong> clinical treatment. Open to first-yearstudents only.180. Social Science <strong>University</strong> Seminar(3-0-3) StaffThese seminars are designed for further underst<strong>and</strong>ing<strong>of</strong> the myriad ways psychology is embeddedin the biological, social <strong>and</strong> cultural contexts <strong>of</strong>one’s everyday life.211. Introductory Psychology SJS(3-0-3) Corning, StaffA broad coverage <strong>of</strong> the methods <strong>and</strong> findingswhich characterize scientific psychology, includinga description <strong>of</strong> historical <strong>and</strong> recent developmentsin the areas <strong>of</strong> learning <strong>and</strong> motivation; perceptual,cognitive <strong>and</strong> physiological processes; social, personality<strong>and</strong> child development <strong>and</strong> abnormal behavior<strong>and</strong> clinical treatment. Open only tosophomores, juniors <strong>and</strong> seniors.211A. Introductory Psychology PSI(0-0-3) CrowellThis course covers the same content as PSY 211but is taught using an individualized, self-pacedmethod <strong>of</strong> instruction. This method is a variant <strong>of</strong>the Personalized System <strong>of</strong> Instruction (PSI) format<strong>and</strong> includes features such as self-paced learning,emphasis upon mastery <strong>of</strong> the written rather thanthe spoken word, frequent testing <strong>and</strong> an option toretake unsatisfactory quizzes.The department requires that Introductory Psychology(PSY 111, PSY 211, or PSY 211A) precedeits 300- <strong>and</strong> 400-level courses.300. Psychology: Science, Practice, <strong>and</strong> Policy(1-0-1) BorkowskiThis one-credit seminar introduces the department’sprograms <strong>and</strong> faculty research interests aswell as the pr<strong>of</strong>ession <strong>of</strong> psychology. The goal is toencourage more active reflection on how psychologycan be useful, both personally <strong>and</strong> pr<strong>of</strong>essionally;also to present the major tensions withincontemporary psychology as well as its potentialimpact on public policies in the decade ahead.305. Leadership, Culture, <strong>and</strong> Community(3-0-3) Pope-DavisThis course is designed to give students exposure tosome <strong>of</strong> the present day <strong>Notre</strong> <strong>Dame</strong> legends inleadership. Students will participate in discussionswith <strong>Notre</strong> <strong>Dame</strong> <strong>and</strong> South Bend leaders such asathletic coaches, <strong>University</strong> administrators, presidents,deans, <strong>and</strong> faculty <strong>of</strong> various disciplines.This is a rare opportunity to discuss culture, community,<strong>and</strong> leadership issues with proven pr<strong>of</strong>essionals,philanthropists, <strong>and</strong> prominent communityfigures.During the semester students will be asked toexamine issues <strong>of</strong> differences <strong>and</strong> conflict that canarise when cultural, community, <strong>and</strong> leadershipstyles attempt to co-exist. Potential ways <strong>of</strong>addressing these issues will be proposed <strong>and</strong> evaluated.Approximately 12 speakers from the <strong>Notre</strong><strong>Dame</strong> <strong>and</strong> South Bend community will be invitedto present their personal histories as it relates totheir pr<strong>of</strong>essional development, leadership style,culture, <strong>and</strong> communities in which they work.Speakers will also address issues <strong>of</strong> cultural differences<strong>and</strong> similarities that may lead to conflict <strong>and</strong>how they are resolved.310A. Soc Con Sem: Children <strong>and</strong> Poverty(1-0-1) Br<strong>and</strong>enbergerRefer to “Center for Social Concerns” in the frontsection <strong>of</strong> this Bulletin.310C. Soc Con Sem: Leadership Ethics(1-0-1) Br<strong>and</strong>enbergerRefer to “Center for Social Concerns” in the frontsection <strong>of</strong> this Bulletin.341. Experimental Psychology I: Statistics(3-2-4) Ghiaseddin, Gibson, Schuster, Venter,WengerAn introduction to the analysis <strong>and</strong> evaluation <strong>of</strong>experimental data, with particular emphasis uponmeasures <strong>of</strong> central tendency, variability <strong>and</strong>covariability <strong>and</strong> their relationship to psychologicaltheory <strong>and</strong> explanation.342. Experimental Psychology II: Methods(3-3-4) Bergeman, Braungart-Rieker, Carlson,WestPrerequisite: PSY 341.A continuation <strong>of</strong> Psychology 341, with emphasison the design <strong>and</strong> methods <strong>of</strong> execution <strong>of</strong> psychologicalresearch. Training in writing reports in pr<strong>of</strong>essionalformat is also provided.344. Graphic Data Analysis(3-0-3)The process by which psychological knowledge advancesinvolves a cycle <strong>of</strong> theory development, experimentaldesign <strong>and</strong> hypothesis testing.Exploratory data analysis completes this researchcycle by helping to form <strong>and</strong> change new theories.After the planned hypothesis testing for an experimentis finished, exploratory data analysis can lookfor patterns in these data that may have beenmissed by the original hypothesis tests. A seconduse <strong>of</strong> exploratory data analysis is in diagnostics forhypothesis tests. There are many reasons why a hypothesistest might fail or reject the null for an unexpectedreason. Exploratory methods help theinformed researcher underst<strong>and</strong> what went wrong(or what went right for the wrong reason).345. Dynamical Systems Analysis(3-0-3) BokerQuestions posed by researchers in psychology requirestudying evolving behavior over time. Dynamicalsystems methods were developed to studyjust such evolving systems <strong>and</strong> can be helpful inboth experimental design <strong>and</strong> analysis <strong>of</strong> resultingdata. This course presents methods that can beused to analyze intra-individual variability from adynamical systems perspective. Recently developedtechniques such as mutual information, state-spaceembedding, fractal dimension, <strong>and</strong> surrogate datatests are presented along with more traditional timeseries <strong>and</strong> linear statistical methods.350. Developmental Psychology(3-0-3) Braungart, GondoliMajor theories <strong>and</strong> research findings on social,emotional <strong>and</strong> cognitive development are covered.Although emphasis is on the time from birth toearly adulthood, some research on adulthood <strong>and</strong>the elderly is included. Attention is given to howdifferent environments enhance or hinder healthydevelopment.352. Social Psychology(3-0-3) VenterAn introduction to the major theoretical orientationswithin the field <strong>of</strong> experimental social psychology<strong>and</strong> a survey <strong>of</strong> the research findings inselected areas such as attitude formation <strong>and</strong>change, affiliation, interpersonal attraction <strong>and</strong> socialcognition.353. Psychology <strong>of</strong> Personality(3-0-3) Kelly, MearaAn introduction to personality development frombirth to old age. Emphasis is given to the role <strong>of</strong>heredity <strong>and</strong> environment in personality development<strong>and</strong> the importance <strong>of</strong> motivation, traumas,learning, perception, thought, creativity <strong>and</strong> abnormalityfor an underst<strong>and</strong>ing <strong>of</strong> personalityfunction.


186PSYCHOLOGY354. Abnormal Psychology(3-0-3) Smith, StaffDefines the concept <strong>of</strong> abnormal or maladaptivebehavior; reviews the principles involved in hum<strong>and</strong>evelopment <strong>and</strong> adjustment <strong>and</strong> describes thecommon clinical syndromes, their causes <strong>and</strong>treatments.355. Physiological Psychology(3-V-3) Crowell, GibsonAn introduction to the biological bases<strong>of</strong> behavior, with a major emphasis being placedupon the neurological correlates <strong>of</strong> behavior. Maybe <strong>of</strong>fered with lab section.356. Learning <strong>and</strong> Memory(3-0-3) Radvansky, WestA survey <strong>of</strong> the theories <strong>and</strong> methods relating tobasic processes in learning <strong>and</strong> memory from bothbiological <strong>and</strong> cognitive perspectives.357. Sensation <strong>and</strong> Perception(3-0-3) Dawson, Gibson, WengerIncludes a diverse range <strong>of</strong> topics, from sensoryprocesses <strong>and</strong> perceptual development to sensorydeprivation <strong>and</strong> visual illusions. Emphasis is onauditory <strong>and</strong> visual perception.359. Cognitive Psychology(3-0-3) Carlson, Eberhard, Gibson, RadvanskyA lecture course presenting a cognitive approach tohigher processes such as memory, problem solving,learning, concept formation <strong>and</strong> language.385. Practicum in Teaching Technology(3-0-3) CrowellPrerequisite: Consent <strong>of</strong> instructor.An introduction to <strong>and</strong> experience in applying theprinciples <strong>and</strong> methods <strong>of</strong> behavior instruction inthe classroom.388. Computers in Psychological Research<strong>and</strong> Education(3-0-3) (3-0-3) CrowellPermission <strong>of</strong> instructor required.Possible projects include: education, work productivity,decision making, database management, expertsystems, knowledge retrieval, data analysis <strong>and</strong>experiment control. Projects may require campusmainframe computer or microcomputers, particularlythe Macintosh or IBM PC. Same as CAPP481C.390B. Practicum in Developmental DysfunctionWhitmanThis practicum/seminar is the logical outgrowth <strong>of</strong>a long informal relationship that student volunteershave had with families in the Michiana communitywho have autistic <strong>and</strong> other special-needs children.The practicum aspect <strong>of</strong> the course will involve studentsgoing into a family home <strong>and</strong> working in astructured program with an autistic child for, onaverage, three times a week <strong>and</strong> a total <strong>of</strong> six toseven hours. In addition, students will meet in classonce a week for discussion on a range <strong>of</strong> topics relatingto autism, including issues regarding its definition,assessment, etiology, <strong>and</strong> treatment, as wellas topics regarding the impact <strong>of</strong> autism on thefamily, community resources, <strong>and</strong> social policy. Anumber <strong>of</strong> classes will feature discussions led byparents <strong>of</strong> autistic children. This class is recommendedparticularly for students interested in childclinical psychology, education, developmental psychology,<strong>and</strong> social work.391. Marital Communication(3-0-3) SmithThis seminar begins with a review <strong>of</strong> general principles<strong>of</strong> behavior therapy as applied to maritalproblems. Following this, practical readings onhow to improve marital functioning will becovered. The seminar will conclude with a servicelearning experience that involves creating <strong>and</strong> deliveringa marital communication <strong>and</strong> problemsolvingworkshop to couples at The RobinsonCommunity Learning Center, a <strong>Notre</strong> <strong>Dame</strong> Centerfor Social Concerns community agency.392. Sign Language(3-0-3) StillsonThe American Sign Language class is designed tointroduce basic vocabulary <strong>and</strong> simple sentencestructure for conversational use. A cultural view ispresented to examine traditions <strong>and</strong> values. A linguisticview is presented to introduce structure,syntax <strong>and</strong> manual alphabet. Experiential activities,receptive <strong>and</strong> expressive exercises <strong>and</strong>fluency opportunitiesare incorporated into the format. Thisis an introductory class for students with no priorknowledge <strong>of</strong> American sign language.393A. Family BusinessSee the Mendoza <strong>College</strong> <strong>of</strong> Business section <strong>of</strong> thisBulletin for a description.394. Culture <strong>and</strong> Community Psychology(3-0-3) Pope-DavisPrerequisite: PSY 341.The course will address cultural identity theory, research<strong>and</strong> practice in society, <strong>and</strong> how it affectsthe psychosocial development <strong>of</strong> different culturalgroups. Cultural assumptions, values, <strong>and</strong> attitudeswill also be examined.397. Directed Readings(0-0-3)Prerequisite: Consent <strong>of</strong> instructor.Directed reading is carried out under the supervision<strong>of</strong> a faculty member. A typewritten report onthe reading is required.398. Special Studies(0-V-V) StaffPrerequisite: Consent <strong>of</strong> instructor. Majors only.Independent research carried out under supervision<strong>of</strong> a faculty member. A typewritten report <strong>of</strong> aresearch literature or an experimental study isrequired.The following advanced courses <strong>and</strong> seminars areprimarily for majors; however, non-majors mayenroll with the consent <strong>of</strong> the instructor.401. Motivation(3-0-3) CrowellOverview <strong>of</strong> theory <strong>and</strong> research relation to theconcept <strong>of</strong> motivation. Both historical <strong>and</strong> contemporaryissues are considered.402. Psychological Testing(3-0-3) StaffPrerequisite: PSY 341.An introduction to the theory <strong>of</strong> psychologicalmeasurement. The course surveys representativetests <strong>of</strong> intelligence, personality, attitudes, interests<strong>and</strong> aptitudes.405. Children <strong>and</strong> Poverty:Developmental Implications(3-0-3) Br<strong>and</strong>enbergerExamines the impact <strong>of</strong> rising levels <strong>of</strong> child poverty<strong>and</strong> related concerns from the perspective <strong>of</strong>developmental <strong>and</strong> social psychology.406. Learning for Change: AlternativePedagogies <strong>and</strong> Moral Imagination(3-0-3) Br<strong>and</strong>enbergerExploration <strong>of</strong> broad issues relating education <strong>and</strong>the common good with an emphasis on the pedagogicalpractices promoting moral development<strong>and</strong> moral imagination.407. Leadership <strong>and</strong> Social Responsibility(3-0-3) Br<strong>and</strong>enbergerThis course examines leadership <strong>and</strong> empowermentissues from multidisciplinary perspectives, focusingon the role <strong>of</strong> the leader within organizations thatpromote service, social action or other forms <strong>of</strong> socialresponsibility. Alternative models <strong>of</strong> leadershipare explored, with attention to value <strong>and</strong> moralimplications.


187PSYCHOLOGY408. Cross-Cultural Psychology(3-0-3) Pope-DavisThe general purpose <strong>of</strong> this course is to examine<strong>and</strong> learn to talk about issues <strong>of</strong> culture <strong>and</strong> race inthe United States from a psycho-social perspective.Culture <strong>and</strong> race are not synonyms. So, we will beexamining some <strong>of</strong> the ways that each affects thequality <strong>of</strong> our psychological functioning.The goals <strong>of</strong> this course are to learn to recognize<strong>and</strong> appreciate culture in ourselves <strong>and</strong> others;to examine the different ways that cultural <strong>and</strong> racialsocialization influence behavior, to considerhow culture <strong>and</strong> race relate to various psychologicalconstructs, <strong>and</strong> to underst<strong>and</strong> the ways in whichracism <strong>and</strong> ethnocentricism operates in everydaylife. To accomplish these goals, we will use readings,group discussions, lectures, films, <strong>and</strong> eachother to exp<strong>and</strong>ing our awareness <strong>of</strong> how culture<strong>and</strong> race operates in our everyday life. As a studentin this class, you will be encouraged to share yourideas <strong>and</strong> life experiences.410. Psychology <strong>of</strong> Discrimination(3-0-3) CorningThis course is intended to facilitate students’ underst<strong>and</strong>ing<strong>of</strong> discrimination <strong>and</strong> prejudice from asocial-psychological perspective. The psychologically-basedcauses, correlates, <strong>and</strong> consequences <strong>of</strong>discrimination <strong>and</strong> prejudice will be examined viathe application <strong>of</strong> social-cognitive theories <strong>and</strong> researchto the real experiences <strong>of</strong> stigmatized groupmembers. As such, this course is intended to helpstudents better underst<strong>and</strong> the major psychologicalprinciples underlying prejudiced attitudes <strong>and</strong> discriminatorybehavior; become acquainted with currentresearch on the causes, correlates, <strong>and</strong>consequences <strong>of</strong> prejudice <strong>and</strong> discrimination; <strong>and</strong>engage in more objective examination <strong>of</strong> one’s ownattitudes <strong>and</strong> behaviors.420. Teaching <strong>and</strong> the Development <strong>of</strong> Thought(3-0-3) DayAn examination <strong>of</strong> current research in cognition<strong>and</strong> instruction. The focus is on how cognitive processescan be enhanced through education. Alsoincluded are readings <strong>and</strong> discussions on how individualdifferences, such as special aptitudes, mayinfluence learning in the classroom.421. Infancy <strong>and</strong> Early Childhood(3-0-3) Braungart-RiekerThis seminar is designed for advanced studentswho are interested in developmental psychology,particularly the period <strong>of</strong> infancy <strong>and</strong> early childhood.The course focuses on major theories <strong>and</strong>empirical research on developmental processes duringinfancy <strong>and</strong> early childhood.422. Human Resiliency(3-0-3) WhitmanAs part <strong>of</strong> being alive, human beings confrontroutine stressors, major life challenges <strong>and</strong> severetraumas. Individuals vary considerably in theirability to cope with such events. This courseexamines a range <strong>of</strong> stressors (e.g., adolescence,school <strong>and</strong> job “failure,” divorce, parenting,chronic illness <strong>and</strong> disabilities, aging, death,poverty, prejudice, child abuse, <strong>and</strong> war) <strong>and</strong> howpeople manage them. Particular emphasis will beplaced on examining why some individuals developserious problems such as depression when challenged<strong>and</strong> others are resilient, that is, able to meetlife’s challenges <strong>and</strong> grow stronger. Theoretical(e.g., biological, psychoanalytic, humanistic, existential<strong>and</strong> behavioral) perspectives on resiliencyare evaluated along with relevant empiricalresearch. Fictional <strong>and</strong> nonfictional examples <strong>of</strong>resilient individuals are examined. An importantfocus <strong>of</strong> the course is on thinking about howresiliency can be fostered through parenting,education, therapy <strong>and</strong> social policy. Specifictechniques for managing routine <strong>and</strong> exceptionalstressors will be discussed. The course is especiallyrecommended for students interested in clinical,counseling, educational <strong>and</strong> developmentalpsychology.423. Cognitive Processes in Children(3-0-3) DayConcentrated introduction to cognition focusingon the development <strong>of</strong> intelligence. Primary emphasiswill be given to the developmental psychology<strong>of</strong> Piaget, followed by reviews <strong>of</strong> other selectedtheories for comparison.424. Seminar in Sensory Processes <strong>and</strong>Psychophysics(3-0-3) DawsonAn in-depth look at the major human sense exploringtheir physical, physiological, <strong>and</strong> psychologicalaspects. It covers specification, description, <strong>and</strong>measures <strong>of</strong> the relevant physical stimuli, physiologicalmechanisms, as well as the various psychologicalor sensory results that occur in sensation.Also covered will be the various psychophysicalmethods that have been <strong>and</strong> are used to assess sensoryfunction. These include measurs <strong>of</strong> absolute<strong>and</strong> differential sensitivity plus methods <strong>of</strong> psychophysicalscaling.427. Formal Representations <strong>of</strong> PsychologicalHypotheses I(3-0-3) WengerThis course serves as an introduction to methodsfor representing hypotheses regarding psychologicalprocesses <strong>and</strong> phenomena as mathematical <strong>and</strong>/orcomputational models. Emphasis is placed on stochasticmodels, <strong>and</strong> analytic <strong>and</strong> computationaltools for constructing <strong>and</strong> exploring such models,in the context <strong>of</strong> particular psychological phenomena,will be introduced. Issues <strong>of</strong> model identifiability<strong>and</strong> testability will be emphasized. Studentswill be responsible for constructing <strong>and</strong> exploringthe predictions <strong>of</strong> a formal representation <strong>of</strong> a hypothesisin their own area <strong>of</strong> expertise or interest.431. Health Psychology(3-0-3) MerluzziAn overview <strong>of</strong> health psychology <strong>and</strong> behavioralmedicine, with the following topics: psychology<strong>and</strong> medicine, health psychology models, stress<strong>and</strong> health, adaptation to illness, psychologicalaspects <strong>of</strong> some severe illnesses, <strong>and</strong> pr<strong>of</strong>essionalopportunities.452. Moral <strong>and</strong> Spiritual Development(3-0-3) NarvaezAs an introductory course to the field <strong>of</strong> moral psychology,we examine major research traditions. Westudy the theoretical underpinnings, goals, <strong>and</strong>practices <strong>of</strong> major approaches to moral education.453. Behavioral Pediatrics(3-0-3) Whitman, KohlbergThis course is directed toward premedical studentsinterested in pediatric medicine <strong>and</strong> psychologymajors interested in health psychology. It exposesareas <strong>of</strong> psychology, biology <strong>and</strong> medicine pertinentto children. Specific emphasis is placed onstudying infants who are at risk for developmentalproblems.453A. Psychology <strong>and</strong> Medicine(3-0-3) KolbergThis course has two basic objectives. First, it examinesfrom a lifespan <strong>and</strong> psychobiological perspectivethe factors that place individuals at differentstages <strong>of</strong> life at risk for illness <strong>and</strong> assist them inmaintaining their health. In addition, it addresses avariety <strong>of</strong> challenging psychological <strong>and</strong> social issuesthat physicians <strong>and</strong> other healthcare pr<strong>of</strong>essionalsmust face in the practice <strong>of</strong> medicine. Thecourse covers a range <strong>of</strong> topics dealing with healthissues related to different stages <strong>of</strong> human development(childhood, adolescence, <strong>and</strong> adulthood), disabledpopulations, culture <strong>and</strong> gender, stress,physician-patient interactions, death <strong>and</strong> dying,pr<strong>of</strong>essional ethics, <strong>and</strong> social policies relating tohealth care. The course is primarily intended forstudents intending to enter medical school.Most classes will involve brief formal presentationsby the instructors <strong>and</strong> invited guests, followedby discussion <strong>of</strong> assigned readings pretinent to theday’s topic. In addition, students will be exposed,via a limited practicum, to a variety <strong>of</strong> medicalsettings.


188PSYCHOLOGY454. Behavior Therapy(3-0-3) WhitmanPrerequisite: PSY 356 recommended.Introduction to the wide array <strong>of</strong> learning <strong>and</strong> cognitivetheory-based technologies <strong>and</strong> their applicationin psychiatric, special education, regulareducation <strong>and</strong> home environments. Reviews researchevaluating this approach to changing humanbehavior <strong>and</strong> the ethical implications <strong>of</strong> humancontrol procedures.455. Adulthood <strong>and</strong> Aging(3-0-3) BergemanPrerequisite: PSY 342 strongly recommended.A study <strong>of</strong> change from young adulthood to oldage, the course covers a broad range <strong>of</strong> topics, includingdemographic information, biological, social<strong>and</strong> cognitive changes, mental illness <strong>and</strong> death <strong>and</strong>dying.456. Mental Health <strong>and</strong> Aging(3-0-3) BergemanAn introduction to the mental health problems <strong>of</strong>the elderly. Etiologies <strong>of</strong> mental health disorders aswell as therapeutic interventions will be discussed.457. Behavioral Genetics(3-0-3) BergemanAn introduction to the principles necessary to underst<strong>and</strong>genetic <strong>and</strong> environmental influences ondevelopment, with an overview <strong>of</strong> the methods <strong>and</strong>research.458. Social Support Across the Lifespan(3-0-3) BergemanA focus on research in social support, including theway social support is measured, the relationshipwith developmental outcomes such as physical <strong>and</strong>mental health, <strong>and</strong> the use <strong>of</strong> social support strategiesas an intervention technique.461. History <strong>and</strong> Systems <strong>of</strong> Psychology(3-0-3) Dawson, Meara, RadvanskyTraces the development <strong>of</strong> contemporary psychologyfrom its early philosophical origins to thepresent. An emphasis is placed on the era <strong>of</strong> modernpsychology (mid-1800s to the present) withconsiderable discussion <strong>of</strong> current issues <strong>and</strong>movements.462. Psychological Disorders <strong>of</strong> Childhood<strong>and</strong> Adolescence(3-0-3) StaffAn overview <strong>of</strong> the major dysfunctions within thecontext <strong>of</strong> normal development, the basic theoriesseeking to explain these dysfunctions, together witha review <strong>and</strong> a critique <strong>of</strong> the empirical approachesto assessment <strong>and</strong> treatment <strong>of</strong> them.Laura A. Carlson, associate pr<strong>of</strong>essor <strong>of</strong> psychology464. Children/Families in Conflict(3-0-3) CummingsCurrent trends <strong>and</strong> findings pertaining to constructive<strong>and</strong> destructive conflict within families, <strong>and</strong>the effects <strong>of</strong> conflicts within families on children,will be considered. A focus will be on interrelationsbetween family systems (marital, parent-child <strong>and</strong>sibling), <strong>and</strong> methodologies for studying thesequestions. A particular concern will be how positive<strong>and</strong> negative conflict processes in the marital relationshipaffects families, marriages <strong>and</strong> children.The role <strong>of</strong> interparental conflict in various familycontexts (divorce, parental depression, violence <strong>and</strong>abuse, custody, physical illness or disability), <strong>and</strong>relations between family <strong>and</strong> community conflict<strong>and</strong> violence, will be examined. The positive side <strong>of</strong>family conflict will be considered, including the elements<strong>of</strong> constructive marital <strong>and</strong> family conflict,<strong>and</strong> psycho-educational strategies for promoting forconstructive conflict processes within families.Theories <strong>and</strong> models for conceptualizing theeffects from a family-wide perspective will also beconsidered.Requirements: Class attendance, active participationin class discussions <strong>and</strong> activities, includingleading discussions on articles in small groups, participation<strong>and</strong> report <strong>of</strong> the results <strong>of</strong> small-scalefield studies in small groups, completion <strong>of</strong> a reviewpaper on a topic in this area, <strong>and</strong> completion<strong>of</strong> midterm <strong>and</strong> final in-class exams.465. Seminar in Counseling Theories(3-0-3) KellyThis seminar will address the following questions:Does counseling work? If so, how does counselinghelp people reduce their symptoms <strong>of</strong> depression,anxiety <strong>and</strong> other types <strong>of</strong> problems? We will discussseveral <strong>of</strong> the key traditional <strong>and</strong> nontraditionaltheories <strong>of</strong> counseling <strong>and</strong> show how thesetheories are applied to clients’ problems.466. Pr<strong>of</strong>essional Psychology: Methods <strong>and</strong>Practice(3-0-3) StaffStudents will be introduced to the key researchmethods, empirical findings, <strong>and</strong> theories from theclinical/counseling psychology literature. Prospectsfor developing <strong>and</strong> testing new theories <strong>of</strong> psychotherapywill be discussed. Students will be encouragedto begin forming concepts for researchprojects <strong>and</strong> developing their own integrated theoreticalapproaches to treating clients.469. Interpersonal Communication Skills(3-0-3) CorningPrerequisite: Consent <strong>of</strong> instructor.The Human Relations Training Program providesinstruction <strong>and</strong> experience in developing effectivecommunication <strong>and</strong> basic helping skills. Attending,empathy, respect, immediacy, self-disclosure <strong>and</strong>self-exploration are studied <strong>and</strong> practiced in smallgroupformat. Open only to juniors <strong>and</strong> seniors.


189PSYCHOLOGY470. Seminar: Developmental Psychology(3-0-3) DayIntroductory lectures followed by reading <strong>and</strong> discussion<strong>of</strong> selected topics in the area <strong>of</strong> developmentalpsychology.470B. Infant Development <strong>and</strong> Dysfunction(3-0-3) WhitmanAddresses physical, emotional, cognitive <strong>and</strong> socialfactors that influence infant development, particularlyas disruptions in those factors place infants atrisk for developmental problems.470C. Adolescent Development(3-0-3) GondoliFocuses on adolescent development within varioussocial contexts, including family, peer groups <strong>and</strong>the workplace. Special emphasis on normativedevelopment at the transition from childhood toadolescence.471. Infant <strong>and</strong> Child Development(3-0-3) Braungart-RiekerThis course focuses on physical, cognitive, <strong>and</strong>socio-emotional development during infancy <strong>and</strong>childhood. Readings will include a textbook <strong>and</strong>several articles. Topics for reading <strong>and</strong> discussioninclude methods for studying infants <strong>and</strong> youngchildren, prenatal development, cognitive processes,language development, emotional processes,parent-child relationships, <strong>and</strong> peer relationships.474. The Neuropsychology <strong>of</strong> Consciousness(3-0-3) GibsonConsiders the extent to which perception, personality<strong>and</strong> various states <strong>of</strong> consciousness (e.g., dreams)are due to the brain’s anatomy <strong>and</strong> physiology.474A. Language <strong>and</strong> Space(3-0-3) CarlsonPresents the theoretical work <strong>of</strong> psycholinguists <strong>and</strong>cognitive psychologists to address the issue <strong>of</strong> “howwe talk about what we see.”474C. Cognitive Science(3-0-3) EberhardExplores an interdisciplinary approach to answeringquestions about the nature <strong>of</strong> the human mind <strong>and</strong>its relation to the brain.475. Seminar: Psycholinguistics(3-0-3) EberhardAn interdisciplinary seminar with emphasis uponstudent participation covering topics such as linguistics,memory <strong>and</strong> perception for languagestimuli, child language, bilingualism <strong>and</strong> social psychology<strong>of</strong> language.476E. Psychology <strong>of</strong> Sports(3-0-3) FrancoSocial, psychological <strong>and</strong> personological approachesto issues <strong>of</strong> sports <strong>and</strong> athletic performance.477. Seminar: Sensation <strong>and</strong> Perception(3-0-3) DawsonIntroductory lectures followed by reading <strong>and</strong> discussion<strong>of</strong> selected topics in the area <strong>of</strong> sensation<strong>and</strong> perception.477A. Perception <strong>and</strong> Attention(3-0-3) GibsonSurveys variety <strong>of</strong> issues in visual perception <strong>and</strong> attention,including consequences <strong>of</strong> visual attention,motion perception, object recognition, mental imagery<strong>and</strong> visual creativity.478. Seminar: Social Psychology(3-0-3) StaffIntroductory lectures followed by reading <strong>and</strong>discussion <strong>of</strong> selected topics in the area <strong>of</strong> socialpsychology.478A. Stereotyping: A Social PsychologicalApproach(3-0-3) StaffSeminar exploring the cognitive <strong>and</strong> motivationalbiases underlying the formation, maintenance <strong>and</strong>utilization <strong>of</strong> stereotypes.478C. Attitudes <strong>and</strong> Persuasion(3-0-3) StaffDiscussion <strong>of</strong> both classic <strong>and</strong> contemporary theoriesin the area <strong>of</strong> attitudes <strong>and</strong> attitude change,with an emphasis on applying the principles <strong>and</strong>techniques <strong>of</strong> persuasion to marketing.479. Seminar: Theory <strong>and</strong> Research in Aging(3-0-3) StaffPrerequisite: Some previous coursework in aging desiredbut not essential.A research-oriented seminar discussing current investigations,methodologies <strong>and</strong> theory in the study<strong>of</strong> adult aging. An emphasis is placed on the currentissues <strong>and</strong> research possibilities in geropsychology.480. Seminar: Motivation(3-0-3) StaffIntroductory lectures followed by reading <strong>and</strong> discussion<strong>of</strong> selected topics, research <strong>and</strong> current issuesin motivation.480A. Motivation <strong>and</strong> Academic Learning(3-0-3) TurnerTraditional studies <strong>of</strong> learning have focused almostexclusively on cognitive, or “cold,” processes. Recentresearch on learning illustrates how “hot” processesalso influence thinking <strong>and</strong> academiclearning. In this course, we focus on how social,motivational, <strong>and</strong> emotional influences interactwith cognitive processes to affect academic learning.Social influences will include students’ socialgoals in school, friendships, <strong>and</strong> family dynamics.Motivational influences are explored through thestudy <strong>of</strong> major theories <strong>of</strong> achievement motivation,including attribution, self-efficacy, intrinsic motivation,“possible selves,” <strong>and</strong> goal theories. Emotionalfactors such as coping mechanisms, testanxiety, <strong>and</strong> well-being also are discussed. In addition,we explore how development affects students’social, motivational, <strong>and</strong> emotional responses tolearning.Child, adolescent, <strong>and</strong> adult models arediscussed, <strong>and</strong> applications to educational child settingswill be an integral part <strong>of</strong> the course.480B. Implications <strong>of</strong> Psychology for Education(3-0-3) TurnerExamines the manner in which cognitive <strong>and</strong> developmentalpsychology can inform educationalpractice, especially instruction.480C. Research in Educational Psychology(3-0-3) PressleyThis course develops the underst<strong>and</strong>ing <strong>of</strong> a range<strong>of</strong> basic <strong>and</strong> applied educational psychologyresearch <strong>and</strong> research design <strong>and</strong> analytic strategies.481. Seminar: Personality <strong>and</strong> Psychology(3-0-3) MerluzziIntroductory lectures followed by reading <strong>and</strong> discussion<strong>of</strong> selected topics in the area <strong>of</strong> personality<strong>and</strong> abnormal psychology.482. Seminar: Memory(3-0-3) StaffIntroductory lectures followed by reading <strong>and</strong> discussion<strong>of</strong> selected topics in the area <strong>of</strong> memory.483. Seminar: Psychobiology(3-0-3) StaffIntroductory lectures followed by reading <strong>and</strong>discussion <strong>of</strong> selected topics in the area <strong>of</strong>psychobiology.483A. Developmental Psychobiology(3-0-3) KolbergHistorical overview <strong>and</strong> current research on selectedtopics in developmental psychobiology. Explorespossible societal benefits <strong>of</strong> researchcombining psychology <strong>and</strong> biology in the areas <strong>of</strong>medicine, mental health <strong>and</strong> education.


190PSYCHOLOGY483C. Philosophy <strong>and</strong> Psychiatry(3-0-3)Mental illness is something we experience subjectively,“socially construct” <strong>and</strong> attempt to underst<strong>and</strong>through various scientific or therapeuticmodels (the psychodynamic, the biomedical, etc.).The course juxtaposes these perspectives for thesake <strong>of</strong> exploring the possibilities <strong>of</strong> both integratingthem <strong>and</strong> highlighting the resources they <strong>of</strong>ferfor mutual criticism.We begin with the assumption we can learnsomething about mental illness by examining thevarious sorts <strong>of</strong> stories told about it. We do notjudge a memoir <strong>of</strong> madness in the same way as wewould the clinical case history <strong>of</strong> the same patient.Careful collaborative reading <strong>and</strong> class discussion<strong>of</strong> two first person accounts <strong>of</strong> mental disorderserves two purposes. It provides students with ashared acquaintance with concrete descriptions <strong>of</strong>mental illness <strong>and</strong> also provokes such questions as:In psychiatry, is the true story simply the one thatenables the patient to “recover”? What do we meanby terms like “recovery” <strong>and</strong> “mental health”?How are these terms related to ethical <strong>and</strong> politicalnorms relating to “human flourishing,” “honesty,”or “authenticity”? These issues require an introductionto literary, anthropological, <strong>and</strong> philosophicalcriticism <strong>of</strong> the social construction <strong>of</strong> mental illness.Then we take a look at a fresh <strong>and</strong> psychiatricallymeaningful approach to the classic mind/bodyproblem: examination <strong>of</strong> the links between the conceptualframeworks underlying psychoanalytic <strong>and</strong>biomedical approaches to psychiatry.We will take an extended <strong>and</strong> careful look atphilosopher/psychiatrist Jonathan Lear’s effort tolocate the psychoanalytic perspectives <strong>of</strong> Freud <strong>and</strong>Loewald within a putatively more hospitable Aristotelianphilosophical framework, thereby cleansingFreud’s approach from the extraneous baggage <strong>of</strong>late 19th century scientism (determinism, reductionism,speculative biology). Lear uses Aristotle<strong>and</strong> Wittgenstein to dissolve the traditional mindbodyproblem <strong>and</strong> to critically reconstitute a“science <strong>of</strong> subjectivity” around the notion that erosis a basic force <strong>of</strong> nature.A select subset <strong>of</strong> Lear’s version <strong>of</strong> the conceptualfoundations <strong>of</strong> psychoanalysis, particularly hiscritique <strong>of</strong> “knowingness” <strong>and</strong> his interpretations <strong>of</strong>transference <strong>and</strong> <strong>of</strong> “restlessness, phantasy, <strong>and</strong> theconcept <strong>of</strong> mind,” will be compared with closely relatedbiopsychological models <strong>of</strong> memory, attachment,temperament <strong>and</strong> response to trauma.Required texts: The Wounded Story Teller, Body,Illness <strong>and</strong> Ethics, Arthur W. Frank, <strong>University</strong> <strong>of</strong>Chicago, 1995. Undercurrents, A Life Beneath theSurface, Martha M. Manning, HarperSanFrancisco,1994. A Shining Affliction, A Story <strong>of</strong> Harm <strong>and</strong>Healing in Psychotherapy, Annie Rogers, Penguin,1995. States <strong>of</strong> Mind: New Discoveries About HowOur Brains Make Us Who We Are, Roberta Conlan,Wiley, 1999. Open Minded, Working Out the Logic<strong>of</strong> the Soul, Jonathan Lear, Harvard, 1998.Assignments <strong>and</strong> format: One or two longerpapers on topics chosen by student in consultationwith instructor (multiple drafts recommended).Two take-home examinations, including the final.Interactive critical discussion <strong>of</strong> short papers on assignedreading.483E. Stress: Med <strong>and</strong> Management(3-0-3) KolbergThis course is concerned with stress, its effect, <strong>and</strong>coping mechanisms from a biological as well as apsychological viewpoint.1. We explore the nature <strong>of</strong> stress itself. Whatexactly is stress? How do issues <strong>of</strong> control <strong>and</strong> personalityenter into the perception <strong>of</strong> stress? Can wehave physiological stress without the perception <strong>of</strong>stress? We examine some speical types <strong>of</strong> stress suchas long-term or serious illness <strong>and</strong> work-relatedstress.2. We cover the stress response <strong>and</strong> the effect <strong>of</strong>this response on the level <strong>of</strong> the whole organism(fatigue, irritability, insomnia, cognitive difficulties,etc.).3. We examine the link between stress <strong>and</strong> diseaseon the level <strong>of</strong> organ systems such as the cardiovascularsystem, the immune system, thegastrointestinal system, <strong>and</strong> the endocrine system.4. We examine the biological <strong>and</strong> psychologicalbasis <strong>of</strong> common coping mechanisms such as cognitivetherapy, social support, drug therapy (selfprescribed<strong>and</strong> physican-prescribed), alcohol,exercise, meditation, <strong>and</strong> sleep. The major aim is tounderst<strong>and</strong> the mechanism, evaluate the efficacy inalleviating the stress response, <strong>and</strong> any potentiallyharmful effects.5. We examine theory <strong>and</strong> practices <strong>of</strong> mobilizingsupport in stressful circumstances.Class performance will be based on two examinations,one term paper (approximately 15-10pages), <strong>and</strong> classroom participation. Students alsowill keep a stress <strong>and</strong> health diary.485C. Autism(3-0-3) WhitmanThis seminar discusses topics related to developmentaldisabilities, with a special emphasis on pervasivedevelopmental disorders <strong>and</strong> autism. Issuesregarding their definition, etiology <strong>and</strong> treatmentare also discussed.487A. Race Talk(3-0-3) DayThe central goal <strong>of</strong> this course is to encourage studentsto underst<strong>and</strong> <strong>and</strong> challenge their own <strong>and</strong>others’ views about issues <strong>of</strong> race <strong>and</strong> ethnicity.488A. The Environment: Science, Culture,Values(3-0-3) HowardExamines ecological problems from various perspectives(biological, historical, ethical, economic,etc.) through a series <strong>of</strong> guest lectures. Highlightsimportance <strong>of</strong> cross-discipline cooperation in solvingcomplex ecological problems.488C. Living Healthy Lives(3-0-3) HowardDidactic material <strong>and</strong> experimental activities pertinentto daily living, particularly to normal crises<strong>and</strong> transition stages. Topics include marriage, divorce,career changes, childbirth, retirement; theresources available at crisis points, such as therapy,pastoral support, community agencies, etc.; somecommon behavioral problems, like substance abuse,depression <strong>and</strong> stress; <strong>and</strong> related topics.495. Practicum in Diversity EducationMossThis is a one-credit course designed to instruct studentsin the theory <strong>of</strong> diversity education whiletraining them in the art <strong>of</strong> facilitating diversity discussions.The theoretical framework for the materialin the course comes from the “theory <strong>of</strong>oppression” <strong>and</strong> the various individual, institutional,cultural, <strong>and</strong> systemic manifestations <strong>of</strong> thatoppression. Thet application portion <strong>of</strong> this courseentails the presentation <strong>of</strong> diversity programs in arequired course (Concepts <strong>of</strong> Wellness) for firstyearstudents. The structure <strong>of</strong> the Practicum inDiversity Education course includes theory instruction/trainingbefore the semester break <strong>and</strong> makingpresentations/facilitating diversity discussions forthe remaining portion <strong>of</strong> the semester.498. Special Studies: Reading <strong>and</strong> Research(0-V-V) StaffPrerequisite: Senior st<strong>and</strong>ing <strong>and</strong> permission <strong>of</strong> instructor.Majors only.Independent reading <strong>and</strong>/or research carried outunder supervision <strong>of</strong> a faculty member. A typewrittenreport is required discussing research literatureor an experimental study. This course may not beused to satisfy the 400-level requirement.499. Senior Honors Thesis(3-0-3) (3-0-3) MerluzziThese two seminars assist the senior major to propose,execute <strong>and</strong> write an honors thesis. The firstsemester is devoted to the development <strong>and</strong> presentation<strong>of</strong> the proposal, <strong>and</strong> the second to its execution,writeup <strong>and</strong> subsequent presentation.


191ROMANCE LANGUAGES AND LITERATURESRomance Languages<strong>and</strong> LiteraturesChair:Dayle Seidenspinner-NúñezVice Chair <strong>and</strong> Director <strong>of</strong> Graduate Studies:Theodore J. CacheyAssistant Chair<strong>and</strong> Director <strong>of</strong> Undergraduate Studies:Paul McDowellPr<strong>of</strong>essors:José Anadón; Maureen Boulton; Theodore J.Cachey; Bernard Doering (emeritus); Julia V.Douthwaite (Resident Director, Angers Program, 2002-03); Dayle Seidenspinner-Núñez; John P. WelleAssociate Pr<strong>of</strong>essors:Paul F. Bosco (emeritus); JoAnn DellaNeva;Ben Heller; Kristine L. Ibsen; Carlos JerezFarrán (on leave spring 2003); LouisMacKenzie; Christian R. Moevs; María RosaOlivera Williams; Catherine Perry; AlainToumayanAssistant Pr<strong>of</strong>essors:Thomas Anderson; Vittoria Bosco (emerita);Ayo Abiétou Coly; Sébastien Dubreil; AndrewP. Farley; Isabel Ferreira; Encarnación Juárez(on leave 2002-03); Colleen Ryan-Scheutz(on leave fall 2002)Research Pr<strong>of</strong>essor:Hugo VeraniAssociate Pr<strong>of</strong>essional Specialists<strong>and</strong> Concurrent Lecturers:Geraldine Ameriks, Sr. Mary Louise Gude,C.S.C., Janet Fisher-McPeak, Barbara J.MangioneAssistant Pr<strong>of</strong>essional Specialists <strong>and</strong>Concurrent Lecturers:Lisa Caponigri (on leave 2002-03); MaríaColoma; Silvia Dupont; Marie-ChristineEscoda-Risto; David Gohre; Isabel Jakab; KellyKingsbury; Giovanna Lenzi-S<strong>and</strong>usky;; ElenaMangione-Lora; Patrick I. Martin; KristinaMcCollam-Wiebe; Paul McDowell; Ivis Menes;Odette Menyard; Laura Ramírez-Krueger;Andrea Topash Ríos; Patrick ViviritoProgram <strong>of</strong> Studies. The Romance languages derivefrom Vulgar Latin spoken throughout the RomanEmpire. A major course <strong>of</strong> study is <strong>of</strong>fered inFrench, Italian <strong>and</strong> Spanish. The study <strong>of</strong> foreignlanguages, literatures, <strong>and</strong> cultures provides educationalopportunities relevant to an increasingly interdependentworld. The acquisition <strong>of</strong>foreign-language skills is a crucial component <strong>of</strong>liberal education because it enhances our powers <strong>of</strong>communication <strong>and</strong> serves to introduce us to theenduring cultural achievements <strong>of</strong> other peoples.Such study is essential to broaden our mental horizons,to encourage the examination <strong>of</strong> problems<strong>and</strong> issues in a more global manner <strong>and</strong> to stimulateour underst<strong>and</strong>ing <strong>of</strong> the traditions <strong>of</strong> othernations.Elementary <strong>and</strong> intermediate courses developthe students’ ability to underst<strong>and</strong>, speak, read <strong>and</strong>write a foreign language with facility <strong>and</strong> confidence.Students can take advantage <strong>of</strong> the latest inforeign language technology in the Language ResourceCenter to increase their fluency in the targetlanguage. Upper-division courses present a wealth<strong>of</strong> literary, historical, <strong>and</strong> cultural traditions <strong>and</strong>emphasize the nature <strong>and</strong> development <strong>of</strong> nationalcultures. Many courses focus on the literature <strong>and</strong>culture <strong>of</strong> certain historical periods, others trace thedevelopment <strong>of</strong> literary genres or examine a themeacross periods <strong>and</strong> genres, <strong>and</strong> still others inculcatethe critical <strong>and</strong> analytical skills necessary for an informedinterpretation <strong>of</strong> foreign language texts.Participation in <strong>Notre</strong> <strong>Dame</strong>’s internationalstudy programs in Chile, France, Italy, Mexico,<strong>and</strong> Spain (see the International Study Programssection <strong>of</strong> this Bulletin) is highly recommended althoughnot required to pursue a major in RomanceLanguages <strong>and</strong> Literatures. Majors <strong>and</strong> second majorsin French, Italian, <strong>and</strong> Spanish must complete50 percent <strong>of</strong> their credit hours in the major inresidency at <strong>Notre</strong> <strong>Dame</strong> <strong>and</strong> meet the followingprogram requirements.PROGRAM IN FRENCHAND FRANCOPHONE STUDIESThe Major in French <strong>and</strong> Francophone StudiesThe requirements for a major in French <strong>and</strong>Francophone Studies include competency in thelanguage <strong>and</strong> successful completion <strong>of</strong> 30 credithours or 10 courses at the 200 level or above. Ofthese 10 courses, six must be in literature/culturestudies <strong>and</strong> at least half <strong>of</strong> the major courses mustbe taken in residence at <strong>Notre</strong> <strong>Dame</strong>. Requiredamong these 10 courses are: ROFR 310 (TextualAnalysis), ROFR 371 (French Literary Survey I),ROFR 372 (French Literary Survey II), <strong>and</strong> at leasttwo courses at the 400 level, one <strong>of</strong> which would bea Senior Seminar (ROFR 495). It is expected thatthese five required courses be taken in residence at<strong>Notre</strong> <strong>Dame</strong>. The requirement <strong>of</strong> ROFR 372(French Literary Survey II) may be waived if studentstake both ROFR 373 <strong>and</strong> ROFR 374 in Angers—thatis, two advanced courses on 19th- <strong>and</strong>20th-century French literature. Any other substitutionwill require the approval <strong>of</strong> the UndergraduateStudies Advisor. AP credits satisfy the languagerequirement only <strong>and</strong> may not be applied to themajor.The Supplementary Major in French <strong>and</strong>Francophone StufiesThe requirements for a supplementary major inFrench <strong>and</strong> Francophone Studies include competencyin the language <strong>and</strong> successful completion<strong>of</strong> 24 credit hours or eight courses at the 200 levelor above. Of these eight courses, five must be in literature/culturestudies <strong>and</strong> at least half must betaken in residence at <strong>Notre</strong> <strong>Dame</strong>. Required amongthese eight courses are: ROFR 310 (Textual Analysis),ROFR 371 (French Literary Survey I), ROFR372 (French Literary Survey II), <strong>and</strong> two courses atthe 400 level. Supplementary majors may elect totake ROFR 495 (Senior Seminar) in their senioryear as one <strong>of</strong> the 400-level courses, with the permission<strong>of</strong> the instructor. It is expected that thesefive required courses be taken in residence at <strong>Notre</strong><strong>Dame</strong>. The requirement <strong>of</strong> ROFR 372 (French LiterarySurvey II) may be waived if students takeboth ROFR 373 <strong>and</strong> ROFR 374 in Angers—thatis, two advanced courses on 19th- <strong>and</strong> 20th-centuryFrench literature. Any other substitution willrequire the approval <strong>of</strong> the Undergraduate StudiesAdvisor. AP credits satisfy the language requirementonly <strong>and</strong> may not be applied to the major.The Honors Track in FrenchFrench majors with a GPA <strong>of</strong> at least 3.7 in themajor may be admitted into the honors track by invitation.In addition to completing the major, studentswill either take a graduate course as an 11thcourse (for first majors) or as a ninth course (forsupplementary majors), or, by invitation, write anhonors thesis, which will count as an 11th or aninth course.Combined B.A./M.A. Program in FrenchThe Department <strong>of</strong> Romance Languages <strong>and</strong> Literatures<strong>of</strong>fers its majors in French the opportunityto participate in its graduate program through acombination B.A./M.A. degree in French. Thisprogram requires students to take 30 credit hoursat the 200 level or above during the normal fouryearundergraduate period, followed by a total <strong>of</strong>30 credit hours <strong>of</strong> graduate courses taken duringthe fourth <strong>and</strong> fifth years <strong>of</strong> residence. Six credithours can be counted toward both the undergraduate<strong>and</strong> graduate degrees. During their senior year,participants in this program take two graduatecourses, take the qualifying exam given to all firstyeargraduate students, <strong>and</strong> apply to the GraduateSchool for admission during the Spring semester.B.A./M.A. students are eligible for a teaching fellowshipduring their fifth year that includes a tuitionwaiver <strong>and</strong> a generous teaching stipend.Well-qualified students who are interested in thisprogram should contact the Director <strong>of</strong> GraduateStudies <strong>and</strong>/or the Graduate Liaison in French atthe beginning <strong>of</strong> their junior year.


