From the EditorApologies to Workshop membersand other regular readers for theu n p recedented gap of timebetween Newsletter editions. Afterover eight years of pumping out aregular quarterly, the chore of processingand formatting all the listingentries (noting member ac<strong>com</strong>plishmentsand activities) becametoo overwhelming a task to maintainalongside my careers as musicaldramatist and teacher. As thedelay became longer and longer, itfinally occurred to me, in a blindingflash of logic, that I needed anassistant to take over that task. Andafter a search that, to my re l i e f ,wasn’t much longer than the timeit took to look over my shouldert o w a rd an obvious candidate,L i b rettist member J e ff Simnoa g reed to sign on. Adding a bit ofhis own editorial style to the establishedformat, and with whatseemed like only minutes for alearning curve, he has done wonde r f u l l y. I hope he sticks aro u n dfor a long time.Owing to the enormous backlogof material, I decided to forego theusual ac<strong>com</strong>panying graphics forthis edition, but all things beingequal, we’ll be back to pictures ofyour lovely selves, colleagues, merchandiseand logos in the nextaction packed ish.<strong>BMI</strong>-Lehman EngelMusical Theatre Workshop320 West 57th StreetNew York, NY 10019212-830-2508theatreworkshop@bmi.<strong>com</strong>Jean Banks – Senior DirectorSteering CommitteePatrick CookRichard EngquistFrank EvansFrederick FreyerNancy GolladayAlan MenkenSusan H. SchulmanJane SmulyanDavid SpencerMaury Yeston2
ookwriters, most of whom areactively writing new works for themusical theatre. Noted alumniinclude Tony Aw a rd winners J e ffMarx and Robert Lopez (Av e n u eQ), Edward Kleban (A C h o r u sLine), Maury Yeston (Titanic, GrandHotel, Nine), Alan Menken (B e a u t yand the Beast, Little Shop of Horrors),Michael Korrie & Scott Frankel(G rey Gardens), Lynn Ahrens &Stephen Flaherty (Ragtime, OnceOn This Island) and Michael JohnLaChiusa (Hello Again, Marie Chris -tine, The Wild Party).The Drama Desk AwardThe Workshop received a special2006 Drama Desk Award “for nurturing,developing and pro m o t i n gnew talent for the musical theater.”Upon hearing the news, <strong>BMI</strong>P resident and CEO Del Bryantsaid, “We are thrilled to have beenselected for this unique honor. It isa recognition that the <strong>BMI</strong> LehmanEngel Musical Theatre Wo r k s h o phas truly be<strong>com</strong>e part of the fabricof Broadway over the past 45 years.The real credit goes to Lehman forhis inspiration and vision, and tothe many talented <strong>com</strong>posers, lyricistsand librettists who have sogenerously given of their time andpassion to nurture generations ofemerging talent.”Tony Aw a rd-winning <strong>BMI</strong> <strong>com</strong>poserMaury Ye s t o n (Nine, Ti t a n -t i c), a longtime moderator of theWorkshop who also cut his teethwith Engel, <strong>com</strong>mented, “If youthink about it, it may be the greatestimpact that any corporation hashad on American culture, certainlyon the sector of that culture we callmusical theater. In addition to itsmission of training the next generationof Broadway creators in the artand craft of the musical, it has createda <strong>com</strong>munity among these creators.Because of the Wo r k s h o p ,these people know each other,work together and collaborate....It’s a nebula—a place where starsa re born—where talent coalescesinto new stars, and it’s happeningt o d a y, right now, making futurestars.”In addition to the special awardp resented to the Workshop, pastand present members were alsonominated for Drama DeskAwards, including alumni MichaelJohn LaChiusa (Best Music andBest Lyrics for See What I Wa n n aSee) and Michael Korie (Best Lyricsfor G rey Gardens), and current 2ndYear Workshop member Ryan Cunninghamfor his I Love You Becauselyrics.3