My set-up: Tyros4 arranger keyboard, stand, volume pedal ...
My set-up: Tyros4 arranger keyboard, stand, volume pedal ...
My set-up: Tyros4 arranger keyboard, stand, volume pedal ...
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<strong>My</strong> <strong>set</strong>-u<strong>up</strong>p: <strong>Tyros4</strong> <strong>arranger</strong> <strong>keyboard</strong>, <strong>stand</strong>, <strong>volume</strong> p<strong>pedal</strong>, footswitch... and a chair! That’s all.<br />
Hi... thanks for your interest in my ‘Songs from the Easy Keyboard Library’ recording. All the sounds I used during the recording are contained in the<br />
One Touch Settings (OTS) of the Yamaha <strong>Tyros4</strong> - and all the accompaniment styles and multipads used are from the pre<strong>set</strong> selection that come as<br />
part of the instrument when it’s brand new and taken out of its box for the first time.<br />
Because the arrangements in the EKL books are quite short I’ve gro<strong>up</strong>ed several together on the majority of CD tracks to form a kind of medley -<br />
fading slightly between each new style.<br />
Registrations for all models...<br />
This registration guide explains my basic <strong>set</strong><strong>up</strong> for each tune although it will help if you have the CD to listen to as you reconstruct my <strong>set</strong><strong>up</strong>s for<br />
yourself. Although the One Touch Settings (OTS) are specific to <strong>Tyros4</strong> I’ve included the content in brackets to help owners of other models create the<br />
right sounds.<br />
Registrations for <strong>Tyros4</strong> only<br />
For those who want to recreate my performances to the letter, however, the <strong>Tyros4</strong> registration <strong>set</strong>tings I used - together with a play-along ‘Song’ file<br />
to play in your <strong>Tyros4</strong> <strong>keyboard</strong> - are also available to download from www.yamaha-club.co.uk by typing ‘EKL - Volume 1’ in the search box on the<br />
website’s home page.<br />
Basically the simple message is to have fun, make some great sounds... and, most of all, enjoy playing your <strong>arranger</strong> <strong>keyboard</strong>.<br />
Glyn Madden<br />
Track 1/1 House of Elliot (EKL Instrumental Classics)<br />
Style: French Jazz 176bpm<br />
Reg.1 Style Variation: Intro 3 - Main B Voice: French Jazz OTS2 Voice Part (VP) Right 2 (SA2 Clarinet)<br />
Reg.2 Style Variation: Main B Voice: French Jazz OTS1 (SA2 Jazz Violin)<br />
Reg.3 Style Variation: Main B Voice: French Jazz OTS2 VP Right 2 (SA2 Clarinet)<br />
Reg.4 Style Variation: Main C Voice: French Jazz OTS1 (SA2 Jazz Violin)<br />
Reg.5 Style Variation: Ending 3 Voice: French Jazz OTS1 (SA2 Jazz Violin)<br />
Track 1/2 It’s All Right With Me (EKL Jazz Classics)<br />
Style: French Jazz 232bpm<br />
Reg.1 Style Variation: Intro 1 - Main C Voice: French Jazz OTS4 VP Right 3 (SA2 Jazz Trumpet)<br />
Reg.2 Style Variation: Main D Voice: French Jazz OTS3 (Jazz Accordion)<br />
Reg.3 Style Variation: Main C Voice: French Jazz OTS4 (SA Concert Guitar)<br />
Reg.4 Style Variation: Main D Voice: Acoustic Jazz OTS4 VP Right 3 (SA2 Jazz Trumpet)<br />
Reg.5 Style Variation: Main C Voice: French Jazz OTS3 (Jazz Accordion)<br />
