The M etropolitan M useum of A rt - Yale University Press

Art & Architecture 2004
Including Books on Photography, Decorative Arts, Fashion, and Graphic Design

American Art
2
Thomas Eakins
Edited by Darrel Sewell
“This is the ultimate Eakins book.”
—Canadian Art
Winner of the 2001 Henry Russell
Hitchcock Book Award, given by The
Victorian Society in America
Published in association with the
Philadelphia Museum of Art
2001 488 pp
200 b/w, 100 duotone, + 120 color illus.
Cloth ISBN 09111-7 $75.00
Picturing Old
New England
Image and Memory
Edited by William H. Truettner and
Roger Stein
Published in association with the National
Museum of American Art, Smithsonian
Institution
1999 272 pp. 120 b/w + 90 color illus.
Cloth ISBN 07938-9 $65.00/$52.00
Fairfield Porter
A Life in Art
Justin Spring
2000 400 pp. 35 b/w + 24 color illus.
Cloth ISBN 07637-1 $45.00
Barnett Newman
The Cos Cob Art Colony
Edited by Ann Temkin
Impressionists on the Connecticut Shore
“[A] marvelously evocative catalog in Susan G. Larkin
which stunning reproductions are “[T]his well-written and richly
matched with biographical and critical illustrated volume is a welcome
essays and other valuable documentation. addition to American art scholarship.”
Temkin and her contributors illuminate —Antiques Weekly
the thought and emotion that went into
Newman’s deceptively simple
paintings.”—Booklist
Published in association with the
Philadelphia Museum of Art
2002 248 pp. 110 b/w + 170 color illus.
Cloth ISBN 09429-9 $65.00
Art as Evidence
Writings on Art and Material Culture
Jules David Prown
This important book brings together
some of the most influential writings of
Jules Prown, a leading historian of
American art and a pioneer in the study
of material culture.
2002 336 pp. 160 b/w + 24 color illus.
Cloth ISBN 08431-5 $50.00/$40.00
The Flow of Art
Essays and Criticisms
Henry McBride
1997 476 pp. 39 b/w illus.
Cloth ISBN 06996-0 $50.00/$40.00
Paper ISBN 06997-9 $25.00/$20.00
Published in association with the National
Academy of Design, New York
2001 264 pp. 62 b/w + 77 color illus.
Cloth ISBN 08852-3 $50.00
On the Edge of Your Seat
Popular Theater and Film in Early
Twentieth-Century American Art
Patricia McDonnell
Finalist for the 2002 George Freedley
Memorial Award sponsored by the
Theatre Library Associaiton
Published in association with the Frederick
R. Weisman Art Museum, University of
Minnesota
2002 240 pp. 43 b/w + 95 color illus.
Cloth ISBN 09240-7 $45.00
Grandma Moses
in the 21st Century
Jane Kallir
Published in association with Art
Services International
2001 264 pp. 80 b/w + 95 color illus.
Cloth ISBN 08927-9 $65.00
Artists on the Left
American Artists and the Communist
Movement, 1926–1956
Andrew Hemingway
“No better visual volume exists of the
American art of social concern.”—
Kenneth Baker, San Francisco Chronicle
2002 368 pp. 150 b/w + 40 color illus.
Cloth ISBN 09220-2 $65.00/$52.00
Winslow Homer
Nicolai Cikovsky, Jr. and Franklin Kelly
Published in association with the National
Gallery of Art, Washington, D.C.
1995 420 pp. 225 b/w + 260 color illus.
Cloth ISBN 06555-8 $80.00
Painters and the
American West
The Anschutz Collection
Joan Carpenter Troccoli
Published in association with the
Denver Art Museum
2000 220 pp. 206 color illus.
Cloth ISBN 08722-5 $45.00
Marsden Hartley
American Modernist
Edited by Elizabeth Mankin Kornhauser
“This outstanding exhibition catalog,
Hartley’s first retrospective since 1980,
offers eight insightful essays on
distinctive aspects of this modernist’s
diverse career. . . . Essential.”—Choice
Published in association with the Wadsworth
Atheneum Museum of Art
2002 352 pp. 80 b/w + 170 color illus.
Cloth ISBN 09767-0 $55.00
Image Duplicator
Roy Lichtenstein and the Emergence
of Pop Art
Michael Lobel
“A timely, engaging, and even
provocative study of this important
artist.”—Ann Gibson
Yale Publications in the History of Art
2002 208 pp. 70 b/w + 40 color illus.
Cloth ISBN 08762-4 $50.00/$40.00
The Life and Work of
Martin Johnson Heade
A Critical Analysis and Catalogue
Raisonné
Theodore E. Stebbins, Jr.
2000 400 pp. 690 b/w + 84 color illus.
Cloth ISBN 08183-9 $85.00/$68.00
yalebooks.com/art

Signs of the Artist
Signatures and Self-
Expression in American New
Paintings
John Wilmerding
“Beautifully presented and illustrated.”
—Library Journal
Signatures are unique and often reveal
something of our individual
personalities. In this intriguing book,
John Wilmerding—an eminent
historian of American art—explores the
unconventional use of signatures in
paintings. The author focuses on
American artists who have not simply
signed their works on a corner of the
canvas but have intentionally placed
their signatures within the pictorial space
of the painting. Wilmerding examines
such signatures in works by twentyseven
artists from the eighteenth through
twentieth centuries, including John
Singleton Copley, Winslow Homer,
Thomas Eakins, Jasper Johns, Andrew
Wyeth, and Richard Estes.
2003 216 pp. 108 b/w + 47 color illus.
Cloth ISBN 09779-4 $40.00
Mirror-Travels
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Robert Smithson and New
History
Jennifer L. Roberts
“Mirror-Travels is a very valuable
addition to art historical and
theoretical literature on Smithson,
providing new and illuminating
accounts of Smithson’s career and most
striking works. This book will have to
be read by anyone interested in
Smithson and in the critical discourse
for which he is a major touchstone.”
—Gary Shapiro
Robert Smithson (1938–1973), an artist of
paramount importance in postwar
America, created radical new perspectives
for landscape architecture, photography,
art criticism, and site-specific
installation. Mirror-Travels encompasses
the full span of Smithson’s career,
offering a close analysis of the artist’s
working model of history. Incorporating
abundant new material from Smithson’s
personal papers and library, Jennifer
Roberts offers surprising new
interpretations about the artist and his
responses to the social, ideological, and
material contradictions of his time.
Yale Publications in the History of Art
2004 176 pp. 71 b/w + 10 color illus.
Cloth ISBN 09497-3 $40.00
Hudson River School
Masterworks from the
Wadsworth Atheneum
New
Museum of Art
Introduction by Elizabeth
Mankin Kornhauser; Catalogue by
Elizabeth Mankin Kornhauser and Amy
Ellis, with Maureen Miesmer
This gorgeous book features over fifty
major Hudson River School paintings
from the unparalleled collection of the
Wadsworth Atheneum Museum of Art.
It presents masterworks by Thomas
Cole, Frederic Church, and other
significant artists of the celebrated school
as well as an introduction that discusses
American nineteenth-century landscape
painting and the museum’s role in
assembling this revered collection.
This book accompanies an exhibition
that travels to the Carnegie Museum of
Art, Pittsburgh (February 21 to May 9,
2004); the North Carolina Museum of
Art, Raleigh (June 6 to August 29,
2004); the Dayton Art Institute, Ohio
(September 2004 to January 2005); and
the Philbrook Museum of Art, Tulsa,
Oklahoma (February 6 to April 24,
2005).
Published in association with the Wadsworth
Atheneum Museum of Art
2003 180 pp. 34 b/w + 67 color illus.
Cloth ISBN 10116-3 $45.00
Robert Rauschenberg
Breaking Boundaries
New
Robert S. Mattison
“An exhaustive and
enlightening analysis. . . .
Mattison has produced
a painstakingly impressive work.”
—Art Times
Robert Rauschenberg, one of the most
prolific and influential artists of the
postwar period, has created an
astonishing variety of works during a
career spanning more than fifty years.
To illuminate the meaning of
Rauschenberg’s art and the reasons
behind his artistic choices, Robert
Mattison in this book focuses closely on
a small selection of the artist’s projects.
Mattison offers an interpretation of
Rauschenberg’s output that is both
original and uniquely insightful, based
on extensive research and first-hand
observation of the artist at work in his
studio.
2003 284 pp. 72 b/w + 32 color illus.
Cloth ISBN 09931-2 $50.00
After Whistler
New
The Artist and His
Influence on American
Painting
Linda Merrill, Marc Simpson, Sylvia
Yount, John Siewert, Robyn Asleson,
and Lee Glazer
This beautifully illustrated book,
published on the centenary of Whistler’s
death, examines the artist’s extraordinary
legacy and establishes his pivotal place in
the history of American art. Juxtaposing
fourteen of Whistler’s most important
paintings with an array of pictures by
38 of his contemporaries—including
William Merritt Chase and Henry
Ossawa Tanner—the book demonstrates
his indelible impact on the art of his
native land.
This book accompanies an exhibition at
the the Detroit Institute of Arts (March
6 to May 30, 2004).
Published in association with the High
Museum of Art, Atlanta
2003 272 pp. 39 b/w + 163 color illus.
Cloth ISBN 10125-2 $60.00
American Art 3

American Art
4
Ambition and Love in
Modern American Art
Jonathan Weinberg
“One of the best books on American
art of any period that I have ever read.”
—Linda Nochlin, Art in America
Yale Publications in the History of Art
2001 328 pp. 175 b/w illus.
Cloth ISBN 08187-1 $37.50/$30.00
Sol LeWitt
A Retrospective
Edited and with an introduction by
Gary Garrels
Published in association with the San
Francisco Museum of Modern Art
2000 416 pp. 240 b/w + 104 color illus.
Cloth ISBN 08358-0 $85.00
Whistler, Women,
and Fashion
Margaret F. MacDonald, Susan Grace
Galassi and Aileen Ribeiro, with Patricia
de Montfort
This lavishly illustrated book focuses
on costume and fashion in the art of
James McNeill Whistler.
Published in association with The Frick
Collection
2003 256 pp. 40 b/w + 140 color illus.
Cloth ISBN 09906-1 $50.00
Joseph Cornell
Stargazing in the Cinema
Jodi Hauptman
Winner of the 2001 Charles C. Eldredge
Prize for Distinguished Scholarship in
American Art
Yale Publications in the History of Art
1999 264 pp. 72 b/w + 36 color illus.
Cloth ISBN 07838-2 $55.00/$44.00
Mark Rothko
The Works on Canvas
David Anfam
Winner of the 2000 Mitchell Prize for
the History of Art
Published in association with the National
Gallery of Art, Washington, D.C.
1998 708 pp. 100 b/w + 850 color illus.
Cloth ISBN 07489-1 $185.00
Mark Rothko
Jeffrey Weiss
“A major contribution to the history of
American art.”—Art Book Reviews
Published in association with the National
Gallery of Art, Washington, D.C.
2000 376 pp. 50 b/w + 125 color illus.
Paper ISBN 08193-6 $35.00
Carr, O’Keeffe, Kahlo
Places of Their Own
Sharyn Rohlfsen Udall
“Lavishly illustrated and clearly written,
this book sheds new light upon the lives
of these celebrated artists.”—Antiques
Journal
2000 376 pp. 101 b/w + 60 color illus.
Paper ISBN 09186-9 $29.95
Georgia O’Keeffe
Catalogue Raisonné
Barbara Buhler Lynes
Published in association with the National
Gallery of Art, Washington, D.C., and The
Georgia O‘Keeffe Foundation, Albuquerque,
New Mexico
1999 1198 pp. 100 b/w + 2050 color illus.
Cloth ISBN 08176-6 $225.00/$180.00
Georgia O’Keeffe and the
Calla Lily in American Art,
1860–1940
Barbara Buhler Lynes
Published in association with the Georgia
O’Keeffe Museum
2002 152 pp. 57 color and
23 quadratone illus.
Cloth ISBN 09738-7 $35.00
Georgia O’Keeffe
American and Modern
Charles C. Eldredge
Published in association with InterCultura
and the Georgia O‘Keeffe Foundation
1996 226 pp. 66 b/w + 104 color illus.
Paper ISBN 05581-1 $30.00
Clyfford Still
Paintings 1944–1960
Edited by James T. Demetrion
Published in association with the Hirshhorn
Museum and Sculpture Garden, Smithsonian
Institution
2001 160 pp. 87 b/w + 35 color illus.
Cloth ISBN 08969-4 $55.00/$44.00
John Singer Sargent
The Sensualist
Trevor Fairbrother
“[A] beautifully produced book.”
—Benjamin Ivry, Art & Auction
Published in association with the
Seattle Art Museum
2000 228 pp. 65 b/w + 95 color illus.
Cloth ISBN 08744-6 $39.95
Robert Indiana
Figures of Speech
Susan Elizabeth Ryan
Named a notable book of 2000 by the
New York Times Book Review
2000 312 pp. 135 b/w + 50 color illus.
Cloth ISBN 07957-5 $55.00/$44.00
Alexander Calder,
1898–1976
Marla Prather
Published in association with the National
Gallery of Art, Washington, D.C.
1998 368 pp. 70 b/w + 250 color illus.
Cloth ISBN 07518-9 $75.00/$60.00
Inventing the Modern
Artist
Art and Culture in Gilded Age America
Sarah Burns
Winner of the 1998 Charles C. Eldredge
Prize for Distinguished Scholarship in
American Art sponsored by the
American Art Forum
1996 392 pp. 130 b/w illus.
Cloth ISBN 06445-4 $50.00/$40.00
Paper ISBN 07859-5 $24.00/$19.20
Thomas Moran
Nancy K. Anderson
“Thomas Moran provides a wealth of
important new research on the artist
and a much-needed compilation of
images; it will no doubt remain a
definitive source for years to come.”
—Elisabeth L. Roark, Journal of the Early
Republic
Winner of the National Cowboy Hall
of Fame’s 1997 Western Heritage
Outstanding Art Book Award
Published in association with the National
Gallery of Art, Washington, D.C.
1997 400 pp. 65 b/w + 135 color illus.
Cloth ISBN 07325-9 $75.00
yalebooks.com/art

Casta Painting
New
Images of Race in
Eighteenth-Century
Mexico
Ilona Katzew
The pictorial genre known as casta
painting is one of the most compelling
forms of artistic expression from colonial
Mexico. Created as sets of consecutive
images, the works portray racial mixing
among the main groups that inhabited
the colony: Indians, Spaniards, and
Africans. In this beautifully illustrated
book, Ilona Katzew places casta paintings
in their social and historical context,
showing for the first time the ways in
which the meanings of the paintings
changed along with shifting colonial
politics.
The book examines how casta painting
developed art historically, why race
became the subject of a pictorial genre
that spanned an entire century, who
commissioned and collected the works,
and what meanings the works held for
contemporary audiences. Drawing on a
range of previously unpublished archival
and visual material, Katzew sheds new
light on racial dynamics of eighteenthcentury
Mexico and on the construction
of identity and self-image in the colonial
world.
2004 256 pp. 100 b/w + 100 color illus.
Cloth ISBN 10241-0 $60.00
Inverted Utopias
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Avant-Garde Art in Latin
America
Mari Carmen Ramírez New
and Héctor Olea et al.
In the twentieth century, avant-garde
artists from Mexico, Central and South
America, and the Caribbean created
extraordinary and highly innovative
paintings, sculptures, assemblages,
mixed-media works, and installations.
This innovative book presents more than
250 works by some seventy of these
artists (including Gego, Joaquín Torres-
García, Xul Solar, and José Clemente
Orozco) and artists’ groups, along with
interpretive essays by leading authorities
and newly translated manifestoes and
other theoretical documents written by
the artists. Together the images and texts
showcase the astonishing artistic
achievements of the Latin American
avant-garde. As an insightful source for
new ideas about the nature and function
of modern art, Inverted Utopias is an
essential book that will become a classic
text in the field.
Published in association with The Museum
of Fine Arts, Houston
2004 544 pp. 325 b/w + 300 color illus.
Cloth ISBN 10269-0 $75.00
Readings in Latin
American
Modern Art
New
Edited by Patrick Frank
This important and welcome volume is
the first English-language anthology of
writings on Latin American modern art
of the twentieth century. The book
includes some fifty seminal essays and
documents—including statements,
interviews, and manifestoes by artists
—that encompass the broad diversity
of this emerging field. Many of these
materials are difficult to access and some
are translated here for the first time.
Together the selections explore the
breadth and depth of Latin American
modern art as well as its distinctive
evolution apart from American and
European art history.
2004 288 pp.
Paper ISBN 10255-0 $22.95
Portrait of Gego (photo by Paolo Gasparini)
Gego
The Complete Works,
1955–1990
New
Iris Peruga et al.
With a foreword by Glenn D. Lowry
The German-born Venezuelan artist
known as Gego (1912–1994) created spare
and unequivocally abstract drawings,
prints, three-dimensional works,
hanging net pieces, and wire
constructions of extraordinary quality.
Although championed early in her career
by Alfred Barr, founder of MoMA, Gego
has remained little known outside of
Latin America. This exquisitely designed
and produced book—presented in both
Spanish and English—features Gego’s
complete oeuvre, which includes over
four hundred prints and drawings as
well as three-dimensional works.
Distributed for the Fundación Cisneros,
Caracas, Venezuela
2004 428 pp.
166 color, 210 duotone + 70 b/w illus.
Paper ISBN 10362-x $80.00
Art and Revolution in
Latin America, 1910–1990
David Craven
In this uniquely wide-ranging book,
David Craven investigates the
extraordinary impact of three Latin
American revolutions on the visual arts
and on cultural policy. He discusses the
upheavals in Mexico (1910–1940), in
Cuba (1959–1989), and in Nicaragua
(1979–1990) and assesses their legacies,
demonstrating how the revolutions’
consequences reverberated in arts and
cultures far beyond their own borders.
2002 240 pp. 130 b/w + 65 color illus.
Cloth ISBN 08211-8 $55.00/$44.00
Art in Latin America
The Modern Era, 1820–1980
Edited by Dawn Ades
1993 384 pp. 150 b/w + 250 color illus.
Paper ISBN 04561-1 $35.00/$28.00
Latin American Art 5

French Art
6
Monet in the 20th Century
Paul Hayes Tucker, George Shackleford,
and MaryAnne Stevens
Published in association with the Royal
Academy of Arts, London, and the Museum
of Fine Arts, Boston
1998 410 pp. 25 b/w + 130 color illus.
Cloth ISBN 07749-1 $70.00/$56.00
Paper ISBN 07944-3 $35.00
Claude Monet
Life and Art
Paul Hayes Tucker
1995 260 pp. 50 b/w + 140 color illus.
Cloth ISBN 06298-2 $55.00/$44.00
Paper ISBN 07286-4 $26.00
Monet in the 90s
Paul Hayes Tucker
1990 340 pp. 105 b/w + 98 color illus.
Cloth ISBN 04659-6 $80.00/$64.00
Paper ISBN 04913-7 $38.00
Monet
Nature into Art
John House
1988 256 pp. 150 b/w + 110 color illus.
Paper ISBN 04361-9 $35.00
The Impressionists
at Argenteuil
Paul Hayes Tucker
Published in association with the National
Gallery of Art, Washington, D.C.
2000 180 pp. 35 b/w + 70 color illus.
Cloth ISBN 08349-1 $50.00/$40.00
Impressionism
Art, Leisure, and Parisian Society
Robert L. Herbert
1988 312 pp. 70 b/w + 240 color illus.
Cloth ISBN 04262-0 $80.00/$64.00
Paper ISBN 05083-6 $30.00
Patriotic Taste
Collecting Modern Art in
Pre-Revolutionary Paris
Colin B. Bailey
“This important and beautifully
produced book . . . is alive with
provocative ideas that will stimulate
debate and revise current thinking about
the public and private fortunes of
painting at the bitter end of the ancien
régime. Read it.”—Katie Scott, Apollo
Magazine
2002 356 pp. 150 b/w + 60 color illus.
Cloth ISBN 08986-4 $60.00/$48.00
The Age of Watteau,
Chardin, and Fragonard
Masterpieces of French Genre Painting
Edited by Colin B. Bailey
This inviting book offers the first
comprehensive survey of French genre
painting of the eighteenth century.
Featuring more than one hundred works
by such artists as Watteau, Chardin,
Boucher, Greuze, Fragonard, Robert, and
Boilly, the book sheds light on the
development of genre painting, its
interpretation, its collectors, and its
enormous appeal.
Published in association with the National
Gallery of Canada, Ottawa, and the National
Gallery of Art, Washington, D.C.
2003 420 pp. 60 b/w + 230 color illus.
Cloth ISBN 09946-0 $65.00
Degas and the Little
Dancer
Richard Kendall
Published in association with the Joslyn Art
Museum, Omaha
1998 200 pp. 70 b/w + 70 color illus.
Cloth ISBN 07497-2 $55.00/$44.00
Degas Landscapes
Richard Kendall
Published in association with The
Metropolitan Museum of Art, New York
1994 322 pp. illus.
Cloth ISBN 05837-3 $75.00/$60.00
The Art of Impressionism
Painting Technique and the Making
of Modernity
Anthea Callen
“Of all the outings the Impressionist
painters have had in the past decade,
Anthea Callen’s magnum opus is arguably
not only the most intensely felt, but
also one of the most valuable for
its scholarship. . . . The Art of
Impressionism is a big book, a major
book, in every sense.”—Julian Freeman,
The Art Book
2001 256 pp. 120 b/w + 150 color illus.
Cloth ISBN 08402-1 $75.00/$60.00
Painters and Public Life
in 18th-Century Paris
Thomas Crow
Winner of the College Art Association’s
1985 Charles Rufus Morey Prize and of
the 1986 Eric Mitchell Prize
1987 296 pp. 150 b/w + 8 color illus.
Paper ISBN 03764-3 $32.00/$25.60
Emulation
Making Artists for Revolutionary France
Thomas Crow
1997 366 pp. 153 b/w + 53 color illus.
Paper ISBN 07274-0 $35.00/$28.00
Necklines
The Art of Jacques-Louis David after
the Terror
Ewa Lajer-Burcharth
1999 384 pp. 165 b/w + 11 color illus.
Cloth ISBN 07421-2 $70.00/$56.00
Jules Breton
Painter of Peasant Life
Annette Bourrut Lacouture
“Once again Breton is given his due in
this stunning volume that makes superb
use of memoirs, letters, family diaries,
and official records. . . . An important
reintroduction of a remarkable artist of
the people.”—Booklist
Published in association with the National
Gallery of Ireland, Dublin
2002 264 pp. 43 b/w + 158 color illus.
Cloth ISBN 09575-9 $65.00/$52.00
Millet to Matisse
Nineteenth- and Twentieth-Century
French Painting from Kelvingrove Art
Gallery, Glasgow
Edited by Vivien Hamilton
This magnificent book presents sixtyfour
of the finest paintings from the city
of Glasgow’s world-renowned collection
of Impressionist and Post-Impressionist
art. Important works by Rousseau,
Corot, Monet, Renoir, Cézanne,
Gauguin, Van Gogh, Picasso, Matisse,
and others are included in the lavishly
illustrated book, along with a short essay
on each artwork and longer essays on the
history and development of Glasgow’s
collection.
Published in association with Glasgow
Museums
2002 228 pp. 50 b/w + 150 color illus.
Cloth ISBN 09780-8 $55.00
Matisse Portraits
John Klein
This pioneering book is the first
comprehensive account of Henri Matisse
as a maker of portraits and self-portraits.
“A valuable addition to the Matisse
literature.”—Wall Street Journal
2001 300 pp. 106 b/w + 100 color illus.
Cloth ISBN 08100-6 $55.00/$44.00
Henri Rousseau
Götz Adriani
This beautiful book offers a detailed
portrait of Rousseau’s life and career as
well as sensitive interpretations of his
unusual, individualistic art.
Distributed for DuMont Buchverlag,
Cologne
2002 282 pp. 100 b/w + 100 color illus.
Cloth ISBN 09055-2 $75.00
yalebooks.com/art

Impressionist Cats
and Dogs
New
Pets in the Painting of
Modern Life
James H. Rubin
Many Impressionist paintings of
modern life and leisure include images
of household pets. Their appealing
presence lends charm to such works
while alluding to middle-class
prosperity and the growing importance
of animals as family members. In
many cases, such domestic denizens
significantly complement representations
of their owners. In certain others, the
devotion of individual artists to their
pets symbolically enhances their
expressions of artistic identity. This
enjoyable and informative book focuses
on the role of pets in Impressionist
pictures and what this reveals about art,
artists, and society of that era.
2003 156 pp. 30 b/w + 80 color illus.
Cloth ISBN 09873-1 $30.00
The Vision of Rome in
Late Renaissance France
Margaret M. McGowan
2000 476 pp. 90 b/w + 4 color illus.
Cloth ISBN 08535-4 $60.00/$48.00
Manet Manette
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Carol Armstrong
“Intelligently illustrated and rich in
art-historical and critical detail. . . .
Armstrong’s book is a wonderful
marriage of critical literary analysis and
art historical methodology.”—James
Smalls, H-France Book Reviews
In this absorbing book, Carol
Armstrong looks closely at the diverse
works of Manet to uncover a novel and
compelling view not only of the artist
but also of modernity itself. She places
the art of this founding father of
modernism within frameworks of color,
the feminine Other (the “Manette” in
“Manet”), and consumerism, and she
offers fresh insights into his methods
of self-presentation, his exhibition
strategies, his relationships, and more.
2002 408 pp. 133 b/w + 53 color illus.
Cloth ISBN 09658-5 $55.00/$44.00
Extremities
Painting Empire in Post-Revolutionary
France
Darcy Grimaldo Grigsby
2002 408 pp. 139 b/w + 81 color illus.
Cloth ISBN 08887-6 $70.00/$56.00
Husbands, Wives
and Lovers
New
Marriage and Its
Discontents in
Nineteenth-Century France
Patricia Mainardi
“Mainardi’s investigation affects not
only our interpretation of much of the
visual culture of 19th-century France,
but requires too that we rethink the
journalism, the literature, the poetry,
and the theater—indeed all aspects of
elite and popular culture of the
period.”—Abigail Solomon-Godeau
In this lively, interdisciplinary
exploration of the cultural and social
history of early nineteenth-century
France, art historian Patricia Mainardi
focuses on what was considered a major
social problem of the time—adultery.
2003 324 pp. 90 b/w illus.
Cloth ISBN 10104-x $45.00
French Painting in the
Seventeenth Century
Alain Mérot; translated by
Caroline Beamish
1995 325 pp. 144 b/w + 199 color illus.
Cloth ISBN 06550-7 $80.00/$64.00
Manet and the Sea
Juliet Wilson-Bareau and
David Degener
With Lloyd DeWitt, New
Richard Dorment,
Douglas W. Druick,
Gloria Groom, John Leighton,
and Joseph J. Rishel
This is the first book to highlight the
French master’s beautiful and varied
seascapes. Essays by leading scholars
discuss how Manet completely
overturned the established academic
conventions of marine painting in
France.
This book is the catalogue for an
exhibition at the Philadelphia Museum
of Art (February 15 to May 9, 2004)
and the Van Gogh Museum in
Amsterdam (June 18 to September 26,
2004).
Published in association with the
Philadelphia Museum of Art
2003 288 pp. 70 b/w + 125 color illus.
Cloth ISBN 10164-3 $65.00
Manet, Monet, and the
Gare Saint-Lazare
Juliet Wilson-Bareau
Published in association with the National
Gallery of Art, Washington, D.C.
1998 224 pp. 101 b/w + 60 color illus.
Cloth ISBN 07510-3 $60.00/$48.00
Edouard Vuillard
Guy Cogeval
“In this extraordinary volume, [the
authors] have given us a study of
Vuillard that is so readable, so
illuminating and so perfectly attuned to
the sensibility of its subject and its
period that it’s well worth reading even if
you cannot get to see the exhibition
itself.”—Hilton Kramer, New York
Observer
Published in association with the National
Gallery of Art, Washington, D.C., and the
Montreal Museum of Fine Arts
2003 520 pp. 95 b/w + 463 color illus.
Cloth ISBN 09737-9 $65.00
Mon Docteur
le Vin (My
Doctor, Wine)
New
Watercolors by Raoul Dufy
Text by Gaston Derys
Raoul Dufy’s joyful watercolors and
Gaston Derys’ witty prose come together
in this charming volume to extol the
many joys and benefits of wine.
Henry McBride Series in Modernism
and Modernity
Distrubuted for The Henry McBride
Charitable Trust
2003 64 pp.
Cloth ISBN 10133-3 $20.00
French Art 7

French Art
8
Gauguin’s “Nirvana”
Painters at Le Pouldu, 1889–90
Edited by Eric Zafran
Seeking to create in a “primitive” setting,
Gauguin spent the two years before his
first Tahitian journey in a remote Breton
fishing village. Accompanied by Dutch
painter Meyer de Haan and several
others, Gauguin produced remarkable
works while in Le Pouldu, including
“Nirvana,” a symbolist portrait of de
Haan. This noteworthy book examines
Gauguin’s richly varied work during this
period as well as the impact of his
association with de Haan.
Published in association with the
Wadsworth Atheneum Museum of Art
2001 184 pp. 80 b/w + 130 color illus.
Cloth ISBN 08954-6 $60.00/$48.00
Paul Gauguin
An Erotic Life
Nancy Mowll Mathews
2001 328 pp. 33 b/w + 45 color illus.
Cloth ISBN 09109-5 $39.95/$31.96
Ingres in Fashion
Representations of Dress and Appearance
in Ingres’s Images of Women
Aileen Ribeiro
1999 268 pp. 100 b/w + 60 color illus.
Cloth ISBN 07927-3 $60.00/$48.00
Alberto Giacometti
Myth, Magic, and the Man
Laurie Wilson
Alberto Giacometti, one of the most
important artists of the twentieth
century, was also one of the most
enigmatic. In this illustrated biography
—a major reinterpretation of
Giacometti and his work—art historian
and psychoanalyst Laurie Wilson
demonstrates how the artist’s secret
beliefs and emotional scars are reflected
in his evocative sculpture, drawings,
and paintings.
2003 384 pp. 85 b/w illus.
Cloth ISBN 09037-4 $40.00/$32.00
Alberto Giacometti in
Postwar Paris
Michael Peppiatt
This strikingly beautiful book brings
together over 120 sculptures, paintings,
and drawings from Giacometti’s postwar
period and sheds new light on his
singular style of expression.
“Excellently presented and generously
priced.”—Robert Radford, Burlington
Magazine
2002 176 pp. 20 b/w + 110 color illus.
Cloth ISBN 09242-3 $45.00/$36.00
Gustave Caillebotte
Kirk Varnedoe
2000 200 pp. 200 b/w + 72 color illus.
Paper ISBN 08279-7 $35.00/$28.00
Parallel Lines
Printmakers, Painters, and
Photographers in Nineteenth-Century
France
Stephen Bann
“Bann has newly evaluated the subject
of reproductive engraving and photographic
reproduction in its infancy. His
is an unprecedented look at the painters
and photographers.”—James Erikson,
Art Documentation
2001 264 pp. 104 b/w + 8 color illus.
Cloth ISBN 08932-5 $50.00/$40.00
Daumier
1808–1879
Henry Loyrette and Michael Pantazzi
Published in association with the National
Gallery of Canada, Ottawa
2000 600 pp. 360 b/w + 240 color illus.
Cloth ISBN 08359-9 $95.00/$76.00
Cubism in the Shadow
of War
The Avant-Garde and Politics in Paris,
1905–1914
David Cottington
1998 268 pp. 40 b/w + 16 color illus.
Cloth ISBN 07529-4 $70.00/$56.00
Beyond the Easel
Decorative Painting by Bonnard,
Vuillard, Denis, and Roussel, 1890–1930
Gloria Groom
Published in association with The Art
Institute of Chicago
2001 314 pp. 145 b/w + 104 color illus.
Cloth ISBN 08925-2 $32.50
Pissarro and Pontoise
The Painter in a Landscape
Richard R. Brettell
Winner of the College Art Association’s
1991 Charles Rufus Morey Award
1990 216 pp. 54 b/w + 120 color illus.
Cloth ISBN 04336-8 $75.00/$60.00
Dream States
Puvis de Chavannes, Modernism, and
the Fantasy of France
Jennifer L. Shaw
“Elegantly written, original and
provocative, this book is a useful
contribution to discourses on the
historical origins of modernism in the
arts and nationalism in international
politics.”—Steven Z. Levine
2002 256 pp. 31 b/w + 24 color illus.
Cloth ISBN 08382-3 $50.00/$40.00
Chardin
Pierre Rosenberg
Published in association with Royal Academy
Publications
2000 360 pp. 90 b/w illus.
Cloth ISBN 08348-3 $65.00/$52.00
Art, War and Revolution
in France 1870–1871
Myth, Reportage and Reality
John Milner
2000 256 pp. 337 b/w + 59 color illus.
Cloth ISBN 08407-2 $60.00/$48.00
Poussin and France
Painting, Humanism, and the Politics
of Style
Todd P. Olson
Olson provides an original exploration
of Poussin’s paintings, their production,
and their reception and shows how the
artist responded directly in the subject
and style of his works to the monarchy’s
crisis in France and the disenfranchisement
of his Robe patrons.
2002 336 pp. 100 b/w + 25 color illus.
Cloth ISBN 09338-1 $65.00/$52.00
From Millet to Léger
Essays in Social Art History
Robert L. Herbert
This lively and accessible book gathers
together some of Herbert’s most
important writings—works in which he
discusses the artistic and social issues
that lie behind the prints and paintings
of such artists as Millet, Courbet,
Daubigny, Monet, Pissarro, Signac,
Delaunay, Ernst, and Léger.
2002 224 pp. 30 b/w + 26 color illus.
Cloth ISBN 09706-9 $45.00/$36.00
Seurat
Drawings and Paintings
Robert L. Herbert
2001 208 pp. 117 b/w + 40 color illus.
Cloth ISBN 07131-0 $65.00/$52.00
Nature’s Workshop
Renoir’s Writings on the Decorative Arts
Robert L. Herbert
2000 296 pp. 14 b/w + 18 color illus.
Cloth ISBN 08136-7 $40.00/$32.00
Albert Gleizes
For and Against the Twentieth Century
Peter Brooke
2001 348 pp. 150 b/w + 15 color illus.
Cloth ISBN 08964-3 $65.00/$52.00
yalebooks.com/art