192ROMANCE LANGUAGES AND LITERATURESPROGRAM IN ITALIAN LITERATUREAND CULTUREThe Major in ItalianThe major requires 30 credits or 10 courses at the200 level or above, including no more than three200-level courses, ROIT 345 (Introduction to ItalianLiterature I), ROIT 385 (Introduction to ItalianLiterature II), a minimum <strong>of</strong> three ROITelective courses in Italian literature or culture at the300 or 400 level, <strong>and</strong> ROIT 495 (Italian Seminar).By permission, <strong>and</strong> depending on the student’spr<strong>of</strong>iciency, a maximum <strong>of</strong> two <strong>of</strong> the three upperdivisionelectives may be conducted in English orwith texts in translation. Italian language or literaturecourses from international study programs orother universities may be substituted by permission.The 10th course may be another ROITcourse in Italian literature or culture or a course onan Italian subject in another discipline (for example,Architecture, Art History, History). Fiftypercent <strong>of</strong> the credits for the major must be takenin residence at <strong>Notre</strong> <strong>Dame</strong>.The Supplementary Major in ItalianSupplementary majors in Italian are expected todemonstrate competency in the language <strong>and</strong> tocomplete 24 credits or eight courses at the 200level or above, including no more than three at the200 level, ROIT 345 (Introduction to Italian LiteratureI), ROIT 385 (Introduction to Italian LiteratureII), ROIT 495 (Italian Seminar), <strong>and</strong> twoROIT elective courses in Italian literature or cultureat the 300 or 400 level. By permission, <strong>and</strong> dependingon the student’s pr<strong>of</strong>iciency, these twoupper-division courses may be conducted in Englishor with texts in translation. Italian language orliterature courses from international study programsor other universities may be substituted bypermission. Fifty percent <strong>of</strong> the credits for the majormust be taken in residence at <strong>Notre</strong> <strong>Dame</strong>.The Minor in ItalianThe minor in Italian comprises 15 credits or fivecourses at the 200 level or above, including at leasttwo courses at the 300 or 400 level. Four <strong>of</strong> the fivecourses must be in Italian language <strong>and</strong>/or literature;the fifth course may be a course on Italian literaturetaught in English or a course on an Italiansubject in another discipline (Art History, Architecture,History). Courses from international studyprograms or other universities may be substitutedby permission, but at least two courses for the Italianminor must be taken in residence at <strong>Notre</strong><strong>Dame</strong>.The Honors Track in ItalianItalian majors are admitted into the honors trackby invitation. The honors track major consists <strong>of</strong>33 credits or 11 courses, including all the requirementsfor the major, a GPA in the major <strong>of</strong> at least3.5, plus a substantial final essay to be written inItalian for a graduate course or an Honors DirectedReading Tutorial, which will constitute the 11thcourse.PROGRAM IN IBERIANAND LATIN AMERICAN STUDIESAll majors in Spanish are required to take ROSP310 (Textual Analysis), which is the recommendedprerequisite for 300- <strong>and</strong> 400-level courses. Distributionrequirements for majors <strong>and</strong> supplementarymajors include one course in each <strong>of</strong> the followingareas: early peninsular literature to 1700, modernpeninsular literature, Spanish American literatureto 1800, <strong>and</strong> modern Spanish American literature.The required core sequence comprises ROSP 310(Textual Analysis), ROSP 318 (Peninsular SurveyI), ROSP 319 (Peninsular Survey II), ROSP 328(Latin American Survey I) <strong>and</strong> ROSP 329 (LatinAmerican Survey II). These survey courses may besubstituted with equivalent 400-level courses bypermission. Fifty percent <strong>of</strong> the credits for the major<strong>and</strong> supplemental major must be taken in residenceon the <strong>Notre</strong> <strong>Dame</strong> campus.Latin American Area Studies ProgramAll Spanish majors are encouraged to also pursuecourses <strong>of</strong>fered through the Latin American AreaStudies Program. Interested students may completea Minor in Latin American Area Studies. Pleasecontact Chris Welna at (574) 631-3636 for furtherinformation. Likewise, the Institute for LatinoStudies supports a wide variety <strong>of</strong> allied courses.Please contact either Allert Brown-Gort at (574)631-3787 or Elida Matovina at (574) 631-4440 fordetails.The Major in SpanishThe major requires 30 credits or 10 courses at the200 level or above, including the required core sequencedescribed above or equivalents, two 400-level courses, <strong>and</strong> ROSP 495 (Senior Seminar).Equivalent courses from international study programsor other universities may be substituted withdepartmental approval. Fifty percent <strong>of</strong> the creditsfor the major must be taken in residence at <strong>Notre</strong><strong>Dame</strong>.The Supplementary Major in SpanishSupplementary majors in Spanish are required todemonstrate competency in Spanish <strong>and</strong> to complete24 hours or eight courses at the 200 level orabove, including the required core sequence describedabove or equivalents <strong>and</strong> one 400-levelcourse. Supplementary majors may take the SeniorSeminar with permission <strong>of</strong> the instructor. Equivalentcourses from international study programs orother universities may be substituted with departmentalapproval. Fifty percent <strong>of</strong> the credits for thesupplementary major must be taken in residence onthe <strong>Notre</strong> <strong>Dame</strong> campus.The Honors Track in SpanishSpanish majors are admitted into the honors trackby invitation. The honors track major consists <strong>of</strong>33 credits or 11 courses including all the requirementsfor the major, a GPA in the major <strong>of</strong> at least3.7, plus a substantial final essay to be written inSpanish for an Honors Directed Reading Tutorial,which will constitute the 11th course.The Combined B.A./M.A. Program in SpanishThe Department <strong>of</strong> Romance Languages <strong>and</strong> Literatures<strong>of</strong>fers its majors in Spanish the opportunityto participate in its graduate program througha combination B.A./M.A. degree in Spanish. Thisprogram requires students to take 30 credit hoursat the 200 level or above during the normal fouryearundergraduate period, followed by a total <strong>of</strong>30 credit hours <strong>of</strong> graduate courses taken duringthe fourth <strong>and</strong> fifth years <strong>of</strong> residence. Six credithours can be counted toward both the undergraduate<strong>and</strong> graduate degrees. During their senior year,participants in this program take two graduatecourses, take the qualifying exam given to all firstyeargraduate students, <strong>and</strong> apply to the GraduateSchool for admission during the Spring semester.B.A./M.A. students are eligible for a teaching fellowshipduring their fifth year that includes a tuitionwaiver <strong>and</strong> a generous teaching stipend.Well-qualified students who are interested in thisprogram should contact the Director <strong>of</strong> GraduateStudies <strong>and</strong>/or the Graduate Liaison in Spanish atthe beginning <strong>of</strong> their junior year.Major in Romance Languages <strong>and</strong> LiteraturesThe undergraduate major in Romance Languages<strong>and</strong> Literatures is designed for qualified studentswho wish to major in two programs (French, Italian,or Spanish). Cross-cultural in focus, the majorrecognizes the importance <strong>of</strong> studying the correspondences<strong>and</strong> differences among various Romanceliteratures <strong>and</strong> cultures <strong>and</strong> <strong>of</strong> reexaminingtraditional disciplinary boundaries.The requirements for a major in Romance Languages<strong>and</strong> Literatures include competency in twolanguages <strong>and</strong> successful completion <strong>of</strong> 36 credithours or 12 courses at the 200 level <strong>and</strong> above, distributedequally between the two respective languageprograms as follows:


193ROMANCE LANGUAGES AND LITERATURES(1) Two survey courses in each language <strong>and</strong> literatureprogram (French or Italian); Spanish requireseither four survey courses (two in peninsular <strong>and</strong>two in Latin American) or a combination <strong>of</strong> twosurvey courses in one area <strong>and</strong> two 400-levelcourses in the other area;(2) Textual Analysis in one program;(3) Two 400-level courses in each program (if thesurvey requirement in Spanish is fulfilled with two400-level courses, these courses may count for the400-level requirement in Spanish);(4) One senior seminar in one program;(5) Two elective courses at the 200 level or abovein the department (any exception requires permission).Placement in Language Courses. For French<strong>and</strong> Spanish, there is a departmental placementexam for students who have not already demonstratedlanguage pr<strong>of</strong>iciency through national st<strong>and</strong>ardizedtesting, such as the AP or Achievementtests. Students with previous experience are requiredto take one <strong>of</strong> these tests before enrolling intheir first course in those languages. The normalprerequisite for a 300-level course is at least one200-level course or permission <strong>of</strong> the instructor.The normal prerequisite for a 400-level course isat least one 300-level course or permission <strong>of</strong> theinstructor.Policy Regarding Romance Language PlacementExamination. The placement examinationis designed to place each student at an appropriatelevel within a language sequence. It is thereforeopen to first-year students <strong>and</strong> sophomores. Juniors<strong>and</strong> Seniors must obtain the permission <strong>of</strong> the Department<strong>of</strong> Romance Languages <strong>and</strong> Literatures toregister for the test.Course Descriptions. The following course descriptionsgive the number, the title <strong>and</strong> a brief description<strong>of</strong> each course. Lecture or class hours perweek, laboratory or tutorial hours per week <strong>and</strong>credits each semester are in parentheses. Not allcourses are <strong>of</strong>fered every year.FRENCH101. Beginning French(0-0-3)An introductory, first-year language course with abalanced presentation <strong>of</strong> the spoken <strong>and</strong> writtenlanguage. The goals <strong>of</strong> this course includeacquisition <strong>of</strong> basic structures, vocabulary, <strong>and</strong>sound systems, as well as sowing seeds <strong>of</strong> culturalliteracy. Designed for students with no previousstudy <strong>of</strong> French.102A. Elementary French(4-0-3) StaffA one-semester language course for students withsome exposure to French (normally one or twoyears in high school). Enrollment limited to studentsreceiving one semester advanced st<strong>and</strong>ing bymeans <strong>of</strong> the placement exams. Offered eachsemester.103. Intermediate French(4-0-3) StaffPrerequisite: 102A or placement by exam.A third-semester college language course. Includesreview <strong>and</strong> expansion <strong>of</strong> basic grammatical structures.Extensive practice in speaking <strong>and</strong> writing.Readings <strong>and</strong> discussions <strong>of</strong> a variety <strong>of</strong> literary <strong>and</strong>nonliterary texts <strong>of</strong> appropriate difficulty. Completion<strong>of</strong> 103 will fulfill the language requirement<strong>and</strong> may also qualify students to study abroad.Offered each semester.105. Angers: Atelier préparatoire(1-0-1) McDowellA mini-course that prepares students accepted forstudy abroad in <strong>Notre</strong> <strong>Dame</strong>’s program in Angers,France. Students are prepared for various cultural<strong>and</strong> day-to-day challenges that await them in Angers.Course begins the week after Spring Break.111F-112F. Intensive Beginning French I <strong>and</strong> II(6-0-5)An intensive, two-semester introductory Frenchcourse, using an interactive video method to teachlanguage <strong>and</strong> culture. Completion <strong>of</strong> 112 will fulfillthe language requirement <strong>and</strong> may also qualifystudents to study abroad in the Angers program.112F is also open to students who have completed102A.115F-215F. Intensive Intermediate French I <strong>and</strong>II for Foreign Study(5-0-5) (5-0-5) StaffPrerequisite: Placement by exam into the intermediatelevel or permission <strong>of</strong> instructor.A two-semester sequence <strong>of</strong> intensive, comprehensivetraining in the language skills necessary forresidence <strong>and</strong> study in France. Includes review <strong>of</strong>grammar, readings, civilization <strong>and</strong> specific orientationfor international study. For students with twoto three years <strong>of</strong> high school French (with satisfactoryachievement) preparing for the Angers internationalstudy program.201. Advanced French I(3-0-3) StaffPrerequisite: 103 or 112F.Emphasis on expansion <strong>and</strong> refinement <strong>of</strong> oral <strong>and</strong>written language skills (competence) requisite forwork in upper-level language <strong>and</strong> literature courses.Reading <strong>and</strong> discussion <strong>of</strong> a variety <strong>of</strong> literary <strong>and</strong>nonliterary texts <strong>of</strong> appropriate difficulty. Not intendedfor students beginning their college levelwork at the advanced level (see 221).221. Advanced French Review(3-0-3) StaffPrerequisites: 103, 112F, or placement by exam.A comprehensive grammar review at an acceleratedpace combined with an in-depth study <strong>of</strong> a Frenchnovel. Students are expected to have already attainedintermediate pr<strong>of</strong>iciency through previousstudy.222. Composition <strong>and</strong> Stylistics(3-0-3) McDowell, PerryPrerequisite: 201 or 221.This course is designed to meet the needs <strong>of</strong> studentswho, having progressed beyond the basicprinciples <strong>of</strong> French grammar, are interested in exploringthose linguistic resources that contribute toa fluent idiomatic writing style.231. Conversational French(3-0-3) StaffPrerequisite: 103, 201 or 221.This course is designed to further develop thestudent’s conversational skills <strong>and</strong> grasp <strong>of</strong> a widevariety <strong>of</strong> styles <strong>and</strong> registers in French. SpokenFrench will be practiced through various types <strong>of</strong>classroom activities <strong>and</strong> assignments. Emphasis willbe on topics <strong>of</strong> current interest.232. French for Business (Le français desaffaires)(3-0-3) MenyardIn this course, students travel to the FrancophoneBusiness World, in order to acquire cultural <strong>and</strong>linguistic tools <strong>and</strong> develop their communicativepr<strong>of</strong>iciency <strong>and</strong> cultural awareness in business-relatedsituations. Videos <strong>and</strong> the WWW are importantcomponents <strong>of</strong> this course. For businessstudents, this would fulfill a requisite in the InternationalBusiness Program.234. Francophone Cultures(3-0-3) ColyPrerequisite: 201 or 221.This course will introduce students to Frenchspeakingcultures outside <strong>of</strong> Europe, including theCaribbean, Africa, South East Asia, the IndianOcean <strong>and</strong> French Polynesia. We will explore thehistory <strong>of</strong> French contact with these regions (colonialism),the treatment through literature <strong>of</strong> this relationship,<strong>and</strong> conclude with an analysis <strong>of</strong> thecultural <strong>and</strong> political concept <strong>of</strong> “francophonie.”235. French Civilization <strong>and</strong> Culture(3-0-3) Escoda-RistoPrerequisite: 201 or 221. By permission only.An introduction to the scope <strong>and</strong> variety <strong>of</strong> Frenchculture. Geared especially toward those desiring tocontinue studies in language <strong>and</strong> culture but preferringto de-emphasize the literature component.Readings at an intermediate level in history, art,culture <strong>and</strong> society will be the basis for lectures <strong>and</strong>discussions. Not designed for international studyreturnees.


194ROMANCE LANGUAGES AND LITERATURES236. French Phonetics(3-0-3) Fisher-McPeakPrerequisite: 201 or 221.An introduction to the study <strong>of</strong> French phonetics.Recommended for those considering a career inteaching.237. Le Tour de France des régions(3-0-3) Escoda-RistoPrerequisite: 201 or 221.A historical, artistic <strong>and</strong> gastronomical tour <strong>of</strong> theFrench provinces. Intermediate-level readings willhelp define the identity <strong>of</strong> each region <strong>and</strong> its contributionto the national mosaic which is France.238. Introduction to French Readings(3-0-3) MartinPrerequisite: 201 or 221.A transition from the formal study <strong>of</strong> French grammarto the analysis <strong>of</strong> literary <strong>and</strong> cultural texts. Anemphasis will be placed on developing readingstrategies. Students planning to major in Frenchwill find this course a good preparation for advancedstudy.239. French Through Acting(3-0-3) McDowellPrerequisite: 201 or 221.A nontraditional approach to conversationalFrench that asks students to create scenes for aweekly soap opera centered on a large cast <strong>of</strong> student-createdcharacters who live together in anapartment building in France. Weekly scenes arevideotaped for review <strong>of</strong> phonetics, gestures, <strong>and</strong>choice <strong>of</strong> idioms.243F. Intensive Advanced French Review(4-0-4) McDowellA course for students considering a year in Angers,France. The five-day format provides an intensivegrammar review <strong>and</strong> preparation for life in Francealong with the opportunity for students to bond asa group before their year abroad together.270. Facets <strong>of</strong> French, France, <strong>and</strong> the French(3-0-3) MacKenziePrerequisite: Intermediate competence in French,i.e., equivalent <strong>of</strong> ROFR 103.Actually four mini-courses—Conversation, Images<strong>of</strong> France in Current Cinema, Strategies <strong>and</strong> Tactics<strong>of</strong> Analysis <strong>and</strong> Oral Interpretation—ROFR270 is intended to serve as a bridge between thelanguage sequences <strong>and</strong> the <strong>of</strong>ferings at the 300<strong>and</strong> 400 levels.310. Textual Analysis: The Art <strong>of</strong> Interpretation(3-0-3) StaffPrerequisite: Two semesters <strong>of</strong> 200-level French.Introduction to French techniques <strong>of</strong> formal analysis<strong>of</strong> literary texts through detailed study <strong>of</strong> content<strong>and</strong> form. Application to prose, poetry <strong>and</strong>theater. Includes significant written <strong>and</strong> oral component.Required <strong>of</strong> all majors.320. French Headline News: The Hidden DailyLife <strong>of</strong> the French (La France à la une: la vieprivée des Français au quotidien)(3-0-3) DubreilFrance has its share <strong>of</strong> cultural icons <strong>and</strong> its place asa nation <strong>and</strong> a culture is well-respected throughoutthe world. Beyond these façades <strong>of</strong> institutions <strong>and</strong>symbols, which are <strong>of</strong>ten envisioned in a too staticmanner, how do French people really live on a dayto-daybasis? This class is designed to enable studentsto enter French homes through the backdoor.Students will examine articles selected from thecurrent-year issues <strong>of</strong> French national newspapersthrough a web-based curriculum. This informationwill be supported by major theoretical texts sheddinglight on the various themes at the core <strong>of</strong>France’s social, political, <strong>and</strong> cultural l<strong>and</strong>scape.371-372. Survey <strong>of</strong> French Literature<strong>and</strong> Culture I <strong>and</strong> II(3-0-3) (3-0-3) StaffReading <strong>of</strong> selections <strong>and</strong> complete works <strong>of</strong> outst<strong>and</strong>ingFrench authors from major genres <strong>and</strong>periods. Required <strong>of</strong> all majors.398. Special Studies I <strong>and</strong> II(3-0-3) StaffPrerequisite: Junior st<strong>and</strong>ing.409. Literature <strong>and</strong> Opera(3-0-3) MacKenzieAn examination <strong>of</strong> literary texts <strong>and</strong> the operas theyengendered. Authors <strong>and</strong> composers may includeMolière, Beaumarchais, Mérimée, Dumas, Mozart,Puccini, Bizet, Rossini, Verdi <strong>and</strong> others. May betaught in English as LLRO 409.410. Le Couple maudit(3-0-3) MacKenzieFocuses on the numerous pairs <strong>of</strong> starcrossed loversfound in French literature, including texts such asBérénice, Les Liaisons dangereuses, La Princesse deClèves, Manon Lescaut, Adolphe, Carmen, MadameBovary, Eugénie Gr<strong>and</strong>et <strong>and</strong> Un Amour de Swann.410. Remaking French Culture(3-0-3) DubreilFrench movies have met with quite a success in theU.S. <strong>and</strong> have inspired in American directors orproducers the desire to make French films in theAmerican idiom. Accordingly, this class will examineAmerican remakes <strong>of</strong> French films as well astheir French sources. Remake as a cinematographicgenre will be studied. Through lectures <strong>and</strong> classdiscussions, students will be led to explore the differencesbetween French <strong>and</strong> American film-makingwith regards to cinematography, editingtechniques, <strong>and</strong> production. Close examination <strong>of</strong>particular scenes <strong>and</strong> sequences will also be conducted<strong>and</strong> will be used as a basis for cross-culturalexploration.413. Voyages in Literature(3-0-3) DouthwaiteA topography <strong>of</strong> voyage literature encompassing17th-, 18th- <strong>and</strong> 19th-century authors.421. Introduction to Old French <strong>and</strong> Anglo-Norman(3-0-3) BoultonAn introduction to the literary language <strong>of</strong> Franceduring the 12th to the 14th century. Taught inEnglish.426. From Rol<strong>and</strong> to the Holy Grail(3-0-3) BoultonA survey <strong>of</strong> medieval French literature from 1100to 1300, including the epic, the romance, drama<strong>and</strong> poetry.427. Topics in Medieval Literature(3-0-3) BoultonA concentrated study <strong>of</strong> a particular author, themeor genre <strong>of</strong> Medieval French literature.428. Medieval French Romance(3-0-3) BoultonA survey <strong>of</strong> the development <strong>of</strong> the medievalFrench romance from the 12th to the 14th century.Course may be taught in English as LLRO 428.429. Love <strong>and</strong> War in Late Medieval France(3-0-3) BoultonThe literature <strong>of</strong> 14th- <strong>and</strong> 15th-century France inits social <strong>and</strong> political context.430. Love Poetry <strong>of</strong> the Renaissance(3-0-3) DellaNevaPrerequisite: 310.An in-depth study <strong>of</strong> the love poetry <strong>of</strong> Scève,DuBellay, Ronsard <strong>and</strong> their contemporaries.432. Life, Love, <strong>and</strong> Literaturein Renaissance Lyons(3-0-3) DellaNevaThis course focuses on the city <strong>of</strong> Lyons, the culturalcenter <strong>of</strong> the French Renaissance. Literaryworks include extensive readings from the city’smajor poets, Scève, Du Guillet, Labé, as well as excerptsfrom the works <strong>of</strong> Rabelais, Marot, <strong>and</strong> DuBellay. Cultural topics include the role <strong>of</strong> womenin Lyonnais society, art, music, royal pageantry,banking, printing, <strong>and</strong> the presence <strong>of</strong> Italians inLyons.434. The Renaissance Woman(3-0-3) DellaNevaA study <strong>of</strong> women in French Renaissance culture,with special emphasis on the works <strong>of</strong> women writerssuch as Marguerite de Navarre, Louise Labé <strong>and</strong>Pernette Du Guillet. This course may be <strong>of</strong>fered inEnglish as LLRO 434.435. Topics in French Renaissance Literature(3-0-3) DellaNevaAn in-depth study <strong>of</strong> a particular theme, author orgenre in Renaissance literature.


195ROMANCE LANGUAGES AND LITERATURES436. Life, Love, <strong>and</strong> Literature in the Reign <strong>of</strong>Francis I(3-0-3) DellaNevaThis course will include selections from the earlycourt poets known as the “Rhetoriqueurs,”Rabelais, Marot, <strong>and</strong> Marguerite de Navarre (sister<strong>of</strong> Francis I). The cultural component <strong>of</strong> thiscourse studies the art, music, <strong>and</strong> architecture <strong>of</strong>the châteaux <strong>of</strong> the Loire Valley <strong>and</strong> Fontainebleau.Special attention is given to the role <strong>of</strong> Francis I asan initiator <strong>of</strong> the French Renaissance <strong>and</strong> the religiousunrest <strong>of</strong> the times.437. Life, Love, <strong>and</strong> Literature in the World <strong>of</strong>the Baroque(3-0-3) DellaNevaThis course focuses on the literature <strong>of</strong> the lastquarter <strong>of</strong> the sixteenth century, including the latepoetry <strong>of</strong> Ronsard, his rival Desportes, Montaigne,<strong>and</strong> the religious poets D’Aubigné, Du Bartas, LaCeppède, <strong>and</strong> Sponde. Cultural topics include theReformation movement <strong>and</strong> the esthetic <strong>of</strong> the Baroque.442. Auteurs/Autour de Port Royal(3-0-3) MacKenzieA study <strong>of</strong> works reflecting a Jansenist world view:Pascal’s Lettres provinciales et Pensées; LaRochefoucauld’s Maximes; La Bruyère’s Caractères;Racine’s Andromaque <strong>and</strong> Phèdre; <strong>and</strong> LaFayette’sLa Princesse de Clèves.443. Reading Versailles(3-0-3) MacKenzieThe political, social <strong>and</strong> artistic phenomena resumedin the word Versailles, approached from anumber <strong>of</strong> perspectives: historical, architectural,mythological, in painting <strong>and</strong> in literature.444. Topics in 17th-Century French Literature(3-0-3) MacKenzieThe format <strong>of</strong> this course will allow for a variety <strong>of</strong>approaches; e.g., thematic or generic, or the work<strong>of</strong> a particular author.446. Fate, Freud, <strong>and</strong> Phèdre(3-0-3) MacKenzieAn investigation <strong>of</strong> Racine’s Phèdre, Euripides’Hippolytos <strong>and</strong> Seneca’s Phaedra. The course willfocus on issues such as fate, free will, original sin<strong>and</strong> sexuality.450. What Is Enlightenment? Approaches to aConcept(3-0-3) DouthwaiteThis course explores some <strong>of</strong> the major ideas thatanimated “Enlightenment” thought. Authors to bestudied include Fontenelle, Voltaire, Maupertuis,Bougainville, Rousseau, Mme. de Graffigny <strong>and</strong>Laclos.451. The French Revolution: A CulturalApproach(3-0-3) DouthwaiteAn interdisciplinary seminar that explores diversefacets <strong>of</strong> revolutionary culture, including politics,religion, art history, cuisine, fiction <strong>and</strong> films aboutthe events <strong>of</strong> 1789-1800.458. Topics in 18th-Century Literature(3-0-3) DouthwaiteA concentrated study focusing on the works <strong>of</strong> asingle author, treatment <strong>of</strong> a specific theme or development<strong>of</strong> a particular genre in 18th-centuryliterature.459. Prose Fiction <strong>of</strong> the 18th Century(3-0-3) DouthwaiteAn exploration <strong>of</strong> the development <strong>of</strong> the genre<strong>and</strong> the literary themes reflected in outst<strong>and</strong>ingworks <strong>of</strong> this period. Authors studied includeLeSage, Prévost, Marivaux, Diderot, Rousseau,Laclos <strong>and</strong> Bernardin de Saint-Pierre.462. Tradition <strong>and</strong> Revolution in FrenchRomanticism(3-0-3) PerryThis course focuses on writers’ attempts during thefirst half <strong>of</strong> the 19th century to find new ways <strong>of</strong>underst<strong>and</strong>ing the self, the relationship between theindividual <strong>and</strong> society, the role <strong>of</strong> literature in politics,<strong>and</strong> religious identity. Works by Constant,Chateaubri<strong>and</strong>, Hugo, Lamartine, Musset, Vigny,Balzac, Stendhal.464. Topics in 19th-Century Literature(3-0-3) Perry, ToumayanTopics will range from the oeuvre <strong>of</strong> a single author(e.g., Baudelaire, Hugo) <strong>and</strong> certain major texts tospecific cultural, literary <strong>and</strong> poetic problems(ritual <strong>and</strong> theatre, history as literature).465. 19th-Century Short Story(3-0-3) ToumayanThe development <strong>of</strong> the genre <strong>of</strong> short narrative in19th-century France. Works <strong>of</strong> Balzac, Nerval,Barbey d’Aurevilly, Flaubert, Gautier, Mérimée,Maupassant, Nodier <strong>and</strong> Villiers de l’Isle Adam willbe considered.468. Literature <strong>of</strong> the Fin-de-Siècle <strong>and</strong> theBelle Époque(3-0-3) PerryA study <strong>of</strong> late 19th- <strong>and</strong> early 20th-centuryFrench prose <strong>and</strong> poetry, in conjunction with themusic <strong>of</strong> Wagner <strong>and</strong> the philosophies <strong>of</strong>Schopenhauer, Nietzsche, <strong>and</strong> Bergson. Works byBaudelaire, Huysmans, Rachilde, Verlaine,Mallarmé, Barrès, Gide, Proust, Anna de Noailles,Colette, Valéry.471. 20th-Century Novel(3-0-3) Perry, ToumayanExtensive readings in the novel, from the beginning<strong>of</strong> the 20th century to the present, including suchauthors as Gide, Proust, Mauriac, Sartre, Camus<strong>and</strong> Robbe-Grillet.475. 20th-Century Poetry(3-0-3) Perry, ToumayanPrerequisite: ROFR 310.Extensive readings <strong>of</strong> works by major poets <strong>of</strong> the20th century, from the symbolist movement to thepresent.478. From Existentialism to Post-Structuralism(3-0-3) ToumayanThis course will examine the elaboration <strong>of</strong> the humanistdoctrines <strong>of</strong> Camus, Malraux <strong>and</strong> Sartre. Itwill then focus on the systematic challenges to thishumanism, by such authors as Beckett, Blanchot,Genet <strong>and</strong> Levinas.481A. French Travelers to North Africa(3-0-3) C. PerryThis course will explore works by French writers<strong>and</strong> artists who visited or resided in the North-Africancountries <strong>of</strong> Morocco <strong>and</strong> Algeria from theearly 19th through the late 20th century. We willexamine aesthetic representations as well as thetravel diaries <strong>and</strong> correspondence <strong>of</strong> painters suchas Eugène Delacroix, Théodore Chassériau, EugèneFromentin, <strong>and</strong> Henri Matisse; the travel narratives<strong>of</strong> Fromentin (Une Année dans le Sahel), PierreLoti (Au Maroc), <strong>and</strong> Isabelle Eberhardt (excerptsfrom Écrits sur le sable); short stories by Eberhardt,<strong>and</strong> novels by J.M.G. Le Clézio (Désert), MichelTournier (La Goutte d’or), <strong>and</strong> Didier VanCauwelaert (Un aller simple). Studies by EdwardSaïd (Orientalism) <strong>and</strong> Fatimah Mernissi (Beyondthe Veil: MaleFemale Dynamics in a Modern MuslimSociety), among others, will enable us to approachIslamic culture as well as the vexedquestions <strong>of</strong> French colonialism <strong>and</strong> the condition<strong>of</strong> women in North Africa.482. Littérature issue de l’immigration(3-0-3) ColyAn introduction to the literary productions by African,Caribbean <strong>and</strong> Asian immigrants to France.Students will acquire a detailed underst<strong>and</strong>ing <strong>of</strong>the relevant str<strong>and</strong>s <strong>of</strong> current theoretical thinking,<strong>and</strong> through a close analysis <strong>of</strong> the texts themselves,will examine recurrent themes <strong>and</strong> forms in immigrantliterature, including: the representation <strong>of</strong>identity; the concepts <strong>of</strong> origins; the intersection <strong>of</strong>race, class <strong>and</strong> gender; <strong>and</strong> the textual strategies underpinningthese considerations. Finally, we willexamine the different ways in which these authorsare redefining French literature with their singularvoices <strong>and</strong> styles. Writers to be studied include:Farida Belghoul, Azouz Beggag, Soraya Nini,Calixthe Beyala, Bolya Baenga, Gisèle Pineau, <strong>and</strong>Linda Lê.485. Representations <strong>of</strong> the Femininein French Literature(3-0-3) PerryA study <strong>of</strong> male-constructed images <strong>of</strong> the “other”in feminine guise, <strong>and</strong> responses from female writersto such portrayals, from the late 18th to theearly 20th century. Works by Bernardin de Saint-Pierre, Chateaubri<strong>and</strong>, Lamartine, Balzac,Mérimée, Baudelaire, Flaubert, Barrès, GeorgeS<strong>and</strong>, Marceline Desbordes-Valmore, Anna deNoailles, Colette.


196ROMANCE LANGUAGES AND LITERATURES486. Women’s Voices in 20th-CenturyFrench Prose(3-0-3) PerryThis course examines the gendered notions <strong>of</strong>“voice” <strong>and</strong> “silence” in the narrative prose <strong>of</strong> 20thcenturyFrench <strong>and</strong> Francophone female authors.Works by Anna de Noailles, Gérard d’Houville(Marie de Régnier), Colette, Simone de Beauvoir,Anne Hébert, Marguerite Duras, Nicole Brossard,Sylvie Germain, Amélie Nothomb, <strong>and</strong> essays inFrench feminist criticism.490. French Theatre Production(3-0-3) McDowellStudents will work on a French play throughoutthe fall semester <strong>and</strong> present it during spring semester.Students from all levels are encouraged toparticipate either in an onstage role or behind thescenes.490A. Molière: homme de théâtre(1-0-1)Prerequisite: By permission only.This one-credit course is an optional supplement tothe ROFR 490 French Theatre Production, openonly to actors in this year’s production. We willlook at the many hats Molière wore during his theatricalcareer: playwright, company manager, actor,theoretician <strong>of</strong> theatre, as well as the numerousbattles Molière fought to stage his theatre. We willalso view selected scenes performed by pr<strong>of</strong>essionalsas well as our own Illustre Théâtre de <strong>Notre</strong> <strong>Dame</strong>du Lac.495. Senior Seminar(3-0-3) StaffRequired <strong>of</strong> all first majors.498. Special Studies(3-0-3) StaffPrerequisite: Senior st<strong>and</strong>ing, dean’s list.499. Senior Thesis(3-0-3) StaffThis course may cover an in-depth study <strong>of</strong> a particularauthor, theme, genre or century. In additionto primary texts, some critical material will be requiredreading. This course culminates in a substantialresearch paper.ITALIAN101-102. Beginning Italian I <strong>and</strong> II (A-B)(4-0-3) (4-0-3) StaffAn introductory, first-year language course with abalanced presentation <strong>of</strong> the spoken <strong>and</strong> writtenlanguage. Aims at the acquisition <strong>of</strong> basic structures,vocabulary <strong>and</strong> sound systems; implies cultivation<strong>of</strong> cultural awareness. Designed for studentswith no previous study <strong>of</strong> Italian. 101 <strong>of</strong>fered fallonly.105-106. Beginning Italian for Architects(3-0-3) (3-0-3) StaffAn introduction to Italian similar to 101-102, butwith a greater emphasis on practical informationnecessary for architects planning an internationalstudy experience.115. Intensive First-Year Italian (A-B)(6-0-5) (6-0-5) StaffAn accelerated one-semester Italian course that introducesthe student to the same topics covered inthe traditional 101-102 sequence. Students whosuccessfully complete 115 are encouraged to enrollin 201 the following semester. This course is designedfor highly motivated students or those withprevious Romance language experience.201. Comprehensive Second-Year Italian(Italian C)(3-0-3) StaffPrerequisite: 102/115 or permission <strong>of</strong> the instructor.A third-semester college language course. Includesreview <strong>and</strong> expansion <strong>of</strong> basic grammatical structures.Extensive practice in speaking <strong>and</strong> writing.Readings <strong>and</strong> discussions <strong>of</strong> a variety <strong>of</strong> literary <strong>and</strong>nonliterary texts <strong>of</strong> appropriate difficulty.231. Italian Stylistics <strong>and</strong> Culture(3-0-3) StaffPrerequisite: 103 or permission <strong>of</strong> the instructor.An advanced, fourth-semester language course designedto further develop the student’s conversationalskills <strong>and</strong> grasp <strong>of</strong> a wide variety <strong>of</strong> styles <strong>and</strong>registers in Italian. Spoken <strong>and</strong> written Italian willbe practiced through various classroom activities<strong>and</strong> assignments. Readings include a wide array <strong>of</strong>literary <strong>and</strong> nonliterary texts (newspapers <strong>and</strong>magazines, short fiction, <strong>and</strong> so on).234. Italian Mass Media (Italian D)(3-0-3) DupontConducted in Italian, this course allows the studentto develop linguistic skills through the study <strong>of</strong> authenticlanguage materials including popular music,newspapers, television, <strong>and</strong> film. Spoken <strong>and</strong>written Italian will be practiced through a wide variety<strong>of</strong> class activities <strong>and</strong> assignments.235. Italian Popular Culture (Italian D)(3-0-3) Ryan-ScheutzThis course explores various aspects <strong>of</strong> Italian language<strong>and</strong> culture by incorporating a variety <strong>of</strong>Internet <strong>and</strong> media materials with reading <strong>of</strong> shortliterary texts. Students learn about Italian culture(popular music, sports, television, film, literature,journalism, <strong>and</strong> folklore). Written assignments <strong>and</strong>discussions focus on cultural diversity, stereotypes,<strong>and</strong> social trends.236. Culture, Custom, Buone Maniere(Italian D)(3-0-3) MangioneThis course focuses on conversation <strong>and</strong> compositionskills through a variety <strong>of</strong> oral activities, includingclass discussions based on assigned readingson contemporary Italian culture, practice <strong>of</strong> newvocabulary <strong>and</strong> idiomatic constructions, individual<strong>and</strong> group presentations, <strong>and</strong> scene playing.237. Italian Composition <strong>and</strong> Conversation(Italian D)(3-0-3) StaffThe course is designed to further develop thestudent’s spoken <strong>and</strong> written Italian on the basis <strong>of</strong>free conversation <strong>and</strong> the analysis <strong>of</strong> prose texts <strong>and</strong>composition.238. Attitude: Italian Style(3-0-3) MangioneThis course is designed for students who have completedROIT 201, who are returning from a programin Italy, or who are preparing to studyabroad. In-class emphasis on the development <strong>of</strong>oral pr<strong>of</strong>iciency <strong>and</strong> conversation skills, homeworkassignments aimed at practice <strong>of</strong> advanced grammar,reaction papers designed to improve writtenexpression: all <strong>of</strong> these will help the student to gainconfidence while increasing underst<strong>and</strong>ing <strong>of</strong> thedeep culture <strong>of</strong> contemporary Italy.239B. Tragicomedy/Opera: Short Story/Film(3-0-3) MangioneTragicomedy in Italian Opera/Short Story/Film exploresthe role <strong>of</strong> irony <strong>and</strong> humor as copingmechanisms in tragic situations. Students will readopera libretti as literature, view <strong>and</strong> analyze severalfilms, <strong>and</strong> read short stories <strong>and</strong> excerpts fromlonger works by contemporary authors. Grammarreview, regular written homework, <strong>and</strong> compositionswill complement discussion, presentations,<strong>and</strong> exams in this course.240. OK Computer Italian(3-0-3) CacheyThis Internet-based Italian language <strong>and</strong> culturecourse is specially designed for students who havecompiled ROIT 102, the Intensive Italian series, orare returning from Italy or getting ready to gothere. The course presents a syllabus <strong>of</strong> authenticvideo-based courseware treating a variety <strong>of</strong> topics,including Italian cultural stereotypes, la famiglia,climate <strong>and</strong> physical characteristics <strong>of</strong> the Italianpeninsula, spot pubblicitari, politics, popular music,folklore, sport, <strong>and</strong> various aspects <strong>of</strong> high <strong>and</strong>low culture. Emphasis is on conversation <strong>and</strong> writingskills <strong>and</strong> grammar review.247. Italian Society Today(3-0-3) StaffA multimedia exploration <strong>of</strong> major aspects <strong>of</strong>contemporary Italian society. Each unit focuses onspecific topics, themes, grammar, communicationactivities, <strong>and</strong> composition goals.


197ROMANCE LANGUAGES AND LITERATURES345. Introduction to Italian Literature I(3-0-3) Cachey, MoevsPrerequisite: A 200-level Italian course.An introduction to the major writers, genres, <strong>and</strong>critical issues <strong>of</strong> Italian literature from its originsthrough the High Rennaisance. Besides the trecorone (Dante, Petrarch, Boccaccio), we will readworks ranging from St. Francis <strong>and</strong> the duecentopoets (Giacomo da Lentini, Guido Cavalcanti)through the humanists (Poliziano, Lorenzode’Medici), <strong>and</strong> the great figures <strong>of</strong> the High Renaissance(Machiavelli, Ariosto), in their historical,cultural, geographical <strong>and</strong> artistic (including musical)context. Taught in Italian.385. Introduction to Italian Literature II(3-0-3) Moevs, Ryan-Scheutz, WelleThis course introduces students to major writers<strong>and</strong> literary movements in 18th, 19th, <strong>and</strong> 20thcenturyItaly, including Goldoni, Leopardi,Foscolo, Manzoni, Verga, Pir<strong>and</strong>ello <strong>and</strong> manyothers. Taught in Italian.398. Special Studies(3-0-3) StaffPrerequisite: Junior st<strong>and</strong>ing, dean’s list.409. The Italian Lyric(3-0-3) MoevsAn in-depth textual analysis <strong>of</strong> selected lyric masterpiecesfrom the breadth <strong>of</strong> the Italian tradition,from Cavalcanti to Montale. Taught in Italian.410. The Italian Short Story(3-0-3) WelleReadings in short prose fiction beginning withBoccaccio’s Decamerone <strong>and</strong> reaching to our timeswith special emphasis on narrative techniques, theliterary periods, language <strong>and</strong> critical theories.411. Cinema e letteratura(3-0-3) Ryan, WelleConducted in Italian, this course analyzes Italianfilms <strong>and</strong> literary works in studying points <strong>of</strong> intersection<strong>and</strong> divergence between film <strong>and</strong> literature.421-422. Dante I <strong>and</strong> II(3-0-3) (3-0-3) Moevs, CacheyAn in-depth study, over two semesters, <strong>of</strong> the entireComedy, in its historical, philosophical <strong>and</strong> literarycontext, with selected readings from the minorworks (e.g., Vita Nuova, Convivio, De vulgarieloquentia). Lectures <strong>and</strong> discussion in English; thetext will be read in the original with facing-pagetranslation. Cross-listed.Students may take one semesteror both, in either order.421C. Dante’s Commedia(3-0-3) P. BoitaniThis course will <strong>of</strong>fer a survey <strong>of</strong> major themes ,scenes <strong>and</strong> cantos in Dante’s Inferno, Purgatorio<strong>and</strong> Paradiso, trying to link their medieval contextwith our contemporary concerns <strong>and</strong> underliningthe poetic value <strong>of</strong> the passages. We shall examinethe overall structure <strong>of</strong> the poem <strong>and</strong> its central images<strong>of</strong> the voyage <strong>and</strong> sailing, the way in whichDante deals with shadows, his concern with creation,prophecy <strong>and</strong> the future.427. Italian Dialect Literature(3-0-3) HallerIn this minicourse, we discuss aspects <strong>of</strong> Italy’s literarytradition in dialect across time, space, <strong>and</strong>genres. Following a brief introduction to Italy’sdialect varieties, we will consider some major poetswho write in Milanese, Roman, <strong>and</strong> Neapolit<strong>and</strong>ialect, <strong>and</strong> the plurilingual theatrical tradition.432. Petrarch(3-0-3) Cachey, MoevsThe course will explore fundamental themes inPetrarch’s writings in Latin, especially the Secretum<strong>and</strong> the epistles <strong>and</strong> in the Triumphs <strong>and</strong> theCanzoniere. Contemporary critical approaches willbe employed in the analysis <strong>of</strong> the Canzoniere.433. Boccaccio(3-0-3) Cachey, MoevsA textual analysis <strong>of</strong> the Decameron, with emphasison structure <strong>and</strong> themes. Different critical approacheswill be used in the analysis <strong>of</strong> individualtales, their relationships to the frames <strong>and</strong> their reflectionon Boccacio’s society.434. Machiavelli <strong>and</strong> Guicciardini(3-0-3) CacheyThis course will compare <strong>and</strong> contrast major works<strong>of</strong> these “classical” Italian Renaissance authors.435. La Letteratura di Viaggio: storica e critica(3-0-3) CacheyThis course examines major Renaissance Italiannarratives <strong>of</strong> the Age <strong>of</strong> Discovery. It concentrateson the theoretical <strong>and</strong> practical problems involvedin attempting to read historical texts as “literaryartifacts.”437. Ariosto e Calvino: “un’idea di letteratura”(3-0-3) CacheyThis course examines Lodovico Ariosto’s Orl<strong>and</strong>oFurioso in the light <strong>of</strong> Italo Calvino’s reading <strong>of</strong> thepoem <strong>and</strong> the recent “Calvinian” reading <strong>of</strong> thepoem by one <strong>of</strong> Italy’s leading philologist-critics,Corrado Bologna (La Machina del Furioso). We willbegin with a reading <strong>of</strong> Calvino’s Six Memos for theNext Millennium <strong>and</strong> then move on to a reading <strong>of</strong>the Furioso.450. Afieri, Foscolo, <strong>and</strong> Leopardi(3-0-3) MoevsA study <strong>of</strong> selected works from the three greatestpoets <strong>of</strong> the Neoclassical <strong>and</strong> Romantic period,with particular attention paid to the tension <strong>and</strong>fusion in their thought between Enlightenment<strong>and</strong> Romantic conceptions <strong>of</strong> self, humanity <strong>and</strong>nature.460. Manzoni(3-0-3) MoevsA close reading <strong>of</strong> the Promessi Sposi in its historical<strong>and</strong> cultural context, with special attention given toits artistic <strong>and</strong> social aims as a novel at once historical,political, <strong>and</strong> self-consciously Catholic.470. Italian Women Writers(3-0-3) Ryan-ScheutzThis course explores the development <strong>of</strong> female discoursein the works <strong>of</strong> female writers across thecenturies, with a focus on the 20th century. Wetrace <strong>and</strong> identify the subtleties <strong>and</strong> variationsamong women’s voices within the Italian literarycanon. Discussions, presentations, <strong>and</strong> assignmentswill examine themes such as motherhood, autobiography,<strong>and</strong> feminism.482. Comedy, Italian Style!(3-0-3) WelleAn examination <strong>of</strong> Italian comic traditions in theatre<strong>and</strong> cinema within the contexts <strong>of</strong> history,politics, <strong>and</strong> society. The popular film genre “comedyItalian style” is analyzed, together with filmcomedies from the silent period through the 1990s.483. Spotlight on Pir<strong>and</strong>ello(3-0-3) WelleThe literary, theatrical, <strong>and</strong> cinematic works <strong>of</strong>Luigi Pir<strong>and</strong>ello within the context <strong>of</strong> Italian culture<strong>and</strong> society between the 1880s <strong>and</strong> the 1930s,<strong>and</strong> as an integral force <strong>of</strong> Italian <strong>and</strong> Europeanmodernism.485. Cinema e Scrittori(3-0-3) Ryan-ScheutzAn in-depth study <strong>of</strong> a particular Italian filmmaker(Pasolini, Fellini, Antonioni, Wertmueller) orgroup <strong>of</strong> filmmakers <strong>and</strong> their relationship rto artwith various literary works, trends <strong>and</strong> groups.489. Modern Italian Fiction(3-0-3) WelleMajor works <strong>of</strong> Italian fiction from the 19th centuryuntil the present are analyzed in relation toItalian society <strong>and</strong> culture within the contexts <strong>of</strong>European history <strong>and</strong> literary movements.495. Italian Seminar(3-0-3) FacultyPrerequisite: A 300- or 400-level course taught inItalian.An in-depth study <strong>of</strong> a particular author, theme,genre or century. In addition to treating the primarytexts, some critical material will be requiredreading. This course culminates in a substantial researchpaper. Taught in Italian.498. Special Studies(3-0-3) StaffPrerequisites: Senior st<strong>and</strong>ing, dean’s list.499. Thesis(3-0-3) FacultyPrerequisites: Senior st<strong>and</strong>ing, dean’s list.


