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Issue 4 2010 - Learning and teaching portal - Victoria University

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fondness as if things were better there—the air, the trees, the food, the coffee. We forget; we<br />

forget the things we didn’t like, the reasons why we left or maybe now that we are here—<br />

those things don’t seem so bad <strong>and</strong> we wonder if we should have left.’<br />

‘I’m glad we left. I hated Castellino. I have no fond memories of it. I hated my mother’s<br />

house—the stone walls, the narrow stairway; every time I climbed my mother’s stairs, every<br />

time I opened that door—even after they’d left, even after you <strong>and</strong> I took it over—I felt<br />

breathless, claustrophobic. There are no good memories for me there.’<br />

‘Nothing?’<br />

‘Nothing Alberto. Nothing.’<br />

Carmela sighs <strong>and</strong> leans hard against the wall. She closes her eyes <strong>and</strong> begins to talk,<br />

Alberto is not sure if she’s talking to him.<br />

‘I remember my doll, Yanna. I slept with her every night. I loved her. She was the only<br />

thing in the whole world that belong to me. That was all mine. One night, Paolo took her<br />

from me <strong>and</strong> threw her into the fire. She turned black, <strong>and</strong> half her face was burnt away.<br />

My mother yelled at me. At me, not at Paolo. She was angry with me for getting soot all<br />

over myself. As I pulled her out of the fire; she took her from me, pulled her out of my<br />

h<strong>and</strong>s <strong>and</strong> threw her back in the fire.<br />

“It’s too late now to be crying, you should have looked after her. Anyway you’re too old<br />

for dolls,”she said.<br />

‘She never liked the doll because my father had made her for me. He had spent hours,<br />

several nights in a row carving <strong>and</strong> shaping her out of a block of wood. He painted her<br />

face—blue eyes, long curling lashes, a tiny nose <strong>and</strong> large red lips that always smiled. My<br />

gr<strong>and</strong>mother made me a dress for her, <strong>and</strong> we glued str<strong>and</strong>s of wool to her head for hair.<br />

She was a happy doll. I loved her. My mother knew how much the doll meant to me but<br />

she didn’t care.<br />

‘It was the same with everything I loved. I loved school <strong>and</strong> I was good at it. I could<br />

read better than anyone in my class. My teacher thought I could have studied <strong>and</strong> become<br />

a teacher myself. She came especially to visit my mother, to ask her to let me study but my<br />

mother never said anything about that; never talked to my father about it; she just took me<br />

out of school as early as she could get away with. I still remember the teachers. I wanted to<br />

be like them. When I close my eyes, I am back in that classrooms. I can see the blue-green<br />

slate; I can feel the chalk dust on my fingers, specks of it catching on my throat. School was<br />

my favorite time of the day. Sitting in the classroom listening, writing, reading; that was the<br />

happiest time of my childhood; they were the only happy times I can remember.’<br />

Alberto took Carmela’s h<strong>and</strong>s in his, ‘It is better to forget all this. You have a different<br />

life now.’<br />

‘I can’t forget Alberto—if we had children maybe I could...I thought by loving my own<br />

children I could...’<br />

‘Carmela, don’t; there is still hope.’<br />

‘My mother made me lots of dresses when I was young, a new dress for every festa. I<br />

didn’t ask for them. I didn’t care about new dresses. “See how lucky you are, your friends<br />

can’t afford new dresses.” She made those dresses for show, so people would think she was<br />

a good mother. All that fuss over a dress—<strong>and</strong> over <strong>and</strong> over I would hear how much the<br />

material cost, how special it was, how lucky I was to have a dress made from material that<br />

came all the way from Vittoria. But I could see—she knew I could see how her face lit up<br />

at the sight of Aldo or Paolo or Luciano—never for me—never glad to see me. The sight<br />

of me was the memory of things to be done. “Bring the washing in, put the pot on, <strong>and</strong> do<br />

the dusting, the bed.”’<br />

Carmela straightened her shoulders <strong>and</strong> held them back, ‘I don’t remember her ever<br />

kissing me or holding me. I don’t remember her ever having a kind word. There are no<br />

good memories.’<br />

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