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inside<br />

Iggy & the Stooges 56<br />

Essential bands 66-72<br />

Thursday at a glance 61<br />

Friday at a glance 63<br />

<strong>NXNE</strong><br />

zach slootsky<br />

NORTH BY NORTHEAST<br />

all access<br />

Saturday at a glance 65<br />

Critics’ picks 66, 68, 72<br />

Complete band index 73<br />

Film fest highlights 84<br />

With 650 bands playing at 50<br />

venues across town, there’s a hell of<br />

a lot of music to catch at <strong>NXNE</strong>.<br />

those of you who’ve spent your rent<br />

money on beer can still hear great<br />

bands for nothing at yonge- Dundas<br />

square, at seven free park and<br />

public- space stages and on two<br />

stages at Pearson airport. keep<br />

in mind that many of the bigger<br />

names will also be<br />

playing intimate club<br />

shows, including secret<br />

late-night parties. For<br />

the rest of us, there are<br />

three ways to get the most<br />

out of <strong>NXNE</strong>. hit nxne.com for<br />

info on where to pick up your<br />

wristbands/passes. and if you’re intent<br />

on leaving it to the very last<br />

possible minute, you can purchase<br />

wristbands at the door for all shows.<br />

festival guide<br />

North By NorthEast is bigger, better and crazier than<br />

ever before. Are you ready for a week of music madness?<br />

<strong>HOW</strong> <strong>TO</strong> <strong>NXNE</strong><br />

Wristbands<br />

<strong>NXNE</strong> wristbands are the cheapest<br />

way to see the greatest number of<br />

bands, and will get you into all club<br />

shows and film screenings. Not only<br />

that, but they also allow you to bypass<br />

everyone paying cover and go<br />

straight to the front of the line. your<br />

options are the five- day<br />

($50), the one- day ($25)<br />

and the film-festival-only<br />

($25) wristband.<br />

Passes<br />

If you’re not fond of waiting<br />

in line, you’ll want to<br />

spring for a Priority Pass<br />

($200, students $100),<br />

which will get you in<br />

before everyone<br />

else, including<br />

wristbands.<br />

these are also the only way you’ll be<br />

able to catch folks like Mudhoney<br />

and X speaking at all the great conference<br />

events.<br />

Cover charges<br />

of course, you can always just pay<br />

the cover charge at the door, but<br />

that only makes financial sense if<br />

you’re set on checking out just a<br />

showcase or two.<br />

Party till 4<br />

ontario’s puritanical<br />

liquor laws<br />

still have a long<br />

way to go compared<br />

to the rest<br />

of the free world’s,<br />

but things are loosening<br />

up a bit every year. No, you’re<br />

still not allowed to drink on the<br />

street, but more than half of <strong>NXNE</strong>’s<br />

venues offer 4 am last call. so no<br />

matter where you are in the city,<br />

there’s likely to be an after-party<br />

nearby. keep an ear to the ground for<br />

rumours of secret late-night gigs by<br />

many of the fest’s bigger acts. For a<br />

full rundown of 4 am<br />

licences, see the schedules<br />

on pages 61, 63 and 65.<br />

<strong>NOW</strong> june 17-23 2010 55


DavID atlas / REtNa Essential<br />

<strong>NXNE</strong> festivAl guide<br />

shows<br />

PoP<br />

goes<br />

NXNe<br />

freshly inducted into<br />

the rock ’n’ roll hall<br />

of fame, iggy and the<br />

stooges get set to<br />

tear up yonge-dundas<br />

square at north by<br />

northeast By MICHAEL HOLLETT<br />

Iggy & THE S<strong>TO</strong>OgES at yonge-Dundas square,<br />

saturday (June 19), 9:30 pm. Free. nxne.com.<br />

iggy pop is steering his sleek ferrari<br />

F430 sports car from the Miami<br />

home he shares with his glamorous<br />

wife, Nina Alu, toward Miami Beach.<br />

He’s running some errands during<br />

brief downtime off the road after playing<br />

Europe this spring.<br />

“We’re on a break until July and August. The<br />

only exception is the outdoor show with you in<br />

Toronto, and I’m really psyched,” says Pop of<br />

the <strong>NXNE</strong> gig he and his resurrected Stooges<br />

headline at Yonge-Dundas Square on Saturday<br />

night (June 19).<br />

Things are sunny in Iggy & the Stooges’<br />

world, and it’s not just the Florida skies that are<br />

bright. The band that invented punk rock now<br />

sells out bigger shows than they ever played in<br />

their early years. The Stooges reunited in 2003<br />

to meet an apparently insatiable appetite for<br />

the punk pioneers’ dangerous rock and Iggy’s<br />

anarchic athleticism.<br />

Their legendary 1973 album, Raw Power, has<br />

been re-released with full remaster treatment,<br />

and a film about the disc’s recording, Search<br />

And Destroy, screens at the <strong>NXNE</strong> film fest. Pop<br />

also acts in Toronto filmmaker Rob Stefaniuk’s<br />

inspired vampire film, Suck, also screening at<br />

Northby.<br />

And Iggy & the Stooges were finally inducted<br />

into the Rock and Roll Hall of Fame in March, with<br />

proto-punk protege Green Day’s Billie Joe Armstrong<br />

handing them the hardware at the corporate<br />

bunfest at Man hattan’s Waldorf As to ria.<br />

“The Hall is a game, and it operates on a lot of<br />

levels,” laughs Pop, recalling the night at the<br />

Wal dorf, when the Stooges’ deranged performance<br />

of I Wanna Be Your Dog added to the<br />

band’s legend and scared the shit out of the<br />

suits in the front row.<br />

“I think they were a little fascinated,” says<br />

Pop of the stuffed shirts who stuffed the tables,<br />

“a little snake and mongoose thing going on. I<br />

just wanted to let them know I was in town.”<br />

He wasn’t just in town – he was in their laps<br />

also playing<br />

saturday<br />

when he jumped off the stage and stormed<br />

through the crowd trying to incite the expenseaccount<br />

set.<br />

“I had done the Hall once for Madonna [the<br />

Stooges sang two of her songs at her induction],<br />

so I knew there’s a hierarchy of those who can<br />

afford to pay and who ‘deserve’ to sit in those very<br />

front tables. It’s a whole industry power thing.”<br />

While clearly pleased to pick up his prize,<br />

Pop has no illusions about the awards.<br />

“The Rock and Roll Hall of Fame originated to<br />

honour and make amends to the pioneers of<br />

rock who were not educated people and got<br />

screwed, to make the industry look a little more<br />

human and to ultimately boost sales of the back<br />

catalogues. Most important, they set it up to be<br />

able to tie all these great R&B artists into an artistic<br />

ancestry that you could trace to many of the<br />

groups that were making the labels more<br />

money.<br />

“So by the time the whole experience was<br />

over, I thought, ‘My god, I’m Bo Diddley.’”<br />

He laughs.<br />

“But the Hall is the sort of thing that gets outside<br />

the subculture of music lovers. It resonates with<br />

the broader public. And because it is an industry<br />

thing, you feel a little bit of that ‘I prevailed’ thing.<br />

“Other than that, you just want to go, ‘Ah,<br />

fuck off – all of you just fuck off.’”<br />

Industry accolades were unima gin able in the<br />

Stooges’ early days. The promising band from<br />

Ann Arbor quickly became a headache for label<br />

execs who had no idea how to handle the group’s<br />

poor record sales and out-of-control live shows.<br />

“The people we freaked out – you know [the<br />

Who’s] Won’t Get Fooled Again, ‘Meet the new<br />

boss, same as the old boss’? We freaked out the<br />

new bosses. In the late 60s there was an alternative<br />

hippie infrastructure of pod people or<br />

body snatchers that were at every gig. They<br />

con gregated around the local psychedelic ballroom,<br />

the clubs, the FM station and managed<br />

the local bands. They didn’t like us, and neither<br />

did the top of the industry.<br />

“But the people liked us.”<br />

Pop recalls, “The music was very, very hardhitting,<br />

the lyrics and the way the music was<br />

put together daring.”<br />

RaveoNettes coNtRol YoNge-DuNDas<br />

THE RAVEONETTES at yonge- Dundas<br />

square, saturday (June 19), 8 pm. Free.<br />

nxne.com.<br />

I catch Raveonettes guitarist/singer<br />

Sune Rose Wagner at the album cycle<br />

equivalent of low tide.<br />

Now that tours in support of the<br />

Danish garage pop duo’s last album, In<br />

And Out Of Control (Vice), are over, he’s<br />

sneaking in some downtime,<br />

vacationing in london, England, with<br />

friends from Brooklyn band the Drums.<br />

But Wagner and fellow Raveonette<br />

Sharin Foo aren’t resting for long. the<br />

hardworking pair are already writing album<br />

number five (due in 2011) and<br />

prepping a B- side and rarities compilation<br />

for later this year.<br />

“that’s how it works,” says Wagner<br />

over the line. “We do an album, then we<br />

tour, then we immediately get into a<br />

But the Stooges approach<br />

didn’t trans late into record sales:<br />

bad news for record execs, no big<br />

deal to Iggy.<br />

“I’d always thought that was the<br />

right amount to sell. I would say, ‘If this is<br />

handled right, there might be 50,000 in America.’<br />

I couldn’t even conceive of the outside world<br />

yet, who might like this stuff, and that’s fine.<br />

“I didn’t understand the tenets of capitalism.<br />

I thought surely somebody could make a little<br />

profit selling records like that. We could do<br />

shows and we could all live together in a house<br />

and eat brown rice, smoke hash and fuck, listen<br />

to music and read The Teachings Of Don Juan.<br />

What’s the problem?”<br />

Desperate to get a return on its floundering<br />

investment, Elektra tried to get Iggy to ditch<br />

the band.<br />

“I’d hear again and again, ‘Lose the group. I<br />

can get you with some real musicians. You’re<br />

cute and you’ve got an interesting act.’”<br />

Pop says he pushed his band to new extremes<br />

for the Stooges’ second album, Fun<br />

House, but the release sold only half as well as<br />

the first. The label never did formally drop the<br />

band, but did try to get Pop to sign what he calls<br />

a boy band deal.<br />

“I weaselled out,” says Pop. “I didn’t do that.”<br />

Instead, he got introduced to David Bowie,<br />

who encouraged him to move to London. Pop<br />

talked the Stooges into joining him and finishing<br />

Raw Power, with Bowie doing the final mix.<br />

It sold as poorly as the earlier Stooges releases,<br />

and the band eventually collapsed, a victim of<br />

corrosive life on the road, addiction and an industry<br />

grown impatient with their false starts.<br />

But Pop remains proud of the Stooges.<br />

“We tried to do something that had enough<br />

of familiar rock format so that people would<br />

pay attention. But – and nobody else had done<br />

this – we brought influences from John Cage,<br />

Harry Partch, Lebanese belly dancing music,<br />

Turkish orchestral music, Bedouin music, slave<br />

chants, Balinese stuff and Carl Orff, little touches<br />

of all that and jazz.”<br />

Pop says the sleigh bells on I Wanna Be Your<br />

Dog were lifted from avant-garde jazz player<br />

<strong>NXNE</strong><br />

rocks<br />

YoNgE<br />

& DuNDas<br />

for the complete<br />

Yonge-Dundas Square<br />

lineup,<br />

see page 62<br />

studio and work on a new album.<br />

“there is very little free time. We try<br />

always to be occupied with creative<br />

stuff.”<br />

these moments between touring<br />

and recording are crucial; they’re when<br />

songs get written and decisions get<br />

made about sound, artistic direction<br />

and whom to include in the creative<br />

process.<br />

on In and out of control, sune and<br />

Foo brought in Danish pop whiz kid<br />

thomas troelsen to co- write and co-<br />

produce. Will they do that again?<br />

“No,” says Wagner forcefully.<br />

“absolutely not.”<br />

a jab at troelsen? Maybe not.<br />

Wagner has a thing for changing up the<br />

process.<br />

“We like to do albums that are very<br />

independent from one another, so after<br />

the last one, which has tons of production<br />

on it, we want to cut back and do<br />

Pharoah Sanders, and there’s<br />

some of Johnny Cash’s I Walk<br />

The Line in No Fun.<br />

“I worked in a record store as a<br />

stock boy, and I’d often stay late restocking<br />

and playing odd records. I<br />

wanted to learn. I listened to Balinese music<br />

and to those monks who blow those big Tibetan<br />

long horns.”<br />

Then Pop unleashes a bellowing blast, an<br />

imitation of the otherworldly horns that inspired<br />

him.<br />

“I like that music – it’s good shit. I still listen<br />

to it. I listen to what people would think is<br />

pretty weird stuff, but it gives me pleasure.”<br />

He got no pleasure, however, from watching<br />

punk finally take hold years after the Stooges<br />

collapsed.<br />

