<strong>The</strong> study <strong>of</strong> Chan and its subtlety, lies in Chan’sallegoric connotations, or ‘the understanding which isgained in an instant’. This incorporates a rational element,but leaves no opening for any form <strong>of</strong> speculation.Only mutual affinity can prompt the sudden perceptionand understanding <strong>of</strong> the allegorical meaning, whichprimarily arises from the attained idea that “all thingsthat are produced by cause and associated conditionshave no reality,” and “the mind remains unimpeded, nomatter what.”<strong>The</strong> subtlety <strong>of</strong> immortality study however, lies inthe Mysterious Pass, which serves as the only channel<strong>of</strong> communication connecting both the Pre-heaven andPost-heaven domains. <strong>The</strong> Mysterious Pass lies neitherwithin nor outside the corporeal body and neither withinthe interior nor the exterior. It presents itself only whenthe interior resonates with the exterior, so allowing thenatural to concur with the artificial, with the prerequisitethat both Shen and Chi are already sufficient for the process.We can use the analogy <strong>of</strong> love to illustrate the state<strong>of</strong> being: the feeling <strong>of</strong> love between a woman and a manarises spontaneously, and the majority <strong>of</strong> people knowthat love cannot be forced. Similarly, both emptiness andnaturalness begin to meet in harmony and communicatewith each other, though both vary in the degree to whichthey become apparent.You may perhaps wonder whether it is possible forimmortality study/internal alchemy and the study <strong>of</strong>Chan to meet up with each other in one place, or on onethoroughfare, without there being obstacles betweenthem? Let us read the following passage which is anexcerpt from Chuang Tzu, entitled “<strong>The</strong> Fasting <strong>of</strong> theMind”, translated by Victor H. Mair“I have nothing further to propose,” said Yen Hui. “Iventure to ask you for a method.”“Fasting,” said Confucius. “I shall explain it for you. Ifyou do things with your mind, do you think it will be easy?Bright heaven will not approve one who thinks it will be easy.”“My family is poor,” said Yen Hui, “and it’s been severalmonths since I’ve drunk wine or tasted meat. May this beconsidered fasting?”“This is fasting suitable for sacrifices, but it is not fasting<strong>of</strong> the mind.”“I venture to ask what ‘fasting <strong>of</strong> the mind’ is,” said Hui.“Concentrate your mind-will. Hear not with your ears,but with your mind; not with your mind, but with your Chi.Let your hearing stop with the ears, and let your mind stopwith natural concordance. Chi, however, is vacuous and empty,accommodating all. <strong>The</strong>re is none but Tao who dwells in theempty vacuity. And becoming empty and vacuous is the fasting<strong>of</strong> the mind.”“Before I am able to exercise fasting <strong>of</strong> the mind,” said YenHui, “I truly have an identity. But after I am able to exercise it,I will no longer have an identity. Can this be called emptiness?“Exactly so!” replied the master. “Let me tell you. Enter androam about this realm, but without any awareness <strong>of</strong> what therealm is. In the event <strong>of</strong> arrival in it sing in concert with it; incase <strong>of</strong> no arrival in it stop at the cessation. Let the door openand close, by its own course. House all as an undivided wholeand lodge in that which takes the course all in its natural way.<strong>The</strong>n you are close to it. To leave no footprints is easy; to walkon no ground is difficult.“If you are impelled by human feelings, it is easy to befalse; if you are impelled by nature, it is hard to be false. I’veonly heard <strong>of</strong> creatures that fly with wings, never <strong>of</strong> creaturesthat fly with nonwings. I’ve only heard <strong>of</strong> people knowingthings through awareness, never <strong>of</strong> people knowing thingsthrough unawareness. Observe the void – the empty roomemits a pure light. Good fortune lies in stopping when itis time to stop. If you do not stop, this is called ‘gallopingwhile sitting.’ Let your senses communicate within and ridyourself <strong>of</strong> the machinations <strong>of</strong> the mind. <strong>The</strong>n even myriadthings are transformed. It is that to which Yao and Shunbound themselves, and that which Fuhsi and Chich’u exercisedall their lives. All the more is it suited for the masses.”<strong>The</strong> famous inner alchemist Chen Yingningonce wrote 24 stanzas <strong>of</strong> NeiDan poetry. Below,we have selected two for your appreciation:<strong>The</strong> first poemUltimate reality shines forth, illuminating the grains <strong>of</strong> sandwhich line the banks <strong>of</strong> the river GangesThose <strong>of</strong> the world, the sages, the enlightened, all, at theirorigin, sharing one common source.Each, when free <strong>of</strong> thoughts arising, converging in stillnesstowards complete expression,Yet, when moved by just one single sense, is already eclipsedby clouds.Ridding oneself <strong>of</strong> all affliction. And to what end? <strong>The</strong> addition<strong>of</strong> illness!Drawing near to true thusness. And to what end? <strong>The</strong> emergence<strong>of</strong> a diverging path!Meekly following the predestined relationship as it arises andkeeping the mind free <strong>of</strong> hindrance. And to what end?Nirvāna, birth and death, do but compare to hollow flowersfloating in the air.