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Download the Visual Identity Manual (PDF) - IPS Inter Press Service

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SumarySumaryIntroduction..................................................................................................... 02History. ............................................................................................................ 03Full and Simplified Brandmark......................................................................... 04Construction Grid............................................................................................. 05Isolation Area....................................................................................................06Colour Specifications. ...................................................................................... 07Grayscale.......................................................................................................... 08Negative and High Contrast............................................................................. 09Colour Applications on High Contrast Version.................................................. 10Dark Backgrounds ............................................................................................11Applying <strong>the</strong> <strong>IPS</strong> Brand with O<strong>the</strong>rs (Horizontal).............................................. 12Applying <strong>the</strong> <strong>IPS</strong> with O<strong>the</strong>rs (Vertical)............................................................. 13Typography....................................................................................................... 14Stationery - Business Card.................................................................................15Stationery - Paper Size.......................................................................................16Stationery - Letterhead .....................................................................................17Stationery - Envelopes ......................................................................................18Fax Header ........................................................................................................23Notebook .........................................................................................................24Complementary Sheets......................................................................................25Rubber Stamp .................................................................................................. 26T-Shirts.............................................................................................................. 27Pens ................................................................................................................. 28Caps.................................................................................................................. 29<strong>Inter</strong>net............................................................................................................. 301


<strong>Inter</strong> <strong>Press</strong> <strong>Service</strong>Communication for a Closer World<strong>Inter</strong> <strong>Press</strong> <strong>Service</strong> (<strong>IPS</strong>) is committed to having a cohesive visual identity system that reinforces its position as an international non-governmental organization in <strong>the</strong> fieldof development and communication, and as <strong>the</strong> world's leading provider of information on global issues and sustainable development from <strong>the</strong> perspective of <strong>the</strong> South.The consistent and correct use of identity elements enhances <strong>IPS</strong>' image worldwide, making clear that each of its functional parts - editorial, regional, technical, services -contribute to its global makeup.I n t r oduct i o nAs times change, internal and external evolution demand an update of <strong>the</strong> graphic expressions of an institution's identity. In <strong>the</strong> case of <strong>IPS</strong>, this task is made more difficultby <strong>the</strong> fact that an international association of journalists and its news agency share <strong>the</strong> same icons. Fur<strong>the</strong>rmore, this objective must be accomplished without breakingaway from its past, its traditional brand that has enjoyed a remarkable positioning in <strong>the</strong> international scene where <strong>IPS</strong> belongs.Conceptually, Veraz and its <strong>IPS</strong> counterpart - <strong>the</strong> <strong>IPS</strong> Special Projects Office - have tried to achieve what is a designer's most difficult goal: to have both content anddistinctiveness within a simple format. This is difficult because in fact, today's world is becoming increasingly more uniform, replicating itself in a model commonlyattributed to an alien, ghostly globalisation process, one that hides a cultural and economic system attempting to present itself as final. This process perpetuates what <strong>IPS</strong>considers not just unsustainable but also dangerous inequalities, and permanent aggression against <strong>the</strong> environment. In our new logo, <strong>the</strong> world we intend to represent isdepicted in <strong>the</strong> more accurate proportions of <strong>the</strong> 'Peters map', instead of <strong>the</strong> North-centered Mercali map formerly used in <strong>the</strong> old logo. The map says that we are global andthat we have a fair vision of <strong>the</strong> world. Next to <strong>the</strong> map, <strong>the</strong>re is <strong>the</strong> acronym of <strong>IPS</strong> -- and both are surrounded by a thread that conveys <strong>the</strong> notion of unity and movementsimultaneously. The subtle opening on <strong>the</strong> upper right and lower left sides allows for a sense of depth absent from <strong>the</strong> old <strong>IPS</strong> logo.<strong>Visual</strong>ly, <strong>the</strong> logo breaks away from <strong>the</strong> authoritarian message inherent in square forms, in order to adopt a friendlier, round, global line. As an association of journalists anda news agency, this approach brings us closer to <strong>the</strong> graphic language that is largely perceived as being associated with <strong>the</strong> concept of communication. Hence, this emergesas a totally natural development.The chosen colours guarantee smoothness and lightness. In <strong>the</strong> perceptions of humans, blue is commonly linked to <strong>the</strong> purity of <strong>the</strong> sky and water, while yellow brings in <strong>the</strong>warmer images of <strong>the</strong> sun, wheat, oranges -- ''The Earth is blue,'' shouted an excited Yuri Gagarin during <strong>the</strong> first human flight to outer space. Politically, blue is <strong>the</strong> colour of<strong>the</strong> United Nations, humankind's main hope for peace, development, freedom and equity. The one-color version of <strong>the</strong> logo opts for different tones of blue, allowing an oftenresource-strained organisation to remain true to its identity.In short, <strong>the</strong> new logo represents commitment of <strong>IPS</strong> to bring <strong>the</strong> world closer to itself, which means making it more human, bridging and shortening <strong>the</strong> distances betweenNorth and South, East and West, Poor and Rich. In contributing to <strong>the</strong> enormous task of making ano<strong>the</strong>r world possible, <strong>IPS</strong> has an editorial philosophy that matches itsinstitutional mission: digging out <strong>the</strong> story underneath. The implementation of <strong>the</strong>se graphic standards will be overseen by <strong>the</strong> <strong>IPS</strong> Special Projects Office, under <strong>the</strong> directsupervision of <strong>the</strong> Director General. This office, in consultation with Veraz, will provide ongoing consultation, interpretation and advice related to <strong>the</strong> creative application of<strong>the</strong>se standards to <strong>IPS</strong>' central and different regional and country offices.2