“It was difficult emotionally. I knew I couldn’t<br />

go back. I intuited that they were doing things<br />

based on what I did, but in a more palatable<br />

form, a little more commercialized. New Rose<br />

(by the Damned) and God Save The Queen (Sex<br />

Pistols) and later some of the early Clash stuff,<br />

that’s slicker, a little different.<br />

“And of course they had a smaller, more receptive<br />

country to spring it on.<br />

“In America, it’s like trying to wake up a<br />

large, wet hippopotamus – no, not even a hippo,<br />

something very large, damp and flaccid. And<br />

you’re trying to wake it up, and America won’t<br />

get a stiffy. It’s very hard to get America behind<br />

something, even to notice. In Britain, music is<br />

more important.”<br />

Even now, he says, the pasteurization of<br />

punk continues.<br />

“They figured out a way to defang it. Cutie it<br />

up and we can sell this shit. Especially post-<br />

Green Day, neo-punk has to be kind of cute and<br />

kind of funny. Green Day still has a lot of raw<br />

talent, but when you start getting into Blink-182,<br />

you start getting into jokes.”<br />

Punk’s no joke to Pop, as we’ll see when he<br />

brings his ferocious show to Toronto. 3<br />

michaelh@nowtoronto.com<br />

more online<br />

Interview clips at nowtoronto.com<br />

something raw, noisy and darker-<br />

sounding.”<br />

this love of contrast is also hardwired<br />

into their music.<br />

“I like to write songs that musically<br />

sound really happy but have lyrics that<br />

are actually quite far from happy,”<br />

laughs Wagner. “I like to lure people<br />

into what they think is paradise, but it<br />

turns out to be hell.<br />

“It just messes with their minds.<br />

they think they’re dancing to a cute<br />

little song, but it’s really all about evilness.”<br />

as for the B- sides and rarities collection,<br />

Wagner says they’re still wading<br />

through piles of old recordings to decide<br />

what makes the cut.<br />

“[there will be] a healthy dose of<br />

between 20 and 30 songs,” he promises,<br />

“mainly for our hardcore fans, who<br />

deserve to hear them.” JORDAN BIMM<br />

56 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 57


<strong>NXNE</strong> festivAl guide<br />

Essential<br />

shows<br />

MUDHONEy at yonge-Dundas square, tonight<br />

(thursday, June 17), 9 pm. Free. and<br />

at the horseshoe (368 Queen West), Friday<br />

(June 18), 1 am. $25 or <strong>NXNE</strong> wristband/pass.<br />

nxne.com.<br />

I’ve written one music-related fan letter<br />

in my life. It was addressed to seattle<br />

and my favourite 90s grunge band,<br />

Mudhoney. We’re talking pen to paper<br />

to mailbox and then anxiously waiting<br />

for a reply.<br />

It took three years for singer Mark<br />

Arm’s photocopied all-purpose response<br />

to arrive, and by then the<br />

ripped-out magazine photos had long<br />

since come down from my bedroom<br />

walls.<br />

“We took things casually back<br />

then, maybe too casually at<br />

times,” guitarist Steve Turner<br />

considers.<br />

No hard feelings. That laidback<br />

approach proved to be<br />

integral to the band’s longevity.<br />

Bands like Mudhoney, the ones that<br />

can stick together for over two decades<br />

and still remain relevant, usually<br />

don’t take themselves or the music biz<br />

too seriously.<br />

Instead of chasing trends and dollars,<br />

inevitably burning out and hating<br />

each other in the process, they stayed<br />

true to themselves and let everyone<br />

else come around to find them.<br />

grunge<br />

“We never really had any grand expectations,”<br />

says Turner. “Mark and I<br />

got further than we ever thought we<br />

would within the first six months of<br />

being a band. Everything else was just<br />

gravy. The fact that we took it so casually<br />

probably helped us stick around.”<br />

Though their tour schedule has<br />

lightened over the years, their recorded<br />

output remains consistent and well<br />

received. Their latest, appropriately<br />

named The Lucky Ones (Sub Pop), is a<br />

far cry from the sound of four greyhairs<br />

playing “dad rock,” as Turner calls<br />

it.<br />

Compared to current Sup Pop Seattle<br />

successes such as mellow gold rockers<br />

Fleet Foxes and Band of Horses<br />

(now on a major), Mudhoney sound<br />

downright heavy.<br />

“A bit of a mid-life crisis,” is<br />

how Tur ner describes Lucky<br />

Ones. “That’s our hardcore record.<br />

We did it fast and raw, and<br />

it turned out great.”<br />

You can almost hear Turner’s jaw<br />

clench when I mention that he’s on a<br />

<strong>NXNE</strong> panel to discuss the Seattle explosion,<br />

grunge and Sup Pop’s early<br />

days. At this point he’s justifiably sick<br />

of the subject and says he hides from<br />

authors still writing on it.<br />

“Whatever. We’re part of it. You<br />

can’t escape your past, as they say, and<br />

I wouldn’t want to.” JASON KELLER<br />

Where the critics will be thursday<br />

MICHAEL HOLLETT<br />

BENJAMIN BOLES<br />

JORDAN BIMM<br />

CARLA gILLIS<br />

JASON KELLER<br />

ANDREW RENNIE<br />

RICHARD<br />

TRAPUNSKI<br />

gLASS CANDy at Wrongbar (1279 Queen<br />

West), tonight (thursday, June 17), 1 am.<br />

$15 or <strong>NXNE</strong> wristband/pass. nxne.com.<br />

8 pm 9 pm 10 pm 11 pm 12 am 1 am 2 am 3 am<br />

Andy Kim<br />

lee’s Palace<br />

Rituals<br />

Drake hotel<br />

Clothes Make<br />

The Man<br />

silver Dollar<br />

Rituals<br />

Drake hotel<br />

Brant Bjork &<br />

The Bros<br />

yonge-Dundas<br />

square<br />

young galazy<br />

Mod club<br />

Old World<br />

Vulture<br />

Rancho Relaxo<br />

The Besnard<br />

Lakes<br />

Mod club<br />

zola Jesus<br />

sneaky Dee’s<br />

Mudhoney<br />

yonge-Dundas<br />

square<br />

Final Flash<br />

El Mocambo<br />

Main Floor<br />

The Besnard<br />

Lakes<br />

Mod club<br />

Demon’s Claw<br />

the Great hall<br />

Demon’s Claw<br />

the Great hall<br />

If there’s such a thing as an earthy<br />

disco queen, it’s Ida No.<br />

the silken-voiced singer for cosmic<br />

beat-pumping duo Glass Candy isn’t as<br />

urbane as you might expect. In<br />

fact, many of her lyrics, mel-<br />

odies and themes are inspired<br />

by hikes in the lush tree-lined<br />

hills that surround her Portland<br />

home.<br />

“I go on really long walks and<br />

won’t come back for four hours,”<br />

says No. “I’ll go for a walk and a theme<br />

will come up or I’ll get overcome by a<br />

feeling.”<br />

she then conveys these vocal lines<br />

to long-time musical partner Johnny<br />

Jewel, who writes and composes Glass<br />

candy’s analog-synth-based jams.<br />

these writing sessions have become a<br />

long-distance affair of late. Jewel re-<br />

synth<br />

disco<br />

Bad Tits<br />

Drake hotel<br />

Modern<br />

Superstitions<br />

silver Dollar<br />

Times Neue<br />

Roman<br />

El Mocambo<br />

Upstairs<br />

Bad Tits<br />

Drake hotel<br />

Free Energy<br />

horseshoe<br />

tavern<br />

X<br />

yonge-Dundas<br />

square<br />

X<br />

yonge-Dundas<br />

square<br />

Jim Cuddy,<br />

Hawksley<br />

Workman<br />

lee’s Palace<br />

Mamabolo<br />

Wrongbar<br />

Bishop<br />

Morocco<br />

Drake hotel<br />

Anamanaguchi<br />

Whippersnapper<br />

Gallery<br />

Best Coast<br />

the Great hall<br />

Misfits<br />

opera house<br />

METz<br />

the Garrison<br />

Mini Mansions<br />

Bovine sex<br />

club<br />

Junior Boys<br />

the social<br />

The Coast<br />

Gladstone<br />

hotel<br />

Lily Frost<br />

the Painted<br />

lady<br />

The Beauties<br />

lee’s Palace<br />

Bitters<br />

silver Dollar<br />

The Pack A.D.<br />

Dakota tavern<br />

cently relocated to Montreal to be with<br />

his romantic interest.<br />

“Even when we lived in the same<br />

apartment, we were on opposite sides<br />

of the continent,” she laughs. “he’s<br />

always been really headstrong and off<br />

in his own creative world, and I am,<br />

too, so not much has changed.”<br />

Jewel’s move to Montreal to shack<br />

up and make music with his female<br />

partner follows a familiar<br />

pattern for the texan. after<br />

years of living with No and<br />

doing Glass candy (which<br />

formed in 1995), he formed the<br />

similar-sounding chromatics in<br />

2006 with girlfriend Ruth Radelet. Desire,<br />

a synth-pop unit featuring Megan<br />

louise on vocals, is his latest love/<br />

music partnership.<br />

“From an outside perspective, that<br />

must look like [makes cat fighting<br />

noises], but there’s no competition. It’s<br />

more like a good family feeling. the<br />

people in those bands are like my best<br />

friends.” JASON KELLER<br />

Thee Oh Sees<br />

the Great hall<br />

glass Candy<br />

Wrongbar<br />

young Empires<br />

Dakota tavern<br />

glass Candy<br />

Wrongbar<br />

DVAS<br />

El Mocambo<br />

Upstairs<br />

The Strange<br />

Boys<br />

silver Dollar<br />

Thee Oh Sees<br />

the Great hall<br />

Special guest<br />

silver Dollar<br />

Trust<br />

Wrongbar<br />

Special guest<br />

Dakota tavern<br />

Trust<br />

Wrongbar<br />

Walter<br />

Schreifels<br />

Bovine sex<br />

club<br />

gregory<br />

Pepper & His<br />

Problems<br />

Mitzi’s sister<br />

Special guest<br />

Dakota tavern<br />

A Primitive<br />

Evolution<br />

the hideout<br />

Mikey Apples<br />

Wrongbar<br />

Mikey Apples<br />

Wrongbar<br />

Mikey Apples<br />

Wrongbar<br />

A Primitive<br />

Evolution<br />

the hideout<br />

METz at the Garrison (1197 Dundas<br />

West), tonight (thursday, June 17), 11 pm.<br />

$10 or <strong>NXNE</strong> wristband/pass. nxne.com.<br />

the members of Metz don’t believe in<br />

gimmicks. they’re making their name<br />

through sheer volume and intensity.<br />

taking a cue from early 90s posthardcore<br />

greats the Jesus lizard and<br />

Drive like Jehu, the toronto trio<br />

eschews conventional song structure<br />

for dissonance and drone, burying<br />

twitchy hooks under piles of sludge.<br />

“For better or for worse, we can’t<br />

really tone it down,” says lead guitarist/yelper<br />

Alex Edkins. “there’s this<br />

energy that exists between me, Chris<br />

[Slorach] and Hayden [Menzies], and<br />

we just put that energy out there. It’s<br />

not really something we talk about,<br />

but when the three of us get together,<br />

that’s how we play.”<br />

With only two 7-inch<br />

weirdo<br />

punk<br />

singles to their name<br />

(and a third ready to be<br />

pressed), the band’s<br />

palpable hometown<br />

buzz is based mostly on<br />

their powerful live show.<br />

It’s an event not so much experienced<br />

as endured, and it hits with a<br />

raw force not often found in toronto’s<br />

crowded indie scene.<br />

“there’s so much great stuff<br />

happening in the city that it doesn’t<br />

matter if we sound like anyone else,”<br />

says Edkins. “Fitting in has never been<br />

our goal.” RICHARD TRAPUNSKI<br />

X at yonge- Dundas square, tonight<br />

(thursday, June 17), 10 pm. Free.<br />

nxne.com.<br />

X’s trademark male/female vocal dynamic<br />

influenced many of your favourite<br />

punk rock acts. the l.a. band,<br />

formed in 1977 by vocalist Exene<br />

THE STRANgE BOyS at the silver Dollar<br />

(486 spadina), thursday and Friday (June<br />

17-18), 1 am, and saturday (June 19), 2<br />

am. at the Garrison (1197 Dundas West),<br />

saturday (June 19), 11 pm. $10- $15 or<br />

<strong>NXNE</strong> wristband/pass. nxne.com. also at<br />

kops Records (229 Queen West), thursday<br />

(June 17), 1:30 pm. Free.<br />

the Strange Boys are making<br />

every visit to toronto count.<br />

Back in March, the young<br />

texas garage rockers opened<br />

the highly anticipated spoon/<br />

Deerhunter show at sound<br />

academy before rushing to<br />

Rancho Relaxo for an unannounced<br />

headlining gig later stage- crashed by<br />

kindred spirits the Black lips.<br />

Back in the city for the second time,<br />

they’re making the most out of their<br />

first <strong>NXNE</strong>. the band plays five shows<br />

over the course of three busy days, including<br />

a three-night stand at the Silver<br />

Dollar, where they’ll road- test a<br />

few new tracks from their still-<br />

Cervenka, vocalist/bassist John Doe,<br />

guitarist Billy Zoom and drummer DJ<br />

Bonebrake, built their sound from<br />

sources outside the genre.<br />

“We were inspired by everything,<br />

from country to blues to folk rock,”<br />

says cervenka from her l.a. home.<br />

“We were inspired by everything ever<br />

recorded. you can print that.<br />

unnamed follow- up to 2010’s swagger<br />

ing Be Brave (In the Red).<br />

singer/guitarist Ryan Sambol<br />

admits the new material isn’t a huge<br />

departure from the band’s established<br />

mix of Nuggets- era R&B, electric Dylan<br />

blues and texas twang, but he refuses<br />

