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inside<br />
Iggy & the Stooges 56<br />
Essential bands 66-72<br />
Thursday at a glance 61<br />
Friday at a glance 63<br />
<strong>NXNE</strong><br />
zach slootsky<br />
NORTH BY NORTHEAST<br />
all access<br />
Saturday at a glance 65<br />
Critics’ picks 66, 68, 72<br />
Complete band index 73<br />
Film fest highlights 84<br />
With 650 bands playing at 50<br />
venues across town, there’s a hell of<br />
a lot of music to catch at <strong>NXNE</strong>.<br />
those of you who’ve spent your rent<br />
money on beer can still hear great<br />
bands for nothing at yonge- Dundas<br />
square, at seven free park and<br />
public- space stages and on two<br />
stages at Pearson airport. keep<br />
in mind that many of the bigger<br />
names will also be<br />
playing intimate club<br />
shows, including secret<br />
late-night parties. For<br />
the rest of us, there are<br />
three ways to get the most<br />
out of <strong>NXNE</strong>. hit nxne.com for<br />
info on where to pick up your<br />
wristbands/passes. and if you’re intent<br />
on leaving it to the very last<br />
possible minute, you can purchase<br />
wristbands at the door for all shows.<br />
festival guide<br />
North By NorthEast is bigger, better and crazier than<br />
ever before. Are you ready for a week of music madness?<br />
<strong>HOW</strong> <strong>TO</strong> <strong>NXNE</strong><br />
Wristbands<br />
<strong>NXNE</strong> wristbands are the cheapest<br />
way to see the greatest number of<br />
bands, and will get you into all club<br />
shows and film screenings. Not only<br />
that, but they also allow you to bypass<br />
everyone paying cover and go<br />
straight to the front of the line. your<br />
options are the five- day<br />
($50), the one- day ($25)<br />
and the film-festival-only<br />
($25) wristband.<br />
Passes<br />
If you’re not fond of waiting<br />
in line, you’ll want to<br />
spring for a Priority Pass<br />
($200, students $100),<br />
which will get you in<br />
before everyone<br />
else, including<br />
wristbands.<br />
these are also the only way you’ll be<br />
able to catch folks like Mudhoney<br />
and X speaking at all the great conference<br />
events.<br />
Cover charges<br />
of course, you can always just pay<br />
the cover charge at the door, but<br />
that only makes financial sense if<br />
you’re set on checking out just a<br />
showcase or two.<br />
Party till 4<br />
ontario’s puritanical<br />
liquor laws<br />
still have a long<br />
way to go compared<br />
to the rest<br />
of the free world’s,<br />
but things are loosening<br />
up a bit every year. No, you’re<br />
still not allowed to drink on the<br />
street, but more than half of <strong>NXNE</strong>’s<br />
venues offer 4 am last call. so no<br />
matter where you are in the city,<br />
there’s likely to be an after-party<br />
nearby. keep an ear to the ground for<br />
rumours of secret late-night gigs by<br />
many of the fest’s bigger acts. For a<br />
full rundown of 4 am<br />
licences, see the schedules<br />
on pages 61, 63 and 65.<br />
<strong>NOW</strong> june 17-23 2010 55
DavID atlas / REtNa Essential<br />
<strong>NXNE</strong> festivAl guide<br />
shows<br />
PoP<br />
goes<br />
NXNe<br />
freshly inducted into<br />
the rock ’n’ roll hall<br />
of fame, iggy and the<br />
stooges get set to<br />
tear up yonge-dundas<br />
square at north by<br />
northeast By MICHAEL HOLLETT<br />
Iggy & THE S<strong>TO</strong>OgES at yonge-Dundas square,<br />
saturday (June 19), 9:30 pm. Free. nxne.com.<br />
iggy pop is steering his sleek ferrari<br />
F430 sports car from the Miami<br />
home he shares with his glamorous<br />
wife, Nina Alu, toward Miami Beach.<br />
He’s running some errands during<br />
brief downtime off the road after playing<br />
Europe this spring.<br />
“We’re on a break until July and August. The<br />
only exception is the outdoor show with you in<br />
Toronto, and I’m really psyched,” says Pop of<br />
the <strong>NXNE</strong> gig he and his resurrected Stooges<br />
headline at Yonge-Dundas Square on Saturday<br />
night (June 19).<br />
Things are sunny in Iggy & the Stooges’<br />
world, and it’s not just the Florida skies that are<br />
bright. The band that invented punk rock now<br />
sells out bigger shows than they ever played in<br />
their early years. The Stooges reunited in 2003<br />
to meet an apparently insatiable appetite for<br />
the punk pioneers’ dangerous rock and Iggy’s<br />
anarchic athleticism.<br />
Their legendary 1973 album, Raw Power, has<br />
been re-released with full remaster treatment,<br />
and a film about the disc’s recording, Search<br />
And Destroy, screens at the <strong>NXNE</strong> film fest. Pop<br />
also acts in Toronto filmmaker Rob Stefaniuk’s<br />
inspired vampire film, Suck, also screening at<br />
Northby.<br />
And Iggy & the Stooges were finally inducted<br />
into the Rock and Roll Hall of Fame in March, with<br />
proto-punk protege Green Day’s Billie Joe Armstrong<br />
handing them the hardware at the corporate<br />
bunfest at Man hattan’s Waldorf As to ria.<br />
“The Hall is a game, and it operates on a lot of<br />
levels,” laughs Pop, recalling the night at the<br />
Wal dorf, when the Stooges’ deranged performance<br />
of I Wanna Be Your Dog added to the<br />
band’s legend and scared the shit out of the<br />
suits in the front row.<br />
“I think they were a little fascinated,” says<br />
Pop of the stuffed shirts who stuffed the tables,<br />
“a little snake and mongoose thing going on. I<br />
just wanted to let them know I was in town.”<br />
He wasn’t just in town – he was in their laps<br />
also playing<br />
saturday<br />
when he jumped off the stage and stormed<br />
through the crowd trying to incite the expenseaccount<br />
set.<br />
“I had done the Hall once for Madonna [the<br />
Stooges sang two of her songs at her induction],<br />
so I knew there’s a hierarchy of those who can<br />
afford to pay and who ‘deserve’ to sit in those very<br />
front tables. It’s a whole industry power thing.”<br />
While clearly pleased to pick up his prize,<br />
Pop has no illusions about the awards.<br />
“The Rock and Roll Hall of Fame originated to<br />
honour and make amends to the pioneers of<br />
rock who were not educated people and got<br />
screwed, to make the industry look a little more<br />
human and to ultimately boost sales of the back<br />
catalogues. Most important, they set it up to be<br />
able to tie all these great R&B artists into an artistic<br />
ancestry that you could trace to many of the<br />
groups that were making the labels more<br />
money.<br />
“So by the time the whole experience was<br />
over, I thought, ‘My god, I’m Bo Diddley.’”<br />
He laughs.<br />
“But the Hall is the sort of thing that gets outside<br />
the subculture of music lovers. It resonates with<br />
the broader public. And because it is an industry<br />
thing, you feel a little bit of that ‘I prevailed’ thing.<br />
“Other than that, you just want to go, ‘Ah,<br />
fuck off – all of you just fuck off.’”<br />
Industry accolades were unima gin able in the<br />
Stooges’ early days. The promising band from<br />
Ann Arbor quickly became a headache for label<br />
execs who had no idea how to handle the group’s<br />
poor record sales and out-of-control live shows.<br />
“The people we freaked out – you know [the<br />
Who’s] Won’t Get Fooled Again, ‘Meet the new<br />
boss, same as the old boss’? We freaked out the<br />
new bosses. In the late 60s there was an alternative<br />
hippie infrastructure of pod people or<br />
body snatchers that were at every gig. They<br />
con gregated around the local psychedelic ballroom,<br />
the clubs, the FM station and managed<br />
the local bands. They didn’t like us, and neither<br />
did the top of the industry.<br />
“But the people liked us.”<br />
Pop recalls, “The music was very, very hardhitting,<br />
the lyrics and the way the music was<br />
put together daring.”<br />
RaveoNettes coNtRol YoNge-DuNDas<br />
THE RAVEONETTES at yonge- Dundas<br />
square, saturday (June 19), 8 pm. Free.<br />
nxne.com.<br />
I catch Raveonettes guitarist/singer<br />
Sune Rose Wagner at the album cycle<br />
equivalent of low tide.<br />
Now that tours in support of the<br />
Danish garage pop duo’s last album, In<br />
And Out Of Control (Vice), are over, he’s<br />
sneaking in some downtime,<br />
vacationing in london, England, with<br />
friends from Brooklyn band the Drums.<br />
But Wagner and fellow Raveonette<br />
Sharin Foo aren’t resting for long. the<br />
hardworking pair are already writing album<br />
number five (due in 2011) and<br />
prepping a B- side and rarities compilation<br />
for later this year.<br />
“that’s how it works,” says Wagner<br />
over the line. “We do an album, then we<br />
tour, then we immediately get into a<br />
But the Stooges approach<br />
didn’t trans late into record sales:<br />
bad news for record execs, no big<br />
deal to Iggy.<br />
“I’d always thought that was the<br />
right amount to sell. I would say, ‘If this is<br />
handled right, there might be 50,000 in America.’<br />
I couldn’t even conceive of the outside world<br />
yet, who might like this stuff, and that’s fine.<br />
“I didn’t understand the tenets of capitalism.<br />
I thought surely somebody could make a little<br />
profit selling records like that. We could do<br />
shows and we could all live together in a house<br />
and eat brown rice, smoke hash and fuck, listen<br />
to music and read The Teachings Of Don Juan.<br />
What’s the problem?”<br />
Desperate to get a return on its floundering<br />
investment, Elektra tried to get Iggy to ditch<br />
the band.<br />
“I’d hear again and again, ‘Lose the group. I<br />
can get you with some real musicians. You’re<br />
cute and you’ve got an interesting act.’”<br />
Pop says he pushed his band to new extremes<br />
for the Stooges’ second album, Fun<br />
House, but the release sold only half as well as<br />
the first. The label never did formally drop the<br />
band, but did try to get Pop to sign what he calls<br />
a boy band deal.<br />
“I weaselled out,” says Pop. “I didn’t do that.”<br />
Instead, he got introduced to David Bowie,<br />
who encouraged him to move to London. Pop<br />
talked the Stooges into joining him and finishing<br />
Raw Power, with Bowie doing the final mix.<br />
It sold as poorly as the earlier Stooges releases,<br />
and the band eventually collapsed, a victim of<br />
corrosive life on the road, addiction and an industry<br />
grown impatient with their false starts.<br />
But Pop remains proud of the Stooges.<br />
“We tried to do something that had enough<br />
of familiar rock format so that people would<br />
pay attention. But – and nobody else had done<br />
this – we brought influences from John Cage,<br />
Harry Partch, Lebanese belly dancing music,<br />
Turkish orchestral music, Bedouin music, slave<br />
chants, Balinese stuff and Carl Orff, little touches<br />
of all that and jazz.”<br />
Pop says the sleigh bells on I Wanna Be Your<br />
Dog were lifted from avant-garde jazz player<br />
<strong>NXNE</strong><br />
rocks<br />
YoNgE<br />
& DuNDas<br />
for the complete<br />
Yonge-Dundas Square<br />
lineup,<br />
see page 62<br />
studio and work on a new album.<br />
“there is very little free time. We try<br />
always to be occupied with creative<br />
stuff.”<br />
these moments between touring<br />
and recording are crucial; they’re when<br />
songs get written and decisions get<br />
made about sound, artistic direction<br />
and whom to include in the creative<br />
process.<br />
on In and out of control, sune and<br />
Foo brought in Danish pop whiz kid<br />
thomas troelsen to co- write and co-<br />
produce. Will they do that again?<br />
“No,” says Wagner forcefully.<br />
“absolutely not.”<br />
a jab at troelsen? Maybe not.<br />
Wagner has a thing for changing up the<br />
process.<br />
“We like to do albums that are very<br />
independent from one another, so after<br />
the last one, which has tons of production<br />
on it, we want to cut back and do<br />
Pharoah Sanders, and there’s<br />
some of Johnny Cash’s I Walk<br />
The Line in No Fun.<br />
“I worked in a record store as a<br />
stock boy, and I’d often stay late restocking<br />
and playing odd records. I<br />
wanted to learn. I listened to Balinese music<br />
and to those monks who blow those big Tibetan<br />
long horns.”<br />
Then Pop unleashes a bellowing blast, an<br />
imitation of the otherworldly horns that inspired<br />
him.<br />
“I like that music – it’s good shit. I still listen<br />
to it. I listen to what people would think is<br />
pretty weird stuff, but it gives me pleasure.”<br />
He got no pleasure, however, from watching<br />
punk finally take hold years after the Stooges<br />
collapsed.<br />
“It was difficult emotionally. I knew I couldn’t<br />
go back. I intuited that they were doing things<br />
based on what I did, but in a more palatable<br />
form, a little more commercialized. New Rose<br />
(by the Damned) and God Save The Queen (Sex<br />
Pistols) and later some of the early Clash stuff,<br />
that’s slicker, a little different.<br />
“And of course they had a smaller, more receptive<br />
country to spring it on.<br />
“In America, it’s like trying to wake up a<br />
large, wet hippopotamus – no, not even a hippo,<br />
something very large, damp and flaccid. And<br />
you’re trying to wake it up, and America won’t<br />
get a stiffy. It’s very hard to get America behind<br />
something, even to notice. In Britain, music is<br />
more important.”<br />
Even now, he says, the pasteurization of<br />
punk continues.<br />
“They figured out a way to defang it. Cutie it<br />
up and we can sell this shit. Especially post-<br />
Green Day, neo-punk has to be kind of cute and<br />
kind of funny. Green Day still has a lot of raw<br />
talent, but when you start getting into Blink-182,<br />
you start getting into jokes.”<br />
Punk’s no joke to Pop, as we’ll see when he<br />
brings his ferocious show to Toronto. 3<br />
michaelh@nowtoronto.com<br />
more online<br />
Interview clips at nowtoronto.com<br />
something raw, noisy and darker-<br />
sounding.”<br />
this love of contrast is also hardwired<br />
into their music.<br />
“I like to write songs that musically<br />
sound really happy but have lyrics that<br />
are actually quite far from happy,”<br />
laughs Wagner. “I like to lure people<br />
into what they think is paradise, but it<br />
turns out to be hell.<br />
“It just messes with their minds.<br />
they think they’re dancing to a cute<br />
little song, but it’s really all about evilness.”<br />
as for the B- sides and rarities collection,<br />
Wagner says they’re still wading<br />
through piles of old recordings to decide<br />
what makes the cut.<br />
“[there will be] a healthy dose of<br />
between 20 and 30 songs,” he promises,<br />
“mainly for our hardcore fans, who<br />
deserve to hear them.” JORDAN BIMM<br />
56 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 57
<strong>NXNE</strong> festivAl guide<br />
Essential<br />
shows<br />
MUDHONEy at yonge-Dundas square, tonight<br />
(thursday, June 17), 9 pm. Free. and<br />
at the horseshoe (368 Queen West), Friday<br />
(June 18), 1 am. $25 or <strong>NXNE</strong> wristband/pass.<br />
nxne.com.<br />
I’ve written one music-related fan letter<br />
in my life. It was addressed to seattle<br />
and my favourite 90s grunge band,<br />
Mudhoney. We’re talking pen to paper<br />
to mailbox and then anxiously waiting<br />
for a reply.<br />
It took three years for singer Mark<br />
Arm’s photocopied all-purpose response<br />
to arrive, and by then the<br />
ripped-out magazine photos had long<br />
since come down from my bedroom<br />
walls.<br />
“We took things casually back<br />
then, maybe too casually at<br />
times,” guitarist Steve Turner<br />
considers.<br />
No hard feelings. That laidback<br />
approach proved to be<br />
integral to the band’s longevity.<br />
Bands like Mudhoney, the ones that<br />
can stick together for over two decades<br />
and still remain relevant, usually<br />
don’t take themselves or the music biz<br />
too seriously.<br />
Instead of chasing trends and dollars,<br />
inevitably burning out and hating<br />
each other in the process, they stayed<br />
true to themselves and let everyone<br />
else come around to find them.<br />
grunge<br />
“We never really had any grand expectations,”<br />
says Turner. “Mark and I<br />
got further than we ever thought we<br />
would within the first six months of<br />
being a band. Everything else was just<br />
gravy. The fact that we took it so casually<br />
probably helped us stick around.”<br />
Though their tour schedule has<br />
lightened over the years, their recorded<br />
output remains consistent and well<br />
received. Their latest, appropriately<br />
named The Lucky Ones (Sub Pop), is a<br />
far cry from the sound of four greyhairs<br />
playing “dad rock,” as Turner calls<br />
it.<br />
Compared to current Sup Pop Seattle<br />
successes such as mellow gold rockers<br />
Fleet Foxes and Band of Horses<br />
(now on a major), Mudhoney sound<br />
downright heavy.<br />
“A bit of a mid-life crisis,” is<br />
how Tur ner describes Lucky<br />
Ones. “That’s our hardcore record.<br />
We did it fast and raw, and<br />
it turned out great.”<br />
You can almost hear Turner’s jaw<br />
clench when I mention that he’s on a<br />
<strong>NXNE</strong> panel to discuss the Seattle explosion,<br />
grunge and Sup Pop’s early<br />
days. At this point he’s justifiably sick<br />
of the subject and says he hides from<br />
authors still writing on it.<br />
“Whatever. We’re part of it. You<br />