HistoryHistory3


Isolation AreaThere is a clear area surrounding <strong>the</strong> perimetre of <strong>the</strong> element area of <strong>the</strong> <strong>IPS</strong> mark, established to maintain its integrity. No o<strong>the</strong>r element, symbol, or type mayintrude on this clear area. The area is equivalent to 2X (of <strong>the</strong> grid), on all sides.reaIs olat ion A 2x2x6


Colour SpecificationsColour is an essential part of a mark. It must always beapplied in <strong>the</strong> same tones and patterns. The <strong>IPS</strong> logohas two pattern colours, blue and yellow. On <strong>the</strong> right,<strong>the</strong> different colour specifications are specified. Theseformulas are an important guide, but by <strong>the</strong>mselves<strong>the</strong>y do not ensure that <strong>the</strong> final printing will match<strong>the</strong> desired tones and patterns. Whenever possible, acolour sample should be given to printers to match.QuadrichromyRGB colours 78G 145B 250G 207BWeb coloursPantone100C 60M 5K15M 100Yffd700 000080Col o ur SpecificationsPantoneCoatedPantoneUncoatedPantoneMatte coatedPantone 293CPantone 293UPantone 293MPantone 216CPantone 216UPantone 216MTrumatchcoloursTrumatch 35-A-1 Trumatch 11-A7


GrayscaleThe brandmark application in greyscale must be doneonly when colour printing is unavailable.G r ays ca le and Hal f t o n es85% Black20% BlackBlue Halftones100% Pantone60% Pantone8


Negative and High Contrast (no Gray or Halftones)The high-contrast version must be used when printing conditions do not allow for halftones or greyscale.High Contrasta i g o stNeg t ve and Hi h C ntraNegativeOptional9


Colour Applications on High Contrast VersionOn certain occasions, Blue Pantone 293C can be applied on light backgrounds and/or Yellow Pantone 116C on dark surfaces.C o lour A p lic a tions o n H i gh C o ntrast V ersion10


Dark BackgroundsWhen applying <strong>the</strong> full brandmark over a dark background,<strong>the</strong>re must be white box behind. The box must follow <strong>the</strong>Isolation Area rules specified in <strong>the</strong> Construction Grid(see Page 7).Applying <strong>the</strong> simplified brand (Blue) on dark backgrounds islikely to create confusion. Here some guidelines.r ack ro n sDa k B g u dWrong Applications11


