Arman - Vicky David Gallery
Arman - Vicky David Gallery
Arman - Vicky David Gallery
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4<br />
“I started as a painter … I had a physical, practical need to physically touch the paint. I found this<br />
system of capturing the paint as it comes from the tube, fixing it in Plexiglas or polyester resin –<br />
it becomes an object. Paint becomes object. I had lots of fun with that. I made monochrome works,<br />
and others very colourful: I remade the painter.”<br />
<strong>Arman</strong>, “L’archéologie du futur” interview with Daniel Abadie, (Cat. Jeu de Paume, 1998)<br />
The artist was indeed a painter by training, but by 1955 he had abandoned the brush for the<br />
stamp, applying it to the surface of paper or canvas with “automatic” gesture. Influenced by great<br />
figures of the earlier avant-gardes, among them Schwitters, Picasso and Nikolaas Werkman<br />
(a typographer close to De Stijl), <strong>Arman</strong> would in 1958 also incorporate the large format<br />
and all–over composition of American Abstract Expressionism into his own artistic language.<br />
In 1957, while in close contact with the concrete music milieu, <strong>Arman</strong> began to use objects covered<br />
in paint that left the trace of their passage across the canvas: these were the Allures d’objets,<br />
the ‘Gait of Objects’ works. In the course of these researches the object gradually began to impose<br />
itself within the pictorial frame, more particularly through the quantitative. From then on, the<br />
artist made the object part of his process of creation, seeing it as a “plastic fact.” The notorious<br />
Poubelles (Trashcans) thus present rubbish as an art material, locating <strong>Arman</strong> within a decisively<br />
post-modern approach.<br />
To accompany the <strong>Arman</strong> exhibition, the Centre’s Children’s <strong>Gallery</strong> will offer an interactive<br />
workshop for children of three years and upwards, organised around aspects of the artist’s work.<br />
Object and gesture will serve as key themes, bringing together <strong>Arman</strong>’s artistic innovation with<br />
the sensuous experience of the child. Absorbed in this “poetical and contemporary factory”<br />
conceived by artist-designer Adrien Rovero, children will be able to explore together, through<br />
their own senses, the distinctive techniques that <strong>Arman</strong> uses (the stamp, the transsection of<br />
objects, the photofit), bringing a fresh eye to bear on the world around them.<br />
in partnership with<br />
in media partnership with