198ROMANCE LANGUAGES AND LITERATURESPORTUGUESE111F-112F. Intensive Beginning Portuguese(6-0-5) StaffAn intensive introductory course with a balancedpresentation <strong>of</strong> the spoken <strong>and</strong> written language.Along with the acquisition <strong>of</strong> language skills, emphasisis placed on comprehension <strong>and</strong> culturalawareness. The sequence <strong>of</strong> 111-112F fulfills thelanguage requirement.121-122. Portuguese for Spanish Speakers I<strong>and</strong> II(3-0-3) FerreiraThe intensive Portuguese 121-122 course sequenceis designed for students with at least intermediatelevelpr<strong>of</strong>iciency in Spanish. Classroom activitiesemphasize the acquisition <strong>of</strong> basic language structures,vocabulary, <strong>and</strong> sound system, as well as theactive use <strong>of</strong> spoken language in context. Studentsare introduced to the cultures <strong>of</strong> the Portuguesespeakingcountries through current video, printedmedia, music, <strong>and</strong> short fiction.201. Intermediate Portuguese(3-0-3) FerreiraThrough selected readings in Portuguese, Brazilian,<strong>and</strong> Lusophone African literatures, films, newspaper<strong>and</strong> magazine articles, <strong>and</strong> popular music, studentsdiscuss a variety <strong>of</strong> cultural issues <strong>and</strong> exp<strong>and</strong>their vocabulary. Particular attention is placed onreviewing major topics <strong>of</strong> Portuguese grammar <strong>and</strong>developing students’ writing abilities. Conductedin Portuguese.SPANISH101A.(0-0-3)The first semester <strong>of</strong> beginning Spanish, via AdvancedPlacement credit, the CEEB or the <strong>Notre</strong><strong>Dame</strong> placement examination.101-102. Beginning Spanish I <strong>and</strong> II(4-0-3) (4-0-3) StaffAn introductory, first-year language course with abalanced presentation <strong>of</strong> the spoken <strong>and</strong> writtenlanguage. Aims at the acquisition <strong>of</strong> basic structures,vocabulary <strong>and</strong> sound systems; stresses appreciation<strong>of</strong> cultural awareness. Designed forstudents with no previous study <strong>of</strong> Spanish. 101<strong>and</strong> 102 <strong>of</strong>fered every semester.103. Intermediate Spanish(3-0-3) StaffPrerequisite: 102 or placement by exam.A third-semester college language course, designedto provide a comprehensive <strong>and</strong> thorough review <strong>of</strong>grammar emphasizing the active use <strong>of</strong> Spanish forpractical oral <strong>and</strong> written communication. Oralpractice is realized through in-class activities, readings,<strong>and</strong> cultural videos <strong>of</strong> appropriate difficulty.Offered both semesters.Catherine Perry, associate pr<strong>of</strong>essor <strong>of</strong> French118. Intensive Beginning Spanish for StudyAbroad(5-0-5) FarleyThe ROSP 118-128 sequence is designed for thosewho intend to participate in an international studyprogram in Mexico or Spain while at <strong>Notre</strong> <strong>Dame</strong>.ROSP 118 is an intensive beginning course thatcovers the material from Spanish 101 <strong>and</strong> 102 inone semester, with classes five days per week. Equalemphasis is placed on spoken <strong>and</strong> written Spanish.Along with the acquisition <strong>of</strong> language features,students gain an awareness <strong>of</strong> Hispanic culture.The intensive ROSP 118-128 course sequence fulfillsthe language requirement.128. Intensive Intermediate Spanish for StudyAbroad(5-0-5) AmeriksPrerequisite: 118 or placement by exam in 128.The ROSP 118-128 sequence is designed for thosewho intend to participate in an international studyprogram in Mexico or Spain while at <strong>Notre</strong> <strong>Dame</strong>.ROSP 128 is an intensive intermediate course thatcovers the material from Spanish 103 <strong>and</strong> 201 inone semester, with classes five days per week. Equalemphasis is placed on spoken <strong>and</strong> written Spanish.The course includes a review <strong>of</strong> major grammarpoints, literary readings, <strong>and</strong> cultural readings. Theintensive 118-128 course sequence fulfills the languagerequirement.201. Advanced Spanish I(3-0-3) StaffPrerequisite: 103 or placement by exam.An advanced, fourth-semester college languagecourse. Emphasis on expansion <strong>and</strong> refinement <strong>of</strong>oral <strong>and</strong> written language skills (competence) requisitefor work in upper-level language <strong>and</strong> literaturecourses. Reading <strong>and</strong> discussion <strong>of</strong> a variety <strong>of</strong>literary <strong>and</strong> nonliterary texts <strong>of</strong> appropriate difficulty.Grammar review is a secondary component.202. Advanced Spanish II(3-0-3) StaffPrerequisite: 201 or placement by exam.An advanced, fifth-semester college language coursefor those who choose to continue the type <strong>of</strong> workbegun in 201. Emphasis on refinement <strong>of</strong> oral <strong>and</strong>written language skills (competence). Reading <strong>and</strong>discussion <strong>of</strong> a variety <strong>of</strong> literary <strong>and</strong> nonliterarytexts <strong>of</strong> appropriate difficulty. Grammar review isagain a component, but one <strong>of</strong> secondaryimportance.211-212. Spanish for Near-Native Speakers I<strong>and</strong> II(3-0-3) (3-0-3) Jakab, ColomaA course <strong>of</strong> intensive grammar study, reading <strong>and</strong>writing. Designed for those who may speak withconsiderable fluency but have little or no grasp <strong>of</strong>grammar <strong>and</strong> the written language. The goal is toachieve a level <strong>of</strong> literacy equivalent to that <strong>of</strong> a college-educatednative speaker: to strengthen thecomm<strong>and</strong> <strong>of</strong> written Spanish <strong>and</strong> the mechanics <strong>of</strong>composition <strong>and</strong> style.


199ROMANCE LANGUAGES AND LITERATURES230. Spanish for the Medical Pr<strong>of</strong>ession(3-0-3) JakabThis course introduces students who have masteredthe rudiments <strong>of</strong> Spanish grammar to a vocabularyallowing them to discuss medicine <strong>and</strong> health carewith the Spanish-speaking population. Linguisticskills are fostered through vocabulary study, a series<strong>of</strong> short compositions, classroom dialogues, conversation<strong>and</strong> oral presentations.231. Conversational Spanish(3-0-3) StaffPrerequisite: 103 or placement by exam.This course is designed to further develop thestudent’s conversational skills <strong>and</strong> grasp <strong>of</strong> a widevariety <strong>of</strong> styles <strong>and</strong> registers in Spanish. SpokenSpanish will be practiced through various types <strong>of</strong>classroom activities <strong>and</strong> assignments, with specialattention to conversation <strong>and</strong> vocabulary building.Emphasis will be on topics <strong>of</strong> current interest.Grammatical principles will be applied to structuredconversations <strong>and</strong> compositions.232. Spanish Current Events(3-0-3) StaffPrerequisite: 201 or placement by exam.Course will be using current events as its foundationfor developing reading, writing <strong>and</strong> conversationskills, with its primary source <strong>of</strong> information aSpanish newspaper published in the United States.234. Civilization <strong>and</strong> Culture <strong>of</strong> Spain(3-0-3) StaffPrerequisite: 201 or placement by exam.This class will explore the geographical, historical<strong>and</strong> political factors which have contributed to thedevelopment <strong>of</strong> contemporary Spain.235. Hispanic Civilization <strong>and</strong> Culture(3-0-3) StaffPrerequisite: 201 or placement by exam.An introduction to the scope <strong>and</strong> variety <strong>of</strong> Hispanicculture. Especially for those desiring to continuestudies in language <strong>and</strong> culture but preferringto de-emphasize the literature component. Readingsat an intermediate level in history, art, culture<strong>and</strong> society will be the basis for lectures <strong>and</strong> discussions;focus on thought <strong>and</strong> daily life. Not designedfor international study returnees.236. Spanish for Business(3-0-3) CaponigriPrerequisite: 201.This class is designed for the student who wants tolearn <strong>and</strong> study Spanish terminology, phrases <strong>and</strong>cultural conventions used in business situations inSpain <strong>and</strong> Latin America.237. Spanish Conversation <strong>and</strong> Writing(3-0-3) StaffPrerequisite: 201 or placement by exam.Intended to develop writing pr<strong>of</strong>iciency throughliterary <strong>and</strong> nonliterary texts from Spain <strong>and</strong> SpanishAmerica while continuing to promote oral pr<strong>of</strong>iciencydevelopment.255. Studies in Mexican Culture(3-0-3) IbsenAn introduction to Mexican culture that includesintermediate-level readings on history, art, literature,as well as films <strong>and</strong> music, as the basis for lectures<strong>and</strong> discussions. Active participation isencouraged. Preference for this course will be givento freshmen <strong>and</strong> sophomores, although juniors arewelcome to apply.290. 20th-Century Latin America <strong>and</strong> the <strong>Arts</strong>(3-0-3) StaffPrerequisite: 201.An introduction to painters, such as Botero, Matta<strong>and</strong> Rivera, <strong>and</strong> major films <strong>of</strong> the last 30 years.310. Textual Analysis(3-0-3) StaffPrerequisites: Two or more 200-level courses or permission.A practical introduction to the analysis <strong>and</strong> explication<strong>of</strong> Spanish-language literary texts. Short textsin prose, poetry <strong>and</strong> theater from a variety <strong>of</strong> periods<strong>and</strong> countries within the Hispanic world areread, presented <strong>and</strong> discussed. Recommended prerequisitefor the survey courses. Required to betaken by the end <strong>of</strong> the junior year.318. Survey <strong>of</strong> Spanish Literature I(3-0-3) Juárez, Seidenspinner-NúñezA survey <strong>of</strong> Spanish literature through 1700. Readings<strong>of</strong> selected texts in prose, poetry <strong>and</strong> theaterfrom the medieval, Renaissance <strong>and</strong> baroqueperiods.319. Survey <strong>of</strong> Spanish Literature II(3-0-3) Jerez-FarránA survey <strong>of</strong> Spanish literature from the neoclassicalperiod to the present. Readings include a selection<strong>of</strong> texts by the most representative poets, playwrights<strong>and</strong> novelists <strong>of</strong> each <strong>of</strong> the literary periodsunder study: Moratín, Rivas, Espronceda, Bécquer,Galdós, Unamuno, García Lorca, <strong>and</strong> Cela.328. Survey <strong>of</strong> Spanish American Literature I(3-0-3) Anadón, Anderson, HellerA general introduction to <strong>and</strong> survey <strong>of</strong> majorworks <strong>of</strong> colonial <strong>and</strong> 19th-century literature up toModernism.329. Survey <strong>of</strong> Spanish American Literature II(3-0-3) Anderson, Ibsen, Olivera-WilliamsA survey <strong>of</strong> literary trends <strong>and</strong> major figures inmodern Spanish-American literature (1880-present). Readings <strong>of</strong> selected texts in prose, poetry<strong>and</strong> theatre.390. Advanced Composition <strong>and</strong> Stylistics(3-0-3) StaffA further refinement <strong>of</strong> Spanish speaking <strong>and</strong> writingskills.398. Special Studies(3-0-3) FacultyPrerequisite: Junior st<strong>and</strong>ing, dean’s list.401. Medieval Spanish Literature(3-0-3) Seidenspinner-NúñezThis course is intended to introduce the student tothe literature <strong>of</strong> medieval Spain. The texts will bediscussed <strong>and</strong> analyzed in the light <strong>of</strong> both medieval<strong>and</strong> modern critical concepts, <strong>and</strong> with a view todeveloping an underst<strong>and</strong>ing <strong>of</strong> the medieval culture<strong>of</strong> which they were a part. The works to becovered were written between 1200 <strong>and</strong> 1500 <strong>and</strong>include a wide variety <strong>of</strong> themes <strong>and</strong> genres.411. Spanish Golden Age Theater(3-0-3) Juárez, Seidenspinner-NúñezA critical evaluation <strong>of</strong> representative golden ageplays will highlight the major themes, their intenselynational character <strong>and</strong> the strengths <strong>and</strong>limitations <strong>of</strong> their conventions.412. Renaissance <strong>and</strong> Baroque Poetry <strong>of</strong> Spain(3-0-3) JuárezA close reading <strong>of</strong> traditional <strong>and</strong> italianated poetrythat includes villancicos, romances <strong>and</strong> the works <strong>of</strong>Garcilaso de la Vega, Fray Luis de León, San Ju<strong>and</strong>e la Cruz, Góngora, Quevedo <strong>and</strong> Sor Juana Inésde la Cruz.413. The Picaresque Novel(3-0-3) JuárezAn introduction to a unique Spanish genre, thePicaresque novel, or literature <strong>of</strong> the delinquent,with major focus on the Spanish golden age masterpieces:Lazarillo de Tormes, Guzman de Alfarache<strong>and</strong> El Buscón. The works are studied as literature<strong>and</strong> as social commentary.414. Don Quixote(3-0-3) JuárezA close textual analysis <strong>of</strong> the novel in its literary,historical <strong>and</strong> cultural contexts.416. Topics in Golden-Age Spanish Literature(3-0-3) FacultyAn in-depth study <strong>of</strong> a particular theme, author orgenre in golden age literature.431. Literature, Society <strong>and</strong> Politicsin 19th-Century Spain(3-0-3) FacultyA study <strong>of</strong> the cultural <strong>and</strong> social issues <strong>of</strong> 19thcenturySpain through various texts (from short storiesto novels, from political declarations tonewspaper articles).432. Spanish Avant-Garde Literature(3-0-3) Jerez-FarránAn analysis <strong>of</strong> avant-garde literary movements inSpain, including works by authors such as Valle-Inclán <strong>and</strong> the generation <strong>of</strong> 1927.433. Modernismo y Generación del ’98(3-0-3) Jerez-FarránA study <strong>of</strong> the most representative literary worksfrom these two movements, against the background<strong>of</strong> social, national <strong>and</strong> ideological crises in fin-desiécleSpain.


200ROMANCE LANGUAGES AND LITERATURES434. 19th-Century Spanish Novel(3-0-3) FacultyA study <strong>of</strong> the development <strong>of</strong> the Spanish novelsince 1868, examined as aesthetic expression <strong>of</strong> thelong process <strong>of</strong> consolidation <strong>of</strong> the bourgeois socialorder in 19th-century Spain.442. Modern Spanish Poetry(3-0-3) Jerez-FarránA close reading <strong>and</strong> analysis <strong>of</strong> the major Spanishpoets <strong>of</strong> 19th- <strong>and</strong> 20th-century Spain, with emphasison Machado, Juan Ramón Jiménez, Lorca,Alberti, Guillén <strong>and</strong> other poets from post-FrancoSpain.443. Modern Spanish Prose(3-0-3) Jerez-FarránMajor novels <strong>of</strong> contemporary Spain examinedwithin the context <strong>of</strong> the social, political <strong>and</strong> intellectualcrises from the time <strong>of</strong> the Spanish-AmericanWar <strong>of</strong> 1898 to the post-Franco period.Includes works by Baroja, Unamuno, Cela, Martin-Santos, Laforet, Matute, Goytisolo <strong>and</strong> Montero.444. Love in 20th-Century Spanish Literature(3-0-3) Jerez-FarránAn examination <strong>of</strong> the theme <strong>of</strong> love in major20th-century works <strong>and</strong> in aesthetic trends <strong>of</strong>modern Spain.448. Feminism in Modern Spain(3-0-3) Jerez-FarranA study <strong>of</strong> the literary output <strong>of</strong> female writers inthe second half <strong>of</strong> 20th-century Spain seen in relationto the social, political, <strong>and</strong> cultural changes <strong>of</strong>the time.450. Spanish Short Story(3-0-3) Jerez-FarránClose examination <strong>of</strong> the evolution <strong>of</strong> the shortstory in Spanish literature from the 19th to the20th century, with emphasis on contemporaryauthors.451. Modern Spanish Theater(3-0-3) Jerez-FarránA survey <strong>of</strong> Spanish theatrical expressions from theearly 19th century to the present. Includes neoclassical,romantic <strong>and</strong> realist theatre <strong>and</strong> the technicalinnovations <strong>of</strong> contemporary playwrights such asBenavente, Lorca, Valle-Inclán <strong>and</strong> the theatre <strong>of</strong>the present.463. Chronicles <strong>of</strong> the Spanish Conquest(3-0-3) AnadónA course on the major chronicles <strong>of</strong> the discovery<strong>and</strong> conquest <strong>of</strong> America by Spanish <strong>and</strong> LatinAmerican authors.464. Spanish American Colonial Poetry(3-0-3) AnadónClose readings <strong>and</strong> discussion <strong>of</strong> selected works <strong>of</strong>poetry by major authors from colonial LatinAmerica.465. Studies in Latin American ColonialLiterature(3-0-3) AnadónProse texts from the colonial period examined intheir cultural context.471. Does a Nation Have a Woman’s Face?(3-0-3) Olivera-WilliamsA study <strong>of</strong> the national imaginary depictedthroughout 19th-century Spanish American fictionalprose <strong>and</strong> essays. Special attention will begiven to gender issues <strong>and</strong> historical events.481. Modern Spanish American Novel(3-0-3) IbsenA study <strong>of</strong> novels reflecting major literary currents<strong>and</strong> historical events, from the Mexican Revolution,indigenismo, to the experimental novels <strong>of</strong>more recent times.483. Great Spanish American Poets <strong>of</strong> the 20thCentury(3-0-3) Olivera-WilliamsThis course will focus on the principal trends <strong>of</strong>Spanish America lyrical production through closereadings <strong>of</strong> outst<strong>and</strong>ing poems by major authors,from the avant-garde to the present. Works byMistral, Vallejo, Paz, Gelman, Pizarnik, <strong>and</strong> Peri-Rossi will be included.484. Contemporary Caribbean<strong>and</strong> Central American Narrative(3-0-3) Anderson, IbsenThis course will focus on the principal trends <strong>of</strong>Caribbean <strong>and</strong> Central American narrative throughclose reading <strong>of</strong> both novels <strong>and</strong> short stories,including works by Asturias, Cabrera, Carpentier<strong>and</strong> Ferré.485. Modern Spanish-American Theater(3-0-3) Olivera-WilliamsCombines a study <strong>of</strong> the development <strong>of</strong> the dramaticgenre in Spanish America with close readings<strong>of</strong> plays mirroring major historical events <strong>and</strong> specialproblems in Spanish American literature.486. Contemporary Women’s Fictionin Spanish America(3-0-3) Olivera-WilliamsAn overview <strong>of</strong> contemporary women writers, theirfiction, <strong>and</strong> their situation within the culture.487. New Readings in Modern CaribbeanLiterature(3-0-3) Anderson, HellerThis course will analyze a selection <strong>of</strong> works from awide range <strong>of</strong> genre — poetry, theater, prose, essay— by representative authors from Cuba, the DominicanRepublic <strong>and</strong> Puerto Rico, written fromthe turn <strong>of</strong> the century to the present.488. Pop Culture: Caribbean(3-0-3) AndersonIn this class, we study a number <strong>of</strong> aspects <strong>of</strong> popularculture in the modern Hispanic Caribbean(Cuba, Puerto Rico, Dominican Republic), includingliterature, music, film, <strong>and</strong> art.490. Spanish American Short Story(3-0-3) IbsenA survey <strong>of</strong> the development <strong>of</strong> the short-storygenre in Spanish America. Close readings <strong>of</strong> outst<strong>and</strong>ingworks by major authors.491. Studies in Spanish American Culture(3-0-3) Anderson, Heller, Ibsen, Olivera-WilliamsThis course considers the issue <strong>of</strong> Latin Americanidentity through a variety <strong>of</strong> media including film,literature, <strong>and</strong> popular culture. Focus may be on aparticular region or genre.492. Mexican Literature(3-0-3) IbsenCombines an overview <strong>of</strong> the historical development<strong>of</strong> prose, poetry <strong>and</strong> theatre in Mexico, with aclose look at special problems <strong>and</strong> issues in Mexicanliterature.493. Topics in Contemporary Spanish AmericanLiterature3-0-3) Olivera-Williams, VeraniAn in-depth study <strong>of</strong> a particular theme, author, orgenre in Contemporary Spanish American literature.494. Women Writers <strong>of</strong> the Spanish-SpeakingWorld(3-0-3) IbsenA general introduction to female writers, bothSpanish peninsular <strong>and</strong> Latin American, from thegolden age <strong>of</strong> Spain through the 20th century. Mayalso be <strong>of</strong>fered with emphasis solely on LatinAmerican female authors.495. Senior Seminar(3-0-3) FacultyPrerequisite: Senior Spanish majors only.This course may cover an in-depth study <strong>of</strong> a particularauthor, theme, genre or century. In additionto treating primary texts, some critical material willbe required reading. The course culminates in asubstantial research paper. May be taken either fallor spring term.498. Special Studies(3-0-3) StaffPrerequisites: Senior st<strong>and</strong>ing, dean’s list.499. Thesis(3-0-3) StaffROMANCE LITERATURESThe following courses are taught in English.There are no prerequisites.180. Literature <strong>University</strong> SeminarCultural <strong>and</strong> literary crossroads in theFrancophone, Italian <strong>and</strong> Hispanic worlds. Restrictedto first-year students.


201ROMANCE LANGUAGES AND LITERATURES SOCIOLOGY385. King Arthur in History <strong>and</strong> Literature(3-0-3) BoultonA team-taught examination <strong>of</strong> the development<strong>and</strong> influence <strong>of</strong> the legend <strong>of</strong> Arthur, King <strong>of</strong> Britain,both in history <strong>and</strong> in literature.421-422. Dante I <strong>and</strong> II(3-0-3) Moevs, CacheyAn in-depth study, over two semesters, <strong>of</strong> the entireComedy, in its historical, philosophical <strong>and</strong> literarycontext, with selected readings from the minorworks (e.g., Vita Nuova, Convivio, De vulgarieloquentia). Lectures <strong>and</strong> discussion in English; thetext will be read in the original with facing-pagetranslation.428. Arthurian Romance(3-0-3) BoultonA study <strong>of</strong> the medieval romances <strong>of</strong> the ArthurianRound Table, in French, German, Spanish, Italian,<strong>and</strong> English.429. Words <strong>and</strong> Music(3-0-3) BoultonA study <strong>of</strong> the relationship between words <strong>and</strong>melody in medieval Latin <strong>and</strong> French poetry.432. Lyric Poetry <strong>of</strong> the Renaissance(3-0-3) DellaNevaA study <strong>of</strong> three major lyric poets <strong>of</strong> Italy, France<strong>and</strong> Engl<strong>and</strong>: Petrarch, Ronsard <strong>and</strong> Shakespeare.434. The Renaissance Woman(3-0-3) DellaNevaA study <strong>of</strong> women in the Renaissance, both as authors<strong>of</strong> texts <strong>and</strong> as images within texts.435. The Italian Renaissance(3-0-3) CacheyA critical analysis <strong>of</strong> the highest achievements <strong>of</strong>the Italian Renaissance in literature <strong>and</strong> related areas.Focus on representative authors, e.g., Petrarch,Boccaccio, Alberti, Leonardo, Castiglione,Machiavelli, Michelangelo, Guicciardini, Vasari<strong>and</strong> Cellini <strong>and</strong> on leading impulses in the arts,philosophy <strong>and</strong> religion.460. Outspoken Readings in Literature(3-0-3) Jerez-FarránA study <strong>of</strong> literary representations <strong>of</strong> homosexualityfrom the classical period to modern times that intersectwith other major contemporary themes suchas theories <strong>of</strong> gender construction <strong>and</strong> the history<strong>of</strong> sexuality, sexual deviance <strong>and</strong> heterosexism.480. History <strong>of</strong> the Italian Cinema(3-0-3) WelleTaught in English, this course traces the evolution<strong>of</strong> the Italian cinema from its origins to the present.Representative film classics <strong>and</strong> genres are studiedin their cultural, political <strong>and</strong> economic contexts.481. Italian Film <strong>and</strong> Literature(3-0-3) WelleItalian films <strong>and</strong> literary works are analyzed tostudy the points <strong>of</strong> intersection <strong>and</strong> divergence betweenfilm <strong>and</strong> literature.485. Modern French Literature in Translation(3-0-3) ToumayanA study <strong>of</strong> major works <strong>of</strong> 19th- <strong>and</strong> 20th-centuryFrench literature, including works by Baudelaire,Flaubert, Proust, Valery, Malraux, Camus, Sartre,Beckett <strong>and</strong> Hebert.487. African <strong>and</strong> Caribbean Women Writers(3-0-3)Writings by women from the Francophone cultures<strong>of</strong> North (the Maghreb) <strong>and</strong> sub-Saharan Africa<strong>and</strong> the Caribbean (Martinique, Guadeloupe <strong>and</strong>Haiti). An examination <strong>of</strong> the political <strong>and</strong>sociological circumstances in which women haveproduced literature in these national spaces, theirrespective ideological stances, attempts atconstructing cultural <strong>and</strong> political identities <strong>and</strong>the emergence <strong>of</strong> a feminist aesthetics. Taught inEnglish. Crosslisted with ROFR 487.SociologyChair:Michael R. WelchWilliam R. Kenan Jr. Pr<strong>of</strong>essor <strong>of</strong> Sociology:Joan AldousWilliam P. <strong>and</strong> Hazel B. White Pr<strong>of</strong>essor<strong>of</strong> Sociology:Maureen T. HallinanEugene Conley Pr<strong>of</strong>essor <strong>of</strong> Sociology:Jorge BustamanteJulian Samora Chair in Latino Studies:Gilberto CárdenasPr<strong>of</strong>essors:Fabio B. Dasilva (emeritus); Eugene W.Halton; J. Samuel Valenzuela (on leave spring2003); Andrew J. WeigertAssociate Pr<strong>of</strong>essors:Kevin J. Christiano; Robert M. Fishman;David S. Hachen Jr.; C. Lincoln Johnson;David M. Klein; Richard A. Lamanna(emeritus); Felicia LeClere; Daniel Myers;Lynnette P. Spillman; Robert H. Vasoli(emeritus); Michael R. Welch; Richard A.WilliamsConcurrent Assistant Pr<strong>of</strong>essor:Mark L. GuntyAssistant Pr<strong>of</strong>essors:William J. Carbonaro; Naomi R. Cassirer (onleave); Rory McVeigh; Vibha Pinglé (on leave);David Sikkink (on leave); David Yamane (onleave)Visiting Assistant Pr<strong>of</strong>essor:Michael Gibbons; Ann R. PowerAdjunct Pr<strong>of</strong>essor:Rev. Leonard F. ChrobotDirector <strong>of</strong> Undergraduate Studies:Ann R. PowerProgram <strong>of</strong> Studies. The Department <strong>of</strong> Sociologyhas a national reputation <strong>and</strong> its scope <strong>of</strong> interestis worldwide. Yet it also is intensely concernedwith the U.S. cultural <strong>and</strong> social experience <strong>and</strong> itsproblems.The requirements for a sociology major reflecta program that <strong>of</strong>fers both structure <strong>and</strong> flexibility.The program is designed to acquaint the studentwith the core <strong>of</strong> the discipline <strong>and</strong> with areas <strong>of</strong>specialization which can be studied in some depth.Sociology deals with human interaction on thegroup level wherever it may occur: in family <strong>and</strong>business, law <strong>and</strong> politics, medicine <strong>and</strong> religion,<strong>and</strong> a host <strong>of</strong> other settings. What can you do witha sociology degree? <strong>Notre</strong> <strong>Dame</strong>’s survey <strong>of</strong> alumniwho majored in sociology revealed that they areemployed as university pr<strong>of</strong>essors, corporation executives,real estate agents, insurance agents, consultants,politicians, medical administrators,teachers, social workers, business managers, religiousministers, <strong>and</strong> many other occupations.


202SOCIOLOGYThe requirements for the sociology major are asfollows.(a) Every student is encouraged to take SOC102, Underst<strong>and</strong>ing Societies, or SOC 304, Principles<strong>of</strong> Sociology. Neither course is required butrecommended as a good foundation for the sociologymajor.(b) Students must take a minimum <strong>of</strong> 25 credithours (usually eight courses <strong>and</strong> the proseminar—one credit) <strong>of</strong>fered by the department. Studentsare urged to start their major as early as possiblebut can declare a major or change majors at anytime as long as they are able to fulfill therequirments.(c) The requirments for the major are the followingfour courses:SOC 300. Foundations <strong>of</strong> Sociological TheorySOC 302. Research MethodsSOC 303. Statistics in the Pr<strong>of</strong>essionsSOC 390. Proseminar (one credit)Required courses should be taken as soon aspossible, especially before taking any 400-levelcourses.(d) Each major must take a minimum <strong>of</strong> two400-level lecture or seminar courses. Internships(SOC 496) <strong>and</strong> Independent Studies (SOC 497)do not fulfill this requirement.(e) A maximum <strong>of</strong> six credit hours <strong>of</strong> internshipcan be used as electives to meet the 25-hourrequirement for the major. Normally a studentshould take an appropriate lecture course in preparationfor the internship.The department prides itself on its program <strong>of</strong>close personal advising, in which each major canbuild a program <strong>of</strong> courses with the help <strong>of</strong> a facultyadvisor <strong>and</strong> Undergraduate Director. Advisorswillingly give much time to aid students in planningtheir course schedules <strong>and</strong> careers. Each majoris assigned to a faculty advisor whose own academicinterests dovetail with those <strong>of</strong> the student. Eachstudent, working closely with a faculty advisor, canmap out a personalized program <strong>of</strong> study that willsatisfy the department’s requirements for the major<strong>and</strong> simultaneously accommodate the student’s academicinterests <strong>and</strong> career aspirations.The department also insists that its studentshave ample opportunity to develop further theirscientific <strong>and</strong> creative writing skills. Thus, all facultyare urged to require intensive writings in eachclass. Indeed, SOC 300 (Foundations <strong>of</strong> SociologicalTheory), required <strong>of</strong> all sociology majors, is designatedby the sociology department as a “mostintensive” writing course.The sociology major can be pursued along withanother major. Many <strong>of</strong> our students combine sociologywith a major in business, economics, politicalscience, prepr<strong>of</strong>essional, psychology, theology, etc.It is important to note that students in theMendoza <strong>College</strong> <strong>of</strong> Business who wish to major insociology in addition to their business major do nothave to meet all the other requirements <strong>of</strong> the <strong>College</strong><strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>.Of particular interest to students in recent yearshave been the Gender Studies Interdisciplinary Major(GSC2) or Minor (MGSC), the program <strong>of</strong> theInternational Institute for Peace Studies (IIPS), theComputer Applications Program (CAP2), theHesburgh Program in Public Service (MHES), <strong>and</strong>the Program in Social Work at Saint Mary’s <strong>College</strong>.All <strong>of</strong> the above are readily combined with asociology major.Students pursuing a major in sociology mustmeet all requirements for the major or equivalentcourses. Additional courses from other departments<strong>and</strong> programs may be accepted as fulfilling the major,provided they meet with the approval <strong>of</strong> the sociologydepartment. The department tries to beflexible when working out an individual student’sprogram, <strong>and</strong> with the advisor’s recommendation,other modifications also are possible.The department has an active Epsilon Chapter<strong>of</strong> Alpha Kappa Delta, the international sociologyhonor society. Especially through the AKD, as wellas through informal meetings in faculty homes <strong>and</strong>field trips, majors make strong friendships withother majors having common interests. Studentsinterested in the various phases <strong>of</strong> the programare encouraged to contact the director <strong>of</strong> UndergraduateStudies (Room 823 Flanner Hall) at anytime.The department also encourages students tojoin the <strong>University</strong> <strong>of</strong> <strong>Notre</strong> <strong>Dame</strong> Sociology Club.The purpose <strong>of</strong> this club is to enrich the sociologymajor. This student organization sponsors activitiesoriented to careers in sociology <strong>and</strong> sociology-orientedcareers, to becoming pr<strong>of</strong>essionally activewhile in college, <strong>and</strong> to student interests in society,as well as to purely social activities.Course Descriptions. The following course descriptionsgive the number <strong>and</strong> title <strong>of</strong> each course.Lecture hours per week, laboratory <strong>and</strong>/or tutorialhours per week <strong>and</strong> credits each semester are in parentheses.The instructor’s name is also included.102. Underst<strong>and</strong>ing Societies(3-0-3) Myers, Yamane, HachenSociological analysis <strong>of</strong> personality, culture <strong>and</strong> society.A wide variety <strong>of</strong> groups <strong>and</strong> institutions arestudied, including the economy <strong>and</strong> business, law<strong>and</strong> politics, religion <strong>and</strong> churches, marriage <strong>and</strong>family, education <strong>and</strong> schools, inequality <strong>and</strong>equality.122. Introduction to Social Psychology(3-0-3) Welch, Johnson, Myers, PowerAnalysis <strong>of</strong> important human processes includingperceiving <strong>and</strong> knowing other people, attitudes <strong>and</strong>attitude change, conformity <strong>and</strong> nonconformity,cooperation <strong>and</strong> competition with others, leadershipin groups, attraction <strong>and</strong> love, aggression <strong>and</strong>violence, prejudice.180. Social Sciences <strong>University</strong> Seminar(3-0-3) Christiano, Hachen, Klein, Sikkink,CarbonaroAn introduction to the seminar method <strong>of</strong> instruction,accenting the organization <strong>and</strong> expression <strong>of</strong>arguments suggested by readings in sociology. Each<strong>of</strong> the seminars treats a particular sociological topic,such as family life, social problems, the urban crisis,poverty.202. Today’s Organizations(3-0-3) HachenExamines macrosociological topics such as socialevolution theories <strong>of</strong> industrial societies, the historicaldevelopment <strong>of</strong> capitalism, hierarchical differentiationswithin a society (social classes, socialstatus, urbanization) <strong>and</strong> the bureaucratic structures<strong>of</strong> organizations. Will enable students to analyzetheir societal structure in terms <strong>of</strong> history,present configuration <strong>and</strong> dynamic processes.218. Ethnicity, Gangs, <strong>and</strong> Organized Crime(3-0-3) StaffThis course examines the intersection <strong>of</strong> ethnicity,gangs, <strong>and</strong> organized crime from both a historical<strong>and</strong> sociological viewpoint. We will undertake a basicsurvey <strong>of</strong> criminological theories as they applyto ethnic <strong>and</strong> group crime; we will attempt to explain<strong>and</strong> define organized crime, with a particularemphasis on ethnic Mafias; <strong>and</strong> we will examinethe phenomenon <strong>of</strong> ethnic gangs in the UnitedStates today.220. Social Psychology(3-0-3) Welch, Williams, Myers, PowerAn analysis <strong>of</strong> important human processes, includingperceiving <strong>and</strong> knowing other people, attitudes<strong>and</strong> attitude change, conformity <strong>and</strong> nonconformity,cooperation <strong>and</strong> competition with others,leadership in groups, attraction <strong>and</strong> love, aggression<strong>and</strong> violence, prejudice. Specifically designed forsociology <strong>and</strong> other liberal arts majors <strong>and</strong> will emphasizetheory <strong>and</strong> research. As a result, it is notrecommended for students having had SOC 122,as the content may overlap.228. Social Inequality <strong>and</strong> American Education(3-0-3) CarbonaroMany have claimed that the American educationalsystem is the “great equalizer among men.” Inother words, the educational system gives everyonea chance to prosper in American society regardless<strong>of</strong> each person’s social origins. In this course, weexplore the validity <strong>of</strong> this claim. Do schools helpmake American society more equal by reducing theimportance <strong>of</strong> class, race, <strong>and</strong> gender as sources <strong>of</strong>inequality, or do schools simply reinforce existinginequalities <strong>and</strong> reproduce pre-existing social relations?Topics covered include unequal resourcesamong schools, sorting practices <strong>of</strong> students withinschools, parents’ roles in determining student outcomes,the role <strong>of</strong> schooling in determining labormarket outcomes for individuals, <strong>and</strong> the use <strong>of</strong>educational programs as a remedy for poverty.


203SOCIOLOGY232. Social Problems(3-0-3) Johnson, GibbonsAnalysis <strong>of</strong> selected problems in American societysuch as crime, narcotic addiction, alcoholism, delinquency,racial <strong>and</strong> ethnic conflict, prostitution<strong>and</strong> others. Discussions, debates, films, tapes <strong>and</strong>readings.234. Criminal Justice(3-0-3) McVeighThis course is intended to introduce the student tovarious aspects <strong>of</strong> the criminal justice system, includingthe police, the prosecutor, the courts <strong>and</strong>parole. The primary focus will be on a sociologicalanalysis <strong>of</strong> crime <strong>and</strong> the workings <strong>of</strong> the criminaljustice system. Topics will include social perception<strong>of</strong> the criminal justice system, relations betweenmembers <strong>of</strong> the criminal justice systems <strong>and</strong> thecommunity, treatment <strong>of</strong> women <strong>and</strong> minorities inthe criminal justice system, <strong>and</strong> current events.242. Marriage <strong>and</strong> Family(3-0-3) Klein, CassirerChanging family patterns, sex roles, sexuality, premaritalrelationships, marriage <strong>and</strong> divorce, parenthood,childhood <strong>and</strong> family interaction are some <strong>of</strong>the topics. Singles, dual-career families, alternativemarriage forms <strong>and</strong> the future <strong>of</strong> marriage <strong>and</strong> familyare also taken up.300. Foundations <strong>of</strong> Sociological Theory(3-0-3) Fishman, Pinglé, YamaneLimited to sociology majors.This course surveys the history <strong>of</strong> social thought inthe United States <strong>and</strong> Europe since the 19th century.Emphasis is given to major theorists who havecontributed to such principal movements <strong>of</strong> sociologicaltheory as Marxism, structural-functionalism,social Darwinism, pragmatism <strong>and</strong> symbolicinteractionism.302. Research Methods(3-0-3) Gunty, Hachen, LeClere, Carbonaro,WilliamsBegins with discussion <strong>of</strong> scientific method,conceptualization <strong>of</strong> research problems <strong>and</strong> measurement.The course then explores the dominantmodes <strong>of</strong> social science research: field work <strong>and</strong>participant observation, survey <strong>and</strong> interviewing,experimental designs <strong>and</strong> evaluation research.303. Statistics in the Pr<strong>of</strong>essions(3-1-4) Johnson, Myers, GibbonsDesigned to teach students how to interpret <strong>and</strong>critically evaluate statistics commonly used in thesocial sciences <strong>and</strong> in many areas <strong>of</strong> the business<strong>and</strong> medical world to describe, project <strong>and</strong> evaluate.Focus is upon a conceptual underst<strong>and</strong>ing <strong>of</strong>what the statistic does, what it means <strong>and</strong> what assumptionsare being made in its use. The course requiresonly high school arithmetic <strong>and</strong> is notmathematically difficult.Daniel Myers, associate pr<strong>of</strong>essor <strong>of</strong> sociology306. Race <strong>and</strong> Ethnicity in America(3-0-3) CassirerThis course focuses on race <strong>and</strong> ethnic relations inthe United States. Current cases involving racial<strong>and</strong> ethnic issues will be presented <strong>and</strong> discussed inclass. Readings <strong>and</strong> materials will present three approachesto the study <strong>of</strong> majority-minority grouprelations, the emergence <strong>and</strong> maintenance <strong>of</strong> groupdominance <strong>and</strong> minority-group adaptations tomodes <strong>of</strong> dominance, including separation, accommodation,acculturation <strong>and</strong> assimilation. Classparticipation <strong>and</strong> students’ experiences will beemphasized.309. Culture <strong>and</strong> Society: SociologicalApproaches(3-0-3) SpillmanIn this class we will examine cultural dimensions <strong>of</strong>important social processes, <strong>and</strong> we will survey contemporarysociological approaches to analyzing culture.Examples will include readings on home <strong>and</strong>work, social hierarchies, political culture, media<strong>and</strong> the arts, <strong>and</strong> social change.


204SOCIOLOGY320. Sociology <strong>of</strong> Aging(3-0-3) KleinWith life expectancy increasing <strong>and</strong> birth rates declining,the populations <strong>of</strong> Western cultures havebeen rapidly aging. What are the implications <strong>of</strong>this aging process for social institutions (the family,economy, government) as well as for the individualwell-being <strong>of</strong> the elderly? What does the futurehold for those <strong>of</strong> us who will spend an increasingproportion <strong>of</strong> our lives past age 65? These <strong>and</strong>other questions are addressed in this course, whichfocuses on the social, economic <strong>and</strong> personal challengesfacing all <strong>of</strong> us in the latter half <strong>of</strong> the lifecycle.326. Technology <strong>and</strong> Social Change(3-0-3) AlpertThis class examines how technology has <strong>of</strong>tenserved as the catalyst for social change for hundreds—indeed,thous<strong>and</strong>s—<strong>of</strong> years. The course isdivided into several sections, some <strong>of</strong> which willtrace from a historical perspective the social impact<strong>of</strong> specific technologies—some predating the IndustrialRevolution, such as the clock, the stirrup,<strong>and</strong> the pulley. Other course sections will examinetechnology <strong>and</strong> social change in specific contexts—e.g., the medical <strong>and</strong> communication contexts. Thefirst portion <strong>of</strong> the class will be devoted to some <strong>of</strong>the basic issues in our collective underst<strong>and</strong>ing <strong>of</strong>technology <strong>and</strong> social change. Issues such asdeskilling <strong>of</strong> workers, institutionalization <strong>of</strong> technologyinto society, <strong>and</strong> innovation will be examined,as will various approaches to underst<strong>and</strong>ingtechnology, such as the social construction <strong>of</strong> technology<strong>and</strong> technological determinism.331. The Sociology <strong>of</strong> Time(3-0-3)Every <strong>Notre</strong> <strong>Dame</strong> student knows about time pressure.Have you ever wondered why? We tend to acceptTime as a physical fact that is given, to whichwe must adapt. But the study <strong>of</strong> Time is one <strong>of</strong> thefastest growing areas <strong>of</strong> sociology. Time is sociallyconstructed, it is part <strong>of</strong> the foundation <strong>of</strong> sociallife <strong>and</strong> it affects the shape <strong>of</strong> every other social institution— <strong>and</strong> it varies from society to society. Inthis course we will study how <strong>and</strong> why Time canvary <strong>and</strong> how differences in the institution <strong>of</strong> Timeaffect people’s lives. A few <strong>of</strong> the topics we willstudy are the fundamental difference between cyclical<strong>and</strong> linear time; why some societies are clockwatching, while others move to a more naturalrhythm; <strong>and</strong>, how it came to be that “time ismoney.”332. Criminology(3-0-3) McVeighCrime data, crime causation theories, criminal behaviorsystems, criminal procedure <strong>and</strong> corrections.Firsth<strong>and</strong> knowledge <strong>of</strong> courts, police jails <strong>and</strong> prisonsis encouraged. Optional field trips.335. Sociology <strong>of</strong> Education(3-0-3) Sikkink, Hallinan, Power, CarbonaroThis course focuses on the relationship betweeneducation <strong>and</strong> society. In the course, a variety <strong>of</strong>theoretical approaches <strong>and</strong> contemporary issues inthe field <strong>of</strong> education will be discussed. Topics tobe addressed include, but are not limited to, gender<strong>and</strong> race inequalities in education, the role <strong>of</strong>schools as agents <strong>of</strong> selection <strong>and</strong> socialization, <strong>and</strong>the nature <strong>of</strong> educational reform movements. Classparticipation <strong>and</strong> the experiences <strong>of</strong> students willbe emphasized.338. Poverty, Inequality, <strong>and</strong> SocialStratification(3-0-3) MyersSocial inequality is a prominent <strong>and</strong> persistent feature<strong>of</strong> modern society. Social stratification theoryattempts to explain the causes <strong>of</strong> inequality <strong>and</strong> thereasons for its persistence. This course will addresssuch questions as: Why are some people rich <strong>and</strong>some people poor? Why does inequality persist?Who gets ahead? Can men <strong>and</strong> women get thesame jobs? Do different races have the same opportunities?Is inequality necessary? Potential topics includeinner-city <strong>and</strong> rural poverty, welfaredependency, homelessness, status attainment <strong>and</strong>occupational mobility, racial <strong>and</strong> ethnic stratification,gender stratification <strong>and</strong> class theory.341. Witnessing the Sixties(3-0-3) GiamoThe purpose <strong>of</strong> this interdisciplinary course is tw<strong>of</strong>old:to examine the social context <strong>and</strong> culturalchange <strong>of</strong> the sixties, on the one h<strong>and</strong>, <strong>and</strong> on theother to explore the various journalistic representations<strong>of</strong> events, movements, <strong>and</strong> transformation.We will focus on the manner in which each writerwitnessed the sixties <strong>and</strong> explore fresh styles <strong>of</strong>writing, such as the new journalism popularized byTom Wolfe. Major topics for consideration includethe counterculture <strong>and</strong> the movement—a combination<strong>of</strong> civil rights <strong>and</strong> anti-war protest.346. Today’s Gender Roles(3-0-3) AldousPrerequisite: Sociology course.Current changes in male <strong>and</strong> female roles <strong>and</strong> thereasons for these changes are examined. Existinggender differences, various explanations for them<strong>and</strong> proposals for change are discussed <strong>and</strong>evaluated.347. Global Society(3-0-3)“Globalization” is the buzzword <strong>of</strong> the new millennium—but what does it mean? (For example,some critics say that “globalization” means the“McDonaldization” <strong>of</strong> the world.) Economics is increasinglyglobal, but is a global society even possible,let alone inevitable? How do society <strong>and</strong>economy interact in a world made ever smaller bytechnology — <strong>and</strong>, can anyone control this process?How will globalization affect America <strong>and</strong>Americans? How will it affect real people, whereverthey are from? Who would benefit from a globalsociety, <strong>and</strong> who would not? To answer these questionswe will aim to penetrate behind both thehype <strong>and</strong> the horror stories about “globalization,”<strong>and</strong> clarify this amorphous concept in concreteterms. To do this, we will use a broad range <strong>of</strong>readings <strong>and</strong> other media to explore the many dimensions<strong>of</strong> our topic. Class time will be used formini-lectures, discussions <strong>and</strong> presentations.Grades will be based on a series <strong>of</strong> short discussionpapers, periodic exams <strong>and</strong> an optional research paper.353. Society <strong>and</strong> Cultures <strong>of</strong> South Asia(3-0-3) VanHollenThis course provides a broad introduction to societies<strong>and</strong> cultures <strong>of</strong> South Asia, including India,Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan,<strong>and</strong> the Maldives. Emphasis will be on the Indiansubcontinent. Central themes <strong>and</strong> topics includereligious pluralism <strong>and</strong> communalism; linguisticpluralism <strong>and</strong> ethnonationalism; the ideologies <strong>and</strong>practices <strong>of</strong> caste, class, <strong>and</strong> gender; colonialism<strong>and</strong> postcolonial development projects; healing <strong>and</strong>the construction <strong>of</strong> the body; aesthetic traditions(film, dance, music, art); <strong>and</strong> experiences <strong>of</strong> theSouth Asian Diaspora, particularly in NorthAmerica.363. Social Concerns Seminar: CulturalDiversity(1-0-1) McNeilPrerequisite: Permission from Center <strong>of</strong> SocialConcerns.The purpose <strong>of</strong> this course is to begin to analyzethe social forces that contribute to ethnic <strong>and</strong> culturaldiversity <strong>and</strong> to related tensions, includingracism. Students participate in a five-day programat selected Chicago sites that provide an orientationto a culturally diverse community. Students engagein discussion on relevant issues with local residents<strong>and</strong> community leaders.