to talk about inspiration.<br />

“I’ve stopped answering that question<br />

because I don’t want us to be<br />

pegged down to just one or two<br />

influences,” he says over the<br />

phone from austin. “I like a lot<br />

of music from all different<br />

periods. I would say I just like<br />

music.”<br />

It’s this don’t- give- a- shit attitude<br />

that makes the strange Boys<br />

such an appealing live act and a difficult<br />

interview. Unwilling to think deeply<br />

about the band, sambol would rather<br />

just get up onstage, down a few<br />

beers and have a good time.<br />

“there are more important things in<br />

the world than bands,” he says. “We’re<br />

just a group of kids playing music. It’s<br />

really not a big deal.” RICHARD TRAPUNSKI<br />

“things were different in the late<br />

70s. Punk rock was more of an umbrella<br />

term. there was nothing to say that<br />

you couldn’t drop a jazz solo into the<br />

middle of a song.”<br />

over X’s three- decade, seven- album<br />

career, they dabbled in rockabilly,<br />

country, folk, alternative rock and then<br />

some. along with avant- garde ele-<br />

ments, they peppered the tunes with<br />

deeply personal lyrics.<br />

“Under the Big Black sun was a<br />

once-in-a-lifetime album,” says cervenka.<br />

the 1982 recording was written<br />

as she was grieving her sister’s death in<br />

an auto accident. “It is the most melancholy<br />

album we’ve recorded. It’s also<br />

my personal favourite.”<br />

cervenka’s traumas have never<br />

slowed her down, not even a recent<br />

diagnosis of multiple sclerosis.<br />

“It hasn’t affected me one bit,” she<br />

says cheerfully. “I take some holistic<br />

things, some medicinal things. But<br />

everyone’s got an affliction, if you<br />

think about it. Diabetes, hIv, hepatitis.<br />

Everyone’s gotta fight their own battles,<br />

and I take solace in that.”<br />

ANDREW RENNIE<br />

66 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 67<br />

proto<br />

punk<br />

garage<br />

rock


<strong>NXNE</strong> festivAl guide<br />

Essential<br />

shows<br />

TRUST at Wrongbar (1279 Queen West),<br />

tonight (thursday, June 17), 2 am, and<br />

Friday (June 18), 9 pm. $15 or <strong>NXNE</strong><br />

wristband/pass. nxne.com.<br />

Trust have only been a band for five<br />

months, but the duo’s spooky, artinfused<br />

synth experiments have<br />

already made them a hit with tastemakers<br />

lurking in the grittier corners<br />

of toronto’s lively elec-<br />

tronic scene.<br />

Featuring percussionist<br />

Maya Postepski (who also<br />

drums for katie stelmanis and<br />

performs solo as Princess century)<br />

and synth player/vocalist Robert<br />

Alfons, trust name-drops everyone<br />

from outsider vhs music-video<br />

queen Jan terri to the unsettling<br />

kraut-pop of Malaria! and the Real<br />

Mccoy’s early-90s hi-NRG as inspirations<br />

shaping their sound and perfor-<br />

synth<br />

pop<br />

mance style.<br />

Postepski says she wants their end<br />

product to sound like “crying on the<br />

dance floor,” accomplished through<br />

“demon growls and arpeggiators.”<br />

their dark, danceable sound is<br />

working out for them. so far they’ve<br />

convinced local DJ and former crystal<br />

castles manager Mikey apples to<br />

manage them, and that’s already<br />

resulted in a pretty big second<br />

gig; trust opened for local<br />

buzz band Parallels at their<br />

super-packed record release<br />

party at Wrongbar back in<br />

February.<br />

While the duo has only a few<br />

songs posted on their Myspace page,<br />

they’re readying two 12-inch vinyl singles<br />

for release over the summer, one<br />

of which will feature a remix by l.a.<br />

chillwave magicians Nite Jewel.<br />

they’re going to be big, trust us.<br />

JORDAN BIMM<br />

Where the critics will be friday<br />

MICHAEL HOLLETT<br />

BENJAMIN BOLES<br />

JORDAN BIMM<br />

CARLA gILLIS<br />

JASON KELLER<br />

ANDREW RENNIE<br />

RICHARD<br />

TRAPUNSKI<br />

8 pm 9 pm 10 pm 11 pm 12 am 1 am 2 am 3 am<br />

Nive Nielson &<br />

The Deer<br />

Children<br />

silver Dollar<br />

Mathemagic<br />

Gladstone<br />

hotel<br />

The Futureless<br />

Neutral<br />

lounge<br />

Mathemagic<br />

Gladstone<br />

hotel<br />

Brutal Knights<br />

horseshoe<br />

tavern<br />

Brutal Knights<br />

horseshoe<br />

tavern<br />

Brutal Knights<br />

horseshoe<br />

tavern<br />

222s<br />

horseshoe<br />

tavern<br />

ghost Bees<br />

Gladstone<br />

hotel<br />

KATIE STELMANIS at Wrongbar (1279<br />

Queen West), Friday (June 18), 10 pm. $15<br />

or <strong>NXNE</strong> wristband/pass. nxne.com.<br />

Many things about Katie Stelmanis<br />

are tba right now.<br />

The buzzed-about Toronto<br />

electro nic artist with the big<br />

voice, orchestral leanings and<br />

dramatic melodies (and<br />

videos) has a full-length album<br />

80 per cent in the can, set for release<br />

in early winter. So which label is<br />

behind it?<br />

“I don’t think I can say that yet,” says<br />

Stelmanis, freshly returned from the<br />

gym. “I’ll just say tba.”<br />

Has she settled on a title?<br />

“Nope,” she says. “The name is<br />

SILJE NES at Whippersnapper (578a college),<br />

Friday (June 18), 10 pm. $15 or<br />

<strong>NXNE</strong> wristband/pass. nxne.com.<br />

Stop Die<br />

comfort zone<br />

The<br />

Polymorphines<br />

Rancho Relaxo<br />

The Weirdies<br />

the shop<br />

Sloan (9:30)<br />

yonge-Dundas<br />

square<br />

Soft Copy<br />

the Garrison<br />

No one will ever accuse Silje Nes of<br />

being uninventive.<br />

the Norwegian singer/songwriter<br />

does it all. she plays piano, guitar, cello,<br />

xylophone, trumpet, recorder and<br />

drums and landed herself a record deal<br />

after sending a demo to Fatcat, the<br />

esteemed Uk label that puts out sigur<br />

Rós and Black Dice.<br />

Naturally, she also home-produces<br />

indie<br />

pop<br />

AA Bondy<br />

the Great hall Wavves<br />

lee’s Palace<br />

Timber Timbre<br />

Gladstone<br />

hotel<br />

Boys Who Say<br />

No<br />

silver Dollar<br />

Katie<br />

Stelmanis<br />

Wrongbar<br />

AA Bondy<br />

Gladstone<br />

hotel<br />

Timber Timbre<br />

Gladstone<br />

hotel<br />

Timber Timbre<br />

Gladstone<br />

hotel<br />

Best Coast<br />

the Garrison<br />

Wavves<br />

lee’s Palace<br />

Wavves<br />

lee’s Palace<br />

John Doe &<br />

Exene<br />

Cervenka<br />

the Great hall<br />

Wavves<br />

lee’s Palace<br />

DD/MM/yyyy<br />

Gladstone<br />

hotel<br />

Man or<br />

Astroman?<br />

horseshoe<br />

tavern<br />

Big Freedia<br />

Wrongbar<br />

The Two<br />

Koreas<br />

comfort zone<br />

Evening<br />

Hymns<br />

Dakota tavern<br />

Man or<br />

Astroman?<br />

horseshoe<br />

tavern<br />

Big Freedia<br />

Wrongbar<br />

Japandroids<br />

lee’s Palace<br />

usually the very last thing I think of.”<br />

One certainty is her upcoming<br />

three-song 12-inch single, tentatively<br />

titled The Beat And The Pulse. It comes<br />

out in August on One Big Silence, the<br />

new 12-inch-vinyl-only label set<br />

up by Fucked Up’s Mike halie-<br />

chuk, who’s said his goal is to<br />

document Toronto’s vibrant<br />

electronic music scene.<br />

“When Mike started the<br />

label, he was like, ‘I want to make<br />

a scene in Toronto,’” explains Stelmanis.<br />

“I was like, ‘You can’t really do<br />

that.’ I felt like he was fabricating one.<br />

But now that things have really started<br />

moving, I do feel like part of it.”<br />

Stelmanis cites as examples Diamond<br />

Rings, whose Show Me Your<br />

her own music – serene folk tempered<br />

with experimental flourishes like the<br />

ticking of a distant typewriter or<br />

the sound of a bleating sheep<br />

submerged deep in the mix.<br />

“Basically, I just use<br />

things that are around. I also<br />

have this video camera that I<br />

pick up sounds from,” she explains<br />

softly from her place in Berlin,<br />

where she’s awaiting a FedEx package<br />

containing a visa that will allow<br />

her to tour the U.s. with fellow multiinstrumentalist<br />

DM stith.<br />

While she’s foremost a soloist, for<br />

trippy<br />

folk<br />

Mudhoney<br />

horseshoe<br />

tavern<br />

PS I Love you<br />

lee’s Palace<br />

84.85<br />

Drake hotel<br />

PS I Love you<br />

lee’s Palace<br />

Mudhoney<br />

horseshoe<br />

tavern<br />

Mudhoney<br />

horseshoe<br />

tavern<br />

Mudhoney<br />

horseshoe<br />

tavern<br />

Special guest<br />

Bovine sex<br />

club<br />

Special guest<br />

Bovine sex<br />

club<br />

<strong>NOW</strong> DJ’s<br />

Gladstone<br />

hotel<br />

Special guest<br />

Bovine sex<br />

club<br />

<strong>NOW</strong> DJ’s<br />

Gladstone<br />

hotel<br />

Huoratron<br />

Wrongbar<br />

Women<br />

silver Dollar<br />

Murder Ford<br />

Monument<br />

silver Dollar<br />

Murder Ford<br />

Monument<br />

silver Dollar<br />

DJ Ed Lover<br />

Drake hotel<br />

DJ Ed Lover<br />

Drake hotel<br />

The Cheap<br />

Speakers<br />

Rancho Relaxo<br />

Stuff 12-inch launches the label at the<br />

Friday (June 18) <strong>NXNE</strong> showcase, and<br />

Trust (also on the bill), her drummer,<br />

Maya Postepski’s, new band.<br />

“Because I didn’t know many people<br />

[making electronic music], I was kind of<br />

on my own figuring out the programs<br />

and the basics of MIDI. With more people<br />

to collaborate with now, I’m learning<br />

so much more, even just in the last six<br />

or seven months.”<br />

That collaboration extends to the<br />

Katie Stelmanis project, which is now a<br />

four-person band that includes the<br />

aforementioned Postepski plus bassist<br />

Dorian Wolf and guitarist Carmen Elle.<br />

The lineup additions, which debuted at<br />

SXSW, prompted Stelmanis to switch to<br />

a band name, Private Life – an effort<br />

that was ultimately thwarted.<br />

“I feel like ‘Katie Stelmanis’ doesn’t in<br />

any way describe what my music<br />

sounds like. It tends to be a description<br />

of what it doesn’t sound like; I’ve shown<br />

up at a ton of gigs where peo ple assumed<br />

I was a solo girl on piano.<br />

“But two months into owning [the<br />

name], a friend pointed out a band with<br />

the same name that released a record<br />

on Warner in 1989. My friend managed<br />

to get hold of an email address and then<br />

asked if we could share. We were<br />

basically told no.”<br />

A new name is, unsurprisingly, tba.<br />

“We’re in the process of thinking of<br />

one right now.” CARLA gILLIS<br />

her <strong>NXNE</strong> show at Whippersnapper Nes<br />

will be accompanied by two musicians<br />

and a loop pedal, owen Pallett-style,<br />

to create a lush sonic tapestry be-<br />

neath her restrained, whisperquiet<br />

vocals.<br />

since the release of her 2007<br />

debut, ames Room, expectations<br />

for her upcoming second album,<br />

Optiks (FatCat), have been high. although<br />

the record’s september release<br />

date is fast approaching, she’s still figuring<br />

it out.<br />

“I don’t really know what it is yet. It’s<br />

still a work in progress.” JASON RICHARDS<br />

COLD CAVE DJ set at the Garrison (1197<br />

Dundas West), Friday (June 18), 1 am. and<br />

live set at lee’s Palace (529 Bloor West),<br />

saturday (June 19), 1 am. Both $15 or<br />

<strong>NXNE</strong> wristband/pass. nxne.com.<br />

Cold Cave return to <strong>NXNE</strong> with a hotnew-thing<br />

aura surrounding Love<br />

Comes Close (Matador), their noisy<br />

synth-pop debut album.<br />

SLOAN at yonge-Dundas square, Friday<br />

(June 18), 9:30 pm. Free. nxne.com.<br />

the members of Sloan are already kicking<br />

around ideas for next February,<br />

which marks the 20th anniversary of<br />

their first show. (super-fan trivia: it<br />

took place at the Nova scotia college<br />

of art and Design in halifax.)<br />

“I’d like to play some older albums<br />

front to back in a concert setting,”<br />

says guitarist/vocalist<br />

Jay Ferguson. “Twice Removed?<br />

One Chord To Another?<br />

Perhaps a bit trendy<br />

these days, but it’s something<br />

I’ve wanted to do for a while.<br />

“Maybe the 20th anniversary is the<br />

right time to relearn Lemonzinger. Actually,<br />

scratch that. The lyrics are total<br />

trash. Good riff, though.”<br />

In the meantime, the Toronto-based<br />

But Wes Eisold, the brain behind the<br />

Manhattan-based band’s hooks, actually<br />

has a long history as a singer and<br />

lyricist in hardcore punk bands. he formerly<br />

fronted the loud, guitar-driven<br />

american Nightmare, Give Up the<br />

Ghost and some Girls, among other<br />

bands.<br />

“I wanted to start my own band<br />

where I would write all of the music<br />

indie pop legends are keeping busy<br />

with releases – B-Sides Win, a new collection<br />

of bonus tracks, extras and Bsides,<br />

