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Terence McKenna--Lectures on Alchemy - Shroomery

Terence McKenna--Lectures on Alchemy - Shroomery

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found anywhere. That's why, for me, psychedelics broke over that intellectual world like a tidal wave ofrevelati<strong>on</strong>. I quoted to you last night Jean Paul Sartre's statement that nature is mute. Now I see this as anobscenity almost, an intellectual crime against reas<strong>on</strong> and intuiti<strong>on</strong>. It's the absolute antithesis of the logosand much of our world is ruled by men, older than I am, who are fully c<strong>on</strong>nected into that without any questi<strong>on</strong>and they just think that the rest of this is just namby pamby ecological softheartedness of some sort. There isno openness to the power of Bios, to the fact of a living cosmos. This is what Rupert Sheldrake is always tryingto say. The reinvestuture of spirit into matter, the rebirth of the world soul is a necessary c<strong>on</strong>comitant to whatwe understand about the real nature of the world. In a way, the theory of evoluti<strong>on</strong>, which was born in the 1850s,was the beginning of the turning of the tide because even though the first 100 years of evoluti<strong>on</strong>ary theory wasfantastically c<strong>on</strong>cerned to eliminate teleology, eliminate purpose, nevertheless nobody ever understood thatexcept the hardcore evoluti<strong>on</strong>ists. To every<strong>on</strong>e else, evoluti<strong>on</strong> meant ascent to higher form. I <strong>on</strong>ce heard some<strong>on</strong>esay "if it doesn't have to do with genes, it ain't evoluti<strong>on</strong>." Well, that's a tremendously limited view of whatevoluti<strong>on</strong> is. The inorganic world is evolving, the organic world is evolving and there the currency is genes butalso the social and intellectual world of human beings is evolving and there the currency is not genes but meansso that idea carries with it the implicati<strong>on</strong> of ascent to higher form and correctly broadened and understoodbecomes permissi<strong>on</strong> to optimism and to the kind of hope that these folks were trying to articulate....the c<strong>on</strong>cept of mind as something that is attainable and not necessary is a separati<strong>on</strong> and therefore for meit's a lie and so I want ...I d<strong>on</strong>'t know, I assume there are many different definiti<strong>on</strong>s of mind, I d<strong>on</strong>'t meanfuncti<strong>on</strong>s of mind, I mean definiti<strong>on</strong>s of mind, and I'm toying now with the noti<strong>on</strong> of meshing of the noti<strong>on</strong> ofmind and the noti<strong>on</strong> of logos. For logos is, and it seems to me that mind is, if it is available through trialthen we're back in a separati<strong>on</strong>...and this is to me a false separati<strong>on</strong>Yes, you're right, but it's a separati<strong>on</strong> necessary for philosophical discourse, that's why philosophicaldiscourse is not the top of the mountain. Language itself is the process of making distincti<strong>on</strong>s that are false.This is why all language is a lie. This is why the ultimate truth lies in something unspeakable but the ascent tothe philosophical is through this kind of philosophical analysis.Language is <strong>on</strong>ly the vehicle...Well it's the vehicle but eventually there's no road and you have to park the vehicle and get out and walk, andthat's the journey. Plotinous, the great Neo Plat<strong>on</strong>ist has this w<strong>on</strong>derful phrase. He calls the mysticalexperience "the flight of the al<strong>on</strong>e to the al<strong>on</strong>e." I love this image. It's so uncompromising and it's about astrue as something can be and still move in the realm of language, because it's saying: finally words fall awayand finally there is <strong>on</strong>ly that which cannot be said. Many of you who've stuck with me know that I love to quotethis poem by this obscure poet who died in the trenches in France in the first World War, Trumble Stickney, andhe wrote a poem called "Meaning's Edge" and the punch line goes like this "I look over meaning's edge and feelthe dizziness of the things you have not said," and I think that every <strong>on</strong>e of these weekends, this is the effort- to carry you to the edge of an abyss and then push you over into the dizziness of the things unsaid and theywill always be unsaid.Wittgenstein, God bless him, had the c<strong>on</strong>cept of the unspeakable. He said "philosophy operates in the realm of theunspeakable but eventually we must c<strong>on</strong>fr<strong>on</strong>t that which cannot be said." The dizziness of things unsaid, andthere's where real authenticity then flows back into the world of community and speech but it comes from a place15

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