1. Monographs • Englische Romantik. Eine ... - Universität Tübingen

Publications of Christoph Reinfandt
• “Historicising the Popular: A Survey.” In: Jörg Helbig, René Schallegger, eds.
Anglistentag 2009 Klagenfurt: Proceedings. Trier: WVT, 2010: 229-242.
• “The Author as Nobody? Some Reflections on Modern Authorship on the Occasion
of Shakespeare in Love.” Matthias Bauer, Angelika Zirker, eds. Drama and Cultural
Change: Turning Around Shakespeare. Trier: WVT, 2009: 199-209.
• “Going Fetal with the Eels: The Autobiographical Self in Alternative Rock.” Patrick
Burger, Martin Butler and Arvi Sepp, eds. Sound Fabrics: Studies on the Intermedial
and Institutional Dimensions of Popular Music. Trier: WVT, 2009: 155-173.
• “Literatur als Medium.” Fotis Jannidis, Gerhard Lauer, Simone Winko, Hrsg.
Grenzen der Literatur. Zu Begriff und Phänomen des Literarischen. Revisionen:
Grundbegriffe der Literaturtheorie, Bd. 2. Berlin: de Gruyter, 2009: 161-187.
• (with Lars Eckstein) “The Adventures of William Bloke, or: Romanticism Today and
How It Got Here.” Lars Eckstein, Christoph Reinfandt, eds., Romanticism Today:
Selected Papers from the Tübingen Conference of the German Society for English
Romanticism. Trier: WVT, 2009: 7-17.
• "Reading Texts after the Linguistic Turn: Approaches from Literary Studies and
Their Implications." Benjamin Ziemann, Miriam Dobson, eds. Reading Primary
Sources: The Interpretation of Texts from Modern History. London: Routledge,
2009: 37-54.
• (with Lars Eckstein, Barbara Korte, Eva Ulrike Pirker) “A Divided Kingdom?
Reflections on Multi-Ethnic Britain in the New Millennium.” Lars Eckstein, Barbara
Korte, Ulrike Pirker and Christoph Reinfandt, eds. Multi-Ethnic Britain 2000+: New
Perspectives in Literature, Film and the Arts. IFAVL. Amsterdam and New York:
Rodopi Press, 2008: 9-21.
• “Populäre Reaktionen auf den 11. September 2001.” Christian Huck, Carsten Zorn,
Hrsg. Das Populäre der Gesellschaft. Systemtheorie und Populärkultur. Wiesbaden:
VS Verlag, 2007: 117-142.
• (with Silvia Mergenthal) “Literature and Music: Introduction.” Lilo Moessner, Christa
M. Schmidt, eds. Anglistentag 2004 Aachen: Proceedings. Trier: WVT, 2005: 195-
198.
• "Did It Matter, Does It Now? Literary Theory and English Studies in Germany, 1970-
2003." Stefan Kohl, ed. Anglistik: Research Paradigms and Institutional Policies
1930-2000. Trier: WVT, 2005: 389-407.
• "The North and Beyond: Modern Myths of Exploration, Discovery and
Transgression in Philip Pullman’s His Dark Materials-Trilogy." Wolfgang Klooss, ed.
Narratives of Exploration and Discovery: Essays in Honour of Konrad Gross. Trier:
WVT, 2005: 37-56.
• "World and Voice: Alpine Experiences and the Romantic Resistance to
Subjectivism.” Christoph Bode, Katharina Rennhak, eds. Romantic Voices,
Romantic Poetics. Trier: WVT, 2005: 69-84.
• "Beyond Locations and Genres: The Romantic Ideology Revisited.” Werner Huber,
Marie-Luise Egbert, eds. Alternative Romanticisms. Essen: Die Blaue Eule, 2003:
13-25.
• "Markierungen der Transzendenz in Hoch- und Populärkultur: T.S. Eliots Four
Quartets und Van Morrisons Hymns to the Silence." Nina Ort, Oliver Jahraus, Hrsg.
Beobachtungen des Unbeobachtbaren: Konzepte radikaler Theoriebildung in den
Geisteswissenschaften. Weilerswist: Velbrück, 2000: 101-124.
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