The M etropolitan M useum of A rt - Yale University Press
The M etropolitan M useum of A rt - Yale University Press
The M etropolitan M useum of A rt - Yale University Press
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Spanish A<strong>rt</strong><br />
14<br />
Goya<br />
Dali’s Optical Illusions<br />
Edited by Dawn Ades<br />
“Enthusiasts <strong>of</strong> the famous melting<br />
watches <strong>of</strong> <strong>The</strong> Persistence <strong>of</strong> Memory, or<br />
any <strong>of</strong> the other surreal effects the a<strong>rt</strong>ist<br />
produced over 60 years <strong>of</strong> work, will<br />
find Dali’s Optical Illusions a great way<br />
<strong>of</strong> approaching the paintings and<br />
drawings.”—Publishers Weekly<br />
Published in association with the<br />
Wadswo<strong>rt</strong>h Atheneum M<strong>useum</strong> <strong>of</strong> A<strong>rt</strong><br />
2000 196 pp. 60 b/w + 60 color illus.<br />
Cloth ISBN 08177-4 $55.00/$44.00<br />
Picasso and the Invention<br />
<strong>of</strong> Cubism<br />
Images <strong>of</strong> Women<br />
Edited by Janis A. Tomlinson<br />
Pepe Karmel<br />
“<strong>The</strong>se essays . . . explore Goya’s use <strong>of</strong><br />
satire, sympathy, and affection in his<br />
“Essential reading.”—James Hall,<br />
RA Magazine<br />
renditions <strong>of</strong> the female subject. A<br />
beautiful and impo<strong>rt</strong>ant book.”<br />
—Virginia Qua<strong>rt</strong>erly Review<br />
This groundbreaking book is the first<br />
This impo<strong>rt</strong>ant book transforms our<br />
understanding <strong>of</strong> Cubism, showing how<br />
it emerged in Picasso’s work and tracing<br />
its roots in nineteenth-century<br />
to examine Goya’s representations <strong>of</strong> philosophy and linguistics. Linking<br />
women, shedding light on the evolution well-known paintings and sculptures to<br />
<strong>of</strong> the a<strong>rt</strong>ist’s creativity as well as on<br />
women’s roles in late eighteenth- and<br />
early nineteenth-century Spain.<br />
the previously ignored drawings that<br />
accompanied them, Karmel demonstrates<br />
how Picasso’s quest to depict the human<br />
Published in association with the National body with greater solidity led,<br />
Gallery <strong>of</strong> A<strong>rt</strong>, Washington, D.C.<br />
paradoxically, to its fragmentation.<br />
2002 324 pp. 50 b/w + 130 color illus. 2002 324 pp. 50 b/w + 130 color illus.<br />
Cloth ISBN 09493-0 $65.00<br />
Cloth ISBN 09436-1 $60.00/$48.00<br />
Picasso<br />
<strong>The</strong> A<strong>rt</strong>ist’s Studio<br />
Michael FitzGerald<br />
This stunning book focuses on Picasso’s<br />
depictions <strong>of</strong> the a<strong>rt</strong>ist’s studio in<br />
paintings, drawings, and prints at<br />
every stage <strong>of</strong> his career.<br />
Published in association with the<br />
Wadswo<strong>rt</strong>h Atheneum M<strong>useum</strong> <strong>of</strong> A<strong>rt</strong><br />
2001 192 pp. 12 b/w + 90 color illus.<br />
Cloth ISBN 08941-4 $50.00/$40.00<br />
A Sum <strong>of</strong> Destructions<br />
Picasso’s Cultures and the Creation<br />
<strong>of</strong> Cubism<br />
Natasha Staller<br />
“Staller’s contribution is eminently<br />
original, scholarly impressive, deftly<br />
organized, and beautifully written. . . .<br />
Well-produced, reasonably priced, and<br />
<strong>of</strong> great impo<strong>rt</strong>ance to the Picasso<br />
literature. Highly recommended.”<br />
