Arman - Vicky David Gallery

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22 Portrait-robot de Mozart, 1985 Accumulation of musical instruments and diverse objects under Plexiglas 210 x 143 x 54 cm Collection MAC/VAL, Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine Heroic Times, 1997 Accumulation of typewriters and reams of paper in Plexiglas box 180 x 180 x 49 cm Collection Arman Marital Trust COLÈRES AND COUPES Colère de Mandoline, 1961 Rage, smashed mandoline on wood panel 76 x 59 x 7 cm Collection Rira, Cologne Subida al cielo, 1961 Slice of double bass on wood panel 245 x 122 x 34 cm Collection Stéphanie and Olivier Dacourt, Paris, Courtesy Cudemo, Monaco, on permanent loan to Mamac, Nice Colère suisse, 1961 Rage, smashed cuckoo clock on wood panel 92 x 73 x 13 cm Collection Sprengel Museum, Hannover Untitled, 1961 Rage, smashed Louis XIII cabinet on wood panel 150 x 144 x 25 cm Fonds national d’art contemporain, Ministère de la culture et de la communication, Paris, on long-term loan to Mamac, Nice Butterfly Variations, 1962 Sliced violin on wood panel 93 x 72 x 12 cm Collection Dacourt, Paris Courtesy Galerie Georges-Philippe and Nathalie Vallois, Paris OK Dad. Let’s get a TV now, 1962 Smashed radio on wood panel 152 x 111.5 x 40 cm Private collection, Paris Tranche de vie de Jeanne d’arc, 1962 Slice of metal statuette 34 x 12 x 7 cm Fondation Allers Pro Arte Courtesy Galerie Georges-Philippe and Nathalie Vallois, Paris Guitare relief, 1962 Section of guitar on wood panel 130 x 97 x 12 cm Collection Rira, Cologne Chopin’s Waterloo, 1962 Smashed piano on wood panel 186 x 302 x 48 cm Centre Pompidou, Musée national d’art moderne, Paris Parade, 1962 Sliced kettles and jugs on shelf and wood panel 76 x 152.80 x 29 cm Private collection, Paris Arrêt de temps, 1963 Alarm-clock on wood panel 46 x 36 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris La Courtillière, 1962 Sliced violin on wood panel 96.5 x 57.5 x 6 cm Private collection, Paris Banjo Solo, 1963 Rage, smashed banjo on wood panel 69 x 40 cm Private collection, Paris Die Wise Orchid (White Orchid), 1963 Rage, exploded MG sports-car on wood panel 250 x 510 x 130 cm MMK, Museum fur Moderne Kunst, Frankfurt Splash (Harmoni and Nini), 1963 Smashed cornet and paint on wood panel 108 x 75.5 cm Private collection, Paris Le Grand Cello, 1963 Sliced cello on wood panel 200 x 153 x 11.5 cm Private collection, Paris Taïaut, Taïaut, 1964 Accumulation of smashed and cut-up brass instruments on wood panel 122 x 245 x 21 cm Private collection, Paris Endless Variation n° 1, 1967-1968 Lacquered wood 61 x 61 x 61 cm Collection Arman Marital Trust Conscious Vandalism, 1975 Rage, apartment installed by the artist at the John Gibson Gallery, New York, destroyed with an axe on 5 April 1975 70 m 2 Musée d’art moderne de la Ville de Paris Colère de télévision, 1976 Rage, smashed television in Plexiglas box 62.5 x 80 x 50 cm Collection Alain Bizos, Paris Colère de télévision, 1976 Rage, smashed television in Plexiglas box 62.5 x 80 x 50 cm Collection Alain Bizos, Paris
23 Colère de télévision, 1976 Rage, smashed television in Plexiglas box 62.5 x 80 x 50 cm Courtesy Galerie Georges-Philippe and Nathalie Vallois, Paris Solex, ici et là, 1989 Sculpture, 5 Solex motor-assisted bicycles, painted metal base 127 x 214 x 77 cm Collection Fondation Cartier pour l’art contemporain, Paris Du producteur au consommateur, 1997 Sandwich Combo, sliced refrigerator and caddies assembled 223.5 x 132 x 104 cm Collection Arman Marital Trust ARCHAEOLOGY OF THE FUTURE Violon brûlé, 1964 Combustion of violin on panel and polyester resin 76.5 x 54 x 5.5 cm Fondation A.R.M.A.N., Genève Black is Black, 1964 Combustion, burnt prie-Dieu and resin 104 x 63 x 63 cm Private collection, Paris Untitled, 1964 Combustion of smashed cello on panel and resin polyester 136 x 97 x 34 cm Private collection, Monaco Le Fauteuil d’Ulysse, 1965 Combustion of burnt armchair and resin 80 x 80 x 120 cm Private collection, Paris Collection, 1964 Toy cars and boxes in resin 35.5 x 63.5 x 7.3 cm Private collection, Paris Colère de double bass, 1966 Combustion of double bass in polyester resin and Plexiglas 200 x 158 x 20 cm Collection Jean Ferrero, Nice Bibliothèque d’Alexandrie, 1968 Combustion, burnt violins in Plexiglas box 200 x 160 x 18 cm Private collection Courtesy Alain Bizos, Paris Untitled, 1971 Inclusion, violin in resin 25 x 25 x 25 cm Private collection Constellation, 1970 Inclusion of steel balls in resin and Plexiglas 200 x 150 x 9 cm Private collection, Paris Téléphone coupé, 1969 Sliced bakelite telephone in concrete 50 x 25 x 10 cm Private collection, New York L’Aigle à deux têtes, 1974 Sliced cello and bow in concrete 140 x 100 x 11.5 cm Collection Mathieu, courtesy Galerie Georges-Philippe et Nathalie Vallois, Paris The Day After – Fried chicken, 1984 Burnt lamp cast in bronze 65 x 95 x 60 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris The Day After – Nero’s banquet, 1984 Burnt side table cast in bronze 45 x 120 x 60 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris The Day After – One Day in Amsterdam, 1984 Burnt chair cast in bronze 82 x 56 x 60 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris The Day After – S.F. chair, 1984 Burnt chair cast in bronze 88 x 54 x 43 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris The Day After – Open space, 1983-1984 Burnt cupboard in bronze 182 x 90 x 46 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris The Day After – Pompei’s Syndrome, 1984 Burnt chair cast in bronze 84 x 60 x 60 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris The Day After – Melted, 1984 Burnt tray and tea set cast in bronze 12 x 56 x 41 cm Collection Marianne and Pierre Nahon, Galerie Beaubourg, Paris
Page 1 and 2: COMMUNICATIONS DEPARTMENT PRESS PAC
Page 3 and 4: 21 July 2010 Direction de la commun
Page 5 and 6: � 5 2. PLAN & INTRODUCTION TO THE
Page 7 and 8: 7 3. BIOGRAPHICAL HIGHLIGHTS Armand
Page 9 and 10: 9 1971-1978 On 25 January 1971 Arma
Page 11 and 12: 11 4. PUBLICATIONS EXHIBITION CATAL
Page 13 and 14: 13 cocktail of materials and kitsch
Page 15 and 16: 15 Allure, to go beyond the simple
Page 17 and 18: 17 NOTES 1 Arman, Mémoires accumul
Page 19 and 20: 19 GALERIE 2, LEVEL 6 GUIDED TOURS
Page 21: 21 La Grande Bouffe, 1973 Accumulat
Page 25 and 26: 25 FILMS PRESENTED WITHIN THE EXHIB
Page 27 and 28: 7. PARTNER INA PARTNERS THE «ARMAN
Page 29 and 30: 29 Chopin’s Waterloo, 1962 © ADA
Page 31: 31 PRACTICALITIES AT THE SAME TIME

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