Engaging Symbols
Gender, Politics, and Public Art in
Fifteenth-Century Florence
Adrian W. B. Randolph
“Randolph writes fluently and lucidly:
no small feat when juggling the material
not merely presented, but fascinatingly
engaged with, in the book. . . . Randolph
. . . makes the subject come alive.”
—Cordelia Warr, The Art Book
2002 392 pp. 82 b/w + 22 color illus.
Cloth ISBN 09212-1 $65.00/$52.00
Earth and Fire
Italian Terracotta Sculpture from
Donatello to Canova
Edited by Bruce Boucher
Published in association with The Museum
of Fine Arts, Houston
2002 324 pp. 120 b/w + 80 color illus.
Cloth ISBN 09080-3 $75.00
Titian to 1518
The Assumption of Genius
Paul Joannides
“Enthralling and ravishingly beautiful.”
—Michael Hall, Country Life
2002 352 pp. 128 b/w + 146 color illus.
Cloth ISBN 08721-7 $75.00/$60.00
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Bernardo Bellotto and
the Capitals of Europe
Edited by Edgar Peters Bowron
This beautiful book examines Bellotto’s
career and artistic development, places
his work in the context of the political
needs of his patrons, and presents a
selection of his major paintings.
Published in association with The Museum
of Fine Arts, Houston
2001 296 pp. 50 b/w + 140 color illus.
Cloth ISBN 09181-8 $65.00
Cosimo de’ Medici and the
Florentine Renaissance
The Patron’s Oeuvre
Dale Kent
“[An] impressively organised—and
beautifully produced—study. . . .
The corpus of art works more or less
associated with Cosimo is impressive;
and Dale Kent’s book is, in its own
right, an eloquent tribute to the man.”
—Gervase Rosser, Apollo Magazine
Winner of the College Art Association’s
2001 Charles Rufus Morey Award
2000 552 pp. 148 b/w + 40 color illus.
Cloth ISBN 08128-6 $65.00/$52.00
Domenico Ghirlandaio
Artist and Artisan
Jean K. Cadogan
“A breathtakingly comprehensive and
impressive study of Ghirlandaio.
. . . This is art history at its best.”
—Christiane L. Joost-Gaugier, Sixteenth
Century Journal
2001 432 pp. 56 b/w + 90 color illus.
Cloth ISBN 08720-9 $75.00/$60.00
Correggio
David Ekserdjian
1998 344 pp. 50 b/w + 200 color illus.
Cloth ISBN 07299-6 $85.00/$68.00
Painting in Renaissance
Florence, 1500–1550
David Franklin
“[A] gorgeously illustrated survey of
Renaissance Florentine art.”—Toronto
Globe & Mail
“Read this book before a visit to Florence
and it will enlarge your sympathies.”
—Paul Hills, Art Quarterly
2001 280 pp. 140 b/w + 80 color illus.
Cloth ISBN 08399-8 $60.00
The Art of Parmigianino
David Franklin
With an essay by David
Ekserdjian
New
The sheer beauty of the
work of sixteenth-century artist
Parmigianino (1503–40) makes it easy
to imagine that he discovered his style
without any effort. But nothing so
elegant as his drawings and paintings
could have been achieved effortlessly. A
close study of the artist’s work, particularly
his drawings, reveals the sources
of his style and the creative struggles he
endured. This lavishly illustrated book
offers a comprehensive reassessment of
Parmigianino’s work as a draftsman,
discussing in detail more than eighty of
the artist’s works on paper selected from
collections around the world.
Among Renaissance artists, Parmigianino
was perhaps more conscious than any of
the potential of the graphic arts to convey,
and indeed broadcast, complex ideas. He
explored this potential by means of his
numerous drawings and through the
etchings he produced on his own as well
as through the engravings and chiaroscuros
that were made after his designs.
In these media, the artist’s influence
traveled farther and wider than it could
have through his paintings alone.
Published in association with the National
Gallery of Canada, Ottawa
2004 256 pp. 86 b/w + 130 color illus.
Cloth ISBN 10357-3 $60.00
Raphael, Dürer, and
Marcantonio
Raimondi New
Copying and the Italian
Renaissance Print
Lisa Pon
In early sixteenth-century Italy, works
of art came to be understood as unique
objects made by individuals of genius,
giving rise to a new sense of the artist
as the author of his images. At the
same time, the practice of engraving,
a medium that produced multiple
printed images via collaborative
processes, rapidly developed. In this
book, Lisa Pon examines how images
passed between artists and considers
how printing techniques affected the
authorship of images.
Pon focuses on the encounters between
the engraver Marcantonio Raimondi
and three key artists: Albrecht Dürer,
Raphael, and Giorgio Vasari. She
reevaluates their work in light of the
tensions between possessive authorship
and practical collaboration in the visual
arts.
2004 216 pp. 58 b/w + 37 color illus.
Cloth ISBN 09680-1 $55.00
Italian Art 9

Italian Art
10
Painting in Late Medieval
and Renaissance Siena
(1260–1555)
Diana Norman
New
This generously
illustrated book surveys
Sienese painting from 1260 to 1555, an
era of extraordinary artistic creativity
in the Tuscan city. Diana Norman
addresses the style and technique of
celebrated painters from Duccio to
Sassetta and Beccafumi, exploring why
paintings were made, where they were
seen, and how audiences used and
enjoyed them.
2003 344 pp. 100 b/w + 50 color illus.
Cloth ISBN 09933-9 $40.00
Siena and the Virgin
Art and Politics in a Late Medieval
City State
Diana Norman
“Both visually and intellectually, Siena
and the Virgin is a sheer delight. . . .
This is a book to be bought and
treasured.”—Christopher Colven,
Art Newspaper
1999 264 pp. 115 b/w + 83 color illus.
Cloth ISBN 08006-9 $65.00/$52.00
Images of Quattrocento
Florence
Selected Writings in Literature, History,
and Art
Edited by Stefano Ugo Baldassarri and
Arielle Saiber
“This volume . . . provides clear and
elegant translations of fifty-one excerpts
from fifteenth-century authors from,
or commenting on, Florence. . . .
Historians—especially historians of art
and literature—should find any number
of fascinating snippets from otherwise
untranslated sources.”—Joseph P. Byrne,
Sixteenth Century Journal
Italian Literature and Thought Series
2000 416 pp. 20 color illus.
Cloth ISBN 08051-4 $50.00/$40.00
Paper ISBN 08052-2 $19.00/$15.20
Pontormo, Bronzino,
and Allori
A Genealogy of Florentine Art
Elizabeth Pilliod
“A thoroughly documented treatise on
these three artists who form the backbone
of Florentine art in the sixteenth century.
. . . Expertly written, beautifully
illustrated.”—Antiques and The Arts
Weekly
2001 300 pp. 110 b/w + 40 color illus.
Cloth ISBN 08543-5 $60.00/$48.00
The Medici, Michelangelo,
and the Art of Late
Renaissance Florence
Cristina Acidini, Suzanne Butters,
Marco Chiarini, Janet Cox-Rearick,
Alan P. Darr, Larry J. Feinberg, Anna
Maria Giusti, Richard Goldthwaite,
Lucia Meoni, Christina Aschengreen
Piacenti, Claudio Pizzorusso, Anna
Maria Testaverde
“[A] gorgeously produced, beautifully
illustrated book. . . . An international
team of scholars has contributed a large
corpus of informative essays on a variety
of topics, including Michelangelo, the
Medici court, Florentine gardens, art
and the economy, and much, much
more. The works exhibited and
catalogued here are a feast for the
eyes.”—Virginia Quarterly Review
Published in association with the
Detroit Institute of Arts
2002 392 pp. 50 b/w + 250 color illus.
Cloth ISBN 09495-7 $60.00
Lavinia Fontana
A Painter and Her Patrons in Sixteenth-
Century Bologna
Caroline P. Murphy
“Murphy is the first to write an in-depth,
English-language treatise on heretofore
overlooked Fontana and her world, and
the resulting finely illustrated volume is
exhilarating.”—Booklist
2003 244 pp. 170 b/w + 60 color illus.
Cloth ISBN 09913-4 $60.00/$48.00
Raphael in Early Modern
Sources 1483–1602
John Shearman
This extraordinary work presents every
known document concerning Raphael
during a period of 120 years, beginning
with his birth in 1483. The 1,100
documents, many newly discovered or
little known, are each accompanied by
commentary. There is also a general
introduction and three useful indices.
Published in cooperation with the
Bibliotheca Hertziana (Max-Planck-Institut),
Rome
2003 1744 pp. 32 b/w illus.
Cloth ISBN 09918-5 $125.00/$100.00
Renaissance Rivals
Michelangelo, Leonardo, Raphael,
Titian
Rona Goffen
“This lively and appealing book is
an important achievement. . .
Magnificently researched and handsomely
produced, Renaissance Rivals
advances the discussion of a central aspect
of early modern culture. In doing so, it
has no rivals.”—Werner Gundersheimer,
American Scholar
2002 532 pp. 120 b/w + 80 color illus.
Cloth ISBN 09434-5 $39.95
Giovanni Bellini
Rona Goffen
Winner of the 1989 Association of
American Publishers Award for
Excellence in Professional and Scholarly
Publishing
1989 352 pp. 122 b/w + 75 color illus.
Cloth ISBN 04334-1 $85.00/$68.00
Titian’s Women
Rona Goffen
1998 352 pp. 117 b/w + 60 color illus.
Cloth ISBN 06846-8 $75.00/$60.00
yalebooks.com/art

Leonardo da Vinci
Origins of a Genius
David Alan Brown
1998 248 pp. 75 b/w + 95 color illus.
Cloth ISBN 07246-5 $65.00/$52.00
Rome 1300
On the Path of the Pilgrim
Herbert L. Kessler and
Johanna Zacharias
2000 248 pp. 241 b/w + 60 color illus.
Cloth ISBN 08153-7 $38.00/$30.40
Behind the Picture
Art and Evidence in the Italian
Renaissance
Martin Kemp
1998 324 pp. 100 b/w + 20 color illus.
Cloth ISBN 07195-7 $50.00/$40.00
Leonardo on Painting
An Anthology of Writings by Leonardo
da Vinci; With a Selection of Documents
Relating to his Career as an Artist
Edited by Martin Kemp
A Nota Bene Paperback
2001 336 pp. illus.
Paper ISBN 09095-1 $16.95
Mauro in America
Phone: 1-800-405-1619 Fax: 1-800-406-9145
An Italian Artist Visits the New World
Mimi Cazort
“[A] delightful time machine.”—Jeffrey
Cyphers Wright, New York Arts
Magazine
In 1816, Italian artist Mauro Gandolfi
made a visit to New York and
Philadelphia. His vivid account of the
people and customs he observed is
published here for the first time,
accompanied by an enlightening
introduction and illustrations that
include examples of Gandolfi’s own
work and contemporary views of the
sites he describes.
2003 168 pp. 60 b/w + 3 color illus.
Cloth ISBN 09221-0 $24.95
Painting in Eighteenth-
Century Venice
Third Edition
Michael Levey
1994 282 pp. 142 b/w + 16 color illus.
Paper ISBN 06057-2 $27.50/$22.00
Raphael
Roger Jones and Nicholas Penny
1987 256 pp. 160 b/w + 120 color illus.
Paper ISBN 04052-0 $37.50/$30.00
Selected Poems and
Related Prose
F. T. Marinetti
This volume, a translation of more than
forty poems and prose works by
Marinetti, presents premier examples of
his rich poetic creations, many for the
first time in English. The collection has
been selected by Luce Marinetti to
represent the entire span of the poet’s
career, and it includes works originally
written in either French or Italian,
Marinetti’s two primary languages.
2002 272 pp. 9 b/w illus.
Cloth ISBN 04103-9 $50.00/$40.00
The Invention of the
Italian Renaissance
Printmaker
Evelyn Lincoln
2000 216 pp. 115 b/w + 35 color illus.
Cloth ISBN 08041-7 $65.00/$52.00
Cosmè Tura of Ferrara
Style, Politics, and the Renaissance City,
1450–1495
Stephen Campbell
1998 220 pp. 46 b/w + 54 color illus.
Cloth ISBN 07219-8 $75.00/$60.00
Drawing in Early
Renaissance Italy
Revised Edition
Francis Ames-Lewis
“An important statement of theory
about the drawing’s emergence as a
finished and autonomous work of art; it
also offers succinct and enlightening
description of the purposes, technique
and limitations of drawings in
silverpoint, pen and ink, chalk and
brush, and as such it will assist and
educate every collector concerned with
this field.”—Godfrey Baker, The
Connoisseur
2000 208 pp. 101 b/w + 8 color illus.
Paper ISBN 07981-8 $35.00/$28.00
The Intellectual Life of the
Early Renaissance Artist
Francis Ames-Lewis
“Not just a work of intellectual history,
but one that also opens our eyes, in an
exciting and perceptive way, to many
neglected aspects of the art of early
Renaissance Europe and lives of the men
who made it.”—Michael Hall, Country
Life
2002 332 pp. 100 b/w + 50 color illus.
Paper ISBN 09295-4 $25.00/$20.00
Fra Filippo Lippi
the Carmelite Painter
Megan Holmes
“In this fluid and beautifully crafted book
Megan Holmes gives new and rich
insight into the religious context and the
societal patterns that framed the works
made between the 1430s and the 1450s by
the Carmelite painter Fra Filippo Lippi.
. . . A book that will long give its
readers pleasure and understanding.”
—Susan McKillop, Renaissance Quarterly
1999 312 pp. 90 b/w + 155 color illus.
Cloth ISBN 08104-9 $65.00/$52.00
The Sculptures of
Andrea del Verrocchio
Andrew Butterfield
Co-winner of the 1999 Eric
Mitchell Prize
1998 272 pp. 200 b/w + 60 color illus.
Cloth ISBN 07194-9 $85.00/$68.00
The Scholar in His Study
Ownership and Experience in
Renaissance Italy
Dora Thornton
1998 228 pp. 95 b/w + 34 color illus.
Cloth ISBN 07389-5 $65.00/$52.00
Italian Art 11

Northern & Eastern European Art
12
Jacob van Ruisdael
A Complete Catalogue of His Paintings,
Drawings, and Etchings
Seymour Slive
“Slive’s catalogue will be consulted by
scholars for generations to come. . . .
Not only specialists, but anyone with a
love of Dutch landscape painting will
surely want to browse through Slive’s
pages, strolling leisurely, as it were,
through some vast gallery devoted to
Ruisdael in the company of its
exceptionally well-informed and lucid
curator.”—Walter S. Gibson, Historians
of Netherlandish Art
Winner of the 2001 George Wittenborn
Memorial Book Award of the Art
Libraries Society of North America
2002 800 pp. 950 b/w + 250 color illus.
Cloth ISBN 08972-4 $200.00/$160.00
Johannes Vermeer
Arthur K. Wheelock, Jr. and Ben Broos
1995 232 pp. 50 b/w + 55 color illus.
Cloth ISBN 06558-2 $60.00
Vermeer and the Art
of Painting
Arthur K. Wheelock, Jr.
1995 218 pp. 40 b/w + 60 color illus.
Cloth ISBN 06239-7 $65.00/$52.00
Painting and the Market
in Early Modern Antwerp
Elizabeth Alice Honig
Yale Publications in the History of Art
1999 336 pp. 100 b/w + 24 color illus.
Cloth ISBN 07239-2 $50.00/$40.00
Netherlandish Art
1400–1600
Henk van Os, Jan Piet Fildet Kok, Get
Luijten, and Frits Scholten
Published in association with Waanders
Publishers and the Rijksmuseum, Amsterdam
2000 280 pp. 137 b/w + 192 color illus.
Cloth ISBN 08746-2 $65.00/$52.00
Netherlandish Art in the
Rijksmuseum 1600–1700
Jan Piet Filedt Kok, Reinier Baarsen,
Bart Cornelis, Wouter Kloek, Frits
Scholten
Published in association with Waanders
Publishers and the Rijksmuseum, Amsterdam
2001 288 pp. 150 b/w + 190 color illus.
Cloth ISBN 08938-4 $65.00/$52.00
Jan Steen
Painter and Storyteller
H. Perry Chapman, Wouter Th. Kloek,
and Arthur K. Wheelock, Jr.
Published in association with the National
Gallery of Art, Washington, D.C.
1996 272 pp. 100 b/w + 45 color illus.
Cloth ISBN 06793-3 $35.00/$28.00
Rembrandt as an Etcher
A Study of the Artist at Work
Second Edition
Christopher White
1999 296 pp. 340 b/w illus.
Cloth ISBN 07953-2 $90.00/$72.00
A View of Delft
Vermeer and his Contemporaries
Walter Liedtke
“A View of Delft tells in mind-boggling
detail everything readers could possibly
want to know about a myriad of
specialized subjects: church interiors in
the Netherlands, Fabritius’s experiments
with optics, and Vermeer’s cohorts in the
Delft School—and whether it’s arthistorically
correct to speak of a Delft
School at all. . . . The color plates alone
make the book a joy to peruse again and
again.”—ARTnews
Distributed for Waanders Publishers, Zwolle
2001 320 pp. 320 b/w + 32 color illus.
Cloth ISBN 09053-6 $85.00/$68.00
Gerrit Dou 1613–1675
Master Painter in the Age of Rembrandt
Edited by Arthur K. Wheelock, Jr.
“This volume makes the artist and his
work accessible to both specialist and
generalists and whets one’s appetite for
even more.”—Choice
Published in association with the National
Gallery of Art, Washington, D.C.
2000 184 pp.
Cloth ISBN 08369-6 $65.00/$52.00
Picturing Men and Women
in the Dutch Golden Age
Paintings and People in Historical
Perspective
Klaske Muizelaar and Derek Phillips
This fascinating book focuses on the way
in which paintings by Rembrandt,
Vermeer, and other Dutch Old Masters
were displayed, viewed, and comprehended
in seventeenth-century Holland.
It offers many unexpected insights into
life in the Dutch Golden Age, showing
how paintings reflected and influenced
the domestic and imaginative lives of
Dutch men and women.
2003 256 pp. 65 b/w + 30 color illus.
Cloth ISBN 09817-0 $40.00/$32.00
Malevich and Film
Margarita Tupitsyn
This book is the first to explore Russian
painter Kazimir Malevich’s involvement
with film.
2002 188 pp. 80 b/w + 20 color illus.
Cloth ISBN 09459-0 $55.00/$44.00
Oskar Kokoschka
Early Portraits from Vienna and Berlin,
1909–1914
Edited by Tobias G. Natter
This book focuses on the early portraits
painted on the eve of World War I by
Austria’s revered Expressionist artist,
Oskar Kokoschka.
“The best title currently available on an
artist who influenced many later
generations of modernists.”—Library
Journal
Distributed for DuMont and the Neue
Galerie New York
2002 240 pp. 120 b/w + 65 color illus.
Cloth ISBN 09556-2 $50.00
The Land of the Winged
Horsemen
Art in Poland 1572–1764
Jan K. Ostrowski, Thomas DaCosta
Kaufmann, Piotr Krasny, Kazimierz
Kuczman, Adam Zamoyski, and
Zydislaw Zygulski, Jr.
Published in association with Art Services
International
1999 380 pp. 50 b/w + 197 color illus.
Cloth ISBN 07918-4 $70.00/$56.00
yalebooks.com/art

The Germans and
Their Art
A Troublesome Relationship
Hans Belting
1998 128 pp. 27 b/w illus.
Cloth ISBN 07616-9 $28.00/$22.40
Nordic Landscape Painting
in the Nineteenth Century
Torsten Gunnarsson
1998 304 pp. 57 b/w + 217 color illus.
Cloth ISBN 07041-1 $75.00/$60.00
New Worlds
German and Austrian Art 1890–1940
Edited by Renée Price
“With contributions from over forty
international specialists, scholarship
in this area has never before been so
broadly examined. Scholars will welcome
the catalog for its ground-breaking
perspective and careful research, while
generalists interested in modern
European and American culture will
appreciate its luxurious format and
concise essays.”—Janis Ekdahl, Art
Documentation
Distributed for DuMont and the Neue
Galerie New York
2002 600 pp. 400 b/w + 198 color illus.
Cloth ISBN 09446-9 $75.00/$60.00
After the Scream
Phone: 1-800-405-1619 Fax: 1-800-406-9145
The Late Paintings of Edvard Munch
Elizabeth Prelinger
“Stunning reproductions. . . . Insightful
discussions.”—Choice
This compelling book brings to light
more than 60 of Munch’s later paintings,
until now little known outside his native
Norway.
Published in association with the High
Museum of Art, Atlanta
2002 176 pp. 30 b/w + 110 color illus.
Cloth ISBN 09343-8 $45.00/$36.00
Menzel’s Realism
Art and Embodiment in Nineteenth-
Century Berlin
Michael Fried
“For this tour de force, the shade of
Menzel should be grateful to Michael
Fried.”—Daniel Johnson, Apollo
Magazine
In this pathbreaking book, art critic and
historian Michael Fried establishes
Adolph Menzel as a key artist of
modernity, a master realist whose
achievement is wide-ranging and
profound.
2002 328 pp. 100 b/w + 70 color illus.
Cloth ISBN 09219-9 $55.00/$44.00
The Ballets Russes and
Its World
Edited by Lynn Garafola and Nancy
Van Norman Baer
Winner of the 1999 Association of
American Publishers’-Professional/
Scholarly Publishing Annual Award in
the Arts category
1999 432 pp. 176 b/w + 32 color illus.
Cloth ISBN 06176-5 $55.00/$44.00
The Blue Four Collection
at the Norton Simon
Museum
Vivian Endicott Barnett
A famous art collector, dealer, and
indomitable champion of modern art,
Emmy (Galka) Scheyer is best known as
founder of the Blue Four artists’ group:
Lyonel Feininger, Paul Klee, Alexei
Jawlensky, and Vasily Kandinsky. This
book presents almost five hundred items
from Scheyer’s collection, now at the
Norton Simon Museum, featuring works
by the Blue Four and other eminent
European and American artists of the
period.
Published in association with the Norton
Simon Art Foundation
2002 496 pp. 498 b/w + 234 color illus.
Cloth ISBN 09635-6 $100.00/$80.00
The Art of Ballets Russes
The Serge Lifar Collection of Theater
Designs, Costumes, and Paintings at the
Wadsworth Atheneum
Alexander Schouvaloff
Published in association with the
Wadsworth Atheneum Museum of Art
1998 352 pp. 45 b/w + 215 color illus.
Cloth ISBN 07484-0 $85.00/$68.00
The Bronze Horseman
Falconet’s Monument to
Peter the Great
New
Alexander M. Schenker
“Utterly absorbing. . . . At
once a sweeping cultural history, a
penetrating work of art history—and a
tale as gripping as any work of fiction.”
—Eric Gibson, Wall Street Journal
This book is the first comprehensive
treatment in any language of the most
consequential work of art ever executed
in Russia—the equestrian monument to
Peter the Great, unveiled in 1782. The
author discusses the cultural setting of
the monument that has become the icon
of St. Petersburg and provides the life
stories of those involved in the creation
of The Bronze Horseman.
2003 416 pp. 61 b/w illus.
Cloth ISBN 09712-3 $65.00
Between Ruin and Renewal
Egon Schiele’s Landscapes
Kimberly A. Smith
New
The Austrian artist Egon
Schiele (1890–1918) is
renowned for his intensely
confrontational portraits, self-portraits,
erotic images, and allegories. What is less
well known today is that Schiele was also
a talented and prolific landscape painter.
These fascinating landscapes, however,
are now gaining the attention of scholars
and the art world. Indeed, Landscape at
Krumau (1916) by Schiele recently sold at
auction in London for about $20 million.
In this beautifully illustrated and
engaging book, Kimberly A. Smith
provides the first full examination of
Schiele’s landscapes and townscapes,
offering a new approach to and insights
into the artist’s work and motivations.
Diverging from the conventional
interpretation that Schiele’s paintings are
revelations of the artist’s psychology and
emotional experience, Smith focuses
instead on how his landscapes relate to
the political, social, and historical
conditions in early-twentieth-century
Austria. As Smith argues, Schiele’s
extraordinary landscape paintings are
marked by a dialectic of resignation and
renewal and convey the character of
Viennese modernism itself.
2004 224 pp. 40 b/w + 50 color illus.
Cloth ISBN 09748-4 $50.00
Northern & Eastern European Art 13

Spanish Art
14
Goya
Dali’s Optical Illusions
Edited by Dawn Ades
“Enthusiasts of the famous melting
watches of The Persistence of Memory, or
any of the other surreal effects the artist
produced over 60 years of work, will
find Dali’s Optical Illusions a great way
of approaching the paintings and
drawings.”—Publishers Weekly
Published in association with the
Wadsworth Atheneum Museum of Art
2000 196 pp. 60 b/w + 60 color illus.
Cloth ISBN 08177-4 $55.00/$44.00
Picasso and the Invention
of Cubism
Images of Women
Edited by Janis A. Tomlinson
Pepe Karmel
“These essays . . . explore Goya’s use of
satire, sympathy, and affection in his
“Essential reading.”—James Hall,
RA Magazine
renditions of the female subject. A
beautiful and important book.”
—Virginia Quarterly Review
This groundbreaking book is the first
This important book transforms our
understanding of Cubism, showing how
it emerged in Picasso’s work and tracing
its roots in nineteenth-century
to examine Goya’s representations of philosophy and linguistics. Linking
women, shedding light on the evolution well-known paintings and sculptures to
of the artist’s creativity as well as on
women’s roles in late eighteenth- and
early nineteenth-century Spain.
the previously ignored drawings that
accompanied them, Karmel demonstrates
how Picasso’s quest to depict the human
Published in association with the National body with greater solidity led,
Gallery of Art, Washington, D.C.
paradoxically, to its fragmentation.
2002 324 pp. 50 b/w + 130 color illus. 2002 324 pp. 50 b/w + 130 color illus.
Cloth ISBN 09493-0 $65.00
Cloth ISBN 09436-1 $60.00/$48.00
Picasso
The Artist’s Studio
Michael FitzGerald
This stunning book focuses on Picasso’s
depictions of the artist’s studio in
paintings, drawings, and prints at
every stage of his career.
Published in association with the
Wadsworth Atheneum Museum of Art
2001 192 pp. 12 b/w + 90 color illus.
Cloth ISBN 08941-4 $50.00/$40.00
A Sum of Destructions
Picasso’s Cultures and the Creation
of Cubism
Natasha Staller
“Staller’s contribution is eminently
original, scholarly impressive, deftly
organized, and beautifully written. . . .
Well-produced, reasonably priced, and
of great importance to the Picasso
literature. Highly recommended.”
—Choice
2001 438 pp. 195 b/w + 133 color illus.
Cloth ISBN 07242-2 $50.00/$40.00
Pablo Picasso
The Communist Years
Gertje R. Utley
“Utley relates with unblinking clarity the
story of Picasso’s close association with
the French Communist Party in the
decade after World War II. . . . Quietly
devastating.”—Jed Perl, New Republic
2000 280 pp. 175 b/w + 40 color illus.
Cloth ISBN 08251-7 $60.00/$48.00
Velázquez
The Technique of Genius
Jonathan Brown
New in
paper
“A ravishingly beautiful, highly
informative book. Brown and Garrido
work well together, interweaving the
artistic/historical background with the
messy forensic facts effortlessly; the
detail is stunning.”—George Crisp,
Art Review
“This is the book for all students of
Velazquez who want to know more about
his materials and how he used them.”
—Choice
“Velázquez: The Technique of Genius is an
illuminating introduction to what can be
learnt from the surface of the pictures.
. . . It is built round illustrations of
details, nearly all from paintings in the
Prado.”—Peter Campbell, London
Review of Books
In this engaging book, an art historian
and a conservation scientist discuss the
techniques Velázquez created in order to
realize his artistic vision. Examining
thirty works by Velázquez that span his
entire career, the authors show how his
technical achievement developed over
time.
2003 216 pp. 30 b/w + 210 color illus.
Paper ISBN 10124-4 $40.00
A Palace for a King
New
The Buen Retiro and the
Court of Philip IV; Revised
and expanded edition
Jonathan Brown and John H. Elliott
The Buen Retiro, a royal retreat and
pleasure palace, was built for Philip IV
on the outskirts of Madrid in the 1630s.
With its superb display of paintings by
Velázquez and other contemporary artists,
the palace became a showcase for the art
and culture of Spain’s Golden Age. A
Palace for a King, first published to wide
acclaim in 1980, provided a pioneering
total history of the construction,
decoration, and uses of a major royal
palace, emphasizing the relationship of
art and politics at a critical moment in
European history. In this extensively
revised edition, the authors review the
scholarship produced on different aspects
of the history of the palace and its
decoration over the past quarter century.
A number of new, previously
unpublished illustrations have been
added, and many of the plates are now
reproduced in color.
2003 316 pp. 100 b/w + 75 color illus.
Cloth ISBN 10185-6 $65.00
yalebooks.com/art

Sassoon
The Worlds of Philip and Sybil
Peter Stansky
“Peter Stansky’s excellent study gives a
full account of Philip’s public career, but
its principal appeal lies in the pages
devoted to Philip and Sybil’s social life,
their lavishly decorated houses and their
patronage of the arts.”—John Gross, The
Sunday Telegraph
This book brings the glamorous Sassoons
and their period into sharp focus,
exploring what their lives reveal about
the nature of English society and its
relation to wealth, power, politics,
Jewishness, and art.
2003 312 pp. 45 b/w + 25 color illus.
Cloth ISBN 09547-3 $35.00/$28.00
The Holland Park Circle
Artists and Victorian Society
Caroline Dakers
“Dakers should be warmly congratulated
on a long overdue re-evaluation of a
significant group of largely forgotten
British artists.”—William Dalrymple,
Sunday Times
2000 312 pp. 100 b/w + 35 color illus.
Cloth ISBN 08164-2 $60.00/$48.00
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Thomas Jones (1742–1803)
An Artist Rediscovered
Edited by Ann Sumner and Greg Smith
This lovely book provides for the first
time a comprehensive discussion of the
life and work of Thomas Jones, an
important Welsh landscape artist and a
pupil of Richard Wilson.
Published in association with The National
Museums and Galleries of Wales
2003 304 pp. 50 b/w + 150 color illus.
Cloth ISBN 09923-1 $60.00/$48.00
British Paintings at
the Huntington
Catalogue researched and written by
Robyn Asleson
Published in association with the
Huntington Library, Art Collections,
and Botanical Gardens
2001 576 pp. 200 b/w + 185 color illus.
Cloth ISBN 09056-0 $85.00/$68.00
See also Paul Mellon
Centre and Yale Center
for British Art for
more publications on
British art, pages 46–49
Paul Henry
S. B. Kennedy
This lovely book focuses on Paul Henry,
the most important Irish landscape
painter of the twentieth century.
Published in association with the National
Gallery of Ireland
2003 160 pp. 30 b/w illus.
Paper ISBN 09945-2 $30.00/$24.00
Art in the Age of
Queen Victoria
Treasures from the Royal Academy of
Arts Permanent Collection
Edited by MaryAnne Stevens and
Julian Treuherz
Published in association with
the Royal Academy
1999 168 pp. 40 b/w + 160 color illus.
Cloth ISBN 07997-4 $55.00/$44.00
Sesame and Lilies
John Ruskin
Edited and with an introduction by
Deborah Epstein Nord, with essays
by Elizabeth Helsinger, Seth Koven,
and Jan Marsh
2002 240 pp.
Cloth ISBN 09259-8 $38.00/$30.40
Paper ISBN 09260-1 $14.95/$11.96
William and Lucy: The
Other Rossettis
Angela Thirlwell
New
The marriage of William
Michael Rossetti (1829–
1919) and Lucy Madox Brown (1843–
1894) united two of the most resonant
Pre-Raphaelite family names. Their
passionate and ultimately tragic
relationship—described here for the first
time—provides a fresh perspective on
nineteenth-century marriage and on the
private lives of eminent Victorians.
2003 392 pp. 110 b/w + 30 color illus.
Cloth ISBN 10200-3 $45.00
Reading the
Pre-Raphaelites
Tim Barringer
1999 176 pp. 30 b/w + 90 color illus.
Paper ISBN 07787-4 $22.00/$17.60
Dante Gabriel Rossetti
and the Game That
Must Be Lost
Jerome McGann
2000 208 pp. 19 b/w + 18 color illus.
Cloth ISBN 08023-9 $35.00/$28.00
Everything Seemed Possible
Art in the 1970s
Richard Cork
2003 496 pp. 125 b/w illus.
Paper ISBN 09508-2 $20.00/$16.00
New Spirit, New Sculpture,
New Money
Art in the 1980s
Richard Cork
2003 508 pp. 130 b/w illus.
Paper ISBN 09509-0 $20.00/$16.00
Breaking Down the
Barriers
Art in the 1990s
Richard Cork
2003 656 pp. 150 b/w illus.
Paper ISBN 09510-4 $20.00/$16.00
Annus Mirabilis?
Art in the Year 2000
Richard Cork
2003 380 pp. 72 b/w illus.
Paper ISBN 09511-2 $20.00/$16.00
British Art 15

