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The Galerie du Temps at the Louvre-Lens A unique presentation of ...

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Georges de La Tour, Mary Magdalene with a Night-<br />

Light,<br />

c. 1640–45. Department <strong>of</strong> Paintings, Musée <strong>du</strong> <strong>Louvre</strong>,<br />

RF 1949 11<br />

© 2007 Musée <strong>du</strong> <strong>Louvre</strong> / Angèle Dequier<br />

St<strong>at</strong>uette <strong>of</strong> Lady Tuya, m<strong>at</strong>ron <strong>of</strong> <strong>the</strong> harem <strong>of</strong><br />

Min, reign <strong>of</strong> Amenhotep III. African red ebony,<br />

with shea wood base. Department <strong>of</strong> Egyptian<br />

Antiquities, Musée <strong>du</strong> <strong>Louvre</strong>, E 10655<br />

© 2008 Musée <strong>du</strong> <strong>Louvre</strong> / Christian Décamps<br />

by Italian, French, Spanish and nor<strong>the</strong>rn European artists (Perugino,<br />

Raphaël, El Greco, Maler, and Jean Goujon, among o<strong>the</strong>rs), thus<br />

<strong>of</strong>fering a novel perspective on <strong>the</strong> singular achievements <strong>of</strong> this period.<br />

Complementing this strictly chronological present<strong>at</strong>ion, a series <strong>of</strong><br />

<strong>the</strong>me-based exhibitions will also be <strong>of</strong>fered, allowing visitors to<br />

explore <strong>the</strong> development over time <strong>of</strong> artistic approaches to major<br />

areas <strong>of</strong> interest, such as <strong>the</strong> art <strong>of</strong> <strong>the</strong> portrait, landscapes, <strong>the</strong><br />

represent<strong>at</strong>ion <strong>of</strong> power, and religious practice. Only <strong>the</strong> <strong>Louvre</strong>’s<br />

collections, in all <strong>the</strong>ir richness and complexity, could have made<br />

possible this <strong>unique</strong> present<strong>at</strong>ion, its rot<strong>at</strong>ing selection bringing a<br />

fresh outlook on <strong>the</strong> history <strong>of</strong> art each year.<br />

Masterpieces on loan from all <strong>of</strong> <strong>the</strong> <strong>Louvre</strong>’s departments<br />

<strong>The</strong> selection for <strong>the</strong> <strong>Galerie</strong> <strong>du</strong> <strong>Temps</strong> is comprised <strong>of</strong> loans from all <strong>of</strong><br />

<strong>the</strong> <strong>Louvre</strong>’s departments: 25 works from <strong>the</strong> Department <strong>of</strong> Near Eastern<br />

Antiquities ; 21 works from <strong>the</strong> Department <strong>of</strong> Egyptian Antiquities ; 31<br />

works from <strong>the</strong> Department <strong>of</strong> Greek, Etruscan and Roman Antiquities ;<br />

37 works from <strong>the</strong> Department <strong>of</strong> Islamic Art ; 31 works from <strong>the</strong> Department<br />

<strong>of</strong> Decor<strong>at</strong>ive Arts ; 30 works from <strong>the</strong> Department <strong>of</strong> Paintings; and 30<br />

works from <strong>the</strong> Department <strong>of</strong> Sculptures. Only works on paper, which<br />

require very specific display conditions, will not be presented in this portion<br />

<strong>of</strong> <strong>the</strong> museum, but will instead be fe<strong>at</strong>ured in temporary exhibitions.<br />

When this new s<strong>at</strong>ellite museum opens its doors to <strong>the</strong> public, some<br />

<strong>of</strong> <strong>the</strong> <strong>Louvre</strong>’s gre<strong>at</strong>est masterpieces by <strong>the</strong> most celebr<strong>at</strong>ed artists<br />

represented in its collections will thus be exhibited in <strong>Lens</strong>:<br />

Botticelli, Perugino, Raphaël, Goujon, El Greco, Rubens, Poussin,<br />

Rembrandt, La Tour, Le Lorrain, Goya, Ingres, and Delacroix with<br />

Liberty Leading <strong>the</strong> People. Beginning in December 2012, <strong>the</strong> <strong>Louvre</strong><br />

as a cultural institution will be as much in <strong>Lens</strong> as it is in Paris.<br />

Three main sequences <strong>of</strong> <strong>the</strong> <strong>Galerie</strong> <strong>du</strong> <strong>Temps</strong><br />

Antiquity, 70 works grouped under 12 <strong>the</strong>mes<br />

1. <strong>The</strong> Birth <strong>of</strong> Writing in Mesopotamia<br />

2. <strong>The</strong> Origins <strong>of</strong> <strong>the</strong> Egyptian Civiliz<strong>at</strong>ion<br />

3. <strong>The</strong> Rise <strong>of</strong> Mediterranean Civiliz<strong>at</strong>ions<br />

4. <strong>The</strong> Ancient Near East in <strong>the</strong> Time <strong>of</strong> Babylon<br />

5. Egypt <strong>of</strong> <strong>the</strong> Gre<strong>at</strong> Temples<br />

6. City-St<strong>at</strong>es <strong>of</strong> <strong>the</strong> Mediterranean Basin<br />

7. <strong>The</strong> Assyrian Empire<br />

8. <strong>The</strong> Twilight <strong>of</strong> Ancient Egypt: Funerary Rites<br />

9. <strong>The</strong> Persian Empire<br />

10. Classical Greece<br />

11. <strong>The</strong> World <strong>of</strong> Alexander <strong>the</strong> Gre<strong>at</strong><br />

12. <strong>The</strong> Roman Empire<br />

Middle Ages, 45 works grouped under 7 <strong>the</strong>mes<br />

13. Eastern Christianity: <strong>The</strong> Byzantine Empire<br />

14. Western Christianity: <strong>The</strong> First Churches<br />

15. <strong>The</strong> Emergence <strong>of</strong> Islamic Civiliz<strong>at</strong>ion<br />

16. Italy, Byzantium and Islam in <strong>the</strong> West<br />

17. Gothic Europe<br />

18. <strong>The</strong> Islamic Golden Age in <strong>the</strong> Near East<br />

19. Encounters between East and West<br />

Modern times, 90 works grouped under 9 <strong>the</strong>mes<br />

20. <strong>The</strong> Renaissance<br />

21. Three Modern Islamic Empires<br />

22. Arts <strong>of</strong> <strong>the</strong> Court<br />

23. Baroque Europe<br />

24. French Classicism<br />

25. <strong>The</strong> Enlightenment<br />

26. Neoclassical Movements<br />

27. Islamic and Western Art: Assimil<strong>at</strong>ion and Resistance<br />

28. Art and Power in France in 1830

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