can’t escape your past, as they say, and<br />
I wouldn’t want to.” JASON KELLER<br />
Where the critics will be thursday<br />
MICHAEL HOLLETT<br />
BENJAMIN BOLES<br />
JORDAN BIMM<br />
CARLA gILLIS<br />
JASON KELLER<br />
ANDREW RENNIE<br />
RICHARD<br />
TRAPUNSKI<br />
gLASS CANDy at Wrongbar (1279 Queen<br />
West), tonight (thursday, June 17), 1 am.<br />
$15 or <strong>NXNE</strong> wristband/pass. nxne.com.<br />
8 pm 9 pm 10 pm 11 pm 12 am 1 am 2 am 3 am<br />
Andy Kim<br />
lee’s Palace<br />
Rituals<br />
Drake hotel<br />
Clothes Make<br />
The Man<br />
silver Dollar<br />
Rituals<br />
Drake hotel<br />
Brant Bjork &<br />
The Bros<br />
yonge-Dundas<br />
square<br />
young galazy<br />
Mod club<br />
Old World<br />
Vulture<br />
Rancho Relaxo<br />
The Besnard<br />
Lakes<br />
Mod club<br />
zola Jesus<br />
sneaky Dee’s<br />
Mudhoney<br />
yonge-Dundas<br />
square<br />
Final Flash<br />
El Mocambo<br />
Main Floor<br />
The Besnard<br />
Lakes<br />
Mod club<br />
Demon’s Claw<br />
the Great hall<br />
Demon’s Claw<br />
the Great hall<br />
If there’s such a thing as an earthy<br />
disco queen, it’s Ida No.<br />
the silken-voiced singer for cosmic<br />
beat-pumping duo Glass Candy isn’t as<br />
urbane as you might expect. In<br />
fact, many of her lyrics, mel-<br />
odies and themes are inspired<br />
by hikes in the lush tree-lined<br />
hills that surround her Portland<br />
home.<br />
“I go on really long walks and<br />
won’t come back for four hours,”<br />
says No. “I’ll go for a walk and a theme<br />
will come up or I’ll get overcome by a<br />
feeling.”<br />
she then conveys these vocal lines<br />
to long-time musical partner Johnny<br />
Jewel, who writes and composes Glass<br />
candy’s analog-synth-based jams.<br />
these writing sessions have become a<br />
long-distance affair of late. Jewel re-<br />
synth<br />
disco<br />
Bad Tits<br />
Drake hotel<br />
Modern<br />
Superstitions<br />
silver Dollar<br />
Times Neue<br />
Roman<br />
El Mocambo<br />
Upstairs<br />
Bad Tits<br />
Drake hotel<br />
Free Energy<br />
horseshoe<br />
tavern<br />
X<br />
yonge-Dundas<br />
square<br />
X<br />
yonge-Dundas<br />
square<br />
Jim Cuddy,<br />
Hawksley<br />
Workman<br />
lee’s Palace<br />
Mamabolo<br />
Wrongbar<br />
Bishop<br />
Morocco<br />
Drake hotel<br />
Anamanaguchi<br />
Whippersnapper<br />
Gallery<br />
Best Coast<br />
the Great hall<br />
Misfits<br />
opera house<br />
METz<br />
the Garrison<br />
Mini Mansions<br />
Bovine sex<br />
club<br />
Junior Boys<br />
the social<br />
The Coast<br />
Gladstone<br />
hotel<br />
Lily Frost<br />
the Painted<br />
lady<br />
The Beauties<br />
lee’s Palace<br />
Bitters<br />
silver Dollar<br />
The Pack A.D.<br />
Dakota tavern<br />
cently relocated to Montreal to be with<br />
his romantic interest.<br />
“Even when we lived in the same<br />
apartment, we were on opposite sides<br />
of the continent,” she laughs. “he’s<br />
always been really headstrong and off<br />
in his own creative world, and I am,<br />
too, so not much has changed.”<br />
Jewel’s move to Montreal to shack<br />
up and make music with his female<br />
partner follows a familiar<br />
pattern for the texan. after<br />
years of living with No and<br />
doing Glass candy (which<br />
formed in 1995), he formed the<br />
similar-sounding chromatics in<br />
2006 with girlfriend Ruth Radelet. Desire,<br />
a synth-pop unit featuring Megan<br />
louise on vocals, is his latest love/<br />
music partnership.<br />
“From an outside perspective, that<br />
must look like [makes cat fighting<br />
noises], but there’s no competition. It’s<br />
more like a good family feeling. the<br />
people in those bands are like my best<br />
friends.” JASON KELLER<br />
Thee Oh Sees<br />
the Great hall<br />
glass Candy<br />
Wrongbar<br />
young Empires<br />
Dakota tavern<br />
glass Candy<br />
Wrongbar<br />
DVAS<br />
El Mocambo<br />
Upstairs<br />
The Strange<br />
Boys<br />
silver Dollar<br />
Thee Oh Sees<br />
the Great hall<br />
Special guest<br />
silver Dollar<br />
Trust<br />
Wrongbar<br />
Special guest<br />
Dakota tavern<br />
Trust<br />
Wrongbar<br />
Walter<br />
Schreifels<br />
Bovine sex<br />
club<br />
gregory<br />
Pepper & His<br />
Problems<br />
Mitzi’s sister<br />
Special guest<br />
Dakota tavern<br />
A Primitive<br />
Evolution<br />
the hideout<br />
Mikey Apples<br />
Wrongbar<br />
Mikey Apples<br />
Wrongbar<br />
Mikey Apples<br />
Wrongbar<br />
A Primitive<br />
Evolution<br />
the hideout<br />
METz at the Garrison (1197 Dundas<br />
West), tonight (thursday, June 17), 11 pm.<br />
$10 or <strong>NXNE</strong> wristband/pass. nxne.com.<br />
the members of Metz don’t believe in<br />
gimmicks. they’re making their name<br />
through sheer volume and intensity.<br />
taking a cue from early 90s posthardcore<br />
greats the Jesus lizard and<br />
Drive like Jehu, the toronto trio<br />
eschews conventional song structure<br />
for dissonance and drone, burying<br />
twitchy hooks under piles of sludge.<br />
“For better or for worse, we can’t<br />
really tone it down,” says lead guitarist/yelper<br />
Alex Edkins. “there’s this<br />
energy that exists between me, Chris<br />
[Slorach] and Hayden [Menzies], and<br />
we just put that energy out there. It’s<br />
not really something we talk about,<br />
but when the three of us get together,<br />
that’s how we play.”<br />
With only two 7-inch<br />
weirdo<br />
punk<br />
singles to their name<br />
(and a third ready to be<br />
pressed), the band’s<br />
palpable hometown<br />
buzz is based mostly on<br />
their powerful live show.<br />
It’s an event not so much experienced<br />
as endured, and it hits with a<br />
raw force not often found in toronto’s<br />
crowded indie scene.<br />
“there’s so much great stuff<br />
happening in the city that it doesn’t<br />
matter if we sound like anyone else,”<br />
says Edkins. “Fitting in has never been<br />
our goal.” RICHARD TRAPUNSKI<br />
X at yonge- Dundas square, tonight<br />
(thursday, June 17), 10 pm. Free.<br />
nxne.com.<br />
X’s trademark male/female vocal dynamic<br />
influenced many of your favourite<br />
punk rock acts. the l.a. band,<br />
formed in 1977 by vocalist Exene<br />
THE STRANgE BOyS at the silver Dollar<br />
(486 spadina), thursday and Friday (June<br />
17-18), 1 am, and saturday (June 19), 2<br />
am. at the Garrison (1197 Dundas West),<br />
saturday (June 19), 11 pm. $10- $15 or<br />
<strong>NXNE</strong> wristband/pass. nxne.com. also at<br />
kops Records (229 Queen West), thursday<br />
(June 17), 1:30 pm. Free.<br />
the Strange Boys are making<br />
every visit to toronto count.<br />
Back in March, the young<br />
texas garage rockers opened<br />
the highly anticipated spoon/<br />
Deerhunter show at sound<br />
academy before rushing to<br />
Rancho Relaxo for an unannounced<br />
headlining gig later stage- crashed by<br />
kindred spirits the Black lips.<br />
Back in the city for the second time,<br />
they’re making the most out of their<br />
first <strong>NXNE</strong>. the band plays five shows<br />
over the course of three busy days, including<br />
a three-night stand at the Silver<br />
Dollar, where they’ll road- test a<br />
few new tracks from their still-<br />
Cervenka, vocalist/bassist John Doe,<br />
guitarist Billy Zoom and drummer DJ<br />
Bonebrake, built their sound from<br />
sources outside the genre.<br />
“We were inspired by everything,<br />
from country to blues to folk rock,”<br />
says cervenka from her l.a. home.<br />
“We were inspired by everything ever<br />
recorded. you can print that.<br />
unnamed follow- up to 2010’s swagger<br />
ing Be Brave (In the Red).<br />
singer/guitarist Ryan Sambol<br />
admits the new material isn’t a huge<br />
departure from the band’s established<br />
mix of Nuggets- era R&B, electric Dylan<br />
blues and texas twang, but he refuses<br />
to talk about inspiration.<br />
“I’ve stopped answering that question<br />
because I don’t want us to be<br />
pegged down to just one or two<br />
influences,” he says over the<br />
phone from austin. “I like a lot<br />
of music from all different<br />
periods. I would say I just like<br />
music.”<br />
It’s this don’t- give- a- shit attitude<br />
that makes the strange Boys<br />
such an appealing live act and a difficult<br />
interview. Unwilling to think deeply<br />
about the band, sambol would rather<br />
just get up onstage, down a few<br />
beers and have a good time.<br />
“there are more important things in<br />
the world than bands,” he says. “We’re<br />
just a group of kids playing music. It’s<br />
really not a big deal.” RICHARD TRAPUNSKI<br />
“things were different in the late<br />
70s. Punk rock was more of an umbrella<br />
term. there was nothing to say that<br />
you couldn’t drop a jazz solo into the<br />
middle of a song.”<br />
over X’s three- decade, seven- album<br />
career, they dabbled in rockabilly,<br />
country, folk, alternative rock and then<br />
some. along with avant- garde ele-<br />
ments, they peppered the tunes with<br />
deeply personal lyrics.<br />
“Under the Big Black sun was a<br />
once-in-a-lifetime album,” says cervenka.<br />
the 1982 recording was written<br />
as she was grieving her sister’s death in<br />
an auto accident. “It is the most melancholy<br />
album we’ve recorded. It’s also<br />
my personal favourite.”<br />
cervenka’s traumas have never<br />
slowed her down, not even a recent<br />
diagnosis of multiple sclerosis.<br />
“It hasn’t affected me one bit,” she<br />
says cheerfully. “I take some holistic<br />
things, some medicinal things. But<br />
everyone’s got an affliction, if you<br />
think about it. Diabetes, hIv, hepatitis.<br />
Everyone’s gotta fight their own battles,<br />
and I take solace in that.”<br />
ANDREW RENNIE<br />
66 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 67<br />
proto<br />
punk<br />
garage<br />
rock
<strong>NXNE</strong> festivAl guide<br />
Essential<br />
shows<br />
TRUST at Wrongbar (1279 Queen West),<br />
tonight (thursday, June 17), 2 am, and<br />
Friday (June 18), 9 pm. $15 or <strong>NXNE</strong><br />
wristband/pass. nxne.com.<br />
Trust have only been a band for five<br />
months, but the duo’s spooky, artinfused<br />
synth experiments have<br />
already made them a hit with tastemakers<br />
lurking in the grittier corners<br />
of toronto’s lively elec-<br />
tronic scene.<br />
Featuring percussionist<br />
Maya Postepski (who also<br />
drums for katie stelmanis and<br />
performs solo as Princess century)<br />
and synth player/vocalist Robert<br />
Alfons, trust name-drops everyone<br />
from outsider vhs music-video<br />
queen Jan terri to the unsettling<br />
kraut-pop of Malaria! and the Real<br />
Mccoy’s early-90s hi-NRG as inspirations<br />
shaping their sound and perfor-<br />
synth<br />
pop<br />
mance style.<br />
Postepski says she wants their end<br />
product to sound like “crying on the<br />
dance floor,” accomplished through<br />
“demon growls and arpeggiators.”<br />
their dark, danceable sound is<br />
working out for them. so far they’ve<br />
convinced local DJ and former crystal<br />
castles manager Mikey apples to<br />
manage them, and that’s already<br />
resulted in a pretty big second<br />
gig; trust opened for local<br />
buzz band Parallels at their<br />
super-packed record release<br />
party at Wrongbar back in<br />
February.<br />
While the duo has only a few<br />
songs posted on their Myspace page,<br />
they’re readying two 12-inch vinyl singles<br />
for release over the summer, one<br />
of which will feature a remix by l.a.<br />
chillwave magicians Nite Jewel.<br />
they’re going to be big, trust us.<br />
JORDAN BIMM<br />
Where the critics will be friday<br />
MICHAEL HOLLETT<br />
BENJAMIN BOLES<br />
JORDAN BIMM<br />
CARLA gILLIS<br />
JASON KELLER<br />
ANDREW RENNIE<br />
RICHARD<br />
TRAPUNSKI<br />
8 pm 9 pm 10 pm 11 pm 12 am 1 am 2 am 3 am<br />
Nive Nielson &<br />
The Deer<br />
Children<br />
silver Dollar<br />
Mathemagic<br />
Gladstone<br />
hotel<br />
The Futureless<br />
Neutral<br />
lounge<br />
Mathemagic<br />
Gladstone<br />
hotel<br />
Brutal Knights<br />
horseshoe<br />
tavern<br />
Brutal Knights<br />
horseshoe<br />
tavern<br />
Brutal Knights<br />
horseshoe<br />
tavern<br />
222s<br />
horseshoe<br />
tavern<br />
ghost Bees<br />
Gladstone<br />
hotel<br />
KATIE STELMANIS at Wrongbar (1279<br />
Queen West), Friday (June 18), 10 pm. $15<br />
or <strong>NXNE</strong> wristband/pass. nxne.com.<br />
Many things about Katie Stelmanis<br />
are tba right now.<br />
The buzzed-about Toronto<br />
electro nic artist with the big<br />
voice, orchestral leanings and<br />
dramatic melodies (and<br />
videos) has a full-length album<br />
80 per cent in the can, set for release<br />
in early winter. So which label is<br />
behind it?<br />
“I don’t think I can say that yet,” says<br />
Stelmanis, freshly returned from the<br />
gym. “I’ll just say tba.”<br />
Has she settled on a title?<br />
“Nope,” she says. “The name is<br />
SILJE NES at Whippersnapper (578a college),<br />
Friday (June 18), 10 pm. $15 or<br />
<strong>NXNE</strong> wristband/pass. nxne.com.<br />
Stop Die<br />
comfort zone<br />
The<br />
Polymorphines<br />
Rancho Relaxo<br />
The Weirdies<br />
the shop<br />
Sloan (9:30)<br />
yonge-Dundas<br />
square<br />
Soft Copy<br />
the Garrison<br />
No one will ever accuse Silje Nes of<br />
being uninventive.<br />
the Norwegian singer/songwriter<br />
does it all. she plays piano, guitar, cello,<br />
xylophone, trumpet, recorder and<br />
drums and landed herself a record deal<br />
after sending a demo to Fatcat, the<br />
esteemed Uk label that puts out sigur<br />
Rós and Black Dice.<br />
Naturally, she also home-produces<br />
indie<br />
pop<br />
AA Bondy<br />
the Great hall Wavves<br />
lee’s Palace<br />
Timber Timbre<br />
Gladstone<br />
hotel<br />
Boys Who Say<br />
No<br />
silver Dollar<br />
Katie<br />
Stelmanis<br />
Wrongbar<br />
AA Bondy<br />
Gladstone<br />
hotel<br />
Timber Timbre<br />
Gladstone<br />
hotel<br />
Timber Timbre<br />
Gladstone<br />
hotel<br />
Best Coast<br />
the Garrison<br />
Wavves<br />
lee’s Palace<br />
Wavves<br />
lee’s Palace<br />
John Doe &<br />
Exene<br />
Cervenka<br />
the Great hall<br />
Wavves<br />
lee’s Palace<br />
DD/MM/yyyy<br />
Gladstone<br />
hotel<br />
Man or<br />
Astroman?<br />
horseshoe<br />
tavern<br />
Big Freedia<br />
Wrongbar<br />
The Two<br />
Koreas<br />
comfort zone<br />
Evening<br />
Hymns<br />
Dakota tavern<br />
Man or<br />
Astroman?<br />
horseshoe<br />
tavern<br />
Big Freedia<br />
Wrongbar<br />
Japandroids<br />
lee’s Palace<br />
usually the very last thing I think of.”<br />
One certainty is her upcoming<br />
three-song 12-inch single, tentatively<br />
titled The Beat And The Pulse. It comes<br />
out in August on One Big Silence, the<br />
new 12-inch-vinyl-only label set<br />
up by Fucked Up’s Mike halie-<br />
chuk, who’s said his goal is to<br />
document Toronto’s vibrant<br />
electronic music scene.<br />
“When Mike started the<br />
label, he was like, ‘I want to make<br />
a scene in Toronto,’” explains Stelmanis.<br />
“I was like, ‘You can’t really do<br />
that.’ I felt like he was fabricating one.<br />
But now that things have really started<br />
moving, I do feel like part of it.”<br />
Stelmanis cites as examples Diamond<br />
Rings, whose Show Me Your<br />
her own music – serene folk tempered<br />
with experimental flourishes like the<br />
ticking of a distant typewriter or<br />
the sound of a bleating sheep<br />
submerged deep in the mix.<br />
“Basically, I just use<br />
things that are around. I also<br />
have this video camera that I<br />
pick up sounds from,” she explains<br />
softly from her place in Berlin,<br />
where she’s awaiting a FedEx package<br />
containing a visa that will allow<br />
her to tour the U.s. with fellow multiinstrumentalist<br />
DM stith.<br />
While she’s foremost a soloist, for<br />
trippy<br />
folk<br />
Mudhoney<br />
horseshoe<br />
tavern<br />
PS I Love you<br />
lee’s Palace<br />
84.85<br />
Drake hotel<br />
PS I Love you<br />
lee’s Palace<br />
Mudhoney<br />
horseshoe<br />
tavern<br />
Mudhoney<br />
horseshoe<br />
tavern<br />
Mudhoney<br />
horseshoe<br />
tavern<br />
Special guest<br />
Bovine sex<br />
club<br />
Special guest<br />
Bovine sex<br />
club<br />
<strong>NOW</strong> DJ’s<br />
Gladstone<br />
hotel<br />
Special guest<br />
Bovine sex<br />
club<br />
<strong>NOW</strong> DJ’s<br />
Gladstone<br />
hotel<br />
Huoratron<br />
Wrongbar<br />
Women<br />
silver Dollar<br />
Murder Ford<br />
Monument<br />
silver Dollar<br />
Murder Ford<br />
Monument<br />
silver Dollar<br />
DJ Ed Lover<br />
Drake hotel<br />
DJ Ed Lover<br />
Drake hotel<br />
The Cheap<br />
Speakers<br />
Rancho Relaxo<br />
Stuff 12-inch launches the label at the<br />
Friday (June 18) <strong>NXNE</strong> showcase, and<br />
Trust (also on the bill), her drummer,<br />
Maya Postepski’s, new band.<br />
“Because I didn’t know many people<br />
[making electronic music], I was kind of<br />
on my own figuring out the programs<br />
and the basics of MIDI. With more people<br />
to collaborate with now, I’m learning<br />
so much more, even just in the last six<br />
or seven months.”<br />
That collaboration extends to the<br />
Katie Stelmanis project, which is now a<br />
four-person band that includes the<br />
aforementioned Postepski plus bassist<br />
Dorian Wolf and guitarist Carmen Elle.<br />
The lineup additions, which debuted at<br />
SXSW, prompted Stelmanis to switch to<br />
a band name, Private Life – an effort<br />
that was ultimately thwarted.<br />
“I feel like ‘Katie Stelmanis’ doesn’t in<br />