Reg.6 Style Variation: Main C Voice: Acoustic Jazz OTS4 VP Right 3 (SA2 Jazz Trumpet)<br />
Reg.7 Style Variation: Ending 2 Voice: Acoustic Jazz OTS4 VP Right 3 (SA2 Jazz Trumpet)<br />
Track 1/3 It Don’t Mean A Thing (EKL Jazz Classics)<br />
Style: French Jazz 232bpm<br />
Reg.1 Style Variation: Ending 2 - Main C Voice: French Jazz OTS4 VP Right 3 (SA2 Jazz Trumpet)<br />
Tip: Use ART1 button for wah effect<br />
Reg.2 Style Variation: Main C Voice: French Jazz OTS2 VP2 (SA2 Clarinet)<br />
Reg.3 Style Variation: Ending 2 Voice: French Jazz OTS2 VP2 (SA2 Clarinet)<br />
Track 2/1 The Green Door (EKL The Fifties)<br />
Style: BigBandMed2 (Swing&Jazz) 132bpm<br />
Reg.1 Style Variation: Intro 1 - Main A Voice: ModBigBandShfl OTS2 (SA Concert Grand)<br />
Reg.2 Style Variation: Main A Voice: ModBigBandShfl OTS3 (Sax Section)<br />
Reg.3 Style Variation: Main A Voice: ModBigBandShfl OTS2 (SA Concert Grand)<br />
Tip: Switch between regist’s 2 and 3 - using the piano in regist.3 as a filler.<br />
Reg.4 Style Variation: Main D Voice: ModernBigBand OTS3 (Big Band Brass)<br />
Reg.5 as Reg.2<br />
Reg.6 as Reg.4<br />
Reg.7 Style Variation: Ending 2 Voice: ModernBigBand OTS3 (Big Band Brass)<br />
Songs from the Easy Keyboard Library - Volume 1 Page 1<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
Track 2/2 Mister Sandman (EKL The Fifties)<br />
Style: BigBandJazz (Swing&Jazz) 200bpm<br />
Reg.1 Style Variation: Intro 1 - Main A Voice: BigBandJazz OTS1 (JazzSingersDwee)<br />
Tip: Play intro (not written) over Main A. ‘Harmony’ function is off.<br />
Reg.2 Style Variation: Main A Voice: BigBandJazz OTS1 (JazzSingersDwee)<br />
Tip: If you can’t play right hand chords use automatic version by switching ‘Harmony’ function on.<br />
Reg.3 Style Variation: Main A Voice: BigBandJazz OTS4 (Sax Section)<br />
Reg.4 Style Variation: Main C Voice: BigBandJazz OTS4 (Sax Section)<br />
Reg.5 Style Variation: Main D Voice: BigBandJazz OTS4 (Sax Section)<br />
Reg.6 Style Variation: Main B Voice: BigBandJazz OTS1 (JazzSingersDwee)<br />
Reg.7 Style Variation: Ending 2 BigBandJazz OTS1 (JazzSingersDwee)<br />
Track 2/3 All I Have To Do Is Dream (EKL Number 1 Hits - Vol.1)<br />
Style: 60s8Beat (Pop&Rock) 106bpm<br />
Reg.1 Style Variation: Intro 1 - Main C Voice: 60s8Beat OTS1 VP3 (Suitcase EP)<br />
Reg.2 Style Variation: Main A Voice: 60s8Beat OTS1 VP2 (SA2 Harmonica)<br />
Reg.3 Style Variation: Main B Voice: 60s8Beat OTS1 (SA Ballad Delay Guitar)<br />
Reg.4 Style Variation: Main C Voice: 60sGuitarPop OTS3 (SA Vintage Amp Guitar)<br />
Add Multipads (60sPopVocal)<br />
Reg.5 Style Variation: Main C Voice: 60s8Beat OTS1 VP2 (SA2 Harmonica)<br />
Reg.6 Style Variation: Main B Voice: 60s8Beat OTS1 VP3 (Suitcase EP)<br />
Reg.7 Style Variation: Main D Voice: 60sGuitarPop OTS3 (SA Vintage Amp Guitar)<br />
Add Multipads (60sPopVocal)<br />
Reg.8 as Reg.5<br />
Ending Fade out using Reg.6<br />
Track 3 Eternal Flame (EKL Number 1 Hits - Vol.1)<br />
Style: 8BeatModern (Pop&Rock) 82bpm<br />
Reg.1 Style Variation: Main A Voice: CloudyBay (Ballad) OTS1 (Synth)<br />
Tip: <strong>My</strong> intro was made using notes 3,4 and 5 of the Bb scale - repeated in octaves.<br />
The cymbal rise comes from Multipad 1 (Cym&Chimes)<br />
Reg.2 Style Variation: Main A Voice: 8BeatModern OTS3 VP3 (WhiterBars Organ)<br />