205SOCIOLOGY367. Chilé in Comparative Perspective(3-0-3) ValenzuelaThis course provides a detailed analysis <strong>of</strong> the development<strong>of</strong> the Chilean economy, society <strong>and</strong>policy since independence from Spain in 1818,drawing selected comparisons with other nationalexperiences. It then discusses the validity <strong>of</strong> theoreticalstatements on central questions in the socialscience literature by examining them in light <strong>of</strong> theChilean case. The main issues to be examined arethe reasons for the successes or failures <strong>of</strong> ThirdWorld development, the origins <strong>and</strong> breakdowns <strong>of</strong>democracies, the characteristics <strong>of</strong> authoritarian regimes,<strong>and</strong> processes <strong>of</strong> restoring democracies.369. Carribean Diasporas(3-0-3) RichmanBorn out <strong>of</strong> the violent processes <strong>of</strong> conquest <strong>and</strong>enslavement, Caribbean societies have developedcultures with roots in Africa <strong>and</strong> Europe, but withdistinctive American identities. This course examinesthe development <strong>of</strong> Creole societies in theFrench, Spanish, Dutch, <strong>and</strong> British Caribbean inresponse to colonialism, slavery, <strong>and</strong>, most recently,transnationalism. The recent exodus <strong>of</strong> as much as20 percent <strong>of</strong> Caribbean populations to NorthAmerica <strong>and</strong> Europe has afforded the rise <strong>of</strong> newtransnational modes <strong>of</strong> existence. Caribbean communitiesnow span multiple sites across nationstates.Constant comings <strong>and</strong> goings <strong>of</strong> messages,people, spirits, gifts, <strong>and</strong> money keep members <strong>of</strong>host <strong>and</strong> home communities actively involved withone another’s lives. They creatively appropriate thesame technologies <strong>of</strong> communication, media, <strong>and</strong>travel that have aided the rapid shifts <strong>of</strong> capital inthe Caribbean <strong>and</strong> around the globe. This coursewill explore the consciousness <strong>and</strong> experience <strong>of</strong>Caribbean diasporas through ethnography <strong>and</strong> history,religion, literature, music, <strong>and</strong> culinary arts.370. Self <strong>and</strong> Society(3-0-3) GibbonsYou are an outcome <strong>of</strong> your past social environment,yet you can be independent <strong>of</strong> it. The goal <strong>of</strong>this course is to help you think reflectively aboutsociety <strong>and</strong> your place in it, to be aware <strong>of</strong> the valuesinvolved in people’s perspectives on social issues,<strong>and</strong> to become aware <strong>of</strong> the social processesthat define who you are.We spend most <strong>of</strong> our lives in a “taken forgranted” world. We are taught certain values <strong>and</strong>ways <strong>of</strong> acting in different situations. Our values<strong>and</strong> behavioral patterns become a “natural” responseto people <strong>and</strong> events that we encounterdaily. A concrete aim in this course is to increaseyour conscious reflection <strong>and</strong> decision-making ineveryday life. Enhanced self-awareness entails selfknowledge—howyou learn, your behavioral style,<strong>and</strong> your values. This course in applied social psychologyshould have practical value as you entermore fully into a culturally diverse <strong>and</strong> fragmentedworld.372. Religion <strong>and</strong> Social Life(3-0-3) ChristianoCritical examination <strong>of</strong> the social <strong>and</strong> sociopsychologicalaspects <strong>of</strong> religion in the modern world.Special attention is given to the current theoretical<strong>and</strong> research issues.373. Religion <strong>and</strong> Labor Management(3-0-3) StaffThis course examines current faith-based movementsseeking to promote workplace justice <strong>and</strong>greater management/labor cooperation. The collaboration<strong>of</strong> unions <strong>and</strong> managers is essential, inthe face <strong>of</strong> so many disadvantages for U.S. companies(e.g., trade imbalance, foreign governmentsubsidization, market competition, plant revitalization,pr<strong>of</strong>it margins, labor costs, <strong>and</strong> reinvestment).Industrial-society literature reveals the crucial role<strong>of</strong> workers, in terms <strong>of</strong> motivation, job performance,morale, productivity, job satisfaction, <strong>and</strong>the prospects for industrial democracy—worker coownership<strong>and</strong> co-management. Sociology <strong>of</strong> religionliterature reveals the collaborative nature <strong>of</strong>the major U.S. religious groups in social issues suchas civil rights, poverty, <strong>and</strong> labor-management crises.The history <strong>and</strong> teaching <strong>of</strong> Catholic, Jewish,<strong>and</strong> Protestant groups in the United States evidencesconcern about issues such as humanizationin work-healthy <strong>and</strong> safe conditions, adequatewages, fringe benefits, the right to organize for collectivebargaining, <strong>and</strong> worker participation inmanagement <strong>and</strong> ownership. The course stressesthe possibilities, responsibilities, <strong>and</strong> strategies ininterfaith coalitions with enlightened business <strong>and</strong>labor groups for more cooperative <strong>and</strong> productivelabor-management.375. Polish Americans(3-0-3) ChrobotA study <strong>of</strong> the cultural <strong>and</strong> racial pluralism <strong>of</strong>American society through the focus <strong>of</strong> the PolishAmerican experience; a review <strong>of</strong> the social <strong>and</strong>historical background, the immigration experience,<strong>and</strong> adaptation to the American experiment interms <strong>of</strong> family, religion, education, work, <strong>and</strong>government.376. Sociology <strong>of</strong> Religious Conversion(3-0-3) YamanePrerequisite: SOC 302.This course is a practicum in which students participatein a research project on religious conversionbeing conducted by a sociology facultymember. In the first third <strong>of</strong> the course, studentswill learn about the theory <strong>and</strong> methods relevant tothe social scientific study <strong>of</strong> religious conversion. Inthe second two-thirds <strong>of</strong> the course, students willbe personally involved in the collection <strong>and</strong> analysis<strong>of</strong> data on conversion to Roman Catholicismthrough the Rite <strong>of</strong> Christian Initiation <strong>of</strong> Adults.A final paper that reports on the data analysis is required.The emphasis <strong>of</strong> the course is on the collection<strong>and</strong> analysis <strong>of</strong> primary data within anongoing sociological study. Failure to complete anyaspect <strong>of</strong> the data collection <strong>and</strong> analysis will resultin a failing grade.390. Proseminar(1-0-1) PowerLimited to sociology majors.Introduction to library <strong>and</strong> social research laboratoryresoures; the career options available to sociologygraduates; preparations for graduate, lawor pr<strong>of</strong>essional schools; <strong>and</strong> relationship <strong>of</strong> sociologyto social work, psychology <strong>and</strong> otherdisciplines.391A. Intermediate Analysis<strong>of</strong> Collective Contention I(3-0-3) MyersPrerequisite: Permission <strong>of</strong> instructor. Enrollmentin SOC 391B in spring semester is required.This course is a yearlong class examining theoreticaldevelopments <strong>and</strong> empirical analysis <strong>of</strong> collectivecontention. Students will conduct intensiveresearch projects involving thorough literature review,formal proposal, statistical <strong>and</strong> interpretiveanalysis, <strong>and</strong> the writing <strong>of</strong> a pr<strong>of</strong>essional researchreport.398. Special Studies(V-V-V)402. Population Dynamics(3-0-3) WilliamsDemography, the science <strong>of</strong> population, is concernedwith virtually everything that influences, orcan be influenced by, population size, distribution,processes, structure or characteristics. This coursepays particular attention to the causes <strong>and</strong> consequences<strong>of</strong> population change. Changes in fertility,mortality, migration, technology, lifestyle <strong>and</strong> culturehave dramatically affected the United States<strong>and</strong> the other nations <strong>of</strong> the world. These changeshave implications for a number <strong>of</strong> areas: hunger,the spread <strong>of</strong> illness <strong>and</strong> disease, environmentaldegradation, health services, household formation,the labor force, marriage <strong>and</strong> divorce, care for theelderly, birth control, poverty, urbanization, businessmarketing strategies <strong>and</strong> political power. Anunderst<strong>and</strong>ing <strong>of</strong> these is important as business,government <strong>and</strong> individuals attempt to deal withthe dem<strong>and</strong>s <strong>of</strong> the changing population.403. International Migration: Mexico<strong>and</strong> the United States I(1-0-1) BustamanteThree-week course consisting <strong>of</strong> six sessions <strong>of</strong>three hours each. Different conceptual approachespresented in lecture format. One session links variousthemes with the cause <strong>of</strong> Mexican immigrationto the United States. Another is dedicated to thehistorical analysis <strong>of</strong> Mexican immigration to theUnited States. A third attempts to link the historicalcontext with a theoretical approach <strong>and</strong> anothersession will be dedicated to the pr<strong>of</strong>essor’s owntheoretical approach in contrast with the otherspreviously discussed. Fall.


206SOCIOLOGY404. International Migration: Mexico <strong>and</strong> theUnited States II(1-0-2) BustamanteA three-week course which refers to a review <strong>of</strong> basicquestions on international migration, with emphasison immigration to the United States <strong>and</strong> themethods through which these questions have beenadequately or inadequately answered. The numbers,impact, nature, structure, process <strong>and</strong> humanexperience will be discussed in terms <strong>of</strong> the researchmethods commonly used to approach them.Spring.405. Exploring Identities(3-0-3) PingléHow do we define ourselves? What are the variouscomponents <strong>of</strong> one’s identity <strong>and</strong> how do we beginto underst<strong>and</strong> these issues sociologically? Thesethemes form the outlines <strong>of</strong> this course. We will exploreidentities, their formation, <strong>and</strong> their consequences;in post-colonial <strong>and</strong> in western societies,in peaceful <strong>and</strong> in societies experiencing ethnic/racialconflict, among women <strong>and</strong> men, <strong>and</strong> in developed<strong>and</strong> in developing countries. Drawing onnovels, films, autobiographies, <strong>and</strong> sociological argumentswe will piece together a framework for underst<strong>and</strong>ingthe identity l<strong>and</strong>scapes <strong>of</strong> which we area part.407. Honors Tutorial(3-0-3) StaffPrerequisite: Permission <strong>of</strong> instructor.Intensive independent study <strong>and</strong> research onselected sociological topics, generating a scholarlypaper. May be based on special field experience undersupervision <strong>of</strong> an instructor.413. Cultural Sociology(3-0-3) SpillmanIn this class we will examine cultural dimensions <strong>of</strong>important social processes, <strong>and</strong> we will survey contemporarysociological approaches to analyzing culture.Examples will include readings on home <strong>and</strong>work, social hierarchies, political culture, media<strong>and</strong> the arts, <strong>and</strong> social change. This class cannotbe taken if SOC 309 has previously been taken;course content may overlap.415. Political Sociology(3-0-3) Valenzuela, FishmanThis course explores the impact <strong>of</strong> social forces <strong>and</strong>societal dynamics on politics. Major themes includesociological explanation for the emergence <strong>and</strong> stability— or crisis <strong>and</strong> breakdown — <strong>of</strong> democracy;the extent to which election outcomes <strong>and</strong> policychoices are shaped by societal dynamics or remainindependent <strong>of</strong> social determination; equality inshaping political life; <strong>and</strong> the impact <strong>of</strong> both socialconsensus <strong>and</strong> social conflict in the political arena.This course explores theoretical debates <strong>and</strong> empiricalwork, focusing on the national experience <strong>of</strong>various countries including the United States. Studentswill be encouraged to develop their ownthoughts about important questions for research.416. Visual Sociology: Exploring SocietyPhotographically(3-0-3) CárdenasThis course will examine the uses <strong>of</strong> photography<strong>and</strong> film in sociology <strong>and</strong> will explore the impact <strong>of</strong>visual expression on society. This includesintroductory work in documentary photography<strong>and</strong> film, gender advertising, ethnographic film,political cinema, muralism <strong>and</strong> social protest art.This is a sociology course <strong>and</strong> will emphasize thestudy <strong>of</strong> societal aspects <strong>of</strong> photography, film <strong>and</strong>artistic expression, rather than technique, withoutignoring the relationship between the two aspects.We will not emphasize the technical/lab training inphotography. This course, while broad in scope,will rely on content that is very heavily groundedon a social problem context as is found in theUnited States, the American Southwest, Mexico,<strong>and</strong> Latin America.Homework <strong>and</strong> projects will include: (1) ashort essay on documentary photography <strong>and</strong> thestudy <strong>of</strong> social problems <strong>and</strong> issues or photographyassignments (black <strong>and</strong> white), print-slide work;<strong>and</strong> (2) other creative work.Evaluation: Two exams will be given; no final.The exams will constitute 40 percent <strong>of</strong> the grade:short essay, critiques, <strong>and</strong> class participation, 20percent <strong>of</strong> the grade; <strong>and</strong> projects 40 percent <strong>of</strong> thegrade. Students should have access to their ownequipment (i.e., camera) <strong>and</strong> will be responsible fordeveloping <strong>and</strong> printing (yourself or commercially)if a photo project is chosen.Required readings:John <strong>and</strong> Malcolm Collier,Visual Anthropology, <strong>University</strong> <strong>of</strong> AlbuquerquePress, 1987; Carl Fleischhauer <strong>and</strong> Beverly W.Brannan (ed.), Documenting America 1935-1943,<strong>University</strong> <strong>of</strong> California Press, 1988; AlanTrachtenberg, Reading American Phonographs,Noonday, 1990.419. Self, Society, <strong>and</strong> Environment(3-0-3) WeigertThis course introduces students to social psychologicalaspects <strong>of</strong> the natural environment. Issuesconsidered include interacting with different environments,symbolic transformations <strong>of</strong> environments,competing accounts <strong>and</strong> claims concerningenvironments. With an overview <strong>of</strong> basic information,these issues are discussed from the perspectives<strong>of</strong> individual self <strong>and</strong> socio-cultural institutions.The course touches on alternative ways <strong>of</strong> envisioning,interacting <strong>and</strong> valuing human-environmentrelations with an eye toward individual <strong>and</strong>collective change.420. Organizations(3-0-3) HachenOrganizations are complex <strong>and</strong> multifaceted entities.Organizations are more than just collections <strong>of</strong>people behaving <strong>and</strong> interacting in certain ways.Organizational behavior <strong>and</strong> interactions are structuredby rules <strong>and</strong> procedures, jobs <strong>and</strong> occupations,authority relations, goals <strong>and</strong> strategies,technologies <strong>and</strong> distributions <strong>of</strong> power. Withinour organizations not only are orders given <strong>and</strong>tasks accomplished, but also decisions are made,conflicts occur <strong>and</strong> are sometimes resolved, <strong>and</strong>control is exercised. Finally, organizations interactwith other organizations <strong>and</strong> actors in their environment.These interactions can lead to changes inorganizational goals, strategies <strong>and</strong> structures orchanges in the environment in which the organizationoperates.Given the complexity <strong>of</strong> organizations, it is notsurprising that there are numerous theories <strong>of</strong> organization.In the first half <strong>of</strong> the course we will discussvarious theoretical approaches. The objectivewill be to critically analyze these theoretical approachesby comparing the different characteristics<strong>of</strong> organizations that each theory discusses. Thesecond half <strong>of</strong> the course will deal with specific aspects<strong>of</strong> organization (goals <strong>and</strong> strategies, technology,environments, decision making, conflict,power <strong>and</strong> control). The objective is to develop amore complete underst<strong>and</strong>ing <strong>of</strong> the complex nature<strong>of</strong> organizations <strong>and</strong> to compare organizationsalong a variety <strong>of</strong> dimensions.423. Race, Ethnicity, <strong>and</strong> Identities(3-0-3) PingléHow do we define ourselves <strong>and</strong> why? What doesthis definition say about our society? How arepeaceful social relations maintained inmulticultural societies? What contributes to ethnic<strong>and</strong> racial conflict? Drawing heavily on socialtheory, <strong>and</strong> focusing on the experiences <strong>of</strong> Yugoslavia,Sri Lanka, South Africa <strong>and</strong> the United States,this course will explore the issues <strong>of</strong> identity, race,<strong>and</strong> ethnicity. The grade for the class is based onclass presentations, a midterm exam, <strong>and</strong> a finalpaper.425. Ethnicity in America(3-0-3) ChrobotA study <strong>of</strong> the ethnic <strong>and</strong> racial formation <strong>of</strong>American society <strong>and</strong> cultural pluralism; a review<strong>of</strong> the theory <strong>and</strong> history <strong>of</strong> ethnicity, its policy implicationsfor family, education, economics, religion,government <strong>and</strong> international relations;in-depth study <strong>of</strong> one ethnic group <strong>of</strong> choice.


207SOCIOLOGY427. Culture <strong>and</strong> Power(3-0-3) SpillmanHow do norms, values, symbols <strong>and</strong> rituals operateto dominate or empower? In this class we will examinea number <strong>of</strong> important classical <strong>and</strong> contemporarytexts which <strong>of</strong>fer answers to this question,which has been a theme <strong>of</strong> recent work in a variety<strong>of</strong> fields in sociology. At the same time we will examineconcrete cases, selected from studies <strong>of</strong> development,deviance, gender, mass communications,organizations, social movements, <strong>and</strong>stratification. Some reading assignments will be dem<strong>and</strong>ing;however, some class time will be allocatedto work with assigned readings.428. Social Ties, Social Networks, SocialCapital(3-0-3) FishmanThis course examines three fundamental <strong>and</strong> interrelatedsociological concepts, each <strong>of</strong> which <strong>of</strong>fersus an approach to the study <strong>of</strong> social connections<strong>and</strong> their impact on the human experience. Socialties, social networks <strong>and</strong> social capital overlap substantiallyin their scholarly usage but the conceptsare far from identical. We will review theoretical<strong>and</strong> methodological literature on all three conceptsas well as major empirical studies that examine theworld through one or more <strong>of</strong> these perspectives.We will explore both theoretical <strong>and</strong> practical argumentsfor the selection <strong>of</strong> one or more <strong>of</strong> these conceptualapproaches as the basis for studying howsocial connections shape the human experience.The course is intended to stimulate a critical reading<strong>of</strong> recent literature on contemporary society<strong>and</strong> to assist students who wish to use one or more<strong>of</strong> these concepts in their work.429. Conflict <strong>and</strong> Social Life(3-0-3) KleinThis course focuses on theory <strong>and</strong> research concerningthe nature, causes, consequences, prevention<strong>and</strong> resolution <strong>of</strong> social conflicts. Conductedin a seminar format, each student reads a uniqueset <strong>of</strong> materials, summarizes them in class <strong>and</strong> discussesthe ideas presented by others. Every studentselects one institutional setting or social context forspecial focus. Then students write <strong>and</strong> present duringthe seminar a critical review <strong>of</strong> issues in theirchosen areas.431. The Fifties(3-0-3) HaltonThe 1950s witnessed unprecedented prosperity inthe United States, as well as major transformation<strong>of</strong> American society related to the Cold War, therise <strong>of</strong> suburbs, the baby boom, the flowering <strong>of</strong>forms <strong>of</strong> popular culture, the spread <strong>of</strong> mass culture,<strong>and</strong> the demise <strong>of</strong> high modernist culture.This course will explore the many-sided manifestations<strong>of</strong> culture <strong>and</strong> changes <strong>of</strong> American societyassociated with the decade <strong>of</strong> “the fifties.”432. Blues <strong>and</strong> American Culture(3-0-3) HaltonBlues <strong>and</strong> jazz are two distinctive musical expressions<strong>of</strong> American culture which also reflect Americansocial life. Growing out <strong>of</strong> the AfricanAmerican experience, the blues provide a focusthrough which to see many aspects <strong>of</strong> 20th-centurysocial history in America, from the changing identities<strong>of</strong> African American culture to problems <strong>of</strong> racism,poverty, industrialization <strong>and</strong> urbanization.This course will draw from a variety <strong>of</strong> written <strong>and</strong>audiovisual materials to explore the ways in whichblues both expresses the American experience <strong>and</strong>provides an indicator <strong>of</strong> American society. Thecourse will trace the evolution <strong>of</strong> the blues in Chicago<strong>and</strong> interweave that evolution with the sociology<strong>of</strong> Chicago.433. Transnational Societies <strong>and</strong> Cultures(3-0-3) StaffThis course analyzes how cultural identities <strong>and</strong> behaviorsare formed in the context <strong>of</strong> global systems.Through specific case studies, students explore howdiffering social groups construct their cultures ininteraction with other cultures <strong>and</strong> how, in so doing,these groups are both responding to <strong>and</strong> shapingglobal agendas. Focusing on linkages betweenlocal <strong>and</strong> international systems, this course investigatesissues such as the globalization <strong>of</strong> Westernmedia, the rise <strong>of</strong> transnational corporations <strong>and</strong>their effects on indigenous economies, populationdisplacement (e.g., refugee populations), tourism<strong>and</strong> its effects on local populations, the growth <strong>of</strong>transnational social movements (particularly thoseactive in human rights policy), the role <strong>of</strong> missionariesin the creation <strong>of</strong> transnational society, <strong>and</strong>the effects <strong>of</strong> “free trade” <strong>and</strong> structural adjustmentpolicies in the Third World. This course exposesstudents to different theories <strong>of</strong> globalization <strong>and</strong>discusses why the study <strong>of</strong> regional, national, <strong>and</strong>international linkages has become a critical component<strong>of</strong> contemporary anthropological research.434. The Schooled Society(3-0-3) Hallinan, Sikkink, CarbonaroThis seminar focuses on the structure <strong>and</strong> organization<strong>of</strong> schooling in American society, <strong>and</strong> the societalforces that influence decisions about schools<strong>and</strong> student learning. These forces include legislationgoverning schooling, <strong>and</strong> cultural <strong>and</strong> religiousnorms that impact schools. The course will coverthe role <strong>of</strong> schools in society, the political, economic<strong>and</strong> social dimensions <strong>of</strong> schooling, educationreform <strong>and</strong> its underpinnings, <strong>and</strong> thetransformation <strong>of</strong> higher education.436. Society <strong>and</strong> Culture Through Films(3-0-3) DamattaThis course will deal with a variety <strong>of</strong> social issuesas they are perceived, conceived, represented <strong>and</strong>understood by movies. The focus <strong>of</strong> this course willnot be on cinema history, cinema structure ormoviemaking processes but on how important humanproblems such as cultural diversity, race relations,the crafting <strong>of</strong> national identity <strong>and</strong> nationalheroes, urban life, class conflict, family structure,war, <strong>and</strong> values such as success, love, happiness,fairness, misfortune, destiny, honesty, faith <strong>and</strong> thelike are depicted <strong>and</strong> treated by movies.438. Race Relations in the United States(3-0-3) CassirerThis course focuses on racism <strong>and</strong> race relations inthe United States. Current cases involving racial issueswill be presented <strong>and</strong> discussed in class. Readings,discussion <strong>and</strong> lectures will examine thebackground <strong>and</strong> current status <strong>of</strong> the dominantethnic minority groups in the United States today.The issue <strong>of</strong> race will also be viewed in relationshipto police practices, housing patterns, economic opportunities,gender relations <strong>and</strong> politics. Class participation<strong>and</strong> student experiences will beemphasized.441. Family Policy Seminar(3-0-3) AldousThe seminar covers family policy in the UnitedStates <strong>and</strong> in other countries with a concentrationin the United States. There is comparison <strong>of</strong> thebackground, content <strong>and</strong> consequences <strong>of</strong> policiesin the various countries. Such provocative topics aswelfare policy, parental leave <strong>and</strong> child care are discussed.The relation between families <strong>and</strong> the worksetting or families <strong>and</strong> government will also be addressed.A discussion format is used. Students writea term paper on some aspect <strong>of</strong> family policy. Itis directed especially for juniors, seniors <strong>and</strong>graduates.442. Family Development(3-0-3) KleinFamily Development is directed to the sociology,psychology, counseling, prepr<strong>of</strong>essional, nursing,social work <strong>and</strong> other majors who will necessarilybe working with or seeking to underst<strong>and</strong> familiesin the course <strong>of</strong> their occupations. The course coverschange in families, from the time couples marryuntil their dissolution by divorce or death <strong>of</strong> one <strong>of</strong>the spouses. Parent-child relations beginning whenchildren are born until parents’ death, changes insibling relations as persons age, as well as the development<strong>of</strong> the marital union, will be examined.The family cycles <strong>of</strong> childless <strong>and</strong> one-parent familieswill also be included. Students have the opportunityto apply the course material on familycareers to their own families within the context <strong>of</strong>marriage, occupational <strong>and</strong> educational plans. Theydo a case history <strong>of</strong> a family to gain experience inusing the family development approach.


208SOCIOLOGY443. Deviant Behavior(3-0-3) McVeighThis course is concerned primarily with the sociologicalconceptions <strong>and</strong> theories <strong>of</strong> deviance. At theonset, deviance is differentiated from those phenomenadesignated as social problems <strong>and</strong> socialdisorganization. The remainder <strong>of</strong> the course focuseson deviant acts <strong>and</strong> deviants. Various responsesare explored to questions such as: Who aredeviants? What does it mean to be a deviant—tothe deviant himself, as well as to others? Whatcommon social processes <strong>and</strong> experiences do mostdeviants undergo?Various theories or models <strong>of</strong> delinquency,crime, suicide, sex deviation, <strong>and</strong> drug use are usedto aid in constructing a sociological underst<strong>and</strong>ing<strong>of</strong> deviance, the analysis <strong>of</strong> deviant acts, <strong>and</strong> theformation <strong>of</strong> deviant careers or roles.444. State Formation <strong>and</strong> Society: ContrastingPaths in Engl<strong>and</strong> <strong>and</strong> France(3-0-3) ValenzuelaWhether it is the development <strong>of</strong> democracy undera monarchy or a republic, the effects <strong>of</strong> religion onpolitics, intellectual <strong>and</strong> cultural styles, the characteristics<strong>of</strong> the legal system, the extension <strong>of</strong> suffrageto men <strong>and</strong> to women, the creation <strong>of</strong> partysystems, the formation <strong>and</strong> development <strong>of</strong> the labormovement, the relationship <strong>of</strong> the military establishmentto the head <strong>of</strong> state, or simply thematter <strong>of</strong> overall political stability, France <strong>and</strong> Engl<strong>and</strong><strong>of</strong>fer the most interesting contrasts amongadvanced Western European countries. This courseexamines the political <strong>and</strong> social history <strong>of</strong> the twocountries <strong>and</strong> tries to tease out these differenceswhile trying to explain them.445. World Families(3-0-3) AldousFamilies in different parts <strong>of</strong> the world <strong>and</strong> <strong>of</strong> differenthistorical periods are studied to gain perspectiveon American family changes. Currentvariations in families are examined.446. Family Problem Solving(3-0-3) Klein, CassirerIn-depth analysis <strong>of</strong> the processes families use tosolve the problems they face. Material is drawnfrom the social psychology <strong>of</strong> small groups, the sociology<strong>of</strong> format organizations, <strong>and</strong> research <strong>and</strong>theory directly concerned with family problemsolving. This course is designed for students whoplan on working with families pr<strong>of</strong>essionally.449. Sociology <strong>of</strong> Masculinity(3-0-3) GuntyThis seminar explores the social construction <strong>of</strong>masculinity <strong>and</strong> its many forms, both traditional<strong>and</strong> emerging, through readings, movies, discussions<strong>and</strong> writing assignments. Members <strong>of</strong> theseminar will seek a better underst<strong>and</strong>ing <strong>of</strong> shiftingroles, identities <strong>and</strong> social structures that influencethe way both males <strong>and</strong> females develop the meaning<strong>of</strong> masculinity. Topics include socialization,role conflicts, gender violence, sexuality, the impact<strong>of</strong> fathering <strong>and</strong> men’s movements. The masculinitiesin the United States <strong>and</strong> around the world. It isintended to complement the study <strong>of</strong> gender inother disciplines, but some familiarity with basicconcepts in sociology is strongly recommended.453. Building Democratic Institutions in First-Wave Democracies(3-0-3) ValenzuelaElements <strong>of</strong> democratic regimes emerged long beforethe regimes as such can be identified as beingminimally in place. Beginning with a brief discussion<strong>of</strong> the essential features <strong>of</strong> democracies, thecourse examines how <strong>and</strong> why such institutionsemerged, <strong>and</strong> the critical moments in which the actualtransitions to the new democratic regimes occurred.The course focuses on democratizationsthat took place before the Second World War, <strong>and</strong>will examine key European <strong>and</strong> Latin Americancases.461. History, Politics, <strong>and</strong> Society <strong>of</strong> Chile(3-0-3) ValenzuelaAn introduction to the formation <strong>and</strong> development<strong>of</strong> Chilean National Society. The course begins byexamining the colonial period <strong>and</strong> the struggle forindependence. It then focuses on 19th- <strong>and</strong> 20thcenturyissues such as the consolidation <strong>of</strong> the CentralState, the development <strong>of</strong> Democracy, the creation<strong>of</strong> the party <strong>and</strong> electoral systems, economiccycles <strong>of</strong> growth <strong>and</strong> stagnation, the break down <strong>of</strong>democracy in 1973, the Pinochet dictatorship, <strong>and</strong>the return to democracy in the 1990s. Class lectures<strong>and</strong> discussions will include relevant comparisonswith other Latin American <strong>and</strong> even EuropeanCountries.462. Aesthetics <strong>of</strong> Latino Cultural Expression(3-0-3) CárdenasThis course analyzes the philosophy <strong>and</strong> principlesunderlying the social <strong>and</strong> political aspects <strong>of</strong> Latinoart.463. Nationalism(3-0-3) StaffNationalism embraces a type <strong>of</strong> identity, a form <strong>of</strong>politics, <strong>and</strong> a basis for organizing societies. Thiscourse studies the origins, nature, <strong>and</strong> possible future<strong>of</strong> nationalism, overall <strong>and</strong> in particular casesthat will be determined by students’ interests—forexample, what our responses to September 11 tellsus about American nationalism. The main assignmentwill be a research paper on a topic chosen byeach student.465. Religion in Postwar America(3-0-3) YamaneThis course surveys the major developments in religiouslife in the United States since the 1950sthrough an in-depth examination <strong>of</strong> several <strong>of</strong> themost important recent books on the subject, suchas: Wade Clark Ro<strong>of</strong>’s Spiritual Marketplace, TomBeaudoin’s, Virtual Faith, Christian Smith’s AmericanEvangelicalism, <strong>and</strong> Helen Berger’s A Community<strong>of</strong> Witches. With these works as the backdrop,each student will research <strong>and</strong> write her family’s religioushistory across three generations.466. Sex Inequality in the Workplace(3-0-3) CassirerThis course will examine sex inequality in theworkplace in the United States. We will review evidence<strong>of</strong> sex differences in access to jobs <strong>and</strong> job rewards<strong>and</strong> we will seek to underst<strong>and</strong> the origins<strong>and</strong> persistence <strong>of</strong> inequality in the workplace byexamining the roles <strong>of</strong> capitalism, male workers <strong>and</strong>employers, organizational practices, <strong>and</strong> women’sactions <strong>and</strong> preferences. Finally, we will evaluatepolicy strategies to reduce inequality.467. Global Food Systems(3-0-3) JohnsonThis is a course on food in society. The role whichfood plays in the life course <strong>of</strong> a society may seemself-evident or commonplace to some. Yet food ismore than the physical substances which sustainlife. Food is intertwined with religion <strong>and</strong> centralto many rites <strong>and</strong> rituals. Food is linked to medicine,which was largely based on dietary principlesuntil well into the 18th century. Technology relatedto production <strong>of</strong> food has affected the inequalitiesfound in all societies. The politics <strong>of</strong> foodplays a major role in underst<strong>and</strong>ing the “social issues”affecting many nations around the globe.This is a fascinating area <strong>of</strong> study: that which wetake for granted so much <strong>of</strong> the time is intertwinedwith economics, politics, psychology, social life <strong>and</strong>law.470. Materialism <strong>and</strong> Meaning in Modern Life(3-0-3) HaltonIn the 20th century, the twin problems <strong>of</strong> meaning<strong>and</strong> materialism have come to the forefront <strong>of</strong>modern civilization, forming the basis <strong>of</strong> variety <strong>of</strong>philosophies <strong>and</strong> social theories, animating revolutionarymovements in art, looming as the silentspecter behind mass society <strong>and</strong> its dramas <strong>of</strong> consumption.It is by no means clear that the massivetechnological advances <strong>and</strong> material gains in advancedindustrial societies have contributed to abetter way <strong>of</strong> life—many would say increasedmeaninglessness is the actual result.


209SOCIOLOGY471. Protests, Riots <strong>and</strong> Movements(3-0-3) MyersThis course is concerned with how people act togetherto pursue collective political aims via extrainstitutionalforms <strong>of</strong> behavior: When <strong>and</strong> why dopeople go outside the conventional political structureto address social issues important to them?During the course we will examine political behaviorranging from the relatively mild (like a letterwritingcampaign) to the severe (like rioting,looting <strong>and</strong> killing). We will also discuss aspects <strong>of</strong>collective behaviors that are less political in nature(like panics <strong>and</strong> fads). Some <strong>of</strong> the social movementswe will discuss include the civil rights movement,the women’s movement, the antiwarmovement, the gay <strong>and</strong> lesbian movement, the prolife<strong>and</strong> pro-choice movements, <strong>and</strong> the environmentalmovement (among many others). In theend, we will try to explain how grievances, resources,the political environment, repression, individualdecision making, <strong>and</strong> movement tactics allcontribute to the success <strong>and</strong> failure <strong>of</strong> protestmovements, their impact on social change <strong>and</strong> thefuture <strong>of</strong> activism.473. Latinos in American Society(3-0-3) CardénasThis course will examine the sociology <strong>of</strong> theLatino experience in the United States, includingthe historical, cultural <strong>and</strong> political foundations <strong>of</strong>Latino life. We will approach these topics comparatively,thus attention will be given to the variousexperiences <strong>of</strong> a multiplicity <strong>of</strong> Latino groups inthe United States.474. Society <strong>and</strong> Identity(3-0-3) WeigertThis course looks at sources, dynamics, <strong>and</strong> consequences<strong>of</strong> identity in contemporary society. Identityis conceived as definitions <strong>of</strong> an individual thatself <strong>and</strong> others use as a basis for interacting withone another. Significant outcomes <strong>of</strong> the way weare defined are the life chances, evaluations <strong>and</strong>emotional meanings we experience. The course formatis a discussion. Seminar.476. Social Breakdown in American Society(3-0-3) WelchThis course examines the apparent weakening <strong>of</strong>the fabric <strong>of</strong> social life in America that has occurredwithin the past half-century. It investigates the pastinfluences <strong>of</strong> both the market economy <strong>and</strong> thepolitical welfare state on several central societalproblems, such as the deterioration <strong>of</strong> interpersonaltrust, the erosion <strong>of</strong> social obligations <strong>and</strong> informalsocial control, <strong>and</strong> the lessening <strong>of</strong> altruisticconcern for others. Students will discuss thesignificance <strong>of</strong> these problems, as well as potentialsolutions.477. Families <strong>and</strong> Their Interrelations withGender(3-0-3) AldousA consideration <strong>of</strong> the part gender plays in familyprocesses like the couple formation through cohabitation<strong>and</strong>/or marriage, having <strong>and</strong> rearingchildren, division <strong>of</strong> labor <strong>and</strong> the post-childrenera.478. Chile in Comparative Perspective Seminar(3-0-3) ValenzuelaThis course provides a detailed analysis <strong>of</strong> the development<strong>of</strong> the Chilean economy, society <strong>and</strong>polity since independence from Spain in 1818,drawing selected comparisons with other nationalexperiences. It then discusses the validity <strong>of</strong> theoreticalstatements on central questions in the socialscience literature by examining them in light <strong>of</strong> theChilean case. The main issues to be examined arethe reasons for the successes or failures <strong>of</strong> ThirdWorld development, the origins <strong>and</strong> breakdowns <strong>of</strong>democracies, the characteristics <strong>of</strong> authoritarian regimes,<strong>and</strong> processes <strong>of</strong> redemocratization.479. International Migration <strong>and</strong> Human Rights(3-0-3) BustamanteThis course is an extension from the mini-course toa full term <strong>of</strong>fered by Pr<strong>of</strong>essor Bustamante, with awider coverage <strong>of</strong> international migration experiencesin the world with an emphasis on humanrights. It starts with a historical approach to variousimmigration waves to the United States, from theyears <strong>of</strong> the “industrial revolution” to the present.It focuses on the current debate on the impact <strong>of</strong>the undocumented immigration from Mexico <strong>and</strong>Central America, with a discussion <strong>of</strong> the gap betweenpublic perceptions <strong>and</strong> research findings.Differences between Mexico <strong>and</strong> the United States’migration policies, <strong>and</strong> its social <strong>and</strong> economic implications,are discussed. The recent developmentswithin the context <strong>of</strong> the United Nations’ Commission<strong>of</strong> Human Rights on the relationship betweenmigration <strong>and</strong> human rights are also covered.480. Qualitative Methodology(3-0-3) CárdenasThe seminar will cover the general topic, with particularattention to ethnography <strong>and</strong> field work, visualmethods, archival research <strong>and</strong> relatedstrategies. Heavy emphasis will be placed on crosscultural research in minority communities in theUnited States.481. Research Seminar in Latino Studies(3-0-3) CárdenasStudy <strong>of</strong> the scope, focus <strong>and</strong> development <strong>of</strong>Latino Studies. The course will concentrate on thedevelopment <strong>of</strong> social thought <strong>and</strong> scholarship, focusingon Latino Studies as a field <strong>of</strong> research <strong>and</strong>academic concentration. The course will also examinethe social construction <strong>of</strong> contemporary Latinoidentities <strong>and</strong> its bearing on Latino Studies.482. The Latino Image in American Films(3-0-3) CárdenasThis course traces the historical depiction <strong>of</strong>Chicanos, Mexicanos, Puerto Ricans, Cubans, <strong>and</strong>other Latinos in Hollywood-made movies. Cinematicplots, roles, <strong>and</strong> motifs — from the earliest<strong>of</strong> silent films through the onset <strong>of</strong> the 1980s—areexamined to explore the changing physical, social,<strong>and</strong> cultural definitions <strong>of</strong> Latinos in the UnitedStates. All films <strong>and</strong> filmmakers are consideredwithin their historical context. Though the mainobject <strong>of</strong> study is the Latino image, the course alsosurveys corresponding images for other ethnic minoritygroups.483. Social Demography <strong>of</strong> Minoritites(3-0-3) CárdenasThis course will focus on the demographic status <strong>of</strong>ethnic minorities in the United States. Some <strong>of</strong> themajor topics include population size <strong>and</strong> projections,geographical distribution, <strong>and</strong> residentialpatterns. Other issues are educational attainment,occupational status, <strong>and</strong> personal <strong>and</strong> family income.The course will cover the basics <strong>of</strong> demographicmethods <strong>and</strong> techniques.484. Primary Data Collection <strong>and</strong> SurveyMethodology(3-0-3) LeClereThis course will be <strong>of</strong>fered to students in Sociology<strong>and</strong> other social sciences who have an interest inthe design, implementation, <strong>and</strong> use <strong>of</strong> social surveys<strong>and</strong> databases in social science research. Thecourse will include all practical aspects <strong>of</strong> surveydesign including sample design <strong>and</strong> selection, questionnairedesign, measurement, mode <strong>of</strong> administration,field methods, data editing <strong>and</strong> data basedevelopment. We will also cover theoretical developmentsin survey methodology including researchon cognitive process <strong>and</strong> questionnaire response,the role <strong>of</strong> social theory in questionnaire design <strong>and</strong>other specialized topics. This course will prove usefulfor both conducting primary data collection<strong>and</strong> interpreting data from secondary sources. Previouscoursework in research methods <strong>and</strong> statisticswill be helpful but not required.485. Materials <strong>and</strong> Methods <strong>of</strong> DemographicAnalysis(3-0-3) LeClereThis course is a survey course in techniques widelyused in demographic analysis. These techniques includethose that describe population structure, analyzedemographic dynamics <strong>and</strong> evaluate demographicdata. In addition, many <strong>of</strong> the analyticskills <strong>and</strong> techniques stressed throughout the coursehave more general applicability in social scienceresearch. The aim <strong>of</strong> the course is to acquaint studentswith the nature <strong>and</strong> structure <strong>of</strong> a variety <strong>of</strong>techniques <strong>and</strong> to provide you with the experiencein applying those techniques.


210SOCIOLOGY THEOLOGY491. Social Transformations <strong>and</strong>Democratization in Chile(3-0-3) ValenzuelaThis course provides a comprehensive view <strong>of</strong> thesocial, cultural, <strong>and</strong> political transformations thathave taken place in Chile since 1990. These transformationshave been affected by the consolidation<strong>of</strong> democracy <strong>and</strong> the rapid pace <strong>of</strong> economicgrowth <strong>and</strong> modernization in the country. Thecourse draws comparisons to the same processesthat have occurred in recent years in Central <strong>and</strong>Eastern Europe.496. Sociology Internships(3-0-3)(V-V-V) PowerThis is an “experiential” course designed to givestudents some practical experience in the area <strong>of</strong>urban affairs or social welfare either to test their interest,complement their academic work or acquirework experience preparatory for future careers. Studentsare placed with a community agency in theSouth Bend area <strong>and</strong> normally work six hours aweek as interns under the supervision <strong>of</strong> an experiencedpractitioner. Hours are flexible, usually set toaccommodate the interns availability <strong>and</strong> the needs<strong>of</strong> the host agency.497. Independent Study(V-V-V) StaffPrerequisite: Permission <strong>of</strong> instructor.Intensive study on a special topic to produce ascholarly paper, or special investigative experiencein the field, leading to the production <strong>of</strong> oral <strong>and</strong>written reports reflecting deeper theoretical <strong>and</strong>empirical underst<strong>and</strong>ing.Graduate Courses. Senior majors may take any500-level graduate course with the permission <strong>of</strong>the instructor.TheologyChair:John C. CavadiniAbrams Pr<strong>of</strong>essor <strong>of</strong> Jewish Thought <strong>and</strong> Culture:Rabbi Michael A. SignerCrowley-O’Brien Pr<strong>of</strong>essor <strong>of</strong> Theology:Rev. Richard P. McBrienCatherine F. Huisking Pr<strong>of</strong>essor <strong>of</strong> Theology:Rev. Brian E. Daley, S.J.John A. O’Brien Pr<strong>of</strong>essor <strong>of</strong> Theology:Lawrence S. CunninghamJohn A. O’Brien Pr<strong>of</strong>essor <strong>of</strong> Theology:Rev. John S. Dunne, C.S.C.John A. O’Brien Pr<strong>of</strong>essor <strong>of</strong> Theology:Jean PorterJohn A. O’Brien Pr<strong>of</strong>essor <strong>of</strong> Theology:Eugene C. UlrichJohn A. O’Brien Pr<strong>of</strong>essor <strong>of</strong> Theology:James C. V<strong>and</strong>erKamJohn Cardinal O’Hara Pr<strong>of</strong>essor <strong>of</strong> Theology:Gustavo Gutierrez, O.P.Theodore M. Hesburgh, C.S.C., Pr<strong>of</strong>essor<strong>of</strong> Philosophy <strong>and</strong> Theology:Rev. David B. Burrell, C.S.C.William K. Warren Pr<strong>of</strong>essor <strong>of</strong> Catholic Theology:Rev. John P. Meier (on leave 2002 calendaryear)William K. Warren Pr<strong>of</strong>essor <strong>of</strong> Catholic Theology:Rev. Thomas F. O’Meara, O.P. (emeritus)Pr<strong>of</strong>essors:David Aune; Joseph Blenkinsopp (emeritus);Rev. Paul F. Bradshaw (London Program2002-03); Keith J. Egan (adjunct); JosephineM. Ford (emerita); Rev. Maxwell E. Johnson;Charles Kannengiesser (emeritus); M. CathleenKaveny; Robert A. Krieg; Rev. Edward A.Malloy, C.S.C.; Rev. Jerome Neyrey, S.J.;Cyril O’Regan; Rev. Gregory Sterling;William Storey (emeritus); Rev. James F.White (emeritus)Associate Pr<strong>of</strong>essors:J. Matthew Ashley; John C. Cavadini; MaryRose D’Angelo; Rev. Michael S. Driscoll;Jennifer Herdt; Mary Catherine Hilkert, O.P.;Jean Laporte (emeritus); Blake Leyerle; GeraldP. McKenny (on leave 2002-03); Rev. DonMcNeill, C.S.C. (concurrent); Bradley J.Malkovsky; Timothy Matovina; Rev. LeonMertensotto, C.S.C.; Rev. MatthewMiceli, C.S.C. (emeritus); Rev. EdwardO’Connor, C.S.C. (emeritus); Rev. Hugh R.Page; Rev. Mark Poorman, C.S.C.; MauraRyan; Joseph Wawrykow; Todd Whitmore (onleave 2002-03); R<strong>and</strong>all ZachmanAssistant Pr<strong>of</strong>essors:Rev. Michael J. Baxter, C.S.C. (on leave 2002-03); Rev. Michael E. Connors, C.S.C.; MaryDoak (on leave 2002-03); Rev. CharlesGordon, C.S.C.; Rev. Daniel Groody, C.S.C.;Rev. Paul V. Kollman, C.S.C.; HindyNajman; Thomas Pruegl; Thomas W. Ryba(adjunct)Pr<strong>of</strong>essional Specialists:Regina Coll, C.S.J. (emerita); Rev. Eugene F.Gorski, C.S.C.; Rev. John A. Melloh, S.M.; F.Ellen Weaver (emerita)Assistant Pr<strong>of</strong>essional Specialist:Matthew C. ZyniewiczTHE THEOLOGY PROGRAMUNIVERSITY OF NOTRE DAMEWhy major in theology?Some students study theology to prepare for a careerin high school teaching or religious ministry.Others plan to proceed to graduate work in theologyor religious studies in anticipation <strong>of</strong> a universitycareer. Most students, however, major intheology simply because they find the study fascinating<strong>and</strong> rewarding. As an inherently interdisciplinaryfield, theology is an ideal liberal arts major.Through close study <strong>of</strong> influential theological <strong>and</strong>religious texts, rituals <strong>and</strong> artifacts, students learnabout their own faith <strong>and</strong> our common culture.Many other students elect theology as a supplementarymajor whose focus on the central questions<strong>of</strong> human existence complements <strong>and</strong> extendstheir commitment to their first major in science,engineering, business or architecture. Pr<strong>of</strong>essionalschools increasingly appreciate how such diverse<strong>and</strong> balanced preparation enhances a c<strong>and</strong>idate’spr<strong>of</strong>ile.The Department <strong>of</strong> Theology welcomes studentspursuing these varied interests <strong>and</strong> goals. Itsdistinguished faculty boasts outst<strong>and</strong>ing teacherswho <strong>of</strong>fer upper-division courses on a wide range <strong>of</strong>subjects, including the history <strong>of</strong> Christian thought<strong>and</strong> practice, scripture, spirituality, systematic theology,liturgy, ethics, Judaism <strong>and</strong> the Eastern religions.The smaller class size <strong>of</strong> most upper-divisioncourses creates a conducive environment for thecreative exploration <strong>of</strong> ideas.What are the requirements for the theologymajor?Beyond the six theology credits required <strong>of</strong> every<strong>Notre</strong> <strong>Dame</strong> student, majors take 25 hours;supplementary majors take 19 hours. Each <strong>of</strong> thesemajors combines formally required courses <strong>and</strong>electives.


