news PS - Columbia University Medical Center
news PS - Columbia University Medical Center
news PS - Columbia University Medical Center
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<strong>PS</strong>club<br />
corner<br />
&<br />
A Chorus of Hallelujahs<br />
As the holiday spirit arrived on the <strong>Columbia</strong><br />
<strong>University</strong> <strong>Medical</strong> <strong>Center</strong> campus<br />
last December, the student-run Musicians’<br />
Guild of the P&S Club presented its first Messiah<br />
Sing on the evening of Dec. 12, 2011. Throughout<br />
the United States (and, indeed, worldwide), “Messiah<br />
Sing” events are a holiday staple and typically involve<br />
the performance of Part I of George Frideric Handel’s<br />
well-known oratorio, “Messiah” (1741), with its<br />
ever-popular “Hallelujah” chorus sung as the finale.<br />
Unlike standard classical music concerts, Messiah<br />
Sing events encourage audiences to participate and<br />
sing as the chorus, creating an opportunity for individuals<br />
of all musical backgrounds to experience one<br />
of the greatest masterpieces of the classical canon.<br />
The idea to organize a Messiah Sing at CUMC was<br />
first suggested by Jackie Havens’14, who proposed the<br />
ambitious idea in September 2011 to Musicians’ Guild<br />
co-directors Joshua Marr’14 and Andrew Duren’14<br />
and to conductor Hanjay Wang’15. As the team developed<br />
the framework of the 90-minute special event,<br />
14 student musicians (representing <strong>Columbia</strong> medical,<br />
dental, and graduate schools) assembled into the Messiah<br />
orchestra. Although Handel’s original instrumentation<br />
likely involved only oboes, trumpets, harpsichord,<br />
and a complete contingent of strings, our orchestra had<br />
a string section plus other instruments (flute, clarinet,<br />
48 <strong>Columbia</strong>Medicine Spring 2012<br />
and even soprano saxophone) that added an exotic and<br />
fresh color to the timeless music.<br />
On the night of the performance, Bard Hall’s student<br />
lounge was filled with an atmosphere of festive excitement,<br />
as Broadway vocalists Michael Ayers’14 and Jennifer<br />
Russo’15 adapted beautifully to the ornamented,<br />
Baroque style of Handel’s tenor and alto solos, respectively.<br />
Joshua Marr, an experienced veteran of “The<br />
Messiah,” contributed his gloriously sonorous voice as<br />
the bass soloist, and his wife, Meredith, performed the<br />
notably difficult soprano solos with flawless precision.<br />
The orchestra, too, delivered an evening of elegant<br />
music under the baton of conductor Hanjay Wang.<br />
Perhaps most impressive, however, was the audience<br />
that composed the chorus. In a survey of the attendees,<br />
one would not only find students from each of the<br />
schools on the CUMC campus, but also faculty and<br />
administrators, pre-medical applicants visiting <strong>Columbia</strong><br />
for the first time, and other community members<br />
living in the area. When the individuals of this diverse<br />
chorus stood and lifted their voices, the effect in Bard<br />
Hall was truly magnificent, from the first word of “And<br />
the Glory of the Lord” to the final chord of the famous<br />
“Hallelujah.” The evening was filled with a warm and<br />
generous holiday spirit and conveyed the ongoing commitment<br />
to the arts by the students, faculty, alumni,<br />
and many friends in the CUMC family.<br />
By Hanjay Wang’15<br />
Bard Hall’s student<br />
lounge hosted the first<br />
Messiah Sing at P&S<br />
PHotograPHS By DaviD Xu’15