Western Civic Light Opera (WCLO) Agreement 03-06 - Actors

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Rule 5. AUDITIONS AND INTERVIEWS(3) When a deaf performer is sought the Producer shall provide, during theaudition, a qualified interpreter for the deaf (one qualified or certified in sign llanguage or oral interpretation).(4) All audition material provided by the Producer shall, upon request, be madeavailable to blind and visually impaired performers at a place to be designatedby the Producer at least 48 hours in advance of the audition.(G) RecordsThe Producer will maintain for each production records of ethnic minorities,women, seniors and performers with disabilities auditioned, interviewed, hired,and/or replaced and will forward such records to Equity within 30 days of thefinal performance of the season. Equity will provide the applicable form.(H) Additional Equity Provisions.(1) Auditions Code/Safe and Sanitary Provisions. When auditions are held instudios, the Producer shall provide:(a) A room other than the audition room which shall have seats and openspace where the Actor may wait and/or warm up for the audition.(b) Separate change facilities (not lavatories) for men and women at anyaudition at which they are required to dance.(c) An audition room, change room and/or waiting room which is properly lit,ventilated and heated during hot or cold weather to a temperature rangebetween 70 and 76 degrees Fahrenheit.(d) Producer shall ensure that cool drinking water be available.(e) Dance surfaces at the place of the audition(s) shall comply with Rule47(H), Safe and Sanitary Places of Employment, Dance Surfaces.(f) Smoking shall not be permitted in the interview, audition, or waitingroom.(g) When auditions are held in the Producer’s facility, the Producer shallprovide conditions similar to those described above.(2) The Producer agrees:(a) Equity shall have the right, in consultation with the Producer, toschedule auditions so that no more than two productions hold their first orfinal call (audition) on the same day, in the same city, or call the samecategory (singer or dancer) at the same time.(b) To audition singers (male and female) and dancers (male and female)separately at the first call for Chorus Actors, and that Equity shall benotified in writing, at least three weeks in advance of the audition, of thetime, place and group called. Dancers shall be auditioned as dancers8
Rule 5. AUDITIONS AND INTERVIEWSRule 6. BAGGAGEbefore they are auditioned as singers. Singers shall be auditioned assingers before they are auditioned as dancers.(c) The Producer shall not halt the continued progress of a Chorus auditionto audition an Actor for a Principal role or, except at the finals, to haveChorus Actors read for a part or understudy during the time of the Chorusaudition.(3) The Producer shall provide liability insurance at all auditions for Equityperformers.(4) The Producer shall provide a pianist proficient in the skill of accompanyingand whom can sight read at all auditions at which the Actor is required to singand/or dance.(5) Cast Breakdowns of New Musicals. (See also Rule 14(C), Contract.)(a) The Producer shall furnish to Equity, as soon as they are available, thescript(s) of any scheduled new musical(s) and/or new adaptations ofscheduled musical productions.(b) Together with the cast breakdowns of Principal roles, number of Chorusand a schedule of all functions for which Chorus Actors shall receiveadditional payments.(c) Equity shall respond to the Producer with its breakdown of Principal andChorus parts.(d) Where differences exist, the Producer shall contract Principals andChorus Actors in accordance with Equity’s breakdown determination. Finaldetermination of Principal and Chorus breakdowns shall be made by Equitywhen the production is “frozen,” and contracts shall be changed, ifnecessary, to reflect this final determination.6. BAGGAGE.(A) The Producer agrees to pay the cost of transporting two full-sized suitcases,plus two pieces of hand luggage that fit in overhead luggage racks.(B) Actors shall not ship luggage and submit the bill to the Producer without priorapproval from the Producer.(C) The Producer shall determine the method of shipment for any baggage beingtransported beyond the weight limits allowed by the airline, railroad or buscompany.(D) The Actor shall be responsible for transporting his personal hand baggage toand from the station or airport in the place of engagement. The Actor shall take the9
Page 3 and 4: 25. HEALTH BENEFITS ...............
Page 5 and 6: Rule 1. ACTORS OBLIGATION TO EQUITY
Page 7 and 8: Rule 4. ARBITRATIONRule 5. AUDITION
Page 9 and 10: Rule 5. AUDITIONS AND INTERVIEWS(2)
Page 11: Rule 5. AUDITIONS AND INTERVIEWS(1)
Page 15 and 16: Rule 7. BILLINGRule 8. BINDING EFFE
Page 17 and 18: Rule 11. CLAIMSRule 12. CLOTHING AN
Page 19 and 20: Rule 12. CLOTHING AND COSTUMESJeans
Page 21 and 22: Rule 14. CONTRACTor substitutions f
Page 23 and 24: Rule 16. DEFAULTING EMPLOYERSRule 1
Page 25 and 26: Rule 20. DUTIES OF THE ACTOR20. DUT
Page 27 and 28: Rule 21. EQUITY-SPECIAL PROVISIONSR
Page 29 and 30: Rule 26. HOUSING(B) In the event th
Page 31 and 32: Rule 28. JUVENILE ACTORSRule 29. LA
Page 33 and 34: Rule 31. NON-PROFESSIONALSRule 32.
Page 35 and 36: Rule 35. PENSIONRule 36. PERFORMANC
Page 37 and 38: Rule 38. PRODUCTION PROSECUTEDRule
Page 39 and 40: Rule 39. PROGRAM AND SOUVENIR PROGR
Page 41 and 42: Rule 42. REHEARSAL, PERFORMANCE, AN
Page 47 and 48: Rule 45. REPORTSRule 46. RISK46. RI
Page 49 and 50: Rule 47. SAFE AND SANITARY PLACES O
Page 51 and 52: Rule 47. SAFE AND SANITARY PLACES O
Page 53 and 54: Rule 48. SALARIES(1) Full Swing. Fu
Page 55 and 56: Rule 49. SECRET VOTERule 50. SECURI
Page 57 and 58: Rule 53. SOCIAL SECURITY - UNEMPLOY
Page 59 and 60: Rule 55. STAGE MANAGERS AND ASSISTA
Page 61 and 62: Rule 55. STAGE MANAGERS AND ASSISTA
Page 63 and 64:
Rule 56. SUBSIDIARY RIGHTSRule 57.
Page 65 and 66:
Rule 57. TELEVISING, FILMING AND RE
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Rule 58. TERMINATIONRule 59. TOURSn
Page 73 and 74:
Rule 59. TOURScircumstances beyond
Page 75 and 76:
Rule 59. TOURS(2) In every case whe
Page 77 and 78:
Rule 60. TRANSFERSRule 61. TRANSPOR
Page 79 and 80:
Rule 61. TRANSPORTATION TO AND FROM
Page 81 and 82:
Rule 64. UNION SECURITY/DUES and FE
Page 83 and 84:
INDEXAActor 17(A) .................
Page 85 and 86:
Reproduction for News and Community
Page 87:
Heading and Rule NumberPage No.Poss
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Western Civic Light Opera (WCLO) Agreement 03-06 - Actors

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