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news PS - Columbia University Medical Center

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— From “The Memoirs of Allen O. Whipple, 1881 – 1963”<br />

(unpublished) P. 232<br />

630 West 168th Street<br />

New York, NY 10032<br />

’’ ’’<br />

quotable<br />

columbians<br />

[A] hobby that I followed for some time was the collecting<br />

and studying of the hands of surgeons and physicians. At<br />

first I had the idea that there would be a definite difference<br />

in the shape and make-up of the hands of these two groups<br />

of practitioners. But as I collected models of some eight<br />

hands of well-known surgeons whom I had known in the<br />

American Surgical Association, and some thirty internists’<br />

hands, I realized that there was no difference. It soon<br />

became evident that, as in all walks of life, character was<br />

often expressed in the hand. Some interesting examples<br />

of this were shown in the hands of doctors with strong or<br />

striking personalities. Harvey Cushing, who was always<br />

positive in his opinions and well aware of his importance,<br />

sent me his hand, cast in bronze, with all his fingers in<br />

full extension and with all the tendons on the back of his<br />

hand tense and showing. Rudolph Matas of New Orleans,<br />

a most modest and cultured gentleman, always known<br />

for his desire to give his friends and associates full credit<br />

for everything that they had done (which resulted in<br />

his reading papers of interminable length) sent me the<br />

cast of his hand that suggested more than anything else<br />

a frightened bird seeking its nest. The men of artistic<br />

temperament, whether surgeons or physicians, had very<br />

much the same type of hands, with slender fingers longer<br />

than average. Most of the surgeons, because of their use of<br />

surgical instruments over long periods of time, had thicker<br />

and stronger palms and inter-osseous muscles than the<br />

internists. This was to be expected. This collection of hands<br />

stood on the top of my bookshelves in my office at the<br />

Presbyterian for several years and, when I retired, I left the<br />

collection to the surgical department.<br />

Non-Profit Org.<br />

U.S. Postage<br />

Paid<br />

New York, NY<br />

PERMIT NO. 3593<br />

‘ ‘‘ ‘‘<br />

Allen Whipple’s collection of hands<br />

disappeared — as he expected it would<br />

— after his retirement in 1946.

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