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Terence McKenna--Lectures on Alchemy - Shroomery

Terence McKenna--Lectures on Alchemy - Shroomery

Terence McKenna--Lectures on Alchemy - Shroomery

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systems too the noti<strong>on</strong> is about the creati<strong>on</strong> of this vehicle of light. This is <strong>on</strong>e metaphor for theexternalizati<strong>on</strong> of the soul.The philosopher's st<strong>on</strong>e is another and I will challenge you to try and imagine what the achievement of thephilosopher's st<strong>on</strong>e would be like because it's in trying to think that way that you begin to dissolve thecategories of the Cartesian trap. So, image for a moment an object, a material, which can literally do anything.It can move across categorical boundaries with no difficulty whatsoever. So what do I mean? I mean that if youpossess the philosopher's st<strong>on</strong>e and you were hungry, you could eat it. If you needed to go somewhere you couldspread it out and sit <strong>on</strong> it and it would take you there. If you needed a piece of informati<strong>on</strong>, it would becomethe equivalent of a computer screen and it would tell you things. If you needed a compani<strong>on</strong>, it would talk to you.If you needed to take a shower you could hold it over your head and water would pour out. Now, you see, this isan impossibility. That's right, it's a coincidencia apositorum. It is something that behaves like imaginati<strong>on</strong> andmatter without ever doing damage to the <strong>on</strong>tological status of <strong>on</strong>e or the other. This sounds like pure pathologyin the c<strong>on</strong>text of modern thinking because we expect things to stay still and be what they are and undergo thegrowth and degradati<strong>on</strong> that is inimical to them, but no, the redempti<strong>on</strong> of spirit and matter means theexteriorizati<strong>on</strong> of the human soul and the interiorizati<strong>on</strong> of the human body so that it is an image freelycommanded in the imaginati<strong>on</strong>.Imaginati<strong>on</strong>. I think this is the first time I've used this word this evening. The imaginati<strong>on</strong> is central to thealchemical opus because it is literally a process that goes <strong>on</strong> the realm of the imaginati<strong>on</strong> taken to be aphysical dimensi<strong>on</strong>. And I think that we cannot understand the history that lies ahead of us unless we think interms of a journey into the imaginati<strong>on</strong>. We have exhausted the world of three dimensi<strong>on</strong>al space. We are pollutingit. We are overpopulating it. We are using it up. Somehow the redempti<strong>on</strong> of the human enterprise lies in thedimensi<strong>on</strong> of the imaginati<strong>on</strong>. And to do that we have to transcend the categories that we inherit from a thousandyears of science and Christianity and rati<strong>on</strong>alism and we have to re-empower and re-encounter the mind and we cando this psychedelically, we can do this yogically, or we can do it alchemically and hermetically.Now there is present in the world at the moment, or at least I like to think so, an impulse which I have namedthe archaic revival. What happens is that whenever a society really gets in trouble, and you can use this in yourown life-when you really get in trouble-what you should do is say "what did I believe in the last sane momentsthat I experienced" and then go back to that moment and act from it even if you no l<strong>on</strong>ger believe it. Now in theRenaissance this happened. The scholastic universe dissolved. New classes, new forms of wealth, new systems ofnavigati<strong>on</strong>, new scientific tools, made it impossible to maintain the ficti<strong>on</strong> of the Medieval cosmology and therewas a sense that the world was dissolving. Good alchemical word-dissolving. And in that moment the movers andshakers of that civilizati<strong>on</strong> reached backwards in time to the last sane moment they had ever known and theydiscovered that it was Classical Greece and they invented classicism. In the 15th and 16th century the textswhich had lain in m<strong>on</strong>asteries in Syria and Asia Minor forgotten and untranslated for centuries were brought tothe Florentine council by people like Gimistos Placo(sp?) and others and translated and classicism was born-itslaws, its philosophy, its aesthetics. We are the inheritors of that traditi<strong>on</strong> but it is now, <strong>on</strong>ce again,exhausted and our cultural crisis is much greater. It is global. It is total. It involves every man, woman andchild <strong>on</strong> this planet, every bug, bird and tree is caught up in the cultural crisis that we have engendered. Ourideas are exhausted-the ideas that we inherit out of Christianity and its half-brother science, or its bastardchild science. So, what I'm suggesting is that an archaic revival needs to take place and it seems to be well inhand in the revival of Goddess worship and shamanism and partnership but notice that these things are old-10,000years or more old-but there was an unbroken thread that, however thinly drawn, persists right up to the present.5

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