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A guide to the collection - Musée d'Art Moderne - Ville de Paris

A guide to the collection - Musée d'Art Moderne - Ville de Paris

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André Derain<br />

Three figures<br />

seated on <strong>the</strong><br />

grass, 1906<br />

© <strong>Musée</strong> d’Art mo<strong>de</strong>rne<br />

<strong>de</strong> la <strong>Ville</strong> <strong>de</strong> <strong>Paris</strong> /<br />

Roger-Viollet<br />

© ADAGP<br />

Gallery 1<br />

Permanent <strong>collection</strong>s Permanent <strong>collection</strong>s<br />

Fauvism and Cubism - Gallery 1<br />

The <strong>to</strong>ur begins with Fauvist masterpieces by Matisse,<br />

Derain and Vlaminck and is complemented by a selection<br />

of some thirty ceramic works which are <strong>the</strong> fruit of artists’<br />

collaboration with André Mettey. In <strong>the</strong> same gallery,<br />

works by Picasso, Braque, Fernand Léger and Juan Gris<br />

establish a dialogue with o<strong>the</strong>r strands of Cubism, Gol<strong>de</strong>n<br />

Section and Orphism paintings, of which <strong>the</strong> museum has a<br />

representative <strong>collection</strong>.<br />

Abstraction - Creation - Gallery 2<br />

Robert Delaunay’s Rhythm No. 1 (1938) launched <strong>the</strong> trend<br />

for abstract art in <strong>the</strong> inter-war era, with most artists<br />

belonging <strong>to</strong> <strong>the</strong> Abstraction-Creation group which was an<br />

umbrella for all non-figurative, geometric and biomorphic<br />

art in <strong>the</strong> 1930s.<br />

Pablo Picasso<br />

Dove with green peas, 1911<br />

© <strong>Musée</strong> d’Art <strong>Mo<strong>de</strong>rne</strong> / Roger-Viollet<br />

© Succession Picasso 2009<br />

Gallery 1<br />

Decorative Arts Gallery<br />

Jean Dunand,<br />

Sports, 1935<br />

André Arbus, Suite<br />

of furniture for <strong>the</strong><br />

Society of Interior<br />

Decora<strong>to</strong>rs’ pavilion<br />

at <strong>the</strong> International<br />

Exhibition, 1937<br />

© Pierre An<strong>to</strong>ine<br />

Decorative Arts - Gallery 3<br />

One of <strong>the</strong> monumental galleries overlooking <strong>the</strong> Seine<br />

displays a <strong>collection</strong> of <strong>de</strong>corative art from <strong>the</strong> 1930s<br />

consisting of furniture and objets d’art. Around a painted<br />

panel entitled Sports (1935), created by Dunand for <strong>the</strong><br />

steamship Normandie, is prestigious furniture <strong>de</strong>signed<br />

by Ruhlmann, Printz, Arbus, Chareau and Adnet testifying<br />

<strong>to</strong> <strong>the</strong> City of <strong>Paris</strong>’ commitment <strong>to</strong> classic and mo<strong>de</strong>rnist<br />

<strong>de</strong>corative arts when <strong>the</strong> museum was established.<br />

During <strong>the</strong> 1937 International Arts and Technology<br />

Exhibition, <strong>the</strong> City of <strong>Paris</strong> purchased many high-quality,<br />

lavishly-worked objects from leading ceramicists,<br />

glassworkers, brass workers and metalworkers, which<br />

pushed <strong>the</strong> existing boundaries of form and materials.

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