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Volume 8, Issue 1 Fall 2010 — Special Edition - Binghamton ...

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Institute of Global Cultural Studies, <strong>Volume</strong> 8, <strong>Fall</strong> <strong>2010</strong> 11… Ali A. Mazrui in History and Politicsdaughter Chelsea), and inter alia added:―… the importance of this last objective was illustratedwhen a journalist asked me before the trip,‗What is the capital of Africa?‘ ‖ While Mrs. Clintoncould afford to make a trip to learn, on the spot,about Africa, several of her compatriots wouldhave to rely on great scholars like the Mazruisand others to get the needed information, distilland use it. That, in essence is why Dr. Mazruican also be seen as an organic intellectual.With multi-faceted talents and researchagenda, Professor Mazrui‘s research interests,as can be ascertained easily by following his prolificwritings, have always included African politics,international political culture, political Islamas well as North-South relations. Maybe, the politicalIslam aspect unfortunately made an otherwisenice Indiana-based colleague describe theindomitable Dr. Mazrui as an ―Islamic fundamentalist,‖among other unflattering descriptions. Inthe foregoing contexts, Mazrui writes about Africantopics and other issues affecting other areasof the Developing (or Third) World.Very uniquely, Professor Mazrui has madesure that his writings about these crucial areas ofthe world do not languish only on the pages ofbooks. Therefore, he has taken steps to providehis admirers and the world televised documentaries,including ―The Africans,‖ a 1986 WashingtonDC-based Annenberg /CPB Project that was anine-part television series by PBS and narratedby Mazrui himself. The series did provide a historical-cum-politicaland cultural overview of thecontinent within the framework of the triple heritageof the traditions of Africa and foreign influences.Interestingly, the series was derived fromtwo of Dr. Mazrui‘s publication: The Africans: ATriple Heritage (1987); and the Africans: A Reader(1986). There were some critics, who felt thatthe nine-part series was influenced by BasilDavidson‘s own ―Africa: A Voyage of Discovery,‖a home television series (1984). Even so, it simplymeans that Dr. Mazrui is not an arm-chairscholar, who sits around restless and doing nothingbecause he has attained laurels in academicpromotions.Mazrui and ControversyAccording to many admirers and critics ofProfessor Mazrui, he is a scholar who thrives oncontroversy in his speeches, in his classroomteachings and, also, in his writings. Often, hisaudiences wonder how and when he finds controversialbut meaningful topics to discuss, andIGCS Director Ali A. Mazrui at a meeting with Ugandan President (first from right) Yoweri KagutaMaseveni, Kampala, Uganda, 2009.even why so. For example, he was asked to givea major lecture about Ghana‘s late PresidentNkrumah, who once invited him to serve on theinitial editorial board of Encyclopedia Africana.One wonders if it were a mere boldness or sheerarrogance when Dr. Mazrui theorized, in a publiclecture in Ghana, that ex-President Nkrumahwas a great African, but not a great Ghanaian.He reportedly based his thesis on the pervadingPan-Africanist stature of Nkrumah as opposed toGhana‘s internal political conditions, whichprompted the public uproar that contributed to hisoverthrow in the 1966 coup d’etat.The Ghanaian citizenry, from whichNkrumah drew his many supporters, wonderedhow and why Mazrui came to Ghana to tell themthat their great Osagyefo, after all, did more inthe realm of Pan-Africanism, including the sponsorshipof very extravagant or expensive projectsand even liberation movements externallywhen, in fact, the economy of Ghana was, asreported, in tatters. Consequently, Mazrui‘s contentionwas applauded by several Ghanaians, whosaw themselves within the political contexts ofthe late Oxford-educated Prime Minister K. A.Busia and the earlier University of London-educatedopposition leader, Lawyer Joseph B. Danquah.His critics felt that the good he did for liberationmovements and countries struggling for decolonizationmade outsiders see him as a great leader.Whether that is correct depends on the one makingthe assessment.In his writings, Professor Mazrui also hadhis share of critics, some fairly and others unreasonably.For example, when Heinemann EducationalBooks and New York‘s Third Press publishedhis 1971 novel, The Trial of ChristopherOkigbo, several Nigerians were divided in theopinions. Igbos from breakaway ―Biafra‖ in the Nigeriancivil war saw the book as a bold literaryexercise while anti-―Biafra‖ elements, who supportedthe Nigerian efforts to re-unite their country,felt that Mazrui was pandering to the otherside. Most certainly, these were fascinating contentions.Non-Africans also had their take on theOkigbo story, as told by Mazrui. In The New YorkTimes Book Review, George Davis wrote, amongother details about the publication, that in spite ofthe seriousness of the questions raised by thebook, there was something detached and alsoplayful about Dr. Mazrui‘s novel, adding: ―it becomesits own best proof that important politicalquestioning and art are not mutually exclusive.The Trial of Christopher Okigbo is a fine and unusualpiece of fiction.‖Professor Mazrui‘s historical-political novel— which marked him as a serious literary figure,was about aspects of the time and untimely

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