9780415317856_the_routledge_creative_writing_coursebook

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www.ATIBOOK.irGlossary 193same parallel as Reality and Magic in fiction for children, as if the surreal were the adultequivalent of the magical, a way of breaking free, going beyond, disregarding the needfor convincingness. Voice One in Pinter’s Family Voices (see pp. 206–8), whendescribing his new home in the city, often appears to have something surreal in mind.Textual intervention The exploration of existing creative texts through innovativeretellings.Transmitter An object of focus, present for the whole poem, the whole act ofattention, becomes a transmitter of meaning, shaping the poem’s world. Ted Hughes, inPoetry in the Making, cites D.H.Lawrence’s poem ‘Almond Trees’ in connection withthis effect.Turning point Where a main character crosses into a new emotional space, a turningpoint occurs. This can result from events, a change of mind, a reaction to something saidor overheard.Voice qualities Voice qualities such as tone, register, dialect and natural speechrhythms, imply energy and attitude, and frequently compel readers’ attention, enriching astory with point of view, character interest and contrast. They also allow a place forcontemporary speech, for regional and ethnic variations. Voice qualities, inherent in thecreative genres, remind us of an oral tradition that long pre-dates the invention of writing.
www.ATIBOOK.irBIBLIOGRAPHYTitles referred to in the textAlmond, D. (1998), Skellig, London, HodderArmitage, S. (2005), ‘The North’, in The Poetry Business, Vol 36, Huddersfield, FaberArmitage, S. (2003), The Indispensible Home Doctor, London, Faber and FaberAtwood, M. (1983), Bodily Harm, London, ViragoAtwood, M. (1992), Wilderness Tips, London, ViragoAtwood, M. (1994), Murder in the Dark, London, ViragoAuden, W.H. (1994), ‘Twelve Songs’, in Richard Curtis, Four Weddings and a Funeral, London,CorgiAyckbourn, A. (2002), The Crafty Art Of Playmaking, London, Faber and FaberBakhtin, M. (1984), Problems of Dostoevsky’s Poetics, ed. Caryl Emerson, Manchester,Manchester University PressBanks, I. (1990), The Wasp Factory, London, AbacusBell, A. (1999), ‘The Discourse Reader’, in A. Jaworski and C. Coupland eds, The DiscourseReader, London, RoutledgeBell, R. (1994), Scanning the Forth Road Bridge, Cornwall, PeterlooBerger, J. (1992), Keeping a Rendezvous, London, GrantaBhatt, S. (1987), The Reaper, No 16, Santa Cruz, University of California PressBierce, A. (1991), ‘Incident at Owl Creek Bridge’, Norton Anthology of American Literature, 5 thedition, New Jersey, Prentice HallBurningham, J. (2000) Come Away From the Water, Shirley, London, Red FoxBishop, E. (1991), Complete Poems, London, Chatto and WindusBohner, C. ed. (2002), Short Fiction, Classic and Contemporary, London, Prentice HallBradbury, M. ed. (1990), The Novel Today, London, FontanaBreeze, ‘Binta’ J. (1992), ‘Testament’ poem, in Afro-Caribbean reader, London, NortonBretton Women’s Book Fund, (1983), ‘You Can’t Kill The Spirit, Yorkshire Women Go ToGreenham’, People’s History Of Yorkshire—Four, Bretton Women’s Book Fund: Leeds.Browne, A. (1994) Bear Hunt, London, PuffinBryson, B. (1995), Notes from a Small Island, New York, DoubledayBryson, B. (1997), A Walk in the Woods, New York, DoubledayByatt, A.S. (2004), Introduction, in The Annotated Brothers Grimm, London, NortonCarter, A. (1995), The Bloody Chamber, London, PenguinCarver, R. (1997), Collected Poems, New York, Vintage BooksCarver, R. (1988), Elephant, London, HarvillCausley, C. (1975), ‘The Death of a Poet’, from Collected Poems 1951–75, London, MacmillanChopin, K. (1894), ‘The Story of an Hour’. First published in VogueChurchill, C. (1985), ‘Light Shining in Buckinghamshire’, Plays One, London, MethuenCinema 16 (2003) British Short FilmsCook, E. (2001), Achilles, London, MethuenCopus, J. (2003), ‘The Art of Illumination’, National Poetry Competition winner, 2003, publishedin IOSCrawford, R. and Imlah, M. eds (2000), The New Penguin Book of Scottish Verse, Penguin, LondonD’Aguiar, F. (1993), British Subjects, Newcastle, BloodaxeDoherty, B. (2003) Deep Secret, London, Puffin
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www.ATIBOOK.irPREFACESomewhere betw
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