Tip: Modulation wheel in slow rotor position.<br />
Reg.3 Style Variation: Main B Voice: 8BeatModern OTS2 (Ballad Soprano Sax)<br />
Reg.4 Style Variation: Main C Voice: 8BeatModern OTS3 VP3 (WhiterBars Organ)<br />
Tip: Modulation wheel in fast rotor position. Add multipads (PopAahfVib)<br />
Reg.5 Style Variation: Main D Voice: OrganBallad OTS4 (AllBarsOut Organ)<br />
Tip: Modulation wheel in fast rotor position.<br />
Reg.6 Style Variation: Main D Voice: 8BeatModern OTS3 VP3 (WhiterBars Organ)<br />
Tip: Modulation wheel in slow rotor position.<br />
Reg.7 Style Variation: Main D Voice: CloudyBay (Ballad) OTS1 (Synth)<br />
Tip: Play as Reg.1 and fade to silence.<br />
Track 4/1 A Teenager In Love (EKL The Fifties)<br />
Style: OldiesR&R (R&B) 170bpm<br />
Reg.1 Style Variation: Intro 3 - Main C Voice: OldiesR&R OTS1 VP2 (VintagePure Guitar)<br />
Tip: Start multipads (50spopVocal) after Intro<br />
Reg.2 Style Variation: Main C Voice: 60sGuitarPop OTS3 (VintageAmp Guitar)<br />
Reg.3 Style Variation: Main D Voice: 60sGuitarPop OTS4 VP3 (FingerBright Guitar)<br />
Reg.4 as Reg.2<br />
Reg.5 as Reg.3 (repeat to fade ending)<br />
Songs from the Easy Keyboard Library - Volume 1 Page 2<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
Track 4/2 It Doesn’t Matter Anymore (EKL The Fifties)<br />
Style: OldiesR&R (R&B) 209bpm<br />
Reg.1 Style Variation: Intro 3 - Main B Voice: OldiesR&R OTS2 VP3 (VintageMute Guitar)<br />
Reg.2 Style Variation: Main D Voice: 60sGuitarPop OTS3 (VintageAmp Guitar)<br />
Start multipads (PopAah fVib)<br />
Reg.3 Style Variation: Main C Voice: OldiesR&R OTS2 VP3 (VintageMute Guitar)<br />
Change multipads (50sPopVocal)<br />
Reg.4 Style Variation: Main D Voice: 60sGuitarPop OTS3 (VintageAmp Guitar)<br />
Change multipads (PopAah fVib)<br />
Reg.5 Style Variation: Main C Voice: OldiesR&R OTS2 VP3 (VintageMute Guitar)<br />
Change multipads (50sPopVocal) Tip: repeat last line to fade<br />
Track 5 Amazing Grace (EKL Number 1 Hits)<br />
Style: AmazingGospel (R&B) 100bpm<br />
Reg.1 Style Variation: No style Voice: AmazingGospel OTS2 VP3 (SuitcaseEP)<br />
Reg.2 Style Variation: Intro 2 - Main A Voice: AmazingGospel OTS2 VP3 (SuitcaseEP)<br />
Reg.3 Style Variation: Main B Voice: AcousticJazz OTS4 VP3 (SA2 JazzTrumpet)<br />
Reg.4 Style Variation: Main C Voice: OrganBallad OTS2 (WhiterBars Organ)<br />
Reg.5 Style Variation: Intro3 Voice: OrganBallad OTS2 (WhiterBars Organ)<br />
Tip: Modulation wheel to rotary fast position. Don’t change the left-hand chord whilst the intro<br />
pattern plays - but you can play over the top with your right hand. Chord sequence is Eb - Bb - F<br />
(and repeat).<br />
Reg.6 Style Variation: Main C - Main D Voice: OrganBallad OTS2 (WhiterBars Organ)<br />
Tip: Modulation wheel to rotary slow position - speeding <strong>up</strong> to fast position as variation changes from<br />
C - D.<br />
Reg.7 Style Variation: Intro 3 Voice: AmazingGospel OTS4 VP3(AllBarsOut Organ)<br />
Tip: Modulation wheel to rotary fast position. Play chord sequence Eb - Bb - F over Intro pattern as before.<br />
Reg.8 Style Variation: Intro 3 - Ending 3 Voice: ContempRockBld OTS4 VP3 (SAGuitarHero)<br />
Tip: Improvise rock guitar solo on chord sequence Eb - Bb - F over Intro and Ending patterns to finish.<br />