Ancient & Medieval Art
16
The Centaur’s Smile
The Human Animal in
Early Greek Art
New
J. Michael Padgett
With contributions by
William A. P. Childs and
Despoina Tsiafakis et al.
This landmark book is the first to
investigate representations of these
human animals—such as centaurs,
satyrs, sphinxes, sirens, and Gorgons
—in early Greek art (ca. 850–450 b.c.).
Over one hundred exquisite objects
—all beautifully reproduced in color
—are described and analyzed in detail.
Among the featured works are reliefs
and statuettes in stone, bronze, and
terracotta; jewelry and metalwork in
gold, silver, and electrum; engraved
sealstones in rock crystal, jasper, and
cornelian; and painted ceramic vases
from Athens, Corinth, Rhodes,
Miletus, Cyprus, and Etruria.
This book is the catalogue for an
exhibition at the Museum of Fine Arts,
Houston (February 22 to May 16,
2004).
Distributed for the Princeton University Art
Museum
2003 424 pp.
50 duotone + 225 color illus.
Cloth ISBN 10163-5 $65.00
Coming of Age in
Ancient Greece
New
Images of Childhood from
the Classical Past
Jenifer Neils and John H. Oakley
With the assistance of Katherine Hart
and with contributions by Lesley A.
Beaumont, Helene Foley, Mark Golden,
Jill Korbin, and Jeremy Rutter
“[This] scholarly but very readable
catalog delves into the profound
differences between ancient views of
childhood and those of today.”—Grace
Glueck, New York Times
This groundbreaking book is the first
English-language study to feature and
discuss imagery and artifacts relating to
childhood in ancient Greece.
Coming of Age in Ancient Greece is the
catalogue for an exhibition at the Onassis
Cultural Center, New York (January 18
to April 1, 2004); the Cincinnati Art
Museum (May 1 to August 1, 2004);
and the J. Paul Getty Museum, Los
Angeles (September 14 to December 5,
2004).
Published in association with the Hood
Museum of Art, Dartmouth College
2003 352 pp. 251 b/w + 170 color illus.
Cloth ISBN 09959-2 $65.00
Paper ISBN 09960-6 $40.00
Mount Athos
Renewal in Paradise
Graham Speake
“Superb photographs, fascinating.
Travelers and pilgrims alike, as well as
those who prefer to stay at home, will
relish this tour of Athos’s history, its
relics and treasures, and, in part, its
consciousness.”—Literary Review
2003 308 pp. 50 b/w + 100 color illus.
Cloth ISBN 09353-5 $39.95/$31.96
Roman Sculpture
Diana E. E. Kleiner
Yale Publications in the History of Art
1994 489 pp. 421 b/w illus.
Paper ISBN 05948-5 $45.00/$36.00
Tilman Riemenschneider
Master Sculptor of the Late Middle Ages
Julien Chapuis
Published in association with the National
Gallery of Art, Washington, D.C. and The
Metropolitan Museum of Art, New York
1999 352 pp. 70 b/w + 150 color illus.
Cloth ISBN 08162-6 $75.00/$60.00
Monastic Visions
Wall Paintings in the Monastery
of St. Antony at the Red Sea
Edited by Elizabeth S. Bolman
“Monastic Visions . . . beautifully
reproduces the cleaned paintings for the
first time. It also describes and analyses
the amalgam of Coptic, Byzantine and
Arab styles and motifs and the religious
culture to which they belong.”—Apollo
Winner of an honorable mention
for the Association of American
Publishers’ 2002 Award for Excellence
in Professional/Scholarly Publishing
in Art
Published in association with American
Research Center in Egypt, Inc.
2002 342 pp. 85 b/w + 210 color illus.
Cloth ISBN 09224-5 $75.00/$60.00
Classical Art and the
Cultures of Greece
and Rome
John Onians
1999 320 pp. 230 b/w illus.
Cloth ISBN 07533-2 $55.00/$44.00
Art and Beauty
in the Middle Ages
Umberto Eco
“If you want to become acquainted with
medieval aesthetics, you will not find a
more scrupulously researched, better
written (or better translated), intelligent
and illuminating introduction than Eco’s
short volume.”—D. C. Barrett, Art
Monthly
A Nota Bene Paperback
2002 144 pp.
Paper ISBN 09304-7 $11.95
Medieval Illuminators and
Their Methods of Work
Jonathan J. G. Alexander
“A candidate for the best book on
illuminated manuscripts ever written.
. . . The book is magnificent. For a
sensitive understanding of the
manuscript artist and an experienced and
wise judgement on his miniatures, this
beautifully illustrated and concisely
written book is the work of a great
master.”—Christopher de Hamel, The
Art Newspaper
1994 222 pp. 218 b/w + 29 color illus.
Paper ISBN 06073-4 $35.00
yalebooks.com/art

Islam
A Thousand Years of Faith and Power
Jonathan Bloom and Sheila Blair
“This engrossing and accessible book
explores the first millennium of Islamic
culture, shattering stereotypes and
enlightening readers about the events
and achievements that have shaped
contemporary Islamic civilisation. . . .
Colourfully illustrated, this book is a
wonderful introduction to the rich
history of a civilisation that still radically
affects the world.”—The Middle East
A Nota Bene Paperback
2002 304 pp. 4 b/w + 50 color illus.
Paper ISBN 09422-1 $16.95
Paper Before Print
The History and Impact of Paper
in the Islamic World
Jonathan M. Bloom
“Jonathan Bloom writes with an elegant
lightness of touch and his arguments . . .
convince. Paper Before Print is
beautifully illustrated and produced, a
tribute to the art of paper-making in its
own right. . . . This book will surely
become fundamental to the discussion of
Islamic art and literary culture.”—Hugh
Kennedy, Times Literary Supplement
Winner of the College Art Association’s
2003 Charles Rufus Morey Prize
2001 320 pp. 53 b/w + 48 color illus.
Cloth ISBN 08955-4 $50.00/$40.00
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Persian Poetry, Painting
and Patronage
Illustrations in a Sixteenth-Century
Masterpiece
Marianna Shreve Simpson
This gorgeous book reproduces to
scale the Freer Jami paintings, discusses
each in detail, and introduces the
manuscript’s patron and the artist’s
painting style and meaning.
Published in association with the Freer
Gallery of Art, Smithsonian Institution
1998 80 pp. 40 color illus.
Paper ISBN 07483-2 $24.00/$19.20
Peerless Images
Persian Painting and Its Sources
Eleanor Sims
“A lavish panorama of Persian painting
from prehistoric times through the 19th
century. . . . This volume is a fine
complement to other works on Persian
art . . . and it fills a gap in the
underrepresented field of Iranian art.”
—Library Journal
2002 368 pp. 15 b/w + 345 color illus.
Cloth ISBN 09038-2 $95.00/$76.00
Asian Art at the Norton
Simon Museum
Pratapaditya Pal
These lavishly illustrated books are the
first and second in a series of three
cataloguing the Asian art collection at the
Norton Simon Museum. Each work of
art is fully illustrated and discussed, and
both volumes include substantial
introductions that shed light on the
aesthetic and metaphysical
underpinnings of these masterpieces.
Published in association with the Norton
Simon Art Foundation
Volume 1: Art from the Indian
Subcontinent
2003 336 pp.
198 duotones + 152 color illus.
Cloth ISBN 09915-0 $75.00
Volume 2: Art from the Himalayas
and China
2004 272 pp.
57 duotones + 211 color illus.
Cloth ISBN 09926-6 $75.00
Volume 3: Art from Sri Lanka and
Southeast Asia
2004 272 pp.
150 duotones + 150 color illus.
Cloth ISBN 10148-1 $75.00
Three Thousand Years
of Chinese Painting
Richard M. Barnhart, Yang Xin,
Nie Chongzheng, James Cahill,
Lang Shaojun, and Wu Hung
Winner of the Association of American
Publishers’ 1997 Hawkins Award in the
Arts category
Published in association with Foreign
Languages Press, Beijing
Culture and Civilization of China Series
1997 416 pp. 25 b/w + 300 color illus.
Cloth ISBN 07013-6 $95.00/$76.00
Paper ISBN 09447-7 $39.95
Buddha
Radiant Awakening
Edited by Jackie Menzies
For two thousand years, veneration for
the Buddha has inspired glorious
imagery celebrating his beliefs. This
lavishly illustrated book presents and
discusses paintings, sculpture,
metalwork, manuscripts, mandalas, and
textiles from many countries. These
magnificent works portray the life of
Buddha and address the different ideas
that shaped Buddhism through the ages.
Distributed for the Art Gallery of New South
Wales, Australia
2003 192 pp. 150 color illus.
Paper ISBN 09872-3 $35.00
New Perspectives
on China’s Past
New
Twentieth-Century
Chinese Archaeology
Edited by Xiaoneng Yang
This richly illustrated book is the first
to introduce and discuss the most
important archaeological discoveries in
China during the entire twentieth
century. The two-volume set draws on
Chinese archaeological fieldwork to
address cross-disciplinary topics in
archaeology, art history, epigraphy,
history, and religion.
Chinese archaeology has provided
materials that are prompting scholars to
reconstruct or rewrite China’s history
from the prehistoric period through the
Imperial dynasties. New Perspectives on
China’s Past is a compendium of this
breakthrough research and the global
scholarship that surrounds it. With
some six hundred illustrations, glossary,
index, and extensive bibliography, this
work will be a standard reference on
Chinese archaeology in the twentieth
century.
Published in association with the Nelson-
Atkins Museum of Art, Kansas City
2004 800 pp. 750 color illus.
Cloth ISBN 09634-8 $180.00
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Middle Eastern & Asian Art 17

Graphic Design
18
MONOGRAPHICS
Yale University Press is pleased to announce MONOGRAPHICS, an
innovative, accessible, and affordable new series of handsomely designed books
focusing on important contemporary and historical graphic designers. Overseen
by series editor Rick Poynor, each book includes an introductory essay by a
noted expert on visual culture, followed by reproductions of carefully selected
examples of the designer’s work with detailed commentary.
Chip Kidd
New
Véronique Vienne
“[Vienne’s] commentary alongside
each of the designs, with spry quotes
from Kidd himself, point out the
unexpected and ingenious connections
between the book and the
design elements.”—Library Journal
Chip Kidd is renowned and revered
as a maverick graphic designer. This
richly illustrated book—the first
critical selection of Kidd’s design
work—looks closely at this
contemporary visual pioneer.
Véronique Vienne presents a full and
nuanced view of Kidd, discussing
how he has developed celebrity status
as a designer, design critic, lecturer,
and editor. She also relates how Kidd
is greatly influenced by popular
culture, noting his vast collection of
Batman memorabilia. Vienne
concludes by examining Kidd’s
editorial involvement with books on
cartoonists as well as his own first
novel, The Cheese Monkeys, published
in 2001 to critical acclaim.
2003 112 pp. 105 color illus.
Paper ISBN 09952-5 $19.95
Kyle Cooper
New
Andrea Codrington
Kyle Cooper is acclaimed as the most
innovative and important designer of
film titles since Saul Bass. This
attractive and informative book
offers the first critical and historical
assessment of Cooper’s impressive
design achievements.
In this book, Andrea Codrington
relates that Cooper’s work first
garnered major attention in 1995
with his creation of the extraordinary
title sequence for the horror thriller
Seven, which is credited with bringing
about a renaissance in innovative film
title design. Codrington also discusses
Cooper’s work at the titles specialist
R/Greenberg before he founded in
1996 his own Los Angeles based
company, Imaginary Forces. As
creative director there, Cooper now
oversees a ninety-person team and has
designed a stunning succession of
highly regarded titles for such films as
Eraser, Mission Impossible, Twister, The
Mummy, The Horse Whisperer, The
Negotiator, and Arlington Road.
2003 112 pp. 84 b/w + 154 color illus.
Paper ISBN 09951-7 $19.95
No More Rules
New
Graphic Design and
Postmodernism
Rick Poynor
The past twenty years have seen
profound changes in the field of graphic
communication. As the computer has
become a ubiquitous tool, there has been
an explosion of creativity in graphic
design; designers and typographers have
jettisoned existing rules and forged
experimental new approaches. No More
Rules is the first critical survey to offer a
complete overview of the graphic
revolution during the postmodern
period.
Design critic Rick Poynor tells this story
in detail, breaking down a broad,
multifaceted field of graphic design
activity into key developments and
themes: the origins of postmodern
design; deconstructionist design and
theory; issues of appropriation; the
revolution in digital type; questions of
authorship; and critiques of postmodern
graphic design. Each theme is illustrated
by spectacular and significant examples
of work produced between 1980 and
2000 that have changed the way in
which designers and their audiences
think about graphic communication.
This generously illustrated book is a
vital reference for design professionals
and educators as well as for students of
graphic design, image-making,
advertising, and the visual arts.
2003 192 pp. 15 b/w + 160 color illus.
Paper ISBN 10034-5 $35.00
American Modernism
Graphic Design,
1920 to 1960
New
R. Roger Remington
This insightful book is the
first to present a comprehensive survey
of the Modernist movement as it
emerged in America between 1920 and
1960 in various graphic media. It
identifies and examines great works in
advertising, information design, identity,
magazine design, print, dimensional
design, and posters that by mid-century
had defined American graphic design.
R. Roger Remington begins by
discussing the emergence of Modernism
and its major historical influences,
including European avant-garde art
movements, technology, geopolitical
issues, popular culture, educational
innovations such as the Bauhaus,
architecture, industrial design, and
photography. The heart of the book
brings together the key works of midcentury
Modernism, presenting them
chronologically from the 1930s to the
1950s. The final section shows the impact
of and reactions to these Modernist
influences as graphic design in America
matured into the 1960s and beyond.
Handsomely designed and illustrated,
American Modernism is destined to
become a classic text in the study of
design and visual culture.
2003 192 pp. 90 b/w + 150 color illus.
Paper ISBN 09816-2 $35.00
Beauty and the Book
Fine Editions and Cultural Distinction
in America
Megan L. Benton
“[A] fascinating study of American fine
printing in the 1920s and 30s. . . . An
intelligent and important contribution to
a formative period in American printing
history.”—Martin W. Hutner, Papers of
the Bibliographical Society of America
Henry McBride Series in Modernism and
Modernity
2000 336 pp. 33 b/w illus.
Cloth ISBN 08213-4 $40.00/$32.00
Interaction of Color
Revised Edition
Josef Albers
“The Interaction of Color . . . has proven
key to understanding color relationships
and human perception. . . . Anyone who
works with color should read Albers’
findings, period.”—Pamela Pfiffner,
MacUser
1975 74 pp. 10 color illus.
Paper ISBN 01846-0 $13.00
CD-ROM Edition: Version 1.1 for Macintosh
Computers
CD-ROM ISBN 05995-7 $145.00/$116.00
Users guide
ISBN 06354-7 $30.00/$24.00
yalebooks.com/art

On Book Design
Richard Hendel
“Hendel has produced a model book, a
book that is easy to READ. He examines
the process of book design with the
confidence and amused wonder that only
an old ‘pro’ could exhibit. . . . A joy to
read.”—Jean Stephenson, Guild of Book
Workers Newsletter
1998 224 pp. 110 b/w illus.
Cloth ISBN 07570-7 $37.50/$30.00
Web Style Guide
Basic Design Principles for Creating
Web Sites Second Edition
Patrick J. Lynch and Sarah Horton
2002 240 pp. 181 b/w illus.
Paper ISBN 08898-1 $19.95
Web Teaching Guide
A Practical Approach to Creating Course
Web Sites
Sarah Horton
Winner of the Association of American
Publishers’ 2000 Book Award in the
Computer Science category
2000 256 pp. 200 b/w illus.
Cloth ISBN 08726-8 $35.00/$28.00
Paper ISBN 08727-6 $17.00/$13.60
Paul Rand
A Designer’s Art
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Paul Rand
“A monograph-cum-manifesto by
America’s leading modernist designer
and corporate communications pioneer.
. . . This book describes design as a
formal, aesthetic, and conceptual
marriage of rationalism and wit.”
—Lingua Franca
Winner of the 1987 Florence Prize for
Visual Communication from the
Universita Internazionale dell’Arte
2000 253 pp. 153 b/w + 55 color illus.
Paper ISBN 08282-7 $30.00
Graphic Design Sources
Kenneth J. Hiebert
“Hiebert writes in a style of design
proverbs, easily digestible words to
design and live by, recalling the clarity
with which Rand and Tschichold wrote
on design. . . . Beyond its value to
design educators and students, Graphic
Design Sources offers all readers useful
reflections on design.”—Communication
Arts
1998 224 pp. 440 b/w + 240 color illus.
Paper ISBN 07461-1 $47.50/$38.00
Bauhaus, Modernism,
and the Illustrated Book
Alan Bartram
This lively and New
authoritative book explores
the influence of the Bauhaus
and modernism on typography and book
design. Distinguished book designer and
author Alan Bartram examines work by
such key figures as Max Bill, F. T.
Marinetti, El Lissitzky, László Moholy-
Nagy, Jan Tschichold, and Paul Rand that
demonstraes the modernist revolution that
took place in graphic design.
Bartram surveys the German art and
design school known as the Bauhaus.
Under Walter Gropius, the Bauhaus
intended to create an academic, theoretical,
and practical synthesis of all forms of
visual expression—a marrying of art,
architecture, industry, and design that had
never been attempted before. Although the
Bauhaus existed for only fourteen years,
from 1920 to 1934, Bartram asserts that its
philosophy influenced the appearance of
almost every kind of modernist artifact
throughout the twentieth century and
continues to do so today.
2004 144 pp. 120 b/w illus.
Cloth ISBN 10117-1 $35.00
Five Hundred Years
of Book Design
Alan Bartram
2001 192 pp. 150 b/w illus.
Cloth ISBN 09058-7 $35.00
Twentieth-Century Type
New and Revised Edition
Lewis Blackwell
Twentieth-Century Type New
surveys the significant
issues that have shaped the
history and evolution of typography and
graphic design, showing how current
typographic trends are part of a
continuously changing movement that
can be plotted through the decades.
Generously illustrated with over three
hundred examples—more than two
hundred of which are in color—the
book charts significant topics including
the arrival of mass-production; the birth
of the art director; the appearance of the
grid (and its subsequent rejection); the
coming of non-print media; and the
launch of the Macintosh computer and
its ushering in of a new generation of
designers enfranchised by digital
technology.
This revised edition of a fundamental
work brings the story up to date with
new text and images covering type on
screen and, in particular, type for the
internet. Combining an assessment of
the culture of experimentation in contemporary
typographic design alongside
a clear presentation of the field’s historical
context, the book is an informed
and accessible source for all students
of design and for designers needing an
expert overview of typography.
2004 224 pp. 90 b/w + 217 color illus.
Paper ISBN 10073-6 $39.95
Ansel Adams
Divine Performance
Anne Hammond
“A profound, carefully researched
investigation of the philosophical and
spiritual underpinnings of Adams’s life
and work.”—Lew Andrews, History of
Photography
2002 192 pp.
Cloth ISBN 09241-5 $45.00
Portrait of the Art World
A Century of ARTnews Photographs
William F. Stapp
Published in association with the National
Portrait Gallery, Smithsonian Institution
2002 184 pp.
89 quadratone + 31 color illus.
Cloth ISBN 09752-2 $39.95
Beauty of Another Order
Photography in Science
Ann Thomas
Winner of the 1998 Kraszna-Krausz
Photography Award
Published in association with National
Gallery of Canada, Ottawa
1998 256 pp. 65 b/w + 90 color illus.
Cloth ISBN 07340-2 $60.00/$48.00
Strindberg
Painter and Photographer
Per Hedström, Douglas Feuk, Erik
Höök, Agneta Lalander, and Göran
Söderström
Published in association with the
Nationalmuseum, Stockholm
2001 192 pp. 25 b/w + 125 color illus.
Cloth ISBN 09187-7 $50.00/$40.00
The Tumultuous Fifties
A View from the New York Times
Photo Archives
Douglas Dreishpoon and Alan
Trachtenberg
2002 272 pp. 200 duotones + 30 b/w illus.
Cloth ISBN 08821-3 $45.00
Graphic Design / Photography 19

Photography
20
Beaton
Portraits
New
Terence Pepper
With a foreword by Roy
Strong and an essay by Peter Conrad
Sir Cecil Beaton (1904–1980) was one of
the most renowned photographers of his
generation. A major contributor to
Vogue and Vanity Fair in Britain, France,
and America, Beaton captured for
posterity such admired subjects as artists
Pablo Picasso, Salvador Dalí, Andy
Warhol, and Richard Avedon; actresses
Marilyn Monroe, Audrey Hepburn, and
Greta Garbo; statesmen and politicians
Winston Churchill and Robert
Kennedy; and, of course, Britain’s Royal
Family. This sumptuously illustrated
book—published on the centenary of
Beaton’s birth—brings together many
of his evocative portraits in celebration
of his remarkable life and work.
This book features an illustrated essay
discussing the wide range of Beaton’s
career as well as a portfolio of 160
beautiful reproductions of his most
famous portraits and an extended
illustrated chronology.
2004 240 pp.
150 duotone + 80 color illus.
Cloth ISBN 10289-5 $50.00
Diane Arbus:
Family Albums
New
Anthony W. Lee and
John Pultz
This book presents a significant body
of previously unpublished pictures by
Diane Arbus and proposes a radically
new way to understand her goals,
strategies, and overall work. Examining
unknown contact sheets from several of
Arbus’s portrait sessions, including
more than three hundred photographs
she took of a New York family one
weekend in 1969, Anthony W. Lee and
John Pultz put to the test Arbus’s claim
that she was developing a “family
album.” They reveal a photographer
far more savvy with the camera, more
aware of photography as an artistic and
commercial practice, and more sensitive
to the social and cultural tensions of the
1960s than has been acknowledged before.
This book accompanies an exhibition at
the Grey Gallery, New York University
(January 13 to March 27, 2004);
Portland Museum of Art, Maine (June 5
to September 6, 2004); the Spencer
Museum of Art, University of Kansas
(October 16, 2004 to January 16,
2005); and other venues to be
announced.
Published in association with the Mount
Holyoke College Art Museum and the
Spencer Museum of Art, University of
Kansas
2003 168 pp. 65 duotones
Flexibound ISBN 10146-5 $35.00
Print the Legend
Photography and the
American West
Martha A. Sandweiss
New in
paper
“Print the Legend is a landmark
publication. . . . This book should be
compulsory reading for all those writing
the history of photography.”—Jan
Baetens, The History of Photography
Winner of the Organization of
American Historians’ 2002 Ray Allen
Billington Prize and of the 2003
William P. Clements Prize
2002 416 pp. 148 b/w illus.
Cloth ISBN 09522-8 $39.95/$31.96
Paper ISBN 10315-8 $25.00
Tina Modotti
Between Art and Revolution
Letizia Argenteri
The spellbinding story of Tina
Modotti—a visionary photographer,
a revolutionary with communist
sympathies, and a woman who
inspired the passions of great men.
2003 408 pp. 60 b/w illus.
Cloth ISBN 09853-7 $35.00
Manufactured Landscapes
The Photographs of Edward Burtynsky
Lori Pauli
“A book of magnificent work. . . .
Burtynsky brings the rigor and
grandiosity of architectural photography
to his subject matter. . . . Definitely one
of the best books of the year.”—Photoeye
Selected as one of the Best Photography
Books of 2003 by photo-eye Books
Published in association with the National
Gallery of Canada, Ottawa
2003 160 pp. 110 b/w illus.
Cloth ISBN 09943-6 $55.00
Dreaming in Pictures
The Photography of Lewis Carroll
Douglas R. Nickel
“Nickel’s analysis reveals not only
Carroll’s achievement with the photographic
medium, but also provides
insight into the larger realm of Victorian
photography and culture.”—Kathleen D.
Adrian, Art Documentation
Published in association with the San
Francisco Museum of Modern Art
2002 172 pp. 95 duotone illus.
Cloth ISBN 09169-9 $39.95
The History of Japanese
Photography
Anne Wilkes Tucker, Dana Friis-
Hansen, Kaneko Ryuichi, and Takeba Joe
“Will delight a general audience and
provide it with bird’s eye view of 150
years of Japanese photography.”
—Bruno Chalifour, Afterimage
Winner of the Maine Photographic
Workshops 2003 Golden Light Award
for best Historical book; Selected as one
of the Best Photography Books of 2003 by
photo-eye Books
Published in association with the Museum of
Fine Arts, Houston
2003 432 pp. 50 b/w + 356 color illus.
Cloth ISBN 09925-8 $65.00
El Lissitzky
Beyond the Abstract Cabinet:
Photography, Design, Collaboration
Margarita Tupitsyn, with Ulrich
Pohlmann and Matthew Drutt
“Fascinating new insights into the life
and work of this great artist.”—Ellen
Lupton, Print
This book brings to light more than 300
examples of Lissitzky’s photographic
work from 1922 to his death in 1941,
analyzes his experiments in the medium,
and discusses political and aesthetic
aspects of his art.
1999 240 pp. 100 b/w + 217 color illus.
Cloth ISBN 08170-7 $75.00/$60.00
yalebooks.com/art

Shocking!
New
The Art and Fashion of
Elsa Schiaparelli
Dilys E. Blum
“Visually stunning.”—Suzy Menkes,
International Herald-Tribune
“Of ‘coffee-table book’ size proportions,
Shocking! offers everything you wanted
. . . to know about this most extraordinary
woman. ”—Art Times
This extraordinary book is the first
comprehensive examination of the work
of celebrated fashion designer Elsa
Schiaparelli. It discusses her career,
her impact on the American fashion
industry, and her relationship with the
Parisian artistic community, alongside
vintage contemporary photographs of
Schiaparelli’s innovative clothing and
accessories, her glamorous clientele, and
her sketches and stills from the films
and plays with which she was associated.
Published in association with the
Philadelphia Museum of Art
2003 320 pp. 158 b/w + 158 color illus.
Cloth ISBN 10066-3 $65.00
Fashion at the Edge
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Spectacle, Modernity,
and Deathliness New
Caroline Evans
Recent experimental fashion
has a dark side, a preoccupation with
representations of death, trauma,
alienation, and decay. This intriguing
book looks closely at this strand of
fashion design in the 1990s, exploring
what its disturbing themes tell us about
consumer culture and contemporary
anxieties.
Fashion at the Edge considers a range of
cutting-edge contemporary fashion in
unprecedented depth and detail,
including the work of such current
designers as John Galliano, Alexander
McQueen, Hussein Chalayan, and
Viktor & Rolf. Contrasting images by
photographers like Steven Meisel, Nick
Knight, and Juergen Teller are also
reviewed. Drawing on diverse
perspectives from Marx to Walter
Benjamin, Evans shows that fashion
stands at the very center of the
contemporary, and that it voices some
of Western culture’s deepest concerns.
2003 334 pp. 100 b/w + 100 color illus.
Cloth ISBN 10192-9 $50.00
The Corset
A Cultural History
Valerie Steele
“Glamour. Sex. Oppression. What
could be more enticing on a fashionista’s
coffee table. . . . In an attractive and
readable style, Steele . . . examines the
garment’s controversies . . . with plenty
of shocking and beautiful images along
the way.”—Toronto Globe & Mail
Winner of the 2002 Millia Davenport
Publication Award, sponsored by the
Costume Society of America
2003 208 pp. 110 b/w + 30 color illus.
Paper ISBN 09953-3 $24.95
Fashion, Italian Style
Valerie Steele
This lavishly illustrated book celebrates
Italian fashion and explores its postwar
rise to the peak of the fashion world.
Valerie Steele considers the great
designers from the 1940s to today and
examines what makes the Italian fashion
industry unique. She includes an array of
splendid photographs that document the
accomplishments of Italian fashion
system.
Published in association with The Museum
at the Fashion Institute of Technology
2003 144 pp. 5 b/w + 132 color illus.
Cloth ISBN 10014-0 $35.00
Fifty Years of Fashion
New Look to Now
Valerie Steele
2000 176 pp. 50 b/w + 100 color illus.
Paper ISBN 08738-1 $24.95
China Chic
East Meets West
Valerie Steele and John S. Major
1999 208 pp. 50 b/w + 60 color illus.
Cloth ISBN 07930-3 $50.00/$40.00
What Clothes Reveal
The Language of Clothing in Colonial
and Federal America
Linda Baumgarten
“Beautifully produced. . . . Well written,
well priced, and full of pertinent details
about the daily lives of our American
ancestors, this book for both scholars
and casual readers is recommended for
all libraries.”—Library Journal
Winner of the 2003 Millia Davenport
Publication Award, sponsored by the
Costume Society of America
Published in association with the Colonial
Williamsburg Foundation
2002 256 pp. 36 b/w + 355 color illus.
Cloth ISBN 09580-5 $65.00
Dress in Eighteenth-
Century Europe 1715–1789
Revised Edition
Aileen Ribeiro
“Magnificently reprinted. . . . It is a
pleasure to follow Ribeiro as she traces
the evolution of an article of clothing.”
—Richard Dorment, New York Review
of Books
2002 336 pp. 90 b/w + 100 color illus.
Cloth ISBN 09151-6 $60.00
The Art of Dress
Fashion in England and France, 1750–1820
Aileen Ribeiro
1995 264 pp. 200 b/w + 50 color illus.
Cloth ISBN 06287-7 $75.00
Dress in the Middle Ages
Françoise Piponnier and Perrine Mane
Cloth ISBN 06906-5 $30.00/$24.00
Paper ISBN 08691-1 $16.00/$12.80
Dress in France in the
Eighteenth Century
Madeleine Delpierre
1998 176 pp. 50 b/w illus.
Cloth ISBN 07128-0 $37.50/$30.00
Fashion & Costume History 21

Decorative Arts / Urban & Landscape Studies
22
Wallace Nutting and the
Invention of Old America
Thomas Andrew Denenberg
“This deeply informed and lavishly
illustrated landmark book is essential
reading for every curator, collector, and
interested student of American
antiques.”—Wendell Garrett, The
Magazine Antiques
As the principal authority on early
American furniture for much of the
twentieth century, Wallace Nutting
collected, reproduced, and marketed
colonial artifacts, promoting an idealized
notion of a time and place he called
“Old America.” This handsomely
illustrated book is the first full-length
study of Nutting’s life, work, and
important contributions to American
culture.
Published in association with the
Wadsworth Atheneum Museum of Art
2003 240 pp. 131 b/w + 31 color illus.
Cloth ISBN 09683-6 $39.95
Harlequin Unmasked
The Commedia Dell’Arte and
Porcelain Sculpture
Meredith Chilton
Winner of the 2001 George Freedley
and Theatre Library Association Book
Award
Published in association with the George R.
Gardiner Museum of Ceramic Art, Toronto
2001 384 pp. 300 b/w + 300 color illus.
Cloth ISBN 09009-9 $75.00/$60.00
The Peacock Room
A Cultural Biography
Linda Merrill
Winner of the 1998 Historians of
British Art Book Prize in the category
of nineteenth-century studies
Published in association with the Freer
Gallery of Art, Smithsonian Institution,
Washington, D.C.
1998 408 pp. 150 b/w + 100 color illus.
Cloth ISBN 07611-8 $95.00/$76.00
City
Urbanism and Its End
New
Douglas W. Rae
“Quite simply, one of the best books
I’ve read in years.”—Robert Putman
How did neighborhood groceries,
parish halls, factories, and even saloons
contribute more to urban vitality than
did the fiscal might of postwar urban
renewal? With a novelist’s eye for telling
detail, Douglas Rae depicts the features
that contributed most to city life in the
early “urbanist” decades of the twentieth
century. Rae’s subject is New Haven,
Connecticut, but the lessons he draws
apply to many American cities.
Rae argues that strategies for the urban
future should focus on nurturing the
unplanned civic engagements that make
mixed-use city life so appealing and so
civilized. Cities need not reach their old
peaks of population, or look like
thriving suburbs, to be once again
splendid places for human beings to
live and work.
The Institution for Social and Policy Studies
at Yale University Series
2003 544 pp. 80 b/w illus.
Cloth ISBN 09577-5 $30.00
Republic of Shade
New England and the American Elm
Thomas J. Campanella
“There should be a book like this for
every great American tree. Campanella
is a terrific scholar and a writer of
great style. What Mark Kurlansky
did for codfish in his bestseller Cod,
Campanella does for elms.”—Amy
Godine, Orion
“In Thomas J. Campanella’s edifying
Republic of Shade, the mighty elm . . .
rises again, as Campanella explores the
history of the plant that launched an
entire nation of Elm Streets.”—Mark
Rozzo, New Yorker
2003 240 pp. 62 b/w illus.
Cloth ISBN 09739-5 $35.00
Mississippi Floods
Designing a Shifting Landscape
Anuradha Mathur and Dilip da Cunha
“This book challenges us to look at the
Mississippi in a fresh way. Mathur
and da Cunha bring together diverse
perspectives on the river and create a
masterful work of art in the process.”
—Steven Hoelscher
2001 176 pp. 180 b/w + 104 color illus.
Cloth ISBN 08430-7 $50.00/$40.00
Downtown
Its Rise and Fall, 1880–1950
Robert M. Fogelson
“A stimulating new history of a longneglected
subject.”—Witold
Rybczynski, Wilson Quarterly
“The book is an impressive work of
research and synthesis, and it will
undoubtedly help to rewrite the story
of American cities in the first half of
the twentieth century.”—Max Page,
The New England Quarterly
Winner of the 2001 Lewis Mumford
Prize for Best Book in American City
and Regional History and the Urban
History Association Prize for Best Book
in North American Urban History
2001 492 pp. 40 b/w illus.
Cloth ISBN 09062-5 $45.00/$36.00
Paper ISBN 09827-8 $19.95
Going Shopping
Consumer Choices and Community
Consequences
Ann Satterthwaite
“A contemporary, well-informed, and
nuanced judgment of the impact of
malls, remote retail, big box stores,
and other expressions of contemporary
shopping.”—Gary Cross, Journal of
Economic History
2002 400 pp. 150 b/w illus.
Cloth ISBN 08421-8 $45.00/$36.00
yalebooks.com/art