Applying <strong>the</strong> <strong>IPS</strong> Brand with O<strong>the</strong>rs (Horizontal)When applying <strong>the</strong> <strong>IPS</strong> brand toge<strong>the</strong>r with o<strong>the</strong>rs, it must be ensured that <strong>the</strong> <strong>IPS</strong> brand is visible and that its Isolation Area is respected. The <strong>IPS</strong> brand should beplaced on <strong>the</strong> extreme right and its size should be 20% larger than <strong>the</strong> o<strong>the</strong>r brands.Prin t ing <strong>the</strong> I PS with O t her Brands (Horizontal)12


Applying <strong>the</strong> <strong>IPS</strong> Brand with O<strong>the</strong>rs (Vertical)When applying <strong>the</strong> <strong>IPS</strong> brand with o<strong>the</strong>rs on a vertical line, it must be ensured that<strong>the</strong> <strong>IPS</strong> brand is placed at <strong>the</strong> bottom and that its size is 20% higher than <strong>the</strong> o<strong>the</strong>rs.A pp l y i n g t h e I PS B r an d w i t h Ot h er s ( V er ti c al )13


TypographyTyp o gr a p h yThe correct use of typography streng<strong>the</strong>ns <strong>the</strong> <strong>IPS</strong> brand. The same typeface must be used in all text to be printed near <strong>the</strong> brand (slogans, wordmarks). The familyFrutiger has been selected for such lettering. The font family Humanist 777BlkBT must be used when lettering headlines, advertisements, posters, etc.Frutiger 57CnNormalAa Bb Cc Dd Ee Ff Gg hhIi Jj Kk Ll MmNn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz1 2 3 4 5 6 7 6 8 9 0BoldAa Bb Cc Dd Ee Ff Gg hhIi Jj Kk Ll MmNn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz1 2 3 4 5 6 7 6 8 9 0Humanst 777BlkBTAa Bb Cc Dd Ee Ff Gg hh Ii Jj Kk Ll MmNn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz1 2 3 4 5 6 7 6 8 9 014


Business CardStatione r yLorem IpsumDEPUTY EDITORFormat:85 mm x 55 mmPaper:White, preferably recycled, 240 gramsVia Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877mlubetkin@ips.orgwww.ipsnews.netFonts:Name: Frutiger 57Cn Bold - Body 11 - Leading 10Position: Frutiger 57Cn, All Caps - Body 7 - Leading10Address : Frutiger 57Cn, All Caps - Body 8 - Leading 10Lorem IpsumDEPUTY EDITORVia Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877mlubetkin@ips.orgwww.ipsnews.net15


Paper Sizes<strong>IPS</strong> uses <strong>the</strong> ISO series metric paper sizes for stationery and publications.As shown below A4 (210x 297mm)is <strong>the</strong> basis of multiplication and division.Statione r y<strong>Inter</strong>national Paper SizesThere is a standardised system of related sheet sizes, based on a series of three different sizescalled A, B or C - all of <strong>the</strong> same proportions.All sizes have <strong>the</strong> rectangular proportion of 1:sqrt2 (or 1: 1414) which is ma<strong>the</strong>matically unique -no o<strong>the</strong>r size allows paper to be cut, or folded, in half and yet retain <strong>the</strong> same proportion.Because <strong>the</strong>se proportions always remain constant, artwork will enlarge or reducephotographically to fit any <strong>Inter</strong>national Size. It is also not necessary to give dimensions of paper,as descriptions such as A4 or A3 are in universal use.Definition of weight, or "substance", of paper is expressed in constant terms as "grams persquare metre" (or gsm); if a sheet of AO paper weighs 90 grams it is <strong>the</strong>n described as "90 gsm",regardless of <strong>the</strong> actual size of <strong>the</strong> sheet.The A SeriesThe series is for general printed matter including stationery and publications. The basic standardsheet AO measures 841 x 1189mm which is <strong>the</strong> equivalent of a square metre in area. Eachnumber after <strong>the</strong> series initial A indicates a halving of <strong>the</strong> preceding larger area. Thus A1 is half ofAO, A2 is one-quarter of AO, A3 is an eighth of <strong>the</strong> AO sheet area, etc. Sheet sizes larger than AOretain <strong>the</strong> same proportions and a designating numeral is prefixed to <strong>the</strong> letter. Thus 2A0indicates a sheet twice as large as AO.The B SeriesThe B series is about half way between two A sizes. It is intended as an alternative to <strong>the</strong> A sizes,used primarily for books, posters, wail charts and similar pieces where <strong>the</strong> difference in size of <strong>the</strong>larger sheets in <strong>the</strong> A series represents too large a jump. The basic B size, called BO, measures1000 x 1414mmThe C SeriesThe C series is used for folders, post cards, and envelopes. The C series of envelope sizes issuitable for insertion of A series sizes ei<strong>the</strong>r flat or folded. A C6 envelope will take A6 sheet flat,an A5 folded once, or an A4 sheet folded twice.nternational Envelope SizesThe ISO envelope sizes are all from <strong>the</strong> B or C sheet sizes with<strong>the</strong> exception of one designated DL (DIN Lang).16