Track 6/1 On The Sunny Side Of The Street (EKL Big Band Hits)<br />
Style: OrchBigBand2 (Swing&Jazz) 133bpm<br />
Reg.1 Style Variation: Fill in C - Main C Voice: ModBigBandShfl OTS3 (Sax Section)<br />
Tip: Play intro as written.<br />
Reg.2 Style Variation: Main B Voice: OrchBigBand2 OTS2 VP1 (Vibraphone)<br />
Reg.3 Style Variation: Main C Voice: ModBigBandShfl OTS3 (Sax Section)<br />
Reg.4 Style Variation: Fill in D - Main D Voice: ModernBigBand OTS3 (Big Band Brass)<br />
Reg.5 Style Variation: Ending 2 Voice: ModernBigBand OTS3 (Big Band Brass)<br />
Track 6/2 Stardust (EKL Jazz Classics)<br />
Style: 40sSwingBallad (Swing&Jazz) 80bpm<br />
Reg.1 Style Variation: Intro 2 - Main A Voice: 40sSwingBallad OTS2 (SA Romance Clarinet)<br />
Reg.2 Style Variation: Main B Voice: 40sSwingBallad OTS2 (SA Romance Clarinet)<br />
Reg.3 Style Variation: Main C Voice: 40sSwingBallad OTS2 (SA Romance Clarinet)<br />
Reg.4 Style Variation: Main D Voice: 40sSwingBallad OTS2 (SA Romance Clarinet)<br />
Reg.5 Style Variation: Ending 2 Voice: 40sSwingBallad OTS2 (SA Romance Clarinet)<br />
Track 6/3 Misty (EKL Jazz Classics)<br />
Style: CoolJazzballad (Swing&Jazz) 80bpm<br />
Reg.1 Style Variation: Intro 2 - Main B Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Reg.2 Style Variation: Main B Voice: CoolJazzBallad OTS3 (Vibes&SemiAcGuitar)<br />
Reg.3 Style Variation: Main B Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Reg.4 Style Variation: Main C Voice: CoolJazzBallad OTS3 (Vibes&SemiAcGuitar)<br />
Reg.5 Style Variation: Break - Main D Voice: CoolJazzBallad OTS1 VP3 (SA JazzClean Guitar)<br />
Reg.6 Style Variation: Main C Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Reg.7 Style Variation: Ending 2 Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Songs from the Easy Keyboard Library - Volume 1 Page 3<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
Track 7/1 Annie’s Song (EKL Number 1 Hits - Volume 1)<br />
Style: GuitarSerenade / CountryWaltz (Ballad / Country) 130bpm<br />
Note: If you’re using the chord sequence backing for this song, be aware that there are three parts which must be started separately; part 1 at<br />
Regist.1, part 2 at Regist. 3 and part 3 to complete the piece at Regist. 5. listen to the CD to hear how the parts fit together.<br />
Reg.1 Style Variation: GuitarSerenade - Main A Voice: GuitarSerenade OTS3 (SA ConcertGuitar)<br />
Tip: Use ‘Sync Start’ function to start the accompaniment after lead in notes - and multipad 4<br />
(Cym&Chimes) for the wind chime effect.<br />
Reg.2 Style Variation: GuitarSerenade - Main C Voice: GuitarSerenade OTS3 (SA ConcertGuitar)<br />
Tip: Stop the style using Ending 1 at the end of this section (with footswitch if available) before<br />
starting the next section after lead in notes to country accompaniment.<br />
Reg.3 Style Variation: CountryWaltz - Main B Voice: GuitarSerenade OTS1 (SA OrchFlute)<br />
Tip: If using the chord sequence backing, start ‘Annie’s Song_b’ here.<br />
Reg.4 Style Variation: CountryWaltz - Main D Voice: GuitarSerenade OTS1 (SA OrchFlute)<br />
Reg.5 Style Variation: GuitarSerenade - Main A Voice: GuitarSerenade OTS1 (SA OrchFlute)<br />
Tip: If using the chord sequence backing, start ‘Annie’s Song_b’ here.<br />