211THEOLOGYThe formally required courses for the first <strong>and</strong>the supplementary major are identical <strong>and</strong> total 10credit hours: the two-semester sequence in the history<strong>of</strong> Christian thought, an upper-division scripturecourse, <strong>and</strong> the one-credit hour Proseminar<strong>of</strong>fered each spring, which introduces studentsto the variety <strong>of</strong> topics covered in the study <strong>of</strong>theology.Remaining hours, chosen at the discretion <strong>of</strong>the student, are usually taken at the 400 level; advancedstudents, however, are <strong>of</strong>ten encouraged totake master’s-level (500-level) courses.Summary <strong>of</strong> the major:THEO 100 or 200 <strong>and</strong> 200-level course(<strong>University</strong> required courses)THEO 395 <strong>and</strong> 396 — Christian TraditionsI <strong>and</strong> IITHEO 401 or 411 — Upper-division scripturecourseElectives (15 hours at the 400-level)THEO 400 — Proseminar (one credit)Including the <strong>University</strong> requirements, the majorthus consists <strong>of</strong> 31 credit hours.Summary <strong>of</strong> the supplementary major:THEO 100 or 200 <strong>and</strong> 200-level course(<strong>University</strong>-required courses)THEO 395 <strong>and</strong> 396 — Christian TraditionsI <strong>and</strong> IITHEO 401 or 411 — Upper-division scripturecourseElectives (nine hours at the 400-level)THEO 400 — Proseminar (one credit)Including the <strong>University</strong> requirements, the supplementarymajor thus consists <strong>of</strong> 25 credit hours.What other programs are <strong>of</strong>fered?In cooperation with the Department <strong>of</strong> Philosophy,the Department <strong>of</strong> Theology <strong>of</strong>fers a Joint Majorin Philosophy <strong>and</strong> Theology. The joint major incorporatesthe formal requirements <strong>of</strong> a major intheology, with the exception <strong>of</strong> the Proseminar,<strong>and</strong> adds others. A full description <strong>of</strong> the new jointmajor is provided in a separate brochure availableat the department <strong>of</strong>fice.Students can also minor in theology. The minorrequires 12 hours beyond the <strong>University</strong> requirementfor a total <strong>of</strong> 18 hours. Any courses atthe 200- <strong>and</strong> 400-level, as well as letter-gradedcourses at the 300-level, can be used toward the additional12 hours. The minor in theology meetscertification requirements for secondary schoolteachers in some states.Whom should I contact for moreinformation?The director <strong>of</strong> the undergraduate program in theologywould be happy to answer any additionalquestions. The director may be reached throughthe departmental <strong>of</strong>fice.<strong>University</strong> <strong>of</strong> <strong>Notre</strong> <strong>Dame</strong>Department <strong>of</strong> Theology<strong>Notre</strong> <strong>Dame</strong>, IN 46556(574) 631-7811INTENSIVE WRITINGREQUIREMENTSThe primary assessment tool for theology departmentcourses numbered 401 <strong>and</strong> above is papers.Hence, all majors can expect to write the equivalent<strong>of</strong> 20 to 25 pages per semester in these courses.Course Descriptions. The following coursedescriptions give the number <strong>and</strong> title <strong>of</strong> eachcourse. Lecture hours per week, laboratory <strong>and</strong>/ortutorial hours per week <strong>and</strong> credits each semesterare in parentheses. The instructor’s name is alsoincluded.100. Foundations <strong>of</strong> Theology: Biblical/Historical(3-0-3) StaffThis first course in theology <strong>of</strong>fers a critical study<strong>of</strong> the Bible <strong>and</strong> the early Catholic tradition. Followingan introduction to the Old <strong>and</strong> New Testaments,students follow major post-biblicaldevelopments in Christian life <strong>and</strong> worship (e.g.,liturgy, theology, doctrine, asceticism), emphasizingthe first five centuries. For details on emphases<strong>of</strong> individual instructors, see the Department <strong>of</strong>Theology Course Description Booklet or the departmentalWeb site: www.nd.edu/~theo.180. Theology <strong>University</strong> Seminar(3-0-3) StaffThis course, prerequisite to all other courses in thetheology department, provides an introduction tothe critical study <strong>of</strong> Scripture <strong>and</strong> to the theologicaldevelopment <strong>of</strong> Christian doctrine for the first sixcenturies. Successful completion <strong>of</strong> this course satisfiesthe first <strong>of</strong> the two <strong>University</strong> requirements intheology. For details on emphases <strong>of</strong> individual instructors,see the Department <strong>of</strong> Theology Course DescriptionBooklet or the departmental Web site.200. Foundations <strong>of</strong> Theology: Biblical/Historical(3-0-3) StaffSee course description above.For sophomores, juniors <strong>and</strong> seniors. For details onemphases <strong>of</strong> individual instructors, see the Department<strong>of</strong> Theology Course Description Booklet or thedepartmental Web site.201. Foundations <strong>of</strong> Theology (Honors)(3-0-3) PageSee description above.BEGINNING COURSESPrerequisite: THEO 100, 180, 200 or 201 for allcourses numbered from 202 to 299.209. Political Theology in the Bible<strong>and</strong> the Christian Tradition(3-0-3) ParkChristian theological arguments have been used inpolitical theory from the patristic age through theearly modern period. For a millenium <strong>and</strong> a half,the themes <strong>of</strong> creation, fall, christology, the church,<strong>and</strong> eschatology, as well as appeals to various Old<strong>and</strong> New Testament texts, have dominated politicaldiscourse. Political theology (in the Christian context),then, refers to both the political teaching <strong>of</strong>the bible <strong>and</strong> the political thought <strong>of</strong> Christiantheologians <strong>and</strong> thinkers. One <strong>of</strong> the main underlyingthemes <strong>of</strong> this course is to underst<strong>and</strong> how wegot where we are today regarding the issue <strong>of</strong> religion<strong>and</strong> politics: i.e., the separation <strong>of</strong> Church <strong>and</strong>State as enshrined in the establishment <strong>and</strong> free-exerciseclauses <strong>of</strong> the first amendment. In order t<strong>of</strong>ully underst<strong>and</strong> <strong>and</strong> appreciate the path that westerncivilization took on this issue, we will need toexamine the political theology <strong>of</strong> some majorChristian theologians <strong>and</strong> thinkers throughout thehistory <strong>of</strong> western civilization. With the politicalascendancy <strong>of</strong> Christianity occasioned by the conversion<strong>of</strong> the Emperor Constantine, Christianityfound itself holding the reins <strong>of</strong> political power.How the Church h<strong>and</strong>led that power, <strong>and</strong> thetheological <strong>and</strong> philosophical debates that lay beneaththe issue—including the medieval debatesover the extent <strong>of</strong> papal power—are a major topic<strong>of</strong> interest in this course.In this course, therefore, we will examine thepolitical theology <strong>of</strong> the Bible <strong>and</strong> the Christiantradition with special attention to the theologicalpoliticalproblem; i.e., the problem <strong>of</strong> the relationshipbetween Christianity <strong>and</strong> politics. In additionto the theological issues mentioned above, this willrequire addressing subtopics <strong>and</strong> related themessuch as justice, law, nature, convention, virtue, morality,coercion (especially with regard to heretics<strong>and</strong> unbelievers), political organization, leadership,sedition, <strong>and</strong> war, as well as the vitally importantissue <strong>of</strong> the relationship between reason <strong>and</strong> revelation.Approximately one-quarter <strong>of</strong> the course willfocus on the political thought <strong>of</strong> the Bible. Augustine<strong>and</strong> Aquinas, because <strong>of</strong> their huge impact onthe Church <strong>and</strong> western civilization as a whole, willalso be the focus <strong>of</strong> a quarter <strong>of</strong> the course. In orderto fully appreciate <strong>and</strong> underst<strong>and</strong> these two greattheologians, we will need to very briefly examinehow they were influenced by classical political philosophy(Plato, Aristotle, etc.). The remainder <strong>of</strong>the course will focus on the works <strong>of</strong> other Christianthinkers <strong>and</strong> early modern political theorists(Marsilius <strong>of</strong> Padua, Machiavelli, Bacon, Hobbes,Spinoza, Locke) to see in what ways they utilizedthe Christian tradition <strong>and</strong>/or struggled against it.We will end the course with a class on religion <strong>and</strong>politics in the American founding.


212THEOLOGY216. Re-Membering Jesus(3-0-3) D’Angelo220. En/Gendering Christianity(3-0-3) D’AngeloThis course is an introduction to feminist approachesto spiritual <strong>and</strong> philosophical traditions inthe Christian West. Beginning from the pastoral<strong>and</strong> practical issues raised by gender assignments inthe context <strong>of</strong> religious experience, it addresses majortopics <strong>of</strong> theological thinking (such as sin, salvation,images <strong>of</strong> God, <strong>and</strong> Christology) relatinghistorical development <strong>and</strong> contemporary feministre-readings. The approach is both critical (i.e., analytical)<strong>and</strong> constructive; the primary focus is onChristian <strong>and</strong> post-Christian theological <strong>and</strong> literarytexts, but some attention is given to other religiousperspectives.221. God’s Grace <strong>and</strong> Human Action(3-0-3) WawrykowWhat are the respective roles <strong>of</strong> God <strong>and</strong> the humanperson in salvation? Are ideas <strong>of</strong> human freedom<strong>and</strong> <strong>of</strong> the value <strong>of</strong> human acts compatiblewith a belief in God as the source <strong>of</strong> grace <strong>and</strong> redemption?These <strong>and</strong> other questions about salvationhave been hotly debated by Christiantheologians throughout the centuries. This courseanalyzes the positions articulated by such figures asAugustine, Aquinas, Luther <strong>and</strong> Calvin, <strong>and</strong> examineshow they shaped the Catholic-Protestant debateabout the role <strong>of</strong> good works, <strong>and</strong> <strong>of</strong> God, insalvation.222. The One Jesus <strong>and</strong> His Many Portraits:The Various Images <strong>of</strong> Jesusin the New Testament <strong>and</strong> Beyond(3-0-3) MeierThis course explores the many different faith-portraits<strong>of</strong> Jesus painted by various books <strong>of</strong> the NewTestament: e.g., from suffering servant ab<strong>and</strong>onedby God through high priest interceding with Godto Godself. In each case, the course will ask howthis particuliar portrait did or did not have an impacton subsequent Christian faith <strong>and</strong> what it maysay to faith in Christ today. The course will combinea lecture format with discussions, readings,<strong>and</strong> reflections on the readings.224. Why God Became Human(3-0-3) ZachmanThis course will investigate historically <strong>and</strong> systematicallythe central Christian confession that Godbecame human in Jesus <strong>of</strong> Nazareth, especially inlight <strong>of</strong> the death <strong>of</strong> Jesus on the cross. We willconsider theologians from the patristic to moderneras, including Irenaeus, Athanasius, Anselm,Luther, Pascal, Barth, <strong>and</strong> von Balthasar. Courserequirements will include four six page comparativepapers <strong>and</strong> a longer constructive paper.225. Sin <strong>and</strong> Redemption(3-0-3) O’ReganThis course explores the biblical <strong>and</strong> theological accounts<strong>of</strong> sin <strong>and</strong> redemption. Focus will be on thevariety <strong>of</strong> perspectives in the biblical <strong>and</strong> theologicalaccounts with regard to the meaning <strong>of</strong> sin, itssocial <strong>and</strong> individual significance, <strong>and</strong> on the underst<strong>and</strong>ing<strong>of</strong> redemption, its worldly as well asother-worldly dimensions, <strong>and</strong> its scale, whetherinclusive or relatively exclusive. An attempt will bemade to distinguish the biblical <strong>and</strong> theologicalviews from the views <strong>of</strong> other religions both past<strong>and</strong> present, <strong>and</strong> also to engage modern criticism.226ABC. Christian Hope:Confronting Last Things(3-0-3) DaleyAs individuals <strong>and</strong> as a world society, we tend t<strong>of</strong>ocus our energies on building a happy <strong>and</strong> securefuture for ourselves; yet in a real sense we live surroundedby death, threatened by the impermanence<strong>of</strong> our relationships <strong>and</strong> by the fragility <strong>of</strong>life on our planet. A sense <strong>of</strong> this threat providesmuch <strong>of</strong> the background for human greed <strong>and</strong> violence,but it is also the context for human hope.The heart <strong>of</strong> Christian faith is to hope for life inthe face <strong>of</strong> death; it is to see a lasting value in ourhistorical choices <strong>and</strong> loves, because Jesus is risen<strong>and</strong> because he promises us a share in his resurrection<strong>and</strong> his life. Christian hope can only be expressedin images, since what it refers to still lies inthe realm <strong>of</strong> promise; yet the Christian believer canlive from that hope now, can love in the freedom itaffords, because the Holy Spirit has been given usby the risen Lord as “a foretaste <strong>of</strong> things to come”(Eph. 1.14). Through faith enlivened by the Spirit,we find in our present reality signs <strong>of</strong> a life withoutend that is, in a mysterious way, already ours. Thiscourse will study the details <strong>of</strong> this Christian hopefor the future in its origins, development <strong>and</strong> implications.It will study “the last things”—death,judgment, purgation, heaven <strong>and</strong> hell—in boththeir individual <strong>and</strong> their social dimensions, asChristian theology has traditionally conceivedthem; <strong>and</strong> it will try to articulate an underst<strong>and</strong>ing<strong>of</strong> these objects <strong>of</strong> hope as they might best be integratedtoday into Christian thought <strong>and</strong> practice.In addition, it will consider the ways that a Christiansense <strong>of</strong> the finality <strong>of</strong> salvation colors <strong>and</strong> influencesall the other aspects <strong>of</strong> the intelligentreflection on faith we call theology.227. Church <strong>and</strong> Worship(3-0-3) DriscollAn analysis <strong>of</strong> the Church as a community <strong>of</strong> believers<strong>and</strong> a social institution, <strong>and</strong> a study <strong>of</strong>Church liturgy <strong>and</strong> sacraments. This course willcenter around three key areas, namely (1) Anthropology:As humans, why do we feel the need to expressourselves <strong>and</strong> our relationship to Godthrough ritual activity? (2) Theology: What are theChristological <strong>and</strong> ecclesiological underpinningsfor the sacraments? (3) History: What is the historicaldevelopment <strong>of</strong> each <strong>of</strong> the seven sacraments?What has remained constant in spite <strong>of</strong> the historicalmutations?228. U.S. Latino Spirituality(3-0-3) ElizondoU.S. Latino Spirituality is one <strong>of</strong> the youngestspiritualities among the great spiritual traditions <strong>of</strong>humanity. The course will explore the indigenous,African <strong>and</strong> European origins <strong>of</strong> U.S. Latino Spiritualitythrough the devotions, practices, feasts <strong>and</strong>rituals <strong>of</strong> the people.230. The Church We Believe In(3-0-3) PrueglFrom the New Testament on, the Christian communityhas turned repeatedly to the formulation<strong>and</strong> description <strong>of</strong> its identity, essence <strong>and</strong> constitutionalelements. Specifying what is entailed in theclaim <strong>of</strong> the creed—“I believe in the one, holy <strong>and</strong>catholic church”—has been especially necessary atcertain crucial moments in the history <strong>of</strong> the Christianmovement.Providing an introduction to the main themes<strong>and</strong> problems in ecclesiology (the doctrine aboutthe Church), this course will examine the teachings<strong>of</strong> leading theologians in the Patristic <strong>and</strong> Medievalperiod (e.g., Augustine; Aquinas; Luther) <strong>and</strong> thedeterminations <strong>of</strong> the last two Vatican councils,largely concerned with such ecclesiological mattersas the constitution <strong>of</strong> the church, the role <strong>of</strong> thepapacy, infallibility, <strong>and</strong> the universal versus localchurches.231. Catholicism(3-0-3) McBrienA comprehensive exposition <strong>of</strong> Catholic theologyfrom a historical, doctrinal, <strong>and</strong> ecumenical perspective.The course addresses the following questions:the interrelationships among faith, theology,<strong>and</strong> belief; the meaning <strong>of</strong> human existence (amultidisciplinary exploration); the problem <strong>of</strong> God(revelation, religious pluralism, providence, theTrinity, etc.); Jesus Christ (New Testament data,doctrinal development, contemporary views, includinga discussion <strong>of</strong> Jesus’ self-consciousness,sexuality, <strong>and</strong> sinlessness); the Church (New Testamentdata, history, Vatican II, mission, sacraments,authority, ministry, Mariology, etc.); <strong>and</strong> Christianexistence (ethics, spirituality, eschatology).232. Suffering <strong>and</strong> the God <strong>of</strong> Love(3-0-3) HerdtWhat does our suffering mean? And what does thecentral doctrine <strong>of</strong> the goodness <strong>of</strong> God mean inthe face <strong>of</strong> the immensity <strong>of</strong> suffering in the world?Is suffering a punishment for sin? A test <strong>of</strong> faithfulness?A source <strong>of</strong> growth? An inevitable byproduct<strong>of</strong> the finitude <strong>of</strong> creation, or <strong>of</strong> human freedom? Issuffering in this life wiped out by the joys <strong>of</strong> thelife to come? Is it eased by our knowledge thatChrist on the cross took our sufferings upon himself?Is God beyond all suffering, or does God sufferwith us? Moving from the sufferings <strong>of</strong> Job toearly Christian reflections on the destruction <strong>of</strong>Jerusalem, from medieval responses to the plagueto modern attempts to fathom the Holocaust, takingin genres as varied as novel, treatise, <strong>and</strong> film,we will explore theological reflections on the goodness<strong>of</strong> God in light <strong>of</strong> human suffering.


213THEOLOGY232A. Spirituality <strong>of</strong> the Christian East:Experience, Form, Expression(3-0-3) Alexopolous“Christianity is more than a theory about the universe,more than teachings written down on paper;it is a path along which we journey—in the deepest<strong>and</strong> richest sense, the way <strong>of</strong> life” (Kallistos Ware).This course will introduce the student to the ChristianEast <strong>and</strong> will focus on its spirituality as the expression<strong>of</strong> this “journey,” this “way <strong>of</strong> life.” Thedifferent experiences, forms <strong>and</strong> expressions <strong>of</strong> thisspirituality will be examined <strong>and</strong> discussed duringthe course, having the writings <strong>of</strong> the Fathers <strong>of</strong> theChristian East as a basis, a foundation, <strong>and</strong> aspringboard for further reflection.234. Interpreting Suffering(3-0-3) ThompsonSuffering, as it has been interpreted or experiencedby theologians, mystics, martyrs, victims, <strong>and</strong> survivors,has pr<strong>of</strong>oundly shaped Christian theology.Focusing particularly on Christology <strong>and</strong> Christi<strong>and</strong>iscipleship, this course will consist <strong>of</strong> three parts.Part I will look at how some <strong>of</strong> the earliest teachings<strong>of</strong> the church developed out <strong>of</strong> a need to interpretauthoritatively the suffering Christ <strong>and</strong> thesuffering <strong>of</strong> the early Christian martyrs. Part II willconsider the suffering <strong>of</strong> Christ as it was understoodsystematically <strong>and</strong>/or lived spiritually by keymedieval <strong>and</strong> reformation thinkers. In light <strong>of</strong> thesetraditional theological responses to suffering, PartIII will consider a variety <strong>of</strong> modern theological attemptsto confront the radical human suffering <strong>of</strong>the 20th century. This course will have two goals:(1) to reflect on how theology talks about Christ<strong>and</strong> Christian discipleship in the face <strong>of</strong> humansuffering; (2) to reflect on how experiences <strong>of</strong> sufferinghave shaped (<strong>and</strong> continue to shape) theologicaldiscourse. Requirements: 3 short papers(with opportunities for experiential learning), classparticipation, midterm, <strong>and</strong> final.235. Following Jesus(3-0-3) DaleyHearing Jesus’ Gospel <strong>of</strong> the coming Kingdom <strong>of</strong>God, <strong>and</strong> receiving it as a word <strong>of</strong> truth <strong>and</strong> newlife, has meant, since the time <strong>of</strong> Jesus, not simplyaccepting a new way <strong>of</strong> underst<strong>and</strong>ing the world,but taking on a new pattern <strong>of</strong> living, “costing notless than everything.” This course will considerhow the Christian tradition, since the time <strong>of</strong> theGospels, has understood the person <strong>and</strong> work <strong>of</strong>Jesus <strong>and</strong> will consider the impact this faith in him<strong>and</strong> in his message have had, <strong>and</strong> continues tohave, on the way his disciples live in the world.237. The God <strong>of</strong> Jesus Christ(3-0-3) BaronThe purpose in this course is to study the Catholic-Christian underst<strong>and</strong>ing <strong>of</strong> God. The method employedis the reading <strong>of</strong> selected texts from some <strong>of</strong>the theological <strong>and</strong> spiritual masters <strong>of</strong> our traditionas well as from certain contemporary authors.The themes to be developed include the rootedness<strong>of</strong> the doctrine <strong>of</strong> God in the total event <strong>of</strong> the Incarnation,“pro<strong>of</strong>s” for the existence <strong>of</strong> God inJohn C. Cavadini, chair <strong>and</strong> associate pr<strong>of</strong>essor <strong>of</strong> theologyboth classical <strong>and</strong> contemporary theology, the bipolaror tensive nature <strong>of</strong> divine attribution, theunique mode <strong>of</strong> causality which is creation, divineprovidence, the primacy <strong>of</strong> the divine name <strong>of</strong>Love, <strong>and</strong> the evolution <strong>of</strong> a formal doctrine <strong>of</strong> theTrinity.240. Jesus <strong>and</strong> Salvation(3-0-3) HilkertAn exploration <strong>of</strong> the mystery <strong>of</strong> Jesus the Christ<strong>and</strong> the experience <strong>of</strong> salvation through examination<strong>of</strong> the life, ministry, death, <strong>and</strong> resurrection <strong>of</strong>Jesus (Part I); the development <strong>of</strong> classic Christi<strong>and</strong>octrine (Part II); <strong>and</strong> selected contemporary perspectives<strong>and</strong> questions (Part III).


214THEOLOGY242. The Mystery <strong>of</strong> God(3-0-3) DoakWho is the God Christians believe in? Beyond theacknowledgment that God is a mystery, accepted infaith <strong>and</strong> worshipped in reverence, what do Christiansclaim to know about God? How did the doctrine<strong>of</strong> the Trinity develop, <strong>and</strong> what differencedoes it make?This course will explore these <strong>and</strong> related questionsthrough study <strong>of</strong> the development <strong>of</strong> the doctrine<strong>of</strong> God in Christian theology, giving specialattention to contemporary theological efforts to rearticulatethe doctrine <strong>of</strong> God in response to thequestions <strong>and</strong> issues <strong>of</strong> our own day. We will alsoconsider the contributions <strong>of</strong> different theologicalapproaches, especially those emphasizing the Bible,philosophy, spirituality, or socio-historical locationas resources for better underst<strong>and</strong>ing the Christianexperience <strong>of</strong> God.Students will be encouraged to consult with theinstructor about the possibility <strong>of</strong> an experientiallearning project involving theological reflection ontheir own experiences <strong>of</strong> service, prayer, or worshipas resources for better underst<strong>and</strong>ing God.243. Theology <strong>of</strong> Marriage(3-0-3) OdozorThis course seeks to introduce participants to theprincipal elements in the Catholic Tradition onmarriage by examining the sources <strong>of</strong> this traditionin sacred scripture, the work <strong>of</strong> ancient Christianwriters, the <strong>of</strong>ficial teachings <strong>of</strong> the Church <strong>and</strong> recenttheological reflection. The method employedin the course is thus historical, scriptural, <strong>and</strong> thematic.The readings selected for this course are intendedto expose students to contemporarydiscussion in moral theology apropos <strong>of</strong> these issues,<strong>and</strong> provide them with the necessary theologicaltools to critically evaluate a wide variety <strong>of</strong>ethical positions dealing with marriage in theCatholic tradition.244. Catholic Social Thought(3-0-3) PfeilThis seminar fulfills the requirement for a secondtheology course. It is for students returning fromSummer Service Projects who desire an extendedopportunity for reflection <strong>and</strong> analysis in additionto the regular SSP course (THEO 360, three credits,graded S/U). Some <strong>of</strong> the major themes to bediscussed are: Christian compassion, discipleship,the mystery <strong>of</strong> God, <strong>and</strong> Catholic social teaching.The course culminates with a comprehensive researchproject on a theological question or issuethat emerges from the summer <strong>and</strong>/or other serviceexperiences <strong>and</strong> is explored with other academicdisciplines. Students must have participated in aSummer Service Project during the preceding summerto enroll in this course. More informationabout the course format, the experiential learningmethod <strong>and</strong> the process <strong>of</strong> evaluation is explainedin the Learning Agreement <strong>and</strong> ApplicationForm, which is available at the Center for SocialConcerns.247. The Catholic Experience(3-0-3) CunninghamThis course has three quite specific aims: (1) to describethat form <strong>of</strong> the Christian tradition both indoctrine <strong>and</strong> practice which is called Catholic; (2)to argue that within the Catholic tradition there aredifferent “ways” <strong>of</strong> being a Catholic; (3) to outlinea general way <strong>of</strong> being a Christian within theCatholic tradition; we will call that “way” a “spirituality.”Theology 247 will meet weekly for a lecturefollowed by discussion groups. Attendance will berequired. Each week a short reflection paper (twopages) will be readied for the discussion section. Inaddition, there will be an essay style midterm <strong>and</strong>final.251. Liberation Theology(3-0-3) AshleyLiberation theology arose in the late sixties <strong>and</strong> seventiesas many Christians in different parts <strong>of</strong> theworld were becoming vitally engaged in variousstruggles for peace <strong>and</strong> justice. One <strong>of</strong> its centralthemes is the relationship between Christian spirituality<strong>and</strong> working for justice. This course will introduceliberation theology by focusing on thistheological problem. Background will be providedby a historical survey <strong>of</strong> attempts to underst<strong>and</strong> therelationship between contemplation <strong>and</strong> action, usingpatristic <strong>and</strong> medieval homilies on Lk 10:38-42, <strong>and</strong> concluding with an examination <strong>of</strong> theIgnatian ideal <strong>of</strong> “contemplation in action.” Thenwe will examine how various theologians, includingthe Peruvian, Gustavo Gutiérrez, <strong>and</strong> Jon Sobrino,from El Salvador, have tried to apply this ideal inregions lacerated by systemic injustice <strong>and</strong> torn bywarfare. Requirements: frequent short (one-page)essays on readings, midterm <strong>and</strong> final. While notm<strong>and</strong>atory, community service in the South Bendarea will be integrally worked into the course.256. Christian Theology in the Middle East:Origins to the Present(3-0-3) AmarThe spread <strong>of</strong> Christianity from Jerusalem to AsiaMinor <strong>and</strong> Europe, <strong>and</strong> the development <strong>of</strong> Christi<strong>and</strong>octrine that followed upon it, is well documented<strong>and</strong> well known. Less well known is themovement <strong>of</strong> Christianity east <strong>of</strong> Jerusalem, <strong>and</strong>the developments <strong>of</strong> Christian doctrine that attendedthis movement. This course investigates thedevelopment <strong>of</strong> Christianity <strong>and</strong> Christian doctrinein the Middle East <strong>and</strong> Central Asia. This approachinvolves consideration <strong>of</strong> the central doctrines <strong>of</strong>the Christian faith (especially the doctrines <strong>of</strong>Christ, the Church, <strong>and</strong> the sacraments) from thetime they were articulated in the period <strong>of</strong> the firstseven ecumenical councils, to their development, inboth continuity <strong>and</strong> contrast, in the churches <strong>of</strong>the East. Students will acquire a sense <strong>of</strong> the largelyuntold story <strong>of</strong> the origins <strong>and</strong> history or Christianityin the Middle East (a topic especially timely today),we well as a grasp <strong>of</strong> the fundamentalChristian doctrines at stake in this history as well asthe present, as they bear on the issue <strong>of</strong> the reunification<strong>of</strong> the churches. Readings include documentsfrom the councils, relevant theologians, localhistory, native accounts, <strong>and</strong> archaeologicalevidence.258. Creation: How God Relates to the World(3-0-3) BreyThe course will explore the connections betweenone’s underst<strong>and</strong>ing <strong>of</strong> the world <strong>and</strong> one’s underst<strong>and</strong>ing<strong>of</strong> salvation <strong>and</strong> God by surveying somemajor representative treatments <strong>of</strong> the world thathave emerged down through the ages. To better appreciatethe uniqueness <strong>of</strong> the Judaic-Christi<strong>and</strong>octrine <strong>of</strong> creation, the course will begin by examiningsome ancient pre-Christian views <strong>of</strong> theworld <strong>and</strong> salvation: Hinduism, Buddhism <strong>and</strong> theGreek-speaking world. We will then turn to look atthe Biblical account <strong>of</strong> creation <strong>and</strong> its emergingtreatment by some <strong>of</strong> the early church Fathers:Irenaeus, Origen <strong>and</strong> Augustine. Continuing, thecourse will jump forward in time so that we cansurvey the impact that modernity has had on theChristian doctrine <strong>of</strong> creation: the rise <strong>of</strong> science,Kant, Schleiermacher, Hegel <strong>and</strong> Barth. Also, in aless historical vein we will spend time consideringwhat Paul calls “the last enemy,” namely death. Towhat degree is death an enemy <strong>of</strong> creation, <strong>and</strong> canthe harsh reality <strong>of</strong> death really be reconciled withall our academic speculations? Finally, we will readsome contemporary musings on creation by RobertCapon, J.R.R. Tolkien, <strong>and</strong> C.S. Lewis. The requirementsfor the course include daily readings,several short papers <strong>and</strong> an essay-oriented final.260. Theology, Ethics, <strong>and</strong> the Environment(3-0-3) McKennyDoes our ecological awareness require radically newtheologies <strong>and</strong> moralities? What moral claims, ifany, do nonhuman entities make on us? Can currentChristian <strong>and</strong> philosophical moral theories addressthese claims? This course raises thesequestions on both theoretical <strong>and</strong> practical levels.Theoretically, we will examine various theological<strong>and</strong> philosophical views <strong>of</strong> the moral status <strong>of</strong> nonhumannature. Practically, we will explore the implications<strong>of</strong> these views for issues such aswildreness conservation/preservation, treatment <strong>of</strong>animals, agricultural biotechnology, <strong>and</strong> others.The diversity <strong>of</strong> positions we will consider willrange from those who embrace st<strong>and</strong>ard, modernhuman-centered theologies <strong>and</strong> moral theories tocritics (such as deep ecologists, ec<strong>of</strong>eminists, <strong>and</strong>others) who hold that the very theoretical stance <strong>of</strong>our dominant theologies <strong>and</strong> moral theories is incompatiblewith a genuinely ethical orientation tothe environment.261. Christianity <strong>and</strong> Feminist Ethics(3-0-3) PorterThis course is designed as an introduction to Christianethics that focuses on the relevance <strong>of</strong> the historicalChristian tradition to a specificcontemporary issue or issues.


215THEOLOGY262. Contemporary Issues in Christian Ethics(3-0-3) PoormanThe study <strong>of</strong> contemporary issues <strong>and</strong> Christian responsesin the areas <strong>of</strong> bioethics, sexuality, socialjustice, <strong>and</strong> pr<strong>of</strong>essional ethics.264A. Sacraments <strong>of</strong> Vocation: Baptism,Marriage, <strong>and</strong> Holy Orders(3-0-3) HahnenbergIn the Roman Catholic tradition, marriage <strong>and</strong>holy orders have been treated together as “sacraments<strong>of</strong> vocation,” while recent theological reflection<strong>and</strong> church teaching have emphasized howboth flow from the call <strong>of</strong> baptism. This course introducesstudents to the history, liturgical celebration,<strong>and</strong> current issues surrounding the sacraments<strong>of</strong> marriage <strong>and</strong> holy orders. It presents marriagewithin the broader context <strong>of</strong> Christian commitment<strong>and</strong> holy orders within the context <strong>of</strong>Christian ministry <strong>and</strong> discipleship. Questions concerningchurch (What is the role <strong>of</strong> community inour relating to God?), sacrament (What are theserealities imbued with the hidden presence <strong>of</strong> God?),<strong>and</strong> vocation (Who am I in God’s plan for me?)<strong>and</strong> raised throughout the course.265. Corporate Conscience(3-0-3) Mertensotto, HeppenThis course is a reflection on the Christian moralmeaning <strong>of</strong> corporate action <strong>and</strong> purpose withinbusiness organizations. It deals with an analysis <strong>of</strong>the relation between Christian values <strong>and</strong> corporatepolicy in order to raise the consequences <strong>of</strong> organizationalpolicies. The objective is to develop a comprehensivecorporate ethic, which deals with theself-interest <strong>of</strong> the organization, multiple responsibilities<strong>and</strong> a social vision for a more human world.For business majors.266. Medical Ethics(3-0-3) MertensottoA discussion <strong>of</strong> ethical problems in the medicalpr<strong>of</strong>ession in the light <strong>of</strong> natural law <strong>and</strong> Christianmoral principles. For premed students.268. A Faith to Die For(3-0-3) BaxterAn introduction to Catholic moral theology, withan accent on how Catholic belief <strong>and</strong> practiceshape the Church’s underst<strong>and</strong>ing <strong>of</strong> the moral life.Aspects <strong>of</strong> Catholic belief <strong>and</strong> practice to be coveredinclude baptism, penance, reading scripture,preaching, prayer, the Eucharist, martyrdom, religiouslife, marriage, <strong>and</strong> mission. In the context <strong>of</strong>these beliefs <strong>and</strong> practices, several leading themes inCatholic moral theology will be explored (e.g.,sanctification, the eternal <strong>and</strong> natural law, <strong>and</strong> virtues<strong>and</strong> vices), <strong>and</strong> several moral issues will be examined(e.g., abortion, suicide, capital punishment,economic justice, <strong>and</strong> war <strong>and</strong> peace). This courseexplores an underst<strong>and</strong>ing <strong>of</strong> the moral life interms <strong>of</strong> participation in the life, death, <strong>and</strong> resurrection<strong>of</strong> Christ, but at the same time it avoidsconstruals <strong>of</strong> the moral life that rest merely on piousexhortations (“Jesus says”), assertions <strong>of</strong>ecclesial authority (“the Church says”), or invocations<strong>of</strong> negative moral prohibitions (“thou shaltnot”). Thus, the “faith” will be presented as a set <strong>of</strong>beliefs <strong>and</strong> practices that are disturbingly radical,dem<strong>and</strong>ing that Christians die to themselves, yetalso deeply attractive, in that dying serves as a passagewayto true life. As suggested by the title, aleading emphasis in the course is that only a faithworth dying for can forge a moral life that is trulyworth living.Readings include selections from scripture, liturgicaltexts, theological <strong>and</strong> moral treatises, encyclicals,<strong>and</strong> the documents <strong>of</strong> Vatican II, plusAugustine’s Confessions, Cantalamessa’s The Eucharist:Our Sanctification, Graham Greene’s ThePower <strong>and</strong> the Glory, short stories <strong>of</strong> FlanneryO’Connor, Dorothy Day’s The Long Loneliness,<strong>and</strong> Helen Prejean’s Dead Man Walking. Evaluationis based on a midterm, a final, several short papers,<strong>and</strong> interactive class participation.269. Religion <strong>and</strong> Psychology(3-0-3) BurrellTo show how the quest for psychological explanationcan raise issues classically identified as religious,we shall explore how the psychologicalarticulation <strong>of</strong> these issues addresses the “task” <strong>of</strong>becoming a Christian. Beginning with Aristotle’sEthics to explore the most common idiom for humanaction, we jump to Kierkegaard’s SicknessUnto Death, <strong>and</strong> then enter the “psychologicalrevolution” with Sigmund Freud’s Civilization <strong>and</strong>Its Discontents, followed by Carl Jung’s Psychology <strong>of</strong>the Transference. By that time we will be ready toappreciate Sebastian Moore’s The Crucified Jesus IsNo Stranger, testing his work against two diaries:Ruzbihan Baqli’s Unveiling <strong>of</strong> Secrets: Diary <strong>of</strong> aSufi Master, <strong>and</strong> Etty Hillesum’s An InterruptedLife. A series <strong>of</strong> exercises (one-page papers) are designedto help us learn the language <strong>of</strong> these authors.A final paper <strong>of</strong>fers a way to link thatlanguage with more explicitly theological inquiry.A midterm (in two parts) <strong>and</strong> a final exam give opportunitiesfor synoptic grasp.272A. Sacraments/Sacramental Theology(3-0-3) WendlinderThis course is an introduction to the RomanCatholic Sacraments <strong>and</strong> Contemporary SacramentalTheology. The course curriculum is divided intothree sections. The first section considers the history<strong>of</strong> the sacraments <strong>and</strong> the development <strong>of</strong> sacramentaltheology from the New Testament periodthrough the Second Vatican Council <strong>and</strong> currentreflections on the renewal <strong>of</strong> the sacraments resultingfrom the council. The second section examinessacramental practice within the Roman Catholicliturgy, <strong>and</strong> considers contemporary practice <strong>of</strong> sacramentsin Christian faith traditions other than RomanCatholicism <strong>and</strong> the promises <strong>and</strong> challenges<strong>of</strong> an ecumenical perspective. The third section willexplore the intimate role sacraments play in conversion<strong>and</strong> on-going conversion in Christian life.273. Christian Call to Service <strong>and</strong> Justice(3-0-3) AshleyIn this course, Christian leadership will be exploredthrough presentations <strong>and</strong> readings from biblical,historical <strong>and</strong> contemporary perspectives on service,compassion, justice <strong>and</strong> community. Thereare specific requirements for participation in experiential<strong>and</strong>/or service learning projects which explorepast <strong>and</strong> contemporary faith-based ways <strong>of</strong>bringing about a more just <strong>and</strong> humane world. Therequirements for the course include short papers/reports, a midterm exam, <strong>and</strong> a comprehensive paperthat explores a pastoral/theological issue ortheme that is linked with the exploration <strong>of</strong> Christianleadership as vocation in reponse to contemporarysocial concerns <strong>and</strong> the Catholic socialtradition.275. The Mystery <strong>of</strong> Being Human(3-0-3) HilkertThis course will explore some key questions <strong>of</strong> humanexistence in relation to basic Christian beliefsabout human life <strong>and</strong> destiny. What is the meaning<strong>of</strong> human dignity, personhood, <strong>and</strong> community inlight <strong>of</strong> the Christian claims that we are created inthe image <strong>of</strong> God <strong>and</strong> baptized into the image <strong>of</strong>Christ? How are we to underst<strong>and</strong> the reality <strong>of</strong>evil in the world <strong>and</strong> the fundamental ambiguity <strong>of</strong>human experience in relation to the symbol <strong>of</strong>“original sin”? What do “graced human existence”<strong>and</strong> “relationship with God” mean? Do they affectthe way we experience <strong>and</strong> live everyday life? Howcan Christians live in hope in the face <strong>of</strong> suffering<strong>and</strong> death?279. Science <strong>and</strong> Theology(3-0-3) Ashley281. War, Law, <strong>and</strong> Ethics(3-0-3) Pfeil282. Bioethics(3-0-3) RyanThis course explores the importance <strong>of</strong> religious<strong>and</strong> moral values for the life <strong>and</strong> death choices wemake, individually <strong>and</strong> as a society. Basic principles<strong>and</strong> methods <strong>of</strong> contemporary bioethics will be introduced,<strong>and</strong> a range <strong>of</strong> issues considered, e.g.,medical research, physician assisted suicide, healthcare reform, new genetic technologies, respondingto AIDS. Especially recommended for studentsplanning on a career in medicine or science. Lecture/discussion format. Requirements: short papers,midterm, final.


216THEOLOGY286. Literary Catholicism(3-0-3) GordonThis course will explore the Catholic theologicaltradition primarily as it finds expression in six novelsby authors whose writing is influenced by thattradition. The novels discussed will be: The End <strong>of</strong>the Affair <strong>and</strong> The Power <strong>and</strong> the Glory by GrahamGreene, The Ball <strong>and</strong> the Cross by G. K.Chesterton, Silence by Shusaku Endo, Wise Bloodby Flannery O’Connor, <strong>and</strong> Love in the Ruins byWalker Percy. Among the topics to be treated areJesus Christ, revelation, the fall <strong>of</strong> humanity <strong>and</strong>the problem <strong>of</strong> evil, the nature <strong>of</strong> sacraments, <strong>and</strong>faith as a relationship with a loving God.287. World Religions <strong>and</strong> Catholicism inDialogue(3-0-3) GorskiA theological exploration <strong>of</strong> Hinduism, Buddhism,Taoism, Judaism, Islam <strong>and</strong> the relationship <strong>of</strong>Christianity to those religions. The goal <strong>of</strong> this explorationis specifically (1) to set forth the essentialcharacteristics <strong>of</strong> the world’s great religions, (2) todisengage the essential differences between Christianity<strong>and</strong> the other world religions, (3) to identifythe distinctiveness <strong>of</strong> Catholicism within the family<strong>of</strong> Christian traditions, (4) to examine historically<strong>and</strong> systematically the Christian theological appraisal<strong>of</strong> other world religions. Thus, the coursewill enable the students to gain a deeper underst<strong>and</strong>ing<strong>of</strong> Christianity by “passing over” into <strong>and</strong>experiencing as well as appraising the different majorreligious traditions <strong>of</strong> the world. To enhancethe learning experience, the course will use theBBC film series titled The Long Search. Each <strong>of</strong>these hour-long films focuses on perspectives <strong>of</strong> theworld’s major religions.288. Liberation Theology(3-0-3) GorskiAn exploration <strong>of</strong> “liberation theology”—one <strong>of</strong>the most challenging <strong>and</strong> influential theologicalmovements since the Second Vatican Council. Theinitiators <strong>of</strong> this widespread movement are firmlyconvinced that the liberation <strong>of</strong> the world’s poor<strong>and</strong> oppressed—the suffering majority <strong>of</strong> humanity—isthe most pressing need <strong>of</strong> our age. And theyare developing a theology that is intended to inspire<strong>and</strong> promote such liberation. They evolve thistheology <strong>of</strong> liberation not only from their reflectionson the Bible <strong>and</strong> other traditional sources,but also from their immediate pastoral relationshipswith the poor — <strong>and</strong> from their social-historicalpolitical-economicanalyses <strong>of</strong> the causes <strong>of</strong> poverty<strong>and</strong> oppression. While this course will treat <strong>of</strong> theliberation theology being developed in the UnitedStates, it will focus first <strong>and</strong> principally on the theology<strong>of</strong> liberation rooted in the history <strong>of</strong> LatinAmerica <strong>and</strong> found expressed in the writings <strong>of</strong>some prominent Latin American theologians.These include: Clodovis B<strong>of</strong>f, Leonardo B<strong>of</strong>f <strong>and</strong>Gustavo Gutierrez. The works <strong>of</strong> these innovativeauthors are at the heart <strong>of</strong> liberation theology; underst<strong>and</strong>ingthem is a precondition for underst<strong>and</strong>ingthe liberation writings from the U.S.A. <strong>and</strong>from other places.290. Christianity <strong>and</strong> World Religions(3-0-3) MalkovskyThe purpose <strong>of</strong> this course is to introduce the studentto the basic teachings <strong>and</strong> spiritualities <strong>of</strong>Hinduism, Buddhism, <strong>and</strong> Islam. We will approachthese religions both historically <strong>and</strong> theologically,seeking to determine where they converge<strong>and</strong> differ from Christianity on such perennial issuesas death, meaning, the nature <strong>of</strong> the ultimateMystery, the overcoming <strong>of</strong> suffering, etc. We willalso examine some traditional <strong>and</strong> contemporaryCatholic <strong>and</strong> Protestant approaches to religiouspluralism. Our own search to know how the truth<strong>and</strong> experience <strong>of</strong> other faiths is related to Christianfaith will be guided by the insights <strong>of</strong> importantCatholic contemplatives who have entereddeeply in the spirituality <strong>of</strong> other traditions. Bycourse’s end we ought to have a greater underst<strong>and</strong>ing<strong>of</strong> what is essential to Christian faith <strong>and</strong> practiceas well as a greater appreciation <strong>of</strong> the spiritualpaths <strong>of</strong> others. Requirements: Short papers, midtermexam, <strong>and</strong> final exam.292. Liturgy <strong>and</strong> Architecture(3-0-3) BrodhackerChurches are not museums, but places where thepeople <strong>of</strong> God come together to worship. As theforms <strong>and</strong> theologies <strong>of</strong> worship change so mustthe buildings where worship takes place. In thiscourse we will trace the past 500 years <strong>of</strong> liturgical<strong>and</strong> architectural changes in the Roman Catholic<strong>and</strong> Protestant.308. Introduction to Christian LatinSheerin326. God, Philosophy, <strong>and</strong> Universities:Aquinas, Arnauld, Newman(3-0-3) MacintyreEnquiry <strong>and</strong> teaching in Catholic universities haveaimed at underst<strong>and</strong>ing how the universe—physical,animal, human—is ordered to God. One task<strong>of</strong> philosophy in the Catholic tradition has been toshow how the various secular disciplines both contributeto such underst<strong>and</strong>ing <strong>and</strong> remain incompletewithout theology. How is this task to becarried out? We shall consider answers by threeCatholic philosophers in different intellectual <strong>and</strong>cultural situations, Aquinas, Arnauld, <strong>and</strong> Newmanin the hope <strong>of</strong> learning how to answer this questiontoday.Requirements: Three papers will be required.There will be no examination.(Crosslisted as PHIL 326.)ELECTIVES307A-307B. Elementary Hebrew I-II(3-0-3) (3-0-3) UlrichPrerequisite: Six hours <strong>of</strong> theology.This is a two-semester introductory course in biblicalHebrew; under normal circumstances, the studentmust complete the first to enroll in thesecond. The fall semester will be devoted to learningthe grammar <strong>of</strong> biblical Hebrew. The spring semesterwill be divided into two parts. For the firstsix weeks we will finish <strong>and</strong> review the grammar. Inthe remaining part <strong>of</strong> the course we will read <strong>and</strong>translate texts from the Hebrew Bible, Qumran,<strong>and</strong> Rabbinic literature. The course will focus ondeveloping reading <strong>and</strong> comprehension skills inbiblical Hebrew through the study <strong>of</strong> biblical texts.In addition, students will learn how to use referencegrammars, concordances, <strong>and</strong> apparatus to theBiblical Hebraica. The course encourages studentsto think about the grammatical forms <strong>and</strong> their implicationsfor biblical interpretation.325. From Power to Communion:Toward a New Way <strong>of</strong> Being Church-Basedon the Latin American Experience(3-0-3) PeltonPrerequisite: Six hours <strong>of</strong> theology.This seminar explores the present <strong>and</strong> the future <strong>of</strong>the Catholic Church, placing emphasis on how itsfuture is foreshadowed in the growing ecclesial interdependencethat exists between the churches <strong>of</strong>North <strong>and</strong> Latin America. Emphasis is placed onthe growing involvement <strong>of</strong> the laity in LatinAmerica <strong>and</strong> where this may lead the North Americanchurch. In a particular way, attention is givento the role <strong>of</strong> small Christian communities.340. Know Your Catholic Faith (series)(1-0-1) CavadiniThe department <strong>of</strong>fers a series <strong>of</strong> one-creditcourses in cooperation with the Office <strong>of</strong> CampusMinistry.What does the Church teach? Why does it matter?Each one-credit course reflects on a central feature<strong>of</strong> the Catholic faith, so that students comeaway with a clear idea <strong>of</strong> what the Church holds onthese topics as well as a basic theological <strong>and</strong> personalunderst<strong>and</strong>ing <strong>of</strong> them.347. Popular Religion <strong>and</strong> the Practice <strong>of</strong>Philosophy in China(3-0-3) JensenPrerequisite: Six hours <strong>of</strong> theology.This lecture/discussion course will introduce thestudent to the plural religious traditions <strong>of</strong> the Chineseas manifested in ancestor worship, sacrifice,exorcism, <strong>and</strong> spirit possession. From an underst<strong>and</strong>ing<strong>of</strong> these practices, the course will <strong>of</strong>fer insightinto the mantic foundations <strong>of</strong> Chinesephilosophy, especially metaphysics. Readings willconsist <strong>of</strong> texts in translation <strong>of</strong> popular cults, aswell as scholarly interpretations <strong>of</strong> these phenomena.In his Natural History <strong>of</strong> Religion (1757),David Hume articulated the now common distinctionbetween high <strong>and</strong> low religion, identifying themonotheistic traditions (Christianity, Judaism, Islam)with the former <strong>and</strong> the polytheistic (the majority<strong>of</strong> the world’s religions) with the latter.


