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The M etropolitan M useum of A rt - Yale University Press

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Spanish A<strong>rt</strong><br />

14<br />

Goya<br />

Dali’s Optical Illusions<br />

Edited by Dawn Ades<br />

“Enthusiasts <strong>of</strong> the famous melting<br />

watches <strong>of</strong> <strong>The</strong> Persistence <strong>of</strong> Memory, or<br />

any <strong>of</strong> the other surreal effects the a<strong>rt</strong>ist<br />

produced over 60 years <strong>of</strong> work, will<br />

find Dali’s Optical Illusions a great way<br />

<strong>of</strong> approaching the paintings and<br />

drawings.”—Publishers Weekly<br />

Published in association with the<br />

Wadswo<strong>rt</strong>h Atheneum M<strong>useum</strong> <strong>of</strong> A<strong>rt</strong><br />

2000 196 pp. 60 b/w + 60 color illus.<br />

Cloth ISBN 08177-4 $55.00/$44.00<br />

Picasso and the Invention<br />

<strong>of</strong> Cubism<br />

Images <strong>of</strong> Women<br />

Edited by Janis A. Tomlinson<br />

Pepe Karmel<br />

“<strong>The</strong>se essays . . . explore Goya’s use <strong>of</strong><br />

satire, sympathy, and affection in his<br />

“Essential reading.”—James Hall,<br />

RA Magazine<br />

renditions <strong>of</strong> the female subject. A<br />

beautiful and impo<strong>rt</strong>ant book.”<br />

—Virginia Qua<strong>rt</strong>erly Review<br />

This groundbreaking book is the first<br />

This impo<strong>rt</strong>ant book transforms our<br />

understanding <strong>of</strong> Cubism, showing how<br />

it emerged in Picasso’s work and tracing<br />

its roots in nineteenth-century<br />

to examine Goya’s representations <strong>of</strong> philosophy and linguistics. Linking<br />

women, shedding light on the evolution well-known paintings and sculptures to<br />

<strong>of</strong> the a<strong>rt</strong>ist’s creativity as well as on<br />

women’s roles in late eighteenth- and<br />

early nineteenth-century Spain.<br />

the previously ignored drawings that<br />

accompanied them, Karmel demonstrates<br />

how Picasso’s quest to depict the human<br />

Published in association with the National body with greater solidity led,<br />

Gallery <strong>of</strong> A<strong>rt</strong>, Washington, D.C.<br />

paradoxically, to its fragmentation.<br />

2002 324 pp. 50 b/w + 130 color illus. 2002 324 pp. 50 b/w + 130 color illus.<br />

Cloth ISBN 09493-0 $65.00<br />

Cloth ISBN 09436-1 $60.00/$48.00<br />

Picasso<br />

<strong>The</strong> A<strong>rt</strong>ist’s Studio<br />

Michael FitzGerald<br />

This stunning book focuses on Picasso’s<br />

depictions <strong>of</strong> the a<strong>rt</strong>ist’s studio in<br />

paintings, drawings, and prints at<br />

every stage <strong>of</strong> his career.<br />

Published in association with the<br />

Wadswo<strong>rt</strong>h Atheneum M<strong>useum</strong> <strong>of</strong> A<strong>rt</strong><br />

2001 192 pp. 12 b/w + 90 color illus.<br />

Cloth ISBN 08941-4 $50.00/$40.00<br />

A Sum <strong>of</strong> Destructions<br />

Picasso’s Cultures and the Creation<br />

<strong>of</strong> Cubism<br />

Natasha Staller<br />

“Staller’s contribution is eminently<br />

original, scholarly impressive, deftly<br />

organized, and beautifully written. . . .<br />

Well-produced, reasonably priced, and<br />

<strong>of</strong> great impo<strong>rt</strong>ance to the Picasso<br />

literature. Highly recommended.”<br />

—Choice<br />

2001 438 pp. 195 b/w + 133 color illus.<br />

Cloth ISBN 07242-2 $50.00/$40.00<br />

Pablo Picasso<br />

<strong>The</strong> Communist Years<br />

Ge<strong>rt</strong>je R. Utley<br />

“Utley relates with unblinking clarity the<br />

story <strong>of</strong> Picasso’s close association with<br />

the French Communist Pa<strong>rt</strong>y in the<br />

decade after World War II. . . . Quietly<br />

devastating.”—Jed Perl, New Republic<br />

2000 280 pp. 175 b/w + 40 color illus.<br />

Cloth ISBN 08251-7 $60.00/$48.00<br />

Velázquez<br />

<strong>The</strong> Technique <strong>of</strong> Genius<br />

Jonathan Brown<br />

New in<br />

paper<br />

“A ravishingly beautiful, highly<br />

informative book. Brown and Garrido<br />

work well together, interweaving the<br />

a<strong>rt</strong>istic/historical background with the<br />

messy forensic facts effo<strong>rt</strong>lessly; the<br />

detail is stunning.”—George Crisp,<br />

A<strong>rt</strong> Review<br />

“This is the book for all students <strong>of</strong><br />

Velazquez who want to know more about<br />

his materials and how he used them.”<br />

—Choice<br />

“Velázquez: <strong>The</strong> Technique <strong>of</strong> Genius is an<br />

illuminating introduction to what can be<br />

learnt from the surface <strong>of</strong> the pictures.<br />

. . . It is built round illustrations <strong>of</strong><br />

details, nearly all from paintings in the<br />

Prado.”—Peter Campbell, London<br />

Review <strong>of</strong> Books<br />

In this engaging book, an a<strong>rt</strong> historian<br />

and a conservation scientist discuss the<br />

techniques Velázquez created in order to<br />

realize his a<strong>rt</strong>istic vision. Examining<br />

thi<strong>rt</strong>y works by Velázquez that span his<br />

entire career, the authors show how his<br />

technical achievement developed over<br />

time.<br />

2003 216 pp. 30 b/w + 210 color illus.<br />

Paper ISBN 10124-4 $40.00<br />

A Palace for a King<br />

New<br />

<strong>The</strong> Buen Retiro and the<br />

Cou<strong>rt</strong> <strong>of</strong> Philip IV; Revised<br />

and expanded edition<br />

Jonathan Brown and John H. Elliott<br />

<strong>The</strong> Buen Retiro, a royal retreat and<br />

pleasure palace, was built for Philip IV<br />

on the outski<strong>rt</strong>s <strong>of</strong> Madrid in the 1630s.<br />

With its superb display <strong>of</strong> paintings by<br />

Velázquez and other contemporary a<strong>rt</strong>ists,<br />

the palace became a showcase for the a<strong>rt</strong><br />

and culture <strong>of</strong> Spain’s Golden Age. A<br />

Palace for a King, first published to wide<br />

acclaim in 1980, provided a pioneering<br />

total history <strong>of</strong> the construction,<br />

decoration, and uses <strong>of</strong> a major royal<br />

palace, emphasizing the relationship <strong>of</strong><br />

a<strong>rt</strong> and politics at a critical moment in<br />

European history. In this extensively<br />

revised edition, the authors review the<br />

scholarship produced on different aspects<br />

<strong>of</strong> the history <strong>of</strong> the palace and its<br />

decoration over the past qua<strong>rt</strong>er century.<br />

A number <strong>of</strong> new, previously<br />

unpublished illustrations have been<br />

added, and many <strong>of</strong> the plates are now<br />

reproduced in color.<br />

2003 316 pp. 100 b/w + 75 color illus.<br />

Cloth ISBN 10185-6 $65.00<br />

yalebooks.com/a<strong>rt</strong>

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