and last November’s Hit & Run<br />

EP are available from the band’s digital<br />

store. And let’s not forget fatherhood.<br />

Last week, bassist Chris Murphy welcomed<br />

a new son into the world.<br />

Then there’s Sloan’s free Yonge-<br />

Dundas Square show during <strong>NXNE</strong>.<br />

Besides squeezing in a rehearsal<br />

with the new dad and checking<br />

out Iggy & the Stooges Saturday<br />

night, what do they have<br />

planned for their show?<br />

“Hit after hit after hit followed<br />

by an obscure album<br />

track to allow people to go purchase<br />

a hot dog or jeans, and then<br />

back to the hits,” jokes Ferguson. “It’ll<br />

be good. Under the stars. And billboards.<br />

I miss Licks restaurant on that<br />

corner.” CARLA gILLIS<br />

and there would be no confusion or<br />

compromise,” says Eisold about his<br />

stylistic switch from hardcore to cold<br />

cave’s art-damaged electro. “this is<br />

how it sounds.”<br />

“I hardly trust anyone who wasn’t<br />

involved in hardcore at some point in<br />

their life.”<br />

the trust issues stem in part from a<br />

well-publicized incident in 2007 when<br />

pop-punk poster children Fall out Boy<br />

admitted they plagiarized Eisold’s<br />

lyrics on two of their biggest-selling<br />

records.<br />

Eisold’s writing extends outside the<br />

world of music. he operates heartworm<br />

Press, an independent publishing<br />

house in Manhattan, and has published<br />

Deathbeds, a book of poetry and<br />

prose.<br />

For now, though, he’s focused on<br />

music, touring and tightening up the<br />

four-piece’s live performances. Following<br />

the summer shows, he plans to<br />

hibernate in order to focus on cold<br />

cave’s next record.<br />

“last month we made the transformation<br />

from being better on record<br />

to being better live,” Eisold says. “I’m<br />

very pleased with this.” JORDAN BIMM<br />

68 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 69<br />

power<br />

pop<br />

electro<br />

pop


<strong>NXNE</strong> festivAl guide<br />

Essential<br />

shows<br />

LIBRARy VOICES at the horseshoe (368<br />

Queen West), saturday (June 19), 9 pm.<br />

$15 or <strong>NXNE</strong> wristband/pass. nxne.com.<br />

you’d never glean it from their<br />

countenances, but Library<br />

Voices may just be the unluckiest<br />

band in canada.<br />

In February 2009, the saskatchewan<br />

eight- piece was<br />

the target of theft, losing their<br />

tour van and a good deal of gear.<br />

then, just three weeks after releasing<br />

the critically acclaimed full- length<br />

Denim On Denim (Young Souls) in<br />

april 2010, their basement studio in<br />

indie<br />

pop<br />

the Regina cultural Exchange flooded,<br />

ruining most of what was left of their<br />

equipment.<br />

But it hasn’t been all bad news. as<br />

word of the band’s misfortune spread,<br />

fellow Prairie rockers the Weakerthans<br />

played a library voices<br />

benefit concert, and donations<br />

poured in from fans and well-<br />

wishers. Uneasy about taking<br />

char ity, the group recorded a<br />

cover of the Beatles’ help! and<br />

gave it away for free on their website<br />

as a thank you.<br />

“When something like this happens,<br />

the feedback and the response you get<br />

really help put things in perspective,”<br />

says keyboardist/lyricist Michael Dawson<br />

over the phone from Regina.<br />

“our motivation to play in a band<br />

came from growing up going to shows<br />

and supporting indie music, so it’s reaffirming<br />

to see other fans and musicians<br />

doing the same on our behalf. It<br />

reminds us why we got into it in the<br />

first place, and why we spend so much<br />

money each year on our little hobby.”<br />

those familiar with the group’s<br />

brand of upbeat indie pop shouldn’t be<br />

surprised by Dawson’s positive outlook.<br />

a mix of literary, self- conscious<br />

lyrics, catchy bubble-gum hooks and<br />

unbridled enthusiasm, a library voices<br />

song is the musical equivalent of a big<br />

goofy grin.<br />

“When we started, pop was totally a<br />

four- letter word, even though it’s really<br />

three letters,” Dawson says. “at<br />

some point we decided if we’re going<br />

to make pop music, we might as well<br />

do it unabashedly. so we had some t-<br />

shirts printed up that said ‘Pop as<br />

Fuck!’ and we just went for it.”<br />

considering that the average library<br />

voices performance leaves both the<br />

band and audience satisfied, sweaty<br />

and utterly spent, “Pop as Fuck!” is an<br />

apposite slogan.<br />

“It can be exhausting piling all of us<br />

into a van or a hotel room, but once<br />

you’re onstage literally surrounded by<br />

your friends jumping around and having<br />

fun, it’s impossible not to smile. It’s<br />

infectious.” RICHARD TRAPUNSKI<br />

C’MON at the Gladstone (1214 Queen<br />

West), Friday (June 18), midnight. $15 or<br />

<strong>NXNE</strong> wristband/pass. nxne.com.<br />

as the years passed after the release of<br />

C’mon’s 2007 album, Bottled lightning<br />

(of an all time high), and as Ian Blurton<br />

continued to take stages with his<br />

“hippy rock” happy Endings side project,<br />

it was easy to wonder if the hard-<br />

rocking trio had called it quits.<br />

“that’s a legitimate ques-<br />

tion,” Blurton admits.<br />

“Basically, I was making the<br />

happy Endings record over the<br />

past five years during sessions<br />

producing other people’s records.<br />

We knew c’mon weren’t going to play<br />

until the new record was out, and I just<br />

wanted to play. I kind of go crazy if I’m<br />

not playing.”<br />

Now it’s happy Endings’ turn to go<br />

hard<br />

rock<br />

on hiatus, since Blurton is intent on<br />

putting his energy behind c’mon’s new<br />

album, Beyond The Pale Horse (Blown<br />

Speaker/Yeah Right). Despite the time<br />

off, c’mon are sounding even louder<br />

and heavier than before.<br />

“It’s way more aggressive- sounding,<br />

and everything is over the top. It’s<br />

basically our Boston album; there are a<br />

million guitar and vocal tracks. Katie<br />

[Lynn Campbell] sings on more<br />

than half the record.”<br />

campbell’s increased presence<br />

is somewhat surprising,<br />

since she and Blurton are no<br />

longer romantically involved.<br />

combined with the fact that she<br />

lives in New orleans, you’d think it’d<br />

be tough to make it work.<br />

“Well, it sure didn’t change anything<br />

when we practised for the first time a<br />

couple of weeks ago.” BENJAMIN BOLES<br />

PS I LOVE yOU at lee’s Palace (529 Bloor<br />

West), Friday (June 18), 1 pm. $20 or <strong>NXNE</strong><br />

wristband/pass. nxne.com.<br />

When there are just two of you in the<br />

band and the room is packed and<br />

noisy, how do you rise above it? Guitar-<br />

ist/vocalist Paul Saulnier and<br />

drummer Benjamin Nelson<br />

from the kingston indie pop<br />

two-piece PS I Love You tackle the<br />

problem with crushing volume and a<br />

bass pedal organ.<br />

“Getting a huge sound while playing<br />

live works best when my guitar<br />

amp is completely dimed,” says Saulnier.<br />

“And my pedal bass organ has to<br />

be just as loud. If I’m screaming to<br />

make my voice heard, then we’re<br />

sounding right.”<br />

Unfamiliar with a bass pedal organ?<br />

You can watch Saulnier play it in<br />

the video for the sublime Facelove, a<br />

song from 2009’s sold-out split<br />

7-inch with Diamond Rings. A 13-note<br />

analog keyboard, the pedal sits on<br />

the floor by his foot, and he steps on<br />

its giant keys to produce extremely<br />

low frequencies.<br />

“It takes a lot of practice to step on<br />

the right notes while playing guitar<br />

and singing,” says Saulnier. “It’s really<br />

the third member and essential to<br />

our sound. I get offers from bass<br />

players who want to join, and I’m like,<br />

‘Uh, we already have a bass player.<br />

It’s my right leg.’”<br />

Also essential are the blistering,<br />

emo tional guitar leads that crop up<br />

between Nelson’s propulsive drumming<br />

and Saulnier’s yearning,<br />

yelping vocals, all of which can<br />

be heard on their almost finished<br />

debut full-length and<br />

recent Starfield 7-inch (Thing<br />

Itself). Saulnier grew up on a<br />

diet of Jimi Hen drix, Kirk Hammett<br />

and Thurston Moore.<br />

“The part of my brain that remembers<br />

melodies from pop songs is full<br />

of Metallica instead of the Beatles.”<br />

CARLA gILLIS<br />

70 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 71<br />

indie<br />

rock


<strong>NXNE</strong> festivAl guide<br />

Where the critics will be saturday<br />

Essential<br />

shows<br />

MATHEMAgIC at the Gladstone (1214<br />

Queen West), Friday (June 18), 8 pm. $15<br />

or <strong>NXNE</strong> wristband/pass. nxne.com.<br />

In the last year, Guelph’s Mathemagic<br />

have gone from an unknown<br />

bedroom recording project by<br />

brothers Evan and Dylan Euteneier<br />

to a group with a<br />

debut self- titled EP released<br />

on Paper Bag who are getting<br />

written about on hip<br />

music blogs and being tagged as<br />

canada’s answer to the chillwave fad.<br />

Funnily, it was only recently that<br />

they learned of blogs and chillwave.<br />

“We made a Myspace page for the<br />

first song we did, and some guy from<br />

transparentblog in the Uk asked us if<br />

he could post it,” says Evan. “We didn’t<br />

even have a single friend on Myspace. I<br />

don’t know how he found us.<br />

gHOST BEES at the Gladstone (1214<br />

Queen West), Friday (June 18), 9 pm. $15<br />

or <strong>NXNE</strong> wristband/pass. and at c’est<br />

What (67 Front East), Friday (June 18),<br />

midnight. $10 or <strong>NXNE</strong> wristband/pass.<br />

nxne.com.<br />

ambient<br />

pop<br />

Identical twins Sari and<br />

Romy Lightman, aka Ghost<br />

Bees, are polite, soft-spoken<br />

and quite charming in person.<br />

But there’s something<br />

strangely disconcerting about<br />

the way they communicate wordlessly,<br />

as if they’re having a private conversation.<br />

Good thing the pair relish reactions<br />

to their twin weirdness.<br />

“I don’t think we creep each other<br />

out, but I do think we creep other people<br />

out,” says sari as she shares a sandwich<br />

with her sister. “We can definitely<br />

be creepy at times.”<br />

indie<br />

pop<br />

“hell, I didn’t even know what a<br />

music blog was. I went to his site and<br />

was blown away by all this music I’d<br />

never heard before. Now that’s where I<br />

get all my new music.”<br />

While the instant blog love may<br />

have been a flukey accident, the<br />

brothers’ shimmering ambient<br />

pop soundscapes fit perfectly<br />

with the sudden surge of bands<br />

exploring similarly tripped- out<br />

tangents.<br />

But whereas most of their competition<br />

use 80s pop as reference<br />

points, Mathe magic have a subtle<br />

tropical vibe that makes you think they<br />

live closer to the equator than north of<br />

the 49th parallel.<br />

“We recorded the EP just as the<br />

summer was ending and it was starting<br />

to get cold,” says Evan. “I guess we<br />

were trying to make it feel like it was<br />

still summer.” BENJAMIN BOLES<br />

their music pits ethereal melodies<br />

against dark, gory subject matter. Parents,<br />

be warned: this might be what<br />

happens when you expose sweet<br />

young girls to horror movies at an early<br />

age, as the lightmans’ father did.<br />

on Through A Glass Darkly, their<br />

just-finished follow-up to 2008’s<br />

tasseomancy, they tone down<br />

the folk influences and beef up<br />

the atmospherics. It was produced<br />

by timber timbre’s taylor<br />

kirk and simon trottier, who will<br />

back them up at the Gladstone.<br />

they’re also about to change their<br />

name to tasseomancy, a word for the<br />

art of reading tea leaves.<br />

“Ghost Bees was a childhood inside<br />

joke for us and kind of a secret,” explains<br />

Romy. “It feels like we’ve outgrown<br />

that name. this album is just so<br />

much heavier and darker than what<br />

we’ve previously done.” BENJAMIN BOLES<br />

MICHAEL HOLLETT<br />

BENJAMIN BOLES<br />

JORDAN BIMM<br />

CARLA gILLIS<br />

JASON KELLER<br />

ANDREW RENNIE<br />

RICHARD<br />

TRAPUNSKI<br />

8 pm 9 pm 10 pm 11 pm 12 am 1 am 2 am 3 am<br />

Hollerado<br />

Mod club<br />

Raveonettes<br />

yonge-Dundas<br />

square<br />

Digits<br />

Whippersnapper<br />

Gallery<br />

Raveonettes<br />

yonge-Dundas<br />

square<br />

Raveonettes<br />

yonge-Dundas<br />

square<br />

Raveonettes<br />

yonge-Dundas<br />

square<br />

Hollerado<br />

Mod club<br />

garage<br />

punk<br />

Iggy & the<br />

Stooges (9:30)<br />

yonge-Dundas<br />

square<br />

Iggy & the<br />

Stooges (9:30)<br />