any way describe what my music<br />
sounds like. It tends to be a description<br />
of what it doesn’t sound like; I’ve shown<br />
up at a ton of gigs where peo ple assumed<br />
I was a solo girl on piano.<br />
“But two months into owning [the<br />
name], a friend pointed out a band with<br />
the same name that released a record<br />
on Warner in 1989. My friend managed<br />
to get hold of an email address and then<br />
asked if we could share. We were<br />
basically told no.”<br />
A new name is, unsurprisingly, tba.<br />
“We’re in the process of thinking of<br />
one right now.” CARLA gILLIS<br />
her <strong>NXNE</strong> show at Whippersnapper Nes<br />
will be accompanied by two musicians<br />
and a loop pedal, owen Pallett-style,<br />
to create a lush sonic tapestry be-<br />
neath her restrained, whisperquiet<br />
vocals.<br />
since the release of her 2007<br />
debut, ames Room, expectations<br />
for her upcoming second album,<br />
Optiks (FatCat), have been high. although<br />
the record’s september release<br />
date is fast approaching, she’s still figuring<br />
it out.<br />
“I don’t really know what it is yet. It’s<br />
still a work in progress.” JASON RICHARDS<br />
COLD CAVE DJ set at the Garrison (1197<br />
Dundas West), Friday (June 18), 1 am. and<br />
live set at lee’s Palace (529 Bloor West),<br />
saturday (June 19), 1 am. Both $15 or<br />
<strong>NXNE</strong> wristband/pass. nxne.com.<br />
Cold Cave return to <strong>NXNE</strong> with a hotnew-thing<br />
aura surrounding Love<br />
Comes Close (Matador), their noisy<br />
synth-pop debut album.<br />
SLOAN at yonge-Dundas square, Friday<br />
(June 18), 9:30 pm. Free. nxne.com.<br />
the members of Sloan are already kicking<br />
around ideas for next February,<br />
which marks the 20th anniversary of<br />
their first show. (super-fan trivia: it<br />
took place at the Nova scotia college<br />
of art and Design in halifax.)<br />
“I’d like to play some older albums<br />
front to back in a concert setting,”<br />
says guitarist/vocalist<br />
Jay Ferguson. “Twice Removed?<br />
One Chord To Another?<br />
Perhaps a bit trendy<br />
these days, but it’s something<br />
I’ve wanted to do for a while.<br />
“Maybe the 20th anniversary is the<br />
right time to relearn Lemonzinger. Actually,<br />
scratch that. The lyrics are total<br />
trash. Good riff, though.”<br />
In the meantime, the Toronto-based<br />
But Wes Eisold, the brain behind the<br />
Manhattan-based band’s hooks, actually<br />
has a long history as a singer and<br />
lyricist in hardcore punk bands. he formerly<br />
fronted the loud, guitar-driven<br />
american Nightmare, Give Up the<br />
Ghost and some Girls, among other<br />
bands.<br />
“I wanted to start my own band<br />
where I would write all of the music<br />
indie pop legends are keeping busy<br />
with releases – B-Sides Win, a new collection<br />
of bonus tracks, extras and Bsides,<br />
and last November’s Hit & Run<br />
EP are available from the band’s digital<br />
store. And let’s not forget fatherhood.<br />
Last week, bassist Chris Murphy welcomed<br />
a new son into the world.<br />
Then there’s Sloan’s free Yonge-<br />
Dundas Square show during <strong>NXNE</strong>.<br />
Besides squeezing in a rehearsal<br />
with the new dad and checking<br />
out Iggy & the Stooges Saturday<br />
night, what do they have<br />
planned for their show?<br />
“Hit after hit after hit followed<br />
by an obscure album<br />
track to allow people to go purchase<br />
a hot dog or jeans, and then<br />
back to the hits,” jokes Ferguson. “It’ll<br />
be good. Under the stars. And billboards.<br />
I miss Licks restaurant on that<br />
corner.” CARLA gILLIS<br />
and there would be no confusion or<br />
compromise,” says Eisold about his<br />
stylistic switch from hardcore to cold<br />
cave’s art-damaged electro. “this is<br />
how it sounds.”<br />
“I hardly trust anyone who wasn’t<br />
involved in hardcore at some point in<br />
their life.”<br />
the trust issues stem in part from a<br />
well-publicized incident in 2007 when<br />
pop-punk poster children Fall out Boy<br />
admitted they plagiarized Eisold’s<br />
lyrics on two of their biggest-selling<br />
records.<br />
Eisold’s writing extends outside the<br />
world of music. he operates heartworm<br />
Press, an independent publishing<br />
house in Manhattan, and has published<br />
Deathbeds, a book of poetry and<br />
prose.<br />
For now, though, he’s focused on<br />
music, touring and tightening up the<br />
four-piece’s live performances. Following<br />
the summer shows, he plans to<br />
hibernate in order to focus on cold<br />
cave’s next record.<br />
“last month we made the transformation<br />
from being better on record<br />
to being better live,” Eisold says. “I’m<br />
very pleased with this.” JORDAN BIMM<br />
68 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 69<br />
power<br />
pop<br />
electro<br />
pop
<strong>NXNE</strong> festivAl guide<br />
Essential<br />
shows<br />
LIBRARy VOICES at the horseshoe (368<br />
Queen West), saturday (June 19), 9 pm.<br />
$15 or <strong>NXNE</strong> wristband/pass. nxne.com.<br />
you’d never glean it from their<br />
countenances, but Library<br />
Voices may just be the unluckiest<br />
band in canada.<br />
In February 2009, the saskatchewan<br />
eight- piece was<br />
the target of theft, losing their<br />
tour van and a good deal of gear.<br />
then, just three weeks after releasing<br />
the critically acclaimed full- length<br />
Denim On Denim (Young Souls) in<br />
april 2010, their basement studio in<br />
indie<br />
pop<br />
the Regina cultural Exchange flooded,<br />
ruining most of what was left of their<br />
equipment.<br />
But it hasn’t been all bad news. as<br />
word of the band’s misfortune spread,<br />
fellow Prairie rockers the Weakerthans<br />
played a library voices<br />
benefit concert, and donations<br />
poured in from fans and well-<br />
wishers. Uneasy about taking<br />
char ity, the group recorded a<br />
cover of the Beatles’ help! and<br />
gave it away for free on their website<br />
as a thank you.<br />
“When something like this happens,<br />
the feedback and the response you get<br />
really help put things in perspective,”<br />
says keyboardist/lyricist Michael Dawson<br />
over the phone from Regina.<br />
“our motivation to play in a band<br />
came from growing up going to shows<br />
and supporting indie music, so it’s reaffirming<br />
to see other fans and musicians<br />
doing the same on our behalf. It<br />
reminds us why we got into it in the<br />
first place, and why we spend so much<br />
money each year on our little hobby.”<br />
those familiar with the group’s<br />
brand of upbeat indie pop shouldn’t be<br />
surprised by Dawson’s positive outlook.<br />
a mix of literary, self- conscious<br />
lyrics, catchy bubble-gum hooks and<br />
unbridled enthusiasm, a library voices<br />
song is the musical equivalent of a big<br />
goofy grin.<br />
“When we started, pop was totally a<br />
four- letter word, even though it’s really<br />
three letters,” Dawson says. “at<br />
some point we decided if we’re going<br />
to make pop music, we might as well<br />
do it unabashedly. so we had some t-<br />
shirts printed up that said ‘Pop as<br />
Fuck!’ and we just went for it.”<br />
considering that the average library<br />
voices performance leaves both the<br />
band and audience satisfied, sweaty<br />
and utterly spent, “Pop as Fuck!” is an<br />
apposite slogan.<br />
“It can be exhausting piling all of us<br />
into a van or a hotel room, but once<br />
you’re onstage literally surrounded by<br />
your friends jumping around and having<br />
fun, it’s impossible not to smile. It’s<br />
infectious.” RICHARD TRAPUNSKI<br />
C’MON at the Gladstone (1214 Queen<br />
West), Friday (June 18), midnight. $15 or<br />
<strong>NXNE</strong> wristband/pass. nxne.com.<br />
as the years passed after the release of<br />
C’mon’s 2007 album, Bottled lightning<br />
(of an all time high), and as Ian Blurton<br />
continued to take stages with his<br />
“hippy rock” happy Endings side project,<br />
it was easy to wonder if the hard-<br />
rocking trio had called it quits.<br />
“that’s a legitimate ques-<br />
tion,” Blurton admits.<br />
“Basically, I was making the<br />
happy Endings record over the<br />
past five years during sessions<br />
producing other people’s records.<br />
We knew c’mon weren’t going to play<br />
until the new record was out, and I just<br />
wanted to play. I kind of go crazy if I’m<br />
not playing.”<br />
Now it’s happy Endings’ turn to go<br />
hard<br />
rock<br />
on hiatus, since Blurton is intent on<br />
putting his energy behind c’mon’s new<br />
album, Beyond The Pale Horse (Blown<br />
Speaker/Yeah Right). Despite the time<br />
off, c’mon are sounding even louder<br />
and heavier than before.<br />
“It’s way more aggressive- sounding,<br />
and everything is over the top. It’s<br />
basically our Boston album; there are a<br />
million guitar and vocal tracks. Katie<br />
[Lynn Campbell] sings on more<br />
than half the record.”<br />
campbell’s increased presence<br />
is somewhat surprising,<br />
since she and Blurton are no<br />
longer romantically involved.<br />
combined with the fact that she<br />
lives in New orleans, you’d think it’d<br />
be tough to make it work.<br />
“Well, it sure didn’t change anything<br />
when we practised for the first time a<br />
couple of weeks ago.” BENJAMIN BOLES<br />
PS I LOVE yOU at lee’s Palace (529 Bloor<br />
West), Friday (June 18), 1 pm. $20 or <strong>NXNE</strong><br />
wristband/pass. nxne.com.<br />
When there are just two of you in the<br />
band and the room is packed and<br />
noisy, how do you rise above it? Guitar-<br />
ist/vocalist Paul Saulnier and<br />
drummer Benjamin Nelson<br />
from the kingston indie pop<br />
two-piece PS I Love You tackle the<br />
problem with crushing volume and a<br />
bass pedal organ.<br />
“Getting a huge sound while playing<br />
live works best when my guitar<br />
amp is completely dimed,” says Saulnier.<br />
“And my pedal bass organ has to<br />
be just as loud. If I’m screaming to<br />
make my voice heard, then we’re<br />
sounding right.”<br />
Unfamiliar with a bass pedal organ?<br />
You can watch Saulnier play it in<br />
the video for the sublime Facelove, a<br />
song from 2009’s sold-out split<br />
7-inch with Diamond Rings. A 13-note<br />
analog keyboard, the pedal sits on<br />
the floor by his foot, and he steps on<br />
its giant keys to produce extremely<br />
low frequencies.<br />
“It takes a lot of practice to step on<br />
the right notes while playing guitar<br />
and singing,” says Saulnier. “It’s really<br />
the third member and essential to<br />
our sound. I get offers from bass<br />
players who want to join, and I’m like,<br />
‘Uh, we already have a bass player.<br />
It’s my right leg.’”<br />
Also essential are the blistering,<br />
emo tional guitar leads that crop up<br />
between Nelson’s propulsive drumming<br />
and Saulnier’s yearning,<br />
yelping vocals, all of which can<br />
be heard on their almost finished<br />
debut full-length and<br />
recent Starfield 7-inch (Thing<br />
Itself). Saulnier grew up on a<br />
diet of Jimi Hen drix, Kirk Hammett<br />
and Thurston Moore.<br />
“The part of my brain that remembers<br />
melodies from pop songs is full<br />
of Metallica instead of the Beatles.”<br />
CARLA gILLIS<br />
70 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 71<br />
indie<br />
rock
<strong>NXNE</strong> festivAl guide<br />
Where the critics will be saturday<br />
Essential<br />
shows<br />
MATHEMAgIC at the Gladstone (1214<br />
Queen West), Friday (June 18), 8 pm. $15<br />
or <strong>NXNE</strong> wristband/pass. nxne.com.<br />
In the last year, Guelph’s Mathemagic<br />
have gone from an unknown<br />
bedroom recording project by<br />
brothers Evan and Dylan Euteneier<br />
to a group with a<br />
debut self- titled EP released<br />
on Paper Bag who are getting<br />
written about on hip<br />
music blogs and being tagged as<br />
canada’s answer to the chillwave fad.<br />
Funnily, it was only recently that<br />
they learned of blogs and chillwave.<br />
“We made a Myspace page for the<br />
first song we did, and some guy from<br />
transparentblog in the Uk asked us if<br />
he could post it,” says Evan. “We didn’t<br />
even have a single friend on Myspace. I<br />
don’t know how he found us.<br />
gHOST BEES at the Gladstone (1214<br />
Queen West), Friday (June 18), 9 pm. $15<br />
or <strong>NXNE</strong> wristband/pass. and at c’est<br />
What (67 Front East), Friday (June 18),<br />
midnight. $10 or <strong>NXNE</strong> wristband/pass.<br />
nxne.com.<br />
ambient<br />
pop<br />
Identical twins Sari and<br />
Romy Lightman, aka Ghost<br />
Bees, are polite, soft-spoken<br />
and quite charming in person.<br />
But there’s something<br />
strangely disconcerting about<br />
the way they communicate wordlessly,<br />
as if they’re having a private conversation.<br />
Good thing the pair relish reactions<br />
to their twin weirdness.<br />
“I don’t think we creep each other<br />
out, but I do think we creep other people<br />
out,” says sari as she shares a sandwich<br />
with her sister. “We can definitely<br />
be creepy at times.”<br />
indie<br />
pop<br />
“hell, I didn’t even know what a<br />
music blog was. I went to his site and<br />
was blown away by all this music I’d<br />
never heard before. Now that’s where I<br />
get all my new music.”<br />
While the instant blog love may<br />
have been a flukey accident, the<br />
brothers’ shimmering ambient<br />
pop soundscapes fit perfectly<br />
with the sudden surge of bands<br />
exploring similarly tripped- out<br />
tangents.<br />
But whereas most of their competition<br />
use 80s pop as reference<br />
points, Mathe magic have a subtle<br />
tropical vibe that makes you think they<br />
live closer to the equator than north of<br />
the 49th parallel.<br />
“We recorded the EP just as the<br />
summer was ending and it was starting<br />
to get cold,” says Evan. “I guess we<br />
were trying to make it feel like it was<br />
still summer.” BENJAMIN BOLES<br />
their music pits ethereal melodies<br />
against dark, gory subject matter. Parents,<br />
be warned: this might be what<br />
happens when you expose sweet<br />
young girls to horror movies at an early<br />
age, as the lightmans’ father did.<br />
on Through A Glass Darkly, their<br />
just-finished follow-up to 2008’s<br />
tasseomancy, they tone down<br />
the folk influences and beef up<br />
the atmospherics. It was produced<br />
by timber timbre’s taylor<br />
kirk and simon trottier, who will<br />
back them up at the Gladstone.<br />
they’re also about to change their<br />
name to tasseomancy, a word for the<br />
art of reading tea leaves.<br />
“Ghost Bees was a childhood inside<br />
joke for us and kind of a secret,” explains<br />
Romy. “It feels like we’ve outgrown<br />
that name. this album is just so<br />
much heavier and darker than what<br />
we’ve previously done.” BENJAMIN BOLES<br />
MICHAEL HOLLETT<br />
BENJAMIN BOLES<br />
JORDAN BIMM<br />
CARLA gILLIS<br />
JASON KELLER<br />
ANDREW RENNIE<br />
RICHARD<br />
TRAPUNSKI<br />
8 pm 9 pm 10 pm 11 pm 12 am 1 am 2 am 3 am<br />
Hollerado<br />
Mod club<br />
Raveonettes<br />
yonge-Dundas<br />
square<br />
Digits<br />
Whippersnapper<br />
Gallery<br />
Raveonettes<br />
yonge-Dundas<br />
square<br />
Raveonettes<br />
yonge-Dundas<br />
square<br />
Raveonettes<br />
yonge-Dundas<br />
square<br />
Hollerado<br />
Mod club<br />
garage<br />
punk<br />
Iggy & the<br />
Stooges (9:30)<br />
yonge-Dundas<br />
square<br />
Iggy & the<br />
Stooges (9:30)<br />
yonge-Dundas<br />
square<br />
Uncut<br />
sneaky Dee’s<br />
Iggy & the<br />
Stooges (9:30)<br />
yonge-Dundas<br />
square<br />
Iggy & the<br />
Stooges (9:30)<br />
yonge-Dundas<br />
square<br />
Iggy & the<br />
Stooges (9:30)<br />
yonge-Dundas<br />
square<br />
Iggy & the<br />
Stooges (9:30)<br />
yonge-Dundas<br />
square<br />
TEENANgER at the silver Dollar (486 spadina),<br />
saturday (June 19), midnight. $15 or<br />
<strong>NXNE</strong> wristband/pass. nxne.com.<br />
toronto garage punk outfit Teenanger<br />
have no problem getting vulgar. take<br />
their grotesque poster art or the title<br />
of their sophomore album, Give Me<br />
Pink, out on Telephone Explosion.<br />
“We were in a hotel in Montreal,<br />
pretty fucked up, watching free French<br />
porn because we’re too broke to pay<br />
for the regular kind,” says guitarist G.C.<br />
Gary from a couch in toronto.<br />
“all of a sudden, the words ‘Give me<br />
pink!’ started flashing across the<br />
screen, interspersed with a giant<br />
dildo.”<br />
teenager members Gary, vocalist<br />
Alex Lekay, bassist/backup vocalist<br />
Sharon Needles and a drummer<br />
known as Salvatore use aliases for<br />
practical reasons.<br />
“We don’t exactly cross borders<br />
legally,” says Gary cryptically, “which<br />
makes touring especially difficult.”<br />
there’s a sort of last- minute urgency<br />
to everything they do, and it’s<br />
evident in the songs themselves.<br />
“We basically recorded the whole<br />
album in the span of a day,” Gary says.<br />
“It was a daunting task, but that’s how<br />
we’ve always worked.” ANDREW RENNIE<br />
The<br />
Paperbacks<br />
c’est What<br />
The grates<br />
Wrongbar<br />
Small Sins<br />
lee’s Palace<br />
The<br />
Paperbacks<br />
c’est What<br />
Hannah<br />
georgas<br />
horseshoe<br />
tavern<br />
Small Sins<br />
lee’s Palace<br />
Hannah<br />
georgas<br />
horseshoe<br />
tavern<br />
The Soft Pack<br />
lee’s Palace<br />
The Strange<br />
Boys<br />