Reg.6 Style Variation: GuitarSerenade - Ending 2 Voice: GuitarSerenade OTS1 (SA OrchFlute)<br />
Track 7/2 Autumn Leaves (EKL The Fifties)<br />
Style: CoolJazzBallad (Swing&Jazz) 95bpm<br />
Reg.1 Style Variation: No Style Voice: CoolJazzBallad OTS1 VP3 (SA JazzClean Guitar)<br />
Reg.2 Style Variation: Intro 1 - Main A Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Reg.3 Style Variation: Main B Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Reg.4 Style Variation: Fill C - Main C Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Tip: Footswitch (if available) is <strong>set</strong> to ‘Break’) for lead in to jazz guitar section.<br />
Reg.5 Style Variation: Main C Voice: CoolJazzBallad OTS1 VP3 (SA JazzClean Guitar)<br />
Reg.6 Style Variation: Main D Voice: CoolJazzBallad OTS1 VP3 (SA JazzClean Guitar)<br />
Reg.7 Style Variation: Intro 3 - Main D Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Tip: The intro is used as a solo - and a lead into the final section which I played as an<br />
improvisation around the chords of the tune. If you try singing the tune as I play the ‘twiddles’<br />
you’ll find that they fit together perfectly. Add the multipads here (PopOoh p) to bring in soft vocal<br />
effects.<br />
Reg.8 Style Variation: Ending 3 Voice: CoolJazzBallad OTS1 (SA2 BreathySax)<br />
Track 8/1 Magic Moments (EKL The Fifties)<br />
Style: TapDanceSwing (MovieSwing&Jazz) 125bpm<br />
Reg.1 Style Variation: Intro 1 - Main A Voice: TapDanceSwing OTS1 (Pizzicato/Glock/Harp)<br />
Tip: Bars 17-20 in the EKL The Fifties arrangement serve well as the intro played over the Main A<br />
style variation and repeated. Multipad 4 (Cym&Chimes) Windchime<br />
Reg.2 Style Variation: Main A Voice: Anifantasy OTS1 (Flute/Glock/Xylophone)<br />
Tip: Set ‘Upper Octave’ pitch to -1. If you can’t play block chords with your right hand switch on<br />
the [Harmony] button and you’ll find I’ve <strong>set</strong> an automatic harmony to do it for you.<br />
Reg.3 Style Variation: Main B Voice: TapDanceSwing OTS3 (SA RealStrings/Glock)<br />
Tip: Set ‘Upper Octave’ pitch to 0<br />
Reg.4 as Reg.2<br />
Reg.5 Style Variation: Main B Voice: TapDanceSwing OTS1 (Pizzicato/Glock/Harp)<br />
Reg.6 Style Variation: Main C Voice: TapDanceSwing OTS1 (Pizzicato/Glock/Harp)<br />
Tip: Play the bridging section twice transposing the pitch +1 (semitone) for the repeat.<br />
Reg.7 Style Variation: Main C Voice: TapDanceSwing OTS2 (Sax Ensemble)<br />
Tip: Let the ‘Harmony’ feature automatically play the right hand chords for the best band effect.<br />
Reg.8 Style Variation: Main D Voice: TapDanceSwing OTS4 (GoldenTrumpet/SilverTrumpet/JazzSax)<br />
Tip: Let the ‘Harmony’ feature automatically play the right hand chords.<br />
Reg.9 Repeat Reg.7 finishing on Ending 2<br />
Songs from the Easy Keyboard Library - Volume 1 Page 4<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
Track 8/2 Whatever Will Be, Will Be - Que Sera, Sera (EKL The Fifties)<br />
Style: CountryWaltz (Country) 180bpm<br />
Reg.1 Style Variation: Intro 1 - Main C Voice: 8BeatAdria OTS4 (Mandolin/BalladStrings)<br />
Tip: I made <strong>up</strong> a simple intro played over the Main C style variation. If you can’t make one <strong>up</strong> why<br />