yonge-Dundas<br />

square<br />

Uncut<br />

sneaky Dee’s<br />

Iggy & the<br />

Stooges (9:30)<br />

yonge-Dundas<br />

square<br />

Iggy & the<br />

Stooges (9:30)<br />

yonge-Dundas<br />

square<br />

Iggy & the<br />

Stooges (9:30)<br />

yonge-Dundas<br />

square<br />

Iggy & the<br />

Stooges (9:30)<br />

yonge-Dundas<br />

square<br />

TEENANgER at the silver Dollar (486 spadina),<br />

saturday (June 19), midnight. $15 or<br />

<strong>NXNE</strong> wristband/pass. nxne.com.<br />

toronto garage punk outfit Teenanger<br />

have no problem getting vulgar. take<br />

their grotesque poster art or the title<br />

of their sophomore album, Give Me<br />

Pink, out on Telephone Explosion.<br />

“We were in a hotel in Montreal,<br />

pretty fucked up, watching free French<br />

porn because we’re too broke to pay<br />

for the regular kind,” says guitarist G.C.<br />

Gary from a couch in toronto.<br />

“all of a sudden, the words ‘Give me<br />

pink!’ started flashing across the<br />

screen, interspersed with a giant<br />

dildo.”<br />

teenager members Gary, vocalist<br />

Alex Lekay, bassist/backup vocalist<br />

Sharon Needles and a drummer<br />

known as Salvatore use aliases for<br />

practical reasons.<br />

“We don’t exactly cross borders<br />

legally,” says Gary cryptically, “which<br />

makes touring especially difficult.”<br />

there’s a sort of last- minute urgency<br />

to everything they do, and it’s<br />

evident in the songs themselves.<br />

“We basically recorded the whole<br />

album in the span of a day,” Gary says.<br />

“It was a daunting task, but that’s how<br />

we’ve always worked.” ANDREW RENNIE<br />

The<br />

Paperbacks<br />

c’est What<br />

The grates<br />

Wrongbar<br />

Small Sins<br />

lee’s Palace<br />

The<br />

Paperbacks<br />

c’est What<br />

Hannah<br />

georgas<br />

horseshoe<br />

tavern<br />

Small Sins<br />

lee’s Palace<br />

Hannah<br />

georgas<br />

horseshoe<br />

tavern<br />

The Soft Pack<br />

lee’s Palace<br />

The Strange<br />

Boys<br />

the Garrison<br />

Spaceships Are<br />

Cool<br />

cameron<br />

house<br />

The Soft Pack<br />

lee’s Palace<br />

The Soft Pack<br />

lee’s Palace<br />

Comanechi<br />

comfort zone<br />

The Magic<br />

sneaky Dee’s<br />

The zeros<br />

El Mocambo<br />

Main<br />

Jeff the<br />

Brotherhood<br />

the Garrison<br />

The<br />

D’Ubervilles<br />

Drake hotel<br />

Jeff the<br />

Brotherhood<br />

the Garrison<br />

Surfer Blood<br />

Wrongbar<br />

Teenager<br />

silver Dollar<br />

Room<br />

Jeff the<br />

Brotherhood<br />

the Garrison<br />

KID SISTER at yonge- Dundas square, sunday<br />

(June 20), 8 pm. Free. and at Wrongbar<br />

(1279 Queen West), sunday (June 20),<br />

midnight. $10 or <strong>NXNE</strong> wristband/pass.<br />

nxne.com.<br />

If there was any question about Kid<br />

Sister’s sincerity on Pro Nails, her<br />

break out kanye- featured manicure<br />

anthem, I can confirm that her enthusiasm<br />

is very real.<br />

From the start of our interview, she<br />

talks excitedly about how she just did<br />

her own nails, listing her favourite<br />

salons and explaining her manicure<br />

contingency plan when<br />

she’s in remote places like australia.<br />

the electro- rapper only<br />

cools down a bit when I mention<br />

that Pro Nails was my jam a<br />

couple of years ago.<br />

“I’m glad you liked the song,” she<br />

says dryly from her place in chicago. “It<br />

was a pretty good song.”<br />

Maybe her change in tone comes<br />

from the fact that she hasn’t followed<br />

up the single with anything quite as big.<br />

after multiple delays, her 2009 debut<br />

album, Ultraviolet (Universal), was neither<br />

a commercial nor critical smash.<br />

Les Savy Fav<br />

Wrongbar<br />

Quintron &<br />

Miss Pussycat<br />

the Garrison<br />

Cold Cave<br />

lee’s Palace<br />

Comanechi<br />

silver Dollar<br />

Les Savy Fav<br />

Wrongbar<br />

Les Savy Fav<br />

Wrongbar<br />

Comanechi<br />

silver Dollar<br />

hip-hop<br />

Violent Soho<br />

sneaky Dee’s<br />

Classixx<br />

Drake hotel<br />

Special guest<br />

Wrongbar<br />

Special guest<br />

Wrongbar<br />

Classixx<br />

Drake hotel<br />

Special guest<br />

sneaky Dee’s<br />

The Strange<br />

Boys<br />

silver Dollar<br />

Static In The<br />

Stars<br />

the hideout<br />

Drunk Woman<br />

silver Dollar<br />

Hatchmatik<br />

Drake hotel<br />

AC Slater,<br />

Udachi, B. Rich<br />

the social<br />

The Peelies<br />

sneaky Dee’s<br />

still, she does acknowledge that Pro<br />

Nails put her on the map.<br />

“I’m grateful for that song every day,<br />

cuz it’s really what started everything,”<br />

she says. and despite Ultraviolet not<br />

exactly taking off, kid sister is in the midst<br />

of making some power moves. shortly<br />

after our conversation, the rapper will enter<br />

a los angeles studio with a couple of<br />

the biggest names in pop music.<br />

“I’m recording with travis Barker and<br />

will.i.am,” she reveals nonchalantly.<br />

“yeah, will.i.am came to a show<br />

with apl.de.ap [also of Black Eyed Peas]<br />

about a month and a half ago. My<br />

manager was like, ‘yeah, you’re<br />

gonna go into the studio with<br />

them.’ I’m like, ‘okay. cool.<br />

awesome.’”<br />

she’s also busy prepping<br />

new collaborations for other<br />

people’s albums.<br />

“I did a song for the Jersey shore<br />

soundtrack with Nina sky, and I have a<br />

song with Bun B on Paul Wall’s album,<br />

coming out July 13.”<br />

and while much of her upcoming<br />

work will happen in l.a., kid sister<br />

balks at the idea of ever abandoning<br />

her chi- town roots.<br />

“yeah, I’m not moving. let’s not get<br />

crazy.” JASON RICHARDS<br />

Punk pioneers the Zeros play<br />

the El Mocambo main floor<br />

Saturday (June 19) at<br />

midnight.<br />

the Bands<br />

Who’s playing where, what and when<br />

Thursday,<br />

June 17<br />

The Boat<br />

Krupke art rock, progressive jazz, show tunes,<br />

post- punk and old- fashioned whimsy. 9 pm.<br />

EX~PO Blending indie rock, noise and shoegaze<br />

with strong pop sensibilities. 10 pm.<br />

autumn owls critically acclaimed Irish quartet<br />

craft finely pitched atmospheric songs. 11 pm.<br />

sleepy vikings loud country shoegaze songs<br />

about stalkers and summer. Midnight.<br />

Modernboys Moderngirls a sweat- drippin’ rock<br />

‘n’ roll show. 1 am.<br />

72 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 73<br />

Bovine Sex Club<br />

miesha & the spanks crosses crooning country-<br />

soul and gritty, in- yer- face garage rock. 9 pm.<br />

The Barrens Explosive psychedelic rock blends<br />

punky guitars and frozen melodies. 10 pm.<br />

Terracotta Pigeons sound Garden meets Muse<br />

and terracotta Pigeons. 11 pm.<br />

Mini Mansions Psych- popsters mix baroque<br />

pop, Motown and Merseyside. Midnight.<br />

222s First live performances since these Montreal<br />

punkers split up in 1981. 1 am.<br />

Walter Schreifels 2 am.<br />

TBA 3 am.<br />

Bread and Circus<br />

Rakkatak Indian classical rhythms, lustrous<br />

melodies and waves of synths. 8 pm.<br />

Brenda Macintyre Medicine Song Woman<br />

award- winning artist and healer fuses folk, reggae-<br />

soul and healing songs. 9 pm.<br />

Senaya Jazzy, soulful francophone singer/songwriter<br />

and composer is a Juno nom. 10 pm.<br />

Jaffa Road Juno noms mix ancient and original<br />

poetry with belly dance and dub. 11 pm.<br />

Kobo Town calypso- injected trinidadian sounds<br />

infused with reggae and dub. Midnight.<br />

All Star Mash Up cutting- edge artists from the<br />

night’s lineup collaborate live onstage. 1 am.<br />

Cadillac Lounge<br />

The JD Edwards Band Raspy voiced alt- country<br />

rock with bits of funk- folk and ballads. 8 pm.<br />

Daniel Sky Band open- road roots rock sound of<br />

the Band and Blue Rodeo. 9 pm.<br />

Brett Caswell & the Marquee Rose soaring<br />

piano ballads and sardonic rock songs. 10 pm.<br />

Sons of an Illustrious Father Roots- driven rock<br />

for fans of tom Waits and Patti smith. 11 pm.<br />

Kasey Anderson Evokes steve Earle, townes van<br />

zandt and Paul Westerberg. Midnight.<br />

Derek James Tilley country rock music with<br />

wide appeal for fans of Rascal Flatts . 1 am.<br />

TBA 2 am.<br />

Cameron House<br />

The Eatons Passionate rock music to remedy<br />

suburban living. 9 pm.<br />

Crazy Diamond organic vocals and guitar, deep<br />

punk rock roots in brutally honest pop. 10 pm.<br />

StereogoesStellar Bitchin’ power- piano- pop<br />

combo from Windsor. 11 pm.<br />

Jody glenham sex, drugs and grand pianos in<br />

highly addictive coffee shop pop . Midnight.<br />

Karyn Ellis Welch, Waits, amos, Brickell and<br />

Peyroux all rolled up into one tiny body . 1 am.<br />

C’est What<br />

Sara Kamin compared to Jann arden, India.arie,<br />

Nina simone and Bessie smith. 8 pm.<br />

Mark Mandeville with Raianne Richards F o lk-<br />

and country- styled indie trio. 9 pm.<br />

Kathryn Rose artful, cerebral, cinematic pop. 10<br />

pm.<br />

Sunbear a Parkdale- based country/folk trio<br />

fronted by kate Boothman. 11 pm.<br />

Praise the Twilight Sparrow Dreamy music reminiscent<br />

of moonlit southern woods. Midnight.<br />

hopeful monster think Banana splits taking<br />

over from post- meltdown Brian Wilson. 1 am.<br />

Clinton’s<br />

Jennifer LFO Ex- Pursuit of happiness member<br />

goes solo with smart, catchy rock tunes. 8 pm.<br />

Chris Page crosses Billy Bragg’s levi stubbs’<br />

tears and the shins’ kissing the lipless. 9 pm.<br />

Andy Swan country pop sounds piped in by<br />

heartbroken Nashville session players. 10 pm.<br />

Camp Radio heavily influenced by the Nils and<br />

slow, camp Radio crank can- rock to 11. 11 pm.<br />

The Michael Parks Featuring andy swan, Greg<br />

smith , shayne cox and sandro Perry. Midnight.<br />

Andrew Vincent vintage- sounding songs are<br />

pure heart- on- sleeve nuggets.. 1 am.<br />

Comfort zone<br />

VIVIV subdued vocals, fingerpicked guitar over<br />

cello, violin and electronic beats . 8 pm.<br />

eElvyn catchy tunes influenced by the Replacements<br />

and the Flying Burrito Brothers. 9 pm.<br />

The Champion Heartache subdued, melan cholic<br />

rock with a touch of alt- country. 10 pm.<br />

Another Blue Door a vulnerable sound similar<br />

to Pavement and the Replacements. 11 pm.<br />

The Diableros an intense sound full of brooding<br />

post- punk, honestly delivered. Midnight.<br />

The Stables traditional country three- part harmonies<br />

delivered with electric energy. 1 am.<br />

Crown & Tiger<br />

Rebecca Kohler this stand- up comic says she is<br />

not offensive, life is. 8:30- 8:40 pm.<br />

Nick Flanagan stand- up comedian and Brutal<br />

knights singer hosts a showcase. 8:40- 8:50 pm.<br />

Christina Walkinshaw<br />

Crazy Diamonds<br />

Upstart t.o. stand- up<br />

comic is on ctv’s comedy Now! 8:50- 9 pm.<br />

Barry Taylor telling jokes or dominating at<br />

Mario kart, he makes girls horny. 9- 9:10 pm.<br />

claire brosseau comedian and writer wrapped a<br />

film with aidan Quinn. 9:10- 9:20 pm.<br />

gavin Stephens Balances playful irony and morbid<br />

silliness. 9:20- 9:30 pm.<br />

Czehoski<br />

HOTCHA! high- energy swing duo blends bluegrass,<br />

early swing and country gospel. 9 pm.<br />

Emma Hill and Her gentlemen Callers Folkie<br />

offers pedal steel and cool harmonies 10 pm.<br />

Samantha Savage Smith Pretty melodies and<br />

personal lyrics tinged by blues and rock. 11 pm.<br />

Julia and her Piano singer/songwriter reminds<br />

us of Regina spektor and tori amos. Midnight.<br />

Anais Mitchell Intimate folk delivered with<br />

punk rock passion. 1 am.<br />

TBA 2 am.<br />

Dakota Tavern<br />

The Sheepdogs old-school rock and roll, faithful<br />

to its classic 70s influences. 9 pm.<br />

First Rate People Part folk rock, part soul, part<br />

dance group. 10 pm.<br />

ghostkeeper a raw and colourful mix of heartfelt<br />

blues and noisy pop out of calgary. 11 pm.<br />

The Pack A.D. a two- woman demolition squad<br />

specializing in bombastic blues rock. Midnight.<br />

yOUNg EMPIRES Well- manicured dance tracks<br />

full of swagger, sexuality and angst . 1 am.<br />

Special guest 2 am.<br />

TBA 3 am.<br />

The Drake Hotel Underground<br />

Rituals three- piece, psychedelic, post- punk pop<br />

band that cranks their casios up to 11. 8 pm.<br />

Fields of Fur Garage rock from holy Fuck’s Brian<br />

Borcherdt, with Foxfire’s anna Edwards. 9 pm.<br />

Bad Tits Josh Reichmann and sebastien Grainger<br />

proggy/krauty/synthy garage rock. 10 pm.<br />

Bishop Morocco Reverby dream pop, Roy orbison<br />

meets New order and the smiths. 11 pm.<br />

Little girls lo- fi pop takes its melodies from<br />

post- punk and goth’s glory days. Midnight.<br />

Mymanhenri local fave entertains west- end<br />

crowds with his own tasty, sweet beats. 1 am.<br />