LetterheadStatione r yFormat:A4: 210 mm x 297 mmLetter: 8 1/2 x 11In (USA)Paper:White, preferably recycled, 90 gramsFont:Frutiger 57Cn Bold body 11,5/ leading 10<strong>IPS</strong>-INTER PRESS SERVICE <strong>Inter</strong>national AssociationHeadquarters| Via Panisperna, 207 | 00184 Rome - Italy | Tel +3906 485692 | Fax +3906 4817877<strong>IPS</strong>-INTER PRESS SERVICE <strong>Inter</strong>national AssociationHeadquarters| Via Panisperna, 207 | 00184 Rome - Italy | Tel +3906 485692 | Fax +3906 481787717


EnvelopesStatione r yC4 AND LETTERFormat:220 mm x 109 mmFont:57Cn Bold - Body 11,5 - Leading 10Via Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877www.ips.orgwww.ipsnews.netVia Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877www.ips.orgwww.ipsnews.net18


EnvelopesStatione r ySIZE C5(folded A4/Letter paper, two-colour)Format:148mm x 210mmFont:Frutiger 57Cn Bold - Body 11,5 -Lleading10Via Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877www.ips.orgwww.ipsnews.net19


EnvelopesStatione r ySIZE C5(Folded A4 and Letter paper, one-colour)Format:148mm x 210mmFont:Frutiger 57Cn Bold - Body 11,5 - Leading10Via Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877www.ips.orgwww.ipsnews.net20


EnvelopesStatione r ySIZE C4(for A4 and Letter paper, two-colours)Format:210mm x 297mm.Font:Frutiger 57Cn Bold - Body 11,5 - Leading 10Via Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877www.ips.orgwww.ipsnews.net21


EnvelopesStatione r ySIZE C4(for A4 and Letter paper, one-colour)Format:210mm x 297mmFont:Frutiger 57Cn Bold - Body 11,5 - Leading 10Via Panisperna 20700184 - Rome - ItalyTel.: +3906.485692Fax.: +3906.4817877www.ips.orgwww.ipsnews.net22


Fax HeaderFax Header<strong>IPS</strong>-<strong>Inter</strong> <strong>Press</strong> <strong>Service</strong> <strong>Inter</strong>national AssociationVia Panisperna 207, 00184 Rome - ItalyFax +3906 481787723


NotebookNotebookFormat: A5 (148mm x 210mm)A6 (105mm x 148mm)24


Complementary SheetsFor hand-written messages accompanyingdocuments and/or gifts.Format: A7 (74mm x 105mm)sCo m plem he et 25


Rubber Stamp and SealR u bber St a mp a n d S eal26


-sh r s T i tT-shirts27


P en sPens28


a s C pCaps29


<strong>Inter</strong>net<strong>Inter</strong>netAll <strong>IPS</strong> web sites must use <strong>the</strong> basic layoutand graphic icons here represented:21 pixels- Screen-wide blue/yellow horizontal strip,21 pixels high, with <strong>the</strong> blue strip on top- The <strong>IPS</strong> brandmark positioned on <strong>the</strong>upper left corner, in its smallest size (74 x25 pixels)This layout was defined on a 800 x 600pixels screen, <strong>the</strong> most common in webdesign. Any variation in <strong>the</strong> screen sizemust keep proportions as detailed here.30


Creation, developmentand layout:Veraz Comunicação(Porto Alegre, Brazil)www.veraz.com.brveraz@veraz.com.brin co-operationwith <strong>the</strong> <strong>IPS</strong>Special Projects Office31

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