not use the last seven bars of the EKL ‘The Fifties’ music score instead?<br />
Reg.2 Style Variation: Main A Voice: ItalianWaltz OTS 1 (Cassotto accordion)<br />
Reg.3 Style Variation: Main C Voice: ItalianWaltz OTS 3 VP3 (MasterAccord)<br />
Reg.4 Style Variation: Main D Voice: ItalianWaltz OTS 3 VP3 (MasterAccord)<br />
Reg.5 Style Variation: Main A Voice: 8BeatAdria OTS4 (Mandolin/BalladStrings)<br />
Reg.6 Style Variation: Main C Voice: ItalianWaltz OTS 1 (Cassotto accordion)<br />
Reg.7 Style Variation: Main D - Ending 1 Voice: ItalianWaltz OTS 3 VP3 (MasterAccord)<br />
Track 8/3 La Bamba (EKL Number 1 Hits)<br />
Style: 60sPopRock 146bpm<br />
Reg.1 Style Variation: Intro 2 - Main B Voice: OrganSamba OTS3 (Organ Flutes)<br />
Tip: Hit multipad 1 (Wooshes 1) at the start of the last bar of the intro.<br />
Reg.2 Style Variation: Main B Voice: OrganSamba OTS3 VP3 (Organ-a-Gogo)<br />
Reg.3 Style Variation: Main C Voice: OrganSamba OTS3 (Organ Flutes)<br />
Reg.4 Style Variation: Main D Voice: OrganSamba OTS3 VP3 (Organ-a-Gogo)<br />
Add multipad 1 (Wooshes 1) as on recording<br />
Reg.5 Style Variation: Main D Voice: OrganSamba OTS3 (Organ Flutes)<br />
Reg.6 Style Variation: Main D - Ending 2 Voice: OrganSamba OTS3 VP3 (Organ-a-Gogo)<br />
Track 9 Here’s That Rainy Day (EKL Jazz Classics)<br />
Style: PopLatinBallad 146bpm<br />
Reg.1 Style Variation: Intro 2 - Main B Voice: OTS 1 (SA ConcertGuitar)<br />
Tip: Multipad 4 (Cym&Chimes) at end of Intro.<br />
Reg.2 Style Variation: Main C Voice: OTS 1 (SA ConcertGuitar)<br />
Tip: Play one octave higher than written.<br />
Reg.3 Style Variation: Intro 3 Voice: OTS 1 (SA ConcertGuitar)<br />
Tip: Use the Intro 3 like a solo - letting it bridge between the section just finished and the next.<br />
During a performance you can use this break (as I did) as an opportunity for a quick slurp of coffee!<br />
Reg.4 Style Variation: Main B Voice: AcousticJazz OTS 4 VP3 (SA2 JazzTrumpet)<br />
Tip: Start multipad 1 (PopOoh pVib)<br />
Reg.5 Style Variation: Main C Voice: AcousticJazz OTS 4 VP3 (SA2 JazzTrumpet)<br />
Reg.6 Style Variation: Main D Voice: AcousticJazz OTS 4 VP3 (SA2 JazzTrumpet)<br />
Reg.7 Style Variation: Ending 3 Voice: AcousticJazz OTS 4 VP3 (SA2 JazzTrumpet)<br />
Track 10/1 It Had To Be You (EKL Big Band Hits)<br />
Style: CoolJazzBallad 109bpm<br />
Reg.1 Style Variation: Intro 1 - Main A Fill - Main A Voice: OTS 1 (SA2 BreathySax)<br />
Reg.2 Style Variation: Main B Voice: OTS 3 (Vibes/SemiAcoustic/AmbientPiano)<br />
Reg.3 Style Variation: Main C Voice: OTS 3 (Vibes/SemiAcoustic/AmbientPiano)<br />
Reg.4 Style Variation: Main C Voice: LACoolSwing OTS 3 (JazzClean Guitar)<br />
Reg.5 Style Variation: Main C Voice: OTS 3 (Vibes/SemiAcoustic/AmbientPiano)<br />
Reg.6 Style Variation: Main D Voice: OTS 3 (Vibes/SemiAcoustic/AmbientPiano)<br />
Reg.7 Style Variation: Main C Voice: OTS 3 (Vibes/SemiAcoustic/AmbientPiano)<br />
Reg.8 Style Variation: Main D - Ending 1 Voice: OTS 3 (Vibes/SemiAcoustic/AmbientPiano)<br />
Tip: If you can manage to slow the tempo using the dial during the last co<strong>up</strong>le of bars, excellent!<br />
Songs from the Easy Keyboard Library - Volume 1 Page 5<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