the Garrison<br />
Spaceships Are<br />
Cool<br />
cameron<br />
house<br />
The Soft Pack<br />
lee’s Palace<br />
The Soft Pack<br />
lee’s Palace<br />
Comanechi<br />
comfort zone<br />
The Magic<br />
sneaky Dee’s<br />
The zeros<br />
El Mocambo<br />
Main<br />
Jeff the<br />
Brotherhood<br />
the Garrison<br />
The<br />
D’Ubervilles<br />
Drake hotel<br />
Jeff the<br />
Brotherhood<br />
the Garrison<br />
Surfer Blood<br />
Wrongbar<br />
Teenager<br />
silver Dollar<br />
Room<br />
Jeff the<br />
Brotherhood<br />
the Garrison<br />
KID SISTER at yonge- Dundas square, sunday<br />
(June 20), 8 pm. Free. and at Wrongbar<br />
(1279 Queen West), sunday (June 20),<br />
midnight. $10 or <strong>NXNE</strong> wristband/pass.<br />
nxne.com.<br />
If there was any question about Kid<br />
Sister’s sincerity on Pro Nails, her<br />
break out kanye- featured manicure<br />
anthem, I can confirm that her enthusiasm<br />
is very real.<br />
From the start of our interview, she<br />
talks excitedly about how she just did<br />
her own nails, listing her favourite<br />
salons and explaining her manicure<br />
contingency plan when<br />
she’s in remote places like australia.<br />
the electro- rapper only<br />
cools down a bit when I mention<br />
that Pro Nails was my jam a<br />
couple of years ago.<br />
“I’m glad you liked the song,” she<br />
says dryly from her place in chicago. “It<br />
was a pretty good song.”<br />
Maybe her change in tone comes<br />
from the fact that she hasn’t followed<br />
up the single with anything quite as big.<br />
after multiple delays, her 2009 debut<br />
album, Ultraviolet (Universal), was neither<br />
a commercial nor critical smash.<br />
Les Savy Fav<br />
Wrongbar<br />
Quintron &<br />
Miss Pussycat<br />
the Garrison<br />
Cold Cave<br />
lee’s Palace<br />
Comanechi<br />
silver Dollar<br />
Les Savy Fav<br />
Wrongbar<br />
Les Savy Fav<br />
Wrongbar<br />
Comanechi<br />
silver Dollar<br />
hip-hop<br />
Violent Soho<br />
sneaky Dee’s<br />
Classixx<br />
Drake hotel<br />
Special guest<br />
Wrongbar<br />
Special guest<br />
Wrongbar<br />
Classixx<br />
Drake hotel<br />
Special guest<br />
sneaky Dee’s<br />
The Strange<br />
Boys<br />
silver Dollar<br />
Static In The<br />
Stars<br />
the hideout<br />
Drunk Woman<br />
silver Dollar<br />
Hatchmatik<br />
Drake hotel<br />
AC Slater,<br />
Udachi, B. Rich<br />
the social<br />
The Peelies<br />
sneaky Dee’s<br />
still, she does acknowledge that Pro<br />
Nails put her on the map.<br />
“I’m grateful for that song every day,<br />
cuz it’s really what started everything,”<br />
she says. and despite Ultraviolet not<br />
exactly taking off, kid sister is in the midst<br />
of making some power moves. shortly<br />
after our conversation, the rapper will enter<br />
a los angeles studio with a couple of<br />
the biggest names in pop music.<br />
“I’m recording with travis Barker and<br />
will.i.am,” she reveals nonchalantly.<br />
“yeah, will.i.am came to a show<br />
with apl.de.ap [also of Black Eyed Peas]<br />
about a month and a half ago. My<br />
manager was like, ‘yeah, you’re<br />
gonna go into the studio with<br />
them.’ I’m like, ‘okay. cool.<br />
awesome.’”<br />
she’s also busy prepping<br />
new collaborations for other<br />
people’s albums.<br />
“I did a song for the Jersey shore<br />
soundtrack with Nina sky, and I have a<br />
song with Bun B on Paul Wall’s album,<br />
coming out July 13.”<br />
and while much of her upcoming<br />
work will happen in l.a., kid sister<br />
balks at the idea of ever abandoning<br />
her chi- town roots.<br />
“yeah, I’m not moving. let’s not get<br />
crazy.” JASON RICHARDS<br />
Punk pioneers the Zeros play<br />
the El Mocambo main floor<br />
Saturday (June 19) at<br />
midnight.<br />
the Bands<br />
Who’s playing where, what and when<br />
Thursday,<br />
June 17<br />
The Boat<br />
Krupke art rock, progressive jazz, show tunes,<br />
post- punk and old- fashioned whimsy. 9 pm.<br />
EX~PO Blending indie rock, noise and shoegaze<br />
with strong pop sensibilities. 10 pm.<br />
autumn owls critically acclaimed Irish quartet<br />
craft finely pitched atmospheric songs. 11 pm.<br />
sleepy vikings loud country shoegaze songs<br />
about stalkers and summer. Midnight.<br />
Modernboys Moderngirls a sweat- drippin’ rock<br />
‘n’ roll show. 1 am.<br />
72 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 73<br />
Bovine Sex Club<br />
miesha & the spanks crosses crooning country-<br />
soul and gritty, in- yer- face garage rock. 9 pm.<br />
The Barrens Explosive psychedelic rock blends<br />
punky guitars and frozen melodies. 10 pm.<br />
Terracotta Pigeons sound Garden meets Muse<br />
and terracotta Pigeons. 11 pm.<br />
Mini Mansions Psych- popsters mix baroque<br />
pop, Motown and Merseyside. Midnight.<br />
222s First live performances since these Montreal<br />
punkers split up in 1981. 1 am.<br />
Walter Schreifels 2 am.<br />
TBA 3 am.<br />
Bread and Circus<br />
Rakkatak Indian classical rhythms, lustrous<br />
melodies and waves of synths. 8 pm.<br />
Brenda Macintyre Medicine Song Woman<br />
award- winning artist and healer fuses folk, reggae-<br />
soul and healing songs. 9 pm.<br />
Senaya Jazzy, soulful francophone singer/songwriter<br />
and composer is a Juno nom. 10 pm.<br />
Jaffa Road Juno noms mix ancient and original<br />
poetry with belly dance and dub. 11 pm.<br />
Kobo Town calypso- injected trinidadian sounds<br />
infused with reggae and dub. Midnight.<br />
All Star Mash Up cutting- edge artists from the<br />
night’s lineup collaborate live onstage. 1 am.<br />
Cadillac Lounge<br />
The JD Edwards Band Raspy voiced alt- country<br />
rock with bits of funk- folk and ballads. 8 pm.<br />
Daniel Sky Band open- road roots rock sound of<br />
the Band and Blue Rodeo. 9 pm.<br />
Brett Caswell & the Marquee Rose soaring<br />
piano ballads and sardonic rock songs. 10 pm.<br />
Sons of an Illustrious Father Roots- driven rock<br />
for fans of tom Waits and Patti smith. 11 pm.<br />
Kasey Anderson Evokes steve Earle, townes van<br />
zandt and Paul Westerberg. Midnight.<br />
Derek James Tilley country rock music with<br />
wide appeal for fans of Rascal Flatts . 1 am.<br />
TBA 2 am.<br />
Cameron House<br />
The Eatons Passionate rock music to remedy<br />
suburban living. 9 pm.<br />
Crazy Diamond organic vocals and guitar, deep<br />
punk rock roots in brutally honest pop. 10 pm.<br />
StereogoesStellar Bitchin’ power- piano- pop<br />
combo from Windsor. 11 pm.<br />
Jody glenham sex, drugs and grand pianos in<br />
highly addictive coffee shop pop . Midnight.<br />
Karyn Ellis Welch, Waits, amos, Brickell and<br />
Peyroux all rolled up into one tiny body . 1 am.<br />
C’est What<br />
Sara Kamin compared to Jann arden, India.arie,<br />
Nina simone and Bessie smith. 8 pm.<br />
Mark Mandeville with Raianne Richards F o lk-<br />
and country- styled indie trio. 9 pm.<br />
Kathryn Rose artful, cerebral, cinematic pop. 10<br />
pm.<br />
Sunbear a Parkdale- based country/folk trio<br />
fronted by kate Boothman. 11 pm.<br />
Praise the Twilight Sparrow Dreamy music reminiscent<br />
of moonlit southern woods. Midnight.<br />
hopeful monster think Banana splits taking<br />
over from post- meltdown Brian Wilson. 1 am.<br />
Clinton’s<br />
Jennifer LFO Ex- Pursuit of happiness member<br />
goes solo with smart, catchy rock tunes. 8 pm.<br />
Chris Page crosses Billy Bragg’s levi stubbs’<br />
tears and the shins’ kissing the lipless. 9 pm.<br />
Andy Swan country pop sounds piped in by<br />
heartbroken Nashville session players. 10 pm.<br />
Camp Radio heavily influenced by the Nils and<br />
slow, camp Radio crank can- rock to 11. 11 pm.<br />
The Michael Parks Featuring andy swan, Greg<br />
smith , shayne cox and sandro Perry. Midnight.<br />
Andrew Vincent vintage- sounding songs are<br />
pure heart- on- sleeve nuggets.. 1 am.<br />
Comfort zone<br />
VIVIV subdued vocals, fingerpicked guitar over<br />
cello, violin and electronic beats . 8 pm.<br />
eElvyn catchy tunes influenced by the Replacements<br />
and the Flying Burrito Brothers. 9 pm.<br />
The Champion Heartache subdued, melan cholic<br />
rock with a touch of alt- country. 10 pm.<br />
Another Blue Door a vulnerable sound similar<br />
to Pavement and the Replacements. 11 pm.<br />
The Diableros an intense sound full of brooding<br />
post- punk, honestly delivered. Midnight.<br />
The Stables traditional country three- part harmonies<br />
delivered with electric energy. 1 am.<br />
Crown & Tiger<br />
Rebecca Kohler this stand- up comic says she is<br />
not offensive, life is. 8:30- 8:40 pm.<br />
Nick Flanagan stand- up comedian and Brutal<br />
knights singer hosts a showcase. 8:40- 8:50 pm.<br />
Christina Walkinshaw<br />
Crazy Diamonds<br />
Upstart t.o. stand- up<br />
comic is on ctv’s comedy Now! 8:50- 9 pm.<br />
Barry Taylor telling jokes or dominating at<br />
Mario kart, he makes girls horny. 9- 9:10 pm.<br />
claire brosseau comedian and writer wrapped a<br />
film with aidan Quinn. 9:10- 9:20 pm.<br />
gavin Stephens Balances playful irony and morbid<br />
silliness. 9:20- 9:30 pm.<br />
Czehoski<br />
HOTCHA! high- energy swing duo blends bluegrass,<br />
early swing and country gospel. 9 pm.<br />
Emma Hill and Her gentlemen Callers Folkie<br />
offers pedal steel and cool harmonies 10 pm.<br />
Samantha Savage Smith Pretty melodies and<br />
personal lyrics tinged by blues and rock. 11 pm.<br />
Julia and her Piano singer/songwriter reminds<br />
us of Regina spektor and tori amos. Midnight.<br />
Anais Mitchell Intimate folk delivered with<br />
punk rock passion. 1 am.<br />
TBA 2 am.<br />
Dakota Tavern<br />
The Sheepdogs old-school rock and roll, faithful<br />
to its classic 70s influences. 9 pm.<br />
First Rate People Part folk rock, part soul, part<br />
dance group. 10 pm.<br />
ghostkeeper a raw and colourful mix of heartfelt<br />
blues and noisy pop out of calgary. 11 pm.<br />
The Pack A.D. a two- woman demolition squad<br />
specializing in bombastic blues rock. Midnight.<br />
yOUNg EMPIRES Well- manicured dance tracks<br />
full of swagger, sexuality and angst . 1 am.<br />
Special guest 2 am.<br />
TBA 3 am.<br />
The Drake Hotel Underground<br />
Rituals three- piece, psychedelic, post- punk pop<br />
band that cranks their casios up to 11. 8 pm.<br />
Fields of Fur Garage rock from holy Fuck’s Brian<br />
Borcherdt, with Foxfire’s anna Edwards. 9 pm.<br />
Bad Tits Josh Reichmann and sebastien Grainger<br />
proggy/krauty/synthy garage rock. 10 pm.<br />
Bishop Morocco Reverby dream pop, Roy orbison<br />
meets New order and the smiths. 11 pm.<br />
Little girls lo- fi pop takes its melodies from<br />
post- punk and goth’s glory days. Midnight.<br />
Mymanhenri local fave entertains west- end<br />
crowds with his own tasty, sweet beats. 1 am.<br />
FaltyDL catchy garage- fuelled beats, insistent<br />
2- step infused 12- inches and remixes. 2 am.<br />
TBA 3 am.<br />
El Mocambo (Main Floor)<br />
Final Flash lo- fo indie psychedelia, part Wolf<br />
Parade, part spaceman3 or Neil young. 9 pm.<br />
little foot long foot aggressive blues rock by a<br />
girl and a seth Rogen look alike. 10 pm.<br />
The Warped 45s Blends melancholy, joy, anger<br />
and honesty. 11 pm.<br />
Fox Jaws affable indie rock featuring carleigh<br />
aikins’s belt- it- out voice. Midnight.<br />
great Bloomers Roots rock with delicious hooks<br />
and stunning harmonies. 1 am.<br />
TapeDeckBros French- inspired electronic dance<br />
music with disco, pop and rock elements. 2 am.<br />
TBA 3 am.<br />
El Mocambo (Upstairs)<br />
Mille Monarques young indie rock sounds like a<br />
mix of arcade Fire and Malajube. 9 pm.<br />
Times Neue Roman Nintendo rap- punk with a<br />
white- hot live show. 10 pm.<br />
MADRID Pitchfork- approved toronto “psych-<br />
tronic” duo marry shoegaze and electro. 11 pm.<br />
The Russian Futurists Preserves its punchy pop<br />
sound but ups the dance quotient. Midnight.<br />
DVAS a dangerous and sexy journey through<br />
disco, funk and souls. 1 am.<br />
TBA 2 am.<br />
Free Times Cafe<br />
Abigail Lapell combines the intimacy of folk<br />
with fiery, punk rock passion. 9 pm.<br />
Chloe Charles Reaching back into sultry jazz and<br />
forward to Portishead and Feist. 10 pm.<br />
Allison Lickley her haunting vocal work and<br />
lyrics have captured fans across canada. 11 pm.<br />
Nicola Watson Jazz parlour chic with a contemporary<br />
indie folk twist. Midnight.<br />
Hayley Stark Pop/rock duo play like their acoustic<br />
guitars are electrified. 1 am.<br />
The garrison<br />
Neon Windbreaker Noise/chillwave/pop/rock<br />
has critics buzzing. 8 pm.<br />
Iroquois Falls Priya thomas’s new band is way<br />
outside, dirgelike, noisy and explosive. 9 pm.<br />
The Racoon Wedding country, punk and Dylanesque<br />
lyrics anchor these five guys. 10 pm.<br />
METz channelling early 90s sludge rock via sub<br />
Pop and touch and Go’s catalogues. 11 pm.<br />
DD/MM/yyyy a mess of spastic art rock with<br />
80s video game synthesizers. Midnight.<br />
Burning Love hardcore that’s keenly restrained<br />
enough to be melodic but still abrasive. 1 am.<br />
TBA 2 am.<br />
gladstone Hotel Ballroom<br />
Volcanoless in Canada Energetic dance jams<br />
borrowing from rock, folk and punk. 8 pm.<br />
The Mountains & The Trees too many effects<br />
pedals for folk, too many banjos for rock. 9 pm.<br />
Olenka and the Autumn Lovers tenderness, turmoil<br />
and paradoxical melancholia. 10 pm.<br />
Rock Plaza Central Rolling stone called them<br />
“stars in waiting.” 11 pm.<br />
The Coast Beautiful guitar- driven indie rock,<br />
energetically performed. Midnight.<br />
A Horse And His Boy heavy guitar, melodic bass<br />
and battling synths. 1 am.<br />
Amos The Transparent Indie pop with lush arrangements<br />
and seductive melodies. 2 am.<br />
TBA 3 am.<br />
The great Hall<br />
Friendo Inspired by 90s experimental rock, 70s<br />
punk and 60s pop. 8 pm.<br />
Demon’s Claws the Guess Who meet scat Rag<br />
Boosters meet stompin’ tom connors. 9 pm.<br />
WOMEN they toured with Deerhunter and abe<br />
vigoda and are celebrated by Pitchfork. 10 pm.<br />
Best Coast Bethany consentino seems obsessed<br />
with weed, guitars and the beach. 11 pm.<br />
CoCoComa Part garage, part psych-pop and all<br />
punk in a bash- and- crash quartet. Midnight.<br />
Thee Oh Sees “tripped- out, noisy psych- rock<br />
jams melted our brains.” – NoW. 1 am.<br />
Harlem<br />
The get By Bridging the mainstream/underground<br />
divide in urban music. 8 pm.<br />
Okay City hip- hop featuring Bill Maka’s edgy<br />
delivery and Ray Black’s smooth flow. 9 pm.<br />
iSH Blending multiple genres and influenced by<br />
hip- hop, reggae, pop and dance music. 10 pm.<br />
Illa Brown 11 pm.<br />
Cale Sampson Intricate rhymes, energetic stage<br />
presence and storytelling aptitude. Midnight.<br />
Ricca Razor Sharp stage presence, wit and three<br />
decades of hip- hop influence. 1 am.<br />
Rebel yell Riffin’, rappin’ and drumbeats in a<br />
punkster hip- hop party sound. 2 am.<br />
TBA 3 am.<br />
Hideout<br />
Bella Clava aggressive new- wavey rock and roll<br />
from the mean streets of thunder Bay. 9 pm.<br />
Isle of Thieves harmonious blend of punky alt-<br />
rock, Britpop and new wave. 10 pm.<br />
The North the North carry on the great tradition<br />
of canadian alt- country. 11 pm.<br />
De Staat the rattly, locomotive energy of the<br />
hives with a touch of funk. Midnight.<br />
Birthday Boys Raw garage rock reminiscent of<br />
Nick cave/Birthday Party. 1 am.<br />
Queen Kwong aggressive and haunting rock,<br />
toured with Nine Inch Nails. 2 am.<br />
A Primitive Evolution lye, Play dead cult and<br />
Darkside exes put groove into hard rock . 3 am.<br />
The Legendary Horseshoe Tavern<br />
Dinosaur Bones Danceable New york- inspired<br />
indie rock laced with post- rock ambience. 9 pm.<br />
Free Energy Melodic, hook- laden tunes dusted<br />
with bombastic glam and classic rock. 10 pm.<br />
WARPAINT all- girl quartet with intricate guitar,<br />
hypnotic vocals and post- punk rhythms. 11 pm.<br />
Elliott BROOD Deeply menacing roots music, an<br />
enigmatic presence. Midnight.<br />
The ghost is Dancing Flamboyant mini- symphonies<br />
with exultant harmonies. 1 am.<br />
The Junction take Beatles, add a dash of Replacements,<br />
season with experimental. 2 am.<br />
Lee’s Palace<br />
Andy Kim Golden touch behind sugar sugar<br />
and Rock Me Gently tours new album. 8 pm.<br />
Justin Rutledge, Oh Susanna, Danny Michel<br />
three takes on folk- infused balladry with songs<br />
that travel highways and history. 9 pm.<br />
Andy Maize, Amelia Curran, Royal Wood canucks’<br />
songs can mend broken hearts. 10 pm.<br />
Jim Cuddy, Hawksley Workman, Colleen Brown<br />
a city- meets- country- tinged set. 11 pm.<br />
The Beauties Filthy, whiskey- soaked, tobacco-<br />
stained rock ’n’ roll. Midnight.<br />
continued on page 74 œ
<strong>NXNE</strong> festivAl guide<br />
the Bands<br />
œcontinued from page 73<br />
Joel Stewart and the Future Hall of Famers altcountry<br />
songs about disappointment 1 am.<br />
TBA 2 am.<br />
Mitzi’s Sister<br />
The Hey Now this trio channels influences from<br />
the kinks to the strokes. 9 pm.<br />
Andy Brown Folk rock compares to David Gray<br />
and coldplay. 10 pm.<br />
Before the Flood alt- rock and folk fusion experimenters<br />
draw on diverse genres. 11 pm.<br />
Buckets Of catchy, spacey, indie- styled ditties<br />
recall the sadies and Wolf Parade. Midnight.<br />
The Hunting Horns Gritty, passionate roots rock,<br />
like Nick cave sitting in with the Band. 1 am.<br />
gregory Pepper & His Problems head- scratchingly<br />
great orchestral pop. 2 am.<br />
Mod Club Theatre<br />
Imaginary Cities hook- laden choruses recall<br />
R&B and synth- driven pop. 7 pm.<br />
young galaxy Warm silver flames shoot from<br />
speakers and cup your nether regions. 8 pm.<br />
The Besnard Lakes Majestic, sprawling vision of<br />
guitar bombast and pop experiments. 9 pm.<br />
Neutral Lounge<br />
porcelain synth sounds and Uk rock ballads lie<br />
beneath the anthemic alt- rock outfit. 9 pm.<br />
Violent Kin orchestral and synthetic instrumentation<br />
and pop-rock arrangements. 10 pm.<br />
Beekeepers Society Music- making bunch plays<br />
on any sound- making devices handy. 11 pm.<br />
TBA Midnight.<br />
TBA 1 am.<br />
TBA 2 am.<br />
<strong>NOW</strong> Lounge<br />
Cat Malojian Beautiful harmonies and brush ’n’<br />
snare drums cross celtic and americana. 9 pm.<br />
Luluc Quiet, stripped- back, haunting folk songs<br />
from Melbourne. 10 pm.<br />
CALLmeKAT Icy- cool chanteuse makes melancholic,<br />
other- era cabaret- pop. 11 pm.<br />
9yrs alt- pop rockers carry the torch set out by<br />
Blondie, Bette serveert and Metric. Midnight.<br />
Opera House<br />
Death Leppard 9- 10 pm.<br />
Bastard Child Death Cult 10- 11 pm.<br />
Misfits 11 pm- 12:30 am.<br />
The Painted Lady<br />
Megan Bonnell Intimate piano ballads and<br />
ghostly, swirling vocals. 8 pm.<br />
Smile Smile Pretty boy/girl outfit sing with<br />
drum machines, a guitar and a keyboard. 9 pm.<br />
Emma- Lee handclaps, folky guitar and cat- and-<br />
mouse strings bolster ethereal pop. 10 pm.<br />
Tristen Playful pop sensibilities injected into a<br />
newly introspective brand of folk. 11 pm.<br />
Lily Frost Blending film noir and stark minimalism<br />
with a soul- stabbing honesty. Midnight.<br />
Ruth Cassie Powerful, multi- octave voice recalls<br />
Regina spektor and kate Bush. 1 am.<br />
The Piston<br />
The Evelyn Room a perfect accompaniment to<br />
just about any David lynch movie. 9 pm.<br />
The Subtitles Upbeat, synth- drenched pop- rock<br />
with an edge. 10 pm.<br />
Hyperpotamus a cappella one- man band<br />
makes muscled music. 11 pm.<br />
Ramona Melodic and infectious tunes in the<br />
tradition of the kinks and the cars. Midnight.<br />
The Bats Pajamas hard- hitting punky garage<br />
rock for Black lips and the shrines fans. 1 am.<br />
Rancho Relaxo<br />
Old World Vulture Rock, drone, psychedelia and<br />
electronica in a heavy yet melodic sound. 8 pm.<br />
The Cunninghams Rockers styled after “...the<br />
Rolling stones, the Police and U2.” 9 pm.<br />
The Seedy Seeds Pop- punk and alt- country,<br />
using accordion and toy keyboards. 10 pm.<br />
Jane’s Party sparkling acoustic pop with rustic<br />
americana and jangly rock elements. 11 pm.<br />
Make Me young a high- energy combo of punk,<br />
rock, country, pop and krautrock. Midnight.<br />
Corduroy sounds like volcanic ash coating the<br />
shimmering skies like nuclear fallout. 1 am.<br />
TBA 2 am.<br />
TBA 3 am.<br />
Rear View Mirror<br />
wordPEOPLE a unique blend of Motown, rock ’n’<br />
roll and hip- hop. Big fun. 8 pm.<br />
Formula412 hip- hop/rock outfit for fans of the<br />
Roots, N*E*R*D and/or Metallica. 9 pm.<br />
T- West tight, revealing rhymes that reflect<br />
urban struggles. 10 pm.<br />
Brockway Biggs Fun rapper sports b- boy moves<br />
and bunny hand puppets. 11 pm.<br />
Fineprint a gritty, fun- loving blend of samples<br />
and live instruments. Midnight.<br />
Manafest compared to Eminem and linkin<br />
Park, Manafest got a Juno nod. 1 am.<br />
Rivoli<br />
Chris Velan acoustic folk/pop influenced by<br />
Paul simon and James taylor. 9 pm.<br />
zeus timeless songs complete with fuzzed- out<br />
guitars and shimmering harmonies. 10 pm.<br />
Buck 65 a celebrated hip- hop artist explores<br />
blues, country, rock and avant- garde. 11 pm.<br />
grand Analog seasoned record collectors, musicians<br />
and self- described beat junkies. Midnight.<br />
Kate Rogers Band sophisticated folk- influenced<br />
pop. 1 am.<br />
TBA 2 am.<br />
The Shop<br />
Rehab for Quitters high- energy punk- edged<br />
rock with slicked- back 50s flair. 9 pm.<br />
High Five Drive technical and very fast pop-<br />
punk/punk rock from Winnipeg. 10 pm.<br />
The Action one of canada’s first punk bands,<br />
aiming to top their legendary gigs. 11 pm.<br />
Cinema, Cinema Drums- and- guitar duo’s psych-<br />
leaning experimental freak-outs. Midnight.<br />
Doll Gritty, angst- ridden 90s grunge that<br />
doesn’t fuck around. 1 am.<br />
Silver Dollar Room<br />
Clothes Make The Man NoW and chartattack-<br />
approved 90s- influenced pop rock. 8 pm.<br />
U.S. Royalty Inspired by americana, roots and<br />
the sleeve- worn indie strains of spoon. 9 pm.<br />
Modern Superstitions Pop songs played at lightning<br />
speed and thunderous volume. 10 pm.<br />
Turbogeist British garage- leaning rock- revival-<br />
ists mine 80s alternative and 70s rock. 11 pm.<br />
The Bitters Ben cook (Fucked Up) and aerin<br />
Fogel craft dark surf- pop scraps. Midnight.<br />
The Strange Boys ”classic rhythm and blues<br />
augmented by psych and blues. 1 am.<br />
Special guest 2 am.<br />
TBA 3 am.<br />
Sneaky Dee’s<br />
zola Jesus opera- trained singer reworking<br />
gothic rock. 9 pm.<br />
gold Panda hip- hop saturated with bright colours<br />
and chopped- up vocal samples. 10 pm.<br />
Indian Jewelry a van gang from texas: blood on<br />
the streets. No genre, no rules, no help. 11 pm.<br />
HEALTH artfully crafted noise and raw synth,<br />
haunting vocals and drum skills. Midnight.<br />
Kidstreet 1 am.<br />
TBA 2 am.<br />
The Social<br />
Lucy Lo 100% hip- hop: DJ, producer and member<br />
of the group 84.85. 10 and 11 pm.<br />
Junior Boys sonically rich, emotionally charged<br />
pop with experimental genres. Midnight.<br />
Bordello Electro/house stalwart of arcade Fridays<br />
is building a west- end following. 2 am.<br />
TBA 3 am.<br />
74 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 75<br />
SPK – Polish Hall<br />
Vandermark 5 8- 11 pm.<br />
Supermarket<br />
Molly Rankin catchy country- tinged indie rock<br />
fronted by the sultry and playful Rankin. 9 pm.<br />
Michael Rault a minimalist blend of garage,<br />
roots, rock ’n’ roll and blues. 10 pm.<br />
Michou Bowed banjo parts and slide guitar<br />
from a sort of audio gymnastic. 11 pm.<br />
We Are The Take Dual lead singers/guitarists<br />
write smart, hook- laden songs. Midnight.<br />
Ben Stevenson Punk rocker turned soul singer,<br />
with just- right rough edges. 1 am.<br />
Velvet Underground<br />
Neon Factory sonic landscapes with loud guitars,<br />
reverb and synths. 8 pm.<br />
Dead Famous soulful garage rock played with<br />
soul, indie, psych and assorted cat calls. 9 pm.<br />
Comanechi Grungy riffs, high- speed rhythmic<br />
pounding and murderous screeching. 10 pm.<br />
Commandeers Rooted in New york Dolls’ swagger<br />
and snarling classic- rock. 11 pm.<br />
TBA 2 am.<br />
Whippersnapper gallery<br />
Alphabot! he has been compared to Beck, the<br />
Flaming lips and they Might Be Giants. 8 pm.<br />
Pop Winds Experimental 80s pop with weird<br />
beats, blasts of chiptune and saxophone. 9 pm.<br />
Donlands and Mortimer a kaleidoscope of driving<br />
melodies and tight musicianship. 10 pm.<br />
Anamanaguchi specialists in hyperactive,<br />
hyper- melodic 8- bit punk. 11 pm.<br />
La Casa Muerte trippy locals deliver a psych-<br />
garage punch in the face. Midnight.<br />
Wrongbar<br />
Matt Paxton troubadour nods to leonard cohen<br />
and Dylan’s Blonde on Blonde. 9 pm.<br />
teen tits wild wives 80s- inspired fuck- pop art<br />
punk – psychedelic with an indie edge. 10 pm.<br />
Mamabolo Infusing the spirit of Erykah Badu<br />
and lauryn hill. 11 pm.<br />
Foxfire Riffing off the best of disco, Motown<br />
and sweaty rock and roll. Midnight.<br />
glass Candy Electronic pop music, dirty disco<br />
classics and pounding analog arpeggios. 1 am.<br />
TRUST darkness calling//candles burning//wine<br />
pouring// eyes are open//two//trust// 2 am.<br />
Mikey Apples Uber- cool DJ always spins the<br />
hottest/newest tracks. 3 am.<br />
yonge-Dundas Square<br />
Free Energy hook- laden tunes with a hit of<br />
bombastic glam and classic rock. 6- 6:40 pm.<br />
The Icarus Line Frenetic poundings – highly<br />
volatile and threatening chaos. 7- 7:40 pm.<br />
Brant Bjork & The Bros Psychedelic classics from<br />
ex kyuss and Fu Manchu member. 8- 8:40 pm.<br />
Mudhoney Part of the original seattle grunge<br />
scene, they inspired kurt cobain. 9- 9:40 pm.<br />
X the legendary punk band. the original lineup<br />
is back! 10- 10:50 pm.<br />
Friday, June 18<br />
Bovine Sex Club<br />
New France Ex and pre sent members of Groovy<br />
Religion, la casa Muerte and more. 9 pm.<br />
De Staat Rattly, locomotive energy of the hives<br />
or the Monks. 10 pm.<br />
Queen Kwong highly melodic, off- kilter rock,<br />
aggressive and hauntingly confessional. 11 pm.<br />
Brant Bjork & The Bros Psychedelic classics from<br />
ex kyuss and Fu Manchu member. 8- 8:40 pm.<br />
Drive Like Maria stadium rock influ enced by led<br />
zeppelin, zz top and Neil young. 1 am.<br />
Special guest 2 am.<br />
TBA 3 am.<br />
Bread and Circus<br />
Christopher Smith this generically named songwriter<br />
makes music that is anything but. 8 pm.<br />
Templo Diez Mixes alt- country and dark pop<br />
influences into an intimate sound. 9 pm.<br />
The Runaway Catholics Fuzzy meets jangly, cana<br />
da’s answer to Belle & sebastian. 10 pm.<br />
Code Pie Jangly, joyful indie rock along the lines<br />
of arcade Fire and Plants and animals. 11 pm.<br />
Rah Rah a veritable cacophony of pop, rock and<br />
alt- country musical influences. midnight.<br />
gramercy Riffs Grand- sounding, haunting indie<br />
rock poised for big things. 1 am.<br />
Cadillac Lounge<br />
The Treasures country- inflected gems guaranteed<br />
to warm your heart. 8 pm.<br />
Romney getty commanding voice anchors infectious<br />
roots rock. 9 pm.<br />
Kirsten Jones the best ele ments of alt- country<br />
and contemporary folk. 10 pm.<br />
Uncle Sinner Uses banjo, dobro and 12- string<br />
guitar to create gritty american folk . 11 pm.<br />
The Heartbroken Johnny cash and Bowie meet<br />
for a drink at Willie Nelson’s bar. midnight.<br />
Flashlight Radio Mod ern roots music blends<br />
textures, soaring vocals and melodic riffs. 1 am.<br />
The North canadian alt- country, nodding to<br />
Neil young, Blue Rodeo and the hip. 2 am.<br />
Cameron House<br />
Luluc Quiet, stripped- back, haunting folk songs<br />
from Melbourne. 9 pm.<br />
Jess McAvoy honest, pop ballads by a veteran<br />
indie from down under. 10 pm.<br />
The Jack Stafford Foundation sardonic songs<br />
punctuated by honest storytelling. 11 pm.<br />
fanshaw singer/songwriter com pared to Feist<br />
and New order draws you in. midnight.<br />
Che Aimee soulful pop follows you home, then<br />
leaves daisies at your doorstep. 1 am.<br />
C’est What<br />
Ben Wilkins Multi- instrumentalist blends<br />
breezy sounds into his own brand of pop. 8 pm.<br />
Paper Thick Walls humble and honest folk<br />
tunes by a hyper- literate chicago outfit. 9 pm.<br />
Chasing Pandora Malta- based duo weaves fragile<br />
vocals with keith anthony’s guitar. 10 pm.<br />
gold Lake cool spainiards channel Rilo kiley,<br />
Nada surf and tegan and sara. 11 pm.<br />
ghost Bees theatrical songs with timeless lyrics<br />
and shimmering har mo nies. midnight.<br />
Henry Pre- baroque/post- punk reinterpretations<br />
of composer henry Purcell. 1 am.<br />
Comfort zone<br />
Tundra Fun a raw take on funk, soul and blues,<br />
bursting with fun spontaneity. 8 pm.<br />
Stop Die toronto threesome of steady- grinding<br />
rap electro whiz kids. 9 pm.<br />
Ten Kens For fans of liars, Black Mountain and<br />
Black heart Procession. 10 pm.<br />
Comanechi Grungy riffs, high- speed rhythmic<br />
pounding and murderous screeching. 11 pm.<br />
continued on page 76 œ
76 june 17-23 2010 <strong>NOW</strong><br />
<strong>NXNE</strong> festivAl guide<br />
the Bands<br />
œcontinued from page 75<br />
The Two Koreas an amalgam of garage rock,<br />
krautrock and 80s post- punk. midnight.<br />
Turbogeist Mines 80s alternative and 70s rock<br />
for loud riffs and oversexed lyrics. 1 am.<br />
Crown & Tiger<br />
Andrew Ivimey Named by Downhome <strong>Magazine</strong><br />
as one to watch for 2009. 8:30- 8:45 pm.<br />
Steve Scholtz truly bizarre observations with a<br />
love of the English language. 8:45- 9 pm.<br />
Laurie Elliott twice voted funniest female standup<br />
at canadian comedy awards. 9- 9:15 pm.<br />
gavin Stephens Pulling from cartoons, 80s movies<br />
and stephen J. cannell tv. 9:15- 9:30 pm.<br />
Czehoski<br />
Nicola Watson smoky jazz parlour chic with a<br />
contemporary indie folk twist. 9 pm.<br />
Trevor Tchir subdued and iconic stylings in wonderfully<br />
evocative songs. 10 pm.<br />
CALLmeKAT Icy- cool chanteuse makes melancholic,<br />
other- era cabaret pop. 11 pm.<br />
Julian Bachlow synth- styled indie rock band<br />
with threads of New order, Postal service and<br />
Mgmt. midnight.<br />
Brit & the Cavalry offering an exhilarating<br />
blend of psychedelic and alt- folk. 1 am.<br />
TBA 2 am.<br />
Dakota Tavern<br />
T. Nile Band a west- coast female singer/songwriter<br />
who plays claw- hammer- style. 8 pm.<br />
Old Man Luedecke Juno winner old Man luedecke<br />
plays uplifting country tunes. 9 pm.<br />
David Myles an artist with a knack for effortlessly<br />
straddling jazz, blues and pop. 10 pm.<br />
The Wheat Pool amped- up indie rock that<br />
evokes the spirit of Neil young. 11 pm.<br />
Evening Hymns Melodic, experimental pop uses<br />
loop pedals, omnichords and keys. midnight.<br />
young Doctors in Love Refreshing music with<br />
bloops up top and a bluesy groove below. 1 am.<br />
Special guest 2 am.<br />
TBA 3 am.<br />
The Drake Hotel Underground<br />
giant Hand this indie darling uses guitar,<br />
vocals, harmonica and a drum machine. 8 pm.<br />
Old Crowns old crowns are a young stoner<br />
country band. 9 pm.<br />
La Strada think Beirut and Neutral Milk hotel<br />
with a focus on traditional americana. 10 pm.<br />
Boxer the Horse this charlottetown quartet<br />
maked the familiar sound new. 11 pm.<br />
Burn Planetarium high- energy, dance grooves<br />
with infectious vocals. midnight.<br />
84.85 hip- hop/electro duo known for rocking<br />
crowds with a mix of diverse influences. 1 am.<br />
Dj Fase 2 am.<br />
DJ Ed Lover Nyc on- air DJ and former show co-<br />
host with Doctor Dre. 3 am.<br />
El Mocambo (Main Floor)<br />
Love in October combining international musical<br />
influences and indie pop. 8 pm.<br />
Monogold If you like the antlers, prepare to<br />
love Monogold’s layered tunes. 9 pm.<br />
Ten Bears lock David Bowie and Mgmt in a<br />
small room with some instruments. 10 pm.<br />
White Cowbell Oklahoma Wake up next to a<br />
sasquatch the day after a Wco show. 11 pm.<br />
Rich Aucoin you can be sure that Rich aucoin’s<br />
lush indie pop will touch your heart. midnight.<br />
THE gOLDEN DOgS Manic pop rock with energetic,<br />
over- the- top live performances. 1 am.<br />
Special guest 2 am.<br />
TBA 3 am.<br />
El Mocambo (Upstairs)<br />
Elizabeth Purveyors of chiming Interpol guitars<br />
and dancey disco beats. 9 pm.<br />
These Electric Lives Nice, clean- cut boys with a<br />
song in their hearts. 10 pm.<br />
The Framework catchy synth-rock epics in the<br />
vein of the killers and Metric. 11 pm.<br />
HOT HEAD S<strong>HOW</strong> hhs do avant- rock that’s melodic<br />
and unconventional. midnight.<br />
Afterparty synth-pop and dance rock with edgy<br />
guitars, disco beats and powerful vocals. 1 am.<br />
TBA 2 am.<br />
Free Times Cafe<br />
Jerry Stamp Building on his previous work<br />
fronting local rockers king Nancy. 9 pm.<br />
Kristin Sweetland a commanding blend of folk,<br />
jazz, classical and flamenco. 10 pm.<br />
Romina Di gasbarro Rooted in opera, classical<br />
guitar, jazz, funk and world. 11 pm.<br />
Elissa Mielke honest folk ballads that engage<br />
audiences in a genuine way. midnight.<br />
Jenny Allen Dynamic folk rock with a twist of<br />
rootsy blues. 1 am.<br />
The garrison<br />
Soft Copy soft copy’s sound combines early<br />
post- punk and later avant- rock. 9 pm.<br />
zola Jesus ”you don’t hear singers like this every<br />
day.” – Pitchfork Media 10 pm.<br />
Best Coast singer who appears to be obsessed<br />
with weed, guitars and the beach. 11 pm.<br />
The Soft Pack ”No frills, no ego, no fat, no bullshit.”<br />
– Drowned in sound. midnight.<br />
Cold Cave DJs Matt Groening muses entertain<br />
behind the turntable. 1 am.<br />
TBA 2 am.<br />
gladstone Hotel Ballroom<br />
Mathemagic Dazed guitars, synths and blissed-<br />
out harmonies. 8 pm.<br />
ghost Bees theatrical songs built around timeless<br />
lyrics and shimmering harmo nies. 9 pm.<br />
Timber Timbre ”Gothic rockabilly blues” with<br />
violin, lap steel and looping pedals. 10 pm.<br />
DD/MM/yyyy spastic art rock with jagged guitars,<br />
80s video game synthesizers. 11 pm.<br />
C’Mon ”a freak flag that flies in the face of all<br />
that is safe, sanitized and soulless.” midnight.<br />
STyROFOAM ONES spacey synth lines float<br />
around percussive bass and drums. 1 am.<br />
<strong>NOW</strong> DJs Many of NoW’s music critics have<br />
done time in the DJ booth and in bands. 2 am.<br />
Torro Torro this duo has quickly become a hot<br />
commodity in the dance world. 3 am.<br />
The great Hall<br />
Avi Buffalo (solo) signed to sub Pop, these kids<br />
write breezy indie pop gems that recall Wilco,<br />
Built to spill and the shins. 9 pm.<br />
AA Bondy songs cribbed from dusty american<br />
blues and country pioneers have won him fans<br />
amongst hip urban cowboys. 10 pm.<br />
John Doe & Exene Cervenka from X Founding<br />
members of l.a. punk legends X perform a rare<br />
acoustic set. 11 pm.<br />
Mini Mansions Psych-pop band (w/ Michael<br />
shuman from Queens of the stone age), playing<br />
a mix of pop and soul. midnight.<br />
The Icarus Line shows that are frenetic poundings<br />
à la Refused – highly volatile and threatening<br />
chaos wherever they play. 1 am.<br />
Hard Rock Cafe<br />
Amanda Rheaume an exciting performer who<br />
combines alanis Morrisette vocals with a holly<br />
McNarland rock edge. 9 pm.<br />
Ty Hall and the Ez3 this eclectic fusion of rock,<br />
reggae and R&B is connecting with fans and<br />
programming directors alike. 10 pm.<br />
Amos The Transparent their critically acclaimed<br />
indie debut won praise for lush arrangements<br />
and seductive melodies. 11 pm.<br />
Hollerado taking canada by storm with their<br />
DIy ethic, insanely catchy guitar pop and<br />
boundless energy and imagination. midnight.<br />
A Plot Against Me Brawny, ballsy, bodacious<br />
rock, these dudes might be the next superstars<br />
in the world of alternative. 1 am.<br />
Harlem<br />
Elise Legrow her captivating stage presence<br />
and hauntingly silky vocals have been compared<br />
to Ella Fitzgerald’s. 9 pm.<br />
Erin Hunt a head- turning combo of R&B, soul<br />
and jazz, her timeless tunes blend inspired<br />
vocals and angelic harmonies. 10 pm.<br />
Halabisky’s Uprising Blending jazz, hip- hop,<br />
rock and electronica, sax man Dave halabisky<br />
takes you on a fast- paced journey. 11 pm.<br />
Weak Size Fish Maritime reggae- rock fusion;<br />
have gigged with Grand theft Bus and slowcoaster.<br />
midnight.<br />
Hibou Uptempo jazz- influenced indie electronica<br />
by folks into the smiths and Metric. 1 am.<br />
TBA 2 am.<br />
TBA 3 am.<br />
Hideout<br />
THE COPPER<strong>TO</strong>NE a blues rock duo conjuring up<br />
visions of the White stripes, the Black keys and<br />
the kills. 9 pm.<br />
The Mercy Now this new project from ex- shikasta<br />
frontman Russell Fernandes is all about<br />
the hooks and singalong melodies. 10 pm.<br />
Kirk Special kirk’s loud- ass music gets compared<br />
to the Ramones covering Rl Burnside. 11<br />
pm.<br />
The Speaking Tongues this toronto two- piece<br />
injects blues with punk energy. half Detroit<br />
garage, half Mississippi boogie. midnight.<br />
yOU HANDSOME DEVIL cross Mötorhead with<br />
50s rockabilly. they kick ass, so don’t plan on<br />
going to work the next day. 1 am.<br />
Hidden Towers Melodic hooks on a canvas of<br />
post- rock and doomy metal, with touches of<br />
jazz, world, metal and punk. 2 am.<br />
continued on page 78 œ
<strong>NXNE</strong> festivAl guide<br />
the Bands<br />
œcontinued from page 76<br />
Opus Road Underground alt- rock five- piece<br />
with a sound reminiscent of the tragically hip,<br />
My Morning Jacket and Pearl Jam. 3 am.<br />
The Legendary Horseshoe Tavern<br />
Modern Superstitions the superstitions write<br />
economical pop songs played at lightning<br />
speed and thunderous volume. 8 pm.<br />
222s one of Montreal’s earliest punk bands.<br />
these <strong>NXNE</strong> shows mark their first live performances<br />
since they split up in 1981. 9 pm.<br />
The Poison Arrows an intricate, propulsive rhythm<br />
section and challenging melodies. 10 pm.<br />
Wussy Wussy draws on plenty of sexual and<br />
existential tension, with alternately droning<br />
and jangling guitars. 11 pm.<br />
Man or Astroman? crazy, infectious blend of<br />
60s surf rock, 80s new wave and science fiction<br />
– think Dick Dale on Mars. midnight.<br />
Mudhoney Part of the original seattle grunge<br />
scene, Mudhoney are pioneers who inspired<br />
the likes of kurt cobain. 1 am.<br />
Lee’s Palace<br />
grooms Grooms play noise pop featuring blissful<br />
interplay, sonic experimentation and song<br />
destruction. 9 pm.<br />
The Happy Hollows their art rock sound is characterized<br />
by breathy, high- pitched vocals juxtaposed<br />
with heavy guitar rock. 10 pm.<br />
Wavves Punk- pop heavy hitters are Nathan<br />
Williams and former Jay Reatard musicians Billy<br />
hayes and stephen Pope. 11 pm.<br />
Japandroids “terminally catchy music played<br />
with punk’s enthusiasm and velocity” – Pitchfork<br />
Media. midnight.<br />
PS I Love you hard- hitting beats, sweet guitar<br />
hooks and bass organ. “Perhaps kingston oN’s<br />
most high- profile act.” 1 am.<br />
TBA 2 am.<br />
TBA 3 am.<br />
Mitzi’s Sister<br />
Tyler Ellis a songwriter’s songwriter à la John<br />
Prine, Ellis was once a fixture in toronto’s scene<br />
but now performs only rarely. 9 pm.<br />
Shade shade plays warm, honest and catchy<br />
pop, likened to the velvet Underground, lucinda<br />
Williams and cat Power. 10 pm.<br />
smokekiller Poppy 90s guitar alt- rock, like a<br />
one- man teenage Fanclub drawing on the Beatles.<br />
11 pm.<br />
Chris Velan velan’s world- influenced acoustic<br />
folk draws comparisons to Paul simon with<br />
shades of James taylor. midnight.<br />
Alun Piggins a staple in toronto’s live scene,<br />
Piggins’s crafty blend of indie rock and alternative<br />
always delivers. 1 am.<br />
TBA 2 am.<br />
Mod Club Theatre<br />
Domenica 7 pm.<br />
gloryhound 8 pm.<br />
Hail the Villian 9 pm.<br />
Neutral Lounge<br />
The Futureless ”sounds like Depeche Mode in a<br />
bar fight: dark, ridiculously catchy, perfect for<br />
the dance floor.” – the Pop! stereo 8 pm.<br />
TBA 9 pm.<br />
Barton Fink Barton Fink are two Russian brothers<br />
who deal in hard- hitting electro- funk with<br />
rock flare. 10 pm.<br />
THE LOVE MACHINE Intense guitars, huge synth<br />
lines, pulsing bass, stomping drums. have<br />
gigged with Metric and Moneen. 11 pm.<br />
<strong>NOW</strong> Lounge<br />
Joel Battle Battle’s attracted mucho cBc attention<br />
and comparisons to springsteen with gritty,<br />
issue- driven songs. 9 pm.<br />
Lanan Adcock she’d fit in fine on a playlist with<br />
kathleen Edwards and lucinda Williams. 10<br />
pm.<br />
Ian La Rue & the Condor the music ranges from<br />
wistful atmospheric à la Death cab to ripping<br />
outlaw roots rock. 11 pm.<br />
The John Punch Band strong, understated songwriting,<br />
with subtleties suggesting Bon Iver<br />
and Rural alberta advantage. midnight.<br />
The Painted Lady<br />
laura borealis Montreal’s laura Borealis makes<br />
experimental sounds that have caught the ears<br />
of steve albini and sebadoh. 8 pm.<br />
78 june 17-23 2010 <strong>NOW</strong><br />
Synth pop upstart Diamond<br />
Rings plays Wrongbar, Friday<br />
(June 18), 11 pm.<br />
Neutral Uke Hotel a live performance of In the<br />
aeroplane over the sea on ukulele by shawn<br />
Fogel and others. 9 pm.<br />
Freeman Dre & the Kitchen Party these streetwise<br />
troubadours write three- chord tunes with<br />
incisive lyrics. 10 pm.<br />
Cat Malojian Beautiful vocal harmonies and<br />
brush ’n’ snare drums breathe new life into an<br />
upbeat cross of celtic and americana. 11 pm.<br />
Rival Boys ”airtight pop songs that are memorable<br />
without gimmicks, melancholy without<br />
pretense.” – the Untold city. midnight.<br />
Boats a clusterfuck of pop noise that you don’t<br />
want your cool friends to see you dancing to. 1<br />
am.<br />
The Piston<br />
Saidah Baba Talibah saidah Baba talibah,<br />
daughter of salome Bey, struts out some bluesy<br />
rock, deep funk and hot buttered soul. 9 pm.<br />
Vacuity DIy band committed to developing<br />
their sound and skill also produce their own<br />
recordings, website and artwork. 10 pm.<br />
My My My Witty, heartfelt pop that’s light and<br />
fun but still smart and sophisticated. 11 pm.<br />
Sex With Strangers they’ve been gaining international<br />
momentum with their unique brand<br />
of futuristic “robot- rock.” midnight.<br />
Special guest 1 am.<br />
Rancho Relaxo<br />
The Parkdale Hookers they’re like a trio of accountants<br />
who figured out a way to make Marshall<br />
stacks tax- deductible. 8 pm.<br />
The Polymorphines Jams reminiscent of Mc5<br />
and the stooges, with an edginess found in only<br />
the dirtiest of today’s garages. 9 pm.<br />
The Setting Son Denmark’s the setting son play<br />
acid- infused pop rock from the 60s. Go- go dancers<br />
apply within. 10 pm.<br />
We Are The City Progressive indie in which symphonic<br />
piano arrangements flow into guttural<br />
guitars and pounding drums. 11 pm.<br />
Mercy, the Sexton think the cars meet Phoenix<br />
at a bar on a barren rock in the North atlantic.<br />
midnight.<br />
Revolvers Revolvers channel the Rolling stones<br />
at their best, the Beatles at their trippiest and<br />
t.Rex at their rawest. 1 am.<br />
The Schomberg Fair they fuse the soul and spirit<br />
of the deep blues with the frenetic energy of<br />
the birth of punk. 2 am.<br />
The Cheap Speakers Explosive pop rock that<br />
sounds both modern and familiar. 3 am.<br />
Rear View Mirror<br />
abstract random 9 pm.<br />
The Nix Dicksons catchy, concise, upbeat,<br />
happy, fun, indie pop that gets compared to<br />
Modest Mouse and Pavement. 10 pm.<br />
We Were Lovers Indie electro dance rockers ash<br />
lamothe and Elsa Gebremichael display their<br />
penchant for post- punk guitars. 11 pm.<br />
Bon Chapeau this teenaged twee riot grrl/boy<br />
quartet brings to mind a younger Rilo kiley<br />
hanging out with los campesinos!. midnight.<br />
Matthew de zoete Falling somewhere between<br />
pop and folk, they combine rhythmic inventiveness<br />
with a gift for melody. 1 am.<br />
Rivoli<br />
Stef Lang catchy, radio- friendly pop from this<br />
energetic young west coast performer, blending<br />
elements of rock and R&B. 8 pm.<br />
Carmen and Camille these sisters write feel-<br />
good pop jams that are currently getting eaten<br />
up by the glossy Mtv set. 9 pm.<br />
Leah Daniels a rising star, leah Daniels combines<br />
keith Urban’s edge with taylor swift’s<br />
sleek pop influence. 10 pm.<br />
Nightbox Pounding rhythms, soaring melo dies<br />
and manic energy combining punchy bass,<br />
chiming guitars and synths. 11 pm.<br />
Whale Tooth Poppy indie rock with guy/girl<br />
vocals and nice harmonies. think Born Ruffians<br />
meet Rilo kiley. midnight.<br />
Prototype- A Five young men laughing hysterically.<br />
1 am.<br />
Modernboys Moderngirls a sweat- drippin’ rock<br />
’n’ roll show; put them on your mixtape with<br />
the kings of leon and the stooges. 2 am.<br />
The Shop<br />
The Weirdies Imagine Betty Boop fronting the<br />
Ramones and you’re close to this 50s- styled<br />
crash- and- smash punk rock outfit. 9 pm.<br />
HotKid somewhere between traditional coun-<br />
try twang and noise, this gutsy two- piece<br />
makes gritty rock that’s going places. 10 pm.<br />
Lali gurans throwback grunge alt- rock anthems<br />
with piercing guitar hooks and big, fuzzy choruses.<br />
11 pm.<br />
Permanent Bastards this Woodbridge punk<br />
band has had the pleasure of playing shows<br />
with illscarlett and the Flatliners. midnight.<br />
Decapitado Ex- members of Die kreuzen and<br />
Realm fuse ambient noise, industrial and metal<br />
into their own edgy soundscape. 1 am.<br />
Silver Dollar Room<br />
Nive Nielsen & The Deer Children an Inuk singer<br />
from Greenland, Nielsen creates indie folk pop<br />
with her ghostly voice on top. 8 pm.<br />
grimes this solo artist combines electronic and<br />
organic sounds in a colourful goth- pop- noise<br />
medley. 9 pm.<br />
Boys Who Say No Raucous, noisy roots rock. a<br />
mashup of indie, alt- country and folk, with<br />
shades of early talking heads. 10 pm.<br />
Silly Kissers Perfect 80s synth pop with infectious<br />
hooks. cheesy, love- obsessed and innocent<br />
– fun stuff! 11 pm.<br />
By Divine Right they’ve played countless<br />
shows, and past members have included Feist<br />
and Brendan canning. midnight.<br />
The Strange Boys ”a rhythm and blues chassis<br />
augmented by desert- scarred psych and blues.”<br />
– tinymixtapes.com. 1 am.<br />
WOMEN they’ve toured with Deerhunter &<br />
abe vigoda and their debut album has been<br />
celebrated by Pitch fork and beyond. 2 am.<br />
Murder Ford Monument Epic- sounding dapper<br />
indie rock in step with brooding Nyc bands like<br />
the Walkmen and the National. 3 am.<br />
Sneaky Dee’s<br />
Dark Mean Well- crafted laid- back indie pop<br />
that can travel between overt classical pop and<br />
obtuse ambience. 8 pm.<br />
Leif Vollebekk this Montreal singer/songwriter’s<br />
acoustic guitar tunes are accented by<br />
strings, piano, drums and harmonica. 9 pm.<br />
Sandman Viper Command Bubbling with the<br />
type of youthful rage you can’t fake, it’s intelligent<br />
rock with a fuzzy pop edge. 10 pm.<br />
Wildlife Wildlife relocates pop rock in a hotbed<br />
of driving melodies, riffs and vocals spiked with<br />
punk ferocity. 11 pm.<br />
Make your Exit simply honest music that’s<br />
stripped down yet amped up. country- fried<br />
anti- rock. midnight.<br />
The Leathers ottawa Mc kicks out high- concept<br />
lyrics and has the citizen raving: “Fine mix<br />
of tone, timing and turn of phrase.” 1 am.<br />
Spirits hipster- friendly synth- rock from hamilton,<br />
they’ve shared the stage with the Pixies<br />
and the ting tings. 2 am.<br />
People in grey Raw, jagged and heavy, People in<br />
Grey make no apologies for their bold mix of<br />
springsteen and Psychedelic Furs. 3 am.<br />
The Social<br />
Nav C and Hutch 10 pm.<br />
8923zz 11 pm.<br />
Dada Life swedish house/electronica band consisting<br />
of olle corneer and stefan Engblom.<br />
midnight and 1 am.<br />
Nav C and Hutch 2 am.<br />
TBA 3 am.<br />
Sound Academy<br />
girl Talk w/ Key N’ Krates & Kidstreet 10 pm.<br />
Supermarket<br />
Sally Seltmann very marketable indie fare by<br />
the award- winning australian songwriter formerly<br />
known as New Buffalo. 9 pm.<br />
Birds of Wales 10 pm.<br />
The Envy on Gene simmons’s label, these local<br />
rockers have recorded with producer Gavin<br />
Brown. 11 pm.<br />
The Reason Blending strands of indie and emo<br />
rock, this hamilton five- piece specializes in passionate<br />
songwriting. midnight.<br />
Dean Lickyer young hamilton phenoms making<br />
music with a nod to classic Who, hendrix and<br />
Deep Purple. 1 am.<br />
Velvet Underground<br />
The Fantasy Defender 80s pop sensibilities with<br />
a goth- glam sound to darken the mix: clever,<br />
catchy and undeniably fun. 8 pm.<br />
The Scarlet Fever this outfit is bent on delivering<br />
a pounding assault of classic punk and dark<br />
rock sounds. 9 pm.<br />
The Torrent these rockers bundle surly guitars,<br />
haunting vocals and synths to make loud, mel-<br />
odic, drony electro- sleaze. 10 pm.<br />
People you Know Melodic, thick, hot and slick<br />
without ever looking like they have to try, Pyk is<br />
a plague you won’t mind catching. 11 pm.<br />
TBA 2 am.<br />
Whippersnapper gallery<br />
that’s the spirit Breezy, wistful songs that share<br />
high- end production values with power pop<br />
bands like the shins. 8 pm.<br />
Inlets sebastian krueger marries baroque pop<br />
with lo- fi intimacy, with the complexity of owen<br />
Pallett & Grizzly Bear. 9 pm.<br />
Silje Nes loops and effects create a winning<br />
combination of hooks and lush detail from this<br />
talented instrumentalist/singer. 10 pm.<br />
Wooden Wand James Jackson toth conjures a<br />
world with characters that could have been<br />
pulled from a Faulkner novel. 11 pm.<br />
DM Stith David Michael stith layers strings and<br />
horns on top of guitars and piano to create cerebral<br />
orchestral indie pop. midnight.<br />
Wrongbar<br />
TRUST darkness calling/candles burning/wine is<br />
pouring/flames are dancing/film is rolling/wind<br />
is howling/crystals sparking. 9 pm.<br />
Katie Stelmanis Big vocals, big scattered beats,<br />
big dense walls of keyboards. Formerly known as<br />
Private life. 10 pm.<br />
Diamond Rings Diamond Rings is the emotional<br />
MIDI- pop outlet for the D’Urbervilles’ lead<br />
vocalist, John o. 11 pm.<br />
Big Freedia Big Freedia is a “bounce” rapper from<br />
New orleans. the single azz Everywhere should<br />
explain. midnight.<br />
We Are Enfant Terrible an electro dance beat<br />
with indie rock sounds, performed with guitars,<br />
drums and a Nintendo Game Boy. 1 am.<br />
HUORATRON the solo project of Finland’s aku<br />
Raski, who uses two Game Boy consoles to produce<br />
experimental electro. 2 and 3 am.<br />
yonge-Dundas Square<br />
Said The Whale Electronic indie rock that forays<br />
into backwoods folk and danceable ukulele/<br />
glockenspiel rave- ups. 7:30- 8:10 pm.<br />
K- os Juno- winning hip- hop artist has earned accolades<br />
from critics and audiences worldwide.<br />
8:30 - 9:10 pm .<br />
Sloan sloan’s bagged one Juno and recorded<br />
what chart calls the best canadian album ever.<br />
9:30- 10:30 pm.<br />
Saturday,<br />
June 19<br />
Bovine Sex Club<br />
songs from a room take smooth harmonies, add<br />
clever bass lines, a screaming organ and splashes<br />
of piano. 9 pm.<br />
Mockingbird Wish Me Luck Driving, melodic,<br />
punky emo rock with hooky guitars and big<br />
choruses. 10 pm.<br />
The Hyena Dog Robbery 11 pm.<br />
Stark Naked & The Fleshtones legendary toronto<br />
punk rockers reunite to mark their 30th anniversary.<br />
midnight.<br />
Trigger Effect Remember when punk rock was<br />
still about danger, and not selling shoes? 1 am.<br />
The Icarus Line shows that are frenetic poundings<br />
à la Refused – highly volatile and threatening<br />
chaos wherever they play. 2 am.<br />
TBA 3 am.<br />
Bread and Circus<br />
The Clear Inspiring pop anthems that sound familiar<br />
the first time you hear them. Echoes of coldplay,<br />
Radiohead and the cure. 8 pm.<br />
Hexes & Ohs heartfelt boy- girl synth-pop that<br />
sounds like the submarines collided with Woodhands.<br />
9 pm.<br />
NLX this forward- looking singer/songwriter specializes<br />
in electronic- edged dark pop. 10 pm.<br />
Winhara compared to Depeche Mode and<br />
Radiohead, this three- piece mashes together<br />
alternative, pop and electronica. 11 pm.<br />
Airheart combining elements of electro house<br />
and trip- hop with 1930s dancehall vocals, it’s a<br />
fresh take on jazzy breakbeat. midnight.<br />
PURRR a blistering blend of guitars, synths and<br />
pulsating beats, it’s a cutting- edge rave- rock<br />
sound that’s infectious and raw. 1 am.<br />
Cadillac Lounge<br />
the wilkins the Wilkins blend electronic- heavy<br />
music with the traditional folk style and magi cal<br />
three- part harmonies. 8 pm.<br />
continued on page 80 œ
<strong>NXNE</strong> festivAl guide<br />
the Bands<br />
œcontinued from page 78<br />
Katie Moore haunting music that lies somewhere<br />
in the no man’s land between folk, altcountry,<br />
bluegrass and americana. 9 pm.<br />
The Statesboro Revue stewart Mann’s blend of<br />
rock, blues and country is all about soul, something<br />
his band has in spades. 10 pm.<br />
graham Brown & The Prairie Dogs a founding<br />
member of 80s rockers Jr. Gone Wild, Graham<br />
writes roots/rock with a crunch. 11 pm.<br />
Five Star Trailer Park Name- dropped by Gord<br />
Downie and the cBc, these dudes play passionate<br />
stadium- sized pop rock. midnight.<br />
gentlemen Husbands alt- roots with a smattering<br />
of rock energy culminates in an inspiring<br />
performance. 1 am.<br />
TBA 2 am.<br />
Cameron House<br />
Svavar Knútur capturing the windswept winter<br />
sounds of Iceland with ghostly, slow acoustics.<br />
9 pm.<br />
Keser synth- drenched guitars that meld shoegaze,<br />
art rock and ambient with post- rock and<br />
electronica. 10 pm.<br />
spaceships are cool stylophones, glockenspiels,<br />
theremin, vocoders, tape decks and acoustic<br />
guitars create sci- fi sunshine pop. 11 pm.<br />
Pete Samples samples coined the term “mugician,”<br />
the combination of music and magic.<br />
could be oMG or WtF. midnight.<br />
Chris Velan singer/songwriter whose finely<br />
crafted world- influenced pop draws comparisons<br />
to Paul simon. 1 am.<br />
C’est What<br />
Oh My Darling these four young women are big<br />
in the canadian country roots scene. they can<br />
shred, holler and make you dance. 9 pm.<br />
The Paperbacks Weakerthans- approved confessional<br />
indie rock with crunchy guitars from the<br />
snowy landscapes of Winnipeg. 10 pm.<br />
Imaginary Cities sounding at once like vintage<br />
R&B and synth- driven pop, their songs feature<br />
great choruses and driving verses. 11 pm.<br />
The Details Driving guitars, catchy melodies,<br />
electro beats and glockenspiel make these pop<br />
jams perfect for dancing. midnight.<br />
Abstract Artform this prairie Mc cooks up beats<br />
and rhymes reminiscent of Jurassic 5 and the<br />
Roots. 1 am.<br />
Comfort zone<br />
DJ Shine 8 pm.<br />
Let’s go to War Party- rap crew specializing in<br />
crazy electro/disco house/breakbeat jams. 9<br />
pm.<br />
Fritz Helder 10 pm.<br />
Danger! Danger! combining folk, punk, country,<br />
pop, surf and alternative influences. 11 pm.<br />
Action Makes midnight.<br />
Queen Licorice loud, dense and sufficiently trippy,<br />
Ql offer up energetically rendered strands<br />
of psych and glam. 1 am.<br />
Czehoski<br />
Dave Borins compared to loudon Wainwright<br />
III, Dave Borins finds the heartbreak and humour<br />
in everyday life. 9 pm.<br />
F&M F&M are a gently sardonic, dark and hopelessly<br />
clever art folk/libraryrock duo. 10 pm.<br />
golden Bloom sPIN <strong>Magazine</strong> named them an<br />
“undiscovered band worth a listen.” 11 pm.<br />
Chasing Pandora Melissa Portelli weaves beautiful,<br />
fragile vocals alongside keith anthony’s<br />
sparkling folk guitar. midnight.<br />
Jack Miz Mid- 90s alt- rock taking some pop cues<br />
from the Beatles and cheap trick. hooks galore,<br />
and a great voice. 1 am.<br />
TBA 2 am.<br />
Dakota Tavern<br />
Jack Marks and Lost Wages local country troubadour<br />
specializes in whisky- sipping, two- stepping<br />
country and blues music. 8 pm.<br />
AA Bondy songs cribbed from dusty american<br />
blues and country pioneers have won him a cult<br />
following amongst urban cowboys. 9 pm.<br />
The Morgansterns Gritty Dylanesque rock<br />
meets a wall of blazing guitars, organ and a<br />
driving 70s rhythm section. 10 pm.<br />
Colin gilmore a texas alt- country artist whose<br />
americana/pop tunes hint at psychedelia and<br />
the spirit of punk. 11 pm.<br />
The Schomberg Fair they fuse the soul and spirit<br />
of the deep blues with the frenetic energy of<br />
the birth of punk. midnight.<br />
80 june 17-23 2010 <strong>NOW</strong><br />
Ali & The Dts an eight- piece punk/soul group,<br />
these guys nail the blues in the blues. think<br />
Nick cave and canned heat. 1 am.<br />
Mille Monarques young indie rock band from<br />
Montreal sounds like a mix of arcade Fire and<br />
Malajube. 2 am.<br />
TBA 3 am.<br />
The Drake Hotel Underground<br />
VALLEyS lo- fi with psychedelic folk and haunting<br />
melodies. valleys’ delicate vignettes signal<br />
Modest Mouse and Beach house. 8 pm.<br />
Sean Nicholas Savage ”a restrained mix of 60s<br />
folk melodies, upbeat drum machine pop and<br />
hints of 50s teen idol ballads.” 9 pm.<br />
The Hoof & The Heel a mix of indie pop, sentimental<br />
melody and unpretentious joy, featuring<br />
dreamy duets and dancey beats. 10 pm.<br />
Jane Vain calgary- bred Jamie Fooks has reworked<br />
her band and released a sophomore<br />
album of beautifully dense, noisy pop. 11 pm.<br />
The D’Urbervilles shouts, crashing drums and<br />
tight, layered guitars pound out melodic post-<br />
punk à la the early constantines. midnight.<br />
Hatchmatik keeps busy DJing Montreal’s legendary<br />
Peer Pressure parties – and touring the<br />
world. 1 am.<br />
Classixx Dance- floor- ready electronic pop mixing<br />
elements of R&B, hip- hop and soul in classic<br />
collages. 2 am.<br />
TBA 3 am.<br />
El Mocambo (Main Floor)<br />
Monster Truck 9 pm.<br />
Darlings of Chelsea the insight of costello, the<br />
stubbornness of strummer and the ferocity of<br />
the Mc5; nuff said. 10 pm.<br />
.moneen. 11 pm.<br />
The zeros a seminal west coast punk band, the<br />
zeros played with the clash and were once<br />
joined onstage by Patti smith. midnight.<br />
The gin Riots the Gin Riots hail from london<br />
and play dirty Britrock in the vein of the libertines.<br />
1 am.<br />
Porcelain Forehead they burst onto the scene in<br />
1982 with their unique brand of punk and<br />
bursts of hardcore. 2 am.<br />
TBA 3 am.<br />
Free Times Cafe<br />
Bunmi Adeoye tracy chapman with a dash of<br />
New Orleans’s Big Freedia hits<br />
Wrongbar Friday (June 18) at<br />
midnight, the Garrison Saturday<br />
(June 19) at 2 am and<br />
Yonge-Dundas Square<br />
Sunday (June 20) at 6 pm.<br />
ani DiFranco, Bunmi’s tunes bring out your inner<br />
scorned ex- girlfriend. 9 pm.<br />
Rob Moir honest country songs backed by guitar,<br />
banjo, harmonica, accordion, upright bass<br />
and lap steel. 10 pm.<br />
Daniel guy Martin haunting, along the lines of<br />
Ry cooder’s soundtrack to Paris, texas. Improv<br />
and heartfelt stories. 11 pm.<br />
Bird & Bear Jillian Freeman is a powerful indie-<br />
styled songbird perched on the back of grizzly<br />
multi- instrumentalist Jon Janes. midnight.<br />
Shawna Caspi 1 am.<br />
The garrison<br />
PC Worship Psych- damaged millennium punk<br />
that slides into stoner grunge and free “jazz” in<br />
the blink of an eye. 9 pm.<br />
Julianna Barwick ”Ethereal harmonies have the<br />
devotional quality of gospel choirs,\ and the<br />
allure of Björk.” – Ny times. 10 pm.<br />
Box Elders this currently buzzing trio makes<br />
off- kilter fuzz pop that sounds like bratty punk<br />
meets Nuggets- era garage rock. 11 pm.<br />
JEFF the Brotherhood ”Just try to get through<br />
one of their sets without stomping your foot.”<br />
– Nylon <strong>Magazine</strong>. midnight.<br />
Quintron & Miss Pussycat Barely controlled<br />
electronic chaos, swamp beats, homemade<br />
everything and puppet stories. 1 am.<br />
Big Freedia Big Freedia is a “bounce” rapper<br />
from New orleans. the single azz Everywhere<br />
should explain. 2 am.<br />
gladstone Hotel Ballroom<br />
Maurice young pop four- piece signed to David<br />
Foster’s 143 label touring behind their 2010<br />
release young People With Faces. 8- 8:20 pm.<br />
Alexz Johnson Gemini- nominated actress lays<br />
strong vocals over a smooth mainstream pop<br />
bedrock. 8:30- 8:50 pm.<br />
Alex Lacasse one of canadian R&B’s up- andcomers,<br />
he’s set to release his debut single<br />
through Universal. 9- 9:20 pm.<br />
Dylan Murray 9:30- 9:50 pm.<br />
The zolas this duo incorporates guitar, drums,<br />
piano, trumpet and vocals into their cute, melodic<br />
songs. 10- 10:40 pm.<br />
Dane Hartsell 11- 11:40 pm.<br />
Dearly Beloved Unique rhythms influenced by<br />
70s Uk punk, early 80s pop and Detroit rock<br />
and roll. midnight- 12:40 am.<br />
TBA 1- 1:40 am.<br />
These Kids Wear Crowns Mainstream radio-<br />
friendly pop rock from these young, photogenic<br />
lads. Get your dance shoes. 2- 2:40 am.<br />
Hideout<br />
The oOohh Baby gimme Mores this fashionable<br />
Ffro- punk trash rock duo could be the surprise<br />
hit of this year’s festival. 9 pm.<br />
Future in Plastics you’ll find Future in Plastics<br />
somewhere on a stretch of rock highway between<br />
Minor threat and liza Minnelli. 10 pm.<br />
DIg IT UP a Montreal- based punk band that<br />
digs big guitar solos, maracas, tambourines,<br />
singalongs, sweat and partying. 11 pm.<br />
Drive like Maria stadium- sized rock influenced<br />
by led zeppelin, early zz top, Neil young and<br />
Queens of the stone age. midnight.<br />
Nikki’s Trick hard- hitting alternative drawing<br />
on 80s metal and 90s grunge; polished and<br />
ready to storm modern rock charts. 1 am.<br />
Fugitive Underground an alternative band with<br />
a metal edge, the group’s dark songs blend<br />
alexisonfire and alice in chains. 2 am.<br />
Static In The Stars ”visceral and engaging,” 80s<br />
cock rock with modern influences like the Foo<br />
Fighters. 3 am.<br />
The Legendary Horseshoe Tavern<br />
Library Voices hyper- literate saskatchewan 10-<br />
piece excels at stripped- down indie pop anthems.<br />
9 pm.<br />
Hannah georgas this vancouver- based songwriter’s<br />
memorable songs will captivate your<br />
heart and stick a smile on your face. 10 pm.<br />
Bruce Peninsula Feted locals mix aspects of gospel,<br />
appalachian folk and blues with pop, prog,<br />
punk and world influences. 11 pm.<br />
Attack in Black attack in Black have been and<br />
will be on tour with bands such as alexisonfire,<br />
Billy talent and Moneen. midnight.<br />
Huron huron’s tunes run the gamut from full-<br />
blown southern- fried riffin’ to psych to 90s pop<br />
rock. 1 am.<br />
The Stanfields a maelstrom of rock ’n’ roll, celtic<br />
and bluegrass hailing from the gritty post-<br />
indus trial towns of Nova scotia. 2 am.<br />
Lee’s Palace<br />
TBA 9 pm.<br />
Small Sins Formerly the ladies and Gentlemen,<br />
small sins are the brainchild of former carnations<br />
frontman thomas D’arcy. 10 pm.<br />
The Soft Pack smart, danceable classic garage<br />
rock. “No frills, no ego, no fat, no bullshit.” –<br />
Drowned in sound. 11 pm.<br />
Avi Buffalo signed to sub Pop, these kids write<br />
breezy indie pop gems that recall Wilco, Built to<br />
spill and the shins. midnight.<br />
Cold Cave Dark, danceable, infectious synthpop.<br />
Fans of crystal castles will like their lo- fimeets-<br />
nu- rave approach. 1 am.<br />
We Are Enfant Terrible an electro-dance beat<br />
with indie rock sounds, performed with guitars,<br />
drums and a Nintendo Game Boy. 2 am.<br />
TBA 3 am.<br />
Mitzi’s Sister<br />
Melting Pot a powerful rock sound that pays<br />
homage to the Black crowes, otis Redding, the<br />
Beatles and led zeppelin. 9 pm.<br />
Jeff Stuart & The Hearts Intricate roots pop<br />
that’s “elegant, sophisticated, daring and brilliantly<br />
creative.” 10 pm.<br />
Mass Echo Unique- sounding electro- prog- psych<br />
rock from hamilton, with a foot in the industrial/trip-<br />
hop door. 11 pm.<br />
The Speakeasies their angular blue- collar rock<br />
has opened doors to gigs with arkells and the<br />
trews. midnight.<br />
graydon James & the young Novelists heartfelt<br />
harmonies and intricate arrangements and<br />
crowd- pleasing beards. 1 am.<br />
TBA 2 am.<br />
Mod Club Theatre<br />
Violent Soho Four long- haired marijuana- smoking<br />
youngsters play a brand of honest, balls- tothe-<br />
wall punk rock. 7 pm.<br />
Hollerado taking canada by storm with their<br />
DIy ethic, insanely catchy guitar pop and<br />
bound less energy and imagination. 8 pm.<br />
Hot Hot Heat Masters of synth- heavy dancepunk<br />
anthems, hhh hit <strong>NXNE</strong> to coincide with<br />
the release of a new album. 9 pm.<br />
Neutral Lounge<br />
Volcano Playground swirling together sounds<br />
of shoegaze with elements of modern electronica.<br />
8 pm.<br />
1977 synth- happy, upbeat songs about sunshine,<br />
love and good feelings. like kim Deal recording<br />
Beach Boys songs. 9 pm.<br />
Not Animals hip, new- wave pop songs styled<br />
after Joy Division, Depeche Mode, Jesus & Mary<br />
chain and Modern English. 10 pm.<br />
The Craft Economy their high- energy synth<br />
hooks and catchy vocals have been compared<br />
to los campesinos and the B- 52s. 11 pm.<br />
<strong>NOW</strong> Lounge<br />
fanshaw this singer/songwriter has been compared<br />
to Feist and New order, but it’s her dark<br />
storytelling that will draw you in. 9 pm.<br />
Jess McAvoy honest, folk- leaning pop ballads<br />
by a veteran indie singer/songwriter from<br />
down under. 10 pm.<br />
gold Lake Possibly the coolest band in spain<br />
right now, Gold lake channel Rilo kiley, Nada<br />
surf and tegan and sara. 11 pm.<br />
Vanessa Hanson her haunting blend of old- time<br />
songs and distorted guitar shows a knack for<br />
sonic experimentation. midnight.<br />
Opera House<br />
DJ O Nonymous 8- 8:30 pm.<br />
Toronto Bboy Breakdancing Championships<br />
8:30- 10 pm.<br />
DJ Dopey and DJ grouch 10- 11 pm.<br />
gee Wunder 11- 11:10 pm.<br />
Angerville 11:10- 11:20 pm.<br />
Sporadic 11:20- 11:30 pm.<br />
Alex Dimez and King Jus 11:30- 11:45 pm.<br />
Eternia & Moss 11:45 pm- 12:45 am.<br />
DJ O Nonymous 12:45- 2 am.<br />
The Painted Lady<br />
Harvey Cartel Raw garage alt- country: strong,<br />
original, with an aversion to commercialism. 8<br />
pm.<br />
James Kasper kaspar’s folk noir features rich,<br />
dynamic vocals and dreamy blues harmonica<br />
solos that keep crowds coming back. 9 pm.<br />
Colin Moore Moore is influenced by springsteen,<br />
Petty and Dylan. he’s got a great, raspy<br />
voice and thoughtful lyrics. 10 pm.<br />
Pink Moth there is real magic in this band, all<br />
natural reverb, grand piano, group vocals,<br />
strings and thundering drums. 11 pm.<br />
The Black Atlantic they coax their charm from<br />
vocal harmonies mixed with softly strummed<br />
guitar melodies. midnight.<br />
Parks & Rec Folk/indie rock/pop guitar twang,<br />
sweet harmonies and soaring energy that’s<br />
been turning heads around the city. 1 am.<br />
The Piston<br />
Circle Research classic hip- hop, funk, soul, electro-<br />
boogie and futuristic beats, cR’s Nik and Gil<br />
are veteran producers and DJs. 9 pm.<br />
The Jessica Stuart Few a uniquely gifted guitarist,<br />
Jessica stuart’s groove is clearly rooted in<br />
modern jazz and progressive folk. 10 pm.<br />
Jeremy glenn Jeremy’s influences range from<br />
Motown to new wave to garage rock, from old<br />
school to new school to no school. 11 pm.<br />
maylee 70s- style disco- funk beats with jazzy<br />
vocal hooks that make it impossible not to<br />
dance. midnight.<br />
vitaminsforyou Electronica/pop from Winnipeg-<br />
born, toronto- based Bryce kushnier, who<br />
helms this critically acclaimed project. 1 am.<br />
Rancho Relaxo<br />
Wendy Leung Piano- based pop influenced by<br />
indie rhythms and style, providing a strong<br />
backdrop for leung’s powerful voice. 8 pm.<br />
Cotton Mouth Featuring members of indie rockers<br />
Parlovr, this quartet is influenced by the<br />
smiths, and talking heads. 9 pm.<br />
The Davey Parker Radio Sound Rockers who mix<br />
garage, psychedelia and early rock ’n’ roll with a<br />
high- energy, rowdy show. 10 pm.<br />
Asteroid #4 stalwarts of the nu- psych movement<br />
rooted in the hazy sounds of the 60s, but<br />
with the influence of 90s Brits. 11 pm.<br />
The High Dials Bright harmonies with jangling<br />
guitars conjure up the smiths and stone Roses.<br />
midnight.<br />
The Darcys Five guys make energetic rock pop<br />
soaked in beer and sweat, with the added firepower<br />
of trumpet and lap steel. 1 am.<br />
The Winks Recommended if you like cellos,<br />
mandolins, confetti explosions, fairy tales, tap<br />
dancing and timeless pop music. 2 am.<br />
Krupke a bizarre combo of art rock, progressive<br />
jazz, show tunes, post- punk, avant- garde and<br />
good old- fashioned whimsy. 3 am.<br />
continued on page 82 œ
<strong>NXNE</strong> festivAl guide<br />
the Bands<br />
Indie rockers Les Savy Fav<br />
rock Wrongbar, Saturday<br />
œcontinued from page 80<br />
(June 19) at 1 am.<br />
Rear View Mirror<br />
my people sleeping opium- inspired dream pop<br />
engineered to make you space out to their<br />
trance- inducing minimalism. 9 pm.<br />
The Jing Bang Show high- energy mix of ragtime/Gypsy<br />
jazz with rock and cabaret. It’s stylized,<br />
catchy and great for dancing. 10 pm.<br />
Nolan Natasha Queer- positive rap mixing<br />
heartfelt storytelling laid down on a deceptively<br />
simple and elegant scaffold. 11 pm.<br />
Mad June this female foursome delivers rock<br />
with pure punk soul and a twist of indie, strong<br />
hooks and powerful lyrics. midnight.<br />
The Rough Sea Punk- folk distilled to its purest<br />
form, with ukulele and banjo. 1 am.<br />
Rivoli<br />
Tim Chaisson and Morning Fold tim chaisson<br />
ties together folk, pop, country and celtic inspirations<br />
with fiery east coast flare. 9 pm.<br />
Maiko Watson 10 pm.<br />
Colleen Brown Band Brown’s neurotic folk pop<br />
songs have landed her on Emm Gryner’s Dead<br />
Daisy label. 11 pm.<br />
Holly McNarland this Juno award- winnIng<br />
singer/songwriter is known for her unflinching<br />
lyrics, and powerhouse voice. midnight.<br />
KULAS Michael kulas was once a member of<br />
Brit- rockers James, but now writes effortlessly<br />
classy pop rock tunes. 1 am.<br />
Amos The Transparent their critically acclaimed<br />
indie pop debut won praise for lush arrangements<br />
and seductive melodies. 2 am.<br />
The Shop<br />
Raid for Blood Diamonds Experimental and<br />
melodic hardcore by friends who freak out,<br />
have fun. 9 pm.<br />
Blunt Fiction Billed as “Etobicoke’s finest party<br />
metal,” Blunt Fiction have a passion for powerful,<br />
technical rock. 10 pm.<br />
Terracotta Pigeons stick Faith No More arms on<br />
a sound Garden torso with a Muse head and<br />
you get terracotta Pigeons. 11 pm.<br />
Sinister Trailerpark Magic complex time changes<br />
and pounding rhythms get these guys compared<br />
to NoMeansNo. midnight.<br />
The Bon the catchy fun of mid- 60s Nuggets<br />
garage with the power and the fury of late 60s<br />
freakbeat. 1 am.<br />
Silver Dollar Room<br />
Whiteboy Slim slim’s throaty blues recordings<br />
are the real deal and have won several awards.<br />
7 pm.<br />
Alfie Smith alfie smith’s deep- throated blues<br />
voice and loose style never betrays his Mississippi<br />
Delta influences. 8 pm.<br />
Blue Room acclaimed veteran bluesmen know<br />
how to do it right. 9 pm.<br />
The Johnny Max Band a combination of New<br />
orleans & Memphis Blues with southern soul<br />
and R&B sensibili ties. 10 pm.<br />
Mutters Garage punk with brains! their loud,<br />
scappy songs mix early new wave influences<br />
with sinister amounts of reverb. 11 pm.<br />
Teenanger these garage aficionados make<br />
loud, sloppy, endearing, throwback rock ’n’ roll.<br />
midnight.<br />
82 june 17-23 2010 <strong>NOW</strong><br />
Comanechi Dense, grungy riffs, high- speed<br />
rhythmic pounding and murderous screeching.<br />
1 am.<br />
The Strange Boys “a rhythm and blues chassis<br />
augmented by desert- scarred psych and blues.”<br />
– tinymixtapes.com. 2 am.<br />
Drunk Woman these psych/country kids sound<br />
like syd Barrett getting drunk with the Replacements.<br />
No irony. 3 am.<br />
Sneaky Dee’s<br />
Rudely Interrupted Quirky and wonderful hook-<br />
filled Brit- inspired anthems from australia’s<br />
most unique indie rock band. 8 pm.<br />
Uncut loud like swervedriver or Dino Jr, their<br />
cascading guitar squalls and pounding rhythms<br />
all but insist that you dance. 9 pm.<br />
Savoir Adore Brooklyn pop collective savoir<br />
adore create something unique with their addictively<br />
lush slant on pop music. 10 pm.<br />
The Magic a blazing dance- rock- soul band with<br />
solid gold hit songwriting and danceable beats.<br />
11 pm.<br />
Special guest midnight.<br />
Ruby Coast Boisterous mod rock with plenty of<br />
dance- floor fun, with shows at halifax Pop Explosion<br />
and Pop Montreal. 1 am.<br />
Violent Soho Four long- haired marijuana- smoking<br />
youngsters play a brand of honest, balls- to-<br />
the- wall punk rock. 2 am.<br />
The Peelies the Peelies are an all- girl punk band<br />
sporting Raincoats- like swagger, punk technique<br />
and garage rock singalongs. 3 am.<br />
The Social<br />
DMT 10 pm.<br />
AC Slater, Udachi, B.Rich ac slater: Genre- mashing<br />
Brooklyn producer mixes rave, acid and bass<br />
line with hardcore roots; Udachi: Uplifting psyche<br />
delic – emotronic party tracks; B. Rich: Electro/house/grime<br />
with lots of bass. 11 pm- 4 am.<br />
Supermarket<br />
Ko 9 pm.<br />
Quinzy 10 pm.<br />
Daniel Wesley 11 pm.<br />
Velvet Underground<br />
Cut Throat Britva Memorable tunes and a show<br />
that will make your mother sweat. 8 pm.<br />
Paint Britrock and spectoresque walls of sound<br />
as a backdrop for ice- cold, danceable pop hooks<br />
and insightful lyrics. 9 pm.<br />
Drive Faster Infectious synth rock – like the killers<br />
with the attitude of Metric. 10 pm.<br />
Black Mother Pearl Perfect for blaring on long<br />
hauls through the backwoods and whiskeyswilling<br />
round the campfire. 11 pm.<br />
TBA 2 am.<br />
Whippersnapper gallery<br />
Digits Indie pop songwriting and danceable<br />
electronic arrangements. likened to the Junior<br />
Boys and hot chip. 8 pm.<br />
CHRISTIAN HANSEN & THE AUTISTICS their<br />
tongue- in- cheek lyrics recall sister scissors and<br />
lcD soundsystem. 9 pm.<br />
A.M. a nine- piece band serving up heaping<br />
plates of electro- acoustic party music that’s<br />
equal parts dance, funk and rock. 10 pm.<br />
RÄUBERHÖHLE a drunken puppet show from<br />
Berlin that incorporates live dancey electromanga<br />
punk songs. 11 pm.<br />
OPOPO Delivering driving club music with the<br />
spirit of rock, oPoPo have crafted an act that<br />
delivers an incredible party. midnight.<br />
Wrongbar<br />
The Meligrove Band Indie rock mainstays have<br />
an energetic live show that often climaxes in<br />
torn clothes and broken gear. 9 pm.<br />
The grates Name- checked by many as one of<br />
the buzz bands at sXsW, they’ve captivated<br />
audiences the world over. 10 pm.<br />
Mannequin Men “they make punk- tinged rock<br />
as straight- ahead as anyone.” – Pitchfork Media<br />
11 pm.<br />
Surfer Blood Great guitar, great hooks, great<br />
surf- infused pop from this critical favourite.<br />
one of Pitchfork’s top 09 picks. midnight.<br />
Les Savy Fav ”one of New york’s finest rock<br />
bands, hands down.” – village voice 1 am.<br />
Special guest 2 am.<br />
TBA 3 am.<br />
yonge-Dundas Square<br />
Burning Boyz the Boyz – with a combined age<br />
of just over 40 – perfect their own take on classic<br />
tunes. midnight- 12:40 pm.<br />
Queen Kwong Playing highly melodic, off- kilter<br />
rock that’s both aggressive and hauntingly confessional.<br />
1- 1:40 pm.<br />
De Staat the rattly, locomotive energy of the<br />
hives or the Monks, with a home- tooled funkyness<br />
all their own. 2- 2:40 pm.<br />
Mini Mansions Psych- pop band (w/ Michael<br />
shuman from Queens of the stone age), playing<br />
a mix of baroque pop and soul. 3- 3:40 pm.<br />
The Soft Pack smart, danceable classic garage<br />
rock. “No frills, no ego, no fat, no bullshit.” –<br />
Drowned in sound. 4- 4:40 pm.<br />
DD/MM/yyyy a mess of spastic art rock with<br />
jagged guitars, 80s video game synthesizers<br />
and discordant, dreamy vocals. 5- 5:40 pm.<br />
Surfer Blood Great guitar, great hooks, great<br />
surf- infused pop from this critical favourite.<br />
one of Pitchfork’s top 09 picks. 6- 6:40 pm.<br />
Wavves Noise- surf buzz act Nathan Williams is<br />
joined by former Jay Reatard musicians Billy<br />
hayes and stephen Pope. 7- 7:40 pm.<br />
The Raveonettes Gorgeous vocals and layers of<br />
guitar noise reference the velvet Underground<br />
and 60s girl groups. 8- 9 pm.<br />
Iggy and the Stooges Iggy leads Rock and Roll<br />
hall of Famers who “almost single- handedly<br />
invented punk.” – Rolling stone. 9:30- 11 pm.<br />
Sunday,<br />
June 20<br />
Bovine Sex Club<br />
Sights & Sounds 9 pm.<br />
Saigon Hookers 10 pm.<br />
Sixxxer 11 pm.<br />
FATHOM / RIVIERA/ BRANDON SEK/ ALIXAN-<br />
DER III/ MATT TASC/ yO EV midnight- 4 am.<br />
El Mocambo (Main Floor)<br />
Drive like Maria stadium- sized rock influenced<br />
by led zeppelin, early zz top, Neil young and<br />
Queens of the stone age. 9 pm.<br />
Ali & The Dts an eight- piece punk/soul group,<br />
these guys nail the blues in the blues. think<br />
Nick cave and canned heat. 10 pm.<br />
Rah Rah a veritable cacophony of pop, rock and<br />
alt- country musical influences. 11 pm.<br />
Ten Bears Imagine locking David Bowie and<br />
Mgmt in a small room with some instruments<br />
and you’ll end up with ten Bears. midnight.<br />
The garrison<br />
1977 synth- happy, upbeat songs about sunshine,<br />
love and good feelings. like kim Deal recording<br />
Beach Boys songs. 9 pm.<br />
Karyn Ellis Welch, Waits, amos, Brickell, Peyroux<br />
and the cowboy Junkies all rolled up into<br />
one tiny body, one mournful voice. 10 pm.<br />
Boys Who Say No a delightul mashup of indie,<br />
alt- country and folk – with shades of early talking<br />
heads. 11 pm.<br />
Allie Hughes ”outra geous ly entertaining theatrical<br />
flare and Broadway- bound voice.” – chart<br />
attack. midnight.<br />
Digits Indie pop songwriting and danceable<br />
electronic arrangements. likened to the Junior<br />
Boys and hot chip. 1 am.<br />
TBA 2 am.<br />
Rancho Relaxo<br />
Svavar Knútur capturing the windswept winter<br />
sounds of Iceland with ghostly, slow<br />
acoustics. 9 pm.<br />
The Withouts super- catchy indie pop rock<br />
with choruses that’ll never leave your head.<br />
Produced by Ian Blurton. 10 pm.<br />
the DgB 11 pm.<br />
The Archives soaring anthemic rock, infectious<br />
energy and guitar- driven propulsion<br />
blended with undeniable live swagger. midnight.<br />
Sleep for the Nightlife ”atmospheric, winding<br />
instrumentals that draw on the spirit of free<br />
jazz and prog.” – lonely vagabond. 1 am.<br />
Sneaky Dee’s<br />
Ancestors Punk quartet creating primal music<br />
delivered in short, thunderous bursts. 9 pm.<br />
Brides they’ve played their “heavy weirdo<br />
jams” on bills with such acts as the Jesus lizard,<br />
abe vigoda and Japandroids. 10 pm.<br />
Invasions Doomy Brit- style punk pop band. “a<br />
uniform feel that’s vintage, doom gloom, and<br />
irrepressibly cool.” – Pitchfork Media 11 pm.<br />
The guest Bedroom ”Even though it’s fun, it’s<br />
always emotionally rewarding.” – skyscraper<br />
<strong>Magazine</strong>. midnight.<br />
TBA 2 am.<br />
Wrongbar<br />
gold Lake Possibly the coolest band in spain<br />
right now, Gold lake channel Rilo kiley, Nada<br />
surf and tegan and sara. 9 pm.<br />
Little girls ”lo- fi- tinged pop that takes its<br />
melodies from the glory days of post- punk<br />
and goth.” 11 pm.<br />
Kid Sister kanye collaborator and BEt best<br />
female artist nominee rocks parties and<br />
causes all- around dance floor mayhem. midnight.<br />
OPOPO Playing driving club music with the<br />
spirit of rock, oPoPo have crafted an act that<br />
delivers an incredible party. 1 am.<br />
yonge-Dundas Square<br />
Dominique young Unique ”Unignorable mix<br />
of Miami bass, Neptunes, French house, dub-<br />
punk.” – Rolling stone. 3- 3:40 pm.<br />
Spookey Ruben an intense 70s/80s roller<br />
coaster ride from this veteran performer.<br />
shins meets Genesis! 4- 4:40 pm.<br />
Chin Injeti as a producer and an artist, chin’s<br />
worked with everyone from Dr Dre and Nas<br />
to k’naan and zaki Ibrahim. 5- 5:40 pm.<br />
Big Freedia Big Freedia is a “bounce” rapper<br />
from New orleans. the single azz Everywhere<br />
should explain. 6- 6:40 pm.<br />
Phenomenal Handclap Band ”Psychedelia,<br />
proto- disco, heavy rock ’n’ roll, 60s soul and<br />
hip- hop – a perfect mix” – NPR 7- 7:40 pm.<br />
Kid Sister kanye collaborator and BEt best<br />
female artist nominee rocks parties and<br />
causes all- around dance-floor mayhem. 8- 9<br />
pm.<br />
De La Soul hip- hop pioneers lay down their<br />
immensely influential blend of quirky lyrics<br />
and jazzy samples. 9:30- 11 pm. 3
<strong>NXNE</strong> festivAl guide<br />
Film Fest<br />
highlights<br />
THIS MOVIE IS BROKEN (Bruce McDonald,<br />
canada). 88 minutes. tonight (thursday,<br />
June 17), 7 pm, Royal. Rating: NNN<br />
Written by Don McKellar and directed<br />
by Bruce McDonald, the agreeably<br />
loose This Movie Is Broken charts the<br />
relationship of two old friends (Georgina<br />
Reilly, who co-starred in McDonald’s<br />
Pontypool, and Greg Calderone)<br />
thrown together in toronto on the<br />
day of last year’s free Broken Social<br />
Scene show at harbourfront.<br />
84 june 17-23 2010 <strong>NOW</strong><br />
It’s not entirely a concert movie nor<br />
entirely a conventional feature, but<br />
the way the two modes weave in and<br />
out of one another is awfully endearing<br />
– and when they mesh up at a<br />
crucial point, the moment is as exhilarating<br />
as one of the band’s famous<br />
crescendos.<br />
some clumsy storytelling in the<br />
last reel spoils the pleasant buzz, but<br />
when it’s really cooking, this Movie Is<br />
Broken feels like it’s just a breath<br />
away from some new cinematic form.<br />
NORMAN WILNER<br />
online extra Read the Brendan Canning<br />
interview at nowtoronto.com/nxne<br />
Thursday, June 17<br />
CIRCA 1977: THE DIODES (aldo Erdic,<br />
ñcanada). 28 minutes. 3 pm, NFB<br />
Mediatheque. Rating: NNNN<br />
In just under half an hour, Circa 1977:<br />
The Diodes creates a vivid picture of the<br />
toronto punk scene of 33 years past,<br />
when a local punk band opened a club<br />
called the crash ’n’ Burn and changed<br />
the musical landscape.<br />
Using the Diodes’s <strong>NXNE</strong> 2008 reunion<br />
as a jumping-off point, director<br />
Aldo Erdic follows John Catto, Paul Robinson,<br />
John Hamilton and Ian Mackay<br />
on a walking tour of their old stomping<br />
grounds, casually capturing how much<br />
downtown Toronto has changed from<br />
the glory days when you could run a<br />
basement punk venue on Pearl Street.<br />
The footage of the old A&A Records<br />
and Sam the Record Man flagships<br />
speaks to a more musically fertile culture<br />
on Yonge Street as well. NW<br />
yEAR OF THE CARNIVORE (sook-yin lee,<br />
canada). 88 minutes. 7 pm, aMc yonge-<br />
Dundas. Rating: NN<br />
See review, page 92. And see related Q&A<br />
at nowtoronto.com/movies.<br />
WHEN yOU’RE STRANgE (tom Dicillo, U.s.).<br />
100 minutes. 8 pm, hyatt Regency.<br />
Rating: NNN<br />
See review at nowtoronto.com/movies.<br />
<strong>NXNE</strong> FILM FESTIVAL to saturday (June<br />
19) at various locations. $10, free with<br />
<strong>NXNE</strong> wristband/pass. For pass info, see<br />
<strong>NXNE</strong> Essentials, page 55. For complete<br />
film schedule, see Indie & Rep Film,<br />
page 102 and the <strong>NXNE</strong> ad on page 64.<br />
Friday, June 18<br />
SUCK (Rob stefaniuk, canada). 90<br />
ñminutes. 9:45 pm, Bloor.<br />
Rating: NNNN<br />
Writer-director-star Rob Stefaniuk’s<br />
Suck is a comedy about a struggling<br />
band that sees its fortunes take a turn<br />
for the brighter when the bassist<br />
(Jessica Paré) becomes a vampire.<br />
sure, it’s a one-joke movie, but the<br />
joke is really funny, played out in every<br />
permutation imaginable by the deadpan<br />
Paré and her slack-jawed bandmates.<br />
(stefaniuk’s disappointed<br />
befuddlement every time she eats<br />
some one is a own running gag.) NW<br />
Saturday, June 19<br />
SEARCH AND DESTROy: Iggy POP<br />
ñAND THE S<strong>TO</strong>OgES’ RAW POWER<br />
(Morgan Neville, U.s.). 45 minutes. 5 pm,<br />
toronto Underground cinema. Rating:<br />
NNNN<br />
Putting Iggy Pop and David Bowie in the<br />
same room seems to defy common<br />
sense, but when the result is an album as<br />
galvanizing as 1973’s Raw Power, com-<br />
mon sense just needs to shut the hell up.<br />
Search And Destroy reassembles the<br />
band four decades later and go over<br />
the creation of that landmark album.<br />
(Bowie, whose interest in the band led<br />
to his producing Raw Power, is regrettably<br />
absent.)<br />
Stooges fans will enjoy the tales of<br />
manic, disorganized recording sessions,<br />
and musico lo gists will come<br />
away convinced they’ve just discovered<br />
the missing link between glam<br />
rock and punk. And they’ll be right. NW<br />
S<strong>TO</strong>NES IN EXILE (stephen kijak,<br />
ñUk). 61 minutes. 9 pm, toronto<br />
Underground cinema. Rating: NNNN<br />
Stephen Kijak’s entertaining documentary<br />
explores the circumstances<br />
that led to the 1972 recording of the<br />
Rolling Stones’ Exile on Main street.<br />
Using photos and home movie footage<br />
to illustrate contemporary audio<br />
interviews with the band and other<br />
witnesses, kijak recreates the mix of<br />
homesickness and stroppy defiance<br />
that led the stones to record an american<br />
blues mashup in the basement of<br />
a mansion in the south of France –<br />
when they weren’t indulging in<br />
bacchanalian pleasures.<br />
Essential viewing for stones completists<br />
and for pretty much anyone<br />
else who was on the fence about<br />
Exile’s status as the band’s masterwork.<br />
Four decades on, they haven’t<br />
even come close to surpassing it. NW 3<br />
Ñ = Critic’s Pick NNNNN = Best of the fest NNNN = Excellent NNN = Entertaining NN = Snore N = Who programs this crap?