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<strong>Cuban</strong> <strong>Mortar</strong> <strong>Tiles</strong> Chapter 2: History of <strong>Tiles</strong>; From European roots to their arrival in Havana<br />

Fig 9 The name of the factory was sometimes<br />

imprinted on the back of the tile - the example<br />

above says ‘Es<strong>co</strong>fet y Cia Barcelona’<br />

Fig 14 Elaborate “carpet” design by Luis<br />

Domenech y Montaner (from ‘Es<strong>co</strong>fet’ catalogue<br />

no 6 1900).<br />

Fig 10 A rare catalogue for <strong>Cuban</strong> mosai<strong>co</strong>s<br />

hidrauli<strong>co</strong>s produced by ‘La <strong>Cuban</strong>a’<br />

factory (undated but thought to be from<br />

1920s or 1930s)<br />

Fig 15 Hydraulic press (from J. Rosell “El<br />

Mosaic Hidraulic”)<br />

Fig 11 New trepas <strong>co</strong>uld be easily made<br />

to new patterns to follow the latest<br />

trends.<br />

Fig 12 Fig 13<br />

Mosai<strong>co</strong>s hidrauli<strong>co</strong>s imitated the elaborate patteran which <strong>co</strong>uld previously<br />

be achieved with traditional tesselated “Roman” mosaic and encaustic<br />

clay tiles<br />

Fig 16 Cuba’s “Architecture of the Mould” - a facade showing the multitude of cast <strong>co</strong>ncrete elements from which the<br />

bulk of Cuba’s early 20th century buildings were made. Mosai<strong>co</strong>s hidrauli<strong>co</strong>s were an early product which pioneered<br />

the use of hydraulic power and pressed cement.

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