Track 10/2 The Stripper (EKL Instrumental Classics)<br />
Style: ClassicBigBand 110bpm<br />
Reg.1 Style Variation: Intro 3 - Main C Voice: OTS 4 (SA2 Sax Section)<br />
Reg.2 Style Variation: Main D Voice: OTS 4 (SA2 Sax Section)<br />
Tip: Use multipad 4 (CrashCymbals) to emphasise percussion ‘hits’.<br />
Reg.3 Style Variation: Main C Voice: OTS 4 (SA2 Sax Section)<br />
Reg.4 as Reg.2<br />
Reg.5 Style Variation: Main D Voice: OTS 3 (Big Band Brass)<br />
Tip: Try to control touch so that the trumpet trills only come on the emphasised notes. Let the<br />
‘Harmony’ feature play the right hand chords for the best band effect.<br />
Reg.6 as Reg.3<br />
Reg.7 Style Variation: Main D Voice: OTS 4 (SA2 Sax Section)<br />
Tip: Use multipad 3 (CrashCymbals) to emphasise percussion ‘hits’.<br />
Reg.8 Style Variation: Main D - Ending 2 Voice: OTS 3 (Big Band Brass)<br />
Track 11/1 Cavatina (EKL Instrumental Classics)<br />
Style: GuitarSerenade 98bpm<br />
Reg.1 Style Variation: Intro 3 - Main A Voice: OTS 3 (SA ConcertGuitar)<br />
Tip: Use multipad 4 (Cym&Chimes) for windchime effect at end of into. When the theme repeats,<br />
play it an octave higher to add a contrasting guitar sound.<br />
Reg.2 Style Variation: Main C Voice: OTS 3 (SA ConcertGuitar)<br />
Tip: Play the chorus in normal position (as written) for the first time through.<br />
Reg.3 Style Variation: Main D Voice: OTS 3 (SA ConcertGuitar)<br />
Tip: On the repeat of the chorus section play melody an octave higher than written.<br />
Reg.4 Style Variation: Ending 3 Voice: OTS 3 (SA ConcertGuitar)<br />
Track 11/2 What A Wonderful World (EKL Number 1 Hits)<br />
Style: 12-8Ballad 72bpm<br />
Reg.1 Style Variation: Intro 2 - Main A Voice: OTS 1 (SA ConcertGrand)<br />
Tip: The wind chimes at start of piece are from multipads 3 and 4 (Cym&Chimes)<br />
Reg.2 Style Variation: Main B Voice: OTS 1 (SA ConcertGrand)<br />
Reg.3 Style Variation: Main D Voice: OTS 1 VP2 (OrchFlute)<br />
Tip: Play 1 octave higher than written<br />
Reg.4 Style Variation: Main C Voice: OTS 1 (SA ConcertGrand)<br />
Tip: Play in octaves if possible<br />
Reg.5 Style Variation: Intro 2 Voice: OTS 1 (SA ConcertGrand)<br />
Tip: Let the intro form a bridge between the last section and the next... and enjoy another slurp of<br />
coffee during the break.<br />
Reg.6 Style Variation: Main C Voice: OTS 2 VP3 (SA2 JazzTrumpet)<br />
Reg.7 Style Variation: Main D Voice: SlowWaltz OTS 4 (String Ensemble)<br />
Reg.8 Style Variation: Main C Voice: OTS 4 (GoldenTrumpet/BalladStrings/Synth)<br />
Reg.9 as Reg.6 - Ending 2<br />
Track 12 A Whiter Shade of Pale (EKL Number 1 Hits)<br />
Style: OrganBallad 78bpm<br />
Reg.1 Style Variation: Intro 3 - Main B Voice: OTS 2 (WhiterBars/OrganFlutes)<br />
Reg.2 Style Variation: Main B Voice: OTS 1 (VintageAmp Guitar)<br />
Reg.3 Style Variation: Main C Voice: OTS 1 (VintageAmp Guitar)<br />
Reg.4 Style Variation: Main D Voice: OTS 3 (RockHero Guitar)<br />
Tip: Glide can be operated from a footswitch if available.<br />
Reg.5 Style Variation: Main D Voice: OTS 4 (AllBarsOut Organ)<br />
Tip: The rotary speed can be controlled by Modulation Wheel - or from a footswitch if available.<br />
The drum fill-in needed for this section is ‘D’.<br />
Reg.6 Style Variation: Intro 3 Voice: OTS 4 (AllBarsOut Organ)<br />
