3 summer 2011 - Prince Claus Fund

1. Brathwaite, Kamau: Contradictory Omens: CulturalDiversity and Integration in the Caribbean, Savacou,Mona, Kingston, 19852. Benitez-Rojo, Antonio: ‘The Polyrhythmic Paradigm: TheCaribbean and the Post-Modern Era’, in: LawrenceHyatt, Vera and Rex Nettleford (eds.): Race, Discourseand the Origin of the Americas – A New World View,Smithsonian Institution Press, Washington DC, 1995,chapter 123. Glissant, Edouard: ‘Creolization in the Making of theAmericas’ in: op. cit., chapter 134. Gonzales-Echevarria, Roberto: Alejio Carpentier: ThePilgrim at Home, Cornell University Press, New York, 19775. Hill, Errol: The Trinidad Carnival – Mandate for a NationalTheatre, University of Texas Press, 19726. Lamming, George: Coming Coming Home: ConversationsII, House of Nehesi Publishers, St. Maarten, 19957. Liverpool, Hollis: Rituals of Power and Rebellion: TheCarnival Tradition in Trinidad and Tobago 1763-1962,Hollis Liverpool (Research Associates School TimesPublications), 20018. Nettleford, Rex: ‘Caribbean Creative Diversity – theDefining Point of the Region’s History’, lecturedelivered to Caribbean Diaspora Conference, Universityof South Bank, London, August 31, 20019. Nunley, John W & Judith Bettelheim: Caribbean FestivalArts: Each and Every Bit of Difference, University ofWashington Press, 198810. Ortiz, Fernando: La Antigua fiesta afrocubana del diade Reyes, Ministerio de Relaciones Exteriores, Havana,196011. Walcott, Derek: ‘The Muse of History – An Essay’, in:Coombs, Orde (ed.): Is Massa Day Dead? Black Moods inthe Caribbean, Doubleday Anchor, New York, 1974Prince Claus Fund Reader #1 · Summer 2011 · 72