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eTransfers. A Postgraduate eJournal for Comparative Literature and Cultural Studies<br />

Issue 1 (2011)<br />

has at least the potential to make cognition understandable as a concrete process<br />

from the interior perspective of an experiencing individual.<br />

This potential of literary fiction is in large parts due to the intertwining of the<br />

three types of knowledge elaborated above. On the one hand, literary fiction can<br />

stage the interplay between propositional and procedural knowledge. This interplay<br />

demonstrates the embedding of knowledge in everyday life and its flexible applica-<br />

tion to everyday situations. On the other hand, through the staging of this interac-<br />

tion, narrative fiction provides the basis for the formation of narrative knowledge in<br />

readers’ minds. This narrative knowledge is connective and process-like, not redu-<br />

cible to its propositional content but operating in a much subtler way. In this way,<br />

narrative fiction succeeds at once in providing the basis for the formation of know-<br />

ledge of cognition and in representing the way in which cognition works in its natur-<br />

al context. The narrative knowledge peculiar to narrative fiction thus provides a me-<br />

dium for forming knowledge in action, namely knowledge of how cognition works<br />

in a natural surrounding.<br />

Contact Address:<br />

Stephan Freißmann, Stephan.Freissmann@gmx.de.<br />

Keywords:<br />

English: Ian McEwan, <strong>Saturday</strong>; knowledge in narrative fiction; fiction of cognition;<br />

cognitive science and literature.<br />

German: Ian McEwan, <strong>Saturday</strong>; Wissen in Erzählliteratur; fiction of cognition;<br />

Kognitionswissenschaft und Literatur.<br />

eTransfers. A Postgraduate eJournal for Comparative Literature and Cultural Studies<br />

http://eTransfers.uni-giessen.de<br />

http://www.sllf.qmul.ac.uk/research/anglogerman/etransfers/<br />

18

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