Surrealism and Modernism
From the Collection of the
Wadsworth Atheneum
Museum of Art New
Eric Zafran and Paul Paret
This beautiful book showcases the
remarkable works of twentieth-century
art acquired by a succession of
adventurous directors and curators at
the Wadsworth Atheneum. Eric Zafran
relates the fascinating details behind
the acquisition of works by Dalí, Calder,
Picasso, Henry Moore, Georgia O’Keeffe,
Willem de Kooning, Jackson Pollock,
and many others.
Published in association with the Wadsworth
Atheneum Museum of Art
2003 152 pp. 40 b/w + 75 color illus.
Cloth ISBN 10203-8 $50.00
Minimalism
Art and Polemics in the Sixties
James Meyer
Selected by Architects Journal as one of
the Books of the Year for 2001
2001 348 pp. 130 b/w + 30 color illus.
Cloth ISBN 08155-3 $55.00
On Abstract Art
Briony Fer
1997 208 pp. 70 b/w + 12 color illus.
Cloth ISBN 06975-8 $50.00/$40.00
Paper ISBN 08735-7 $25.00/$20.00
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Renaissance to Rococo
Masterpieces from the
Collection of the New
Wadsworth Atheneum
Museum of Art
Edited by Eric Zafran
When the Wadsworth Atheneum opened
in 1844 as the first public gallery of fine
arts in America, the highlights of the
collection were works by contemporary
American artists. However, gifts soon
brought a number of old master
paintings to the museum, and today
perhaps the most famous aspect of its
fine European painting collection is the
concentration of Italian Baroque
masterpieces. This beautiful book is a
catalogue of its collection of old master
paintings and a history of the museum’s
acquisition program and distinguished
directors.
Published in association with the Wadsworth
Atheneum Museum of Art
2004 160 pp. 20 b/w + 80 color illus.
Cloth ISBN 10205-4 $50.00
The Yale Dictionary of
Art and Artists
Erika Langmuir and Norbert Lynton
A Nota Bene Paperback
2000 768 pp.
Cloth ISBN 08702-0 $30.00/$24.00
Paper ISBN 06458-6 $12.95
Unearthing the Past
Archaeology and Aesthetics in the
Making of Renaissance Culture
Leonard Barkan
Winner of the College Art Association’s
Charles Rufus Morey book award; of
the Modern Language Association’s
1999 Scaglione Prize in Comparative
Literature Studies; of Phi Beta Kappa’s
2000 Christian Gauss Award; and cowinner
of the 2001 PEN/Architectural
Digest Award for Literary Writing on
the Visual Arts
2000 464 pp. 206 b/w illus.
Cloth ISBN 07677-0 $60.00/$48.00
Paper ISBN 08911-2 $22.00/$17.60
Vernacular Visionaries
International Outsider Art
Edited by Annie Carlano
With essays by Annie Carlano, New
John Beardsley, Caterina
Gemma Brenzoni, Victoria Y. Lu,
John Maizels, and Jacques Mercier
Outsider Art is a name for the often
mesmerizing creations of those who live
and work at a distance from prevailing
notions about mainstream artistic trends,
individuals who are frequently unaware
of themselves as artists or their works as
art. This striking book presents and
discusses some of the twentieth century’s
most significant examples of Outsider
Art. Featuring eight unique Outsider
artists from a wide range of cultural
backgrounds, the book is filled with
stunning photographs and important
new scholarship on this mesmerizing
form of human creativity. It presents a
major study of international Outsider
Art and demonstrates the importance of
place and time—as well as internal
genius—in these artists’ creative
processes.
This book is the catalogue for an
exhibition at the Museum of
International Folk Art, Santa Fe
(October 31, 2003 to summer 2004).
Published in association with the Museum
of International Folk Art, Santa Fe, New
Mexico
2003 168 pp. 93 color illus.
Cloth ISBN 10173-2 $45.00
Kimbell Art Museum
Handbook of the Collection
Edited by Timothy Potts
With contributions by Malcolm New
Warner, Nancy E. Edwards, and
Jennifer Casler Price et al.
This beautiful and up-to-date handbook
presents over 240 works from the
Kimbell Art Museum’s renowned
collection, with masterpieces ranging
from ancient to modern times, including
Old Master paintings, Impressionist
works, antiquities from Egypt, the Near
East, Greece, and Rome as well as
artworks of Asia, Precolumbian America,
and Africa.
Distributed for the Kimbell Art Museum
2003 312 pp. 270 color illus.
Paper ISBN 10181-3 $19.95
The Sculptural
Imagination
Figurative, Modernist, Minimalist
Alex Potts
2001 432 pp. 115 b/w + 50 color illus.
Cloth ISBN 08801-9 $55.00/$44.00
Flesh and the Ideal
Winckelmann and the Origins of
Art History
Alex Potts
1994 302 pp. 43 b/w illus.
Cloth ISBN 05813-6 $45.00/$36.00
Paper ISBN 08736-5 $20.00/$16.00
Kenwood
Paintings in the New
Iveagh Bequest
Julius Bryant
Set high on a ridge in historic parkland
less than five miles from Trafalgar
Square, Kenwood is London’s favorite
“country house.” Remodeled by Robert
Adam in the eighteenth century, in 1928
it became the home of the Iveagh
Bequest, a superb collection of old
master paintings donated by Edward
Cecil Guinness, First Earl of Iveagh. The
collection includes Rembrandt’s most
celebrated self-portrait, one of only five
Vermeers in Britain, Gainsborough’s
Countess Howe, and classic works by
Reynolds, Romney, Lawrence, and
Turner.
This handsome book is published to
mark the seventy-fifth anniversary of the
opening of the Iveagh Bequest and is the
first new catalogue of the collection to be
produced in fifty years. It discusses each
work, revealing details about the portrait
subjects, the social circumstances of each
commission, and the way that art met the
ambitions of artists, patrons, sitters, and
collectors. There are also two introductory
essays that provide historical
background.
2003 448 pp. 200 b/w + 120 color illus.
Cloth ISBN 10206-2 $85.00
General Art History 23

General Art History
24
New in
Jazz Modernism paper
From Ellington and
Armstrong to Matisse and Joyce
Alfred Appel, Jr.
“[Jazz Modernism uses] definitive
examples of early to mid-twentiethcentury
literary art to establish the
place of classic jazz in the great
modernist tradition of the arts. . . .
Brilliant licks of artistic syncopation,
insight, and delightful humor.”—
Bernadette Murphy, Los Angeles Times
How does the jazz of Louis Armstrong,
Duke Ellington, Fats Waller, Billie
Holiday, and Charlie Parker fit into the
great tradition of modernist art? In this
book, an eminent cultural historian
provides the answer and offers a brilliant
new way of understanding jazz.
2004 296 pp.
Paper ISBN 10273-9 $25.00
Visible Deeds of Music
Art and Music from Wagner to Cage
Simon Shaw-Miller
“A consistently stimulating account of
musical-visual relations in the
twentieth century. This is a significant
piece of scholarship that will attract a
solid readership among art historians as
well as music scholars.”—Richard
Leppert, author of The Sight of Sound
2002 304 pp. 45 b/w illus.
Cloth ISBN 08374-2 $45.00/$36.00
Words for Pictures
Seven Papers on
Renaissance Art
and Criticism
New
Michael Baxandall
Eminent art historian and critic Michael
Baxandall here presents his thoughts on
the relation between art criticism and art.
Focusing on works of the fifteenth
century, he shows with fresh insight how
criticism seeks to verbalize the experience
of looking at paintings and sculptures.
2003 208 pp. 11 b/w + 25 color illus.
Cloth ISBN 09749-2 $35.00
Shadows and
Enlightenment
Michael Baxandall
1995 224 pp. 40 b/w + 16 color illus.
Cloth ISBN 05979-5 $45.00/$36.00
Paper ISBN 07272-4 $24.00/$19.20
Patterns of Intention
On the Historical Explanation of
Pictures
Michael Baxandall
1987 180 pp. 62 b/w + 4 color illus.
Paper ISBN 03763-5 $20.00/$16.00
The Burlington Magazine
A Centenary Anthology
Selected and introduced by
Michael Levey
The Burlington Magazine has maintained
a high international reputation for
publishing authoritative writing on all
aspects of art history. Now, in celebration
of its centenary, an eminent art historian
has compiled this entertaining and
informative anthology of some of its
most significant articles, reviews,
editorials, and obituaries.
2003 276 pp. 150 b/w + 45 color illus.
Cloth ISBN 09911-8 $65.00/$52.00
About Modern Art
Second Edition
David Sylvester
2002 544 pp. 20 b/w illus.
Paper ISBN 09202-4 $25.00
Not for sale in Canada
Interviews with
American Artists
David Sylvester
2002 320 pp. 15 b/w illus.
Cloth ISBN 09204-0 $38.00
Not for sale in Canada
Treasures of the National
Gallery of Canada
Edited by David Franklin
This handsome volume showcases a
wide-ranging selection of the most
outstanding works from Canada’s largest
art museum. Each painting, sculpture,
print, or drawing is accompanied by an
introduction that sets it in its historical
context and comments on its meaning
and its place in the artist’s oeuvre.
Published in association with the National
Gallery of Canada, Ottawa
2003 288 pp. 135 b/w illus.
Cloth ISBN 09944-4 $60.00/$48.00
Leonardo da Vinci and the
Splendor of Poland
A History of Collecting and Patronage
Edited by Laurie Winters
This dazzling book showcases the great
art collections of Poland’s most important
national and private museums. The book
presents an array of remarkable Western
European and Polish paintings, details
the history of collecting and patronage in
Poland, and describes the country’s
efforts to retrieve and restore its treasures
after World War II.
Distributed for the Milwaukee Art Museum
2002 328 pp. 40 b/w + 120 color illus.
Cloth ISBN 09740-9 $65.00/$52.00
The Ephemeral Museum
Old Master Paintings and the Rise of the
Art Exhibition
Francis Haskell
2000 224 pp. 60 b/w illus.
Cloth ISBN 08534-6 $30.00/$24.00
Taste and the Antique
The Lure of Classical Sculpture,
1500–1900
Francis Haskell and Nicholas Penny
1982 376 pp. illus.
Paper ISBN 02913-6 $32.50/$26.00
Patrons and Painters
A Study in the Relations between Italian
Art and Society in the Age of the
Baroque, Revised and enlarged edition
Francis Haskell
1980 576 pp. illus.
Paper ISBN 02540-8 $32.00/$25.60
History and Its Images
Art and the Interpretation of the Past
Francis Haskell
1993 560 pp. 240 b/w + 20 color illus.
Cloth ISBN 05540-4 $70.00/$56.00
Paper ISBN 05949-3 $30.00/$24.00
The Science of Art
Optical Themes in Western Art from
Brunelleschi to Seurat
Martin Kemp
1992 383 pp. 549 b/w + 16 color illus.
Paper ISBN 05241-3 $35.00/$28.00
The Materials of Sculpture
Nicholas Penny
1996 328 pp. 70 b/w + 130 color illus.
Paper ISBN 06581-7 $37.50/$30.00
Seeing Salvation
Images of Christ in Art
Neil MacGregor and Erika Langmuir
2000 240 pp. 60 b/w illus.
Cloth ISBN 08478-1 $35.00
yalebooks.com/art

The Sale of the Century
Artistic Relations between Spain and
Great Britain, 1604–1655
Edited by Jonathan Brown and
John Elliott
“It’s no easy thing to track hundreds of
financial transactions over 350 years old
or to map out underground networks
of collectors, artists, art dealers and
runners. But together these essays do
just that: They tell a compelling story
of cultural spoils in all of its byzantine
complexity.”—Art & Auction
2002 320 pp. 120 color illus.
Cloth ISBN 09761-1 $65.00/$52.00
The A.W. Mellon Lectures
in the Fine Arts
Fifty Years
Introduction by Elizabeth Cropper
This handsomely illustrated volume
marks the fiftieth anniversary of the
acclaimed A. W. Mellon Lectures in the
Fine Arts at the National Gallery of Art.
Essays by contemporary scholars discuss
the fifty influential lecturers, their fields
of expertise, and the subject matter and
historical context for their talks.
Distributed for the Center for Advanced
Study in the Visual Arts at the National
Gallery of Art, Washington, D.C.
2003 256 pp. 63 b/w illus.
Paper ISBN 09961-4 $39.95/$31.96
Farewell to an Idea
Episodes from a History of Modernism
T. J. Clark
1999 464 pp. 210 b/w + 30 color illus.
Cloth ISBN 07532-4 $60.00/$48.00
Paper ISBN 08910-4 $32.50/$26.00
John Dewey and the
Lessons of Art
Philip W. Jackson
1998 222 pp.
Cloth ISBN 07213-9 $45.00/$36.00
Paper ISBN 08289-4 $16.00/$12.80
Masterpieces from
the Leopold Museum
in Vienna
Phone: 1-800-405-1619 Fax: 1-800-406-9145
Rudolf Leopold and Romana Schuler
Distributed for DuMont Buchverlag,
Cologne
2002 360 pp. 60 b/w + 140 color illus.
Cloth ISBN 09228-8 $55.00
Seeing Through Paintings
Physical Examination in Art Historical
Studies
Andrea Kirsh and Rustin S. Levenson
Winner of the College Art Association
and Heritage Preservation joint award
for Distinction in Scholarship and
Conservation and of the Bookbuilders
of Boston and the 44th Annual New
England Book Show book award in the
Professional Illustrated Division
2000 344 pp. 150 b/w + 110 color illus.
Cloth ISBN 08046-8 $50.00/$40.00
Paper ISBN 09408-6 $35.00/$28.00
Ornament and Abstraction
The Dialogue between non-Western,
Modern and Contemporary Art
Edited by Markus Brüderlin
Distributed for DuMont, Cologne
2002 256 pp. 160 b/w + 115 color illus.
Cloth ISBN 09226-1 $65.00/$52.00
Modern Art in the
Common Culture
Thomas Crow
1996 284 pp. 54 b/w + 37 color illus.
Cloth ISBN 06438-1 $50.00/$40.00
Paper ISBN 07649-5 $19.00/$15.20
The Haunted Self
Surrealism, Psychoanalysis, Subjectivity
David Lomas
2001 280 pp. 85 b/w + 40 color illus.
Cloth ISBN 08800-0 $60.00/$48.00
The Art of the Twentieth Century
A new series published in association with The Open University
Frameworks for
Modern Art
Edited by Jason Gaiger
This generously illustrated volume
introduces and explores a range of
contemporary issues and debates about
art and its place in the wider culture
today.
The opening chapter discusses key
concepts such as modernity,
modernism, autonomy, spectatorship,
and globalization. Four case studies
follow, each devoted to a specific work
of art across the span of the century:
Marcel Duchamp’s Bottlerack, Barnett
Newman’s Eve, Ana Mendieta’s Silueta
series, and Yarla by the Australian
Aboriginal Yuendumu community.
These works have been selected not
only for their intrinsic interest but also
for the way in which they open up
wider questions of meaning and
interpretation that are central to
understanding twentieth-century art.
2004 288 pp. 180 color illus.
Cloth ISBN 10140-6 $60.00
Paper ISBN 10228-3 $30.00
Art of the Avant-Gardes
Edited by Steve Edwards and
Paul Wood
This discussion of the development of
modern art in the first third of the
century consists of four parts. The first
looks at the centrally important idea of
‘expression’ in art, and related
questions of Orientalism and the
‘primitive’. The second part
concentrates on Cubism, and the third
goes on to investigate the development
of abstract art. The final part discusses
the radical avant-garde movements
committed to overcoming the barrier
between ‘art’ and ‘life’: Dada,
Constructivism and Surrealism.
2004 480 pp. 279 color illus.
Cloth ISBN 10141-4 $60.00
Paper ISBN 10230-5 $30.00
Varieties of Modernism
Edited by Paul Wood
Arranged in four main parts, this
abundantly illustrated book begins by
examining aspects of the European avantgarde
from the 1930s to the aftermath of
the Second World War. The second part
focuses on the emergence of Abstract
Expressionism in the U.S., in particular
the work of Jackson Pollock and
important critics. Part three looks at
“autonomous” high modernism of the
early to mid-1960s and the
contemporary, related modernist
theorization of photography. The final
part of the book addresses the
reemergence in the 1950s and 1960s of
the concerns of the 1920 avant-gardes
operating in the so-called “gap between
art and life.”
2004 352 pp. 285 color illus.
Cloth ISBN 10142-2 $60.00
Paper ISBN 10296-8 $30.00
Themes in
Contemporary Art
Edited by Gill Perry and Paul Wood
This volume addresses a fascinating
variety of themes relating to art from the
1960s to the end of the century—the
period of “postmodernism.”
The first of the book’s seven chapters
deals with the emergence in the 1960s of
what has been called an “expanded field”
for art activity. Other chapters discuss the
consequences of Conceptual art for
notions of the aesthetic; the Post-
Conceptual practice of painting; practices
of Post-Conceptual photography; video,
performance, and installation art; and
women’s practice and the question of
gendered and nongendered objects. The
final chapter explores the globalization of
art at the end of the twentieth century.
Full color illustrations are featured
throughout the volume.
2004 352 pp. 267 color illus.
Cloth ISBN 10143-0 $60.00
Paper ISBN 10297-6 $30.00
Art of the
Twentieth Century
A Reader
Edited by Jason Gaiger and Paul Wood
This reader, a companion to The Open
University’s four-volume Art of the
Twentieth Century series, offers a
variety of writings by art historians and
art theorists. The writings were
originally published as freestanding
essays or chapters in books, and they
reflect the diversity of art historical
interpretations and theoretical
approaches to twentieth-century art.
Accessible to the general reader, this
book may be read independently or to
supplement the materials explored in
the four course texts. The volume
includes a general introduction as well
as a brief introduction to each piece,
outlining its origin and relevance.
2004 368 pp. 50 color illus.
Paper ISBN 10144-9 $20.00
General Art History 25

Yale University Press Pelican History of Art
26
The Arts of China 900–1620
Art in France 1900–1940
William Watson
Christopher Green
“Richly illustrated and full of factual “The clarity of Green’s writing, and his
information. . . . Watson leads the ability to identify key issues easily and to
reader on a journey that is both heavily approach them from different directions
loaded and pleasurable.”—Library make his book, in sum, splendidly
Journal
discursive and fascinating. It will give
This beautiful book covers the most
prolific and broad-ranging period of
Chinese art history, from the Song
Dynasty with its spectacular landscape
excellent value to any student seeking the
essence of the period, now and for some
years to come.”—Julian Freeman, The
Art Book
paintings to the Ming Dynasty with its 2003 336 pp. 239 b/w + 103 color illus.
lovely pottery.
2003 300 pp. 191 b/w + 200 color illus.
Paper ISBN 09835-9 $39.95/$31.96
Paper ISBN 09908-8 $39.95/$31.96
The Arts of China
to A.D. 900
William Watson
“A rich book.”—Wang Tao, The Art
Newspaper
This lavishly illustrated book surveys
China’s immense wealth of art,
architecture, and artifacts from Neolithic
and Bronze Age China to the era of the
Tang Dynasty.
1995 288 pp. 300 b/w + 96 color illus.
Cloth ISBN 05989-2 $85.00/$68.00
Paper ISBN 08284-3 $35.00/$28.00
Art and Architecture
in France, 1500–1700
Anthony Blunt
Revised by Richard Beresford
1999 332 pp. 261 b/w + 75 color illus.
Paper ISBN 07748-3 $35.00/$28.00
Painting in Spain 1500–1700
Jonathan Brown
“Brown’s Painting in Spain, 1500–1700 is
both a valuable handbook for the art
historian and a clear, well organized
introduction to the Golden Age of
Spanish Painting. . . . Quite simply the
best survey in English of this great
period of Spanish painting.”—Suzanne
L. Stratton-Pruitt, Renaissance Quarterly
1999 290 pp. 200 b/w + 100 color illus.
Paper ISBN 06474-8 $35.00/$28.00
Islamic Art and
Architecture
650–1250
New in
paper
Richard Ettinghausen, Oleg Grabar,
and Marilyn Jenkins-Madina
“This is the second edition of what is
probably the standard reference work
on Islamic art and architecture. . . .
It is difficult to do justice to this magnificent
volume in a short review. It is
an authoritative, highly readable, and
beautifully produced work that should
please specialists and educated readers
alike.”—Library Journal
2002 352 pp. 330 b/w + 150 color illus.
Cloth ISBN 08867-1 $75.00/$60.00
Paper ISBN 08869-8 $35.00
The Art and Architecture
of Islam, 1250–1800
Sheila S. Blair and Jonathan M. Bloom
“A book to savor: physically beautiful, its
text a triumphant vindication of the
traditional handbook, its wealth of ideas
opening many new vistas. Altogether it
represents a giant leap forward in the
knowledge of later Islamic art.”—Robert
Hillenbrand, New York Times Book
Review
1996 368 pp. 150 b/w + 150 color illus.
Paper ISBN 06465-9 $35.00/$28.00
Art and Architecture
in Italy 1600–1750
Rudolf Wittkower
Revised by Joseph Connors and
Jennifer Montagu
This classic survey of Italian Baroque art
and architecture focuses on the arts in
every center between Venice and Sicily in
the early, high, and late Baroque periods.
Wittkower’s text is now accompanied by
a critical introduction and substantial
new bibliography. This edition—now
published in three volumes—will also
include color illustrations for the first
time.
Volume 1: The Early Baroque 1600–1625
1999 132 pp. 55 b/w + 35 color illus.
Paper ISBN 07939-7 $25.00/$20.00
Volume 2: The High Baroque 1625–1675
1999 208 pp. 150 b/w + 70 color illus.
Paper ISBN 07940-0 $25.00/$20.00
Volume 3: Late Baroque and Rococo
1675–1750
1999 204 pp. 90 b/w + 40 color illus.
Paper ISBN 07941-9 $25.00/$20.00
Art and Architecture
in Italy
1250–1400, Third Edition
John White
1973 688 pp. 300 b/w + 75 color illus.
Paper ISBN 05585-4 $35.00/$28.00
Greek Architecture
Fifth Edition
A. W. Lawrence
1987 264 pp. 300 b/w + 60 color illus.
Paper ISBN 06492-6 $35.00/$28.00
Gothic Sculpture, 1140–1300
Paul Williamson
1995 320 pp. 261 b/w + 125 color illus.
Cloth ISBN 06338-5 $85.00/$68.00
Paper ISBN 07452-2 $35.00/$28.00
Flemish Art and
Architecture, 1585–1700
Hans Vlieghe
1999 348 pp. 300 b/w + 100 color illus.
Cloth ISBN 07038-1 $80.00/$64.00
Painting in Britain
1530–1790, Fifth Edition
Ellis Waterhouse
1988 387 pp. 182 b/w + 75 color illus.
Paper ISBN 05833-0 $32.00/$25.60
Painting in Italy
1500–1600, Third Edition
S. J. Freedberg
1971 767 pp. 225 b/w + 75 color illus.
Paper ISBN 05587-0 $35.00/$28.00
Gothic Architecture
Paul Frankl
2001 480 pp. 220 b/w + 75 color illus.
Cloth ISBN 08798-5 $80.00/$64.00
Paper ISBN 08799-3 $35.00/$28.00
Etruscan Art
Otto J. Brendel
1995 536 pp. 329 b/w illus.
Paper ISBN 06446-2 $35.00/$28.00
Etruscan and Early Roman
Architecture
Axel Böethius
1987 264 pp. illus.
Paper ISBN 05290-1 $28.00/$22.40
yalebooks.com/art

Painting and Sculpture in
France 1700–1789
Michael Levey
1993 332 pp. 225 b/w + 75 color illus.
Cloth ISBN 05344-4 $85.00/$68.00
Paper ISBN 06494-2 $35.00/$28.00
Painting and Sculpture in
Europe, 1880–1940
4th Edition
George Heard Hamilton
1989 610 pp. 232 b/w + 75 color illus.
Paper ISBN 05649-4 $30.00/$24.00
The Pictorial Arts of the
West, 800–1200
C.R. Dodwell
1993 494 pp. 325 b/w + 75 color illus.
Cloth ISBN 05348-7 $90.00/$72.00
Paper ISBN 06493-4 $35.00/$28.00
The Art and Architecture
of China
3rd edition
Lawrence Sickman and Alexander Soper
1989 527 pp. illus.
Paper ISBN 05334-7 $30.00/$24.00
Visit yalebooks.com for a full listing of Pelican History of Art
titles available from Yale University Press
Phone: 1-800-405-1619 Fax: 1-800-406-9145
The Art and Architecture
of Russia
Third Edition
George Heard Hamilton
1992 482 pp. 314 b/w illus.
Paper ISBN 05327-4 $30.00/$24.00
Carolingian and
Romanesque Architecture
800–1200, Fourth Edition
Kenneth J. Conant
1959 352 pp. 381 b/w illus.
Paper ISBN 05298-7 $30.00/$24.00
Early Christian and
Byzantine Architecture
Fourth Edition
Richard Krautheimer
1984 553 pp. 406 b/w illus.
Paper ISBN 05294-4 $30.00/$24.00
The Art and Architecture
of Ancient Egypt
Revised Edition
W. Stevenson Smith
1999 310 pp. 344 b/w + 75 color illus.
Cloth ISBN 07715-7 $75.00/$60.00
Paper ISBN 07747-5 $35.00/$28.00
The New Paradigm
in Architecture
The Language of Post-Modernism
Charles Jencks
“This book is hugely impressive. . . .
Combining scholarship with
speculation and polemic, it is
indispensable reading.”—Kenneth
Powell, Building Design
In this completely rewritten edition of
his seminal work, Charles Jencks
brings the history of architecture up to
date and shows how demands for a new
and complex architecture, aided by
computer design, have led to more
convivial, sensuous, and articulate
buildings around the world. Architecture in the United
2002 288 pp. 60 b/w + 310 color illus. States, 1800–1850
Paper ISBN 09513-9 $35.00/$28.00
W. Barksdale Maynard
“A fresh look at the intellectual and
The Art of Structural aesthetic underpinnings of a relatively
Design
understudied era. . . . Maynard’s
beautiful book is a welcome
A Swiss Legacy
contribution.”—Gabrielle M. Lanier,
David P. Billington
Journal of the Society of Architectural
This generously illustrated book brings Historians
together for the first time the
“W. Barksdale Maynard has written a
outstanding work of four Swiss
fresh, nuanced and politically astute
engineers and their teachers—Wilhelm history of the early architecture of the
Ritter, Robert Maillart, Othmar American Republic. Reading this book
Ammann, Pierre Lardy, Heinz Isler, has been a wonderful journey of
and Christian Menn—the most rediscovery and—most importantly—
impressive group of bridge designers discovery.”—Robert A.M. Stern
and structural artists in the twentieth
century.
2002 336 pp. 159 b/w + 52 color illus.
Cloth ISBN 09383-7 $50.00/$40.00
Distributed for the Princeton University Art
Museum
Rise of the New York
2003 212 pp. 152 duotone + 93 color illus.
Cloth ISBN 09786-7 $55.00 Skyscraper
1865–1913
Six Bridges
The Legacy of Othmar H. Ammann
Darl Rastorfer
2000 200 pp. 200 b/w illus.
Cloth ISBN 08047-6 $45.00
Sarah Bradford Landau and
Carl W. Condit
Winner of a 1997 American Institute of
Architects International Architecture
Book Award
1999 496 pp. 206 b/w illus.
Paper ISBN 07739-4 $37.50
Eisenman Inside Out
Selected Writings, 1963–1988
New
Peter Eisenman
Architect, educator, founder and director
of the Institute for Architecture and
Urbanism, Peter Eisenman has given
definition to the principal debates on the
architecture of our past, present, and
future. In this remarkable collection,
nineteen of his most important essays are
presented together for the first time.
Generously illustrated and with a new
introduction by the author, these
writings assemble the ideas that both set
and provoked contemporary architectural
practice and theory.
This collection ranges from comprehensive
theoretical analyses to close readings
of Eisenman’s own work and that of such
architects as Andrea Palladio, Ludwig
Mies van der Rohe, Le Corbusier, Alison
and Peter Smithson, James Stirling,
Philip Johnson, and John Hedjuk.
Providing new perspectives on these
architects and on Eisenman’s own
methodologies, these writings present an
insider’s appraisal of the polemics that
have defined architecture over the past
half century and that continue as one of
the major ongoing forces in the discourse
today.
2004 264 pp. 135 b/w illus.
Paper ISBN 09008-0 $30.00
Pelican History of Art / Architecture & Design 27

Architecture & Design
28
Materials, Form,
and Architecture
New
Richard Weston
This richly illustrated and handsomely
designed book takes a detailed and timely
look at the importance of materials in
architecture, focusing particularly on
modern and contemporary buildings.
Noted architecture expert Richard
Weston begins with a brief cultural
history of major building materials—
such as timber, earth, stone, steel, and
glass—exploring how they have been
produced, considered, worked, and used
in a variety of buildings and cultures.
He then explores the ways that architects,
theorists, and critics have articulated the
relationship between materials and
architectural forms and spaces
throughout modern history. Other
featured topics include the importance of
place, time, junctions, finish, and
meaning; the proposition that in an
increasingly global and virtual world,
many architects emphasize the material
qualities of buildings to ensure a
heightened sense of reality; and a
comprehensive survey of current and
prospective developments in materials,
from refinements of such familiar
materials as fiber-reinforced concrete and
“intelligent” glass to new synthetic
compounds and working methods.
2003 240 pp. 17 b/w + 391 color illus.
Cloth ISBN 09579-1 $60.00
Holy Things and Profane
Anglican Parish Churches in Colonial
Virginia
Dell Upton
Winner of the 1987 Alice Davis
Hitchcock Award given by the Society
of Architectural Historians, and the
1987 Abbott Lowell Cummings Award
of the Vernacular Architecture Forum
1997 304 pp. 266 b/w illus.
Paper ISBN 06565-5 $28.00/$22.40
Richard Neutra’s
Windshield House
Edited by Dietrich Neumann
Louis Kahn’s Situated
Modernism
Sarah Williams Goldhagen
“[This] elegant monograph . . . documents
and illustrates what editor
Dietrich Neumann calls ‘a watershed
building in Neutra’s career.”—Jonathan
“This book offers a refreshingly new Kirsch, Los Angeles Times Book Review
reading of the work of Louis Kahn. The
author argues that, far from being a
solitary genius striving for a
transcendent architecture, Kahn was
Winner of the 2003 Philip Johnson
Award of the Society of Architectural
Historians
deeply involved with the discourse of his Distributed for the Harvard University
time, searching for an architecture that Graduate School of Design
would foster community within a 2001 176 pp. 60 b/w + 12 color illus.
democratic society.”—Alan Colquhoun,
professor emeritus, Princeton University
2001 336 pp. 146 b/w + 24 color illus.
Cloth ISBN 07786-6 $50.00/$40.00
Paper ISBN 09203-2 $24.00
Out of the Ordinary
Robert Venturi, Denise Scott Brown and
Associates—Architecture, Urbanism,
Design
David Brownlee, David G. De Long,
and Kathryn B. Hiesinger
“[A] readable and valuable account of
Venturi and Scott Brown’s separate and
then united adventures in architecture
and urban design.”—Stanley
Abercrombie, Interior Design
Published in association with the
Philadelphia Museum of Art
2001 296 pp. 100 b/w + 200 color illus.
Cloth ISBN 08995-3 $65.00/$52.00
David Adler, Architect
The Elements of Style
Edited by Martha Thorne
“A success. . . . Copiously illustrated
with superb color photographs. . . .
The value of a well-researched and
thoughtfully executed catalogue in
guaranteeing the memory of an
exhibition could not be more
persuasively demonstrated than in
the volume accompanying this event.”
—Franz Schulze, Art in America
Published in association with The Art
Institute of Chicago
2002 224 pp.
161 quadratone + 104 color illus.
Cloth ISBN 09702-6 $60.00
Le Corbusier and the
Concept of Self
Simon Richards
In this strikingly original book, Simon
Richards analyzes Le Corbusier’s concept
of self, reappraises the architect’s motives
as an urban planner, and explores his
position in twentieth-century intellectual
life. Richards shows how Le Corbusier’s
ideas contradict now dominant ways of
thinking about the city and how the
concept of self can shape the built
environment.
2003 304 pp. 7 b/w + 5 color illus.
Cloth ISBN 09565-1 $40.00/$32.00
The Architectural
History of Venice
New in
paper
Revised and enlarged edition
Deborah Howard
With new photographs by Sarah Quill
and Deborah Howard
“Well documented and superbly
illustrated. . . . This will surely remain
the standard work on the subject, based
on acquaintance with the architecture of
western Asia as well as that of Venice
about which she has written the best
brief history.”—Hugh Honour, New York
Review of Books
2002 368 pp. 70 b/w + 100 color illus.
Cloth ISBN 09028-5 $45.00/$36.00
Paper ISBN 09029-3 $20.00
Venice and the East
The Impact of the Islamic World on
Venetian Architecture 1100–1500
Deborah Howard
Named a New York Times Book Review
Notable Book for 2000
2000 300 pp. 150 b/w + 130 color illus.
Cloth ISBN 08504-4 $65.00/$52.00
yalebooks.com/art