FaltyDL catchy garage- fuelled beats, insistent<br />

2- step infused 12- inches and remixes. 2 am.<br />

TBA 3 am.<br />

El Mocambo (Main Floor)<br />

Final Flash lo- fo indie psychedelia, part Wolf<br />

Parade, part spaceman3 or Neil young. 9 pm.<br />

little foot long foot aggressive blues rock by a<br />

girl and a seth Rogen look alike. 10 pm.<br />

The Warped 45s Blends melancholy, joy, anger<br />

and honesty. 11 pm.<br />

Fox Jaws affable indie rock featuring carleigh<br />

aikins’s belt- it- out voice. Midnight.<br />

great Bloomers Roots rock with delicious hooks<br />

and stunning harmonies. 1 am.<br />

TapeDeckBros French- inspired electronic dance<br />

music with disco, pop and rock elements. 2 am.<br />

TBA 3 am.<br />

El Mocambo (Upstairs)<br />

Mille Monarques young indie rock sounds like a<br />

mix of arcade Fire and Malajube. 9 pm.<br />

Times Neue Roman Nintendo rap- punk with a<br />

white- hot live show. 10 pm.<br />

MADRID Pitchfork- approved toronto “psych-<br />

tronic” duo marry shoegaze and electro. 11 pm.<br />

The Russian Futurists Preserves its punchy pop<br />

sound but ups the dance quotient. Midnight.<br />

DVAS a dangerous and sexy journey through<br />

disco, funk and souls. 1 am.<br />

TBA 2 am.<br />

Free Times Cafe<br />

Abigail Lapell combines the intimacy of folk<br />

with fiery, punk rock passion. 9 pm.<br />

Chloe Charles Reaching back into sultry jazz and<br />

forward to Portishead and Feist. 10 pm.<br />

Allison Lickley her haunting vocal work and<br />

lyrics have captured fans across canada. 11 pm.<br />

Nicola Watson Jazz parlour chic with a contemporary<br />

indie folk twist. Midnight.<br />

Hayley Stark Pop/rock duo play like their acoustic<br />

guitars are electrified. 1 am.<br />

The garrison<br />

Neon Windbreaker Noise/chillwave/pop/rock<br />

has critics buzzing. 8 pm.<br />

Iroquois Falls Priya thomas’s new band is way<br />

outside, dirgelike, noisy and explosive. 9 pm.<br />

The Racoon Wedding country, punk and Dylanesque<br />

lyrics anchor these five guys. 10 pm.<br />

METz channelling early 90s sludge rock via sub<br />

Pop and touch and Go’s catalogues. 11 pm.<br />

DD/MM/yyyy a mess of spastic art rock with<br />

80s video game synthesizers. Midnight.<br />

Burning Love hardcore that’s keenly restrained<br />

enough to be melodic but still abrasive. 1 am.<br />

TBA 2 am.<br />

gladstone Hotel Ballroom<br />

Volcanoless in Canada Energetic dance jams<br />

borrowing from rock, folk and punk. 8 pm.<br />

The Mountains & The Trees too many effects<br />

pedals for folk, too many banjos for rock. 9 pm.<br />

Olenka and the Autumn Lovers tenderness, turmoil<br />

and paradoxical melancholia. 10 pm.<br />

Rock Plaza Central Rolling stone called them<br />

“stars in waiting.” 11 pm.<br />

The Coast Beautiful guitar- driven indie rock,<br />

energetically performed. Midnight.<br />

A Horse And His Boy heavy guitar, melodic bass<br />

and battling synths. 1 am.<br />

Amos The Transparent Indie pop with lush arrangements<br />

and seductive melodies. 2 am.<br />

TBA 3 am.<br />

The great Hall<br />

Friendo Inspired by 90s experimental rock, 70s<br />

punk and 60s pop. 8 pm.<br />

Demon’s Claws the Guess Who meet scat Rag<br />

Boosters meet stompin’ tom connors. 9 pm.<br />

WOMEN they toured with Deerhunter and abe<br />

vigoda and are celebrated by Pitchfork. 10 pm.<br />

Best Coast Bethany consentino seems obsessed<br />

with weed, guitars and the beach. 11 pm.<br />

CoCoComa Part garage, part psych-pop and all<br />

punk in a bash- and- crash quartet. Midnight.<br />

Thee Oh Sees “tripped- out, noisy psych- rock<br />

jams melted our brains.” – NoW. 1 am.<br />

Harlem<br />

The get By Bridging the mainstream/underground<br />

divide in urban music. 8 pm.<br />

Okay City hip- hop featuring Bill Maka’s edgy<br />

delivery and Ray Black’s smooth flow. 9 pm.<br />

iSH Blending multiple genres and influenced by<br />

hip- hop, reggae, pop and dance music. 10 pm.<br />

Illa Brown 11 pm.<br />

Cale Sampson Intricate rhymes, energetic stage<br />

presence and storytelling aptitude. Midnight.<br />

Ricca Razor Sharp stage presence, wit and three<br />

decades of hip- hop influence. 1 am.<br />

Rebel yell Riffin’, rappin’ and drumbeats in a<br />

punkster hip- hop party sound. 2 am.<br />

TBA 3 am.<br />

Hideout<br />

Bella Clava aggressive new- wavey rock and roll<br />

from the mean streets of thunder Bay. 9 pm.<br />

Isle of Thieves harmonious blend of punky alt-<br />

rock, Britpop and new wave. 10 pm.<br />

The North the North carry on the great tradition<br />

of canadian alt- country. 11 pm.<br />

De Staat the rattly, locomotive energy of the<br />

hives with a touch of funk. Midnight.<br />

Birthday Boys Raw garage rock reminiscent of<br />

Nick cave/Birthday Party. 1 am.<br />

Queen Kwong aggressive and haunting rock,<br />

toured with Nine Inch Nails. 2 am.<br />

A Primitive Evolution lye, Play dead cult and<br />

Darkside exes put groove into hard rock . 3 am.<br />

The Legendary Horseshoe Tavern<br />

Dinosaur Bones Danceable New york- inspired<br />

indie rock laced with post- rock ambience. 9 pm.<br />

Free Energy Melodic, hook- laden tunes dusted<br />

with bombastic glam and classic rock. 10 pm.<br />

WARPAINT all- girl quartet with intricate guitar,<br />

hypnotic vocals and post- punk rhythms. 11 pm.<br />

Elliott BROOD Deeply menacing roots music, an<br />

enigmatic presence. Midnight.<br />

The ghost is Dancing Flamboyant mini- symphonies<br />

with exultant harmonies. 1 am.<br />

The Junction take Beatles, add a dash of Replacements,<br />

season with experimental. 2 am.<br />

Lee’s Palace<br />

Andy Kim Golden touch behind sugar sugar<br />

and Rock Me Gently tours new album. 8 pm.<br />

Justin Rutledge, Oh Susanna, Danny Michel<br />

three takes on folk- infused balladry with songs<br />

that travel highways and history. 9 pm.<br />

Andy Maize, Amelia Curran, Royal Wood canucks’<br />

songs can mend broken hearts. 10 pm.<br />

Jim Cuddy, Hawksley Workman, Colleen Brown<br />

a city- meets- country- tinged set. 11 pm.<br />

The Beauties Filthy, whiskey- soaked, tobacco-<br />

stained rock ’n’ roll. Midnight.<br />

continued on page 74 œ


<strong>NXNE</strong> festivAl guide<br />

the Bands<br />

œcontinued from page 73<br />

Joel Stewart and the Future Hall of Famers altcountry<br />

songs about disappointment 1 am.<br />

TBA 2 am.<br />

Mitzi’s Sister<br />

The Hey Now this trio channels influences from<br />

the kinks to the strokes. 9 pm.<br />

Andy Brown Folk rock compares to David Gray<br />

and coldplay. 10 pm.<br />

Before the Flood alt- rock and folk fusion experimenters<br />

draw on diverse genres. 11 pm.<br />

Buckets Of catchy, spacey, indie- styled ditties<br />

recall the sadies and Wolf Parade. Midnight.<br />

The Hunting Horns Gritty, passionate roots rock,<br />

like Nick cave sitting in with the Band. 1 am.<br />

gregory Pepper & His Problems head- scratchingly<br />

great orchestral pop. 2 am.<br />

Mod Club Theatre<br />

Imaginary Cities hook- laden choruses recall<br />

R&B and synth- driven pop. 7 pm.<br />

young galaxy Warm silver flames shoot from<br />

speakers and cup your nether regions. 8 pm.<br />

The Besnard Lakes Majestic, sprawling vision of<br />

guitar bombast and pop experiments. 9 pm.<br />

Neutral Lounge<br />

porcelain synth sounds and Uk rock ballads lie<br />

beneath the anthemic alt- rock outfit. 9 pm.<br />

Violent Kin orchestral and synthetic instrumentation<br />

and pop-rock arrangements. 10 pm.<br />

Beekeepers Society Music- making bunch plays<br />

on any sound- making devices handy. 11 pm.<br />

TBA Midnight.<br />

TBA 1 am.<br />

TBA 2 am.<br />

<strong>NOW</strong> Lounge<br />

Cat Malojian Beautiful harmonies and brush ’n’<br />

snare drums cross celtic and americana. 9 pm.<br />

Luluc Quiet, stripped- back, haunting folk songs<br />

from Melbourne. 10 pm.<br />

CALLmeKAT Icy- cool chanteuse makes melancholic,<br />

other- era cabaret- pop. 11 pm.<br />

9yrs alt- pop rockers carry the torch set out by<br />

Blondie, Bette serveert and Metric. Midnight.<br />

Opera House<br />

Death Leppard 9- 10 pm.<br />

Bastard Child Death Cult 10- 11 pm.<br />

Misfits 11 pm- 12:30 am.<br />

The Painted Lady<br />

Megan Bonnell Intimate piano ballads and<br />

ghostly, swirling vocals. 8 pm.<br />

Smile Smile Pretty boy/girl outfit sing with<br />

drum machines, a guitar and a keyboard. 9 pm.<br />

Emma- Lee handclaps, folky guitar and cat- and-<br />

mouse strings bolster ethereal pop. 10 pm.<br />

Tristen Playful pop sensibilities injected into a<br />

newly introspective brand of folk. 11 pm.<br />

Lily Frost Blending film noir and stark minimalism<br />

with a soul- stabbing honesty. Midnight.<br />

Ruth Cassie Powerful, multi- octave voice recalls<br />

Regina spektor and kate Bush. 1 am.<br />

The Piston<br />

The Evelyn Room a perfect accompaniment to<br />

just about any David lynch movie. 9 pm.<br />

The Subtitles Upbeat, synth- drenched pop- rock<br />

with an edge. 10 pm.<br />

Hyperpotamus a cappella one- man band<br />

makes muscled music. 11 pm.<br />

Ramona Melodic and infectious tunes in the<br />

tradition of the kinks and the cars. Midnight.<br />

The Bats Pajamas hard- hitting punky garage<br />

rock for Black lips and the shrines fans. 1 am.<br />

Rancho Relaxo<br />

Old World Vulture Rock, drone, psychedelia and<br />

electronica in a heavy yet melodic sound. 8 pm.<br />

The Cunninghams Rockers styled after “...the<br />

Rolling stones, the Police and U2.” 9 pm.<br />

The Seedy Seeds Pop- punk and alt- country,<br />

using accordion and toy keyboards. 10 pm.<br />

Jane’s Party sparkling acoustic pop with rustic<br />

americana and jangly rock elements. 11 pm.<br />

Make Me young a high- energy combo of punk,<br />

rock, country, pop and krautrock. Midnight.<br />

Corduroy sounds like volcanic ash coating the<br />

shimmering skies like nuclear fallout. 1 am.<br />

TBA 2 am.<br />

TBA 3 am.<br />

Rear View Mirror<br />

wordPEOPLE a unique blend of Motown, rock ’n’<br />

roll and hip- hop. Big fun. 8 pm.<br />

Formula412 hip- hop/rock outfit for fans of the<br />

Roots, N*E*R*D and/or Metallica. 9 pm.<br />

T- West tight, revealing rhymes that reflect<br />

urban struggles. 10 pm.<br />

Brockway Biggs Fun rapper sports b- boy moves<br />

and bunny hand puppets. 11 pm.<br />

Fineprint a gritty, fun- loving blend of samples<br />

and live instruments. Midnight.<br />

Manafest compared to Eminem and linkin<br />

Park, Manafest got a Juno nod. 1 am.<br />

Rivoli<br />

Chris Velan acoustic folk/pop influenced by<br />

Paul simon and James taylor. 9 pm.<br />

zeus timeless songs complete with fuzzed- out<br />

guitars and shimmering harmonies. 10 pm.<br />

Buck 65 a celebrated hip- hop artist explores<br />

blues, country, rock and avant- garde. 11 pm.<br />

grand Analog seasoned record collectors, musicians<br />

and self- described beat junkies. Midnight.<br />

Kate Rogers Band sophisticated folk- influenced<br />

pop. 1 am.<br />

TBA 2 am.<br />

The Shop<br />

Rehab for Quitters high- energy punk- edged<br />

rock with slicked- back 50s flair. 9 pm.<br />

High Five Drive technical and very fast pop-<br />

punk/punk rock from Winnipeg. 10 pm.<br />

The Action one of canada’s first punk bands,<br />

aiming to top their legendary gigs. 11 pm.<br />

Cinema, Cinema Drums- and- guitar duo’s psych-<br />

leaning experimental freak-outs. Midnight.<br />

Doll Gritty, angst- ridden 90s grunge that<br />

doesn’t fuck around. 1 am.<br />

Silver Dollar Room<br />

Clothes Make The Man NoW and chartattack-<br />

approved 90s- influenced pop rock. 8 pm.<br />

U.S. Royalty Inspired by americana, roots and<br />

the sleeve- worn indie strains of spoon. 9 pm.<br />

Modern Superstitions Pop songs played at lightning<br />

speed and thunderous volume. 10 pm.<br />

Turbogeist British garage- leaning rock- revival-<br />

ists mine 80s alternative and 70s rock. 11 pm.<br />

The Bitters Ben cook (Fucked Up) and aerin<br />

Fogel craft dark surf- pop scraps. Midnight.<br />

The Strange Boys ”classic rhythm and blues<br />

augmented by psych and blues. 1 am.<br />

Special guest 2 am.<br />

TBA 3 am.<br />

Sneaky Dee’s<br />

zola Jesus opera- trained singer reworking<br />

gothic rock. 9 pm.<br />

gold Panda hip- hop saturated with bright colours<br />

and chopped- up vocal samples. 10 pm.<br />

Indian Jewelry a van gang from texas: blood on<br />

the streets. No genre, no rules, no help. 11 pm.<br />

HEALTH artfully crafted noise and raw synth,<br />

haunting vocals and drum skills. Midnight.<br />

Kidstreet 1 am.<br />

TBA 2 am.<br />

The Social<br />

Lucy Lo 100% hip- hop: DJ, producer and member<br />

of the group 84.85. 10 and 11 pm.<br />

Junior Boys sonically rich, emotionally charged<br />

pop with experimental genres. Midnight.<br />

Bordello Electro/house stalwart of arcade Fridays<br />

is building a west- end following. 2 am.<br />

TBA 3 am.<br />

74 june 17-23 2010 <strong>NOW</strong> <strong>NOW</strong> june 17-23 2010 75<br />