Reg.7 Style Variation: Ending 3 Voice: OTS 4 (AllBarsOut Organ)<br />
Songs from the Easy Keyboard Library - Volume 1 Page 6<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
Track 13/1 Satin Doll (EKL Jazz Classics)<br />
Style: AcousticJazz 130bpm<br />
Reg.1 Style Variation: Intro 2 - Main B Voice: OTS 2 VP2 (CurvedBars Organ)<br />
Tip: Although it sounds better if you can play the right-hand chords yourself I’ve <strong>set</strong> <strong>up</strong> the<br />
Harmony automatic chord effect for those who can’t. You’ll need to switch it on using the<br />
[Harmony] button.<br />
Reg.2 Style Variation: Main C Voice: OTS 3 VP3 (JazzSingersDwee)<br />
Tip: As above I’ve <strong>set</strong> <strong>up</strong> the Harmony automatic chord effect for those who need it. Switch it on<br />
using the [Harmony] button.<br />
Reg.3 Style Variation: Main B Voice: OTS 2 VP2 (CurvedBars Organ)<br />
Tip: as Reg.1<br />
Reg.4 Style Variation: Intro 3 - Main C Voice: OTS 3 VP3 (JazzSingersDwee)<br />
Tip: let the Intro pattern play as a solo - providing a bridge between the last section and the next.<br />
(Tea break?)<br />
Reg.5 Style Variation: Main B Voice: OTS 2 VP2 (CurvedBars Organ)<br />
Reg.6 Style Variation: Main C Voice: OTS 2 VP2 (CurvedBars Organ)<br />
Reg.7 Style Variation: Ending 2 Voice: OTS 2 VP2 (CurvedBars Organ)<br />
Track 13/2 Come Fly With Me (EKL Big Band Hits)<br />
Style: OrchBigBand1 144bpm<br />
Reg.1 Style Variation: Intro 2 - Main A Voice: OTS 1 (SA2 Clarinet)<br />
Reg.2 Style Variation: Main B Voice: OTS 1 (SA2 Clarinet)<br />
Reg.3 Style Variation: Main C Voice: OTS 2 (Vibes/OrchFlute/MutedTrumpet)<br />
Reg.4 Style Variation: Main D Voice: OTS 4 (Big Band Brass)<br />
Tip: Controlling the trumpet ‘trill’ is the key thing here. Try to let it trill only on the accented notes.<br />
Reg.5 Style Variation: Main D Voice: OTS 4 ModBigBandShfl (Sax Section)<br />
Reg.6 Style Variation: Ending 3 Voice: OTS 4 ModBigBandShfl (Sax Section)<br />
Where to look in your <strong>Tyros4</strong> for the styles featured on the CD ‘Songs from the Easy Keyboard Library’<br />
Style Style Category Page<br />
8BeatAdria Entertainer 4<br />
12-8Ballad Ballad 5<br />
40sSwingBallad Swing&Jazz 2<br />
60s8Beat Pop&Rock 6<br />
60sGuitarPop Pop&Rock 6<br />
60sPopRock Pop&Rock 5<br />
8BeatModern Pop&Rock 5<br />
AcousticJazz Swing&Jazz 1<br />
AmazingGospel R&B 1<br />
AniFantasy Movie&Show 3<br />
BigBandJazz Swing&Jazz 1<br />
BigBandMed2 Swing&Jazz 4<br />
ClassicBigBand Swing&Jazz 2<br />
CloudyBay Ballad 2<br />
ContempRockBld Pop&Rock 4<br />
CoolJazzBallad Swing&Jazz 3<br />
Style Style Category Page<br />
CountryWaltz Country 2<br />
FrenchJazz Swing&Jazz 5<br />
GuitarSerenade Ballad 6<br />
ItalianWaltz World 3<br />
LACoolSwing Swing&Jazz 3<br />
ModBigBandShfl Swing&Jazz 1<br />
ModernBigBand Swing&Jazz 1<br />
OldiesR&R R&B 4<br />
PopLatinBallad Latin 1<br />
OrchBigBand1 Swing&Jazz 3<br />
OrchBigBand2 Swing&Jazz 3<br />
OrganBallad Ballad 5<br />
OrganSamba Ballroom 2<br />
SlowWaltz Ballroom 1<br />
TapDanceSwing Movie&Show 4<br />
Songs from the Easy Keyboard Library - Volume 1 Page 7<br />
www.yamaha-club.co.uk<br />
The Yamaha Club Ltd.
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