Venetian Colour
Marble, Mosaic, Painting and Glass,
1250–1550
Paul Hills
1999 260 pp. 40 b/w + 160 color illus.
Cloth ISBN 08135-9 $60.00/$48.00
On Alberti and the Art
of Building
Robert Tavernor
1999 292 pp. 100 b/w + 50 color illus.
Cloth ISBN 07615-0 $65.00/$52.00
Venice, Fragile City
1797–1997
Margaret Plant
“Thoroughly and lovingly researched,
thoughtful and hugely compendious.
. . . It is surprisingly revealing and
ought to make lovers of an unchanged
and unchanging Venice reconsider
their enthusiasms and prejudices.”
—The Economist
2003 448 pp. 150 b/w + 100 color illus.
Cloth ISBN 08386-6 $55.00/$44.00
The Work of Antonio
Sant’Elia
Phone: 1-800-405-1619 Fax: 1-800-406-9145
The History and
Architecture
of Chetham’s
School and Library
The Follies and
Garden Buildings
of Ireland
Domestic Interiors
Retreat into the Future
New
New in
paper
The British Tradition 1500–1850
James Ayres
Esther da Costa Meyer
Winner of a 1997 American Institute of
Architects International Architecture
Book of the Year Award; received a 1995
Honorable Mention in the Architecture
and Urban Planning category of the
Association of American Publishers
Professional/Scholarly Publishing
Division
Yale Publications in the History of Art
1995 260 pp. 150 b/w + 21 color illus.
Cloth ISBN 04309-0 $65.00/$52.00
Clare Hartwell
Chetham’s School and Library is an
exceptional example of fifteenth-century
collegiate architecture—the best preserved
building of its date and type in England.
Located in the heart of Manchester,
Chetham’s originally lodged the college
of fifteenth-century priests who officiated
at the church that is now Manchester
Cathedral. After the Reformation it was
acquired by the Earls of Derby who later
James Howley
“[A] valuable and evocative book. . . .
[Howley’s] enthusiasm is infectious and
he introduces just the right amount of
anecdote into his commentary to make
it entertaining. . . . A major
achievement.”—Deborah Singmaster,
Architects’ Journal
This entertaining and lovely book—the
first to focus solely on follies and other
garden buildings in Ireland—re-creates
in word and image the wonder of these
This attractive and deeply informed book
traces the development—in word and
picture—of the interiors of middle-class
homes in Britain. A greatly expanded
and revised version of Ayres’s earlier
work The Book of the Home in Britain, the
book is embellished with illustrations
from early sources, line drawings by the
author, and photographs of surviving
interiors and their details.
2003 272 pp. 250 b/w + 50 color illus.
Cloth ISBN 08445-5 $85.00/$68.00
Bernini and the Bell
Towers
Architecture and Politics at the Vatican
let it to John Dee. Miraculously surviving
war and dilapidation, the building
was converted in the seventeenth century
for use as Humphrey Chetham’s charity
school and free public library. This fully
picturesque and fanciful architectural
oddities. Lavishly illustrated with recent
and older photographs, contemporary
prints, and survey drawings, the book
makes a significant contribution to Irish
The World of the Country
House in Seventeenth-
Century England
Sarah McPhee
“Animated by a considerable cast of
characters—well-known popes, their
trusted agents, prominent architects,
even lowly masons and contractors
—this is art history at its best.”
—John A. Pinto
2003 368 pp. 150 b/w + 21 color illus.
Cloth ISBN 08982-1 $60.00/$48.00
illustrated book is the first comprehensive
account of the Chetham’s building
and its turbulent history.
2004 160 pp. 20 b/w + 40 color illus.
Cloth ISBN 10257-7 $45.00
London’s Archaeological
Secrets
A World City Revealed
Edited by Chris Thomas with Andy
eighteenth- and nineteenth-century
architectural history.
1993 256 pp. 300 b/w illus.
Paper ISBN 10225-9 $35.00
J. T. Cliffe
“There is a wealth of information here
about how such households were
organized—what paintings might be
seen on the walls, how many servants
were in attendance, what trees grew in the
orchards, what entertainments might be
offered to the surrounding community,
and—in general—what life in such
houses must have been like.”—Stanley
Abercrombie, Interior Design
Chopping and Tracy Wellman
1999 240 pp. 77 b/w + 35 color illus.
This extravagantly illustrated book digs
Cloth ISBN 07643-6 $60.00/$48.00
deeply into London’s past, examining
recent archaeological discoveries that shed
John Soane
new light on our understanding of the
great city’s history. Archaeologists over
the last quarter-century have uncovered
exciting new information on the river
Master of Space and Light
Edited by Margaret Richardson and
MaryAnne Stevens
walls constructed by the Romans, the
2000 302 pp. 60 b/w + 100 color illus.
Black Death, the houses of the rich and
Cloth ISBN 08195-2 $80.00/$64.00
poor, and much more.
Published in association with the Museum
John Soane
of London Archaeology Service
2003 160 pp. 500 b/w illus.
Cloth ISBN 09516-3 $30.00
An Accidental Romantic
Gillian Darley
1999 368 pp. 160 b/w + 75 color illus.
Cloth ISBN 08165-0 $65.00/$52.00
Paper ISBN 08695-4 $28.00/$22.40
Architecture & Design 29

Architecture & Design
30
Pevsner Guides
New
Bath
Michael Forsyth
2003 344 pp. 60 b/w + 120 color illus.
Paper ISBN 10177-5 $25.00
Pembrokeshire
The Buildings of Wales
Thomas Lloyd, Julian Orbach, and
Richard Scourfield
2004 536 pp.
Cloth ISBN 10178-3 $45.00
London 6:
Westminster
New
New
Simon Bradley and Nikolaus Pevsner
2003 960 pp. 20 b/w + 100 color illus.
Cloth ISBN 09595-3 $45.00
Stirling and Central
Scotland
John Gifford and Frank Arneil
Walker
2002 936 pp. 120 b/w illus.
Cloth ISBN 09594-5 $45.00/$36.00
Gloucestershire 2
The Vale and The Forest of Dean
David Verey and Alan Brooks
2002 952 pp. 120 b/w illus.
Cloth ISBN 09733-6 $45.00/$36.00
Manchester
Clare Hartwell
2001 374 pp.
Paper ISBN 09666-6 $25.00/$20.00
Argyll, Bute and Stirling
Frank Arneil Walker
2000 704 pp.
Cloth ISBN 09670-4 $45.00/$36.00
Gwent
John Newman
2000 680 pp.
Cloth ISBN 09630-5 $45.00/$36.00
Visit yalebooks.com for a complete
listing of Pevsner Architectural Guides
available from Yale University Press
The Stones of Naples
Church Building in the Angevin
Kingdom, 1266–1343
Caroline Bruzelius
New
The rich architectural
legacy of the Angevins,
three generations of French kings who
reigned in southern Italy from 1266 to
1343, is very little known today. This
groundbreaking book examines Angevin
religious architecture, bringing to light
for the first time the novelty and
importance of these buildings while
extending current understanding of the
variety of medieval architecture beyond
the well-known cathedrals of France and
England.
2004 256 pp. 160 b/w + 40 color illus.
Cloth ISBN 10039-6 $75.00
Town Houses of
Medieval Britain
New
Anthony Quiney
This uniquely wide-ranging book
explores British medieval houses, from
humble to grand, in greater detail than
ever before. Anthony Quiney’s survey
encompasses houses from the early fifth
century to the early seventeenth,
featuring over 300 illustrations that
include medieval depictions, historic
prints and photographs, and many
explanatory drawings.
2004 344 pp. 200 b/w + 100 color illus.
Cloth ISBN 09385-3 $60.00/$48.00
Constantine
and Rome
New
R. Ross Holloway
In this learned and highly readable
book, R. Ross Holloway examines
Constantine’s remarkable building
program in Rome. Holloway begins by
examining the Christian Church in the
period before the Peace of 313. He then
focuses on the structure, style, and
significance of important monuments:
the Arch of Constantine and the two
great Christian basilicas, St. John’s in the
Lateran and St. Peter’s, as well as the
imperial mausoleum at Tor Pignatara. In
a final chapter Holloway advances a new
interpretation of the archaeology of the
Tomb of St. Peter beneath the high altar
of St. Peter’s Basilica. The tomb, he
concludes, was not the original resting
place of the remains venerated as those of
the Apostle but was created only in 251
by Pope Cornelius.
2004 224 pp. 122 b/w illus.
Cloth ISBN 10043-4 $35.00
German Gothic Church
Architecture
Norbert Nussbaum
2000 272 pp. 200 b/w + 40 color illus.
Cloth ISBN 08321-1 $75.00/$60.00
Principles of Roman
Architecture
New in
Mark Wilson Jones
paper
“[A] careful, sensible and
delightful consideration of
all aspects of building in ancient Rome
that will provide new insights for
young and old scholars alike.”—Carol
Richardson, Art Book
“In a gorgeously illustrated book the
architect Mark Wilson Jones presents a
new, vivid and carefully documented
appreciation of Roman Imperial design
as a skilled creative process. . . . Wilson
Jones has provided a model of how to
use beautiful drawing as a tool of
scholarly analysis and exegesis; many
of the drawings are his own, and his
choice of others is excellent. . . . The
book not only presents convincing new
interpretations but will stimulate new
discussions and lines of research.”
—Thomas Noble Howe, Journal of
Roman Archaeology
Winner of the 2002 Alice Davis
Hitchcock Medallion and of the 2001
Sir Banister Fletcher Award
2003 282 pp. 245 b/w + 39 color illus.
Paper ISBN 10202-X $35.00/$28.00
Chinese Architecture
Xinian Fu, Daiheng Guo, Xujie Liu,
Guxi Pan, Yun Qiao, and Dazhang Sun
English text edited and expanded by Nancy S.
Steinhardt
“Chinese Architecture will undoubtedly
become a standard reference. . . . It is
far and away the best source in English
for an introduction to the major topics
of Chinese architecture, and offers good
photographs. . . . [It] fills a large
vacuum and should inspire a new
generation of scholars and students
around the world to enter this
compelling field.”—Robert L. Thorp,
Journal of the Society of Architectural
Historians
Culture and Civilization of China Series
2002 384 pp. 80 b/w + 262 color illus.
Cloth ISBN 09559-7 $65.00/$52.00
The Archaeology
of Athens
John M. Camp
“This up-to-date book on archaeological
Athens and Attica will fit in perfectly
with courses dealing with ancient
Greece in general and with classical
Greek art and architecture in
particular.”—R. Ross Holloway, Brown
University
“An up-to-date account of one of the
world’s most complex prehistoric and
historic archaeological sites. . . . The
Archaeology of Athens is one of the few
must-have books for every scholar and
student, every library and every
individual concerned with archaeology.
. . . [An] excellent and novel study of
Athens and Attica, and it will be an
invaluable guide to further explorations
for many visitors, students, and
scholars.”—Linda Jones Roccos, Bryn
Mawr Classical Review
2002 352 pp. 257 b/w + 19 color illus.
Cloth ISBN 08197-9 $39.95/$31.96
Paper ISBN 10151-1 $25.00
The Ancient Synagogue
The First Thousand Years
Lee I. Levine
New in
paper
2000 768 pp. 98 b/w illus.
Cloth ISBN 07475-1 $75.00/$60.00
yalebooks.com/art

European Art
Attributed to Giovanni Ambrogio de Predis, Girl with
Cherries, Oil on wood. The Metropolitan Museum of
Art, The Marquand Collection, gift of Henry G.
Marquand, 1890
Painters of Reality
New
The Legacy of
Leonardo and Caravaggio
in Lombard
Edited by Andrea Bayer
and Mina Gregori
Inspired largely by Leonardo’s brilliant
naturalistic work for the Sforza court
in Milan, Lombard artists of the late
fifteenth century began to use direct
observation to investigate the natural
world. Painters of Reality identifies the
salient characteristics of this naturalistic
strand in Lombard art. Building on the
scholarship of renowned art historian
Roberto Longhi, the authors reexamine
the subject in light of subsequent
literature.
This book is the catalogue of an
exhibition jointly organized by the
Associazione Promozione Iniziative
Culturali di Cremona and The
Metropolitan Museum of Art and
held in Cremona (February 14 to
May 2, 2004) and at the Metropolitan
Museum of Art (May 23 to August 14,
2004).
2004 256 pp. 50 b/w + 135 color illus.
Cloth ISBN 10275-5 $60.00
yalebooks.com/art/mma
Leonardo da Vinci,
Master Draftsman
Edited by Carmen C. Bambach et al.
“This volume is unique in its in-depth
inquiry into the creation, content, and
significance of [Leonardo’s] drawings,
and in its glorious array of more than
500 superb reproductions. . . . A
milestone in Leonardo studies and
in art publishing.”—Booklist
2003 800 pp. 182 b/w + 333 color illus.
Cloth ISBN 09878-2 $75.00
Early Netherlandish
Painting at the Crossroads
A Critical Look at Current
Methodologies
Edited by Maryan W. Ainsworth
The Metropolitan Museum of Art
Symposia
2002 132 pp. 41 b/w + 16 color illus.
Paper ISBN 09368-3 $40.00
Manet/Velázquez
The French Taste for Spanish Painting
Gary Tinterow and Geneviève Lacambre
“How 17th-century Spanish painting came
to influence late 19th-century French art
is brilliantly illuminated in Manet/
Velázquez.”—Hilarie M. Sheets,
New York Times Book Review
2003 608 pp. 349 b/w + 380 color illus.
Cloth ISBN 09880-4 $75.00
Portraits by Ingres
Image of an Epoch
Edited by Gary Tinterow and
Phillip Conisbee
1999 608 pp. 301 b/w + 203 color illus.
Cloth ISBN 08653-9 $29.95
Signac, 1863–1935
Marina Ferretti-Bocquillon, Anne Distel,
John Leighton, and Susan Alyson Stein
2001 352 pp. 92 b/w + 223 color illus.
Cloth ISBN 08860-4 $65.00
Playing with Fire
European Terracotta Models,
1740 to 1840
James David Draper and
Guilhem Scherf
This book offers the first comprehensive
overview of terracotta models created by
Pajou, Houdon, Canova and many
others, providing extraordinary insights
into the creative process.
This book is the catalogue for an
exhibition that will be on view at
The Metropolitan Museum of Art
(January 26 to April 23, 2004); and
the Nationalmuseum, Stockholm
(May 6 to August 29, 2004).
2004 352 pp. 175 b/w + 150 color illus.
Cloth ISBN 10190-2 $65.00
Théodore Chassériau
(1819–1856)
The Unknown Romantic
Stéphane Guégan, Vincent Pomarède,
and Louis-Antoine Prat
2002 432 pp. 59 b/w + 267 color illus.
Cloth ISBN 09690-9 $35.00
Arms and Armor
Notable Acquisitions 1991–2002
New
Stuart W. Pyhrr, Donald J. LaRocca,
and Morihiro Ogawa
2003 64 pp. 32 b/w + 48 color illus.
Paper ISBN 09876-6 $14.95
Orazio and Artemisia
Gentileschi
Keith Christiansen and
Judith W. Mann et al.
“A thorough study of the subject at
hand, essays written by well-seasoned
scholars, a complete bibliography, and
good-quality color reproductions.”
—Lilian H. Zirpolo, CAA Reviews
Won First Prize in the Fine Art/
Photography category from ForeWord
Magazine
2001 496 pp. 128 b/w + 121 color illus.
Cloth ISBN 09077-3 $85.00
Tapestry in the
Renaissance
Art and Magnificence
Thomas P. Campbell et al.
“Sumptuous. . . . Thomas Campbell
. . . and his international team of experts
have no trouble persuading us that the
finest examples ‘deserve to be ranked
among the greatest artistic creations of
the Renaissance.’”—Christopher Benfey,
New York Times Book Review
Winner of the 2003 College Art
Association’s Alfred H. Barr, Jr. Award
for museum scholarship
2002 608 pp. 126 b/w + 250 color illus.
Cloth ISBN 09370-5 $95.00
The Lure of the Exotic
Gauguin in New York Collections
Colta Ives and Susan Alyson Stein
This elegant book presents some one
hundred of Gauguin’s paintings,
sculptures, drawings, and prints, each
reflecting the influence of his exotic
voyages and each accompanied by
commentary.
2002 256 pp. 88 b/w + 134 color illus.
Cloth ISBN 09371-3 $39.95
The Treasury of Basel
Cathedral
Timothy B. Husband
2001 196 pp. 45 b/w + 105 color illus.
Cloth ISBN 08849-3 $24.95
Period Rooms in
The Metropolitan
Museum of Art
Back in
print
Amelia Peck et al.
In this classic book, readers can
experience a grand tour through the
history of interiors and interior design
by viewing thirty-four spectacular period
rooms from The Metropolitan Museum.
From an ancient Roman bedroom
excavated near Pompeii to a Louis XVI
grand salon from eighteenth-century
Paris to the Frank Lloyd Wright Room
in the American Wing, these popular
galleries can now be viewed at all times
through the book’s stunning color
photographs and accessible explanatory
text.
312 pp. 25 b/w + 200 color illus.
Cloth ISBN 10522-3 $35.00
The Janice H. Levin
Collection of French Art
Richard Shone
“For a taste of Impressionists such as
Renoir, Corot, Cassatt, Morisot,
Bonnard, Denis, Toulouse-Lautrec, and
the later French artist Modigliani and the
sculptor Giacometti, this beautiful book
will be treasured. Highly recommended.”
—Choice
2002 160 pp. 65 b/w + 50 color illus.
Cloth ISBN 09774-3 $29.95
The Metropolitan Museum of Art 31

The Metropolitan Museum of Art
32
Pieter Bruegel
Back in
the Elder
print
Drawings and Prints
Edited by Nadine M. Orenstein
“Not only does this impressive
monograph reclaim a key facet of
Bruegel’s oeuvre, it reminds viewers how
much emotional color a great artist can
express with humble pen and paper.”
—Booklist
2001 336 pp. 166 b/w + 108 color illus.
Cloth ISBN 09014-5 $65.00
Manet and the
American Civil War
The Battle of U.S.S. Kearsarge
and the C.S.S. Alabama
Juliet Wilson-Bareau and
David C. Degener
During the American Civil War,
the Union ship Kearsarge and the
Confederate sloop-of-war Alabama
staged a battle off the coast of France.
Edouard Manet painted a portrait of the
victorious Kearsarge, which is now in the
collection of The Metropolitan Museum.
This fascinating volume contains essays
about the painting and five additional
seascapes painted by Manet during that
summer.
2003 86 pp. 31 b/w + 35 color illus.
Paper ISBN 09962-2 $19.95
Vermeer and the
Delft School
Walter Liedtke et al.
2001 640 pp. 301 b/w + 225 color illus.
Cloth ISBN 08848-5 $85.00
Visit our website for a
complete listing of
The Metropolitan Museum
of Art publications at:
yalebooks.com/art/mma
The Gubbio Studiolo and
Its Conservation
Volume 1: Federico da Montefeltro’s
Palace at Gubbio and Its Studiolo
Olga Raggio
Volume 2: Italian Renaissance Intarsia
and the Conservation of the Gubbio
Studiolo
Antoine M. Wilmering
Winner of the Salimbeni Prize for Art
History and Critics 2001, XIX edition
2000 504 pp. 102 b/w + 390 color illus.
Slipcased set ISBN 08516-8 $125.00
Painters in Paris, 1895–1950
William S. Lieberman
2000 128 pp. 104 color illus.
Cloth ISBN 08679-2 $9.95
Romanticism and the
School of Nature
Nineteenth-Century Drawings and
Paintings from the Karen B. Cohen
Collection
Colta Ives with Elizabeth E. Barker
2000 264 pp. 76 b/w + 124 color illus.
Cloth ISBN 08511-7 $50.00
Flemish Paintings in
The Metropolitan
Museum of Art
Walter A. Liedtke
1984 488 pp. 161 b/w + 16 color illus.
Cloth ISBN 08606-7 $45.00
Dosso Dossi
Court Painter in Renaissance Ferrara
Peter Humfrey and Mauro Lucco
1999 328 pp. 105 b/w + 103 color illus.
Cloth ISBN 08590-7 $29.95
Giambattista Tiepolo
1696–1770
Keith Christiansen et al.
1996 416 pp. 132 b/w + 166 color illus.
Cloth ISBN 08612-1 $49.95
American Art
The Responsive
Eye
Ralph T. Coe and the
Collecting of American Indian Art
Ralph T. Coe
Foreword by Eugene Victor Thaw
With contributions by J.C.H. King
and Judith Ostrowitz
This attractive volume displays and
discusses 200 works from Ralph T. Coe’s
renowned collection of American Indian
art. Presenting a wide range of works
—from prehistoric stone objects to
masks, canoe models, dolls, and baskets
to contemporary works—it also includes
Coe’s personal anecdotes about his
collecting and essays by other authorities
in the field.
2003 340 pp. 28 b/w + 202 color illus.
Cloth ISBN 10187-2 $60.00
Louis Comfort Tiffany
at The Metropolitan
Museum of Art
New
Alice Cooney Frelinghuysen
1999 100 pp. 20 b/w + 121 color illus.
Paper ISBN 08559-1 $19.95
Childe Hassam,
American
Impressionist
New
H. Barbara Weinberg et al.
Childe Hassam (1859–1935) created
an immense body of work in the
Impressionist style, comprising oil
paintings, watercolors, pastels, and
prints. His distinctive and enchanting
images, with their focus on effects of
color and light, are widely admired and
are included in the collections of every
major museum in the United States.
In this handsomely illustrated book, the
authors, all experts in the field, take a
fresh look at Hassam’s responses to his
vibrant and complicated era. Their texts
study his striking portrayals of cities and
country sites in America and Europe.
Also explored are his late works—those
completed after 1900—when Hassam felt
increasingly challenged by both modern
life and modern art. These include
tranquil interior vignettes, iconic images
of New England churches, and his great
Flag series.
This book is the catalogue for an
exhibition at The Metropolitan
Museum of Art (June 7 to September
12, 2004).
2004 356 pp. 163 b/w + 244 color illus.
Cloth ISBN 10293-3 $65.00
Childe Hassam, Allies Day, May 1917. Oil on canvas.
National Gallery of Art, Washington, Gift of Ethelyn
McKinney in memory of her brother, Glen Ford
McKinney
Hudson River
School Visions
The Landscapes of
Sanford R. Gifford
Edited by Kevin J. Avery
and Franklin Kelly
A leading Hudson River School artist,
Sanford R. Gifford was the first American
artist for whom The Metropolitan
Museum of Art mounted an exhibition.
This important new book features essays
examining Gifford’s position in the
Hudson River School, his Catskill and
Adirondack subjects, his patrons, and his
adventures as a traveler both at home and
abroad. More than seventy of the artist’s
best-known sketches and paintings are
discussed and reproduced in color.
This volume is the catalogue for an
exhibition at The Metropolitan
Museum of Art (October 7, 2003, to
February 8, 2004); the Amon Carter
Museum, Fort Worth (March 4 to May
16, 2004); and the National Gallery of
Art, Washington, D.C. (June 27 to
September 26, 2004).
2003 288 pp. 156 b/w + 81 color illus.
Cloth ISBN 10184-8 $60.00
Candace Wheeler
The Art and Enterprise of
American Design, 1875–1900
Amelia Peck and Carol Irish
New
2001 288 pp. 102 b/w + 86 color illus.
Cloth ISBN 09081-1 $45.00
yalebooks.com/art/mma

Christo and
Jeanne-Claude
On the Way to The Gates,
Central Park, New York City
Jonathan Fineberg
Photographs by Wolfgang Volz
New York City, where Christo and
Jeanne-Claude have lived and worked
for forty years, will be the site for their
much-anticipated project, The Gates.
Saffron-colored fabric panels suspended
from the horizontal tops of over 7,500
sixteen-foot-tall vinyl gates will be
positioned at regular intervals
throughout 23 miles of walkways of
Central Park. The installation will be
on view for sixteen days, beginning
February 12, 2005.
This book, published in conjunction
with a major exhibition that opens
in April 2004 at The Metropolitan
Museum of Art, celebrates the
culmination of the artists’ vision for
The Gates. The heart of the book consists
of beautiful reproductions of the various
preparatory collages and drawings that
Christo has created for The Gates project,
many of which have not been previously
published, and detailed documentation
of the personalities and events that have
led up to the project.
2004 224 pp.
90 b/w + 115 color illus. + 2 gatefolds
Cloth ISBN 10138-4 $65.00
yalebooks.com/art/mma
New
American Drawings
and Watercolors in
The Metropolitan
Museum of Art
Volume 1: A Catalogue of Works
by Artists Born before 1835
Kevin J. Avery
“Many years in the making, this
impressive work on early American
drawings and watercolors in The
Metropolitan Museum of Art collection
can finally take its place in the museum’s
remarkable list of collection catalogs.
. . . Extremely well written and chockfull
of information.”—Library Journal
2002 424 pp. 453 b/w + 128 color illus.
Cloth ISBN 09372-1 $90.00
American Drawings
and Watercolors in
The Metropolitan Museum
of Art: John Singer Sargent
Volume 3
Stephanie L. Herdrich and
H. Barbara Weinberg
“This comprehensive catalogue
illuminates Sargent’s multifaceted
career and invites appreciation of his
accomplishments as represented in the
Metropolitan’s superb collection.”
—Antiques Journal
2000 444 pp. 605 b/w + 109 color illus.
Cloth ISBN 08519-2 $90.00
African-American Artists,
1929–1945
Prints, Drawings, and Paintings in
The Metropolitan Museum of Art
Lisa Mintz Messinger, Lisa Gail Collins,
and Rachel Mustalish
This handsome book focuses on the work
of African-American artists during the
Depression and the war years, when
government-sponsored programs led
to a resurgence in artistic production
throughout the United States.
2003 91 pp. 50 b/w + 9 color illus.
Paper ISBN 09877-4 $14.95
Terry Winters
Printed Works
Nan Rosenthal
2001 40 pp. 7 b/w + 18 color illus.
Paper ISBN 09083-8 $14.95
A Walk Through
The American Wing
The Curatorial Staff of
The American Wing
This handsome and useful volume
provides a tour of The Metropolitan
Museum of Art’s renowned American
Wing, where visitors encounter an
unsurpassed collection of American
paintings, decorative arts, richly
furnished period rooms, and stunning
architectural displays.
2002 216 pp. 166 color illus.
Paper ISBN 09369-1 $19.95
Perspectives
on American Sculpture
Before 1925
New
The Metropolitan
Museum of Art Symposia
Edited by Thayer Tolles
The Metropolitan Museum of Art has
long been renowned for its collection
of American sculpture, in particular its
world-famous Neoclassical marbles
and Beaux-Arts bronzes. This volume
contains eight papers presented at a
symposium held at the Museum on
October 26, 2001, upon the
publication of American Sculpture in
The Metropolitan Museum of Art.
The contributors, who include art
historians, museum professionals, and
independent scholars, offer a fascinating
cross section of current thematic interests
and scholarly approaches to American
sculpture. Each contributor takes as his
or her starting point a sculpture or
group of sculptures in the Metropolitan’s
collection.
2004 160 pp. 118 b/w + 2 color illus.
Paper ISBN 10320-4 $40.00
American Sculpture
in The Metropolitan
Museum of Art
Edited by Thayer Tolles
Volume I: A Catalogue of Works
by Artists Born before 1865
1999 480 pp. 198 b/w + 29 color illus.
Cloth ISBN 08517-6 $95.00
Volume II: A Catalogue of Works by
Artists Born between 1865 and 1885
2001 344 pp. 178 b/w + 22 color illus.
Cloth ISBN 08847-7 $95.00
Art and the Empire City
New York, 1825–1861
Edited by Catherine Hoover Voorsanger
and John K. Howat
Winner of the Henry Allen Moe Prize
for 2001, awarded by the New York
State Historical Association
2000 652 pp. 230 b/w + 412 color illus.
Cloth ISBN 08518-4 $29.95
Photography
The Dawn of
Photography
French Daguerreotypes, 1839-1855:
An exhibition catalogue on CD-ROM
With essays by Quentin Bajac, Dominique
de Font-Réault et al.
This comprehensive catalogue on
CD-ROM discusses numerous aspects of
the daguerreotype in France during
its heyday in the mid-19th century.
Included are 175 entries on individual
daguerreotype images, all illustrated in
full color, an anthology of historical
documents, and a computer animation
showing how a daguerrotype is made.
2003 200 color illus.
CD-ROM ISBN 10189-9 $29.95
“La Divine Comtesse”
Photographs of the Countess
de Castiglione
Pierre Apraxine et al.
2000 192 pp. 72 b/w + 85 color illus.
Paper ISBN 08509-5 $24.95
Edgar Degas, Photographer
Malcolm Daniel
1999 144 pp. 63 b/w, 40 tritone,
3 color illus. Cloth ISBN 08593-1 $24.95
Paul Strand circa 1916
Maria Morris Hambourg
1999 168 pp. 93 b/w illus.
Cloth ISBN 08650-4 $29.95
Georgia O’Keeffe
A Portrait by Alfred Stieglitz;
Revised Edition
Alfred Stieglitz
1997 148 pp. 81 b/w illus.
Cloth ISBN 08610-5 $29.95
Perfect Documents
Walker Evans and African Art, 1935
Virginia-Lee Webb
2000 112 pp. 89 b/w illus.
Paper ISBN 08681-4 $24.95
New
The Metropolitan Museum of Art 33

The Metropolitan Museum of Art
34
Fashion & Costume Ancient Art Egyptian Art
Goddess
The Classical Mode
Harold Koda
This stimulating volume is a historical
survey exemplifying the ways that
the Classical tradition of dress has
influenced the worlds of art and fashion
through the ages. Lavishly illustrated,
it features not only paintings, sculpture,
and decorative objects from Greek and
Roman times through subsequent
periods but also garments and
accessories designed over the past
200 years.
2003 224 pp. 28 b/w + 113 color illus.
Cloth ISBN 09882-0 $39.95
Cubism and Fashion
Richard Martin
1998 160 pp. 200 color illus.
Cloth ISBN 08588-5 $14.95
Gianni Versace
Richard Martin
1997 192 pp. 107 color illus.
Cloth ISBN 08614-8 $19.95
Our New Clothes
Acquisitions of the 1900s
Richard Martin
1999 80 pp. 113 color illus.
Paper ISBN 08649-0 $9.95
Extreme Beauty
The Body Transformed
Harold Koda
“This well-produced, heavily
illustrated volume makes costume
history accessible and, indeed,
entertaining.”—Colin McDowell,
Sunday Times (London)
Over time and across cultures, shifting
concepts of beauty have given rise to
extraordinary fashions that constrict,
enhance, minimize, or exaggerate
various zones of the human body.
This stimulating book displays and
discusses an array of such extreme
fashion practices, from the bound feet
of aristocratic Manchu women to the
tea-tray supporting bustle of an 1880s
French visiting dress.
2001 168 pp. 228 color illus.
Cloth ISBN 09117-6 $50.00
Paper ISBN 10312-3 $29.95
Christian Dior
Richard Martin and Harold Koda
1996 208 pp. 151 color illus.
Cloth ISBN 08585-0 $29.95
American Ingenuity
Sportswear 1930s–1970s
Richard Martin
New in
paper
1998 96 pp. 32 b/w + 77 color illus.
Paper ISBN 08570-2 $14.95
Light on Stone
Greek and Roman
Sculpture in The
Metropolitian Museum of Art:
A Photographic Essay
Photographs by Joseph Coscia, Jr.
Text by Elizabeth Milleker
In 1999, the Metropolitan Museum’s
renowned collection of ancient Greek
sculpture was reinstalled in dramatic
new galleries. This book features
specially commissioned photographs
of these monumental marble sculptures
in their new setting, which is
beautifully enhanced by natural light.
An informative essay serves as an
introduction to the Greek sculpture
collection and complements these
exquisite photographs, which feature
details as well as overall views of
sculptural groups.
2004 100 pp. 45 tritone illus.
Cloth ISBN 09692-5 $40.00
The Year One
Art of the Ancient World East and West
Edited by Elizabeth J. Milleker et al.
2000 232 pp. 149 color illus.
Cloth ISBN 08514-1 $19.95
Jade in Ancient Costa Rica
Edited by Julie Jones
1998 144 pp. 90 color illus.
Paper ISBN 08629-6 $9.95
New
The Heqanakht
Papyri
Publications of The
Metropolitan Museum of Art
Egyptian Expedition, 27
James P. Allen
This book presents a new study of the
important Middle Kingdom papyri
of Heqanakht. Featured scholarship
includes microscopic and computer
examination data, previously
unpublished excavation archives from
The Metropolitan Museum of Art,
photographs, facsimiles, and
hieroglyphic transcriptions of all eight
preserved papyri and five inscribed
fragments. Also included are neverbefore-seen
photographs of the tomb
in which the papyri were found;
translations and textual commentary;
epigraphic and linguistic analysis;
and studies of the people, places,
archeological context and chronology
of the papyri.
2004 318 pp. 57 b/w illus.
Plus CD-ROM with additional images
Cloth ISBN 10318-2 $50.00
Egyptian Art in the
Age of the Pyramids
James P. Allen et al.
1999 560 pp. 120 b/w + 420 color illus.
Cloth ISBN 08595-8 $34.95
Egyptian Art at
Eton College
Selections from the Myers Museum
Stephen Spurr, Nicholas Reeves, and
Stephen Quirke
1999 72 pp. 6 b/w + 100 color illus.
Paper ISBN 08690-3 $16.95
Egyptian Stone Vessels
Khian through Tuthmosis IV
Christine Lilyquist
1995 128 pp. 173 b/w illus.
Paper ISBN 08596-6 $25.00
New
The Tomb of
Three Foreign
Wives of
Tuthmosis III
New
Christine Lilyquist, with contributions
by James Hoch and A.J. Peden
This book explores and documents the
15th-century BC tomb of three foreign
wives of Tuthmosis III, discovered
and robbed by villagers near Luxor in
1916. Incorporating the findings of
field work conducted at the site by
The Metropolitan Museum of Art, the
book discusses the lives of the foreign
wives and the objects verified to have
come from their tomb.
2004 412 pp. 765 b/w illus.
Cloth ISBN 10121-x $125.00
The Pyramid Complex of
Senwosret III at Dahshur
Architectural Studies
Dieter Arnold
This book is the first volume of a
projected series on the excavations by
The Metropolitan Museum of Art’s
Egyptian Expedition at the pyramid
complex of Senwosret III at Dahshur.
The book describes and analyzes the
architecture, construction, and building
history of this complex, including
pyramids, temples, chapels, and
beautiful royal burial apartments.
2003 316 pp. 164 b/w illus.
Cloth ISBN 08930-9 $75.00
yalebooks.com/art/mma

