A guide to the collection - Musée d'Art Moderne - Ville de Paris
A guide to the collection - Musée d'Art Moderne - Ville de Paris
A guide to the collection - Musée d'Art Moderne - Ville de Paris
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(on <strong>the</strong> left)<br />
Jean Fautrier<br />
The Jewish<br />
woman, 1943<br />
© <strong>Musée</strong> d’Art <strong>Mo<strong>de</strong>rne</strong><br />
/ Roger-Viollet<br />
© ADAGP<br />
Gallery 9<br />
(on <strong>the</strong> right)<br />
Jean Degottex<br />
E.T.C IV,<br />
30.03.1967, 1967<br />
© <strong>Musée</strong> d’Art mo<strong>de</strong>rne<br />
<strong>de</strong> la <strong>Ville</strong> <strong>de</strong> <strong>Paris</strong> /<br />
Roger-Viollet<br />
© ADAGP<br />
Gallery 10<br />
Permanent <strong>collection</strong>s Permanent <strong>collection</strong>s<br />
Realist art - Gallery 9<br />
The works on display recreate some of <strong>the</strong> his<strong>to</strong>ry and<br />
character of <strong>the</strong> museum by presenting a meaningful<br />
picture of art in <strong>the</strong> 1930s, in particular acquisitions ma<strong>de</strong><br />
in 1937. This section, <strong>de</strong>dicated <strong>to</strong> Realist art of <strong>the</strong> 1930s<br />
and 1940s, brings <strong>to</strong>ge<strong>the</strong>r works by André Derain,<br />
Marcel Gromaire, Francis Gruber as well as a representative<br />
<strong>collection</strong> of works by Bernard Buffet and Jean Fautrier.<br />
An<strong>to</strong>n Rä<strong>de</strong>rscheidt’s 1928 Self-portrait <strong>de</strong>picts a dreamlike<br />
figure reminiscent of Magical Realism. This major work<br />
from <strong>the</strong> German school of New Objectivity was acquired<br />
for <strong>the</strong> <strong>collection</strong> in 2007.<br />
Abstract art - Gallery 10<br />
A variety of forms of abstract art are displayed here,<br />
including pure abstract action painting (Hans Hartung,<br />
Pierre Soulages, Georges Mathieu) and new forms of graphic<br />
innovation (Jean Degottex, Mark Tobey, Henri Michaux),<br />
with paintings by Vieira da Silva providing a transition<br />
between abstract and figurative styles.<br />
Étienne-Martin<br />
Gallery<br />
Wink, 1970<br />
© Pierre An<strong>to</strong>ine<br />
© ADAGP<br />
Étienne-Martin Collection - Gallery 11<br />
This space displays <strong>the</strong> major gift of fifteen sculptures<br />
by Étienne-Martin ma<strong>de</strong> <strong>to</strong> <strong>the</strong> museum by l’Oréal.<br />
This is complemented by <strong>the</strong> generous gift of a large body<br />
of archive material by Madame Marie-Thérèse Martin-Le<br />
Balc’h. The varied range of formats and materials displayed<br />
covers almost <strong>the</strong> whole of <strong>the</strong> sculp<strong>to</strong>r’s career, illustrating<br />
<strong>the</strong> different major series which marked his progression:<br />
early abstract arts, Dwellings, Games and Roots, salvaged<br />
materials and polychromy.