217THEOLOGYSocial Concerns Seminars (THEO 350–THEO 372). The Department <strong>of</strong> Theology <strong>of</strong>fersa variety <strong>of</strong> social concerns seminars incollaboration with the Center for Social Concerns.Permission is required for each <strong>of</strong> these <strong>and</strong> isobtained through the center. More information isavailable at the Center for Social Concerns, (574)631-5319.355. Soc Con Sem: Civil Rights <strong>and</strong> SocialChange(3-0-3) CaponigroThe purpose <strong>of</strong> this Seminar is to study key events<strong>and</strong> leaders that sparked the broad-based movementto secure civil rights in the United States.Students will visit communities (Atlanta, Birmingham)<strong>and</strong> religious institutions that shaped the ideology<strong>and</strong> development <strong>of</strong> movement in the late1950s <strong>and</strong> early 1960s. Participants will also beasked to explore the current state <strong>of</strong> leadership inthe civil rights community, assessing its relevance<strong>and</strong> potential for continued influence on issues <strong>of</strong>race <strong>and</strong> discrimination into the new century.356. Soc Con Sem: Migrant Experiences(3-0-3) Br<strong>and</strong>enbergerThis Seminar <strong>of</strong>fers a unique immersion into thelives <strong>of</strong> migrant farm workers in Florida during thespring harvest. Students pick tomatoes in the fields(donating their wages), live with migrant families,assist church <strong>and</strong> social agencies that serve migrants,<strong>and</strong> meet with community leaders, neveragain to take food for granted.357. Soc Con Sem: L’Arche Communities(3-0-3) Br<strong>and</strong>enbergerThis Seminar centers around travel to a L’Archecommunity (e.g., Toronto, Canada) to share communitylife with developmentally challenged persons.Students draw from the philosophy <strong>of</strong> JeanVanier, the works <strong>of</strong> theologian Henri Nouwen<strong>and</strong> other spiritual writings to augment this participatorylearning experience.358. Soc Con Sem: Children <strong>and</strong> Poverty(3-0-3) Br<strong>and</strong>enberger/AshleyThis Seminar focuses on concerns that affect theyouth <strong>of</strong> our nation, especially poverty <strong>and</strong> violence,<strong>and</strong> examines efforts to foster positive youthdevelopment. Immersion in New York City. Participantsread Catholic social teaching focused onyouth/family issues.359A. Summer Service Learning: ACCION(3-0-3) Cunningham/ConnorsThe ACCION Internships run 10-12 weeks in micro-lending<strong>of</strong>fices across the country.For junior Business majors only.359B. Smr SrvLrn Intrn: ACCION(3-0-3) Cunningham/GroodyThe ACCION Internships run 10-12 weeks in micro-lending<strong>of</strong>fices across the country.For junior Business majors only.359C. Smr SrvLrn Intrn: Hispanic(3-0-3) Cunningham/Knight-Santoni/GroodyThis is a leadership internship for Hispanic studiesworking 10-12 weeks in a Hispanic/Latino areawith organizations dedicated to empowering localcommunities. Students will complete the requirements<strong>of</strong> THEO 359 <strong>and</strong> work with the Center forSocial Concerns to build partnerships with theagencies <strong>and</strong> people involved. Application <strong>and</strong> interviewnecessary for participation.359E. Smr SrvLrn Intrn: Contemporary Issues(3-0-3) CunninghamThis internship is for students interested in learningmore about how the Catholic social teachingsare addressed in the work <strong>of</strong> a church organization,such as the Catholic Campaign for HumanDevelopment.360. Confronting Social Issues: SSPs(3-0-3) Cunningham/ConnorsThis three-credit service-learning course takes placebefore, during, <strong>and</strong> after student participation ineight-week “Summer Service Projects” sponsoredby the Center for Social Concerns. The goals <strong>of</strong> thecourse are to reflect on the meaning <strong>and</strong> dynamics<strong>of</strong> Christian service, compassion <strong>and</strong> Catholic socialteaching through readings <strong>and</strong> writing, alongwith discussion <strong>and</strong> reflection with site supervisors<strong>and</strong> alumni, <strong>and</strong> scheduled group discussions uponreturn to campus. Writing assignments include ajournal, reflection paper <strong>of</strong> six to eight pages <strong>and</strong>responses to study questions related to the coursepacket. This course is completed during the firstfive weeks <strong>of</strong> fall semester <strong>and</strong> is graded Satisfactoryor Unsatisfactory. Acceptance is based on thestudent’s application <strong>and</strong> interview. Contact theCenter for Social Concerns for more information.360A. Confronting Social Issues: THEO(3-0-3) Cunningham/Connors/Br<strong>and</strong>enbergerSame as THEO 360 but restricted to theology majors;graded A-F.360B. Summer Service Learning: Int’l(3-0-3) Cunningham/Tomas-Morgan/KollmanPrerequisite: Domestic service-learning experiences.This three-credit course provides students the opportunityto encounter international realitiesthrough work with poor <strong>and</strong> marginalized people.Same academic requirements as THEO 360 withthe addition <strong>of</strong> area/country specific readings <strong>and</strong>meetings.360C. Summer Service Learning: NYSP(3-0-3) Cunningham/Connors/PettitThe National Youth Sports Program runs for sixweeks on the <strong>Notre</strong> <strong>Dame</strong> campus. Students workwith low-income children from the South Bendarea in educational enrichment <strong>and</strong> recreation.Same requirements as THEO 360.361. Soc Con Sem: Appalachia(1-0-1) Ashley/LoeschThis seminar involves experiential learning duringthe semester break. The course is centered on a service-learningimmersion in the region <strong>of</strong> Appalachia<strong>and</strong> provides preparation for <strong>and</strong> follow-up tothat experience. Students may focus on particularthemes (e.g., rural health care, environmental issues)at various sites while learning about the region<strong>and</strong> rural issues.362/SOC 362. Soc Con Sem: Cultural Diversity(1-0-1) Outlaw/Br<strong>and</strong>enberger/PettitThe purpose <strong>of</strong> this course is to begin to analyzethe positive aspects <strong>of</strong> ethnic <strong>and</strong> cultural diversityas well as related tensions, including racism. Studentswill participate in a five-day program duringbreak at selected sites that provides an orientationto culturally diverse communities <strong>and</strong> allows studentsto engage in discussions on relevant issueswith local residents <strong>and</strong> community leaders. Studentsparticipate in preparation <strong>and</strong> follow-upsessions.363/POLS 496. Soc Con Sem:Washington, D.C.(1-0-1) Br<strong>and</strong>enberger/Loesch/AshleyThis course centers on a trip to Washington, D.C.,over fall break, during which time students analyzea significant social issue through contact with variousagencies, government <strong>of</strong>fices, <strong>and</strong> church organizations.Students participate in preparation <strong>and</strong>follow-up sessions. Themes (e.g., Educational Reform,Violence in America) vary each year.366. Soc Con Sem:Mexico Service-Learning Project(1-0-1) Br<strong>and</strong>enberger/Elizondo/Tomas-MorganThis seminar involves three weeks <strong>of</strong> service-learningin Oaxaca, Mexico. It is designed to expose studentsto the reality <strong>of</strong> Latin America throughinter-cultural exchange, shared work experience,<strong>and</strong> faith reflection. Students examine the social,cultural, <strong>and</strong> international forces operative in theregion through discussion, relevant readings, <strong>and</strong>written reflection.367. Soc Con Sem: Advanced Studies(1-0-1) Br<strong>and</strong>enberger/Ashley/BeckmanPrerequisite: One other Social Concerns Seminar.The Advanced Studies Seminar is designed to enhancethe students’ study <strong>and</strong> application <strong>of</strong> a particularsocial concern issue. The experientialcomponent <strong>of</strong> the course will be tailored to the specificinterest <strong>of</strong> the student <strong>and</strong> requires preparation<strong>and</strong> orientation, follow-up reflection <strong>and</strong>associated readings.368. Soc Con Sem: Contemporary Issues(1-0-1) Br<strong>and</strong>enberger/AshleyThis seminar allows students to participate in anexperiential opportunity designed to examine contemporarysocial problems. Emphasis will be placedon underst<strong>and</strong>ing issues/conflicts from the perspective<strong>of</strong> the various participants. Preparation <strong>and</strong> follow-upsessions are tailored to the specificopportunity.


218THEOLOGY368A. Soc Con Sem: Discernment(1-0-1) Shappell, Cunningham369. Soc Con Sem: Leadership Issues(1-0-1) Knight-Santoni/Br<strong>and</strong>enberger/AshleyThis course is open to student leaders <strong>of</strong> variouscampus organizations focused on community service<strong>and</strong> social action (e.g., student groups affiliatedwith the Center for Social Concerns, social concernscommissioners <strong>of</strong> dorms, etc.). This seminarwill examine leadership <strong>and</strong> empowerment issuesfrom a multi-disciplinary perspective, focusing onthe role <strong>of</strong> the leader within organizations promotingcommunity service, social awareness, <strong>and</strong> actionfor justice <strong>and</strong> peace. The course will provide studentswith an opportunity to examine <strong>and</strong> developtheir personal leadership styles <strong>and</strong> potentialsthrough a variety <strong>of</strong> experientially based learningexperiences.370. Soc Con Sem: Nonviolence(1-0-1) Br<strong>and</strong>enbergerThis course allows students to explore the theoreticaldimensions <strong>of</strong> nonviolence <strong>and</strong> the practice <strong>of</strong>nonviolence as manifest in contemporary socialmovements. The course will examine the writings<strong>of</strong> Jesus, Mahatma G<strong>and</strong>hi, Martin Luther King,Dorothy Day <strong>and</strong> others. Students participate in aone-week experience with faith-based communitiesinvolved in nonviolent activities, prayer, service,<strong>and</strong> public witness. A one-credit course graded satisfactoryor unsatisfactory.371. Soc Con Sem: International Issues(1-0-1) Br<strong>and</strong>enburger/Tomas-Morgan/KollmanThis course revolves around international experientiallearning opportunities, examining the culture,community <strong>and</strong> life <strong>of</strong> the people encountered, includingthe poor. Students participate in preparation<strong>and</strong> followup sessions.372. Soc Con Sem: Field Education(1-0-1) Br<strong>and</strong>enberger/AshleyA directed field education experience in theology,augmented by readings <strong>and</strong> dialogue with faculty<strong>and</strong> others. Area <strong>of</strong> focus <strong>and</strong> placement determinedby student interest <strong>and</strong> initiative, in collaborationwith the Center for Social Concerns. Siteplacements may involve service-learning or relatedwork (at, for example, La Casa De Amistad, theCenter for the Homeless, or other site where theCenter has placed a Community-Based LearningCoordinator). A learning agreement will outlinespecific learning tasks <strong>and</strong> requirements. Specialpermision (during the semester prior to the experience)is required.378. Catechism <strong>and</strong> Catechetics(3-0-3) CavadiniPrerequisite: Six hours <strong>of</strong> theology.383. The Paschal Mystery in the LatinoCommunity(1-0-1) Elizondo385. Islam: Religion <strong>and</strong> Culture(3-0-3) AfsaruddinThis course will discuss the rise <strong>of</strong> Islam in the Arabianpeninsula in the seventh century <strong>and</strong> its subsequentconsolidation as a major world religion <strong>and</strong>civilization. Lectures <strong>and</strong> readings will deal withthe life <strong>of</strong> the Prophet Muhammad, the Qur’an<strong>and</strong> its interpretation, early Islamic history, communityformation, law <strong>and</strong> ritual, theology, philosophy,mysticism, <strong>and</strong> literature. Emphasis willbe on the core beliefs <strong>and</strong> institutions <strong>of</strong> Islam <strong>and</strong>on the religious <strong>and</strong> political thought <strong>of</strong> its practitionersfrom the Middle Ages through our owntime. The latter part <strong>of</strong> the course will deal with reformisttrends within Islam <strong>and</strong> contemporaryMuslim engagements with modernity. All readingsare in English; no prerequisite.(Crosslisted with MGLC 390/518.)386. Canon <strong>and</strong> Literature <strong>of</strong> Islam(3-0-3) AfsaruddinPrerequisite: Six hours <strong>of</strong> theology.This course is an introduction to the religious literature<strong>of</strong> the Arab-Islamic world. Emphasis is onworks from the classical <strong>and</strong> medieval periods <strong>of</strong> Islam,roughly from the seventh to the 14th century<strong>of</strong> the common era. We will read selections fromthe Qur’an (the sacred scripture <strong>of</strong> Islam), theHadith literature (sayings attributed to the prophetMuhammed), the biography <strong>of</strong> the Prophet, commentarieson the Qur’an, historical <strong>and</strong> philosophicaltexts, <strong>and</strong> mystical poetry. All texts will be readin English translation. No prior knowledge <strong>of</strong>Islam <strong>and</strong> its civilization is assumed, althoughhelpful.388A. Chinese Mosaic: Philosophy, Politics,Religion(3-0-3) JensenThis is a special topics class that provides an introductionto the diverse life ways constituting thepuzzle <strong>of</strong> the Chinese people. The course will chartthe terrain <strong>of</strong> current Chinese imagination as it hasbeen shaped from the contending, <strong>and</strong> <strong>of</strong>ten contentious,influences <strong>of</strong> religion, philosophy, <strong>and</strong>politics, introducing students to the heralded works<strong>of</strong> the Chinese intellectual tradition while at thesame time requiring critical engagement with thephilosophic <strong>and</strong> religious traditions animating thisculture. Thus, as they learn about China studentswill also reflect on how it has been interpreted byChinese <strong>and</strong> by Westerners. From readings in bothprimary texts <strong>and</strong> secondary interpretations theclass will reconstruct the ethos <strong>of</strong> the Chinese, attendingparticularly to the ways in which inheritedtraditions have been affected by the rise <strong>of</strong> themodern, authoritarian state. Our concerns will includequestions <strong>of</strong> philosophy as a response tomoral crisis, the abridgement <strong>of</strong> tradition in ideology,the creative reinvention <strong>and</strong> persistence <strong>of</strong>popular religion, <strong>and</strong> the politics <strong>of</strong> representation.From our attempts to address these concerns, wewill reconstitute the philosophic discourse <strong>of</strong> ancientChina <strong>and</strong> the religious practice <strong>of</strong> thepresent in an unconventional, but more evocative,manner that engenders underst<strong>and</strong>ing <strong>of</strong> contemporarypolitical resistance to single-party rule.(Crosslited with LLEA 388.)388JE. Naming God in Three AbrahamicTraditions(3-0-3) BurrellThis course, team taught in Jerusalem withMustafa Abu-Sway <strong>and</strong> Alon Goshen-Gottstein,will explore the ways in which Jews, Christians <strong>and</strong>Muslims employ their revelatory tradition to nameGod—that is, to come to a way <strong>of</strong> underst<strong>and</strong>ing<strong>and</strong> relating to the One whom all three traditionsbelieve freely created the universe. We shall explorehow each tradition uses names differeently, <strong>and</strong> soidentify the relevant differences in these Abrahamicfaith-traditions.391. Liturgical Choir(1-0-1) Walton391A. Women’s Liturgical Choir(1-0-1)392. Folk Choir(1-0-1) Warner395. The Christian Theological Tradition I(3-0-3) CunninghamPrerequisite: Six credit hours <strong>of</strong> theology.A survey <strong>of</strong> Christian theology from the end <strong>of</strong> theNew Testament period to the eve <strong>of</strong> the Reformation.Through the close reading <strong>of</strong> primary texts,the course focuses on the Christology <strong>of</strong> such influentialthinkers as Origen, Athanasius, Augustine,Anselm <strong>and</strong> Aquinas. How do these thinkers underst<strong>and</strong>the person <strong>and</strong> work <strong>of</strong> Jesus Christ?What are the Christological problems that theytried to resolve? How do the different Christologies<strong>of</strong> these thinkers reflect their differing conceptions<strong>of</strong> the purpose <strong>and</strong> methods <strong>of</strong> “theology?” Someattention will also be given to non-theological representations<strong>of</strong> Christ. How does the art <strong>of</strong> theearly <strong>and</strong> medieval periods manifest changes in theunderst<strong>and</strong>ing <strong>of</strong> the significance <strong>of</strong> Jesus. Thiscourse is obligatory for all first <strong>and</strong> supplementarymajors but is open to others who have completedthe <strong>University</strong> requirements <strong>of</strong> theology <strong>and</strong> whowish to gain a greater fluency in the history <strong>of</strong>Christian thought. Fall only.396. The Christian Theological Tradition II(3-0-3) HerdtPrerequisite: Six credit hours <strong>of</strong> theology.The course will examine the development <strong>of</strong> theChristian tradition from the time <strong>of</strong> the Reformationto the present, with special attention to theconfessional division <strong>of</strong> the western Christian traditionduring the Reformation, <strong>and</strong> the responseswhich post-Reformation Christian traditions maketo the secularization <strong>of</strong> West culture. The objective<strong>of</strong> this course is to develop an ecumenical underst<strong>and</strong>ing<strong>of</strong> contemporary Christian traditions.Class time each week will consist <strong>of</strong> two lectures<strong>and</strong> one student-led discussion. Evaluation will bebased on discussion, four short papers, <strong>and</strong> a finalexam. Spring only.


219THEOLOGYADVANCED COURSES400. Proseminar(3-0-3) WawrykowPrerequisite: Six credit hours <strong>of</strong> theology.This one-credit course will provide an introductionto the field <strong>of</strong> theology, emphasizing its nature <strong>and</strong>task, its relation to faith <strong>and</strong> experience, <strong>and</strong> itsvarious methods <strong>of</strong> inquiry. Class sessions will havediscussion format to promote close interactionamong all the participants. Five sessions <strong>of</strong> theseminar will feature different members <strong>of</strong> the facultywho will discuss the goals <strong>and</strong> methods <strong>of</strong> theirrespective disciplinary areas. During the course studentswill gain the necessary background to beginplanning their own programs in theology. Requiredfor all majors <strong>and</strong> supplementary majors,<strong>and</strong> open to minor, pre-seminarians, <strong>and</strong> anyother interested students. Spring only.401. Hebrew Scriptures(3-0-3) UlrichPrerequisite: Six credit hours <strong>of</strong> theology.This course will <strong>of</strong>fer students an introductorylevelsurvey <strong>of</strong> the books <strong>of</strong> the Hebrew Bible, withemphasis placed on the holistic (i.e., theological,literary, <strong>and</strong> social-scientific) study <strong>of</strong> the history,literature, <strong>and</strong> religion <strong>of</strong> ancient Israel. The implications<strong>of</strong> selected texts in Christian <strong>and</strong> Jewishtheological discourse will also be explored. Requiredcourse components include occasional quizzes,three unit tests covering the major divisions <strong>of</strong>the Hebrew Bible (Pentateuch, Prophets, <strong>and</strong> Writings),<strong>and</strong> 20 pages <strong>of</strong> writing spanning the followingresearch-related genres (case studies, articlereviews, journal, <strong>and</strong> critical notes). Fall only.402. Archaeological Foundations <strong>of</strong> Christianity<strong>and</strong> Judaism in Antiquity(3-0-3) BurghThis course surveys ancient Israel/Palestine (theHoly L<strong>and</strong>) during the biblical period. The classwill challenge students to think critically <strong>and</strong> creativelyabout the makeup/construction <strong>of</strong> previouscultures, their life-ways, <strong>and</strong> how the components<strong>of</strong> the culture connect <strong>and</strong> relate to one another. Inorder to do this, the student will engage <strong>and</strong> incorporatetheory <strong>and</strong> method from several fields (e.g.,archaeology, theology, anthropology, philology,textual studies, history, art, <strong>and</strong> others). Thiscourse encourages the student to use as many availabletools as possible to investigate <strong>and</strong> underst<strong>and</strong>the past <strong>and</strong> its impact on the present. The classwill expose students to the material remainsthrough slides <strong>and</strong> some physical artifacts that willassist them in better comprehending the theologicalfoundations <strong>of</strong> Judaism <strong>and</strong> Christianity.411. Christian Scriptures(3-0-3) D’AngeloA critical introduction to the Christian Scripturesfor Western readers. In addition to important historical<strong>and</strong> literary aspects <strong>of</strong> the New Testament,this course aims to interpret those Scriptures in thelight <strong>of</strong> the cultural world <strong>of</strong> Jesus. This means thatreaders will be learning the essential <strong>and</strong> relevantcultural models for reading Jesus, Paul, Timothy,etc., in their own culture: basic values (honor <strong>and</strong>shame), institutions (kinship), modal personality(group-oriented) <strong>and</strong> the like. Spring only.423. Reformation Theology: A Survey(3-0-3) ZachmanAn examination <strong>of</strong> the development <strong>of</strong> Christianthought from the Council <strong>of</strong> Constance in 1415 tothe First Vatican Council in 1869-70, with specialattention given to the impact <strong>of</strong> the Reformation<strong>and</strong> the Enlightenment on the formation <strong>of</strong> Christiantheology.426A. Topics in Theology: Sacraments(3-0-3) PrüglPastoral necessity as well as heresies <strong>and</strong> uncertaintiesabout the nature <strong>of</strong> the sacraments made it unavoidablefor the medieval church to reflect uponits most distinctive liturgical rites. Within the context<strong>of</strong> the formation <strong>and</strong> growth <strong>of</strong> scholasticism,the sacraments provided an excellent trainingground to test the strength <strong>of</strong> western theologicalthought. Due to the influence <strong>of</strong> Peter Lombard’scollection <strong>of</strong> patristic “Sententiae” the sacramentsfinally became a major field within the institutionalizedtheology at the universities. Our course willfocus on those events <strong>and</strong> texts <strong>of</strong> the earlierMiddle Ages which challenged theologians likePaschasius Radbertus, Berengar <strong>of</strong> Tour <strong>and</strong>Lanfranc <strong>of</strong> Bec to specify their views about theEucharist. It will consider the formation <strong>of</strong> a systematictreatise on the sacraments in the Frenchschools <strong>of</strong> the 12th century, <strong>and</strong> finally present thesynthesis <strong>of</strong> high scholastic sacramental theology inThomas Aquinas <strong>and</strong> Bonaventure. Besides the genericquestions on the nature <strong>of</strong> the sacraments assuch, special attention shall also be paid to baptism,the Eucharist, confirmation <strong>and</strong> penitence.428. Topics in Medieval Theology(3-0-3) Staff435. Christian Spirituality(3-0-3) CunninghamThis course intends to introduce the student to (1)the methodologies for studying Christian spirituality;(2) some theological reflections on the Christianway <strong>of</strong> life “in the Spirit”; <strong>and</strong> (3) Aconsideration <strong>of</strong> the structure <strong>of</strong> some “schools” <strong>of</strong>spirituality within the Christian tradition. Apartfrom preparation <strong>of</strong> readings, class participation,<strong>and</strong> regular attendance, the basic course requirementwill be to finish in a timely fashion a series <strong>of</strong>short papers which will reflect topic assignmentsgiven by the pr<strong>of</strong>essor. These short papers will beara family resemblance to take-home examinations.436. Modern Catholic Theology: Newman(3-0-3) O’ReganThe courses focuses on three <strong>of</strong> the major contributionsmade by John Henry Newman to modern religiousthought. (1) Newman’s contribution toreligious epistemology, that is, to the question <strong>of</strong>religious belief <strong>and</strong> whether it is irrational or rationalto believe. A Grammar <strong>of</strong> Assent is central here,although other texts will also be taken into account.(2) Newman’s contribution to the underst<strong>and</strong>ing<strong>of</strong> the genesis, nature <strong>and</strong> function <strong>of</strong>doctrine. Our main text here is the famous Essay onDevelopment which, arguably, is the single-mostimportant text on tradition written in the nineteenthcentury (3) Newman’s view <strong>of</strong> Christ. Unlikehis reflections on religious epistemology <strong>and</strong>his view <strong>of</strong> doctrine, Newman does not have asingle authoritative treatment <strong>of</strong> Christ. His reflectionsare scattered throughout his writings, especiallyin his sermons <strong>and</strong> his historical works. Wewill read samples <strong>of</strong> both to discern the main drift<strong>of</strong> Newman’s concerns <strong>and</strong> his conclusions.437A. Miracles(3-0-3) CavadiniWhat is a miracle? Can miracles happen? What istheir significance? The course will approach thesequestions using a variety <strong>of</strong> paradigms, includingphilosophical, theological, <strong>and</strong> sociological. Wewill consider a variety <strong>of</strong> texts <strong>and</strong> issues, includingthe Bible, classical exegeses <strong>of</strong> biblical miracle stories(in Origen, Augustine, <strong>and</strong> Gregory the Great)as well their counterparts in modern scholarship,philosophical debates about the status <strong>of</strong> the miraculous,<strong>and</strong> recent studies <strong>of</strong> communities wheremiraculous events are alleged to have occurred. Wewill also consider the canonical process for the investigation<strong>of</strong> alleged miracles, as well as literarytreatments <strong>of</strong> the theme. We will ask, finally, Whatis the religious significance <strong>of</strong> wonder?441. The Christian-Jewish Encounter:From Disputation to Dialogue(3-0-3) SignerIn the closing days <strong>of</strong> the II Vatican CouncilNostra Aetate (Declaration on non-Christian Religions)reversed a negative attitude <strong>of</strong> the CatholicChurch toward Judaism <strong>and</strong> the Jewish people.This remarkable change promoted “dialogue” withJews, <strong>and</strong> positive changes in the ways in which Judaismwas presented in Liturgy <strong>and</strong> Catechesis. Reactionsfrom the Jewish communities were diverse:from rejection to welcoming.This course will explore a number <strong>of</strong> issueswhich emerge from the history <strong>of</strong> Christianthought <strong>and</strong> theology: How did a negative image <strong>of</strong>Judaism develop within Christianity? In what waysdid these unfavorable teachings contribute towardviolence against the Jews? What is the relationshipbetween Christian anti-Jewish teachings <strong>and</strong>Antisemitism? Is there any correspondence toChristian hostility within Judaism? In what wayshave Jewish authors reacted to Christian tradition?


220THEOLOGYWe shall also want to construct a more positivetheology for the future. How can Jews <strong>and</strong> Christiansdevelop religious responses to modernity? Inwhat senses can a study <strong>of</strong> Judaism by Christians,or Christianity by Jews, help either community tounderst<strong>and</strong> itself better? How can Christians <strong>and</strong>Jews develop a theology <strong>of</strong> “the other” which is nottriumphalist, but empathic.442. Theology <strong>and</strong> Medicine(3-0-3) RyanPrerequisite: Six hours <strong>of</strong> theology.An examination <strong>of</strong> moral problems in medicine inthe context <strong>of</strong> key theological themes, e.g. creation,providence, the nature <strong>of</strong> Christian personhood,suffering <strong>and</strong> redemption, freedom <strong>and</strong> grace.Various normative problems will be explores, e.g.physician-assisted suicide, artificial reproduction,<strong>and</strong> access to health care.443. Jewish Spirituality(3-0-3) WolfsonThis course will explore several central themes thathave informed the texture <strong>of</strong> Jewish spiritualitythrough the ages. Topics will include: liturgy <strong>and</strong>iconic visualization <strong>of</strong> God; sacred space <strong>and</strong> timeon ritual performance; letter meditation <strong>and</strong> themagical imagination; contemplation <strong>and</strong> mysticunion; textual study <strong>and</strong> inspired exegesis; divinesuffering <strong>and</strong> messianic redemption. Material willbe selected from biblical, apocalyptic, rabbinic, <strong>and</strong>kabbalistic sources.(Crosslisted as THEO 543.)445. Christian Initiation <strong>and</strong> Eucharist(3-0-3) JohnsonThe Rites <strong>of</strong> Christian Initiation (Baptism, Confirmation,<strong>and</strong> First Eucharist) <strong>and</strong> the EucharisticLiturgy as the primary sacramental celebrations <strong>of</strong><strong>and</strong> in the Church: their biblical <strong>and</strong> anthropologicalfoundations, historical <strong>and</strong> theological evolution,<strong>and</strong> contemporary forms <strong>and</strong> celebration in avariety <strong>of</strong> churches. Requirements will includeshort papers <strong>and</strong> exams.449. Feminist <strong>and</strong> Multicultural Theologies(3-0-3) HilkertAn exploration <strong>of</strong> critical <strong>and</strong> constructive contributions<strong>of</strong> women to the development <strong>of</strong> contemporaryChristian theology. Using the writings <strong>of</strong>feminist, womanist, Latina, mujerista, <strong>and</strong> Asianwomen theologians, the class will consider recentwork in the field <strong>of</strong> systematic theology with particularattention to questions <strong>of</strong> method, theologicalanthropology, Christology/soteriology, <strong>and</strong> themystery <strong>of</strong> God.450. Theology <strong>and</strong> History <strong>of</strong> ChristianMissionaries(3-0-3) KollmanThis course will study the missionary activity <strong>of</strong> thechurch. After a brief look at mission <strong>and</strong> evangelizationin the New Testament <strong>and</strong> the early church,we will then explore several important moments <strong>of</strong>missionary contact in the Americas, Africa, <strong>and</strong>Asia in the modern (post-Columbian) period. Thecourse will conclude with a look at contemporarymissionary practice <strong>and</strong> theory.(Crosslisted as THEO 547A.)453A. Death <strong>and</strong> Rebirth(3-0-3) DunneA course on the spiritual journey through the ages:the figure Gilgamesh (the human quest <strong>of</strong> eternallife), the figure <strong>of</strong> Socrates (the sense <strong>of</strong> a deeperlife that lives through death), the figure <strong>of</strong> Jesus(the I <strong>and</strong> thou with God in Christianity; how thisleads to an underst<strong>and</strong>ing <strong>of</strong> death <strong>and</strong> resurrection,or Incarnation <strong>and</strong> Trinity), Dante <strong>and</strong> thespiritual journey (the Christian sense <strong>of</strong> a life thatlives on both sides <strong>of</strong> death), Kierkegaard <strong>and</strong> theeternal self (the Christian encounter with the modernsense <strong>of</strong> selfhood), <strong>and</strong> a concluding vision (theexperience <strong>of</strong> the presence <strong>of</strong> God). Requirementsinclude a midterm <strong>and</strong> a final exam (take home exams)<strong>and</strong> a personal essay.456. Martyrs <strong>and</strong> Monastic Lives(3-0-3) LeyerleEarly <strong>and</strong> medieval Christian communities werelargely defined by their views not only <strong>of</strong> God orthe personhood <strong>of</strong> Jesus, but also <strong>of</strong> the body; underfierce debate were questions <strong>of</strong> what, when, oreven whether, to eat, drink, or engage in sexual activity.By reading intriguing texts stemming fromthe experience <strong>of</strong> martyrdom <strong>and</strong> monasticism, thiscourse will illustrate how <strong>of</strong>ten explicitly theologicalconcerns (for instance, an underst<strong>and</strong>ing <strong>of</strong> theincarnation) have their roots in just such pressingsocial concerns. Christians were further urged toponder the relationship <strong>of</strong> the body to theology, bythe experience <strong>of</strong> sporadic persecution launchedagainst them initially by pagans, but afterConstantine, increasingly by other groups <strong>of</strong> Christians.This course will examine a selection <strong>of</strong> intriguingtexts stemming from the experience <strong>of</strong>martyrdom <strong>and</strong> monasticism. We will begin withthe earliest portrait <strong>of</strong> Christians left to us, namelythat found in the New Testament, <strong>and</strong> will endwith the Reformation period, which not only saw areassessment <strong>of</strong> the goals <strong>and</strong> goodness <strong>of</strong> the monasticlife but also a resurgence <strong>of</strong> persecution. Tw<strong>of</strong>urther <strong>and</strong> related concerns will also shape thiscourse, namely, the uncovering <strong>of</strong> the contours <strong>of</strong>“ordinary” Christian life in these periods, <strong>and</strong> agrowing appreciation <strong>of</strong> how Christian women,whose stories have <strong>of</strong>ten been eclipsed in surveysdevoted to intellectual or doctrinal history, haveshaped Christian tradition through their asceticpractices, <strong>and</strong> have been in turn shaped by them.Our perspective will be that <strong>of</strong> social historians.459. Love <strong>and</strong> Sex in the Christian Tradition(3-0-3) PorterChristian reflections on sexuality comprise one <strong>of</strong>the richest yet most controversial aspects <strong>of</strong> theChristian moral tradition. In this course, we willexamine Christian sexual ethics from a variety <strong>of</strong>perspectives through a study <strong>of</strong> historical <strong>and</strong> contemporarywritings. Topics to be considered includeChristian perspectives on marriage <strong>and</strong>family, the ethics <strong>of</strong> sex within <strong>and</strong> outside <strong>of</strong> marriage,contraception, divorce <strong>and</strong> remarriage, <strong>and</strong>homosexuality. Course requirements will includefour or five short papers <strong>and</strong> a final examination.460. Joint Seminar in Philosophy <strong>and</strong> Theology:Aquinas <strong>and</strong> Scotus on God(3-0-3) Wawrykow469. After the Abyss: Christian <strong>and</strong> JewishTheology after the Holocaust(3-0-3) SignerAt the close <strong>of</strong> the 20th century, Jews <strong>and</strong> Christianshave become aware that the Nazi Holocaustpresented significant challenges to their traditionaltheologies. For many Jews the problem arises fromthe question “How could God have permitted themurder <strong>of</strong> innocent children?” Many Christians,Catholic <strong>and</strong> Protestant, have raised different issues:“How could Christianity have given up itsmoral authority to the State <strong>and</strong> remained silent;what beliefs within the Christian tradition mayhave contributed to the contempt <strong>of</strong> Jews <strong>and</strong>Judaism?” Both communities have produced newexplorations <strong>of</strong> the role <strong>of</strong> God in human history.In our course we will read both Jewish <strong>and</strong> Christiantheologians. Jewish theologians such as MartinBuber, Arthur Cohen, Emil Fackenheim, EmanuelRackman <strong>and</strong> Irving Greenberg will be read alongwith some <strong>of</strong> the writings <strong>of</strong> more traditional Jewishtheologians. From the Christian perspective wewill read from the writings <strong>of</strong> Johann B. Metz,Jurgen Moltmann, Karl Barth, David Tracy <strong>and</strong>Paul van Buren.471. The Development <strong>of</strong> Latino Christianity inthe USA(3-0-3) ElizondoThe development <strong>of</strong> religion in the great “frontera”between Nordic America <strong>and</strong> Latin America, whichis in the southwest <strong>of</strong> the USA.


221THEOLOGY SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMS474. Islam <strong>and</strong> Muslim-Christian Dialogue(3-0-3) MalkovskyThis course has a tw<strong>of</strong>old aim. It not only providesan introduction to the world <strong>of</strong> Islam but also attemptsa comparison <strong>and</strong> evaluation <strong>of</strong> Islamic <strong>and</strong>Christian theological themes from both a systematic<strong>and</strong> historical perspective. Topics such as thenature <strong>of</strong> God <strong>and</strong> the process <strong>and</strong> content <strong>of</strong> divinerevelation; the person <strong>and</strong> function <strong>of</strong>Muhammad <strong>and</strong> Jesus as exemplars <strong>of</strong> faith; therole <strong>and</strong> nature <strong>of</strong> sacred scripture <strong>and</strong> tradition;the place <strong>and</strong> nature <strong>of</strong> piety <strong>and</strong> practice in everydaylife; the way that each religion sees itself in relationto other faiths; changes that each traditionhas undergone in the modern period: these <strong>and</strong>other topics will be treated with the intention <strong>of</strong>deeper underst<strong>and</strong>ing <strong>and</strong> appreciation <strong>of</strong> theother. Requirements: oral presentations, short analyticalpapers, one research paper.479. Hindu-Christian Interaction(3-0-3) MalkovskyThis course will provide a survey <strong>of</strong> the mainevents, human figures <strong>and</strong> theological modelswhich have characterized Hindu-Christian interaction,especially since the beginning <strong>of</strong> the nineteenthcentury, a period which marks aturning-point in Hinduism’s underst<strong>and</strong>ing <strong>of</strong> itself.We shall attempt to determine how each <strong>of</strong> thetwo religions has undergone transformation in itstheology <strong>and</strong> spirituality, either through the enrichmentor through the challenge which the other traditionhas presented. Theologically we shallexamine such issues as revelation <strong>and</strong> history, divinegrace <strong>and</strong> human freedom, personhood <strong>of</strong> theDeity, Hindu <strong>and</strong> Christian views <strong>of</strong> Christ, theistic<strong>and</strong> non-dualistic metaphysics.497. Directed Readings(3-0-3) WawrykowPrerequisites: Senior st<strong>and</strong>ing, dean’s list average,written consent <strong>of</strong> instructor.The following courses are <strong>of</strong>fered as transfercredit courses at Purdue <strong>University</strong>:171P. Introduction to Biblical Theology(3-0-3) Ryba173P. Theological Reflections(3-0-3) Ryba176P. Dynamics <strong>of</strong> Christian Freedom(3-0-3) Ryba476P. Advanced Theological Interpretations(3-0-3) Ryba497P. Directed Readings(3-0-3) RybaSupplementaryMajors, Minors, <strong>and</strong>Special ProgramsAs indicated above, a supplementary major is onethat cannot st<strong>and</strong> alone in qualifying a student foran undergraduate degree but must be taken in conjunctionwith a primary major. Several departments<strong>of</strong>fer both majors <strong>and</strong> supplementary majors. Theyhave been described above. Included below are interdisciplinarynon-departmental supplementarymajors <strong>and</strong> minors.AFRICAN AND AFRICAN AMERICANSTUDIES SUPPLEMENTARYMAJOR AND MINORDirector:Hugh R. Page Jr.Associate Pr<strong>of</strong>essor, Department<strong>of</strong> TheologyAdvisory Committee:Cyriana E. Johnson-RoullierAssociate Pr<strong>of</strong>essor, Department <strong>of</strong> EnglishRichard B. Pierce IIAssistant Pr<strong>of</strong>essor, Department <strong>of</strong> HistoryGina V. ShropshireAssistant Pr<strong>of</strong>essional Specialist, Mendoza<strong>College</strong> <strong>of</strong> BusinessFabian E. UdohAssistant Pr<strong>of</strong>essor, Program <strong>of</strong> LiberalStudiesProgram <strong>of</strong> Studies. The African <strong>and</strong> AfricanAmerican Studies Program (AFAM) is dedicated tothe interdisciplinary study <strong>of</strong> the peoples <strong>of</strong> Africa<strong>and</strong> the African Diaspora. Its pedagogical commitmentis tw<strong>of</strong>old: (1) to create a disciplined <strong>and</strong> rigorousintellectual environment within which thestudy <strong>of</strong> the histories, literatures, languages, <strong>and</strong>cultures <strong>of</strong> African <strong>and</strong> Afrodiasporan peoples cantake place; <strong>and</strong> (2) to foster an appreciation <strong>of</strong> therichness, diversity, <strong>and</strong> complexity <strong>of</strong> the African-American experience—particularly when it isviewed within both national <strong>and</strong> global contexts.Critical inquiry <strong>and</strong> service learning are essentialcomponents <strong>of</strong> the AFAM Program It seeks to createopportunities for dialogue, reflection, <strong>and</strong> socialengagement within <strong>and</strong> beyond the classroom. TheAFAM Program <strong>of</strong>fers <strong>Notre</strong> <strong>Dame</strong> undergraduatesthe option <strong>of</strong> electing a Supplementary Major (24credit hours <strong>of</strong> required coursework) or InterdisciplinaryMinor (15 credit hours <strong>of</strong> requiredcoursework, with a sub-specialty in Literature, History,or Social Science). Students selecting eitheroption receive thorough grounding in the analyticalmethods employed by scholars in the field as wellas exposure to essential sources <strong>and</strong> critical issues. A“capstone” experience consisting <strong>of</strong> a Senior Projector Thesis rounds out the curriculum for theSupplementary Major.Upon completion <strong>of</strong> all requirements, studentswill have received both a solid introduction to thediscipline <strong>of</strong> African <strong>and</strong> African-American Studies<strong>and</strong> an appreciation <strong>of</strong> how it interfaces with otherareas in the Humanities, Social Sciences, <strong>and</strong> TheologicalDisciplines.Supplementary MajorThe AFAM Supplementary Major requires completion<strong>of</strong> one designated literature course (3 credithours), the two course sequence in African-AmericanHistory (6 credit hours), one stipulated SocialScience course (3 credit hours), <strong>and</strong> the SeniorProject or Senior Thesis (3 credit hours). Three additionalAFAM elective courses in Literature, History,or Social Science can be selected (9 credithours) to complete the 24 credit hour requirement.LiteratureMajors must take one <strong>of</strong> the following courses.AFAM 384a: Afro-American Literature I1746-1900AFAM 384b: Afro-American Literature II1900-1940AFAM 384c: Afro-American Literature1940-presentAFAM 384e: AFAM Literature<strong>and</strong> Contemporary IssuesThe following courses are considered AFAMLiterature electives.AFAM 324: Harlem RenaissanceAFAM 419C: African-American Poetry <strong>and</strong>PoeticsAFAM 379a: African LiteratureAFAM 413: Art/Politics Richard WrightAFAM 470b: Joyce <strong>and</strong> BaldwinAFAM 479a: Modern African LiteratureAFAM 494b: Writing WhitenessAFAM 494e: Slavery Era Afro-AmericanLiteratureAFAM 591 (grads only): Politics <strong>and</strong> Literaturein Francophone Sub-SaharanAfricaHistoryMajors are required to complete the two-coursesequence in African American History.AFAM 270:AFAM 371:AFAM 372:Civil Rights MovementSurvey <strong>of</strong> African-AmericanHistory ISurvey <strong>of</strong> African-AmericanHistory II


222SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMSThe following courses are AFAM Historyelectives.AFAM 321: Making <strong>of</strong> Multicultural AmericaAFAM 328: Famine in Africa/Irel<strong>and</strong>/IndiaAFAM 380: U.S. Labor HistoryAFAM 444: African History Since 1800AFAM 453: The New NationAFAM 454: Era <strong>of</strong> U.S. Civil War 1846-1877Social ScienceAFAM majors are required to take thefollowing Social Science course.AFAM 372a:The Archaeology <strong>of</strong> AfricaThe following courses are AFAM Social Scienceelectives.AFAM 215: Education, Multiculturalism,<strong>and</strong> DemocracyAFAM 221: Introduction to JazzAFAM 232: Social ProblemsAFAM 302: American Social Experience:Traditions <strong>of</strong> ProtestAFAM 306: Homefronts During WarAFAM 311: Race/Ethnicity <strong>and</strong> AmericanPoliticsAFAM 319: Sociology <strong>of</strong> SportAFAM 322: Black Music, World MarketAFAM 329: Fundamentals <strong>of</strong> HumanEvolutionAFAM 332: CriminologyAFAM 336: Human DiversityAFAM 336s: Poverty, Inequality, <strong>and</strong>EducationAFAM 338: Poverty/Inequality/SocialStrategyAFAM 352: Politics <strong>of</strong> Southern AfricaAFAM 359: Peoples <strong>of</strong> AfricaAFAM 401: Immigration, Ethnicity, Racein the U.S.AFAM 425: Ethnicity in AmericaAFAM 428: Race, Gender, <strong>and</strong> Women<strong>of</strong> Color in American CultureAFAM 432: Blues in American CultureAFAM 457: American Culture <strong>and</strong> SubcultureAFAM 444: Anthropology <strong>of</strong> CitiesAFAM 464: Children/Families in ConflictAFAM 473: Christianity in AfricaAFAM 478: Stereotyping: Social PsychologyInterdisciplinary MinorThe AFAM minor <strong>of</strong>fers students an opportunityto focus on one <strong>of</strong> three areas: Literature, History,or Social Science. Minors must take one <strong>of</strong> the followingfour AFAM Literature courses (3 credithours).AFAM 384a: Afro-American Literature I:1746-1900AFAM 384b: Afro-American Literature II:1900-1940AFAM 384c: Afro-American Literature,1940-presentAFAM 384e: Afro-American Literature<strong>and</strong> Contemporary IssuesMinors must also take one <strong>of</strong> the following twoHistory courses (3 credit hours):AFAM 371:AFAM 372:Survey <strong>of</strong> African-AmericanHistory ISurvey <strong>of</strong> African-AmericanHistory IIMinors will choose one <strong>of</strong> the following three areas<strong>of</strong> specialization: Literature, History or Social Science.The remaining three courses (9 credit hours)will be in the area chosen.LiteratureThe following are AFAM Literature electives forthe minor.AFAM 324: Harlem RenaissanceAFAM 479a: African LiteratureAFAM 413: Art/Politics <strong>of</strong> Richard WrightAFAM 419C: African-American Poetry <strong>and</strong>PoeticsAFAM 470b: Joyce <strong>and</strong> BaldwinAFAM 479a: Modern African LiteratureAFAM 487: African <strong>and</strong> Caribbean WomanWritersAFAM 494b: Writing WhitenessAFAM 494e: Slavery Era <strong>of</strong> African AmericanLiteratureAFAM 591 (by special permission): Politics<strong>and</strong> Literature in FrancophoneSub-Saharan AfricaHistoryIn addition to the two required classes, any <strong>of</strong> thefollowing History courses may be taken as AFAMelectives.AFAM 270: Civil Rights MovementAFAM 312: Slavery in AntiquityAFAM 321: Making <strong>of</strong> Multicultural AmericaAFAM 328: Famine in Africa/Irel<strong>and</strong>/IndiaAFAM 369: Jacksonian AmericaAFAM 380: U.S. Labor HistoryAFAM 444: African History Since 1800AFAM 453: The New NationAFAM 454: Era <strong>of</strong> U.S. Civil War 1846-1877Social ScienceThe following are considered AFAM Social Scienceelectives.AFAM 221: Introduction to JazzAFAM 302: American Social Experience:Traditions <strong>of</strong> ProtestAFAM 306: Homefronts During WarAFAM 311: Race/Ethnicity <strong>and</strong> AmericanPoliticsAFAM 322: Black Music, World MarketAFAM 329: Fundamentals <strong>of</strong> HumanEvolutionAFAM 336: Human DiversityAFAM 352: Politics <strong>of</strong> Southern AfricaAFAM 359: Peoples <strong>of</strong> AfricaAFAM 372a: The Archaeology <strong>of</strong> AfricaAFAM 401: Immigration, Ethnicity, Racein the U.S.AFAM 425:AFAM 428:AFAM 432:AFAM 473:Ethnicity in AmericaRace, Gender, <strong>and</strong> Women<strong>of</strong> Color in American CultureBlues in American CultureChristianity in AfricaSenior ProjectThe Senior Project (or Senior Thesis) is thecapstone <strong>of</strong> the AFAM Supplementary Major. Itprovides seniors with an opportunity to reflectupon the larger implications <strong>of</strong> their coursework<strong>and</strong>, should they desire, to incorporate a servicelearning component. A written proposal describingthe intended project or thesis must be submitted tothe AFAM director for formal approval. If accepted,the student will be assigned a thesis director.A written summation <strong>of</strong> the project (or finalversion <strong>of</strong> the thesis) is due at the end <strong>of</strong> the term.An oral presentation must also be made to the director<strong>and</strong> Advisory Committee during the week <strong>of</strong>final examinations.GENDER STUDIES SUPPLEMENTARYMAJOR AND MINORDirector:Kathleen PyneAssistant Director:Sophie WhiteAdministrative Assistant:Tori DaviesObjectives. See page 229.The Supplementary Major seeks not only to <strong>of</strong>ferstudents additional knowledge about gender butalso to shape their overall orientation toward learning.Through advanced coursework on gender, studentsgain the ability to negotiate traditionaldisciplinary boundaries <strong>and</strong> to attain a deeper underst<strong>and</strong>ing<strong>of</strong> the issues <strong>of</strong> central concern to allwho study <strong>and</strong> work in the field <strong>of</strong> gender studies.Further, this habit <strong>of</strong> mind has a transformativeimpact on the entirety <strong>of</strong> academic life, makingstudents more creative as they undertake work intheir primary major <strong>and</strong> in other areas <strong>of</strong> the<strong>University</strong>.Students who undertake the additional coursework<strong>of</strong> the Supplementary Major in Gender Studiesgain a firm grounding in this rapidly developingfield, which serves to make them attractive c<strong>and</strong>idatesto graduate programs <strong>and</strong> helps ensure theirsuccess should they choose to engage gender issuesat an advanced academic level. Students who planto enter the work force immediately after graduationwill also benefit from the Supplementary Majorin Gender Studies. As the demographics <strong>of</strong> theworkforce have changed, a host <strong>of</strong> gender issueshave emerged that are <strong>of</strong> pressing concern. The increasedability to think critically about gender willprepare students to engage these issues responsibly,making them valuable <strong>and</strong> productive in their futurecareers.


223SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMSRequirements. Supplementary majors in genderstudies must choose a faculty advisor. With theiradvisor, they draft a rationale for their second major<strong>and</strong> propose a general course plan. The GenderStudies Curriculum Committee reviews <strong>and</strong> givesfinal approval to this prospectus. The faculty advisorwill meet with the student regularly to adviseabout course selection.Course Requirements: Students in the SupplementaryMajor are required to complete 24 credithours distributed as follows: GSC 101/201: Introductionto Gender Studies (three credits) — acourse that is team-taught by members <strong>of</strong> the GenderStudies faculty <strong>and</strong> that maintains acrossdisciplinary approach; one three-credit criticalmethods course — a 300- or 400-level coursewhose chief focus is on theory <strong>and</strong> critical methodsin the study <strong>of</strong> gender; one course that links questions<strong>of</strong> gender to issues <strong>of</strong> cultural diversity, suchas race or class differences; GSC 495: Gender StudiesPracticum (three credits) — a course that allowsseniors to pursue independent research projects aswell as experiential work on gender issues; fourelective courses in Gender Studies (12 credits). Atleast one elective course must be in the humanities<strong>and</strong> at least one must be in the social sciences.Courses: See page 229.ARTS AND LETTERS/SCIENCEHONORS PROGRAMIn the fall semester <strong>of</strong> 1983, the <strong>University</strong> inauguratedan honors program for a small number <strong>of</strong>outst<strong>and</strong>ing students in the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong><strong>Letters</strong> <strong>and</strong> the <strong>College</strong> <strong>of</strong> Science. A limited number<strong>of</strong> students with academic intents for each collegeare identified for this program at the time <strong>of</strong>admission. Although selection criteria include thepromise <strong>of</strong> outst<strong>and</strong>ing academic performance asdemonstrated by st<strong>and</strong>ardized test scores <strong>and</strong> highschool performance, the program is looking formore than mere academic ability. It hopes to identifystudents with a deep intellectual curiosity.The program <strong>of</strong>fers honors sections to fulfillmost <strong>of</strong> the <strong>University</strong> <strong>and</strong> college requirements inthe students’ freshman <strong>and</strong> sophomore years. Atpresent, there are honors sections <strong>of</strong> theology(THEO 201) <strong>and</strong> philosophy (PHIL 195I), thetwo-semester honors seminar (satisfying the writingrequirement — usually accomplished through English109 — in the fall semester, <strong>and</strong> the literaturerequirement during the spring), chemistry, physics,mathematics, a social science, <strong>and</strong> literature. Sincethese courses are restricted to honors students, theyare smaller than non-honors sections <strong>and</strong> are usuallytaught in a seminar format. The teachers forhonors sections are chosen from the most outst<strong>and</strong>ingteachers in each college. After the sophomoreyear, students’ academic work will be mainly centeredin their major field <strong>of</strong> study, but two honorselectives are also taken during these years. There isalso an Honors Seminar in the fall <strong>of</strong> the senioryear to bring the honors students from diverse majorsback together for some topical discussions. Allhonors students will also be expected to complete aspecial six-hour senior research honors project intheir major field <strong>of</strong> study. In science, this is the culmination<strong>of</strong> a research project that is begun earlier,<strong>and</strong> in arts <strong>and</strong> letters, it is a two-semester projectculminating in a thesis. Those writing senior theseswork individually under the direction <strong>of</strong> a facultyadvisor <strong>of</strong> their choosing in their major field.Funds are available for research projects duringsummers either at <strong>Notre</strong> <strong>Dame</strong> or other universities.In addition to the more narrowly academicfeatures <strong>of</strong> the honors program, students will be<strong>of</strong>fered various opportunities for broadening personal,cultural <strong>and</strong> spiritual growth. Regular colloquia,informal discussions <strong>and</strong> cultural excursionsare available.Further information on the structure <strong>and</strong> content<strong>of</strong> the honors program or on the criteria foradmission may be obtained by contacting Pr<strong>of</strong>.Alex Hahn or Pr<strong>of</strong>. Cornelius Delaney, 210O’Shaughnessy Hall, <strong>Notre</strong> <strong>Dame</strong>, IN 46556,(574) 631-5398.ARTS AND LETTERSPREPROFESSIONAL STUDIESAdvisor:Jennifer Ely NemecekAssistant dean<strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>Program <strong>of</strong> Studies. <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Prepr<strong>of</strong>essionalProgram students are required to complete anarts <strong>and</strong> letters primary major in addition to theprepr<strong>of</strong>essional supplementary major. The ALPPprogram provides students who intend to pursue acareer in health science with an opportunity tocomplete a major in the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>while building a firm foundation in the basics <strong>of</strong>science. Most students elect the ALPP program becausethey wish to go on to medical or dentalschool; however, there are students who intend topursue other health-related careers or simply preferthe integration <strong>of</strong> science classes into the arts <strong>and</strong>letters curriculum. Medical schools encourage prospectiveapplicants to seek a broad, liberal education,which enables them to develop skills that willbe useful throughout life. The ALPP program providesstudents with all <strong>of</strong> the necessary prerequisitesto prepare for the Medical or Dental <strong>College</strong>Admissions Test.Since the Medical/Dental <strong>College</strong> AdmissionsTests are ordinarily taken in the spring semester <strong>of</strong>the junior year, students should have completed thefollowing courses by that time: MATH 119-120,BIOS 201/L-202/L, CHEM 117/L-118/L, CHEM223/L-224/L <strong>and</strong> PHYS 221/L-222/L. Studentsmust also take three upper-level natural scienceelectives (nine credits) to complete the ALPP program.The following electives are recommended toprovide the student with the background necessaryfor admission to most medical <strong>and</strong> dental schools:Genetics (BIOS 303), Biochemistry (CHEM 420),Physiology (BIOS 344 or BIOS 421), Cell Biology(BIOS 341), or Microbiology (BIOS 401). Biochemistry(CHEM 420) <strong>and</strong> Physiology (BIOS344 or BIOS 421) are strongly recommended.All curricular advising in reference to the ALPPmajor is conducted by the ALPP advisor in 101O’Shaughnessy. Advising in reference to the applicationprocess to medical <strong>and</strong> dental schools in thespring <strong>of</strong> the junior year is conducted by the scienceprepr<strong>of</strong>essional chair in 329 Nieuwl<strong>and</strong> ScienceHall. All ALPP juniors are invited to ameeting in January <strong>of</strong> their junior year to introducethem to the medical/dental school application process.All ALPP supplementary majors are added toa listserve to announce upcoming meetings, seminars,summer internship opportunities <strong>and</strong> informationon other health-related careers.The sequencing <strong>of</strong> courses taken throughoutthe sophomore, junior <strong>and</strong> senior years is workedout by the student in consultation with the ALPPadvisor <strong>and</strong> the student’s departmental advisor sothat the best schedule for each individual is arranged.One possible sequence is the following.The Program <strong>of</strong> CoursesFirst YearFirst SemesterFYC 110: Composition 3MATH 119: Calculus A 4CHEM 117: General Chemistry I 4Foreign Language 3First Philosophy/First Theology 3Physical Education -—17Second Semester<strong>University</strong> Seminar 180 3MATH 120: Calculus B 4CHEM 118: General Chemistry II 4Foreign Language 3History/Social Science 3Physical Education -—17


224SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMSSophomore YearFirst SemesterCORE 211: Ideas, Values <strong>and</strong> Images 3BIOS 201/L: General Biology A 4CHEM 223/L: Elementary Organic Chemistry I 4Foreign Language 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major or Elective 3—17Second SemesterCORE 212: Ideas, Values <strong>and</strong> Images 3BIOS 202/L: General Biology B 4CHEM 224/L: Elementary Organic Chemistry II 4First Theology/First Philosophy 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major or Elective 3—17Junior YearFirst SemesterPHYS 221: Physics I 4Science Elective 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Social Science/History 3—16Second SemesterPHYS 222: Physics II 4Science Elective 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Literature 3—16Senior YearFirst SemesterScience Elective 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Second Theology/Second Philosophy(Medical Ethics) 3History 3—15Second Semester<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Second Philosophy/Second Theology 3Fine Art 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major or Elective 3—15COMPUTER APPLICATIONSPROGRAMDirector:Charles R. CrowellAssociate Director:Margaret B. WanAssistant Director <strong>and</strong> Director <strong>of</strong> Advising:Louis J. BerzaiFaculty:Sheri A. Alpert; Bruce C. Auerbach; Robert N.Barger; Kevin Barry; Paul Berrettini; Louis J.Berzai; Charles R. Crowell; Donald K. IrmigerIII; C. Lincoln Johnson; Thomas C. Laughner;Lawrence C. Marsh; Patrick Miller; PhilipMirowski; Raymond G. Sepeta; John F.Sherman; Jeff Sucec; Johanes Suhardjo; JohnC. Treacy; Margaret B. WanProgram <strong>of</strong> Studies. Computer Applications(CAPP) teaches the skills necessary to function inthe uses <strong>of</strong> information technology. Its goal is tocombine the diverse background <strong>of</strong> arts <strong>and</strong> letterswith computer skills in a way that applies to a fullrealm <strong>of</strong> occupations <strong>and</strong> business fields. CAPP <strong>of</strong>fersfirsth<strong>and</strong> experience on applying classroomknowledge to actual business applications <strong>and</strong> focuseson a conceptual underst<strong>and</strong>ing <strong>of</strong> how to approachtasks using computer technology. Designedwith the arts <strong>and</strong> letters student in mind, CAPP is across-disciplinary sequence <strong>of</strong> courses that providesstudents with employment opportunities, computerlanguage experience, application experience in areas<strong>of</strong> choice <strong>and</strong> familiarity with state-<strong>of</strong>-the-arttechnology.CAPP strives to demonstrate the relationshipbetween computer technology <strong>and</strong> problem-solving<strong>and</strong> illustrate the value <strong>of</strong> computers in traditionalareas <strong>of</strong> concern <strong>and</strong> interest.With CAPP available only as a supplementarymajor, students must have a traditional field <strong>of</strong>study within the college. As its title implies, CAPPstresses the application <strong>of</strong> technology to organizational,institutional <strong>and</strong> interpersonal issues <strong>and</strong>problems. CAPP aims at giving students an underst<strong>and</strong>ing<strong>of</strong> how technology can be applied to diverseareas <strong>of</strong> life by giving them experience inapplying contemporary technology to problemsolving.The actual courses <strong>of</strong>fered vary from year toyear, but the structure <strong>of</strong> the program can be outlinedas follows:HoursI. Computer Ethics 3II. Language courses(C++, JAVA, etc.) 6III. Statistics 3IV. Applications(Client/Server, Systems Design, etc.) 12Computer Applications ProgramCourse Descriptions243. Introduction to Computer Systems(3-0-3)As an introduction to Information Processing, thisis a literacy course which explains computer systemsincluding hardware, s<strong>of</strong>tware, systems analysis<strong>and</strong> other related topics. The class learns somecomputer programming, logic, design <strong>and</strong> documentationusing the BASIC language. The studentsalso work on teams to learn some phase <strong>of</strong> the ISenvironment, learn multimedia s<strong>of</strong>tware <strong>and</strong> makepresentations to the class.303. Statistics for the Pr<strong>of</strong>essions (SOC)(3-0-3)This course is designed to teach students how to interpret<strong>and</strong> critically evaluate statistics. Social sciencesas well as many areas <strong>of</strong> business use statisticsto describe, project <strong>and</strong> evaluate data. The focus ison a conceptual underst<strong>and</strong>ing <strong>of</strong> the purpose <strong>of</strong>statistics, how to interpret them <strong>and</strong> what assumptionscan be drawn from them. Students will workwith one <strong>of</strong> a number <strong>of</strong> statistical s<strong>of</strong>tware packages,usually SPSS.304. Statistics for Economics (ECON)(3-0-3)The main objective <strong>of</strong> this course is to give you aworking knowledge <strong>of</strong> statistics. This knowledgeincludes the ability to recognize which statisticaltechnique or test applies in a given situation, howto perform the test, <strong>and</strong> how to draw the correctconclusions. What appear to the uninformed to beformulas are actually meaningful <strong>and</strong> importanttransformations. These transformations when properlyunderstood do not require memorization butare remembered <strong>and</strong> expressed easily once theirpurpose <strong>and</strong> significance is fully understood.308. Quantitative Political Research (POLS)(3-0-3)Students will learn to underst<strong>and</strong> statistical techniquesused in political science <strong>and</strong> acquire theskills to interpret the results. Mastery <strong>of</strong> these techniquesis essential for underst<strong>and</strong>ing research onpublic opinion <strong>and</strong> voting behavior, electoral studies,comparative <strong>and</strong> international politicaleconomy, <strong>and</strong> many other topics. For each selectedtopic, students will read works on the key issues<strong>and</strong> debates <strong>and</strong> create their own spreadsheet programsto execute analyses. They will download <strong>and</strong>clean datasets used in the published research, replicateanalyses from these readings, <strong>and</strong> write shortpapers evaluating the research.315. Management Information Systems(3-0-3)Students are introduced to leadership <strong>and</strong> managementskills in the information processing environment.Discussions on why <strong>and</strong> how managementmakes decisions are an important part <strong>of</strong> thecourse, as are discussions <strong>of</strong> current problems <strong>of</strong>management in the business world related to computerapplications.


225SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMS316. Systems Analysis <strong>and</strong> Design(3-0-3)Administered in two major segments, this coursefirst exposes students to the full scope <strong>of</strong> analyzing<strong>and</strong> designing computer systems by covering problemdefinition, data collection, documentation <strong>of</strong>existing systems <strong>and</strong> definition <strong>of</strong> new systems requirements.We use the methodology <strong>of</strong> SystemsDevelopment Life Cycle (SDLC). The second segmentdeals first with students working on genuinebusiness projects. A part <strong>of</strong> this segment gets intoobject-oriented systems analysis, which is a newconcept in systems analysis <strong>and</strong> design.338. Democracy in the Age <strong>of</strong> the Web (POLS)(3-0-3)This course focuses on the Internet’s potentiallyparadoxical impact on liberal democracy. We willconsider both the positive contributions theInternet revolution may have upon our system <strong>of</strong>government <strong>and</strong> its possibly negative implications.Topics to be considered include the contendingtheory’s <strong>of</strong> the Net’s impact, the digital divide, therole <strong>of</strong> the state in cyberspace, the rise <strong>of</strong> the Netcommunities <strong>and</strong> new forms <strong>of</strong> social mobilization,authoritarianism in an age <strong>of</strong> virtual transparency,<strong>and</strong> various utopian <strong>and</strong> dystopian images <strong>of</strong> Webbasedcultures.365. Introduction to C++(3-0-3)Although many <strong>of</strong> today’s information systems aresupported by COBOL programs, new developmenthas migrated to object-oriented C++. If studentsmajoring in Information Systems are to be competitivewhen they graduate, they need some competenceworking with the object-oriented paradigm<strong>and</strong>, in particular, C++.367. Introduction to Java Programming(3-0-3)Mostly known as a language <strong>of</strong> the World WideWeb, Java is also a versatile, object-oriented, general-purposeprogramming language. In only sixyears, with its “Write Once, Run Anywhere” feature,Java has earned its place as the most-used programminglanguage. This course introduces Java asa general-purpose programming language, withWorld Wide Web applet examples. The approachwill be h<strong>and</strong>s-on, with the class conducted in acomputer lab.385. Artificial Intelligence(3-0-3)Artificial intelligence is the effort to create humanintelligence in machines (computers). In thisendeavor, we come to better underst<strong>and</strong> the nature<strong>of</strong> intelligence. Along the way, we discover clever<strong>and</strong> ingenious solutions via computer science. Wewill consider various positions on AI ranging fromstrong support to total opposition. Topics coveredare the history <strong>of</strong> AI, the Turing Test, the ChineseRoom, state spaces <strong>and</strong> search, heuristics, games,knowledge representations <strong>and</strong> reasoning, expertsystems, planning, neural networks, <strong>and</strong> programevolution.The course procceds through a progression<strong>of</strong> artificial intelligence systems or “agents” thatreact to their environment with increasingsophistication.386. Chinese Pop Songs: Global/Local (LLEA)(3-0-3)This course explores pop songs since the 1980sfrom China, Taiwan, <strong>and</strong> Hong Kong to examinevarious ways Chinese construct images <strong>of</strong> the self.As a means <strong>of</strong> analyzing the material <strong>and</strong> expressingtheir own viewpoint, each student will build a series<strong>of</strong> media-rich Web pages including clips fromthe pop songs introduced. Students will becomepr<strong>of</strong>icient with Web authoring programs <strong>and</strong>streaming audio applications such as SoundForge.389. Visual Basic(3-0-3)Prerequisite: CAPP 243.The course will investigate object-oriented dataprocessing concepts using Micros<strong>of</strong>t’s Visual BasicProgramming Language. Terminology <strong>and</strong> techniquewill be combined to explore the object-orientedparadigm. Object-oriented will be comparedto traditional procedural paradigms whereverappropriate.391. E-Commerce(3-0-3)Electronic commerce is a system that includes notonly those transactions that center on buying <strong>and</strong>selling goods <strong>and</strong> services to directly generate revenuebut also transactions that support revenuegeneration, such as generating dem<strong>and</strong> for thosegoods <strong>and</strong> services, <strong>of</strong>fering sales support <strong>and</strong> customerservice, or facilitating communications betweenbusiness partners. Electronic commercebuilds on the advantages <strong>and</strong> structures <strong>of</strong> traditionalcommerce by adding the flexibility <strong>of</strong>feredby electronic networks.395. Applied Multimedia Technology(3-0-3)Students learn to use several multimedia s<strong>of</strong>twarepackages, such as Director, Toolbook, Power Point<strong>and</strong> Persuasion. These, along with other forms <strong>of</strong>multimedia technology, can assist you with classprojects, working with faculty <strong>and</strong> preparing presentations<strong>of</strong>tware.400. Advanced Multimedia(3-0-3)The Advanced Multimedia course will be usingMacromedia Director to explore the development<strong>of</strong> Multimedia applications using an object-orientedapproach. In addition to the object-orientedapproach to development <strong>of</strong> complex projects, wewill learn how to use net lingo <strong>and</strong> exploit the ability<strong>of</strong> director objects to communicate with one anotheracross networks. Acquisition <strong>of</strong> media to beused in the creation <strong>of</strong> projects by digitizing <strong>and</strong>editing still images, audio, <strong>and</strong> video will be part <strong>of</strong>the course, <strong>and</strong> we will explore some advancedtechniques in video editing.405. Foundations <strong>of</strong> Business Thinking(3-0-3)This course is designed to provide an integratedunderst<strong>and</strong>ing <strong>of</strong> the foundational business disciplines<strong>of</strong> accounting, finance, marketing, <strong>and</strong> management,especially for CAPP majors planning acareer in business. Fundamental leadership <strong>and</strong>consulting skills will also be addressed. Case analysis,coupled with a highly interactive format, will beemployed to ensure practical exposure to today’sbusiness environment. Primary areas <strong>of</strong> focus willaddress the critical elements for success in the corporateenvironment, the knowledge <strong>and</strong> preparationnecessary to facilitate your interviewingprocess, <strong>and</strong> the business fundamentals for thosewith entrepreneurial aspirations.413. The Computer as an Economic <strong>and</strong> SocialPhenomenon (ECON)(3-0-3)This course attempts an overview <strong>of</strong> the computeras a social phenomenon without committing to theviewpoint <strong>of</strong> a single discipline. We will survey theissue from historical, sociological, science-studies,<strong>and</strong> economic perspectives <strong>and</strong> will engage with developmentsfrom artificial intelligence to technologicalinnovations, legal controversies, <strong>and</strong>political questions about the relationship <strong>of</strong>cyberspace to democracy.457. Computer, Ethics, <strong>and</strong> Public Policy (STV)(3-0-3)The pr<strong>of</strong>ound impact computer technology has onsociety is difficult to overstate; it has changed thenature <strong>of</strong> our interactions in the social, economic<strong>and</strong> political realms <strong>and</strong> will continue to do so.These changes <strong>of</strong>ten raise important ethical questionsabout personal <strong>and</strong> pr<strong>of</strong>essional responsibility,intellectual property, personal privacy, crime,<strong>and</strong> security. They also raise questions about thechanging relationships between individuals <strong>and</strong> institutions(i.e., private sector corporations <strong>and</strong> publicsector agencies). This course examines thesetrends <strong>and</strong> changing relationships, <strong>and</strong> the ethicalissues that are faced by computer pr<strong>of</strong>essionals,policymakers, <strong>and</strong> computer users in trying tograpple with them.470. Ethics Practicum(0-0-1)This course is for students who have difficulty fittingthe 471 Computer Ethics or 475 CurrentTrends course into their schedules. This one-credithourself-directed readings course requires that studentsread material <strong>and</strong> write a 15-to-20-pagepaper dealing with an agreed-upon topic that dealswith ethics in technology use.471. Computer Ethics(3-0-3)Restriction: CAPP seniors only.The course concentrates on the theory <strong>and</strong> practice<strong>of</strong> computer ethics. To facilitate this study,students will first learn several UNIX utilities<strong>and</strong> such Internet applications as e-mail <strong>and</strong>listserv. Methodologies used in the course includein-class case analysis, in-class discussions, <strong>and</strong>examinations.


226SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMS475. Current Trends(3-0-3)Restriction: CAPP seniors only.This course involves discussions on new directions<strong>and</strong> developments in the information technologyenvironment. Discussion <strong>of</strong> management, computer,<strong>and</strong> social ethical issues are integral parts <strong>of</strong>the class.480. Computers in Psychological Research<strong>and</strong> Education (PSY)(3-0-3)CAPP 480, along with its counterpart in psychology(PSY 388), is a project-oriented class. It is notan introductory course on computer applications.Students need to already have (or learn during thesemester) the skills needed to complete whateverproject is defined. Generally, projects are applicationsor systems that fit into the broad spectrum <strong>of</strong>Pr<strong>of</strong>essor Crowell’s interests in organizational psychologyor learning <strong>and</strong> performance technology.Once a project is defined, students work on it overthe course <strong>of</strong> the semester, reporting to Pr<strong>of</strong>essorCrowell on a weekly basis. Since this is a threehourclass, students are expected to put in an effortequivalent to other three-hour courses. Planning<strong>and</strong> developing a functional application requires aconsiderable effort.481. World Wide Web Programming(3-0-3)Prerequisite: Knowledge <strong>of</strong> some programming language,i.e., EG 120, CAPP 331, CAPP 361, CAPP365, CAPP 389.This course covers several languages which are usedto construct sites on the World Wide Web. Theselanguages are: (1) HyperText Markup Language(HTML), a scripting language used to control theformat <strong>of</strong> Web pages; (2) JavaScript, an objectbasedscripting/processing language use to provideclient-side interactivity for Web pages; (3) Java, anobject-oriented compiled processing languagewhich can create applets which are platform-independent.482. Multimedia Design I (Art)(3-0-3)This advanced design course gives the studio or designmajor the opportunity to investigate digital interfacedesign. Topics include multimediaCD-ROM development with Macromind Director,basic user interface design considerations, <strong>and</strong> someInternet design. Skills with various graphicss<strong>of</strong>tware, such as Adobe Photoshop, are veryimportant.488. Introduction to Relational Databases usingOracle(3-0-3)This course provides the student a working knowledge<strong>of</strong> enterprise relational database systems <strong>and</strong>how they can be used in the development <strong>of</strong> applications.The course will utilize the Oracle enterpriserelational database, but the principles <strong>and</strong>skills learned in this course will apply to other relationaldatabase systems. The student will learn theterminology <strong>and</strong> fundamental concepts <strong>of</strong> relationaldatabase design <strong>and</strong> Structured Query Language(SQL) <strong>and</strong> develop a relational database foran application.489. Client/Server Technology(3-0-3)Client/Server Technology is a relatively new conceptthat promises to dramatically change the informationtechnology industry. Client/ServerTechnology is a paradigm or model for the interactionbetween concurrently executing s<strong>of</strong>twaresystems.490A. Special Project <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>(3-0-3)This course gives students an opportunity to applytheir information technology skills to create aproject in their first major. Students will work witha faculty member in their first major to design <strong>and</strong>develop a functional application (including, butnot limited to, a Web site, database, or CD-ROM).496. Internship(3-0-3)Restriction: CAPP seniors only.This encompasses working with various civic, public<strong>and</strong>/or private organizations using acquiredcomputer applications knowledge <strong>and</strong> skills. Creditis given only if work is done in the information systemsarea <strong>of</strong> an organization.498. Special Studies(V-0-V)Individually designed coursework between a student<strong>and</strong> the advisor in the Computer ApplicationsProgram. This course involves working on a projecteither involved in programming or working withmultimedia tools.DUAL DEGREE PROGRAMWITH THE COLLEGE OFENGINEERINGAdvisors:John J. Uhran Jr.Associate dean<strong>College</strong> <strong>of</strong> EngineeringAva PreacherAssistant dean<strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>Program <strong>of</strong> Studies. The dual degree five-yearprogram between the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong><strong>and</strong> the <strong>College</strong> <strong>of</strong> Engineering enables the studentto acquire degrees from both colleges — the bachelor<strong>of</strong> arts from the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong><strong>and</strong> the bachelor <strong>of</strong> science degree in a chosen programfrom the <strong>College</strong> <strong>of</strong> Engineering.This combination program, instituted in 1952,<strong>of</strong>fers students the advantages <strong>of</strong> both a liberal <strong>and</strong>a technical education. The student completing one<strong>of</strong> these combination programs has a backgroundin the humanities <strong>and</strong> social sciences as well as adegree from one <strong>of</strong> the programs <strong>of</strong>fered by the<strong>College</strong> <strong>of</strong> Engineering. Because it is a dem<strong>and</strong>ingprogram, only students who have both the aptitude<strong>and</strong> motivation necessary for the five-year programshould apply. Advisors are available for consultationwith students about the advisability <strong>of</strong> enteringthe program <strong>and</strong> meeting the needs <strong>of</strong> studentsalready pursuing this program. Qualified studentsare eligible to receive scholarship support from theJohn J. Reilly Endowed Scholarship Program duringtheir fifth year <strong>of</strong> study.The decision to enter the program ordinarilyshould be made in the First Year <strong>of</strong> Studies, althoughseveral students have entered the programat a later stage. There are three sets <strong>of</strong> requirementsthat must be met by the program: <strong>University</strong> requirements,arts <strong>and</strong> letters requirements, <strong>and</strong> requirements<strong>of</strong> the <strong>College</strong> <strong>of</strong> Engineering, as thefollowing table indicates.<strong>University</strong> Requirements Credit HoursPhilosophy 6Theology 6English Composition 3History 3Mathematics (MATH 125, 126) 8Natural Science (CHEM 117, 116) 7Social Science 3Fine <strong>Arts</strong>/Literature* 3<strong>University</strong> Seminar + (3)—39


227SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMS<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> RequirementsAL 211, 212 6Literature/Fine <strong>Arts</strong>* 3History/Social Science* 3Language** 6/9Major (minimum) 24—42/45Engineering RequirementsMATH 225, 228 7PHYS 131, 132 8EG 111, 112 6—21Engineering ProgramEngineering degree program(required courses <strong>and</strong> programor technical electives) 68/75Total 170/180Schematic Program <strong>of</strong> StudiesFirst SemesterENGL 110: Composition 3MATH 125: Calculus I 4CHEM 117: General Chemistry I 4EG 111: Introduction to Engineering Systems I 3History/Social Science 3Physical Education ———— 17Second Semester<strong>University</strong> Seminar + 3PHYS 131: General Physics I 4MATH 126: Calculus II 4CHEM 116: General Chemistry II 3EG 112: Introduction to Engineering Systems II 3Physical Education -—17Third SemesterTheology/Philosophy 3Modern Language 3PHYS 132: General Physics II 4MATH 225: Calculus III 3.5AL 211: Ideas, Values, Images 3Engineering Program† 3————— 19.5Fourth SemesterTheology/Philosophy 3AL 212: Ideals, Values <strong>and</strong> Images 3Engineering Program 3MATH 228: Introduction to Linear Algebra<strong>and</strong> Differential Equations 3.5Engineering Program 3Modern Language 3—18.5Fifth SemesterPhilosophy/Theology 3History/Social Science 3Engineering Program 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major‡ 3Engineering Program 3Engineering Program 3—18Sixth SemesterPhilosophy/Theology 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Engineering Program 3Engineering Program 3Engineering Program 3—18Seventh SemesterLiterature* 3History/Social Science 3Engineering Program 3Engineering Program 3Engineering Program 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3—18Eighth SemesterFine <strong>Arts</strong>* 3Engineering Program 3Engineering Program 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Engineering Program 3Engineering Program 3—18Ninth SemesterEngineering Program 3Engineering Program 3Engineering Program 3Engineering Program 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3—18Tenth SemesterEngineering Program 3Engineering Program 3Engineering Program 3<strong>Arts</strong> <strong>and</strong> <strong>Letters</strong> Major 3Engineering Program 3————— 15+The <strong>University</strong> Seminar may be selected from an appropriatehistory, social science, fine arts, or literaturecourse, or the first course in theology or philosophy.*The arts <strong>and</strong> letters student is required to completeone fine arts <strong>and</strong> one literature course, plus one additionalhistory or social science course.**Two courses in the intermediate or advanced seriescomplete the requirement. Beginning or elementary seriesrequire three semesters’ work to fulfill the languagerequirement.†Courses specified by the student’s major engineeringdepartment. Number varies depending on program.‡Courses necessary to fulfill the requirements for amajor in the student’s major arts <strong>and</strong> letters department.Minimum total for the five-year program to fulfill degreerequirements in both colleges is 170 to 180 credithours.EDUCATIONElementary EducationThe <strong>Notre</strong> <strong>Dame</strong> student taking elementary educationat Saint Mary’s <strong>College</strong> also must complete a<strong>Notre</strong> <strong>Dame</strong> major along with the appropriate collegerequirements. This process normally takes fiveyears. Summer school can accelerate the progresstoward certification. <strong>Notre</strong> <strong>Dame</strong> undergraduatesinterested in one <strong>of</strong> the pr<strong>of</strong>essional teacher educationprograms must apply to the education departmentNO LATER than the first semester <strong>of</strong> thesophomore year. Those interested in the elementaryeducation program are encouraged to take the prerequisitecourse, EDU 201, at Saint Mary’s in thesecond semester <strong>of</strong> their first year <strong>of</strong> studies.Secondary Education(including junior high or middle school)The following <strong>Notre</strong> <strong>Dame</strong> majors have been approvedfor secondary education licensing throughthe Education Department at Saint Mary’s <strong>College</strong>.1. In the <strong>College</strong> <strong>of</strong> Science: biology; chemistry;mathematics; physics.2.In the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>: English; languages(French, German, Spanish, Latin); art; socialstudies (history <strong>and</strong> political science). Studentsinterested in a secondary license in social studiesmust also complete additional course work in politicalscience or history (depending on the major)<strong>and</strong> in one other area: sociology, economics, orpsychology).Please contact Dr. Julianne Turner, <strong>Notre</strong><strong>Dame</strong> advisor for education, for more information<strong>and</strong> help with planning at (574) 631-3429 orturner.37@nd.edu.


228SUPPLEMENTARY MAJORS, MINORS, AND SPECIAL PROGRAMS INTERDISCIPLINARY MINORS WITHIN THE COLLEGEWASHINGTON PROGRAM<strong>Notre</strong> <strong>Dame</strong> Director:John EriksenExecutive Director in Washington:Thomas KellenbergStudents in the <strong>Notre</strong> <strong>Dame</strong> Washington Programlive, study, <strong>and</strong> work in the nation’s capital in eitherthe fall or spring semester. The program seeksstudents who are interested in Washington, D.C. Itinvites applications by students interested in studyingamidst the high energy <strong>and</strong> excitement <strong>of</strong> nationalpolitics <strong>and</strong> policy.The program combines coursework with internshipsin government organizations, Congress,non-governmental organizations, the media <strong>and</strong>cultural institutions. The program is located in ahistoric <strong>and</strong> secure neighborhood in northwestWashington, <strong>and</strong> students have easy access to theirinternship sites, research facilities, <strong>and</strong> cultural opportunities.Students live in modern, well-fittedapartments in a building that includes study space,computers, <strong>and</strong> classroom facilities.Students earn 15 credit hours in the Washingtonprogram. They take a six-credit seminar <strong>and</strong>two other three-credit courses <strong>and</strong> earn three creditsfor the internship. Students can do an independentproject related to their interests or aninternship that substitutes for one <strong>of</strong> the threecreditcourses. Students work with the programstaff on campus <strong>and</strong> in Washington to locate internshipsthat will be most suitable for their interests<strong>and</strong> experiences.Students <strong>of</strong> any major <strong>and</strong> college are encouragedto apply for the Washington Program.The program is open to sophomores, juniors, <strong>and</strong>seniors. There is no additional charge for the <strong>Notre</strong><strong>Dame</strong> Washington Program beyond regular <strong>Notre</strong><strong>Dame</strong> tuition <strong>and</strong> room-<strong>and</strong>-board fees.For more information, see our Web site atwww.nd.edu/~semester, or visit our <strong>of</strong>fice in 346O’Shaughnessy.InterdisciplinaryMinors Withinthe <strong>College</strong>During the junior <strong>and</strong> senior years, students mayelect to complete one or more interdepartmentalminors in addition to the departmental major sequence.Composed <strong>of</strong> 15 hours <strong>of</strong> class work chosenfrom at least two departments, these minorsencourage students to think from an interdisciplinaryperspective about a given issue or topic. Requirementsfor completion are determined by thefaculty director in consultation with the relevantcollege committee. Current <strong>of</strong>ferings includeCatholic Social Tradition; Education, Schooling,<strong>and</strong> Society; Gender Studies; Hesburgh Program inPublic Service; Journalism, Ethics, <strong>and</strong> Democracy;Medieval Studies; Peace Studies; Philosophy <strong>and</strong>Literature; Philosophy, Politics, <strong>and</strong> Economics;Religion <strong>and</strong> Literature; <strong>and</strong> Science, Technology,<strong>and</strong> Values. These were formerly called concentrations<strong>and</strong> are described in detail below.CATHOLIC SOCIAL TRADITIONDirector:Todd David WhitmoreExecutive Committee:R. Scott Appleby (history); Michael Baxter,C.S.C. (theology); Jay Dolan (history); Rev.Patrick Gaffney, C.S.C. (anthropology); MauraA. Ryan (theology); Robert Sullivan (history);Paul Weithman(philosophy); Charles Wilbur(economics)The Minor in Catholic Social Tradition is an interdisciplinaryprogram that serves as a resource for<strong>Notre</strong> <strong>Dame</strong> undergraduates to learn Catholicism’ssocial tradition.Catholicism <strong>of</strong>fers a longst<strong>and</strong>ing <strong>and</strong> pr<strong>of</strong>oundtradition <strong>of</strong> thought <strong>and</strong> teaching that addresses,from a normative st<strong>and</strong>point, the full range<strong>of</strong> social spheres. It does so through a constellation<strong>of</strong> concepts that, taken as a whole, give articulationto a coherent yet variegated vision <strong>of</strong> the good society.Such concepts include those <strong>of</strong> solidarity, thecommon good, the just wage, human rights, thefree economy, subsidiarity, <strong>and</strong> the option for thepoor.Sources for the tradition go back as far as theBible <strong>and</strong> develop even in the early church fathers.Medieval writings on topics such as usury <strong>and</strong> theorigins <strong>and</strong> proper exercise <strong>of</strong> kingship bring anunprecedented level <strong>of</strong> detail to Christian analysis<strong>of</strong> the just society. Pope Leo XIII inauguratesCatholicism’s effort to bring its social tradition tobear on industrial society in his 1891 encyclical,Rerum Novarum (The Condition <strong>of</strong> Labor). Sincethen, popes have drawn upon Rerum Novarum <strong>and</strong>the social tradition to broaden <strong>and</strong> develop Leo’sset <strong>of</strong> concerns in encyclicals <strong>of</strong>ten titled—as withPius XII’s Quadragesimo Anno, Paul VI’sOctogesima Adveniens, <strong>and</strong> John Paul II’s 1991Centesimus Annus—in accordance with their relationshipto the earlier document. In doing so, thepopes <strong>and</strong> the Second Vatican Council have addressedissues ranging across all spheres <strong>of</strong> social lifefrom the family to the state to the church. TheU.S. bishops have made sophisticated application<strong>of</strong> these teachings to the specific circumstances <strong>of</strong>the United States.Unfortunately, many Catholics are unaware <strong>of</strong>this tradition. Pope John Paul II writes, “It must beasked how many Christians really know <strong>and</strong> putinto practice the principles <strong>of</strong> the church’s socialdoctrine.” The U.S. bishops concur. While “Catholicsocial teaching is a central <strong>and</strong> essential element<strong>of</strong> our faith,” it is still the case that “our social heritageis unknown by many Catholics.” At the sametime, graduates <strong>of</strong> <strong>Notre</strong> <strong>Dame</strong> move on to assumeleadership positions, <strong>of</strong>ten quite advanced ones, ina broad spectrum <strong>of</strong> social spheres, including inpolitics, law, business, education, the media, <strong>and</strong>the military. (For example: national security advisor,president <strong>of</strong> Panama, attorney general <strong>of</strong> California,CEO <strong>of</strong> Mobil Corporation, president <strong>of</strong>the Chicago Mercantile Exchange, presidents <strong>of</strong>nine universities other than <strong>Notre</strong> <strong>Dame</strong>, executiveproducer <strong>of</strong> “Nightline,” <strong>and</strong> secretary <strong>of</strong> the AirForce.) The Program in Catholic Social Traditionserves as a resource for <strong>Notre</strong> <strong>Dame</strong> undergraduatesto learn the tradition so that it can inform life bothbefore <strong>and</strong> after graduation.The Minor in Catholic Social Tradition involves15 credit hours <strong>of</strong> coursework, including acore course (three credits), three electives (eachthree credits), <strong>and</strong> three one-credit colloquia/socialconcerns seminars. The core course will havethree components:1. The close reading <strong>of</strong> classic texts <strong>of</strong> theCatholic Social Tradition, particularly but not exclusivelythe papal <strong>and</strong> conciliar documents fromPope Leo XIII’s Rerum Novarum to John Paul II’sCentesimus Annus. Other texts will include sourcedocuments (e.g. writings by Thomas Aquinas <strong>and</strong>Augustine) <strong>and</strong> contemporary appropriations(e.g. writings by liberation theologians <strong>and</strong> neoconservatives).


229INTERDISCIPLINARY MINORS WITHIN THE COLLEGE2. Immersion in pr<strong>of</strong>essional context. Each studentwill find a placement in a location similar tothat student’s anticipated pr<strong>of</strong>ession. The student isto observe, interview <strong>and</strong>, to the extent possible,participate in the life <strong>of</strong> the setting. For instance,the students can observe a law or architectural firmor a medical practice. Here, the student will keepan ongoing journal as a “pastoral ethnography” <strong>of</strong>the setting (an interpretation <strong>of</strong> the practice in thesetting in light <strong>of</strong> the Catholic social tradition).3. Final project: Students are to articulate orconstruct a setting in their anticipated pr<strong>of</strong>ession inlight <strong>of</strong> the Catholic social tradition (e.g., imagine<strong>and</strong> construct what a law firm/health clinic/adagency would look like if it practiced in light <strong>of</strong> theCatholic social tradition).The electives will be chosen by the student inconsultation with the director from among courses<strong>of</strong>fered in the <strong>University</strong>. The one-credit courseswill be devoted to the critical reading <strong>and</strong> discussion<strong>of</strong> one or two major works each semester. Socialconcerns seminars are one-credit courses lodgedfirst within the Department <strong>of</strong> Theology <strong>and</strong> <strong>of</strong>tencrosslisted with other departments.Courses for Fall 2002:CST 311: Women <strong>and</strong> Catholic Social Teaching(Malkiewicz) (one credit)Courses for Spring 2003:CST 200: Core Seminar (Malkiewicz)CST 312: Catholic Social Teaching <strong>and</strong> the GlobalEconomy (Wilber) (one credit)Contact: Pr<strong>of</strong>. Todd David Whitmore,e-mail:Whitmore.1@nd.edu.EDUCATION, SCHOOLING,AND SOCIETYThe primary goal <strong>of</strong> this interdisciplinary minor inis to serve students who want to underst<strong>and</strong> learning<strong>and</strong> education as complex <strong>and</strong> challenging aspects<strong>of</strong> human <strong>and</strong> societal experience. Educationis one <strong>of</strong> the central <strong>and</strong> shared experiences <strong>of</strong>people in contemporary societies in the UnitedStates <strong>and</strong> around the world. It is both an end in itself<strong>and</strong> a means to many personal, pr<strong>of</strong>essional,<strong>and</strong> spiritual goals. Thus, underst<strong>and</strong>ing its history<strong>and</strong> traditions, analyzing its processes, <strong>and</strong>critiquing its goals are <strong>of</strong> great importance to all <strong>of</strong>us.Most societies rely on education to work fundamentalchanges in students <strong>and</strong> in society. Wewill use the tools <strong>and</strong> resources <strong>of</strong> a liberal arts perspectiveto help students reflect on, underst<strong>and</strong>,<strong>and</strong> influence the role <strong>of</strong> education in society. Inaddition, the program will provide a rich body <strong>of</strong>resources for students who may want to pursue careersin education after graduation, including theAlliance for Catholic education, certification toteach, or research <strong>and</strong> teaching careers at the universitylevel.Normally, students apply for admission to theminor late in their freshman year or early in theirsophomore year. Students will be admitted throughthe first semester <strong>of</strong> their junior year. Studentsshould be in good academic st<strong>and</strong>ing <strong>and</strong> demonstratea strong interest in issues related to the causes<strong>and</strong> consequences <strong>of</strong> learning, schooling, <strong>and</strong> educationalpolicy.The minor in Education, Schooling <strong>and</strong> Societyinvolves 15 hours <strong>of</strong> coursework. The introductorycourse to the program is ESS 301, Education,Schools <strong>and</strong> Society, normally taken in the sophomoreyear. At the middle level <strong>of</strong> the program (9hours), students will select one course from a set <strong>of</strong>approved courses that are focused exclusively oneducational issues <strong>and</strong> two courses from a set <strong>of</strong> approvedcourses that include education as one <strong>of</strong>several course foci. During the senior year, studentswill participate in a capstone course, ESS 495, SeniorSeminar.The faculty work closely with students on postgraduateplanning, including employment, graduateor pr<strong>of</strong>essional school, or service opportunities.Person to see: Dr. Julianne Turner, Institutefor Educational Initiatives. E-mail: turner.37@nd.edu.GENDER STUDIES MINORDirector:Kathleen PyneAssistant Director:Sophie WhiteAdministrative Assistant:Tori DaviesObjectives <strong>of</strong> the Minor. The Gender StudiesProgram was inaugurated in 1988 to foster intellectualinquiry <strong>and</strong> discussion <strong>of</strong> gender issues at the<strong>University</strong> at a time in which the enrollment <strong>of</strong>undergraduate women <strong>and</strong> men was just reachingparity.The minor <strong>of</strong>fers students the opportunity toexplore in-depth the rapidly developing scholarshipin the areas <strong>of</strong> gender, women’s studies, men’sstudies, feminist theory, queer theory, sexuality,<strong>and</strong> sexual orientation. It aspires to two intertwiningpedagogical objectives: first, to allow studentsto become pr<strong>of</strong>icient in the crossdisciplinary mode<strong>of</strong> inquiry that is central to the exploration <strong>of</strong> issues<strong>of</strong> gender; second, to prepare undergraduates to engageissues <strong>of</strong> gender after they graduate, whetherthey undertake advanced study in graduate <strong>and</strong>pr<strong>of</strong>essional programs devoted to the study <strong>of</strong> genderor enter the workforce.Requirements. 15 credits (five courses) including:GSC 101/201: Introduction to Gender Studies,which is team-taught by members <strong>of</strong> theGender Studies faculty <strong>and</strong> maintains a crossdisciplinaryfocus (three credits); three three-creditcourses from a list <strong>of</strong> approved selections; GSC495: Gender Studies Practicum, a course that allowssenior concentrators to pursue independentfield work <strong>and</strong> research on issues <strong>of</strong> gender.Courses include: GSC 101/201: Introduction toGender Studies; GSC 445/446: Gender StudiesPracticum. Crosslisted courses include: Marriage<strong>and</strong> the Family; Women in the ChristianTradition; The Anthropology <strong>of</strong> Gender; Today’sGender Roles; Christianity <strong>and</strong> Feminist Ethics;Japanese Women Writers; Afro-AmericanLiterature 1940-present; Gender <strong>and</strong> Science; SexInequality in the Work Place; Feminist Theory;Questions <strong>of</strong> Homosexuality in Literature; Woman<strong>and</strong> the Avant-Garde; The Feminine in ModernArt; History <strong>of</strong> American Women; Women:Alternative Philosophical Perspectives; Women inAntiquity; Sociology <strong>of</strong> Masculinity; Romanticism:Gender Crossings; Gender in InternationalRelations; Gender Issues in the Law; Feminist <strong>and</strong>Multicultural Theologies; Gender/Sexuality/Power:Medieval Europe.HESBURGH PROGRAMIN PUBLIC SERVICEDirector:Martine De RidderThe health <strong>of</strong> American society is closely related togood public policy <strong>and</strong> competent, ethical publicservice. Thus, awareness <strong>of</strong> public policy <strong>and</strong> publicservice is not only the foundation for public-sectorcareers, but it is also a necessity for those who willwork in the nonpr<strong>of</strong>it sector or the private sector<strong>and</strong> for those who seek to be knowledgeable citizens.The Hesburgh Program in Public Service seeksto prepare <strong>Notre</strong> <strong>Dame</strong> students for a life <strong>of</strong> active<strong>and</strong> effective citizenship as well as for the possibility<strong>of</strong> careers in public service. The program honorsthe principled, dedicated public service <strong>of</strong> <strong>Notre</strong><strong>Dame</strong>’s president emeritus, Rev. TheodoreHesburgh, C.S.C. The Hesburgh Program <strong>of</strong>fers aninterdisciplinary curriculum designed to informstudents about the dimensions <strong>of</strong> policymaking,public administration <strong>and</strong> policy evaluation, <strong>and</strong> todevelop skills in research, sensitivity to ethical issues,<strong>and</strong> appreciation for the character <strong>and</strong> limits<strong>of</strong> constitutional democracy.


