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House at 19 Downes Place, Hughes - Australian Institute of Architects

House at 19 Downes Place, Hughes - Australian Institute of Architects

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Taglietti believes the Osborne <strong>House</strong> (Currandooley), in NSW to the east <strong>of</strong> Canberra, is also <strong>of</strong>significance and was one <strong>of</strong> his earliest house designs in Australia. He considers th<strong>at</strong> the house <strong>at</strong><strong>19</strong> <strong>Downes</strong> <strong>Place</strong>, <strong>Hughes</strong>, the P<strong>at</strong>erson <strong>House</strong>, Aranda and the Mijuscovic <strong>House</strong>, Wanniassaare his most important residential designs. Of these three residences in Canberra, the <strong>Hughes</strong>house was the earliest, the most economical in construction and displays most <strong>of</strong> the fe<strong>at</strong>ures <strong>of</strong>the Organic style.Enrico Taglietti“Enrico Taglietti came to Australia from Italy to design the Italian promotional display for adepartment store in Sydney. While in Australia he was invited to design the Italian Embassy.”JT89“The exuberance and formal play <strong>of</strong> Taglietti’s architecture has no parallel in the country. Itstrangely combines the gaiety <strong>of</strong> much Italian, free form construction with the sobriety <strong>of</strong> the heavyforms <strong>of</strong> Japan’s post-war architects. It is an architecture fashioned for mood and visual delight.”89He established his own architecture practice in Canberra in <strong>19</strong>55 and is responsible for the design<strong>of</strong> some <strong>of</strong> Canberra’s most dynamic buildings. “The freedom <strong>of</strong> his work contrasts with thefunctional rigidity <strong>of</strong> much <strong>of</strong> Canberra’s architecture.” “Baffle walls and mouldings, stepped andcurved forms, come not from the r<strong>at</strong>ional dict<strong>at</strong>es <strong>of</strong> structural determinism, but from his abstractp<strong>at</strong>terning <strong>of</strong> the shapes <strong>of</strong> the building to cre<strong>at</strong>e interest through striking visual sp<strong>at</strong>ial effects.”“The use <strong>of</strong> hovering cantilevered planes <strong>of</strong> ro<strong>of</strong> and deck, have given his work a distinct characterand individuality.” HT p43Taglietti has written <strong>of</strong> his architecture: “Architecture is the Art <strong>of</strong> making spaces work for people, ishuman made environment on which the lives <strong>of</strong> our children will unfold, is the M<strong>at</strong>rix th<strong>at</strong>transforms st<strong>at</strong>ic places into a dynamic assembly <strong>of</strong> voids th<strong>at</strong> excites emotions alive with users.Is ‘Piazza del Palio’, ‘Central Park’, ‘Chartre’, the Opera <strong>House</strong>… is the ‘Invisible Canberra’ <strong>of</strong> mydreams.”Taglietti studied architecture <strong>at</strong> the Milan Polytechnic after the WWII, having spent much <strong>of</strong> hisyouth in Eritrea. Gio Ponti was a Pr<strong>of</strong>essor <strong>at</strong> the Polytechnic, a Bauhaus modernist and one <strong>of</strong>Italy’s most important architects and founder, in <strong>19</strong>28, <strong>of</strong> the journal Domus. Taglietti believesPonti was an excellent teacher and influenced him in these early years, however, it was the ideas<strong>of</strong> Bruno Zevi <strong>at</strong> the School <strong>of</strong> Rome th<strong>at</strong> had the gre<strong>at</strong>est influence on Taglietti. Zevi had recentlyreturned from the USA and brought with him the knowledge <strong>of</strong> F L Wright and his ‘n<strong>at</strong>ural’ ororganic architecture as opposed to ‘r<strong>at</strong>ional’ architecture. Zevi headed the Istituto Nazionale diArchitettura in Rome and also edited the journal L’Architettura Cronache E Storia. Taglietti foundhimself being educ<strong>at</strong>ed in Milan but his preferred philosophy <strong>of</strong> architecture was being taught inRome. Another early influence on him was the poetic style by reference to tradition and localenvironment <strong>of</strong> the work <strong>of</strong> BBPR.The use <strong>of</strong> geometric forms and extensive cantilevers, while partly based on F L Wright’s earlywork, is also a theme in modern Italian architecture and can be seen in the work <strong>of</strong> Valle, Sartagoand Moretti. At the base <strong>of</strong> Moretti’s apartment and <strong>of</strong>fice building in Via Rugabella, Milan, thetower sits into the lower level with the lower level wall cut <strong>at</strong> an angle, similar to Taglietti’s angledcuts into perimeter walls to some <strong>of</strong> his buildings.Enrico Taglietti was made a Life Fellow <strong>of</strong> the RAIA in 2001. He is a Knight <strong>of</strong> St Gregory andKnight Officer <strong>of</strong> the Italian Republic.Other examples <strong>of</strong> his work include the Town <strong>House</strong> Motel, <strong>19</strong>61, (demolished), Cinema Centre,Civic, <strong>19</strong>66 (now extensively altered internally), `ACMA Conference Centre, Barton, <strong>19</strong>67,(altered), Embassy Complex for the Republic <strong>of</strong> Italy, Deakin, <strong>19</strong>67, the Giralang Primary School,<strong>19</strong>76, Apostolic Nunci<strong>at</strong>ure and Chapel, Red Hill, <strong>19</strong>77, <strong>Australian</strong> War Memorial Repository,Mitchell, <strong>19</strong>79, the schools previously mentioned, Forrest Child Care Centre, Forrest and WodenYouth Centre, Philip.There are important works in Sydney including the Smith <strong>House</strong>, Pennant Hills, <strong>19</strong>65 and StPage 4 <strong>of</strong> 7

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