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January & February 2013 - Berkeley Art Museum and Pacific Film ...

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1. The Death of Maria Malibran, 1.19.132. Eika Katappa, 2.17.13Courtesy The <strong>Museum</strong> of Modern <strong>Art</strong>, New York3. Willow Springs, 1.22.134. The Kingdom of Naples, 2.23.13—most notably by the Pina Bausch Dance Ensemble,the elderly Japanese mime <strong>and</strong> female impersonatorKazuo Oono, <strong>and</strong> Sankai Juku. Schroeter frames hiswhole investigation with a theory of recent Germanhistory, planned by the “architect” Hitler with a grantfrom General Motors, as a dress rehearsal for a muchlarger, more frightening historical flow.Written by Schroeter. Photographed by Franz Wich. WithSchroeter, Pina Bausch <strong>and</strong> the Pina Bausch Ensemble, SankaiJuku, Kazuo Oono. (90 mins, In French with English subtitles,Color, Blu-ray, From Munich <strong>Film</strong>museum, permission film & kunst)Wednesday / 2.13.13The Smiling StarWerner Schroeter (West Germany, 1983)7:00A work beyond categorization, more a weave or flowof different beauties that lie therein. Cinema Scope(Der lachende Stern, a.k.a. The Laughing Star). Whilea guest of the Manila International <strong>Film</strong> Festival,Schroeter began filming the plight of the poor <strong>and</strong>the power of the rich, often cl<strong>and</strong>estinely. The resulting“kaleidoscope of a ravaged country” (as Schroeterdescribed it) moves among the history of Spanish <strong>and</strong>American colonialism in the Philippines, Imelda <strong>and</strong>Ferdin<strong>and</strong> Marcos’s self-serving pronouncements, <strong>and</strong>accounts of the escalating opposition movement. This“splendidly eccentric doc mentary” (J. Hoberman)also includes an interview with Rex Reed, footagefrom a Fritz Lang film, <strong>and</strong> Imelda singing “Feelings.”(108 mins, In Tagalog, German, English, Spanish with Englishsubtitles, Color/B&W, Blu-ray, From Munich <strong>Film</strong>museum,permission film & kunst)Werner Schroeter: Magnificant Obsessionscontinues through March.Sunday / 2.17.13Eika KatappaWerner Schroeter (Germany, 1969)Archival print!This two-<strong>and</strong>-a-half hour funkfest is some kind ofgreat movie. J. Hoberman, The Village Voice5:30Schroeter’s first feature was no less experimentalthan his earlier short works; by turns operatic, balletic,melodramatic, hilarious, <strong>and</strong> haunting, the film defiessubtitles. The title translates roughly as “ScatteredPictures” <strong>and</strong> the film is the quintessential example ofSchroeter’s pastiche style, with shards of melodramawoven together into a nine-part musical format. Amongthe scattered vignettes we find a diva cum “hillbilly starfrom Massachusetts,” <strong>and</strong> two young men of Napleswho court to the rhythms of Carmen. Civilization maybe in ruins, but the film ends with the last words of thehillbilly diva, “Life is very precious, even right now.”Written by Schroeter. Photographed by Schroeter, Robertvan Ackeren. With Gisela Trowe, Carla Aulaula, MagdalenaMontezuma, Knut Koch. (147 mins, German <strong>and</strong> Italian operaticscore, Little dialogue, Color/B&W, 35mm, From Eye <strong>Film</strong> InstituteNetherl<strong>and</strong>s, permission film & kunst)Saturday / 2.23.13The Kingdom of NaplesWerner Schroeter (West Germany, 1978)6:00(Il regno di Napoli). Schroeter, at one time both astudent in <strong>and</strong> of the city of Naples, created a workmonumental in its concern for the city's vast underclass.The Kingdom of Naples tells of a Neapolitan slumcommunity over a thirty-year period following thewar, focusing on the disparate fortunes that lead onefamily member into the petit bourgeoisie, anotherinto the proletariat, still another into prostitution,one to an early death, another to late madness. Inhis first 35mm feature, Schroeter’s intensely operaticstyle is filtered through realism (specifically, Italianneorealism). At moments the film is as hallucinatoryas its text is socially profound.Written by Schroeter. Photographed by Thomas Mauch. WithAntonio Orl<strong>and</strong>o, Maria Antonietta Riegel, Christina Donadio,Dino Mele. (132 mins, In Italian with English subtitles, Color,Blu-ray, From Munich <strong>Film</strong>museum, permission film & kunst)Screenagers <strong>Film</strong> FestivalSaturday / 2.2.133:0015th Annual Bay Area High School<strong>Film</strong> & Video <strong>Film</strong> Festival(U.S., 2011–12)In person Student filmmakersSpecial pricing $5.50The annual Screenagers <strong>Film</strong> Festival, now in itsfifteenth year, is dedicated to showcasing newworks by Bay Area high school students. Thesepowerful, beautifully crafted films are productsof the imaginative minds of young artists thatreside in the Bay Area. They reveal the faces ofteenagers <strong>and</strong> the issues that they confront. Weinvite you to delve deep into the very soul ofthese films, no matter the genre or theme. You,too, will see—if only for a moment—through theeyes of a teenager in the twenty-first century.Jonathan Couch, Collette QuachThe program will be detailed in a h<strong>and</strong>out availableat the screening. Curated by <strong>Berkeley</strong> Highstudents in the Communication <strong>Art</strong>s <strong>and</strong> Sciences(CAS) program as part of an internship offered byBAM/PFA. The student curators are Ariel Grusky-Foley, Nora Lathan-Long, Alyana Reid, EstherRobinson-Abrams, Daniela Baldwin, Eva Cordero,Hope Amador, Shoshana Yaswen, Jonathan Couch,Collette Quach. Their high school student mentoris Josh Mizrahi, their mentor is Hila Abraham, <strong>and</strong>their teacher is Dharini Rasiah.Total running time: c. 90 mins17 BAM / PFA

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