230INTERDISCIPLINARY MINORS WITHIN THE COLLEGENormally, students apply for admission to theminor late in their freshman year or early in theirsophomore year. Students who transfer to <strong>Notre</strong><strong>Dame</strong> as juniors may be admitted through the firstsemester <strong>of</strong> their junior year. Students should havecompleted or be completing POLS 140 or 240 <strong>and</strong>ECON 115 or 225, be in good academic st<strong>and</strong>ing,<strong>and</strong> demonstrate a strong interest in public policy<strong>and</strong> public service.The minor in the Hesburgh Program involves15 hours <strong>of</strong> coursework. The “gateway” course tothe program is HESB 350, “Introduction to PublicPolicy,” normally taken in the second semester <strong>of</strong>the sophomore year. At the middle level <strong>of</strong> the program,students will take one course drawn fromeach <strong>of</strong> three categories <strong>of</strong> courses approved by theprogram. These are research skills, values, <strong>and</strong> institutions<strong>and</strong> processes. During the senior year, studentswho have been on a summer internship willregister for the internship research seminar, HESB450, that builds on their field experience. Otherstudents will take one <strong>of</strong> several senior-level policyseminars identified by the program each semester.The Hesburgh Program <strong>of</strong>fers students the opportunityfor summer internships in public policycontexts through the Gary Lyman Internships inPublic Service. In the fall <strong>of</strong> their junior year,Hesburgh students may apply for the Lyman Internship.Up to 20 students are selected in a competitiveprocess. Students selected as Lyman internsare aided by the program’s director in securing appropriateinternships, usually in Washington, D.C.Lyman interns receive a taxable stipend to defraytheir cost <strong>of</strong> living while in their internship, <strong>and</strong> asum for the cost <strong>of</strong> travel between their home <strong>and</strong>their internship city.During the course <strong>of</strong> the academic year, theHesburgh Program sponsors student public-policyrelatedforums <strong>and</strong> activities <strong>and</strong> campus visits to<strong>Notre</strong> <strong>Dame</strong> by public figures. They give publicaddresses, teach in the classroom <strong>and</strong> are availablefor conversations with students <strong>and</strong> faculty. Thestaff works closely with students on postgraduateplanning, including employment, pr<strong>of</strong>essionalschools such as law <strong>and</strong> public policy <strong>and</strong> academicgraduate programs.Person to see: Dr. Martine De Ridder, director,Hesburgh Program in Public Service.JOHN W. GALLIVAN PROGRAMIN JOURNALISM, ETHICS,AND DEMOCRACYDirector: Robert SchmuhlThe John W. Gallivan <strong>Notre</strong> <strong>Dame</strong> Program inJournalism, Ethics, <strong>and</strong> Democracy <strong>of</strong>fers severalcourses for students interested in careers in print<strong>and</strong> broadcast journalism. Begun in 1997 with agrant from the John S. <strong>and</strong> James L. Knight Foundation<strong>and</strong> now endowed by the family <strong>of</strong> John W.Gallivan, this minor combines pr<strong>of</strong>essional trainingin journalistic skills along with examination <strong>of</strong>philosophical concerns related to the practice <strong>of</strong>journalism. For example, what ethical issues arise inpreparing a particular story? Or what role does —<strong>and</strong> should — journalism play in a self-governingsociety?The journalism minor requires completion <strong>of</strong>15 hours in addition to a student’s major requirements<strong>and</strong> a news-related internship during eitherthe summer or the academic year. Fundamentals<strong>of</strong> Journalism is the first, or gateway, class for studentsparticipating in the program. Other coursesthat count for the concentration include The Craft<strong>of</strong> Journalism, Writing <strong>and</strong> Editing, Writing forPublication, Persuasion, Commentary, Criticism,<strong>and</strong> Broadcast Journalism. In addition, new coursesare currently being developed No more than twocourses beyond Fundamentals <strong>of</strong> Journalism concentratingon journalistic techniques will count forthe required 15 hours.The director <strong>of</strong> the program is Robert Schmuhl<strong>of</strong> the Department <strong>of</strong> American Studies. An advisorycommittee <strong>of</strong> <strong>Notre</strong> <strong>Dame</strong> graduates in journalismhelps guide the program. Members includeTom Bettag, executive producer, ABC NewsNightline; Bill Dwyre, sports editor, Los AngelesTimes; John W. Gallivan, chairman <strong>of</strong> the board<strong>and</strong> publisher emeritus <strong>of</strong> the Kearns Tribune Corporation;Monica Yant Kinney, metro columnist,The Philadelphia Inquirer; John McMeel, chairman<strong>and</strong> president, Andrews McMeel Universal; JimNaughton, president, Poynter Institute for MediaStudies; Anne Thompson, national correspondent,NBC News; Kelley Tuthill, reporter, WCVB-TV,Boston, Massachusetts; Don Wycliff, public editor,Chicago Tribune.MEDIEVAL STUDIESThe Minor in Medieval Studies allows studentswho are committed to other programs <strong>of</strong> study topursue interests in European culture <strong>of</strong> the MiddleAges <strong>and</strong> to cross the limits <strong>of</strong> individual disciplinesas a means <strong>of</strong> underst<strong>and</strong>ing the changingsocial, economic, legal, intellectual <strong>and</strong> artistic systems<strong>of</strong> medieval Europe.Students may declare their intention to undertakea minor in medieval studies to the director <strong>of</strong>undergraduate studies at any time before the end <strong>of</strong>their third year. The undergraduate director willthen act as their minor advisor <strong>and</strong> help them selecta set <strong>of</strong> courses that form a coherent program <strong>of</strong>study, <strong>of</strong>ten in conjunction with their major if possible.Students must take five courses in three <strong>of</strong>the 10 departments affiliated with the MedievalInstitute (Anthropology, Art History, Classical<strong>and</strong> Oriental Languages, English, German <strong>and</strong>Slavic Languages, History, Music, Philosophy,Romance Languages, <strong>and</strong> Theology). Coursescounted toward the major may not be used for theminor. A list <strong>of</strong> course <strong>of</strong>ferings is available fromthe Medieval Institute.Minors, like majors, are invited to participatefully in the life <strong>of</strong> the Medieval Institute. They arewelcome to attend institute lectures <strong>and</strong> to participatein the institute’s own graduation ceremony,held each year before the Baccalaureate Mass.Andrew J. WeigertPr<strong>of</strong>essor <strong>of</strong> Sociology2002 Recipient <strong>of</strong> the Charles E. SheedyAward for Excellence in Teaching


231INTERDISCIPLINARY MINORS WITHIN THE COLLEGEPEACE STUDIESDirector:Cynthia K. MahmoodAssociate pr<strong>of</strong>essor, Department<strong>of</strong> AnthropologySenior fellow, Joan B. Kroc Institutefor International Peace StudiesAdvisory Committee:R. Scott ApplebyPr<strong>of</strong>essor, Department <strong>of</strong> HistoryDirector, Joan B. Kroc Institutefor International Peace StudiesGeorge A. LopezPr<strong>of</strong>essor, Department <strong>of</strong> Political ScienceSenior fellow, Joan B. Kroc Institutefor International Peace StudiesRuthann K. JohansenPr<strong>of</strong>essional specialist,<strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>Fellow, Joan B. Kroc Institutefor International Peace StudiesRev. Michael J. Baxter, C.S.C.Assistant pr<strong>of</strong>essor,Department <strong>of</strong> TheologyFellow, Joan B. Kroc Institutefor International Peace StudiesJ. Daniel PhilpottAssistant pr<strong>of</strong>essor,Department <strong>of</strong> Political ScienceFellow, Joan B. Kroc Institutefor International Peace StudiesProgram <strong>of</strong> Studies. Peace Studies is defined asthe interdisciplinary examination <strong>of</strong> the conditionsthat make for peace. It also investigates the obstaclesto the realization <strong>of</strong> these conditions, drawingon theories <strong>and</strong> methods from diversedisciplines to focus on what makes for the development<strong>of</strong> a just <strong>and</strong> peaceful world order. PeaceStudies relates scholarship to praxis <strong>and</strong> challengesthose who engage in it to develop new ways <strong>of</strong>thinking <strong>and</strong> acting in the world.<strong>Notre</strong> <strong>Dame</strong>’s Peace Studies program dividesits curriculum <strong>of</strong> more than 50 courses into threeoverlapping but distinct areas:Area A: The role <strong>of</strong> international norms, institutions,<strong>and</strong> states in a peaceful world order. An exploration<strong>of</strong> ways <strong>of</strong> making governmental <strong>and</strong>intergovernmental institutions more effective <strong>and</strong>representative, <strong>and</strong> <strong>of</strong> strengthening governmentalcompliance with fundamental norms <strong>of</strong> peace <strong>and</strong>human rights.Area B: The impact <strong>of</strong> religious, philosophical, <strong>and</strong>cultural influences on peace. The study <strong>of</strong> the ethics<strong>of</strong> the use <strong>of</strong> force, theological <strong>and</strong> philosophicalvisions <strong>of</strong> global justice, the ways in which theworld religious traditions foment violence or encouragepeace, the practice <strong>of</strong> nonviolence, <strong>and</strong> thelinguistic, literary, <strong>and</strong> historical dimensions <strong>of</strong> cultures<strong>of</strong> peace.Area C: The promotion <strong>of</strong> social, economic, <strong>and</strong>environmental justice. The study <strong>of</strong> social change,with specific attention to the role <strong>of</strong> nongovernmentalorganizations, commercial enterprises, <strong>and</strong>states in fostering sustainable economic development,respect for human rights, conflict resolution<strong>and</strong> nonviolent conflict transformation, support <strong>of</strong>gender <strong>and</strong> family issues, <strong>and</strong> protection <strong>of</strong> the environment.In both the Supplementary Major (24 credit hours<strong>of</strong> required coursework) <strong>and</strong> in the Minor (15credit hours <strong>of</strong> required coursework, students willcomplete an introduction course, explore the threekey areas <strong>of</strong> Peace Studies, <strong>and</strong> participate in an integrativeSenior Seminar.The Supplementary MajorThe Supplementary Major in Peace Studies requirescompletion <strong>of</strong> the introductory course inPeace Studies (3 credit hours), one course in each<strong>of</strong> the three areas <strong>of</strong> study (9 credit hours), threeelective courses in Peace Studies (9 credit hours),<strong>and</strong> the Senior Seminar (3 credit hours). The programfor a Supplementary Major in Peace Studiesfollows.IIPS 320 Introduction to Peace StudiesArea A one course from listArea B one course from listArea Cone course from list[elective][elective][elective]IIPS 490 Senior SeminarThe MinorThe Minor in Peace Studies requires completion <strong>of</strong>the introductory course in Peace Studies (3 credithours), one course in each <strong>of</strong> the three areas <strong>of</strong>study (9 credit hours), <strong>and</strong> the Senior Seminar (3credit hours). The program for a minor in peaceStudies follows.IIPS 320 Introduction to Peace StudiesArea A one course from listArea B one course from listArea C one course from listIIPS 490 Senior SeminarInformation on Peace Studies. Peace Studies at<strong>Notre</strong> <strong>Dame</strong> is centered in the Joan B. KrocInstitute for International Peace Studies (in theHesburgh Center for International Studies).Information on courses available, faculty fellows inPeace Studies, <strong>and</strong> ongoing activities in PeaceStudies can be found there as well as on theInstitute’s Web site, www.nd.edu/~krocinst.PHILOSOPHY AND LITERATUREThe Minor in Philosophy <strong>and</strong> Literature is designedfor students who want to pursue an interdisciplinarycourse <strong>of</strong> studies that focuses on theintersections between literature <strong>and</strong> philosophy.Majors from any literature department or from philosophyare eligible for the concentration.Literature <strong>and</strong> philosophy have always sharedmany <strong>of</strong> their concerns, <strong>and</strong> the minor is designedto explore this common ground <strong>and</strong> to establish aninterdepartmental forum for both formal study <strong>and</strong>informal contacts. The minor should also be excellentpreparation for students interested in graduatestudies.The curriculum <strong>of</strong> the Minor in Philosophy<strong>and</strong> Literature consists <strong>of</strong> 15 credit hours, distributedas follows:• A core course: “Studies in Literature <strong>and</strong> Philosophy,”taken with the permission <strong>of</strong> the director<strong>of</strong> the P/L Minor <strong>and</strong> crosslisted in English <strong>and</strong>philosophy, <strong>and</strong>/or the department in which itoriginates. This course is to be taken in the first semester<strong>of</strong> the minor (spring <strong>of</strong> the sophomore orjunior years). This gateway course is an intensiveseminar <strong>and</strong> will help students <strong>and</strong> faculty from thevarious disciplines to speak a common language.Four credit hours.• At least two one-credit colloquia in the semestersfollowing the core seminar. The colloquiawill be devoted to the critical reading <strong>and</strong> discussion<strong>of</strong> one or two major works each semester. Thecolloquia will build on the esprit de corps <strong>and</strong> intellectualcommon ground established in the corecourse.• Three three-credit courses approved by theminor committee, at least two in the disciplines inwhich the student is not a major. This part <strong>of</strong> thecurriculum will require written approval <strong>of</strong> the director<strong>of</strong> P/L.Students are encouraged, though not required,to write a senior essay (in the department in whichthey are majoring) that in some way reflects the interdisciplinaryconcerns developed in P/L.For further information, students shouldcontact Pr<strong>of</strong>. Alain Toumayan, Department <strong>of</strong>Romance Languages, Alain.P.Toumayan.2@nd.edu.


232INTERDISCIPLINARY MINORS WITHIN THE COLLEGEPHILOSOPHY, POLITICS,AND ECONOMICSThe Minor in Philosophy, Politics, <strong>and</strong> Economics(PPE) is designed for students <strong>and</strong> faculty with seriousinterests at the intersection <strong>of</strong> political theory,political philosophy <strong>and</strong> economic theory. The minorintegrates these three fields, <strong>and</strong> through seminars<strong>and</strong> colloquia strives to create an intellectualcommunity among students <strong>and</strong> faculty that goesbeyond formal coursework. To be eligible for PPE,students normally must major in either philosophy,political science, economics, or the Program <strong>of</strong> LiberalStudies (who for PPE requirements are treatedas philosophy students). The Justice Seminar, thegateway course into the minor, is always <strong>of</strong>fered inthe fall semester; applications for the Justice Seminarare taken in the middle <strong>of</strong> the preceding springterm.The PPE faculty committee consists <strong>of</strong> DavidO’Connor (philosophy), Paul Weithman (philosophy),Mary Keys (political science), L. John Roos(political science), Philip Mirowski (economics),Jennifer Warlick (economics), <strong>and</strong> Esther-MirjamSent (economics). Committee members also serveas advisors for PPE students.The PPE curriculum consists <strong>of</strong> 15 credithours, usually distributed over four semesters, asfollows:A. The Justice Seminar (crosslisted as POLS450, ECON 333, <strong>and</strong> PHIL 433), an intensivethree-credit seminar that is the gateway course intothe minor, taken in the fall semester <strong>of</strong> sophomoreor junior year. Three credit hours.B. Three one-credit PPE Colloquia, each usuallydevoted to the critical reading <strong>and</strong> discussion<strong>of</strong> one or two major works, normally taken in thethree semesters following the Justice Seminar.Three credit hours.C. Three approved three-credit courses fromthe two fields outside the student’s first major, withat least one course in both non-major fields. Ninecredit hours.Total credit hours: 15.PPE students are also encouraged (but not required)to write a senior thesis in their major fieldthat reflects the interdisciplinary focus <strong>of</strong> theminor.Persons to contact: PPE directors—John Roos,Department <strong>of</strong> Political Science; <strong>and</strong> DavidO’Connor, Department <strong>of</strong> Philosophy.RELIGION AND LITERATUREDirectors:Joseph Buttigieg <strong>and</strong> Collin MeissnerThe interdisciplinary minor in Religion <strong>and</strong> Literature<strong>of</strong>fers an intellectually rigorous <strong>and</strong> scholarlyapproach to formalized study <strong>of</strong> the interrelationsbetween “Religion” <strong>and</strong> “Literature” broadly construed.The minor will draw on the rich resources<strong>Notre</strong> <strong>Dame</strong> <strong>of</strong>fers, including the faculty <strong>and</strong> intellectualtraditions <strong>of</strong> Theology <strong>and</strong> the various literaturedepartments that exist at <strong>Notre</strong> <strong>Dame</strong>. Theminor’s focus is both broad <strong>and</strong> refined. Its breadth<strong>of</strong>fers students the opportunity to investigate theinteranimating <strong>and</strong> cross-disciplinary influences <strong>of</strong>“Religion” <strong>and</strong> “Literature.” As broad coverage inevitablyleads to sharpened questions, students willenjoy the freedom to pursue a specific interestthrough a refined senior thesis.The minor enjoys a special consultative <strong>and</strong>working relationship with many <strong>of</strong> the university’salready identified centers <strong>of</strong> excellence, capitalizingon both their long-term faculty <strong>and</strong> other resourceexpertise as well as making full use <strong>of</strong> their visitingfellows, special seminars, <strong>and</strong> general lecture programs.To this end, students who choose the Religion<strong>and</strong> Literature concentration have extensive<strong>and</strong> first-rate scholarly resources available to supporttheir own intellectual development.CURRICULAR REQUIREMENTSNormally, students apply for admission to the minorlate in their freshman year or early in theirsophomore year. The minor requires students tocomplete 15 credit hours <strong>of</strong> approved course work;<strong>of</strong> these no more than 3, <strong>and</strong> in special cases 6credit hours at the 200 or sophomore level will beaccepted toward fulfillment <strong>of</strong> the concentration’srequirements. The balance <strong>of</strong> the course work mustbe completed through course work at the senior(300-400) level. Of the overall 15 hour requirement,3 credit hours will be awarded for completion<strong>of</strong> the senior thesis. It is intended that studentswill, in effect, do a thesis inspired by issues whichhave arisen in their course work for the minor.One entry-level “gateway” course will be required<strong>of</strong> each student desiring a minor concentrationin Religion <strong>and</strong> Literature. Several courses willserve this function, <strong>and</strong> students must take one <strong>of</strong>them in order to complete the minor. Ideally thestudent will complete the required class early in hisor her course <strong>of</strong> study.In addition to the gateway course <strong>and</strong> seniorthesis, students will be required to complete three3-credit courses approved by the Religion <strong>and</strong> Literaturecommittee, at least two in a discipline otherthan the student's major.In order to promote intellectual cohesivenesswithin the minor, participating students will be requiredto take part in a series <strong>of</strong> seminars <strong>and</strong> talksorganized by the Religion <strong>and</strong> Literature committee.These events will be structured to take advantage<strong>of</strong> <strong>of</strong>ferings by <strong>Notre</strong> <strong>Dame</strong> faculty membersor lectures by visiting scholars whose topics relateto the program’s focus. The seminar or lecture presentationswill serve to function as either a point <strong>of</strong>departure or a concluding event in a short, focusedstudy which will include some preparatory reading<strong>of</strong> material salient to the presentation.Persons to see: Pr<strong>of</strong>essors Joseph Buttigieg <strong>and</strong>Collin Meissner.SCIENCE, TECHNOLOGY,AND VALUESActing Director:Sheri Alpert, associate pr<strong>of</strong>essional specialistAffiliated faculty:Chairholders:Michael J. Crowe, Program <strong>of</strong> Liberal Studies<strong>and</strong> history (concurrent); Rev. John J.Cavanaugh I Chair (emeritus)Philip Quinn, philosophy; Rev. John A.O’Brien ChairKristin Shrader-Frechette, philosophy <strong>and</strong>biology; O’Neill Family ChairPr<strong>of</strong>essors:Rudolph Bottei, chemistryMichael DePaul, philosophyChristopher Fox, EnglishDon Howard, philosophyDavid Ladouceur, classicsEdward Manier, philosophyPeter Moody, political scienceThomas Schlereth, American studiesPhillip Sloan, Program <strong>of</strong> Liberal Studies<strong>and</strong> history (concurrent)James Sterba, philosophyAndrew Weigert, sociologyAssociate Pr<strong>of</strong>essors:Matthew Ashley, theologyDennis Doordan, architectureVaughn McKim, philosophyJanet Kourany, philosophyWilliam Ramsey, philosophyMaura Ryan, theologyLeopold Stubenberg, philosophyDavid Solomon, philosophyRobert Wolosin, anthropology (adjunct)Assistant Pr<strong>of</strong>essors:Marya Lieberman, chemistryLenny Moss, philosophy


233INTERDISCIPLINARY MINORS WITHIN THE COLLEGE AREA STUDIES MINORSScience <strong>and</strong> technology are pivotal forces inmodern society <strong>and</strong> play key roles in shaping culturalsensibilities in the modern world. Indeed, ourtechnologies are reflected in our institutions, ourwork, our expectations, even in our moral problems.Science, Technology, <strong>and</strong> Values (STV) is aninterdisciplinary minor within which faculty <strong>and</strong>students from a variety <strong>of</strong> disciplines <strong>and</strong> differentcolleges can reflectively explore the nature <strong>of</strong> science<strong>and</strong> technology as human enterprises, interactingin complex ways with our values <strong>and</strong> socialinstitutions.The program helps sponsor a wide range <strong>of</strong>crosslisted courses taught by faculty representingthe humanities, the social sciences <strong>and</strong> the naturalsciences. Students electing an STV minor can focustheir work on areas <strong>of</strong> particular interest, such asScience, Technology <strong>and</strong> Public Policy; Ethics,Ecology <strong>and</strong> Environment; Medical Ethics; EthicalIssues in Science <strong>and</strong> Technology; Humanistic <strong>and</strong>Social Aspects <strong>of</strong> Medicine; Science <strong>and</strong> TechnologyAs Cultural Phenomena; History <strong>and</strong> Philosophy<strong>of</strong> Technology.The development <strong>of</strong> a strong environmentalsciences program at <strong>Notre</strong> <strong>Dame</strong> has provided anew opportunity for students to combine the STVminor with an environmental sciences major or minor.The STV program is collaborating with theEnvironmental Sciences Program in sponsoring a<strong>Notre</strong> <strong>Dame</strong> “semester abroad” program at the Biosphere2 facility in Arizona.Students electing a minor in STV must take atleast five courses (15 hours) from among those <strong>of</strong>feredunder the sponsorship <strong>of</strong> the STV program.These must include the core course (STV 256).Students are urged to satisfy this requirementearly in the program. At least one course alsomust be taken from clusters one, two, <strong>and</strong> threebelow, <strong>and</strong> either one additional course fromthese clusters, or from the elective list in ClusterFour. All STV courses are crosslisted.Cluster One: Human Dimensions <strong>of</strong> Science<strong>and</strong> Technology221. Philosophy <strong>of</strong> Human Nature225. Scientific Images <strong>of</strong> Humanity227. Ways <strong>of</strong> Knowing237. Philosophy <strong>and</strong> Classical Physics239. Minds, Brains, <strong>and</strong> Persons254. Modern Physics <strong>and</strong> Moral Response279. Science <strong>and</strong> Theology310. Health, Healing, <strong>and</strong> Culture354. Gender <strong>and</strong> Science375. Environmental History383. Introduction to Philosophy <strong>of</strong> Science389. Philosophical Issues in Physics395. Technology <strong>and</strong> Social Change444. Religion <strong>and</strong> Science454. Cultural Aspects <strong>of</strong> Clinical Medicine466. History <strong>of</strong> Modern Astronomy474. Philosophy <strong>and</strong> Psychiatry478. Do Faith <strong>and</strong> Reason Clash?481. Philosophy <strong>of</strong> Human Biology484. American Material Culture: Topicsin the History <strong>of</strong> American Technology486. Medicine in History487. Technology in HistoryCluster Two: Science, Technology,<strong>and</strong> Ethics238. Ethics at the End <strong>of</strong> Life245. Medical Ethics247. Environmental Ethics248. Modern Science <strong>and</strong> Human Values250. Issues in Justice270. Religious Ethics <strong>and</strong> the Environment282. Health Care Ethics for the 21st Century416. Ethics <strong>of</strong> Scientific Research417. Biomedical Ethics <strong>and</strong> Public Health462. Ethics <strong>of</strong> Development480. Ethics <strong>and</strong> RiskCluster Three: Science, Technology,<strong>and</strong> Public Policy204. Energy <strong>and</strong> Society205. Nuclear Warfare206. Environmental Chemistry208. Chemistry <strong>and</strong> Public Policy242. Architectural History311. Introduction to the American Health CareSystem382. Technology in War <strong>and</strong> Peace419. Self, Society, <strong>and</strong> the Environment430. American Spaces456. Tradition/Modernization in China<strong>and</strong> Japan457. Computers, Ethics, <strong>and</strong> Public Policy460. Appropriate Technology <strong>and</strong> the ThirdWorldCluster Four: Optional Electives(Satisfy fifth course requirement)215A. Gender, Politics, <strong>and</strong> Evolution228. Neurobiology <strong>and</strong> Narrative241. Environmental Studies246. History <strong>of</strong> Communications Technology251. Visual America263. Science <strong>and</strong> Religion306. History <strong>of</strong> Modern Economic Thought312. Philosophical Importance <strong>of</strong> Darwin342. History <strong>of</strong> Ancient Medicine352. Ethics, Ecology, Economics, <strong>and</strong> Society357. Introduction to Philosophy <strong>of</strong> Biology435. Philosophy <strong>of</strong> Science446. Technology <strong>and</strong> Medicine447. History/Design: Form, Values, Technology467. Global Food Systetms469. Darwinian Revolution471. History <strong>of</strong> Photography472. History <strong>of</strong> Chinese Medicine479. Environmental Risk Assessment481. Philosophy <strong>of</strong> Human Biology485. Philosophy <strong>of</strong> Social Science490. Literature <strong>and</strong> Science495. Topics in Philosophical AnthropologyBecause individuals attracted to the STV minorhave diverse interests <strong>and</strong> differing academic backgrounds,the program advisor works closely witheach student to help select courses that willcomplement the student’s major program or bemost relevant to particular career aspirations.Contact Dr. Sheri Alpert, STV Program Office,346 O’Shaughnessy Hall. Web address:www.nd.edu/~stv.Area Studies MinorsProgram <strong>of</strong> Studies. The <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong><strong>Letters</strong> <strong>of</strong>fers its students the opportunity to pursuean interdisciplinary sequence <strong>of</strong> area studies minorthat may supplement the major. Currently, thereare minors in African studies, Asian studies, Irishstudies, Latin American studies, Mediterranean/Middle East studies, Russian <strong>and</strong> East Europeanstudies <strong>and</strong> West European studies.The purpose <strong>of</strong> these minors is to assemble thecourses dealing with the language, literature, history,politics, anthropology, philosophy, sociology<strong>and</strong> economics <strong>of</strong> each area. In this way a meaningfulcourse structure is available to students whowish to concentrate their scholarly interest upon acultural or geographical area as well as upon an interdisciplinaryapproach. Such programs can be especiallyuseful to students who plan a career ininternational business, international organizationsor government service or who intend to do graduatework in one <strong>of</strong> these areas.The student who wishes to complete one <strong>of</strong>the area studies minors is required to take at leastfour area studies courses (12 hours) distributedover three different departments. These coursesmust be taken in addition to those required for themajor. The student must also take courses in a language<strong>of</strong> the area being studied (Russian or an EastEuropean language for the Russian studies program;Spanish or Portuguese for the Latin Americanstudies program; French, German or Italian forthe West European studies program; a Mediterraneanlanguage for the Mediterranean/Middle Eaststudies program; Irish for the Irish studies program;<strong>and</strong> Japanese or Chinese for the Asian studies program).In most cases the required number <strong>of</strong>courses will be equivalent to those required to satisfythe arts <strong>and</strong> letters language requirement, butstudents should check with program directors forthe specific requirements <strong>of</strong> a given area. While notrequired to take additional language instruction forthe African studies program, students who plan tocontinue their African interest at the graduate levelare encouraged to develop a competency in Swahili,French, Portuguese, or Arabic. In the senior year,each student must submit a satisfactory essay basedupon research that combines the major disciplinewith the area studies curriculum.Students interested in an area studies minorshould consult the director (listed below).


234AREA STUDIES MINORSAFRICAN STUDIESA. Peter Walshe, directorStudents wishing to develop their underst<strong>and</strong>ing <strong>of</strong>Africa may pursue the undergraduate African Studiesminor. This involves taking four courses inthree departments. In addition, a research essaymust be completed (AL 495A Area Studies Essay:Africa). While no additional language instructionbeyond the college requirement is expected, studentswishing to continue their interests in Africaat the graduate level are encouraged to studyFrench. Students who anticipate working towardthe African Studies minor should contact Pr<strong>of</strong>. PeterWalshe, Director <strong>of</strong> African Studies, Room 123,Institute for International Peace Studies.ASIAN STUDIESDian Murray, directorThis minor provides opportunities for students todevelop an interdisciplinary underst<strong>and</strong>ing <strong>of</strong> Asia.Students may satisfy the requirements for the minorby taking four area-related courses (12 hours)distributed over three departments <strong>and</strong> by writingan essay (AS 495 Area Studies Essay: Asia) with one<strong>of</strong> the Asian studies faculty. The student must alsocomplete one year <strong>of</strong> intensive or three semesters <strong>of</strong>non-intensive Chinese or Japanese language. Thosewishing to declare this minor should do so withDian Murray, Director <strong>of</strong> Asian Studies, 457Decio, <strong>and</strong> those already enrolled in the programshould meet with her during the pre-registrationperiod <strong>of</strong> each semester for advising.EUROPEAN STUDIESA. James McAdams, directorFormerly known as the Western European AreaStudies Program, this minor now includes thestudy <strong>of</strong> East-Central Europe as well as WesternEurope. All the East-Central European states arenow under consideration for inclusion in the EuropeanUnion. Students will study the politics, history<strong>and</strong> culture <strong>of</strong> these areas as well as thelanguage <strong>of</strong> a particular country.Students may fulfill their course requirementsby selecting courses recommended each semester bythe Nanovic Institute. These course listings areavailable each semester at the institute.Students should contact their department representativesor the director, James McAdams, assoon as possible in order to enroll in the program<strong>and</strong> select appropriate courses. For those with languageskills, other courses are available in the languagedepartments. Some courses, particularly thosein a foreign language, will need the permission <strong>of</strong> theinstructor.The European Area Studies Minor is tiedclosely to the Nanovic Institute for European Studiesthat provides two summer study grants/internshipsfor East-Central Europe <strong>and</strong> three summerstudy grants for Western Europe. This program isrecommended for students who wish to studyabroad <strong>and</strong> who wish to pursue a career in internationalpolitics, business or the foreign service. Studentscompleting the Area Studies Minor willreceive a European Area studies certificate at graduation.Students should contact the Nanovic Institutefor European Studies for further information.IRISH STUDIESChristopher Fox, directorThe Keough Institute for Irish Studies providesstudents with a unique opportunity to exploreIrel<strong>and</strong>’s extraordinary tradition in literature (inboth the English <strong>and</strong> Irish languages) <strong>and</strong> distinctivehistorical development, including its influenceon the history <strong>of</strong> the United States. The Irish Studiesfaculty includes leaders in several fields, includingLiterature, History, Film, <strong>and</strong> Northern Irishpolitics. The Irish Studies Program also organizes acalendar <strong>of</strong> intellectual <strong>and</strong> cultural activities inwhich undergraduates are encouraged to participate;recent visitors to campus have includedSeamus Heaney <strong>and</strong> John Hume, both Nobel Prizewinners, <strong>and</strong> other leading Irish writers <strong>and</strong> publicfigures.MinorThe core <strong>of</strong> the Program is a Minor in Irish Studies.The Minor helps students develop their underst<strong>and</strong>ing<strong>of</strong> Irish society, culture, <strong>and</strong> politicsthrough both coursework <strong>and</strong> firsth<strong>and</strong> experience<strong>of</strong> Irel<strong>and</strong>. To qualify for the Minor, students must(a) demonstrate pr<strong>of</strong>iciency in Irish language (bytaking IRST 101, 102 <strong>and</strong> 103); (b) complete fourIrish Studies courses (mainly in the fields <strong>of</strong> history,English, film, television <strong>and</strong> theater), <strong>and</strong> (c)write a capstone essay in their senior year that linksthe Minor with their Major. Qualifying courses arelisted in the Schedule <strong>of</strong> Classes under IRST; thelist is available each semester from 1146 FlannerHall.Dublin ProgramThe home <strong>of</strong> the Dublin program is the Keough-<strong>Notre</strong> <strong>Dame</strong> Centre in Newman House on St.Stephen’s Green in the historic heart <strong>of</strong> Irel<strong>and</strong>’scapital. Each semester, some 35<strong>Notre</strong> <strong>Dame</strong> studentsenroll for courses in the Centre <strong>and</strong> at Trinity<strong>College</strong> Dublin, <strong>University</strong> <strong>College</strong> Dublin, <strong>and</strong>the National <strong>College</strong> <strong>of</strong> Art <strong>and</strong> Design. The programincludes several field trips <strong>and</strong> a variety <strong>of</strong> social<strong>and</strong> cultural activities. Students taking theMinor in Irish Studies have a distinct advantagewhen applying for this highly competitive program.Irish InternshipsThe Keough Institute for Irish Studies annuallyawards Donald <strong>and</strong> Marilyn Keough Irish Internships,which place undergraduates in internship positionsin Dublin relating to Irish politics <strong>and</strong>commerce, culture, <strong>and</strong> society. In the past, studentshave been placed in the Irish parliament, governmentdepartments, the Irish Film Centre, <strong>and</strong>various social service organizations. The Internshipslast for a period <strong>of</strong> seven weeks. Two Internshipsare reserved for students taking the Minor in IrishStudies.For further information, students should consultPr<strong>of</strong>. Christopher Fox, director; telephone 631-3555.LATIN AMERICAN STUDIESPROGRAMChristopher Welna, directorThis program promotes opportunities for studentsto deepen their underst<strong>and</strong>ing <strong>of</strong> the regionthrough a variety <strong>of</strong> courses, campus activities, internships,<strong>and</strong> firsth<strong>and</strong> overseas learning experiences.Through the Kellogg Institute, the program<strong>of</strong>fers a calendar <strong>of</strong> cultural events, summer research<strong>and</strong> internship grants, current affairs panels<strong>and</strong> regular talks on Latin America by <strong>Notre</strong> <strong>Dame</strong>faculty <strong>and</strong> visiting lecturers. In addition, the institutebrings several Visiting Fellows each semesterwho are from Latin America or who specialize inthe region; these Fellows visit classes <strong>and</strong> meetwith students.The core <strong>of</strong> the program is a minor in LatinAmerican Studies. The minor aims to give studentswell-rounded training that complements their majorarea <strong>of</strong> study <strong>and</strong> to make this training easilyrecognized on a graduating student’s transcript. Inorder to qualify for the minor, students must demonstratepr<strong>of</strong>iciency in Spanish or Portuguese(through the three-course sequence in the RomanceLanguages Department or advanced placement),complete four courses on Latin America that aredistributed across at least three departments, <strong>and</strong>write a senior essay.


235AREA STUDIES MINORSQualifying courses are listed each semester inthe Schedule <strong>of</strong> Classes under LAST. They includeContemporary Latin American History, EconomicDevelopment <strong>of</strong> Latin America, Latin AmericanPolitics, Liberation Theology, Sociology <strong>of</strong> Development,<strong>and</strong> Spanish-American <strong>and</strong> Brazilian Literature.The program <strong>of</strong>fers the John J. KennedyPrize annually for an outst<strong>and</strong>ing senior essay dealingwith a Latin American topic. The summer researchfellowships are <strong>of</strong>fered through Kellogg tostudents after their junior year to encourage undergraduatesto undertake original research on internationalsubjects. The summer internships aim toprovide undergraduates real-world experience indealing with Latin American issues. Recently, internshave been placed at the Washington Officeon Latin America <strong>and</strong> the Center <strong>of</strong> Concern inWashington, D.C.; the Minnesota Advocates forHuman Rights in Minneapolis; the Nature Conservancyin Brazil <strong>and</strong> in Washington; FUSADES inEl Salvador; <strong>and</strong> Acceso in Costa Rica. For morecomplete information about courses that qualifyeach semester for the minor degree, the calendar <strong>of</strong>events or the summer research <strong>and</strong> internship competitions,please consult the LASP Web page atwww.nd.edu/~kellogg/laasp/about/index.html.Students are also invited to consult affiliatedfaculty, who include Thomas Anderson, IsabelFerreira, Maria Rosa Olivera-Williams, <strong>and</strong>Kristine Ibsen (Romance languages); MichaelCoppedge, Frances Hagopian, Michael Francis,Gretchen Helmke, Guillermo O’Donnell, ScottMainwaring, Rev. Timothy Scully, <strong>and</strong> ChristopherWelna (political science); Ted Beatty (history);Jaime Ros (economics); Gregory Downey,Roberto da Matta, <strong>and</strong> Victoria Sanford (anthropology);J. Samuel Valenzuela (sociology); JuanRivera (business); <strong>and</strong> Rev. Robert Pelton(theology).MEDITERRANEAN/MIDDLE EASTSTUDIESJoseph Amar, directorThis is a broad-based program that includes all aspects<strong>of</strong> the ancient <strong>and</strong> modern cultures that surroundthe Mediterranean. Courses from threeregions apply. In Europe, this includes the study <strong>of</strong>Classical Greece <strong>and</strong> Rome as well as modern Italy,France, Spain <strong>and</strong> Portugal. Courses on the MiddleEast are related to the study <strong>of</strong> Semitic peoples <strong>and</strong>their cultures, languages, religions <strong>and</strong> politics. InNorth Africa, Arab <strong>and</strong> Francophone history <strong>and</strong>civilization are the focus.COURSES IN MEDITERRANEAN/MIDDLEEAST STUDIESMEAR 101-104. Arabic LanguageMELC 235. Arabic Literature in EnglishTranslationMELC 240. Middle East HistoryMELC 255. Women’s Memories, Women’sNarrativeMELC 260. The Golden Age <strong>of</strong> IslamicCivilizationMELC 300Y. Zion in the American-IsraeliImaginationMELC 325. Christians <strong>and</strong> MuslimsMELC 350. Christianity in the Middle EastMELC 360. Canon <strong>and</strong> Literature <strong>of</strong> IslamMELC 390. Islam: Religion <strong>and</strong> CultureCLAS 305/HIST 305. Greek HistoryCLAS 308/HIST 319. Roman Law <strong>and</strong>GovernanceCLAS 450. Greek <strong>and</strong> Roman MythologyPOLS 331. IR <strong>of</strong> the Middle EastHIST 248. Martyrs, Monks, <strong>and</strong> CrusadersHIST 491N. JerusalemMI 390/HIST 394A. Medieval Middle EastROFR 235. French Civilization <strong>and</strong> CultureROSP 234. Civilization <strong>and</strong> Culture: SpainROIT 345. Introduction to Italian LiteratureOther courses may apply with the permission <strong>of</strong> thedirector.RUSSIAN AND EAST EUROPEANSTUDIESDavid Gasperetti, directorThe program in Russian <strong>and</strong> East European Studiesenables students to enrich their underst<strong>and</strong>ing <strong>of</strong>the region through a variety <strong>of</strong> courses in language,literature, history, politics, <strong>and</strong> economics whilealso encouraging <strong>and</strong> supporting the acquisition <strong>of</strong>firsth<strong>and</strong> experience in the culture <strong>of</strong> the area. Itslargest initiative provides grants for summer coursestaken from accredited programs, either in theUnited States or abroad. Traditionally, this hasmeant language study in Moscow, St. Petersburg,Warsaw, <strong>and</strong> Kraków, but language study elsewherein Eastern Europe as well as cultural programs <strong>and</strong>internships may also qualify for support. Theprogram’s lecture series allows students to exp<strong>and</strong>their knowledge <strong>of</strong> Russia <strong>and</strong> Eastern Europe beyondthe scope <strong>of</strong> their coursework by supplying acontinuous source <strong>of</strong> fresh ideas about the region.Each year, the program invites nationally <strong>and</strong> internationallyrenowned scholars to campus to sharetheir latest research in fields pertinent to the minor.By virtue <strong>of</strong> their competence in Russian or an EastEuropean language, participants in the programalso are eligible to study language abroad for a semesterduring the school year <strong>and</strong> to work in theregion as business interns <strong>and</strong> teachers during thesummer.COURSES IN RUSSIAN AND EASTEUROPEAN STUDIESRussian Language <strong>and</strong> LiteratureIn English:RU 373-374. 19th-Century Russian LiteratureI <strong>and</strong> IIRU 375-376. 20th-Century Russian LiteratureI <strong>and</strong> IIRU 379. The Brothers KaramozovRU 381. Russian Women MemoiristsRU 393. DostoevskyRU 394. TolstoyIn Russian:RU 451: St. Petersburg as Russian CulturalIconRU 461. Survey <strong>of</strong> 19th-Century RussianLiteratureRU 462. Survey <strong>of</strong> 20th-Century RussianLiteratureRU 471. An Introduction to Russian PoetryRU 492. ChekhovRU 393. Pushkin <strong>and</strong> His TimeRU 494. TolstoyPolitical SciencePOLS 347. The Nuts <strong>and</strong> Bolts <strong>of</strong> RussianPoliticsPOLS 358. Comparative Politics <strong>of</strong> East EuropeHistoryHIST 250. Modern Russia to the PresentHIST 380. East-Central Europe IHIST 381. East-Central Europe IIHIST 382. Eastern Europe Since 1945HIST 383. 19th- <strong>and</strong> 20th-Century PolishHistoryHIST 414. Late Imperial Russia, 1861-1917HIST 414A. Early Imperial Russia, 1700-1861HIST 415. 20th-Century Russian HistoryHIST 417. Dostoevsky’s RussiaHIST 418. Modern Russian Society<strong>and</strong> Culture IHIST 422. Russia Since World War IIHIST 495. Russian ThinkersHIST 495. The Russian Revolution


236OFFICERS OF ADMINISTRATIONOfficers <strong>of</strong> AdministrationIn the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>MARK W. ROCHE, Ph.D.I.A. O’Shaughnessy Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong><strong>and</strong> <strong>Letters</strong>GREGORY E. STERLING, PH.D.Associate Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>GREGORY E. DOWD, Ph.D.Associate Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>CINDY S. BERGEMAN, Ph.D.Associate Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>AVA PREACHER, M.A.Assistant Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>Pre-Law AdvisorJENNIFER ELY NEMECEK, M.A.Assistant Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>Prepr<strong>of</strong>essional AdvisorDOROTHY PRATT, Ph.D.Assistant Dean <strong>of</strong> the <strong>College</strong> <strong>of</strong> <strong>Arts</strong> <strong>and</strong> <strong>Letters</strong>BENEDICT F. GIAMO, Ph.D.Chair <strong>of</strong> the Program in American StudiesJAMES McKENNA, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> AnthropologyAUSTIN COLLINS, C.S.C., M.F.A.Chair <strong>of</strong> the Department <strong>of</strong> Art, Art History,<strong>and</strong> DesignMARTIN BLOOMER, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> ClassicsLIONEL JENSEN, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> East Asian Languages<strong>and</strong> LiteraturesRICHARD JENSEN, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> EconomicsCHRIS VANDEN BOSSCHE, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> EnglishDONALD CRAFTON, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> Film, Television,<strong>and</strong> TheatreROBERT NORTON, Ph.D.Acting Chair <strong>of</strong> the Department <strong>of</strong> German<strong>and</strong> Russian Languages <strong>and</strong> LiteraturesTHOMAS KSELMAN, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> HistoryPAUL JOHNSON, Ph.D.Acting Chair <strong>of</strong> the Department <strong>of</strong> MusicPAUL WEITHMAN, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> PhilosophyRODNEY E. HERO, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> Political ScienceCLARK POWER, Ph.D.Chair <strong>of</strong> the Program <strong>of</strong> Liberal StudiesJEANNE DAY, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> PsychologyDAYLE SEIDENSPINNER-NÚÑEZChair <strong>of</strong> the Department <strong>of</strong> Romance Languages<strong>and</strong> LiteraturesMICHAEL WELCH, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> SociologyJOHN CAVADINI, Ph.D.Chair <strong>of</strong> the Department <strong>of</strong> Theology


237ADVISORY COUNCILAdvisory CouncilEDWARD M. ABRAMSAtlanta, GeorgiaFRANK J. ANNESECooperstown, New YorkRUSSELL G. ASHBAUGH JR.Elkhart, IndianaJAMES T. BARRY JR.Milwaukee, WisconsinROBERT L. BERNER JR.Winnetka, IllinoisDAVID L. BOEHNENMinneapolis, MinnesotaMATTHEW BOMBERGERNew Castle, WashingtonBRIAN R. BRADYElkhart, IndianaCORDELIA CANDELARIATempe, ArizonaCHRISTOPHER WAI-CHE CHENGKwung Tong, Kowloon, Hong KongKATHRYN H. COLLETTBettendorf, IowaMORRISON A. CONWAY JR.Wilsonville, OregonWILLIAM J. DEVERS JR.Chicago, IllinoisJAMES F. FLAHERTY IIILos Angeles, CaliforniaDANIEL K. FLATLEYBasking Ridge, New JerseyBADI G. FOSTERBeachwood, OhioMICHAEL D. GALLIVANSalt Lake City, UtahJOHN W. GLYNNAtherton, CaliforniaCHARLES L. GRACECharlotte, North CarolinaROBERT N. GRECOSpokane, WashingtonMARK A. GREENVernon Hills, IllinoisJANE SWIHART HAGALEHouston, TexasSUSAN DARIN HAGANPittsburgh, PennsylvaniaC. ROBERT HANLEYNaples, FloridaPAUL M. HENKELSBlue Bell, PennsylvaniaTHOMAS A. HERBSTRITT JR.Franklin Park, IllinoisLAURA G. HOEYCambridge, MassachusettsWILLIAM P. JOHNSONGoshen, IndianaJ. COLLIS JONESWashington, D.C.PATRICK J. KEOUGHWarren, MichiganB. ROBERT KILLSouth Bend, IndianaPAUL G. KIMBALLNew York, New YorkEDWARD D. LEWISPalm Beach, FloridaEARL L. LINEHANTowson, Maryl<strong>and</strong>F. JOSEPH LOUGHREYColumbus, IndianaCAROL LYMANWinnetka, IllinoisJOHN R. MADDENLa Grange, IllinoisLUCIA RODARTE MADRIDPhoenix, ArizonaJOSEPH F. McCANNPurchase, New YorkF. GERARD McGRATHNew York, New YorkANDREW J. McKENNA JR.Morton Grove, IllinoisJOHN P. McMEELKansas City, MissouriM. ROSE MEISSNERSouth Bend, IndianaKENNETH R. MEYERChicago, IllinoisJOSEPH E. MORAHAN IIIDenver, ColoradoJAMES A. MORSE SR.Muskegon, MichiganCHRISTOPHER J. MURPHY IIISouth Bend, IndianaROBERT S. NANOVICNorth Yarmouth, MaineTHOMAS J. O’DONNELLChicago, IllinoisJEREMIAH P. O’GRADYNew York, New YorkMICHAEL D. O’HALLERANChicago, IllinoisTIMOTHY J. O’SHAUGHNESSYAlex<strong>and</strong>ria, VirginiaLISA MARIE PORCHE-BURKEAlhambra, CaliforniaDONALD V. POTTERMoraga, CaliforniaPAUL A. RAMSEYNew York, New YorkROBERT T. ROLFSWest Bend, WisconsinFRANKLIN D. SCHURZ JR.South Bend, IndianaDAVID F. SENGDawsonville, GeorgiaBRIAN O. SHANNONChicago, IllinoisCHARLES E. SHEEDYHouston, TexasMARK S. SHIELDSWashington, D.C.JEFFREY J. SPEAKSPrinceton, New JerseyF. QUINN STEPANNorthfield, IllinoisMATTHEW V. STORINBoston, MassachusettsGEORGE W. STRAKE JR.Houston, TexasTHOMAS A. SULLIVANNew York, New YorkKELLY J. TUTHILLBoston, MassachusettsMARK E. WATSON JR.San Antonio, TexasNOEL DON WYCLIFFChicago, Illinois

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