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Part one of Passport's guide to Moscow's favorite - Passport magazine

Part one of Passport's guide to Moscow's favorite - Passport magazine

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Moscow Kremlin, Cross Chamber<br />

<strong>of</strong> the Patriarchal Palace<br />

June 19 – September 20<br />

Open: 10:00–17:00<br />

Except Thursday<br />

www.kreml.ru<br />

Go West<br />

To explain the name given <strong>to</strong> this exhibition we should<br />

go back <strong>to</strong> Soviet times, when you couldn’t go abroad simply<br />

by booking a ticket. It was considered incredible good<br />

fortune <strong>to</strong> win a ticket <strong>to</strong> a country as far away as Bulgaria.<br />

Even those who managed <strong>to</strong> get <strong>to</strong> neighbouring and<br />

friendly East European countries would recount for hours<br />

their impressions <strong>of</strong> a different world. The luckiest were diplomats<br />

and reporters who were sent on missions <strong>to</strong> completely<br />

inaccessible western countries, such as the United<br />

Kingdom, France or the United States. Any exhibition made<br />

by a Soviet pho<strong>to</strong>grapher who had been working in such<br />

countries caused huge interest in the media. There were<br />

fads as people copied haircuts and skirts, au<strong>to</strong>-enthusiasts<br />

discussed foreign racing cars for hours; common life in the<br />

streets in countries across the iron curtain held great fascination.<br />

This exhibition features works by eminent Soviet<br />

pho<strong>to</strong>graphers such as Vladimir Lagranzh, Valery Gende-<br />

Rote, Vassily Egorov. Their pho<strong>to</strong>s were not made for propaganda<br />

reasons, but for themselves, and for us, <strong>to</strong> understand<br />

what it was like looking at a different world.<br />

World Press Pho<strong>to</strong> 2009<br />

Red Oc<strong>to</strong>ber Fac<strong>to</strong>ry<br />

Bersenevskaya Naberezhnaya, 6, Building 3,<br />

Floor 4<br />

June 27–July 27<br />

11:00 – 20:00<br />

Open daily except Monday<br />

July 2009<br />

Previews<br />

Augsburg in the Kremlin<br />

The Kremlin Museums continue a tradition started some<br />

time ago – <strong>to</strong> present the treasures belonging <strong>to</strong> different nations<br />

and epochs. Having been able <strong>to</strong> view a fantastic exhibition<br />

<strong>of</strong> precious items from India this spring, a collection from<br />

the German Maximilian Museum is already being prepared.<br />

Augsburg is <strong>one</strong> <strong>of</strong> the oldest <strong>to</strong>wns in Germany, and thanks<br />

<strong>to</strong> its 17th century gold- and silversmiths, it was <strong>of</strong>ten labeled<br />

as the European jewellery capital. Works from gold-and silversmiths<br />

from the 16th – 17th centuries make up the highlights<br />

<strong>of</strong> this exhibition. At about this time, Augsburg set architectural<br />

trends in Eastern Europe, with its own Barocco style. Significant<br />

sculptural works include a “Fountain Lad” by Adriaen de<br />

Vries (ca. 1600) and other original sculptures from Augsburg’s<br />

monumental fountains that may be a revelation for Moscow<br />

audiences. Watches and porcelain sets, medals and bas-reliefs<br />

from as early as the Renaissance – all will be on display in the<br />

Kremlin through September.<br />

Lumiere Brothers’ Gallery<br />

Central House <strong>of</strong> Artists<br />

July 1 – August 24<br />

12:00–19:00<br />

Open daily except Mondays<br />

Krymsky Val, 10<br />

World Press Pho<strong>to</strong><br />

The Netherlands-based World Press Pho<strong>to</strong> Competition has existed<br />

since 1955, and is a unique space for independent pho<strong>to</strong>graphy, informational<br />

and cultural exchange. Nowadays this is the most prestigious<br />

contest in journalism pho<strong>to</strong>graphy. Every February, the jury select<br />

pho<strong>to</strong>graphs that best illustrate the previous year’s most remarkable<br />

events. The winners’ exhibition takes place in eighty countries. In Russia,<br />

the Red Oc<strong>to</strong>ber Fac<strong>to</strong>ry hosts the display this year. There is no<br />

fixed theme for the contest; that is determined by life itself. Whereas<br />

previous years’ winners presented works made in different hot spots <strong>of</strong><br />

the world, this year’s winner in the Every-day Life pho<strong>to</strong>graphy section,<br />

An<strong>to</strong>ny Suau, gives his vision <strong>of</strong> the financial crisis through his blackand-white<br />

image <strong>of</strong> an American sheriff’s deputy who moves with his<br />

gun drawn through a Cleveland home checking that the family has left<br />

their house due <strong>to</strong> a mortgage foreclosure. Among winners are Russian<br />

pho<strong>to</strong>graphers, <strong>to</strong>o. Yury Kozyrev won a prize in the Portrait nomination,<br />

Alexander Taran – in Sports Events and Alexey Bushov won a<br />

prize for his nature shots from Namibia.<br />

9

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