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January & February 2013 - Berkeley Art Museum and Pacific Film ...

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EXHIBITIONSFacing Two DirectionsA Japanese Painter Looks to China<strong>January</strong> 30–March 24New ExhibitionA magnificent pair of screens painted in ink on an unusualbackground of silver <strong>and</strong> gold by Sakaki Hyakusen(1697–1752), the founding father of Nanga (SouthernSchool) painting in Japan, presents a shimmeringvision of a watery l<strong>and</strong>scape. The screens display elementsthat are unusual at this early point in Nangapainting—precise brushwork, detailed treatment offoreground elements, <strong>and</strong> the incorporation of spatialeffects to produce atmosphere—revealing Hyakusen’ssurprising mastery of Chinese painting technique.James Cahill describes Hyakusen as an artist facingtwo directions: one toward the celebrated past ofMing <strong>and</strong> early Qing dynasty Chinese painting, <strong>and</strong>the other toward the future through his influence onsucceeding generations of Nanga painters such asYosa Buson (1716–83), whose screen L<strong>and</strong>scape withTravelers is also on view.Hyakusen appears to be anomalous in his ability todistinctly interpret Chinese painting traditions withgreat subtlety <strong>and</strong> skill. Most Nanga artists learnedtheir techniques <strong>and</strong> painterly style not from originalChinese artworks but from woodblock-printed manualsthat were imported into a very insular Japan. The variedbrushwork <strong>and</strong> the complex compositional techniquesevident in these screens suggest that Hyakusen hadfirst-h<strong>and</strong> knowledge of genuine works of art from China,which he perhaps saw in the open port of Nagasaki.The screens, a recent gift to BAM/PFA, are approximately250 years old <strong>and</strong> yet they remain fresh <strong>and</strong>exhilarating. Still, they show their age, including grime<strong>and</strong> oxidation of the painted surface, as well as somedamage to the mounting <strong>and</strong> backing. BAM/PFA isactively pursuing funding for the conservation of theseimportant works of art to secure their preservationfor future generations.Facing Two Directions is organized by Senior Curator for Asian<strong>Art</strong> Julia M. White.Sakaki Hyakusen: L<strong>and</strong>scape, 18th century; pair of six-foldscreens (detail); ink on gold <strong>and</strong> silver; ea. 66 ¾ × 143 3/8 in.;gift of James Cahill.GALLERIES ALWAYS FREE FOR BAM/PFA MEMBERS7 BAM / PFA

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