Medieval Art The Glory of Byzantium Middle & Near Eastern Art
Byzantium
Faith and Power
(1261–1557)
Helen C. Evans et al.
During the last centuries of the “Empire
of the Romans,” Byzantine artists created
exceptional secular and religious works
that had an enduring influence on art
and culture.
This spectacular book presents hundreds
of objects in all media from the late
thirteenth through mid-sixteenth
centuries. Featured in full-color
reproductions are sacred icons,
luxuriously embroidered silk textiles,
richly gilded metalwork, miniature icons
of glass, precious metals and gemstone,
and elaborately decorated manuscripts.
In the accompanying text, renowned
scholars discuss the art and investigate
the cultural and historical interaction
between these major cultures—the
Christian and Islamic East and the
Latin West.
This book is the catalogue for an
exhibition at The Metropolitan
Museum of Art (March 23 to
July 4, 2004).
2004 650 pp. 150 b/w + 600 color illus.
Cloth ISBN 10278-x $75.00
yalebooks.com/art/mma
Saint Catherine’s
New Monastery, Sinai,
Egypt
New
A Photographic Essay
Text by Helen C. Evans; photographs by
Bruce White; with a special introduction by His
Eminence Archbishop Damianos of Sinai, Abbot of
the Greek Orthodox Monastery of St. Catherine
The Holy Monastery of St. Catherine,
situated among the mountains of the
Sinai Peninsula in Egypt, is the oldest
continuously active monastery in the
world. Recorded as a Christian
pilgrimage site as early as the fourth
century, it is located where Moses is
thought to have seen the Burning
Bush and to have received the Ten
Commandments.
In this beautiful and informative book,
the isolated Monastery and its buildings
are presented in many newly
commissioned color images that include
the richly decorated sanctuary of the
sixth-century church and the world’s
most outstanding collection of icons.
Along with an introduction by His
Eminence Archbishop Damianos and
an essay on the Monastery by Helen
C. Evans, the book offers powerful
photographs of the site—some of which
are provided from the Monastery’s
archives—with the descriptive captions
written by the monks of the Monastery.
Published in collaboration with The Monastery
of St. Catherine at Sinai
2004 96 pp. 10 b/w + 100 color illus.
Cloth ISBN 10279-8 $25.00
Art and Culture of the Middle
Byzantine Era, A.D. 843–1261
Edited by Helen C. Evans and
William D. Wixom
1997 604 pp. 125 b/w + 542 color illus.
Paper ISBN 08616-4 $50.00
Perceptions of Byzantium
and Its Neighbors (843–1261)
Edited by Olenka Z. Pevny
The Metropolitan Museum of
Art Symposia
2000 212 pp. 125 b/w illus.
Paper ISBN 08929-5 $40.00
Treasures of a Lost Art
Italian Manuscript Painting of the
Middle Ages and Renaissance
Pia Palladino
This book presents one of the finest
private collections of Italian manuscripts
assembled after the First World War.
Included are works by the major schools
of illumination in southern Italy,
Umbria, Tuscany, Emilia, Lombardy,
and the Veneto.
2003 204 pp. 65 b/w + 104 color illus.
Cloth ISBN 09879-0 $50.00
A Walk Through
the Cloisters
Revised Edition
Bonnie Young
1989 144 pp. 36 b/w + 93 color illus.
Paper ISBN 08561-3 $14.95
Mirror of the
Medieval World
Edited by William D. Wixom
1999 292 pp. 325 b/w + 110 color illus.
Cloth ISBN 08638-5 $29.95
The Cesnola
Collection:
Terracottas
CD-ROM
Vassos Karageorghis, Gloria S. Merker,
and Joan R. Mertens
This CD-ROM—the first of a projected
multi-part digital series on the Cesnola
Collection—focuses on its terracottas:
424 pieces that date from about 2000
B.C. to the 2nd century A.D. Each object
is accompanied by a catalogue entry
with description, bibliography, and
illustration. There are also fifteen
commentaries and a glossary,
chronology, and maps. Inexpensive,
portable, and user-friendly, this
CD-ROM introduces the colorful
world of ancient life and mythology
to an interested public and provides
an invaluable tool to students and
archaeologists.
2004 425 color illus.
CD-ROM ISBN 10284-4 $45.00
Ancient Art from Cyprus
The Cesnola Collection in The
Metropolitan Museum of Art
Vassos Karageorghis
2000 320 pp. 19 b/w + 304 color illus.
Cloth ISBN 08677-6 $19.95
Glass of the Sultans
New
Stefano Carboni and David Whitehouse
2001 340 pp. 100 b/w + 176 color illus.
Cloth ISBN 08851-5 $65.00
Nomadic Art of the
Eastern European Steppes
The Eugene V. Thaw and Other
New York Collections
Emma C. Bunker, with James C.Y. Watt
and Zhixin Sun
2002 248 pp. 65 b/w + 175 color illus.
Cloth ISBN 09688-7 $45.00
Art of the First Cities
The Third Millennium B.C.. from
the Mediterranean to the Indus
Edited by Joan Aruz
“A fine summation for scholars and
curious lovers of art and urbanism.”
—Publishers Weekly
This handsomely illustrated book
highlights one of the most important
and creative periods in the history of art:
a time marked by the appearance of the
city states of the Sumerians, the citadel of
Troy, the splendid royal tombs at Ur,
and the monumental cities at Mohenjodaro
and Harappa.
2003 564 pp. 177 b/w + 535 color illus.
Cloth ISBN 09883-9 $75.00
The Golden Deer
of Eurasia
Scythian and Sarmatian Treasures
from the Russian Steppes
Edited by Joan Aruz, Ann Farkas,
Andrei Alekseev, and Elena Korolkova
2000 320 pp. 55 b/w + 280 color illus.
Cloth ISBN 08510-9 $35.00
The Legacy of
Genghis Khan
Courtly Art and Culture in
Western Asia, 1256—1353
Edited by Linda Komaroff and
Stefano Carboni
This splendid volume presents in full
color some two hundred extraordinary
works—manuscript paintings and
illuminations, ceramic tiles, metalwork,
textiles, and more.
2002 336 pp. 80 b/w + 200 color illus.
Cloth ISBN 09691-7 $60.00
The Minbar from the
Kutubiyya Mosque
Jonathan M. Bloom and
Ahmed Toufiq et al.
1998 124 pp. 28 b/w + 80 color illus.
Cloth ISBN 08637-7 $40.00
The Metropolitan Museum of Art 35

The Metropolitan Museum of Art
36
Asia & the South Pacific
Turning Point
Oribe and the Arts of
Sixteenth-Century Japan
Edited by Miyeko Murase
This book presents and discusses some
200 artworks from Japan’s brief but
dramatic Momoyama period, including
innovative and dashing ceramic ware
known as Oribe as well as paintings,
lacquerware, and textiles.
2003 408 pp. 23 b/w + 270 color illus.
Cloth ISBN 10195-3 $65.00
Cultivated Landscapes
Reflections of Nature in
Chinese Painting
Maxwell K. Hearn
2002 224 pp. 98 b/w + 77 color illus.
Cloth ISBN 09782-4 $40.00
Bridge of Dreams
The Mary Griggs Burke Collection
of Japanese Art
Miyeko Murase
2000 464 pp. 129 b/w + 320 color illus.
Cloth ISBN 08680-6 $49.95
Sacred Visions
Early Paintings from Central Tibet
Steven M. Kossak and Jane Casey Singer
1998 240 pp. 15 b/w + 134 color illus.
Cloth ISBN 08665-2 $24.95
The Written Image
Japanese Calligraphy and Painting
from the Sylvan Barnet and
William Burto Collection
Miyeko Murase
2002 208 pp. 33 b/w + 75 color illus.
Cloth ISBN 09689-5 $55.00
Splendid Isolation
Art of Easter Island
Eric Kjellgren
2002 64 pp. 70 b/w + 15 color illus.
Paper ISBN 09078-1 $19.95
Between Two Cultures
Late-Nineteenth- and Twentieth-
Century Chinese Paintings from the
Robert H. Ellsworth Collection in Echoing Images
A Private Passion
Art, Biology, and
New The Metropolitan Museum of Art Couples in African Sculpture New 19th-Century Paintings and Drawings Conservation New
Wen C. Fong
2001 300 pp. 120 b/w + 114 color illus.
Cloth ISBN 08850-7 $29.95
Along the Riverbank
Chinese Paintings from the
C. C. Wang Family Collection
Maxwell K. Hearn and Wen C. Fong
1999 184 pp. 105 b/w + 55 color illus.
Cloth ISBN 08556-7 $24.95
Arts of Korea
Edited by Judith G. Smith
1998 512 pp. 202 b/w + 148 color illus.
Cloth ISBN 08578-8 $75.00
The Arts of Japan
An International Symposium
Edited by Miyeko Murase and
Judith G. Smith
2000 264 pp. 249 b/w illus.
Paper ISBN 08778-0 $19.95
Korean Ceramics from
the Museum of Oriental
Ceramics, Osaka
Itoh Ikutaro; edited by Judith G. Smith
2000 151 pp. 37 b/w + 67 color illus.
Cloth ISBN 08779-9 $35.00
African Art
Alisa LaGamma
Idealized pairings have been an enduring
concern of sculptors across the African
continent. This universal theme of
duality is now examined in a handsome
book that presents African sculptural
masterpieces created in wood, bronze,
terracotta, and beadwork from the twelfth
to the twentieth centuries.
This book is the catalogue for an
exhibition on view at The Metropolitan
Museum of Art (February 10 to
September 5, 2004).
2004 48 pp. 10 b/w + 30 color illus.
Paper ISBN 10358-1 $14.95
Genesis
Ideas of Origin in African Sculpture
Seated Couple, Wood, metal. The Metropolitan
Museum of Art, gift of Lester Wunderman, 1977
Alisa LaGamma
This stimulating volume examines the
Bamana Ci Wara headdress as an icon
of African sculpture and presents forty
outstanding works from other major
African traditions.
2002 128 pp. 12 b/w + 77 color illus.
Paper ISBN 09687-9 $30.00/$24.00
Art and Oracle
African Art and Rituals of Divination
Alisa LaGamma
2000 80 pp. 55 color illus.
Paper ISBN 08678-4 $14.95
General Art History
from the Grenville L. Winthrop
Collection, Harvard University
Edited by Stephan Wolohojian
“A strong contribution to the literature.
Recommended for museum and
academic libraries that support research
in art history.”—Library Journal
The legendary Winthrop Collection
of French, British, and American art,
which includes masterpieces by
Delacroix, Ingres, David, the pre-
Raphaelites, Homer, Sargent, and
Whistler, was bequeathed in 1943 to
Harvard University. This beautiful
catalogue presents more than 200
works from the collection, along with
discussions about them by leading
authorities.
2003 560 pp. 181 b/w + 259 color illus.
Cloth ISBN 09884-7 $75.00
The Metropolitan Museum
of Art Masterworks
CD-ROM
1999 CD-ROM ISBN 08684-9 $39.95
Biodeterioration of
Works of Art
Edited by Robert J. Koestler,
Victoria H. Koestler, A. Elena Charola,
and Fernando E. Nieto-Fernandez
Despite the perception that artworks are
timeless and unchanging, they are
actually subject to biological attack from
a variety of bacterial sources—from fungi
to insects. This groundbreaking and
richly illustrated volume, which
publishes the proceedings of a conference
held at The Metropolitan Museum in
June of 2002, explores how the
development of these bacteria can be
arrested while preserving both the work
of art and the health of the conservator.
2004 576 pp. 147 b/w + 90 color illus.
+ 17 graphs
Cloth ISBN 10482-0 $65.00
The Metropolitan
Museum of Art Guide
Revised edition
Works of art selected by
Philippe de Montebello
2001 470 pp. 40 b/w + 829 color illus.
Cloth ISBN 08558-3 $22.50
yalebooks.com/art/mma

Nature
Within Walls
The Chinese Garden Court
at The Metropolitan Museum of Art:
A Resource for Educators
Elizabeth Hammer
The Chinese Garden Court is one of
the most popular destinations for visitors
to The Metropolitan Museum of Art.
This resource introduces educators
to significant ideas about nature and
Chinese culture that can be discovered
in this extraordinary place.
2004 Set ISBN 10344-1 $29.95
Medieval Art
A Resource for Educators
Michael Norris
This packet of resources for teachers
covers more than 1200 years of medieval
art from western Europe and Byzantium.
Drawing on objects in the collection of
The Metropolitan Museum of Art, the
box includes lesson plans, forty slides,
two posters, a timeline, and a CD-ROM
providing strategies for teaching the art
of the Middle Age in the classroom.
2003 Set ISBN 10196-1 $69.95
The Arts of Korea
A Resource for Educators
Written and compiled by Elizabeth
Hammer; Edited by Judith G. Smith
These educational materials are made
possible by The Korea Foundation.
2002 Set ISBN 09375-6 $69.95
Twentieth-Century Art
A Resource for Educators
Stella Paul
1999 Set ISBN 08685-7 $69.95
Art of Ancient Egypt
A Resource for Educators
Edith A. Watts
1998 Set ISBN 08673-3 $69.95
Art Education Resources
The Metropolitan Museum of Art’s teacher-training programs and accompanying
materials are made possible, in part, through a generous grant from
Mr. and Mrs. Frederick P. Rose.
New
New
Art by African-
American Artists
Selections from the 20th Century:
A Resource for Educators
Lisa Gail Collins
This educational resource features
twenty works by sixteen important
African-American artists—including
Romare Bearden, Jacob Lawrence,
Horace Pippin, and Faith Ringgold
—all represented in the collection of
The Metropolitan Museum of Art.
2004 Set ISBN 10368-9 $29.95
Islamic Art and
Geometric Design
New
Activities for Learning:
A Resource for Educators
This resource offers an introduction
to the principles of Islamic art and the
geometric designs upon which it is
based.
2004 Set ISBN 10343-3 $29.95
Greek Art from
Prehistoric to Classical
New
A Resource for Educators
Michael Norris, Carlos Picón, Joan Mertens,
Elizabeth Milleker, Christopher Lightfoot,
and Seán Hemingway
2001 Set ISBN 08896-5 $69.95
The Art of
Renaissance Europe
A Resource for Educators
Bosiljka Raditsa, Rebecca Arkenberg, Rika
Burnham, Deborah Krohn, Kent Lydecker,
and Teresa Russo
2000 Set ISBN 08895-7 $69.95
The Art of South and
Southeast Asia
A Resource for Educators
Steven M. Kossak and Edith A. Watts
2001 Set ISBN 08897-3 $69.95
Yale University Press is pleased to announce a new exclusive agreement with
The Jewish Museum, New York
Masterworks of
The Jewish Museum
Maurice Berger and Joan Rosenbaum
Entries by Vivian B. Mann,
Norman L. Kleeblatt et al.
This beautifully illustrated book
explores the culture, history, and
beliefs of the Jewish people by
presenting an extraordinary selection
of works from the collection of The
Jewish Museum, New York. Ranging
from antiquity to the present day, these
artworks and ritual objects include a
fourth-century glass vessel and ancient
burial plaques; exquisite Torah
decorations and marriage contracts;
stunningly ornate Hanukkah lamps
and spice containers; beautiful
paintings and prints by such artists
as Moritz Daniel Oppenheim, Marc
Chagall, and Ben Shahn; striking
contemporary works by Leonard
Baskin, Sol LeWitt, George Segal,
Diane Arbus, Richard Avedon, and
many others; and selections of video
and still images from television and
film, ranging from documentaries and
dramas to situation comedies.
2004 240 pp.
15 duotone + 175 color illus.
Cloth ISBN 10292-5 $60.00
yalebooks.com/art/mma yalebooks.com/art/jm
New
Modigliani
New
New York
Beyond the Myth
Capital of Photography
Mason Klein, Maurice Berger,
Max Kozloff
Emily Braun, Tamar Garb, and
Griselda Pollock
“One of the best catalog essays I’ve
read all year.”—Holland Cotter,
Amedeo Modigliani (1884–1920) is one New York Times
of the greatest—and most misunderstood
—artists of the twentieth century. His
incisive portraits, erotically charged
nudes, beautiful drawings, and
primitivistic sculpture have been
admired for decades. Modigliani’s work,
however, has typically been examined
in the limited context of his so-called
bohemian, anti-intellectual lifestyle.
This groundbreaking book revises this
approach toward Modigliani’s art,
presenting a convincing revisionist
examination of the unique historical,
social, religious, and cultural significance
of his oeuvre.
Lavishly illustrated and including a
detailed chronology of his life, this
“In [this] excellent catalog, Kozloff
argues that from the beginning this
socially engaged work has been the
product of Jewish photographers’
natural identification with and concern
for the immigrant, the minority, and
the outsider. . . . Kozloff’s thesis is all
the more persuasive not only because
it’s grounded photo by photo, . . . but
because so many of those photos are
unfamiliar, unpredictable, and just
plain great.”—Vince Aletti, Village
Voice
Winner of the Maine Photographic
Workshop’s 2002 Golden Light
Award for Best Critical Study
fascinating book situates Modigliani 2002 208 pp.
anew in the history of twentieth-century 117 duotones + 14 color plates
art.
2004 272 pp. 50 b/w + 165 color illus.
Cloth ISBN 10264-x $50.00
Paper ISBN 09445-0 $35.00/$28.00
The Metropolitan Museum of Art/The Jewish Museum
37

National Gallery, London
38
El Greco
Essays by David Davies
and John Elliott
Catalogue entries by Gabriele
Finaldi, Keith Christiansen, and Xavier Bray with
contributions by Marcus Burke and Lois Oliver
This lavishly illustrated book—the first
comprehensive English-language
publication on El Greco in many years
—addresses the full range of the great
sixteenth-century artist’s work in
painting and sculpture, from his
Byzantine icons to his late altarpieces.
El Greco is the catalogue for an
exhibition organized jointly by The
Metropolitan Museum of Art, New
York, and the National Gallery, London.
2003 320 pp. 175 color illus.
Cloth ISBN 1-85709-933-8 $65.00
Back in print
Venice through
Canaletto’s Eyes
David Bomford and Gabriele Finaldi
This beautiful book takes the reader on
a journey through Canaletto’s native
Venice. Through a spectacular group of
Canaletto’s masterpieces in the National
Gallery Collection and other works
relating to them, the authors explore the
artist’s painting technique and treatment
of the topography of Venice, showing
how Canaletto altered scenes to
emphasize certain aspects and moods
of the city.
1998 64 pp. 25 b/w + 25 color illus.
Paper ISBN 07696-7 $16.95
New
El Greco
Xavier Bray
New
Chronology by Lois Oliver
Despite his highly successful
career, El Greco was unappreciated for
centuries after his death; this book
examines how his genius came to light
again in the nineteenth century. It follows
El Greco from his native island of Crete
to Venice, Rome, Madrid, and then
Toledo, the ecclesiastical capital of Spain.
The artist’s unique ability to assimilate
different artistic techniques and
approaches to religion and philosophy
enabled him to develop one of the most
original styles of painting in the history
of European art.
2004 48 pp. 25 color illus.
Paper ISBN 1-85709-315-1 $14.95
A Brush With Nature
The Gere Collection of Landscape Oil
Sketches, Revised Edition
Christopher Riopelle and Xavier Bray
“A delightfully charming book. . . .
Never to be considered as finished works
of art, the paintings in this collection are
delightful examples of the spontaneous
outdoor study and will please not only
the modern-day painter of landscapes,
but the appreciator of such works as
well.”—Raymond J. Steiner, Art Times
2003 176 pp. 15 b/w + 85 color illus.
Cloth ISBN 1-85709-998-2 $45.00/$36.00
Titian
Charles Hope, Jennifer Fletcher, Jill
Dunkerton, Miguel Falomir, David Jaffé,
Nicholas Penny, Caroline Campbell and
Amanda Bradley
“[A] gem of a catalog. Interestingly
written, well-documented and beautifully
illustrated essays update the scholarship
on particular aspects of the life and work
of Titian. . . . A unique and important
addition to the exhibition literature.
. . . Highly recommended.”—Choice
2003 192 pp. 150 color illus.
Cloth ISBN 1-85709-904-4 $39.95
Pisanello
Painter to the Renaissance Court
Luke Syson and Dillian Gordon
“A beautifully illustrated and solidly
researched monograph on Pisanello that
will remain one of the standard books
on the artist for many years to come.”
—Guy Callan, The Art Book
2002 276 pp. 250 color illus.
Cloth ISBN 09108-7 $65.00
Vermeer and Painting
in Delft
Axel Rüger
2001 72 pp. 60 color illus.
Paper ISBN 09189-3 $14.95
Madame de Pompadour
Images of a Mistress
Colin Jones
“Lively, [and] learned.”—Emily Eakin,
New York Times Book Review
This book places portraits of Madame
de Pompadour within the historical
framework of art, culture, gender, and
politics, and shows how she used her
image to attain unprecedented power
at court and in politics.
2002 176 pp. 100 color illus.
Cloth ISBN 09420-5 $35.00
Painting the Word
Christian Pictures and their Meanings
John Drury
“An informative, inspiring book, the
reading of which will make your next
visit to your local museum of fine arts
a more rewarding experience—visually,
emotionally, and spiritually.”—Franco
Mormando, America
“Drury offers a guidebook . . . to help
the contemporary reader decipher the
messages conveyed in Christian art.
. . . This well-written art history and
art appreciation is a delight to read.”
—Library Journal
2002 220 pp. 30 b/w + 70 color illus.
Paper ISBN 09294-6 $18.00
Ron Mueck
Susanna Greeves and Colin Wiggins
The sculptor Ron Mueck is best known
for his incredibly lifelike figurative
sculptures, usually cast in silicone and
acrylic. This generously illustrated book
is the first to discuss the range of
Mueck’s innovative work to date.
2003 72 pp. 18 b/w + 60 color illus.
Paper ISBN 1-85709-167-1 $16.95
Kitaj
In the Aura of Cézanne and
Other Masters
Essay by Anthony Rudolf
Interview by Colin Wiggins
This book presents a series of seven
major new paintings by Kitaj, who drew
inspiration for them from Cézanne’s
Bathers. Kitaj’s works are reproduced
here for the first time, accompanied by
an interview with the artist and a short
essay about his work.
2002 72 pp. 40 color illus.
Paper ISBN 09114-1 $14.95
Book announcements
via email
Go to yalebooks.com to sign up
for email announcements of new
releases in your favorite subjects. As
a subscriber to this free service, you
will receive one email message per
month tailored to your interests.
yalebooks.com/art/ngl

Colour
David Bomford and Ashok Roy
2000 80 pp. 80 color illus.
Paper ISBN 07922-2 $12.00
Conservation of Paintings
David Bomford
1997 80 pp. 6 b/w + 69 color illus.
Paper ISBN 07318-6 $12.00
Narrative
Erika Langmuir
2003 80 pp. 76 color illus.
Paper ISBN 1-85709-257-0 $12.00
Still Life
Erika Langmuir
2002 80 pp. 75 color illus.
Paper ISBN 09182-6 $12.00
Saints
Erika Langmuir
2001 80 pp. 75 color illus.
Paper ISBN 07924-9 $12.00
Angels
Erika Langmuir
1999 80 pp. 70 color illus.
Paper ISBN 07923-0 $12.00
yalebooks.com/art/ngl
National Gallery Pocket Guides
Allegory
Erika Langmuir
1997 64 pp. 2 b/w + 70 color illus.
Paper ISBN 07320-8 $12.00
Landscape
Erika Langmuir
1997 80 pp. 3 b/w + 74 color illus.
Paper ISBN 07321-6 $12.00
Faces
Alexander Sturgis
1999 80 pp. 90 color illus.
Paper ISBN 07716-5 $12.00
Flowers and Fruit
Celia Fisher
1999 80 pp. 95 color illus.
Paper ISBN 07708-4 $12.00
Frames
Nicholas Penny
1997 64 pp. 5 b/w + 52 color illus.
Paper ISBN 07319-4 $12.00
Impressionism
Kathleen Adler
1999 80 pp. 70 color illus.
Paper ISBN 07690-8 $12.00
The National
Gallery
Companion Guide
New
Revised and Expanded Edition
Erika Langmuir
Foreword by Charles Saumarez Smith
This gorgeously illustrated and
completely updated National Gallery
Companion Guide introduces art
lovers to one of the richest and most
representative collections of Western
European paintings in the world.
Erika Langmuir offers enlightening
commentary on more than two hundred
of the London National Gallery’s finest
works by such painters as Piero della
Francesca, Titian, Rembrandt, Rubens,
Velázquez, Ingres, and Degas as well as
masterpieces by less familiar artists.
With this Guide, readers can trace the
history of European painting from the
thirteenth to the twentieth century;
develop an eye for style, technique,
imagery, and genre; and learn to
appreciate the talents of artists in a variety
of artistic and cultural contexts. The book
takes into account the latest scholarship
from the Gallery and includes
discussions of the Gallery’s newest
high-profile acquisitions.
2004 352 pp. 10 b/w + 210 color illus.
Paper ISBN 1-85709-959-1 $25.00
National Gallery Catalogues
The National Gallery
Complete Illustrated
Catalogue
Expanded Edition
Compiled by Christopher Baker and
Tom Henry
2001 864 pp. 2300 color illus.
Cloth ISBN 08829-9 $100.00/$80.00
The National Gallery
Complete Illustrated
Catalogue
CD-ROM, Expanded Edition
Now with an updates link to the
National Gallery website
2002 CD-ROM ISBN 09183-4
$125.00/$100.00
The Fifteenth-Century
Italian Paintings
Volume I
Dillian Gordon
This new catalogue from London’s
National Gallery showcases the
museum’s spectacular collection of Italian
paintings from 1400 to 1460. Included
are masterpieces by the greatest artists of
the period, including Masaccio, Fra
Angelico, Pisanello, and Uccello.
2003 528 pp. 230 b/w + 280 color illus.
Cloth ISBN 09157-5 $125.00/$100.00
The Seventeenth-Century
French Paintings
Humphrey Wine
2002 472 pp. 300 b/w + 165 color illus.
Cloth ISBN 08729-2 $125.00/$100.00
The new series of National Gallery
Catalogues is generously supported
by The Arthur and Holly Magill
Foundation.
The Fifteenth-Century
Netherlandish Schools
Lorne Campbell
1999 464 pp. 270 b/w + 110 color illus.
Cloth ISBN 07701-7 $125.00/$100.00
The British School
Judy Egerton
1998 456 pp. 140 b/w + 135 color illus.
Cloth ISBN 07575-8 $125.00/$100.00
The Italian Schools
before 1400
Martin Davies
Revised by Dillian Gordon
1994 272 pp. 107 b/w illus.
Cloth ISBN 09414-0 $40.00/$32.00
The Sixteenth-Century
Italian Schools
Cecil Gould
1987 360 pp.
Paper ISBN 06141-2 $32.00/$25.60
The Flemish Schools,
1600-1900
Gregory Martin
1986 304 pp.
Paper ISBN 06140-4 $35.00/$28.00
The Seventeenth- and
Eighteenth-Century
Italian Schools
Michael Levey
1986 264 pp.
Paper ISBN 06142-0 $32.00/$25.60
The Spanish School
Neil MacLaren
Revised by Allan Braham
1988 156 pp.
Cloth ISBN 06143-9 $32.00/$25.60
The Earlier Italian Schools
Martin Davies
1986 624 pp. 107 b/w illus.
Paper ISBN 06139-0 $30.00/$24.00
National Gallery, London 39

National Gallery, London
40
Fabric of Vision
Dress and Drapery in Painting
Anne Hollander
“Dynamic and provocative.”
—Suzanne Cleary, Bloomsbury Review
In this beautiful and innovative book,
Anne Hollander examines how artists
over a span of six centuries have used
clothing and drapery to give emphasis
and emotional force to their painted
figures.
2002 208 pp. 158 color illus.
Paper ISBN 09419-1 $39.95
The Image of Christ
Gabriele Finaldi
“Exquisite reproductions of almost
two-hundred masterpieces of spiritual
art drawn from the Judaeo-Christian
perspective. . . . As one turns the
breathtakingly beautiful pages of this
book, one encounters the achievements
of some of the world’s greatest artists.”
—Mary E. Slayton, Modern Age
This magnificent book explores how
artists for two millennia have met the
challenge of portraying Christ—both
man and God, human and divine,
mortal and immortal. Illustrated with
paintings, prints, and sculpture from
the Early Christian era to the twentieth
century, the volume examines the
changing images of Christ, the shifting
concerns of the artists, and the meanings
of different representations to viewers.
2000 224 pp. 50 b/w + 80 color illus.
Paper ISBN 08365-3 $24.95
yalebooks.com/art/ngl
Rembrandt by Himself
Edited by Christopher White
1999 272 pp. 125 b/w + 80 color illus.
Cloth ISBN 07789-0 $60.00/$48.00
Encounters
New Art from Old
Richard Morphet
2000 336 pp. 288 color illus.
Paper ISBN 08481-1 $40.00
Dürer to Veronese
Sixteenth-Century Painting in the
National Gallery
Jill Dunkerton, Susan Foister, and
Nicholas Penny
“This fluently written and beautifully
produced book serves both as a period
survey and as a reference for sixteenthcentury
European painting in the
collections of the National Gallery.
. . . Dürer to Veronese deserves a place
on the shelves of all students of the
period.”—Jeffrey Fontana, Sixteenth
Century Journal
1999 330 pp. 100 b/w + 300 color illus.
Cloth ISBN 07220-1 $65.00/$52.00
Paper ISBN 09533-3 $40.00/$32.00
Giotto to Dürer
Early Renaissance Painting in the
National Gallery
Jill Dunkerton, Susan Foister,
Dillian Gordon, and Nicholas Penny
“[The] most original, most interesting,
most useful and most readable art book
of the year. Let us hope it becomes a
model for other museums to follow.”
—Laurence B. Kanter, New York Times
Book Review
1994 408 pp.
200 duotones + 320 color illus.
Paper ISBN 05082-8 $39.95/$31.96
Seurat and The Bathers
John Leighton and Richard Thomson
1997 170 pp. 80 b/w + 100 color illus.
Cloth ISBN 07328-3 $60.00/$48.00
Art in the Making
Underdrawings in
Renaissance Paintings
Edited by David Bomford
“A superb compendium of information.
Highly recommended.”—Choice
Preliminary drawings beneath the
surface layers of a painting—called
underdrawings—can often be made
visible through infra-red reflectography,
a technique that sheds new light on
attribution, style, changes in
composition, and workshop practices.
This fascinating book presents the
results of pioneering research on the
underdrawings of paintings by such
Renaissance masters as Raphael,
Giorgione, Cranach, and Bruegel.
2002 192 pp. 200 b/w + 100 color illus.
Paper ISBN 09225-3 $35.00/$28.00
Impressionism
David Bomford, John Leighton,
Jo Kirby, and Ashok Roy
“One of the most absorbing and
rewarding books that has recently been
published about Impressionism,
presenting detailed physical analyses of
fifteen impressionist masterpieces and
how such artists as Manet, Monet,
Renoir, Pissarro and Cézanne went about
painting them. Along the way we learn
a great deal about a number of important
but usually overlooked practical
matters.”—Jack Flam, Wall Street
Journal—Europe
Winner of the 1990 ASDA Prize
1990 215 pp. 76 b/w + 208 color illus.
Cloth ISBN 05035-6 $65.00/$52.00
Paper ISBN 05036-4 $35.00/$28.00
Italian Painting
Before 1400
David Bomford, Jill Dunkerton, Dillian
Gordon, Ashok Roy, and Jo Kirby
1989 236 pp. 129 b/w + 174 color illus.
Paper ISBN 06144-7 $40.00/$32.00
Making & Meaning
Holbein’s “Ambassadors”
Susan Foister, Ashok Roy, and
Martin Wyld
1998 112 pp. 116 b/w + 68 color illus.
Paper ISBN 07326-7 $29.95/$23.96
Rubens’s Landscapes
Christopher Brown
1998 128 pp. 60 b/w + 60 color illus.
Paper ISBN 07794-7 $22.00/$17.60
The Wilton Diptych
Dillian Gordon
1994 96 pp. 82 b/w + 48 color illus.
Paper ISBN 06150-1 $24.95/$19.96
National Gallery
Technical Bulletins
Series Editor: Ashok Roy
Drawing on the expertise of curators,
conservators, and scientists, the
National Gallery Technical Bulletin
is a unique record of research carried
out at the National Gallery, London.
Published annually, it covers all
aspects of the conservation, technical
study, and care of the paintings in
the collection. Details of the contents
of all volumes can be found at
www.nationalgallery.co.uk/
technicalbulletin
Volume 24 New
2003 116 pp. 53 b/w + 131 color illus.
Paper ISBN 1-85709-997-4 $40.00
Volume 23
2002 96 pp. 50 b/w + 50 color illus.
Paper ISBN 09427-2 $40.00/$32.00
Volumes 23 and 24 are published with
the generous support of the Samuel H.
Kress Foundation
Volume 22
2001 96 pp. 50 b/w + 50 color illus.
Paper ISBN 08937-6 $40.00/$32.00
Volume 21
2000 96 pp.
Paper ISBN 08394-7 $40.00/$32.00
Volume 20
1999 104 pp. 50 b/w + 50 color
illus.
Paper ISBN 07888-9 $40.00/$32.00
Volume 19
1998 96 pp. 55 b/w + 55 color illus.
Paper ISBN 07573-1 $40.00/$32.00
Volume 15
1996 104 pp. 75 b/w + 29 color
illus.
Paper ISBN 06780-1 $40.00/$32.00
Volume 14
1996 96 pp. 75 b/w + 24 color illus.
Paper ISBN 06717-8 $35.00/$28.00

