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<strong>PS</strong>club<br />

corner<br />

&<br />

A Chorus of Hallelujahs<br />

As the holiday spirit arrived on the <strong>Columbia</strong><br />

<strong>University</strong> <strong>Medical</strong> <strong>Center</strong> campus<br />

last December, the student-run Musicians’<br />

Guild of the P&S Club presented its first Messiah<br />

Sing on the evening of Dec. 12, 2011. Throughout<br />

the United States (and, indeed, worldwide), “Messiah<br />

Sing” events are a holiday staple and typically involve<br />

the performance of Part I of George Frideric Handel’s<br />

well-known oratorio, “Messiah” (1741), with its<br />

ever-popular “Hallelujah” chorus sung as the finale.<br />

Unlike standard classical music concerts, Messiah<br />

Sing events encourage audiences to participate and<br />

sing as the chorus, creating an opportunity for individuals<br />

of all musical backgrounds to experience one<br />

of the greatest masterpieces of the classical canon.<br />

The idea to organize a Messiah Sing at CUMC was<br />

first suggested by Jackie Havens’14, who proposed the<br />

ambitious idea in September 2011 to Musicians’ Guild<br />

co-directors Joshua Marr’14 and Andrew Duren’14<br />

and to conductor Hanjay Wang’15. As the team developed<br />

the framework of the 90-minute special event,<br />

14 student musicians (representing <strong>Columbia</strong> medical,<br />

dental, and graduate schools) assembled into the Messiah<br />

orchestra. Although Handel’s original instrumentation<br />

likely involved only oboes, trumpets, harpsichord,<br />

and a complete contingent of strings, our orchestra had<br />

a string section plus other instruments (flute, clarinet,<br />

48 <strong>Columbia</strong>Medicine Spring 2012<br />

and even soprano saxophone) that added an exotic and<br />

fresh color to the timeless music.<br />

On the night of the performance, Bard Hall’s student<br />

lounge was filled with an atmosphere of festive excitement,<br />

as Broadway vocalists Michael Ayers’14 and Jennifer<br />

Russo’15 adapted beautifully to the ornamented,<br />

Baroque style of Handel’s tenor and alto solos, respectively.<br />

Joshua Marr, an experienced veteran of “The<br />

Messiah,” contributed his gloriously sonorous voice as<br />

the bass soloist, and his wife, Meredith, performed the<br />

notably difficult soprano solos with flawless precision.<br />

The orchestra, too, delivered an evening of elegant<br />

music under the baton of conductor Hanjay Wang.<br />

Perhaps most impressive, however, was the audience<br />

that composed the chorus. In a survey of the attendees,<br />

one would not only find students from each of the<br />

schools on the CUMC campus, but also faculty and<br />

administrators, pre-medical applicants visiting <strong>Columbia</strong><br />

for the first time, and other community members<br />

living in the area. When the individuals of this diverse<br />

chorus stood and lifted their voices, the effect in Bard<br />

Hall was truly magnificent, from the first word of “And<br />

the Glory of the Lord” to the final chord of the famous<br />

“Hallelujah.” The evening was filled with a warm and<br />

generous holiday spirit and conveyed the ongoing commitment<br />

to the arts by the students, faculty, alumni,<br />

and many friends in the CUMC family.<br />

By Hanjay Wang’15<br />

Bard Hall’s student<br />

lounge hosted the first<br />

Messiah Sing at P&S<br />

PHotograPHS By DaviD Xu’15

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