<strong>The</strong> second poemOvercome emptiness, free yourself <strong>of</strong> accumulated kalpaand endure for a billion years,Bid farewell to the canoe that ferried us to the far shore.End your endless search for the countless tomes written onimmortality, even though you know the final words have notyet been composed.So what is meant by ‘the final words’? Are theywords that could not be uttered, or words that the authordid not wish to voice? <strong>The</strong> answer, provided by Chen12 Summer 2011
Yingning, is that the author did not dare not to voice thewords, since it may have alarmed the readers. So exactlywhat words were they? To find the answer let us turnto the illustrations and consult the poems <strong>of</strong> the chart.Ode to the Ox-herding Chart1. <strong>The</strong> untamed Ox outside the herdFerociously, the ox bellows and, free <strong>of</strong> all constraints,Thrusts about with its crooked horns,Racing wildly round the mountainTo where the river turns away, and the road stretches<strong>of</strong>f into the far distance.A bank <strong>of</strong> black cloud hangs over the opening to the valley,And who can tell how much destruction is wrought tothe young seedlingsTrampled underfoot in the farmer’s field!Here the ox is a metaphor for the heart-mind, whichhas not been reined in or subjected to any form <strong>of</strong> discipline.It prefers to be free and uncurbed, chasing afterwhatever it finds desirable or congenial, pleasing orcompelling, even at the expense <strong>of</strong> physical and emotionalwellbeing. Accordingly, all possible means shouldbe employed to tame it and take it in hand. This conceptseems to correlate more closely to the methods <strong>of</strong> theTaoist alchemist than the practitioner <strong>of</strong> Chan Buddhism.A propos, Lao Tzu said in chapter 12 <strong>of</strong> the Tao TeChing:<strong>The</strong> five colours make the eyes blind;<strong>The</strong> five notes make the ears deaf;<strong>The</strong> five flavors rob the mouth <strong>of</strong> taste.Riding and hunting make the mind wild;<strong>The</strong>refore, <strong>The</strong> Yellow Emperor went to see MasterKuang Ch’eng, to ask about the administration <strong>of</strong> thebody:Master Kuang Ch’eng sat up with a start. “It is excellent,this question <strong>of</strong> yours! Come, I will tell you about the PerfectTao. <strong>The</strong> essence <strong>of</strong> the Perfect Tao is pr<strong>of</strong>oundly obscure andvague; the subtlety <strong>of</strong> the Perfect Tao is pr<strong>of</strong>oundly elusive andstill. See nothing, hear nothing, enfold Shen in quietude andthe body will go right , <strong>of</strong> its own accord. Be still, be pure, donot labor your body, do not churn up your Jing, and then youcan live a long life. <strong>The</strong>re is nothing to be beheld by the eyes,nothing to be heard by the ears, nothing to be known by theheart, thus your Shen shall guard the body, and the body willthereby enjoy a long life. Cherish that which is within you, block<strong>of</strong>f what is outside you, too much knowledge will do you harm.If the poem was intended to characterize the teachings <strong>of</strong>the Chan sect, it would not talk about the unruliness <strong>of</strong> theheart-mind (ox) when the heart-mind is the main <strong>issue</strong> underconsideration. Otherwise, slaughtering the ox with a sharpsword would not be the answer to the problem (Particularlysince Zen Buddhism is opposed to killing). Similarly, if it isintended to characterize (the teachings <strong>of</strong>) the six patriarchs <strong>of</strong>the Chan sect, we might expect to be given the directive “keepdusting it to prevent it from incurring the least speck <strong>of</strong> dust.”So, why then does the word “forgetfulness” appear in laterpoems? <strong>The</strong> concept <strong>of</strong> “forgetfulness” reflects the approach<strong>of</strong> Huang Tzu where you readily find passages such as “To beforgetful in sitting meditation”, which advocates combining theheart-mind with the breathing (listening to the breath), andallowing the heart mind and breath to harmonize and becomeat one with each other. <strong>The</strong>reafter, falling into forgetfulness <strong>of</strong>both breath and heart-mind, forgetting about everything, incomplete oblivion and without intervention, following whateverarises or fades away.2. <strong>The</strong> Initial Taming <strong>of</strong> the OxTaking a rope, I run it through the nose <strong>of</strong> the ox, andcling fast!His first attempt to go haring <strong>of</strong>f is well rewarded with burningpain from the lash <strong>of</strong> the whip !But, with the determined strength <strong>of</strong> ingrained, wild inclinations,He struggles against all change and modification.Now the ox-herd boy must bring his full abilities to bear<strong>The</strong> <strong>Empty</strong> <strong>Vessel</strong> 13