—Choice<br />
2001 438 pp. 195 b/w + 133 color illus.<br />
Cloth ISBN 07242-2 $50.00/$40.00<br />
Pablo Picasso<br />
<strong>The</strong> Communist Years<br />
Ge<strong>rt</strong>je R. Utley<br />
“Utley relates with unblinking clarity the<br />
story <strong>of</strong> Picasso’s close association with<br />
the French Communist Pa<strong>rt</strong>y in the<br />
decade after World War II. . . . Quietly<br />
devastating.”—Jed Perl, New Republic<br />
2000 280 pp. 175 b/w + 40 color illus.<br />
Cloth ISBN 08251-7 $60.00/$48.00<br />
Velázquez<br />
<strong>The</strong> Technique <strong>of</strong> Genius<br />
Jonathan Brown<br />
New in<br />
paper<br />
“A ravishingly beautiful, highly<br />
informative book. Brown and Garrido<br />
work well together, interweaving the<br />
a<strong>rt</strong>istic/historical background with the<br />
messy forensic facts effo<strong>rt</strong>lessly; the<br />
detail is stunning.”—George Crisp,<br />
A<strong>rt</strong> Review<br />
“This is the book for all students <strong>of</strong><br />
Velazquez who want to know more about<br />
his materials and how he used them.”<br />
—Choice<br />
“Velázquez: <strong>The</strong> Technique <strong>of</strong> Genius is an<br />
illuminating introduction to what can be<br />
learnt from the surface <strong>of</strong> the pictures.<br />
. . . It is built round illustrations <strong>of</strong><br />
details, nearly all from paintings in the<br />
Prado.”—Peter Campbell, London<br />
Review <strong>of</strong> Books<br />
In this engaging book, an a<strong>rt</strong> historian<br />
and a conservation scientist discuss the<br />
techniques Velázquez created in order to<br />
realize his a<strong>rt</strong>istic vision. Examining<br />
thi<strong>rt</strong>y works by Velázquez that span his<br />
entire career, the authors show how his<br />
technical achievement developed over<br />
time.<br />
2003 216 pp. 30 b/w + 210 color illus.<br />
Paper ISBN 10124-4 $40.00<br />
A Palace for a King<br />
New<br />
<strong>The</strong> Buen Retiro and the<br />
Cou<strong>rt</strong> <strong>of</strong> Philip IV; Revised<br />
and expanded edition<br />
Jonathan Brown and John H. Elliott<br />
<strong>The</strong> Buen Retiro, a royal retreat and<br />
pleasure palace, was built for Philip IV<br />
on the outski<strong>rt</strong>s <strong>of</strong> Madrid in the 1630s.<br />
With its superb display <strong>of</strong> paintings by<br />
Velázquez and other contemporary a<strong>rt</strong>ists,<br />
the palace became a showcase for the a<strong>rt</strong><br />
and culture <strong>of</strong> Spain’s Golden Age. A<br />
Palace for a King, first published to wide<br />
acclaim in 1980, provided a pioneering<br />
total history <strong>of</strong> the construction,<br />
decoration, and uses <strong>of</strong> a major royal<br />
palace, emphasizing the relationship <strong>of</strong><br />
a<strong>rt</strong> and politics at a critical moment in<br />
European history. In this extensively<br />
revised edition, the authors review the<br />
scholarship produced on different aspects<br />
<strong>of</strong> the history <strong>of</strong> the palace and its<br />
decoration over the past qua<strong>rt</strong>er century.<br />
A number <strong>of</strong> new, previously<br />
unpublished illustrations have been<br />
added, and many <strong>of</strong> the plates are now<br />
reproduced in color.<br />
2003 316 pp. 100 b/w + 75 color illus.<br />
Cloth ISBN 10185-6 $65.00<br />
yalebooks.com/a<strong>rt</strong>