The Galerie du Temps at the Louvre-Lens A unique presentation of ...
The Galerie du Temps at the Louvre-Lens A unique presentation of ...
The Galerie du Temps at the Louvre-Lens A unique presentation of ...
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Georges de La Tour, Mary Magdalene with a Night-<br />
Light,<br />
c. 1640–45. Department <strong>of</strong> Paintings, Musée <strong>du</strong> <strong>Louvre</strong>,<br />
RF 1949 11<br />
© 2007 Musée <strong>du</strong> <strong>Louvre</strong> / Angèle Dequier<br />
St<strong>at</strong>uette <strong>of</strong> Lady Tuya, m<strong>at</strong>ron <strong>of</strong> <strong>the</strong> harem <strong>of</strong><br />
Min, reign <strong>of</strong> Amenhotep III. African red ebony,<br />
with shea wood base. Department <strong>of</strong> Egyptian<br />
Antiquities, Musée <strong>du</strong> <strong>Louvre</strong>, E 10655<br />
© 2008 Musée <strong>du</strong> <strong>Louvre</strong> / Christian Décamps<br />
by Italian, French, Spanish and nor<strong>the</strong>rn European artists (Perugino,<br />
Raphaël, El Greco, Maler, and Jean Goujon, among o<strong>the</strong>rs), thus<br />
<strong>of</strong>fering a novel perspective on <strong>the</strong> singular achievements <strong>of</strong> this period.<br />
Complementing this strictly chronological present<strong>at</strong>ion, a series <strong>of</strong><br />
<strong>the</strong>me-based exhibitions will also be <strong>of</strong>fered, allowing visitors to<br />
explore <strong>the</strong> development over time <strong>of</strong> artistic approaches to major<br />
areas <strong>of</strong> interest, such as <strong>the</strong> art <strong>of</strong> <strong>the</strong> portrait, landscapes, <strong>the</strong><br />
represent<strong>at</strong>ion <strong>of</strong> power, and religious practice. Only <strong>the</strong> <strong>Louvre</strong>’s<br />
collections, in all <strong>the</strong>ir richness and complexity, could have made<br />
possible this <strong>unique</strong> present<strong>at</strong>ion, its rot<strong>at</strong>ing selection bringing a<br />
fresh outlook on <strong>the</strong> history <strong>of</strong> art each year.<br />
Masterpieces on loan from all <strong>of</strong> <strong>the</strong> <strong>Louvre</strong>’s departments<br />
<strong>The</strong> selection for <strong>the</strong> <strong>Galerie</strong> <strong>du</strong> <strong>Temps</strong> is comprised <strong>of</strong> loans from all <strong>of</strong><br />
<strong>the</strong> <strong>Louvre</strong>’s departments: 25 works from <strong>the</strong> Department <strong>of</strong> Near Eastern<br />
Antiquities ; 21 works from <strong>the</strong> Department <strong>of</strong> Egyptian Antiquities ; 31<br />
works from <strong>the</strong> Department <strong>of</strong> Greek, Etruscan and Roman Antiquities ;<br />
37 works from <strong>the</strong> Department <strong>of</strong> Islamic Art ; 31 works from <strong>the</strong> Department<br />
<strong>of</strong> Decor<strong>at</strong>ive Arts ; 30 works from <strong>the</strong> Department <strong>of</strong> Paintings; and 30<br />
works from <strong>the</strong> Department <strong>of</strong> Sculptures. Only works on paper, which<br />
require very specific display conditions, will not be presented in this portion<br />
<strong>of</strong> <strong>the</strong> museum, but will instead be fe<strong>at</strong>ured in temporary exhibitions.<br />
When this new s<strong>at</strong>ellite museum opens its doors to <strong>the</strong> public, some<br />
<strong>of</strong> <strong>the</strong> <strong>Louvre</strong>’s gre<strong>at</strong>est masterpieces by <strong>the</strong> most celebr<strong>at</strong>ed artists<br />
represented in its collections will thus be exhibited in <strong>Lens</strong>:<br />
Botticelli, Perugino, Raphaël, Goujon, El Greco, Rubens, Poussin,<br />
Rembrandt, La Tour, Le Lorrain, Goya, Ingres, and Delacroix with<br />
Liberty Leading <strong>the</strong> People. Beginning in December 2012, <strong>the</strong> <strong>Louvre</strong><br />
as a cultural institution will be as much in <strong>Lens</strong> as it is in Paris.<br />
Three main sequences <strong>of</strong> <strong>the</strong> <strong>Galerie</strong> <strong>du</strong> <strong>Temps</strong><br />
Antiquity, 70 works grouped under 12 <strong>the</strong>mes<br />
1. <strong>The</strong> Birth <strong>of</strong> Writing in Mesopotamia<br />
2. <strong>The</strong> Origins <strong>of</strong> <strong>the</strong> Egyptian Civiliz<strong>at</strong>ion<br />
3. <strong>The</strong> Rise <strong>of</strong> Mediterranean Civiliz<strong>at</strong>ions<br />
4. <strong>The</strong> Ancient Near East in <strong>the</strong> Time <strong>of</strong> Babylon<br />
5. Egypt <strong>of</strong> <strong>the</strong> Gre<strong>at</strong> Temples<br />
6. City-St<strong>at</strong>es <strong>of</strong> <strong>the</strong> Mediterranean Basin<br />
7. <strong>The</strong> Assyrian Empire<br />
8. <strong>The</strong> Twilight <strong>of</strong> Ancient Egypt: Funerary Rites<br />
9. <strong>The</strong> Persian Empire<br />
10. Classical Greece<br />
11. <strong>The</strong> World <strong>of</strong> Alexander <strong>the</strong> Gre<strong>at</strong><br />
12. <strong>The</strong> Roman Empire<br />
Middle Ages, 45 works grouped under 7 <strong>the</strong>mes<br />
13. Eastern Christianity: <strong>The</strong> Byzantine Empire<br />
14. Western Christianity: <strong>The</strong> First Churches<br />
15. <strong>The</strong> Emergence <strong>of</strong> Islamic Civiliz<strong>at</strong>ion<br />
16. Italy, Byzantium and Islam in <strong>the</strong> West<br />
17. Gothic Europe<br />
18. <strong>The</strong> Islamic Golden Age in <strong>the</strong> Near East<br />
19. Encounters between East and West<br />
Modern times, 90 works grouped under 9 <strong>the</strong>mes<br />
20. <strong>The</strong> Renaissance<br />
21. Three Modern Islamic Empires<br />
22. Arts <strong>of</strong> <strong>the</strong> Court<br />
23. Baroque Europe<br />
24. French Classicism<br />
25. <strong>The</strong> Enlightenment<br />
26. Neoclassical Movements<br />
27. Islamic and Western Art: Assimil<strong>at</strong>ion and Resistance<br />
28. Art and Power in France in 1830