SPK – Polish Hall<br />

Vandermark 5 8- 11 pm.<br />

Supermarket<br />

Molly Rankin catchy country- tinged indie rock<br />

fronted by the sultry and playful Rankin. 9 pm.<br />

Michael Rault a minimalist blend of garage,<br />

roots, rock ’n’ roll and blues. 10 pm.<br />

Michou Bowed banjo parts and slide guitar<br />

from a sort of audio gymnastic. 11 pm.<br />

We Are The Take Dual lead singers/guitarists<br />

write smart, hook- laden songs. Midnight.<br />

Ben Stevenson Punk rocker turned soul singer,<br />

with just- right rough edges. 1 am.<br />

Velvet Underground<br />

Neon Factory sonic landscapes with loud guitars,<br />

reverb and synths. 8 pm.<br />

Dead Famous soulful garage rock played with<br />

soul, indie, psych and assorted cat calls. 9 pm.<br />

Comanechi Grungy riffs, high- speed rhythmic<br />

pounding and murderous screeching. 10 pm.<br />

Commandeers Rooted in New york Dolls’ swagger<br />

and snarling classic- rock. 11 pm.<br />

TBA 2 am.<br />

Whippersnapper gallery<br />

Alphabot! he has been compared to Beck, the<br />

Flaming lips and they Might Be Giants. 8 pm.<br />

Pop Winds Experimental 80s pop with weird<br />

beats, blasts of chiptune and saxophone. 9 pm.<br />

Donlands and Mortimer a kaleidoscope of driving<br />

melodies and tight musicianship. 10 pm.<br />

Anamanaguchi specialists in hyperactive,<br />

hyper- melodic 8- bit punk. 11 pm.<br />

La Casa Muerte trippy locals deliver a psych-<br />

garage punch in the face. Midnight.<br />

Wrongbar<br />

Matt Paxton troubadour nods to leonard cohen<br />

and Dylan’s Blonde on Blonde. 9 pm.<br />

teen tits wild wives 80s- inspired fuck- pop art<br />

punk – psychedelic with an indie edge. 10 pm.<br />

Mamabolo Infusing the spirit of Erykah Badu<br />

and lauryn hill. 11 pm.<br />

Foxfire Riffing off the best of disco, Motown<br />

and sweaty rock and roll. Midnight.<br />

glass Candy Electronic pop music, dirty disco<br />

classics and pounding analog arpeggios. 1 am.<br />

TRUST darkness calling//candles burning//wine<br />

pouring// eyes are open//two//trust// 2 am.<br />

Mikey Apples Uber- cool DJ always spins the<br />

hottest/newest tracks. 3 am.<br />

yonge-Dundas Square<br />

Free Energy hook- laden tunes with a hit of<br />

bombastic glam and classic rock. 6- 6:40 pm.<br />

The Icarus Line Frenetic poundings – highly<br />

volatile and threatening chaos. 7- 7:40 pm.<br />

Brant Bjork & The Bros Psychedelic classics from<br />

ex kyuss and Fu Manchu member. 8- 8:40 pm.<br />

Mudhoney Part of the original seattle grunge<br />

scene, they inspired kurt cobain. 9- 9:40 pm.<br />

X the legendary punk band. the original lineup<br />

is back! 10- 10:50 pm.<br />

Friday, June 18<br />

Bovine Sex Club<br />

New France Ex and pre sent members of Groovy<br />

Religion, la casa Muerte and more. 9 pm.<br />

De Staat Rattly, locomotive energy of the hives<br />

or the Monks. 10 pm.<br />

Queen Kwong highly melodic, off- kilter rock,<br />

aggressive and hauntingly confessional. 11 pm.<br />

Brant Bjork & The Bros Psychedelic classics from<br />

ex kyuss and Fu Manchu member. 8- 8:40 pm.<br />

Drive Like Maria stadium rock influ enced by led<br />

zeppelin, zz top and Neil young. 1 am.<br />

Special guest 2 am.<br />

TBA 3 am.<br />

Bread and Circus<br />

Christopher Smith this generically named songwriter<br />

makes music that is anything but. 8 pm.<br />

Templo Diez Mixes alt- country and dark pop<br />

influences into an intimate sound. 9 pm.<br />

The Runaway Catholics Fuzzy meets jangly, cana<br />

da’s answer to Belle & sebastian. 10 pm.<br />

Code Pie Jangly, joyful indie rock along the lines<br />

of arcade Fire and Plants and animals. 11 pm.<br />

Rah Rah a veritable cacophony of pop, rock and<br />

alt- country musical influences. midnight.<br />

gramercy Riffs Grand- sounding, haunting indie<br />

rock poised for big things. 1 am.<br />

Cadillac Lounge<br />

The Treasures country- inflected gems guaranteed<br />

to warm your heart. 8 pm.<br />

Romney getty commanding voice anchors infectious<br />

roots rock. 9 pm.<br />

Kirsten Jones the best ele ments of alt- country<br />

and contemporary folk. 10 pm.<br />

Uncle Sinner Uses banjo, dobro and 12- string<br />

guitar to create gritty american folk . 11 pm.<br />

The Heartbroken Johnny cash and Bowie meet<br />

for a drink at Willie Nelson’s bar. midnight.<br />

Flashlight Radio Mod ern roots music blends<br />

textures, soaring vocals and melodic riffs. 1 am.<br />

The North canadian alt- country, nodding to<br />

Neil young, Blue Rodeo and the hip. 2 am.<br />

Cameron House<br />

Luluc Quiet, stripped- back, haunting folk songs<br />

from Melbourne. 9 pm.<br />

Jess McAvoy honest, pop ballads by a veteran<br />

indie from down under. 10 pm.<br />

The Jack Stafford Foundation sardonic songs<br />

punctuated by honest storytelling. 11 pm.<br />

fanshaw singer/songwriter com pared to Feist<br />

and New order draws you in. midnight.<br />

Che Aimee soulful pop follows you home, then<br />

leaves daisies at your doorstep. 1 am.<br />

C’est What<br />

Ben Wilkins Multi- instrumentalist blends<br />

breezy sounds into his own brand of pop. 8 pm.<br />

Paper Thick Walls humble and honest folk<br />

tunes by a hyper- literate chicago outfit. 9 pm.<br />

Chasing Pandora Malta- based duo weaves fragile<br />

vocals with keith anthony’s guitar. 10 pm.<br />

gold Lake cool spainiards channel Rilo kiley,<br />

Nada surf and tegan and sara. 11 pm.<br />

ghost Bees theatrical songs with timeless lyrics<br />

and shimmering har mo nies. midnight.<br />

Henry Pre- baroque/post- punk reinterpretations<br />

of composer henry Purcell. 1 am.<br />

Comfort zone<br />

Tundra Fun a raw take on funk, soul and blues,<br />

bursting with fun spontaneity. 8 pm.<br />

Stop Die toronto threesome of steady- grinding<br />

rap electro whiz kids. 9 pm.<br />

Ten Kens For fans of liars, Black Mountain and<br />

Black heart Procession. 10 pm.<br />

Comanechi Grungy riffs, high- speed rhythmic<br />

pounding and murderous screeching. 11 pm.<br />

continued on page 76 œ


76 june 17-23 2010 <strong>NOW</strong><br />

<strong>NXNE</strong> festivAl guide<br />

the Bands<br />

œcontinued from page 75<br />

The Two Koreas an amalgam of garage rock,<br />

krautrock and 80s post- punk. midnight.<br />

Turbogeist Mines 80s alternative and 70s rock<br />

for loud riffs and oversexed lyrics. 1 am.<br />

Crown & Tiger<br />

Andrew Ivimey Named by Downhome <strong>Magazine</strong><br />

as one to watch for 2009. 8:30- 8:45 pm.<br />

Steve Scholtz truly bizarre observations with a<br />

love of the English language. 8:45- 9 pm.<br />

Laurie Elliott twice voted funniest female standup<br />

at canadian comedy awards. 9- 9:15 pm.<br />

gavin Stephens Pulling from cartoons, 80s movies<br />

and stephen J. cannell tv. 9:15- 9:30 pm.<br />

Czehoski<br />

Nicola Watson smoky jazz parlour chic with a<br />

contemporary indie folk twist. 9 pm.<br />

Trevor Tchir subdued and iconic stylings in wonderfully<br />

evocative songs. 10 pm.<br />

CALLmeKAT Icy- cool chanteuse makes melancholic,<br />

other- era cabaret pop. 11 pm.<br />

Julian Bachlow synth- styled indie rock band<br />

with threads of New order, Postal service and<br />

Mgmt. midnight.<br />

Brit & the Cavalry offering an exhilarating<br />

blend of psychedelic and alt- folk. 1 am.<br />

TBA 2 am.<br />

Dakota Tavern<br />

T. Nile Band a west- coast female singer/songwriter<br />

who plays claw- hammer- style. 8 pm.<br />

Old Man Luedecke Juno winner old Man luedecke<br />

plays uplifting country tunes. 9 pm.<br />

David Myles an artist with a knack for effortlessly<br />

straddling jazz, blues and pop. 10 pm.<br />

The Wheat Pool amped- up indie rock that<br />

evokes the spirit of Neil young. 11 pm.<br />

Evening Hymns Melodic, experimental pop uses<br />

loop pedals, omnichords and keys. midnight.<br />

young Doctors in Love Refreshing music with<br />

bloops up top and a bluesy groove below. 1 am.<br />

Special guest 2 am.<br />

TBA 3 am.<br />

The Drake Hotel Underground<br />

giant Hand this indie darling uses guitar,<br />

vocals, harmonica and a drum machine. 8 pm.<br />

Old Crowns old crowns are a young stoner<br />

country band. 9 pm.<br />

La Strada think Beirut and Neutral Milk hotel<br />

with a focus on traditional americana. 10 pm.<br />

Boxer the Horse this charlottetown quartet<br />

maked the familiar sound new. 11 pm.<br />

Burn Planetarium high- energy, dance grooves<br />

with infectious vocals. midnight.<br />

84.85 hip- hop/electro duo known for rocking<br />

crowds with a mix of diverse influences. 1 am.<br />

Dj Fase 2 am.<br />

DJ Ed Lover Nyc on- air DJ and former show co-<br />

host with Doctor Dre. 3 am.<br />

El Mocambo (Main Floor)<br />

Love in October combining international musical<br />

influences and indie pop. 8 pm.<br />

Monogold If you like the antlers, prepare to<br />

love Monogold’s layered tunes. 9 pm.<br />

Ten Bears lock David Bowie and Mgmt in a<br />

small room with some instruments. 10 pm.<br />

White Cowbell Oklahoma Wake up next to a<br />

sasquatch the day after a Wco show. 11 pm.<br />

Rich Aucoin you can be sure that Rich aucoin’s<br />

lush indie pop will touch your heart. midnight.<br />

THE gOLDEN DOgS Manic pop rock with energetic,<br />

over- the- top live performances. 1 am.<br />

Special guest 2 am.<br />

TBA 3 am.<br />

El Mocambo (Upstairs)<br />

Elizabeth Purveyors of chiming Interpol guitars<br />

and dancey disco beats. 9 pm.<br />

These Electric Lives Nice, clean- cut boys with a<br />

song in their hearts. 10 pm.<br />

The Framework catchy synth-rock epics in the<br />

vein of the killers and Metric. 11 pm.<br />

HOT HEAD S<strong>HOW</strong> hhs do avant- rock that’s melodic<br />

and unconventional. midnight.<br />

Afterparty synth-pop and dance rock with edgy<br />

guitars, disco beats and powerful vocals. 1 am.<br />

TBA 2 am.<br />

Free Times Cafe<br />

Jerry Stamp Building on his previous work<br />

fronting local rockers king Nancy. 9 pm.<br />

Kristin Sweetland a commanding blend of folk,<br />

jazz, classical and flamenco. 10 pm.<br />

Romina Di gasbarro Rooted in opera, classical<br />

guitar, jazz, funk and world. 11 pm.<br />

Elissa Mielke honest folk ballads that engage<br />

audiences in a genuine way. midnight.<br />

Jenny Allen Dynamic folk rock with a twist of<br />

rootsy blues. 1 am.<br />

The garrison<br />

Soft Copy soft copy’s sound combines early<br />

post- punk and later avant- rock. 9 pm.<br />

zola Jesus ”you don’t hear singers like this every<br />

day.” – Pitchfork Media 10 pm.<br />

Best Coast singer who appears to be obsessed<br />

with weed, guitars and the beach. 11 pm.<br />

The Soft Pack ”No frills, no ego, no fat, no bullshit.”<br />

– Drowned in sound. midnight.<br />

Cold Cave DJs Matt Groening muses entertain<br />

behind the turntable. 1 am.<br />

TBA 2 am.<br />

gladstone Hotel Ballroom<br />

Mathemagic Dazed guitars, synths and blissed-<br />

out harmonies. 8 pm.<br />

ghost Bees theatrical songs built around timeless<br />

lyrics and shimmering harmo nies. 9 pm.<br />