Anselm Kiefer
The Heavenly Palaces:
Merkabah
Edited by Peter Nisbet
With contributions by Klaus Gallwitz,
Laura Muir, and Lisa Saltzman
While most major museums in the
United States and abroad hold examples
of the German artist Anselm Kiefer’s
work, the nature and extent of his
achievement are the subject of intense
debate. This volume reproduces in full
The Heavenly Palaces: Merkabah, an
important large-scale artist’s book created
by Kiefer in 1990. Featuring highly
evocative images beautifully reproduced
here in full color, this work is
accompanied by three penetrating essays
by experts who approach the book from
various perspectives, explicating its many
layers of meaning to an unprecedented
degree.
2003 56 pp. 5 b/w + 15 color illus.
Cloth ISBN 10122-8 $35.00
Death by Hogarth
Elizabeth Kathleen Mitchell
1999 72 pp. 38 b/w illus.
Paper ISBN 09264-4 $16.00/$12.80
Touchstone
200 Years of Artists’ Lithographs
Marjorie B. Cohn and Clare I. Rogan
1998 97 pp. 44 b/w illus.
Paper ISBN 09265-2 $19.95/$15.96
yalebooks.com/art/huam
Vastly More Than
Brick and Mortar
Reinventing the Fogg
Art Museum in the 1920s
Kathryn Brush
This generously illustrated book
presents a history of the formative
years of the Fogg Art Museum at
Harvard University.
This book accompanies an exhibition
at the Fogg Art Museum, Harvard
University Art Museums, from May 29
to August 22, 2004.
2003 224 pp. 107 b/w illus.
Cloth ISBN 10176-7 $35.00/$28.00
Medardo Rosso
Jean Fautrier
1898–1964
Gary Schneider
New Bruegel to Rembrandt Second Impressions New Curtis L. Carter and Karen K. Butler Portraits
New
Dutch and Flemish Drawings from the
Maida and George Abrams Collection
William W. Robinson
2002 304 pp.
170 duotones + 114 color illus.
Cloth ISBN 09347-0 $65.00/$52.00
Mel Bochner Photographs,
1966–1969
Scott Rothkopf
2002 192 pp.
119 duotones + 40 color illus.
Flexibound ISBN 09348-9 $35.00/$28.00
From Court to Caravan
Chinese Tomb Sculptures from the
Collection of Anthony M. Solomon
Virginia L. Bower
Edited by Robert D. Mowry
2002 152 pp. 80 color illus.
Cloth ISBN 09696-8 $45.00/$36.00
Byzantine Women
and Their World
New
Ioli Kalavrezou
This beautiful book illustrates how
Byzantine women were represented
and how their lives changed throughout
the era.
2003 336 pp. 154 b/w + 124 color illus.
Paper ISBN 09698-4 $40.00/$32.00
Harry Cooper and Sharon Hecker
With contributions by Henry Lie
and Derek Pullen
This insightful book is the first
comprehensive study of the Italian artist
Medardo Rosso, a key figure in the
development of modern sculpture.
Accompanied by a detailed exploration
of Rosso’s innovative techniques, the
authors present an artist more deeply
concerned with materials, process, and
the reproduction of his works than
previously imagined.
2003 176 pp. 6 b/w + 113 color illus.
Cloth ISBN 10033-7 $50.00
Mondrian
The Transatlantic Paintings
Harry Cooper and Ron Spronk
Winner of the 2001 College Art
Association and Heritage Preservation
Joint Award for Distinction in
Scholarship and Conservation
2001 280 pp. 110 b/w + 140 color illus.
Cloth ISBN 08928-7 $60.00/$48.00
German Marks
Postwar Drawings and Prints Donated
to the Busch-Reisinger Museum through
the German Art Dealers Association
Erika Gemar Költzsch
1998 205 pp. 218 b/w + 31 color illus.
Paper ISBN 09267-9 $32.00/$25.60
Ben Shahn’s New York
The Photography of Modern Times
Deborah Martin Kao, Jenna Webster,
and Laura Katzman
Received Special Commendation for
the 2000 Kraszna-Krausz Photography
Book Awards; winner of the
Bookbuilders of Boston and the
44th Annual New England Book
Show book award in the General
Trade Illustration Division
2000 352 pp. 222 b/w + 25 color illus.
Cloth ISBN 08315-7 $60.00
This book, the first English-language
publication on Fautrier, examines his
connections to Art Informel and
American abstract expressionism,
presents contemporary critical essays,
and includes previously unpublished
correspondence with André Malraux.
2002 224 pp. 30 b/w + 70 color illus.
Paper ISBN 09697-6 $30.00/$24.00
Lois Orswell, David Smith,
and Modern Art
Marjorie B. Cohn
“[A] beautifully designed book. . . . For
the first time, we have an opportunity to
take a personal glimpse into the mind
and heart of one of the greatest and most
influential sculptors of our time.”
—William Corbett, Arts Media
2002 388 pp.
109 duotones + 89 color illus.
Cloth ISBN 09694-1 $60.00/$48.00
Christopher Wilmarth
Drawing into Sculpture
Edward Saywell
This compelling book—the first to focus
on Wilmarth’s use of drawing throughout
his career—offers fascinating insights
into his artistic practice and poetic
vision.
2003 92 pp. 9 b/w + 54 color illus.
Paper ISBN 09897-9 $18.95/$15.16
Deborah Martin Kao
This remarkable book is the first to
examine Schneider’s innovative portrait
work. Deborah Martin Kao discusses
Schneider’s re-presentation of nineteenthcentury
studio portraits, his handprint
photograms, and his fragmented face
portraits—all of which reveal as much
about the language of photography as
they do about the subjects being
depicted. She shows how Schneider
portrays the collaboration between artist
and subject, seen in his use of a light
pen to sculpt or trace his subjects over
long exposures, and in his prints that
display traces of movement in time.
Kao also discusses Schneider’s work with
scientists to create negatives from which
he makes strikingly beautiful images of
blood, DNA, and strands of hair, and
how these represent a fascinating
evolution in traditional thinking about
the nature of photographic portraiture.
2004 136 pp.
30 b/w + 100 color illus. + 3 gatefolds
Flexibound ISBN 10054-x $24.95
Book announcements
via email
Go to yalebooks.com to sign up
for email announcements of new
releases in your favorite subjects.
As a subscriber to this free
service, you will receive one
email message per month
tailored to your interests.
Harvard University Art Museums
41

Clark Art Institute
42
This new series is published by the Sterling and Francine Clark Art Institute and
distributed by Yale University Press. It provides an international forum for scholars
and museum professionals to confront the philosophical and political questions
provoked by the study of the visual arts in culture. Based on the proceedings
of the annual Clark Conferences, these important publications encourage an
interdisciplinary exploration of issues that are timely, relevant, and even controversial.
Anthropologies
of Art
Edited by Mariët Westermann
With essays by Hans Belting, Janet Berlo,
Suzanne Preston Blier, Steve Bourget, Sarah
Brett-Smith, Shelly Errington, David Freedberg,
Anna Grimshaw, Jonathan Hay, Howard Morphy,
Ikem Stanley Okoye, Francesco Pellizzi, and
Ruth Phillips
Based on the 2003 Clark Conference,
this new volume in the highly successful
series Clark Studies in the Visual Arts
examines the intersections and
divergences between art history and
anthropology. How do these disciplines
understand the term “art”? What sorts
of questions do they ask of the work of
art? Is it possible to find a cross-cultural
definition of art, or are such definitions
inevitably Western in their origins and
concerns? What implications do the
answers to these questions have for the
collecting and display of Western and
non-Western objects in art museums?
Fourteen leading art historians and
anthropologists discuss these and other
questions.
2004 224 pp. 30 b/w illus.
Paper ISBN 10353-0 $24.95
The Two Art Histories
The Museum and the University
Edited by Charles W. Haxthausen
While many museum professionals
believe university-based art history
focuses too much on theory and too little
on the aesthetic dimensions of the art
object, many academics feel that
museums are too preoccupied with the
quest for audiences to be a viable source
of innovative scholarship. In this
provocative book, eminent figures from
both sides of the art world explore the
often tense relations between their fields.
2003 224 pp. 40 b/w illus.
Paper ISBN 09775-1 $24.95/$19.96
Clark Studies in the Visual Arts
New
Art History, Aesthetics,
Visual Studies
Edited by Michael Ann Holly
and Keith Moxey
Art history, aesthetics, and visual
studies today find themselves in
contested new philosophical and
institutional circumstances. In this
fascinating book, fifteen distinguished
scholars explore the connections and
differences among these three methods
of investigating visual representation.
2003 292 pp. 40 b/w illus.
Paper ISBN 09789-1 $24.95/$19.96
Compression vs.
Expression
Containing and Explaining
the World’s Art
Edited by John Onians
In this groundbreaking book, leading
academics, curators, bibliographers,
and representatives of international
organizations explain the ways they deal
with the conflict between the need to
compress and the desire to express.
2003 224 pp. 40 b/w illus.
Paper ISBN 09790-5 $24.95/$19.96
The Art Historian
National Traditions and
Institutional Practices
Edited by Michael F. Zimmerman
Essays by renowned international
scholars examine how the institutional
practice of art history has evolved in
the United States compared with such
countries as Germany, France,
England, and the Netherlands.
2003 240 pp. 40 b/w illus.
Paper ISBN 09791-3 $24.95/$19.96
“Bonjour, Monsieur
Courbet!”
New
The Bruyas Collection from the
Musée Fabre, Montpellier
Edited by Sarah Lees
Alfred Bruyas (1821-1877) was one of the
foremost collectors of contemporary art in
France. His tastes ranged from romanticism
to realism, and he collected both traditional
and what was then avant-garde art. This
beautifully illustrated book features
ninety-four works from Bruyas’s celebrated
collection, including nine masterpieces
by Gustave Courbet as well as important
paintings, drawings, and sculptures by
such leading French artists of the period
as Delacroix, Ingres, Géricault, Millet,
Corot, Rousseau, and Barye. The
accompanying texts draw upon a wealth
of unpublished correspondence between
Bruyas, his advisors, and the artists
whose work he collected in order to
examine Bruyas’s role as one of the few
mid-nineteenth-century private collectors
of contemporary art.
This book is the catalogue for an exhibition
organized under the auspices of FRAME
(French Regional and American Museum
Exchange) and appearing at the Virginia
Museum of Fine Arts, Richmond (March 26
to June 13, 2004), the Sterling and Francine
Clark Art Institute, Williamstown,
Massachusetts (June 27 to September 6,
2004), the Dallas Museum of Art
(October 17, 2004, to January 2, 2005) and
to the Fine Arts Museums of San Francisco
(January 22 to April 3, 2005).
2004 256 pp. 32 b/w + 94 color illus.
Cloth ISBN 10523-1 $60.00
Sugaring Off
The Maple Sugar Paintings
of Eastman Johnson
Brian T. Allen
This lovely book provides the first
comprehensive examination of
Eastman Johnson’s vivid paintings
of a quintessential New England theme
—the making of maple sugar. This series
of pictures, executed during the 1860s,
is perhaps the most ambitious project
in the artist’s career. Brian T. Allen
discusses the ways in which Johnson’s
maple sugar paintings reflect a New
England on the edge of vast changes,
both in the technology of farming
and in the social structures of small
communities.
2004 48 pp. 48 color illus.
Paper ISBN 10351-4 $16.95
Turner
The Late Seascapes
New
James Hamilton
This elegant book focuses primarily on
the seascapes Turner painted during the
1840s—the last decade of his illustrious
career—providing new and provocative
insights into these spectacular works.
2003 176 pp. 21 b/w + 70 color illus.
Cloth ISBN 09900-2 $39.95
Édouard Baldus, Cháteau de La Faloise, Late Morning,
1856. Salted paper print from wet-collodion-on-glass
negative, with retouching in graphite. Sterling and
Francine Clark Art Institute, Williamstown,
Massachusetts.
Édouard Baldus at
the Château de la
Faloise
James A. Ganz
Édouard Baldus (1813–1889) was the
most important French architectural
photographer of the mid-nineteenth
century. This book offers an in-depth
exploration of one of his most intriguing
projects—a remarkable series of views of
the Château de La Faloise, in which his
subject was not primarily the country
house but the owner and his family at
leisure on its grounds.
The book is a dossier-style study of this
group of photographs, which includes
thirteen known prints from nine
different negatives. James A. Ganz locates
the photographs at a key moment in
Baldus’s career and during one of the
most eventful decades in the history of
French photography, showing that they
stand at a crossroad between the English
“conversation piece” and the birth of
Impressionist portraiture in the early
paintings of Monet and Bazille.
2004 48 pp. 30 color illus.
Paper ISBN 10352-2 $16.95/$13.56
Goltzius and the
Third Dimension
New
Stephen H. Goddard and James A. Ganz
2001 88 pp.
Paper ISBN 09899-5 $19.95/$15.96
yalebooks.com/art/cai

Renoir and Algeria
Roger Benjamin
“A scrupulous examination of a
significant but understudied area of
Renoir’s oeuvre.”—John House
2003 176 pp. 100 b/w + 70 color illus.
Cloth ISBN 09785-9 $45.00
Jean-François Millet
Drawn into the Light
Alexandra Murphy, Richard Rand,
Brian T. Allen, James Ganz, and
Alexis Goodin
1999 150 pp. 63 b/w + 66 color illus.
Cloth ISBN 07925-7 $60.00/$48.00
Impression
Painting Quickly in France, 1860–1890
Richard R. Brettell
2000 240 pp. 65 b/w + 115 color illus.
Cloth ISBN 08446-3 $50.00/$40.00
Degas in the
Clark Collection
Rafael Fernandez and
Alexandra R. Murphy
1987 80 pp.
Paper ISBN 09937-1 $14.95/$11.96
Winslow Homer in the
Clark Collection
Alexandra R. Murphy et al.
1986 76 pp.
Paper ISBN 09939-8 $14.95/$11.96
List of Paintings in the
Sterling and Francine
Clark Art Institute
Edited by Steven Kern
1992 128 pp.
Paper ISBN 09940-1 $16.95/$13.56
Thomas Struth
1977–2002
Douglas Eklund, Ann Goldstein, Maria
Morris Hambourg, and Charles Wylie
“A sumptuous photographic album of
one of the most intriguing, challenging
and gifted artists to emerge from Europe
in the past two decades. . . . This is a
comprehensive survey of a career that
gives testimony to the importance of
his photographs and his valued place
in the history of photography and
contemporary art.”—Umbrella
Winner of the Mitchell A. Wilder gold
award for excellence in Publication and
Media Design, awarded by the Texas
Association of Museums; named one
of the best photography books of 2002
by Photo-eye
2002 190 pp. 60 color + 37 duotone plates
Cloth ISBN 09360-8 $60.00
Dallas Museum of Art
A Guide to the Collection
Edited by Charles Venable
1997 304 pp.
Paper ISBN 09777-8 $25.00/$20.00
Henry Moore
Sculpting the Twentieth Century
Edited by Dorothy Kosinski
2001 320 pp. 50 b/w + 220 color illus.
Cloth ISBN 08992-9 $60.00/$48.00
yalebooks.com/art/cai yalebooks.com/art/dma
The Voyage of the Icebergs
Frederic Church’s Arctic Masterpiece
Eleanor Jones Harvey
This book tells the fascinating story
of Frederic Edwin Church’s 1861
masterwork, The Icebergs, a painting
that at first failed to find a buyer, then
disappeared from view for 116 years,
eventually selling at auction in 1979 for
a record-setting sum of $2.5 million.
Eleanor Jones Harvey provides a detailed
look at the cycle of fame, neglect, and
resuscitation of the painting and the
reputation of Church and the Hudson
River School.
2002 112 pp. 20 b/w + 50 color illus.
Cloth ISBN 09536-8 $27.50/$22.00
The Artist and the Camera
Degas to Picasso
Dorothy Kosinski
“In this lovely volume, we learn of
Steichen’s artistic rapport with Rodin,
Edward Degas’s use of Eadweard
Muybridge’s motion studies, Picasso’s
practice of pinning photos of
masterpieces to his easel, Gauguin’s
scenic Tahitian photos, and much more.
A fascinating study.”—Library Journal
1999 336 pp. 150 b/w + 150 color illus.
Cloth ISBN 08168-5 $65.00/$52.00
Anne Vallayer-Coster
Painter to the Court of Marie-Antoinette
Edited by Eik Kahng and
Marianne Roland Michel
This lavishly illustrated book presents
and discusses a stunning array of works
by Anne Vallayer-Coster, one of the most
talented still-life painters of the French
school.
Winner of the Mitchell A. Wilder merit
award for excellence in Publication and
Media Design, awarded by the Texas
Association of Museums
2002 256 pp. 190 b/w + 100 color illus.
Cloth ISBN 09329-2 $65.00
Japan’s Golden Age
Momoyama
Edited by Money L. Hickman
“The finest one-volume overview of
Japanese culture of the late sixteenth
century, when ruling warlords competed
in battle and in patronage of the arts.”
—San Francisco Examiner & Chronicle
1996 320 pp. 40 b/w + 240 color illus.
Cloth ISBN 06897-2 $85.00/$68.00
Paper ISBN 09407-8 $40.00/$32.00
Sigmar Polke
History of Everything,
Paintings and Drawings,
1998–2002
New
Edited by John R. Lane and
Charles Wylie, with contributions by
Dave Hickey and Charles Wylie
Sigmar Polke is one of the world’s most
revered and influential contemporary
artists. This handsome book documents
Polke’s recent work, which continues and
deepens the artist’s famed explorations of
how images are made, used, and thought
about in our media-dominated culture.
The works also pose intriguing questions
about how the eye and mind become
crucial players in the perceptual game we
undertake daily. Using topical subject
matter—such as the ongoing conflict in
Afghanistan and the Middle East and the
everyday presence of guns in American
life—both for its inherent content and
metaphoric possibilities, Polke has
created a cohesively thematic yet
ingeniously diverse group of
monumental paintings and large-scale
drawings. The source materials for these
images are often drawn from American
and European newspapers, magazines,
and books. All of this work by Polke
reflects a fiercely intelligent yet
remarkably accessible interpretation of
how we perceive and misperceive the
social, political, and aesthetic worlds
that we live in.
2003 150 pp. 40 b/w + 55 color illus.
Cloth ISBN 09909-6 $50.00
Clark Art Institute/Dallas Museum of Art
43

Bard Graduate Center
44
Marimekko
Fabrics, Fashion, Architecture
New
Edited by Marianne Aav
“A timely history of the company and
a delightful reminder of the days when
it wasn’t at all strange to wear a bit
of pop art or op art in the form of a
knee-skimming shift.”—Sheila Farr,
Seattle Times
This book—the first comprehensive
study of Marimekko designs—presents
more than one hundred examples of the
exuberant Marimekko fashions and
home furnishings that gave the company
a definitive presence on the world design
stage. It considers the history of the
company from its founding through
today and examines Marimekko’s impact
on design in Finland and around the
world. The company’s most important
designers, including Maija Isola and
Vuokko Eskolin-Nurmesniemi, their
contributions, and their stylistic
development are also discussed. In
addition, the book examines Marimekko
home and office interiors.
2003 286 pp. 85 b/w + 300 color illus.
Cloth ISBN 10183-x $60.00/$48.00
Finnish Modern Design
Utopian Ideals and Everyday Realities,
1930–97
Edited by Marianne Aav and
Nina Stritzler-Levine
2000 412 pp. 144 b/w + 226 color illus.
Paper ISBN 08280-0 $40.00/$32.00
Bloomsbury Rooms
Modernism, Subculture,
and Domesticity New
Christopher Reed
The first decades of the twentieth century
brought enormous change in Britain.
Men’s and women’s roles came under
scrutiny, class and social structures were
transformed. This book casts new light
on the notorious Bloomsbury Group
and how the issues of their day
influenced their interpretation and
decoration of the home. Christopher
Reed analyzes the rooms designed by
Bloomsbury artists as spaces in which
to be modern.
2004 320 pp. 50 b/w + 130 color illus.
Cloth ISBN 10248-8 $45.00
The Crafts in Britain
in the Twentieth Century
Tanya Harrod
Winner of the 2000 Historians of
British Art book award
1999 496 pp. 284 b/w + 222 color illus.
Cloth ISBN 07780-7 $95.00/$76.00
The Theory of
Decorative Art
An Anthology of European and
American Writings, 1750–1940
Edited by Isabelle Frank
2001 408 pp. 45 b/w illus.
Cloth ISBN 07551-0 $50.00/$40.00
Paper ISBN 08805-1 $25.00/$20.00
Vasemania—Form
and Ornament
in Neoclassical
Europe
Selections from The Metropolitan
Museum of Art
Edited by William Rieder and
Stefanie Walker; with an introductory
essay by Hans Ottomeyer
This beautiful book is the first to focus
on the vase as an artistic and ornamental
form in a variety of media. It presents
and discusses about one hundred hidden
treasures from The Metropolitan
Museum of Art’s reserve collection—not
only vases but also wine and water urns,
knife boxes, ink wells, perfume burners,
fabrics, carved paneling, marquetry
furniture, silver, works on paper, and
paintings—all using the vase motif.
2004 220 pp. 30 b/w + 100 color illus.
Cloth ISBN 09934-7 $45.00
Women Designers in the
USA, 1900–2000
Diversity and Difference
New
Edited by Pat Kirkham
Winner of the Art Libraries Society
of North America’s 2001 George
Wittenborn Memorial Book Award
and of the Popular/American Culture
Association’s 2000 Susan Koppelman
Award
2002 464 pp. 50 b/w + 300 color illus.
Paper ISBN 09331-4 $45.00/$36.00
Thomas Jeckyll
Architect and Designer,
1827–1881
Susan Weber Soros and
Catherine Arbuthnott
This abundantly illustrated book is
the definitive study of Thomas Jeckyll’s
life and work, presenting his notable
architectural commissions and diverse
examples of his decorative arts. The
authors explore Jeckyll’s innovative
designs and restore the artist to his
deserved place as one of the most
brilliant members of the Aesthetic
Movement.
2003 304 pp. 100 b/w + 350 color illus.
Cloth ISBN 09922-3 $85.00/$68.00
E. W. Godwin
New
Aesthetic Movement Architect
and Designer
Edited by Susan Weber Soros
Winner of the Society of Architectural
Historians’ 2000 Philip C. Johnson
Award and the Victorian Society
of America’s 2000 Henry-Russell
Hitchcock Award
1999 432 pp. 80 b/w + 320 color illus.
Cloth ISBN 08008-5 $85.00/$68.00
The Secular Furniture
of E. W. Godwin
with Catalogue Raisonné
Susan Weber Soros
2000 300 pp. 120 b/w + 240 color illus.
Cloth ISBN 08159-6 $90.00/$72.00
Hungarian Ceramics from
the Zsolnay Manufactory,
1853–2001
Edited by Éva Csenkey and
Ágota Steinert
“A welcome and sought after addition
to any decorative arts and architecture
library. Its existence as one of the few
English-language sources that examines
this historically important porcelain
producer . . . makes it all the more
valuable.”—Kent C. Boese,
Art Documentation
2002 268 pp. 60 b/w + 240 color illus.
Cloth ISBN 09704-2 $75.00/$60.00
Le Corbusier before
Le Corbusier
Applied Arts, Architecture, Painting and
Photography, 1907–1922
Edited by Stanislaus von Moos and
Arthur Rüegg
“Superb. . . . [A] thorough study of his
early development.”—Christopher
Benfey, New York Times Book Review
Published in association with the Langmatt
Foundation, Baden, Switzerland
2002 324 pp. 200 b/w + 150 color illus.
Cloth ISBN 09357-8 $65.00/$52.00
Utopia and Reality
Modernity in Sweden 1900–1960
Edited by Cecilia Widenheim
“This is not only an impressive research
work on Swedish art and architecture of
the period, but a handsomely designed
book that is a pleasure to look through.”
—Victoria Keller, Art Book
2002 328 pp. 150 b/w + 150 color illus.
Cloth ISBN 09359-4 $65.00/$52.00
The Art of Ceramics
European Ceramic Design 1500–1830
Howard Coutts
2001 320 pp. 80 b/w + 220 color illus.
Cloth ISBN 08387-4 $75.00/$60.00
yalebooks.com/art/bgc

Tilman
Riemenschneider,
c. 1460–1531
Studies in the History of Art
Published in association with the National Gallery of Art, Washington, D.C. Center for Advanced Study in the Visual Arts
Edited by Julien Chapuis
One of the greatest sculptors of the later
Middle Ages, Tilman Riemenschneider
struck a rare balance between formal
elegance and expressive strength. While
anchored in the late Gothic tradition,
Riemenschneider’s work also reflects the
emerging humanist concerns of the
period. In this generously illustrated
book, historians, art historians, and
conservators from the United States,
Germany, and Austria discuss
Riemenschneider’s art from various
perspectives, addressing such issues as
attribution, pictorial rhetoric, surface
treatment, and critical reception.
Studies in the History of Art, Volume 65
2004 264 pp. 206 b/w + 26 color illus.
Cloth ISBN 10134-1 $65.00
Urban Form and Meaning
in South Asia
The Shaping of Cities from Prehistoric
to Precolonial Times
Edited by Howard Spodek and
Doris Meth Srinivasan
Studies in the History of Art, Volume 31
1996 272 pp. illus.
Cloth ISBN 07511-1 $60.00/$48.00
yalebooks.com/art/nga/casva
Large Bronzes
New in the Renaissance New
Edited by Peta Motture
This volume explores key issues
associated with large-scale bronze
production in Europe from the
fifteenth through early seventeenth
centuries. Featuring recent research
by an international group of sixteen
prominent curators, art historians, and
conservators, the book presents a variety
of perspectives on the production of large
bronzes, including great works by major
artists and the role of the foundry in
their manufacture.
Studies in the History of Art, Volume 64
2003 358 pp. 286 duotones
Cloth ISBN 10094-9 $60.00
Small Bronzes
in the Renaissance
Edited by Debra Pincus
Studies in the History of Art, Volume 62
2001 280 pp. 305 b/w illus.
Cloth ISBN 09042-0 $55.00/$44.00
The Mall in Washington,
1791–1991
Second Edition
Edited by Richard Longstreth
With a new introduction by Therese O’Malley
This book explores the origins and
growth of Washington’s Mall and offers
over 140 diverse illustrations. A new
introduction for this edition discusses
recent developments on the Mall.
Studies in the History of Art, Volume 30
2003 336 pp. 103 b/w + 37 color illus.
Cloth ISBN 09537-6 $45.00/$36.00
Federal Buildings
in Context
The Role of Design Review
Edited by J. Carter Brown
Studies in the History of Art, Volume 50
1996 124 pp. illus.
Cloth ISBN 07698-3 $35.00/$28.00
The Treatise on
Perspective
Published and Unpublished
Edited by Lyle Massey
Studies in the History of Art, Volume 59
2003 376 pp. 218 b/w + 8 color illus.
Cloth ISBN 09756-5 $60.00/$48.00
Titian 500
Edited by Joseph Manca
Studies in the History of Art, Volume 45
1996 418 pp. illus.
Cloth ISBN 07712-2 $75.00/$60.00
Italian Panel Painting
of the Duecento
and Trecento
Edited by Victor M. Schmidt
Studies in the History of Art, Volume 61
2002 528 pp. 369 b/w + 24 color illus.
Cloth ISBN 09461-2 $70.00/$56.00
Moche Art and Archaeology
in Ancient Peru
Edited by Joanne Pillsbury
Studies in the History of Art, Volume 63
2001 344 pp. 310 b/w + 13 color illus.
Cloth ISBN 09043-9 $65.00/$52.00
Hans Holbein
Paintings, Prints and Reception
Edited by Mark Roskill and
John Oliver Hand
Studies in the History of Art, Volume 60
2001 252 pp. 183 b/w + 14 color illus.
Cloth ISBN 09044-7 $55.00/$44.00
The Art of the
Ancient Spectacle
Edited by Bettina Bergmann and
Christine Kondoleon
Studies in the History of Art, Volume 56
2000 374 pp. 140 b/w + 130 color illus.
Cloth ISBN 07733-5 $55.00/$44.00
Cultural Differentiation
and Cultural Identity
in the Visual Arts
Edited by Susan J. Barnes and
Walter S. Melion
Studies in the History of Art, Volume 27
1996 150 pp. illus.
Paper ISBN 07694-0 $30.00/$24.00
The Fashioning and
Functioning of the British
Country House
Edited by Gervase Jackson-Stops,
Gordon J. Schochet, Lena Cowen Orlin,
and Elisabeth Blair MacDougall
Studies in the History of Art, Volume 25
1996 418 pp. illus.
Paper ISBN 07515-4 $80.00/$64.00
Intellectual Life at the
Court of Frederick II
Hohenstaufen
Edited by William Tronzo
Studies in the History of Art, Volume 44
1996 296 pp. illus.
Cloth ISBN 07717-3 $65.00/$52.00
The Interpretation
of Architectural Sculpture
in Greece and Rome
Edited by Diana Buitron-Oliver
Studies in the History of Art. Volume 49
1996 222 pp. illus.
Cloth ISBN 07700-9 $50.00/$40.00
New Perspectives in
Early Greek Art
Edited by Diana Buitron-Oliver
Studies in the History of Art, Volume 32
1996 312 pp. illus.
Cloth ISBN 07699-1 $70.00/$56.00
Sainte-Porchaire Ceramics
Edited by Daphne Barbour and
Shelley Sturman
Studies in the History of Art, Volume 52
1996 162 pp. illus.
Paper ISBN 07693-2 $35.00/$28.00
Piero della Francesca
and His Legacy
Edited by Marilyn Aronberg Lavin
Studies in the History of Art, Volume 48
1996 328 pp. illus.
Cloth ISBN 07711-4 $80.00/$64.00
Studies in the History of Art
45

Yale University Art Gallery/Yale Center for British Art
46
After 9/11
Photographs by
Nathan Lyons
With an introduction by
Marvin Bell and afterwords by
Richard Benson and Jock Reynolds
In response to the tragic events of
September 11, photographer Nathan
Lyons—known for his honest and
often questioning depictions of
American culture—has created a
poignant portfolio of images.
Photographing in small towns and
large cities, Lyons has captured the
extreme and often confusing variety
of responses—from deep reverence
to blatant commercialization—
manifested by ordinary Americans.
One will marvel, for instance, at the
myriad uses of the American flag.
This provocative sequence of images
with multiple messages is powerfully
coherent and strangely disturbing.
In the tradition of Robert Frank’s
The Americans, these photographs
will engage audiences to question the
responses to this horrific event in the
context of our complicated society,
along with memorializing the tragic
loss of so many innocent lives.
2003 176 pp. 152 duotones
Cloth ISBN 10182-1 $35.00
Love and Loss
American Portrait and
Mourning Miniatures
Robin Jaffe Frank
New
2000 376 pp. 50 b/w + 150 color illus.
Cloth ISBN 08724-1 $38.00/$30.40
Early Italian
Paintings
Approaches to Conservation
Edited by Patricia Sherwin Garland
In this landmark book, some of the
world’s most respected art historians,
conservators, curators, and conservation
scientists explore issues in the
preservation and restoration of Italian
paintings that date from the thirteenth
to the sixteenth century. Together their
essays illustrate ways in which these
associated disciplines can enhance one
another’s understanding of works of art.
2003 300 pp. 132 b/w + 72 color illus.
Cloth ISBN 10078-7 $60.00/$48.00
The Tiger’s Eye
The Art of a Magazine
Pamela Franks
2002 144 pp. 20 b/w + 60 color illus.
Paper ISBN 09452-3 $29.95/$23.96
Thomas Eakins
The Rowing Pictures
Helen A. Cooper
1998 140 pp. 30 b/w + 45 color illus.
Paper ISBN 07785-8 $21.95/$17.56
Mel Bochner
Thought Made Visible, 1966–1973
Richard Field
2000 318 pp. 130 b/w illus.
Paper ISBN 09462-0 $38.00/$30.40
New
Edgar Degas
Defining the Modernist Edge
Edited by Jennifer R. Gross
Through his representation of modern
subjects, his questioning of traditional
artistic practices, and his engagement
with Parisian society, Edgar Degas helped
to define the beginnings of modernism
in visual culture at the end of the
nineteenth century. This engaging book
discusses works of art in every medium
explored by this innovative artist.
2003 72 pp. 40 color illus.
Paper ISBN 10004-3 $16.95/$13.56
Emmet Gowin
Changing the Earth
Jock Reynolds
“An exceptional catalogue with excellent
reproductions and a superb text written
by curator Jock Reynolds.”—Jo Ann
Lewis, Washington Post
Winner of the Maine Photographic
Workshop’s 2002 Golden Light Award
for Book of the Year; named one of the
best photography books of 2002 by
Photo-eye; First Place in the 2003
New England Museum Association
Publication Design Competition
2002 128 pp. 108 quadratones
Cloth ISBN 09361-6 $45.00/$36.00
Myer Myers
Jewish Silversmith in
Colonial New York
David L. Barquist
2001 336 pp. 135 b/w + 160 color illus.
Cloth ISBN 09057-9 $60.00/$48.00
The Art of Mu Xin
Landscape Paintings and Prison Notes
Introduction by Alexandra Munroe
2001 152 pp. 50 b/w + 40 color illus.
Cloth ISBN 09075-7 $65.00/$52.00
Traces of India
Photography, Architecture, and the
Politics of Representation, 1850–1900
Edited by Maria Antonella Pelizzari
“A timely study in the growing body
of critical literature on the politics of
cultural representation as seen in
photographs. . . . Well designed with
the interplay between text and
illustration carefully considered.
Highly recommended.”—Choice
This handsome interdisciplinary
book presents nineteenth-century
photographs of Indian architecture,
examining them not just as records
of an architectural past but as complex
artifacts of the cultural and political
forces shaping colonial India. With a
wide array of photographs, many rare
or little known, the book offers a fresh
view of colonial images seen through
postcolonial eyes.
Distributed for the Canadian Centre
for Architecture and the Yale Center
for British Art
2003 344 pp. 73 b/w + 110 color illus.
Cloth ISBN 09896-0 $50.00/$40.00
Great British Paintings
from American
Collections
Holbein to Hockney
Malcolm Warner and Robyn Asleson
2001 272 pp. 30 b/w + 85 color illus.
Paper ISBN 09222-9 $29.95/$23.96
yalebooks.com/art/yuag yalebooks.com/art/ycba
Yale Center for British Art
New
This Other Eden
Paintings from the Yale Center
for British Art
Malcolm Warner and
Julia Marciari Alexander
1998 224 pp. 60 b/w + 80 color illus.
Cloth ISBN 07498-0 $55.00/$44.00
Canaletto to Constable
Paintings of Town and Country from
the Yale Center for British Art
Cynthia Roman and Carrie Roide
1988 120 pp. 43 color illus.
Paper ISBN 09550-3 $18.00/$14.40
Among the Thieves
and Whores
William Hogarth and
‘The Beggar’s Opera’
Edited by David Bindman and
Scott Wilcox
1997 112 pp. 41 b/w illus.
Paper ISBN 09548-1 $11.96/$9.57
The Yale Center for
British Art
A Tribute to the Genius of
Louis I. Kahn
Duncan Robinson
1997 64 pp. 40 b/w + 30 color illus.
Paper ISBN 06972-3 $18.95/$15.16
Human Form Divine
William Blake from the
Paul Mellon Collection
Patrick Noon
1997 96 pp. 60 color illus.
Cloth ISBN 07174-4 $50.00/$40.00
The Line of Beauty
British Drawings and Watercolors of
the Eighteenth Century
Scott Wilcox et al.
2001 232 pp. 83 b/w + 90 color illus.
Paper ISBN 09551-1 $29.95/$23.96

John Singer
Sargent
The Later Portraits;
Complete Paintings: Volume III
Richard Ormond and Elaine Kilmurray
This sumptuous book presents more
than two hundred portraits and portrait
sketches in oil and watercolor that
Sargent painted between 1900 and his
death in 1925. Detailed documentation
on each painting includes information
on the work’s provenance and exhibition
history, a short biography of the sitter,
and a discussion of its significance in
the artist’s career.
2003 360 pp. 45 b/w + 220 color illus.
Cloth ISBN 09806-5 $65.00
John Singer Sargent
Portraits of the 1890s;
Complete Paintings: Volume II
Richard Ormond and Elaine Kilmurray
2002 240 pp. 60 b/w + 200 color illus.
Cloth ISBN 09067-6 $65.00
John Singer Sargent
The Early Portraits;
Complete Paintings: Volume I
Richard Ormond and Elaine Kilmurray
1998 304 pp. 80 b/w + 180 color illus.
Cloth ISBN 07245-7 $65.00
The Evolution of
English Shops and
Bernard Leach
Van Dyck
New English Collecting New Shopping New Life and Work New A Complete Catalogue of New
The Reception of Italian Art
in the Tudor and Stuart Periods
Edited by Edward Chaney
This book surveys for the first time the
evolution of English collecting. Edward
Chaney begins with the background
history of European collecting, focusing
in particular on Italy’s formative role in
this phenomenon, then sets English
collecting in the sixteenth and
seventeenth centuries in context and
draws together a unique collection of
essays on the subject.
2004 492 pp. 140 b/w illus.
Cloth ISBN 10224-0 $75.00
Hampton Court
Phone: 1-800-405-1619 Fax: 1-800-406-9145
New
A Social and Architectural
History
Simon Thurley
Hampton Court—probably Britain’s
most important secular historic building
complex—was a center of court life and
politics from the late fifteenth century to
the middle of the eighteenth. It was also
a place of architectural innovation and
the site of the most ambitious formal
gardens ever built in Britain. This book
offers the first history in over a century
of Hampton Court, its gardens, and its
parks.
2003 480 pp. 300 b/w + 120 color illus.
Cloth ISBN 10223-2 $65.00
An Architectural History
Emmanuel Cooper
the Paintings
Kathryn A. Morrison
Shoppers in England from medieval
times to the present have been beguiled
by attractive merchandise, rarely heeding
the details of their surroundings. This
appealing book shifts the focus of
attention for the first time to the
architecture of retail buildings in
England, examining the history and
character of retail settings from shops and
market halls to supermarkets and malls.
“[A] magisterial biography. . . .
Fascinating.”—Emma Crichton-Miller
This outstanding biography is a vivid
account of the life and art of Bernard
Leach, the father of studio pottery. It
illuminates a complex man who captured
in the making of his exquisite pots the
“still center” that eluded him in his
tumultuous personal life.
2003 488 pp. 68 b/w + 27 color illus.
Cloth ISBN 09929-0 $55.00
Susan J. Barnes, Nora De Poorter,
Oliver Millar, and Horst Vey
Sir Anthony Van Dyck, one of the
greatest portrait painters of the
seventeenth century, created full-length
portraits of aristocrats in many European
cities and influenced the history of
Western portraiture into the twentieth
century. This handsomely illustrated
catalogue raisonné contains all the
paintings of Van Dyck, along with the
provenance, significant facts, and
Published in association with English Heritage
2004 352 pp. 117 b/w + 195 color illus.
Cloth ISBN 10219-4 $60.00
Notorious Muse
literature on each.
2003 528 pp. 450 b/w + 150 color illus.
Cloth ISBN 09928-2 $175.00
The Small House in
Eighteenth-Century
London
New
Peter Guillery
London’s modest eighteenth-century
houses—those inhabited by artisans and
laborers in the unseen parts of Georgian
London—can tell us much about the
culture of that period. This fascinating
book examines largely forgotten small
houses that survive from the eighteenth
century, shedding new light on both the
era’s urban architecture and the lives of
its inhabitants.
Published in association with English Heritage
2004 304 pp. 220 b/w + 50 color illus.
Cloth ISBN 10238-0 $60.00
The Actress in British Art
and Culture 1776–1812
New
Edited by Robyn Asleson
In this interdisciplinary volume,
historians of art, literature, dress, and
theater examine the impact of the actress
on British art and culture of the
Georgian era. From the celebrated
doyennes of the stage to the demireps on
the periphery of the profession, female
performers are shown to have played a
vital and hitherto under-appreciated role
in the artist’s studio, forging fruitful
collaborations with leading artists and
becoming nearly as influential in the
studio as on the stage.
2003 232 pp. 62 b/w + 14 color illus.
Cloth ISBN 10005-1 $70.00
Medieval
London Houses
New in
paper
John Schofield
“An amazing book and an amazing
achievement. . . . This book will be of
great interest not only to architectural and
social historians concerned with the late
medieval and modern period but to
anyone interested in life in London into
the 20th century.”—Choice
2003 280 pp. 300 b/w + 10 color illus.
Paper ISBN 08283-5 $40.00
Paul Mellon Centre
47

Paul Mellon Centre
48
Gothic Art in Ireland
1169–1550
Enduring Vitality
Colum Hourihane
“There are many studies of early Irish
manuscript painting or later Irish
cathedrals, but this publication,
handsomely illustrated in color and
black-and-white photographs, is the
only study of the visual arts of all
media produced during the later
Middle Ages in Ireland. . . . Highly
recommended. ”—Choice
“Colum Hourihane sheds a whole new
light on the subject of Gothic art in
Ireland. His book is an eye-opener,
and he has a knack of presenting
material in a new and interesting
way.”—Peter Harbison
2003 200 pp. 170 b/w + 35 color illus.
Cloth ISBN 09435-3 $50.00/$40.00
Ireland’s Painters,
1600–1940
Anne Crookshank and
The Knight of Glin
“Handsome in design and capacious
in format, this superbly illustrated
volume presents a chronological,
biographically framed narrative of the
professional, business, and social
operation of painting in Ireland.”
—Choice
2002 356 pp. 50 b/w + 375 color illus.
Cloth ISBN 09765-4 $65.00/$52.00
Blake Records
Second Edition
Edited by G. E. Bentley, Jr.
Poet, painter, engraver, and mystic,
William Blake is unequalled for the
imaginary force and visionary power
of his works. This book brings together
material on Blake’s life, career, family,
friends, and patrons to present a new
and updated collection of all known
documentary records relating to his
long and productive life.
2004 976 pp. 60 b/w + 4 color illus.
Cloth ISBN 09685-2 $95.00
The Stranger from
Paradise
A Biography of William Blake
G. E. Bentley, Jr.
2003 632 pp. 120 b/w + 50 color illus.
Paper ISBN 10030-2 $24.95
C.R.W. Nevinson
This Cult of Violence
New
Michael J. K. Walsh
“Invaluable. . . . [An] admirable book.”
—Richard Cork, The Times (London)
This book focuses long overdue attention
on Nevinson’s dynamic and powerful
early works, including the memorable
and controversial images he produced
as an official war artist.
2002 256 pp. 50 b/w + 25 color illus.
Cloth ISBN 09507-4 $50.00/$40.00
The Pleasures of Antiquity
British Collections of Greece of Rome
Jonathan Scott
This delightful book is the first
comprehensive history of the collecting
of antiquities in Great Britain. Ranging
from Lord Arundel’s collection of
marbles in the seventeenth century to the
nineteenth-century acquisition of the
Elgin Marbles from the Acropolis, it
describes the principal collectors, the
mechanics of collecting, and the beautiful
galleries created to house the antiquities.
2003 348 pp. 180 b/w + 24 color illus.
Cloth ISBN 09854-5 $50.00/$40.00
The Personal Art of
David Octavius Hill
Sara Stevenson
“Many books have been published on the
photographs made in Scotland in the
1840s by David Octavius Hill and
Robert Adamson, but from the point of
view of background scholarship, none
equals this volume. . . . Highly
recommended.”—Choice
Winner of the International Center of
Photography’s Infinity Award
2002 240 pp. 105 b/w + 41 color illus.
Cloth ISBN 09534-1 $65.00/$52.00
Those Delightful Regions
of Imagination
Essays on George Romney
Edited by Alex Kidson
“An intriguing and stimulating
examination of facets of the life and
career of British artist George Romney.
Individual authors examine the artist’s
personality, his artistic practice, his
drawing and painting techniques, his
relations with colleagues, indebtedness
to the theatre and artistic tradition, the
cultural context of his works, and his
participation in the contemporary print
market. . . . Highly recommended.”
—Choice
2002 312 pp. 105 b/w + 25 color illus.
Cloth ISBN 09458-2 $65.00/$52.00
Nicholas Hawksmoor
Rebuilding Ancient Wonders
Vaughan Hart
“An erudite study of Hawksmoor’s
architecture, solidly supported by
primary sources and persuasively and
unpretentiously written.”—Eleanor
Robbins, Art Book
2003 316 pp. 212 b/w + 144 color illus.
Cloth ISBN 09699-2 $60.00/$48.00
John Everett Millais
Beyond the Pre-Raphaelite Brotherhood
Edited by Debra N. Mancoff
2001 260 pp. 84 b/w + 19 color illus.
Cloth ISBN 09119-2 $65.00/$52.00
The Genius of
Robert Adam
His Interiors
Eileen Harris
2001 384 pp. 250 b/w + 250 color illus.
Cloth ISBN 08129-4 $85.00/$68.00
The Geographies
of Englishness
Landscape and the National Past,
1880–1940
Edited by David Peters Corbett, Ysanne
Holt, and Fiona Russell
2002 416 pp. 112 b/w + 10 color illus.
Cloth ISBN 09488-4 $65.00/$52.00
The Battle for Realism
Figurative Art in Britain during the
Cold War, 1945–1960
James Hyman
2001 280 pp. 150 b/w + 50 color illus.
Cloth ISBN 09089-7 $65.00/$52.00
Medicine and
Magnificence
British Hospital and Asylum
Architecture, 1660–1815
Christine Stevenson
2001 320 pp. 96 b/w illus.
Cloth ISBN 08536-2 $50.00/$40.00
Georgian London
John Summerson
Edited by Howard Colvin
This classic of English architectural
history has become an indispensable
guide to the genesis and development
of Georgian London. The current edition
has been corrected in the light of
new research, expanded to include a
few significant buildings originally
overlooked, and enhanced with
new illustrations.
2003 446 pp. 171 b/w + 30 color illus.
Cloth ISBN 08987-2 $40.00/$32.00
Paper ISBN 08988-0 $18.00/$14.40
Patronage, Culture
and Power
The Early Cecils 1558–1612
Edited by Pauline Croft
“This collection of essays—elegantly
written and beautifully illustrated
—makes an important contribution to
our knowledge of the Cecil family and
to the subject of patronage in early
modern England.”—Elizabeth Goldring,
Burlington Magazine
2002 320 pp. 78 b/w + 19 color illus.
Cloth ISBN 09136-2 $65.00/$52.00
yalebooks.com/art

Public Architecture in
Ireland, 1680–1760
Modern Life &
Modern Subjects
Edward McParland
British Art in the Early Twentieth
“[A] monumental study of Irish public Century
buildings. . . . In the best Yale tradition, Lisa Tickner
the pictures neatly, and beautifully,
illustrate a text that maintains the
exceptional standards of McParland’s
2000 336 pp. 120 b/w + 30 color illus.
Cloth ISBN 08350-5 $70.00/$56.00
earlier works.”—Giles Worsley,
Country Life
The Pre-Raphaelite
2002 252 pp. 220 b/w + 28 color illus. Landscape
Cloth ISBN 09064-1 $75.00/$60.00
Second edition
The London Town
Allen Staley
The Artist and the Garden
Roy Strong
Garden, 1700–1840
Todd Longstaffe-Gowan
“Magnificent. . . . An absolute must.”
2001 288 pp. 100 b/w + 150 color illus.
Cloth ISBN 08408-0 $75.00/$60.00
Walter Sickert: Prints
“An absorbing book. . . . Strong gives —Lida Dicaire, Landscape Architecture A Catalogue Raisonné
depth to the story of why the garden took
such hold of the English mind and soul.
. . . This book is sure to remain a classic
contribution to research on pre-Victorian
“Making prodigious use of maps, prints
and drawings of the period, Longstaffe-
Gowan . . . creates a fascinating portrait
of the slender, often brick-walled gardens
Ruth Bromberg
Named a notable book of the year 2000
by the New York Times Book Review
gardens.”—Judith Bumpus, Art
that lay, and still lie, behind London’s 2000 312 pp. 490 b/w illus.
Quarterly
town-houses.”—Verlyn Klinkenborg, Cloth ISBN 08161-8 $130.00/$104.00
Named a notable book of the year 2000
by the New York Times Book Review
New York Times Book Review
Named one of the finest books of 2001 The Post-War University
2000 288 pp. 140 b/w + 220 color illus.
Cloth ISBN 08520-6 $60.00/$48.00
by The Economist
Utopianist Campus and College
Learning to Draw
Studies in the Cultural History
of a Polite and Useful Art
Ann Bermingham
“Once in a while something really new
does appear from the labors of academic
research! This big book is truly original,
densely argued, handsomely written,
intellectually and socially perceptive,
and very important; it deserves a spot
in every library.”—Choice
Winner of the 2002 Historians of
British Art Book Prize for a book
written by a single author on a topic
post circa 1800
2000 320 pp. 180 b/w + 120 color illus.
Cloth ISBN 08039-5 $80.00/$64.00
2001 304 pp. 200 b/w + 60 color illus.
Cloth ISBN 08538-9 $65.00/$52.00
The Albert Memorial
Phone: 1-800-405-1619 Fax: 1-800-406-9145
The Prince Consort National Memorial:
its History, Contexts, and Conservation
Edited by Chris Brooks
Named a notable book of the year 2000
by the New York Times Book Review;
winner of the 2002 Historians of
British Art Book Prize for the best
multi-authored volume
Published in association with English
Heritage
2000 456 pp. 112 b/w + 200 color illus.
Cloth ISBN 07311-9 $75.00/$60.00
Stefan Muthesius
2001 352 pp. 156 b/w + 50 color illus.
Cloth ISBN 08717-9 $70.00/$56.00
The Letters of Sir Joshua
Reynolds
Edited by John Ingamells and
John Edgcumbe
2001 320 pp. 40 b/w illus.
Cloth ISBN 08733-0 $45.00/$36.00
Wyndham Lewis
Painter and Writer
Paul Edwards
Named a notable book of the year 2000
by the New York Times Book Review
2000 592 pp. 162 b/w + 179 color illus.
Cloth ISBN 08209-6 $75.00/$60.00
Whistler’s Venice
Alastair Grieve
Planning only a brief stay in Venice in
1879, Whistler found himself enchanted
by the city’s beauty and remained for
more than a year. This lovely book is the
first to follow Whistler’s progress
throughout Venice as he produced fifty
etchings, a few oils, and a remarkable
group of one hundred pastels.
2000 216 pp. 150 b/w + 75 color illus.
Cloth ISBN 08449-8 $50.00/$40.00
Houses of the Gentry
1480–1680
Nicholas Cooper
Co-winner of the Society of
Architectural Historians of
Great Britain’s 2001 Alice Davis
Hitchcock Medallion
Published in association with the Royal
Commission on the Historical Monuments
of England
2000 384 pp. 250 b/w + 50 color illus.
Cloth ISBN 07390-9 $80.00/$64.00
Greenwich
An Architectural History of the
Royal Hospital for Seamen, and
the Queen’s House
John Bold
2001 304 pp. 300 b/w + 50 color illus.
Cloth ISBN 08397-1 $85.00/$68.00
The Analysis of Beauty
William Hogarth
Edited with an Introduction and Notes
by Ronald Paulson
1998 200 pp. 24 b/w illus.
Cloth ISBN 07335-6 $45.00/$36.00
Paper ISBN 07346-1 $20.00/$16.00
Painting for Money
The Visual Arts and the Public Sphere
in Eighteenth-Century England
David H. Solkin
1993 312 pp. 75 b/w + 20 color illus.
Cloth ISBN 05741-5 $85.00/$68.00
Paper ISBN 06720-8 $40.00/$32.00
Gainsborough in Bath
Susan Sloman
“The authoritative account of the critical
period in English painter Thomas
Gainsborough’s life and art, the 16 years
he worked in Bath. . . . Thoroughly
researched and exhaustively detailed.
. . . A watershed for understanding
[Gainsborough’s] artistic development
in Bath as well as the importance of the
period in his entire career.”—Choice
2002 272 pp. 105 b/w + 65 color illus.
Cloth ISBN 09711-5 $55.00/$44.00
The Art of Thomas
Gainsborough
“A Little Business for the Eye”
Michael Rosenthal
In this sumptuously illustrated book,
Michael Rosenthal provides a lively
account of Thomas Gainsborough’s
varied life and diverse artworks.
2000 320 pp. 120 b/w + 150 color illus.
Cloth ISBN 08137-5 $65.00/$52.00
The Letters of Thomas
Gainsborough
Edited by John Hayes
2001 240 pp. 80 b/w illus.
Cloth ISBN 08732-2 $45.00/$36.00
Paul Mellon Centre
49

Index
50
Aav, 44
Aav & Stritzler-Levine, 44
Acidini et al., 10
Ades, 5, 14
Adler, 39
Adriani, 6
Ainsworth, 31
Albers, 18
Alexander, 16
Allen, B.T., 42
Allen, J.P., 34
Allen, J.P., et al., 34
Ames-Lewis, 11
Anderson, 4
Anfam, 4
Appel, Jr., 24
Apraxine et al., 33
Argenteri, 20
Armstrong, 7
Arnold, 34
Aruz, 35
Aruz et al., 35
Asleson, 15, 47
Avery, 33
Avery & Kelly, 32
Ayres, 29
Bailey, 6
Bajac et al., 33
Baker & Henry, 39
Baldassarri & Saiber, 10
Bambach et al., 31
Bann, 8
Barbour & Sturman, 45
Barkan, 23
Barnes et al., 47
Barnes & Melion, 45
Barnett, 13
Barnhart et al., 17
Barquist, 46
Barringer, 15
Bartram, 19
Baumgarten, 21
Baxandall, 24
Bayer & Gregori, 31
Belting, 13
Benjamin, 43
Bentley, Jr., 48
Benton, 28
Berger & Rosenbaum, 37
Bergmann &
Kondoleon, 45
Bermingham, 49
Billington, 27
Bindman & Wilcox, 46
Blackwell, 19
Blair & Bloom, 26
Bloom & Blair, 17
Bloom, 17
Bloom & Toufiq et al., 35
Blum, 21
Blunt, 26
Böethius, 27
yalebooks.com/art/
Bold, 49
Bolman, 16
Bomford, 39, 40
Bomford et al., 40
Bomford & Finaldi, 38
Bomford & Roy, 39
Boucher, 9
Bower, 41
Bowron, 9
Bradley & Pevsner, 30
Bray, 38
Brendel, 27
Brettell, 8, 43
Bromberg, 49
Brooke, 8
Brooks, 49
Brown & Elliott, 25
Brown, C., 40
Brown, D.A., 11
Brown, J., 14, 26
Brown, J.C., 45
Brown, J., & Elliott, 14
Brownlee et al., 28
Brüderlin, 25
Brush, 41
Bruzelius, 30
Bryant, 23
Buitron-Oliver, 45
Bunker, 35
Burns, 4
Butterfield, 11
Cadogan, 9
Callen, 6
Camp, 30
Campanella, 22
Campbell et al., 31
Campbell, L., 11,
Campbell, S., 39
Carboni & Whitehouse,
35
Carlano, 23
Carter & Butler, 41
Cazort, 11
Chaney, 47
Chapman et al., 12
Chapuis, 16, 45
Chilton, 22
Christiansen et al., 32
Christiansen &
Mann et al., 31
Cikovsky, Jr. & Kelly, 2
Clark, 25
Cliffe, 29
Codrington, 18
Coe, 32
Cogeval, 7
Cohn, 41
Cohn & Rogan, 41
Collins, 37
Conant, 27
Cooper, 46
Cooper, E., 47
Cooper, N., 49
Cooper & Hecker, 41
Cooper & Spronk, 41
Corbett et al., 48
Cork, 15
Cottington, 8
Coutts, 44
Craven, 5
Croft, 48
Crookshank & The
Knight of Glin, 48
Cropper, 25
Crow, 6, 25
Csenkey & Steinert, 44
Curatorial Staff of The
Metropolitan Museum
of Art, 33
da Costa Meyer, 29
Dakers, 15
Daniel, 33
Darley, 29
Davies, 39
Davies & Elliott, 38
de Montebello, 36
Delpierre, 21
Demetrion, 4
Denenberg, 22
Derys, 7
Dodwell, 27
Draper & Scherf, 31
Dreishpoon &
Trachtenberg, 19
Drury, 38
Dunkerton et al., 40
Eco, 16
Edwards, 49
Edwards & Wood, 25
Egerton, 39
Eisenman, 27
Eklund et al., 43
Ekserdjian, 9
Eldredge, 4
Ettinghausen et al., 26
Evans, 21
Evans et al., 35
Evans & Wixom, 35
Fairbrother, 4
Fer, 23
Ferretti-Bocquillon
et al., 31
Field, 46
Finaldi, 40
Fineberg, 33
Fisher, 39
FitzGerald, 14
Fogelson 22
Foister et al., 40
Fong, 36
Forsyth, 30
Frank, I., 44
Frank, P., 5
Frank, R. J., 46
Frankl, 27
Franklin, 9, 24
Franks, 46
Freedberg, 26
Frelinghuysen, 32
Fernandez & Murphy, 43
Fried, 13
Gaiger, 25
Gaiger & Wood, 25
Ganz, 42
Garafola & Baer, 13
Garland, 46
Garrels, 4
Gifford & Walker, 30
Goddard & Ganz, 42
Goffen, 10
Goldhagen, 28
Gordon, 39, 40
Gould, 39
Green, 26
Greeves & Wiggins, 38
Grieve, 49
Grigsby, 7
Groom, 8
Gross, 46
Guégan et al., 31
Guillery, 47
Gunnarsson, 13
Hambourg, 33
Hamilton, G.H., 27
Hamilton, J., 42
Hamilton, V., 6
Hammer, 37
Hammond, 19
Harris, 48
Harrod, 44
Hart, 48
Hartwell, 29, 30
Harvey, 43
Haskell, 24
Haskell & Penny, 24
Hauptman, 4
Haxthausen, 42
Hayes, 49
Hearn, 36
Hearn & Fong, 36
Hedström et al., 19
Hemingway, 2
Hendel, 19
Herbert, 6, 8
Herdrich & Weinberg, 33
Hickman, 43
Hiebert, 19
Hills, 29
Hogarth, 49
Hollander, 40
Holloway, 30
Holly & Moxey, 42
Holmes, 11
Honig, 12
Hope et al., 38
Horton, 19
Hourihane, 48
House, 6
Howard, 28
Howley, 29
Humfrey & Lucco, 32
Husband, 31
Hyman, 48
Ikutaro, 36
Ingamells & Edgcumbe, 49
Ives & Barker, 32
Ives & Stein, 31
Jackson, 25
Jackson-Stops et al., 45
Jencks, 27
Joannides, 9
Jones & Penny, 11
Jones, C., 38
Jones, J., 34
Jones, M. W., 30
Kahng & Michel, 43
Kalavrezou, 41
Kallir, 2
Kao, 41
Kao et al., 41
Karageorghis, 35
Karageorghis et al., 35
Karmel, 14
Katzew, 5
Kemp, 11, 24
Kendall, 6
Kennedy, 15
Kent, 9
Kern, 43
Kessler & Zacharias, 11
Kidson, 48
Kirkham, 44
Kirsh & Levenson, 25
Kjellgren, 36
Klein, 6
Klein et al., 37
Kleiner, 16
Koda, 34
Koestler et al., 36
Kok et al., 12
Költzsch, 41
Komaroff & Carboni, 35
Kornhauser, 2, 3
Kosinski, 43
Kossak & Singer, 36
Kossak & Watts, 37
Kozloff, 37
Krautheimer, 27
Lacouture, 6
LaGamma, 36
Lajer-Burcharth, 6
Landau & Condit, 27
Lane & Wiley, 43
Langmuir, 39
Langmuir & Lynton, 23
Larkin, 2
Lavin, 45
Lawrence, 26
Lee & Pultz, 20
Lees, 42
Leighton & Thomson, 40
Leopold & Schuler, 25
Levey, 11, 24, 27, 39
Levine, 30
Lieberman, 32
Liedtke, 12, 32
Liedtke et al., 32
Lilyquist, 34
Lincoln, 11
Lloyd et al., 30
Lobel, 2
Lomas, 25
Longstaffe-Cowan, 49
Longstreth, 45
Loyrette & Pantazzi, 8
Lynch & Horton, 19
Lynes, 4
Lyons, 46
MacDonald et al., 4
MacGregor &
Langmuir, 24
MacLaren, 39
Mainardi, 7
Manca, 45
Mancoff, 48
Marinetti, 11
Martin & Koda, 34
Martin, G., 39
Martin, R., 34
Massey, 45
Mathews, 8
Mathur & da Cunha, 22
Mattison, 3
Maynard, 27
McBride, 2
McDonnell, 2
McGann, 15
McGowan, 7
McParland, 49
McPhee, 29
Menzies, 17
Mérot, 7
Merrill, 22
Merrill et al., 3
Messinger et al., 33
Meyer, 23
Milleker, 34
Milleker et al., 34
Milner, 8
Mitchell, 41
Morphet, 40
Morrison, 47
Motture, 45
Muizelaar & Phillips, 12
Munroe, 46
Murase, 36
Murase & Smith, J.G., 36
Murphy, C.P., 10
Murphy, A., et al., 43
Muthesius, 49
National Gallery, 39
Natter, 12
Neils & Oakley, 16
Neumann, 28
Newman, 30
Nickel, 20
Nisbet, 41
Noon, 46
Norman, 10
Norris, 37
Norris et al., 37
Nussbaum, 30
Olson, 8
Onians, 16, 42
Orenstein, 32
Ormond & Kilmurray, 47
Ostrowski et al., 12
Padgett, 16
Pal, 17
Palladino, 35
Paul, 37
Pauli, 20
Peck et al., 31
Peck & Irish, 32
Pelizzari, 46
Penny, 24, 39
Pepper, 20
Peppiatt, 8
Perry & Wood, 25
Peruga et al., 5
Pevny, 35
Pilliod, 10
Pillsbury, 45
Pincus, 45
Piponnier & Mane, 21
Plant, 29
Pon, 9
Potts, 23
Poynor, 18
Prather, 4
Prelinger, 13
Price, 13
Prown, 2
Pyhrr et al., 31
Quiney, 30
Raditsa et al., 37
Rae, 22
Raggio, 32
Ramírez & Olea et al., 5
Rand, 19
Randolph, 9
Rastorfer, 27
Reed, 44
Remington, 18
Reynolds, 46
Ribeiro, 8, 21
Richards, 28
Richardson & Stevens, 29
Rieder & Walker, 44
Riopelle & Bray, 38
Roberts, 3
Robinson, D., 46
Robinson, W.W., 41
Roman & Roide, 46
Rosenberg, 8
Rosenthal, 33, 49
Roskill & Hand, 45
Rothkopf, 41
Roy, 40
Rubin, 7
Rudolf, 38
Rüger, 38
Ruskin, 15
Ryan, 4
Sandweiss, 20
Satterthwaite, 22
Saywell, 41
Schenker, 13
Schmidt, 45
Schofield, 47
Schouvaloff, 13
Scott, 48
Sewell, 2
Shaw, 8
Shaw-Miller, 24
Shearman, 10
Shone, 31
Sickman & Soper, 27
Simpson, 17
Sims, 17
Slive, 12
Sloman, 49
Smith, J.G., 36
Smith, K.A., 13
Smith, W.S., 26
Solkin, 49
Soros, 44
Soros & Arbuthnott, 44
Speake, 16
Spodek & Srinivasan, 45
Spring, 2
Spurr et al., 34
Staley, 49
Staller, 14
Stansky, 15
Stapp, 19
Stebbins, Jr., 2
Steele, 21
Steele & Major, 21
Stevens & Treuherz, 15
Stevenson, 48
Stieglitz, 33
Strong, 49
Sturgis, 39
Summerson, 48
Sumner & Smith, G., 15
Sylvester, 24
Syson & Gordon, 38
Tavernor, 29
Temkin, 2
Thirlwell, 15
Thomas, A., 19
Thomas, C., 29
Thorne, 28
Thornton, 11
Thurley, 47
Tickner, 49
Tinterow & Conisbee, 31
Tinterow & Lacambre, 31
Tolles, 33
Tomlinson, 14
Troccoli, 2
Tronzo, 45
Truettner & Stein, 2
Tucker, A.W. et al., 20
Tucker, P.H., 6
Tucker P.H., et al, 6
Tupitsyn, 12, 20
Udall, 4
Upton, 28
Utley, 14
van Os et al., 12
Varnedoe, 8
Venable, 43
Verey & Brooks, 30
Vienne, 18
Vlieghe, 26
von Moos & Rüegg, 44
Voorsanger & Howat, 33
Walker, 30
Walsh, 48
Warner & Alexander, 46
Warner & Asleson, 46
Waterhouse, 26
Watson, 26
Watts, 37
Webb, 33
Weinberg, 4
Weinberg et al., 32
Weiss, 4
Westermann, 42
Weston, 28
Wheelock, Jr., 12
Wheelock, Jr. & Broos, 12
White, C., 12, 40
White, J., 26
Widenheim, 44
Wilcox et al., 46
Williamson, 26
Wilmerding, 3
Wilson, 8
Wilson-Bareau, 7
Wilson-Bareau &
Degener, 7, 32
Wine, 39
Winters, 24
Wittkower, 26
Wixom, 35
Wolohojian, 36
Wood, 25
Xinian et al., 30
Yang, 17
Young, 35
Zafran, 8, 23
Zafran & Paret, 23
Zimmerman, 42

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Table of Contents
American Art ............................................................................ 2-4
Latin American Art ................................................................... 5
French Art ................................................................................ 6-8
Italian Art................................................................................. 9-11
Northern & Eastern European Art ............................................. 12-13
Spanish Art ............................................................................... 14
British Art ................................................................................. 15
Ancient & Medieval Art............................................................ 16
Middle Eastern Art ................................................................... 17
Graphic Design ......................................................................... 18-19
Photography .............................................................................. 19-20
Fashion & Costume History ....................................................... 21
Decorative Arts/Urban & Landscape Studies ............................... 22
General Art History ................................................................23-25
Yale University Press Pelican History of Art ................................. 26-27
Architecture & Design ............................................................... 27-30
The Metropolitan Museum of Art .............................................. 31-37
The Jewish Museum ...............................................................37
National Gallery, London ......................................................... 38-40
Harvard University Art Museums ............................................... 41
Clark Art Institute ..................................................................... 42-43
Dallas Museum of Art ............................................................... 43
Bard Graduate Center ............................................................... 44
Studies in the History of Art ....................................................44
Yale University Art Gallery/Yale Center for British Art ................ 46
Paul Mellon Centre .................................................................. 47-49
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Front cover illustration: Xul Solar, Drago [Dragon], 1927. Watercolor on paper.
Fundación Pan Klub, Museo Xul Solar, Buenos Aires