National Trust Conference, continued- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Above: Neon motel sign along Route 66. Photo byJoseph Frost.Below: Students Kayte Chadbourn, Raina Regan, J.P. Hall,Emilie Eggemeyer, and Joe Frost at the 3-state cornerof Kansas, Oklahoma, and Missouri.Continued from page 1Thursday’s sessions included many toursthroughout Tulsa, that showcased its FederalBuildings and cultural neighborhoods, andalso farther abroad on Route 66. It wasalso a day of recent past meetings, includingChallenging Recent Past Preservation Policy,Teardowns in Suburbia: Preserving 1950s-‘60s Neighborhoods, and the Recent PastPreservation Network Annual Meeting. Theday was also filled with a four-part series ofsessions titled The Art of the Rescue, as well asgrassroots advocacy and “green” preservationpolicies.Friday was our final day of sessions. RainaRegan, a first year student with a passion forRoute 66 lore, set out west on the “MotherRoad” on the Get Your Kicks on Route 66daylong tour to Edmond, Oklahoma, exploringstructures and buildings listed in the NationalAbove: Historic building in downtown Tulsa.Below: Historic bridge on Route 66 in Sapulpa,Oklahoma. Photo by Raina Regan.Register of Historic Places along the way. Backin Tulsa, the rest of us attended sessions onrural preservation including Strategies for FarmPreservation, Can Sustainable Farming SustainHistoric Sites?, as well as sessions highlightingcommunity revitalization efforts.The conference was also a time for fun withour colleagues. Throughout the week, manyreconnected with friends from preservationnetworks, jobs, and internships. Some evengot a taste of the cowboy lifestyle with the helpof second year student, Travis Ratermann, whooutfitted us with boots, belt buckles, and hatsat the nearby western store. More studentsexplored local Tulsa attractions, including thelargest hand-crafted blue whale in nearbyCatoosa. Most of all, it was a welcomeweeklong retreat from life and school back inMuncie.On Saturday we departed, making the longjourney in one day. Leaving early in themorning, some set off straight for Muncie,while the others enjoyed a few detours alongthe way. They made stops again in St. Louisto see the Wainwright Building, one of LouisSullivan’s earliest skyscrapers, and at CahokiaMounds, just outside of St. Louis in Illinois.The site is one of the largest prehistoric sitesin the United <strong>State</strong>s. From the largest mound,Monks’ Mound, you can see the Gateway Archand Downtown St. Louis on a clear day.Overall, the trip was filled with great friendshipsand memories. We look forward to next year’sconference in Nashville, Tennessee.Above: Historic cast iron building at Laclede’sLanding in St. Louis. Photo by Joseph Frost.
Innovative Architecture Addresses Historic CompatibilityThe <strong>Ball</strong> <strong>State</strong> College of Architecture and Planning hadthe privilege of kicking off its Charlie Sappenfield GuestLecture series for <strong>2008</strong>-2009 with Gregg Pasquerelli, aprincipal architect at SHoP Architects in New York City,a firm that focuses on digital design and technology.Pasquerelli is a colleague and friend of Duncan Campbellfrom their graduate school days at Columbia <strong>University</strong>.Pasquerelli graduated from Columbia <strong>University</strong> in 1994 withhis Masters in Architecture. He and studio partner WilliamSharples, along with their wives and Sharples’ identical twinbrother, created SHoP Architecture. They forged a new kind ofpractice that was ahead of its time in the mid-1990s, using digitalfabrication software to move beyond style and the “-isms” whichcommonly plague architectural practice. Their designs testform against performance and transcend aesthetic appearance.The multifaceted office helps with design problem-solving,which elicits what Pasquerelli considers the “think-tank nature”of the office. The firm focuses on performance-based designrather than buildings that are aesthetically-based. This helpsthem understand how to design buildings that are economicalas much as they are innovative. They looked to the automotiveand aerospace industries as models in using computers tohelp deal with the complexities of fabrication and assembly.The computer software could manufacture pieces at fullscale. In doing so, it created building components that wereprecisely pre-cut and pre-measured, ready for assemblage.Right:The Porter HouseCondominiums,located in theMeatpackingDistrict ofNew York City.The projectconverted asix-story 1905warehouse intocondominiums.Designers addedfour stories tothe existingbuilding and an8-ft cantileveron the building’ssouthernexposure.“Pertinent to historic preservation advocates,” said Duncan, “agreat many of their digitally designed building are constructedin historic districts and dense urban areas containingsignificant historic resources. This firm has provided innovativesolutions in such contexts, while managing a commitmentto contemporary design and development paradigms forbuildings, planning, and landscapes. There are few firmsengaged in such exciting work, and few that have eschewedthe notion of “star” architects and “design-only” buildings infavor of cutting edge buildable structures and landscapes.”One such project is in the Little Italy Historic District. The firm hadto look at design guidelines regulating window size, scale, andmaterials. For the first time, SHoP designers had to use brick asa building material. Instead of looking at these as prescriptiveregulations, they wrote software to create pre-cast brickpatterns to form concrete panels that would form the buildingsurface. Concerning zoning regulations that prescribe the 17%of architectural detail that could extend over the property line,they simply inserted the figure into their software as one oftheir design parameters. In doing so, Pasquerelli stressed thenecessity of embedding sustainability and preservation intoperformance-based design in order to rethink the building itself.He said of the project “it’s still form to us,” and used the rulesthey were given to create parameters to guide their design.Concerning existing buildings, Pasquerelli emphasized theneed for an open architecture – to think broadly about theproblem and engage buildings in their environments. Headvocated the use of existing buildings and their incorporationinto new design as a key proponent to sustainability,considering it just another parameter guiding design. “Don’tknock down the building just to have to build another one.”Above: Plan for an addition to an existing building at the Fashion Institute ofTechnology in New York City to house a student lounge and exhibit area.All photos and renderings courtesy of SHoP Architects.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -