www.ATIBOOK.irIndex 201point of view and 117, 137;in radio drama 202;as readers of text of reality 166;research and 127;in short stories 134Chekhov, Anton 5children/childhood;attitudes to adults in children’s fiction 124;earliest memories of 49–57;fear of <strong>the</strong> dark 42;magic and 123;mixed race experience 122–3, 197Chopin, Kate;‘The Story Of An Hour’ (short story) 149, 154Churchill, Caryl 218–9;‘Two women look in a mirror’ 222–3closure 31, 153, 218, 228Coetzee, J.M. 125Coleridge, Samuel Taylor 7, 20communication in drama;two way form of 227Conrad, Joseph 203consequence, high and low levels of (in drama) 186, 191, 214, 231consumerism in fiction 124convergence 81–2, 84, 228,see also <strong>creative</strong> process (qv)Cook, Elizabeth;Achilles 111–2, 230Coppola, Francis Ford 194Copus, Julia;‘The Art Of Illumination’ (poem) 32Coronation Street 189;see also Antigone (qv)counters;in children’s fiction 159–168;in adult fiction 166–7<strong>creative</strong> process 81, 82, 102, 228<strong>creative</strong> <strong>writing</strong>;and sense of risk 9;and orality 10, 41;and imagination 15–16;and audiences/readers 18, 34crossover fiction 156–8, 167, 169, 176, 179–80, 228D’Aguiar, Fred;‘Home’ (poem) 22–3, 26defamiliarisation 13, 74, 228Defoe, Daniel 30, 108, 109Dickens, Charles 71, 170;stage version 221, 226Dixon, Peter;
www.ATIBOOK.irIndex 202‘WHAM’ (poem) 25dialogue 29, 39, 67, 69, 129, 130, 143, 146–7, 155, 193, 196, 200, 201, 214, 225, 227, 228, 230,231Doherty, Berlie 176Dostoevsky, Fyodor 117Doyle, Roddy 117, 136, 157;Paddy Clarke Ha Ha Ha 163–5Duffy, Carol Ann 88, 103Duncan, Isadora 47–8Eco, Umberto;on Disneyland 124Eliade, Mercea 191Eliot, T.S. 73, 88, 101Eminem 89enactment 24, 64, 228epistolary style 3evaluation in fiction 121–3Faithfull, Marianne;Faithfull (autobiography) 53fairy tales 24, 53;and journeys 57, 118–19, 170;counters in 180; 228, 231Falling Down (feature film) 201Fanthorpe, U.A. 103, 104Faulks, Sebastian 113feature film(s);plot structures 193–4;sub genres of 223fiction and film, 116;see also camera perspectiveflash fiction 154, 229folk tales;patterns in 217;folk tale/folklore 119, 170, 217, 229, 231genre fiction 119, 147, 157, 229film archive 178Fine, Anne;Madame Doubtfire 171–2focalization 139, 197found texts 35Franzen, Jonathan;The Corrections 115–6, 128, 136, 167free indirect speech 6, 129, 152, 228see also free indirect style 229free verse 92–3free-<strong>writing</strong> 35Garner, Alan 182Geddes, Gary;
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