Timber Timbre ”Gothic rockabilly blues” with<br />

violin, lap steel and looping pedals. 10 pm.<br />

DD/MM/yyyy spastic art rock with jagged guitars,<br />

80s video game synthesizers. 11 pm.<br />

C’Mon ”a freak flag that flies in the face of all<br />

that is safe, sanitized and soulless.” midnight.<br />

STyROFOAM ONES spacey synth lines float<br />

around percussive bass and drums. 1 am.<br />

<strong>NOW</strong> DJs Many of NoW’s music critics have<br />

done time in the DJ booth and in bands. 2 am.<br />

Torro Torro this duo has quickly become a hot<br />

commodity in the dance world. 3 am.<br />

The great Hall<br />

Avi Buffalo (solo) signed to sub Pop, these kids<br />

write breezy indie pop gems that recall Wilco,<br />

Built to spill and the shins. 9 pm.<br />

AA Bondy songs cribbed from dusty american<br />

blues and country pioneers have won him fans<br />

amongst hip urban cowboys. 10 pm.<br />

John Doe & Exene Cervenka from X Founding<br />

members of l.a. punk legends X perform a rare<br />

acoustic set. 11 pm.<br />

Mini Mansions Psych-pop band (w/ Michael<br />

shuman from Queens of the stone age), playing<br />

a mix of pop and soul. midnight.<br />

The Icarus Line shows that are frenetic poundings<br />

à la Refused – highly volatile and threatening<br />

chaos wherever they play. 1 am.<br />

Hard Rock Cafe<br />

Amanda Rheaume an exciting performer who<br />

combines alanis Morrisette vocals with a holly<br />

McNarland rock edge. 9 pm.<br />

Ty Hall and the Ez3 this eclectic fusion of rock,<br />

reggae and R&B is connecting with fans and<br />

programming directors alike. 10 pm.<br />

Amos The Transparent their critically acclaimed<br />

indie debut won praise for lush arrangements<br />

and seductive melodies. 11 pm.<br />

Hollerado taking canada by storm with their<br />

DIy ethic, insanely catchy guitar pop and<br />

boundless energy and imagination. midnight.<br />

A Plot Against Me Brawny, ballsy, bodacious<br />

rock, these dudes might be the next superstars<br />

in the world of alternative. 1 am.<br />

Harlem<br />

Elise Legrow her captivating stage presence<br />

and hauntingly silky vocals have been compared<br />

to Ella Fitzgerald’s. 9 pm.<br />

Erin Hunt a head- turning combo of R&B, soul<br />

and jazz, her timeless tunes blend inspired<br />

vocals and angelic harmonies. 10 pm.<br />

Halabisky’s Uprising Blending jazz, hip- hop,<br />

rock and electronica, sax man Dave halabisky<br />

takes you on a fast- paced journey. 11 pm.<br />

Weak Size Fish Maritime reggae- rock fusion;<br />

have gigged with Grand theft Bus and slowcoaster.<br />

midnight.<br />

Hibou Uptempo jazz- influenced indie electronica<br />

by folks into the smiths and Metric. 1 am.<br />

TBA 2 am.<br />

TBA 3 am.<br />

Hideout<br />

THE COPPER<strong>TO</strong>NE a blues rock duo conjuring up<br />

visions of the White stripes, the Black keys and<br />

the kills. 9 pm.<br />

The Mercy Now this new project from ex- shikasta<br />

frontman Russell Fernandes is all about<br />

the hooks and singalong melodies. 10 pm.<br />

Kirk Special kirk’s loud- ass music gets compared<br />

to the Ramones covering Rl Burnside. 11<br />

pm.<br />

The Speaking Tongues this toronto two- piece<br />

injects blues with punk energy. half Detroit<br />

garage, half Mississippi boogie. midnight.<br />

yOU HANDSOME DEVIL cross Mötorhead with<br />

50s rockabilly. they kick ass, so don’t plan on<br />

going to work the next day. 1 am.<br />

Hidden Towers Melodic hooks on a canvas of<br />

post- rock and doomy metal, with touches of<br />

jazz, world, metal and punk. 2 am.<br />

continued on page 78 œ


<strong>NXNE</strong> festivAl guide<br />

the Bands<br />

œcontinued from page 76<br />

Opus Road Underground alt- rock five- piece<br />

with a sound reminiscent of the tragically hip,<br />

My Morning Jacket and Pearl Jam. 3 am.<br />

The Legendary Horseshoe Tavern<br />

Modern Superstitions the superstitions write<br />

economical pop songs played at lightning<br />

speed and thunderous volume. 8 pm.<br />

222s one of Montreal’s earliest punk bands.<br />

these <strong>NXNE</strong> shows mark their first live performances<br />

since they split up in 1981. 9 pm.<br />

The Poison Arrows an intricate, propulsive rhythm<br />

section and challenging melodies. 10 pm.<br />

Wussy Wussy draws on plenty of sexual and<br />

existential tension, with alternately droning<br />

and jangling guitars. 11 pm.<br />

Man or Astroman? crazy, infectious blend of<br />

60s surf rock, 80s new wave and science fiction<br />

– think Dick Dale on Mars. midnight.<br />

Mudhoney Part of the original seattle grunge<br />

scene, Mudhoney are pioneers who inspired<br />

the likes of kurt cobain. 1 am.<br />

Lee’s Palace<br />

grooms Grooms play noise pop featuring blissful<br />

interplay, sonic experimentation and song<br />

destruction. 9 pm.<br />

The Happy Hollows their art rock sound is characterized<br />

by breathy, high- pitched vocals juxtaposed<br />

with heavy guitar rock. 10 pm.<br />

Wavves Punk- pop heavy hitters are Nathan<br />

Williams and former Jay Reatard musicians Billy<br />

hayes and stephen Pope. 11 pm.<br />

Japandroids “terminally catchy music played<br />

with punk’s enthusiasm and velocity” – Pitchfork<br />

Media. midnight.<br />

PS I Love you hard- hitting beats, sweet guitar<br />

hooks and bass organ. “Perhaps kingston oN’s<br />

most high- profile act.” 1 am.<br />

TBA 2 am.<br />

TBA 3 am.<br />

Mitzi’s Sister<br />

Tyler Ellis a songwriter’s songwriter à la John<br />

Prine, Ellis was once a fixture in toronto’s scene<br />

but now performs only rarely. 9 pm.<br />

Shade shade plays warm, honest and catchy<br />

pop, likened to the velvet Underground, lucinda<br />

Williams and cat Power. 10 pm.<br />

smokekiller Poppy 90s guitar alt- rock, like a<br />

one- man teenage Fanclub drawing on the Beatles.<br />

11 pm.<br />

Chris Velan velan’s world- influenced acoustic<br />

folk draws comparisons to Paul simon with<br />

shades of James taylor. midnight.<br />

Alun Piggins a staple in toronto’s live scene,<br />

Piggins’s crafty blend of indie rock and alternative<br />

always delivers. 1 am.<br />

TBA 2 am.<br />

Mod Club Theatre<br />

Domenica 7 pm.<br />

gloryhound 8 pm.<br />

Hail the Villian 9 pm.<br />

Neutral Lounge<br />

The Futureless ”sounds like Depeche Mode in a<br />

bar fight: dark, ridiculously catchy, perfect for<br />

the dance floor.” – the Pop! stereo 8 pm.<br />

TBA 9 pm.<br />

Barton Fink Barton Fink are two Russian brothers<br />

who deal in hard- hitting electro- funk with<br />

rock flare. 10 pm.<br />

THE LOVE MACHINE Intense guitars, huge synth<br />

lines, pulsing bass, stomping drums. have<br />

gigged with Metric and Moneen. 11 pm.<br />

<strong>NOW</strong> Lounge<br />

Joel Battle Battle’s attracted mucho cBc attention<br />

and comparisons to springsteen with gritty,<br />

issue- driven songs. 9 pm.<br />

Lanan Adcock she’d fit in fine on a playlist with<br />

kathleen Edwards and lucinda Williams. 10<br />

pm.<br />

Ian La Rue & the Condor the music ranges from<br />

wistful atmospheric à la Death cab to ripping<br />

outlaw roots rock. 11 pm.<br />

The John Punch Band strong, understated songwriting,<br />

with subtleties suggesting Bon Iver<br />

and Rural alberta advantage. midnight.<br />

The Painted Lady<br />

laura borealis Montreal’s laura Borealis makes<br />

experimental sounds that have caught the ears<br />

of steve albini and sebadoh. 8 pm.<br />

78 june 17-23 2010 <strong>NOW</strong><br />

Synth pop upstart Diamond<br />

Rings plays Wrongbar, Friday<br />

(June 18), 11 pm.<br />

Neutral Uke Hotel a live performance of In the<br />

aeroplane over the sea on ukulele by shawn<br />

Fogel and others. 9 pm.<br />

Freeman Dre & the Kitchen Party these streetwise<br />

troubadours write three- chord tunes with<br />

incisive lyrics. 10 pm.<br />

Cat Malojian Beautiful vocal harmonies and<br />

brush ’n’ snare drums breathe new life into an<br />

upbeat cross of celtic and americana. 11 pm.<br />

Rival Boys ”airtight pop songs that are memorable<br />

without gimmicks, melancholy without<br />

pretense.” – the Untold city. midnight.<br />

Boats a clusterfuck of pop noise that you don’t<br />

want your cool friends to see you dancing to. 1<br />

am.<br />

The Piston<br />

Saidah Baba Talibah saidah Baba talibah,<br />

daughter of salome Bey, struts out some bluesy<br />

rock, deep funk and hot buttered soul. 9 pm.<br />

Vacuity DIy band committed to developing<br />

their sound and skill also produce their own<br />

recordings, website and artwork. 10 pm.<br />

My My My Witty, heartfelt pop that’s light and<br />

fun but still smart and sophisticated. 11 pm.<br />

Sex With Strangers they’ve been gaining international<br />

momentum with their unique brand<br />

of futuristic “robot- rock.” midnight.<br />

Special guest 1 am.<br />

Rancho Relaxo<br />

The Parkdale Hookers they’re like a trio of accountants<br />

who figured out a way to make Marshall<br />

stacks tax- deductible. 8 pm.<br />

The Polymorphines Jams reminiscent of Mc5<br />

and the stooges, with an edginess found in only<br />

the dirtiest of today’s garages. 9 pm.<br />

The Setting Son Denmark’s the setting son play<br />

acid- infused pop rock from the 60s. Go- go dancers<br />

apply within. 10 pm.<br />

We Are The City Progressive indie in which symphonic<br />

piano arrangements flow into guttural<br />

guitars and pounding drums. 11 pm.<br />

Mercy, the Sexton think the cars meet Phoenix<br />

at a bar on a barren rock in the North atlantic.<br />

midnight.<br />

Revolvers Revolvers channel the Rolling stones<br />

at their best, the Beatles at their trippiest and<br />

t.Rex at their rawest. 1 am.<br />

The Schomberg Fair they fuse the soul and spirit<br />

of the deep blues with the frenetic energy of<br />

the birth of punk. 2 am.<br />

The Cheap Speakers Explosive pop rock that<br />

sounds both modern and familiar. 3 am.<br />

Rear View Mirror<br />

abstract random 9 pm.<br />

The Nix Dicksons catchy, concise, upbeat,<br />

happy, fun, indie pop that gets compared to<br />

Modest Mouse and Pavement. 10 pm.<br />

We Were Lovers Indie electro dance rockers ash<br />

lamothe and Elsa Gebremichael display their<br />

penchant for post- punk guitars. 11 pm.<br />

Bon Chapeau this teenaged twee riot grrl/boy<br />

quartet brings to mind a younger Rilo kiley<br />

hanging out with los campesinos!. midnight.<br />

Matthew de zoete Falling somewhere between<br />

pop and folk, they combine rhythmic inventiveness<br />

with a gift for melody. 1 am.<br />

Rivoli<br />

Stef Lang catchy, radio- friendly pop from this<br />

energetic young west coast performer, blending<br />

elements of rock and R&B. 8 pm.<br />

Carmen and Camille these sisters write feel-<br />

good pop jams that are currently getting eaten<br />

up by the glossy Mtv set. 9 pm.<br />

Leah Daniels a rising star, leah Daniels combines<br />

keith Urban’s edge with taylor swift’s<br />

sleek pop influence. 10 pm.<br />

Nightbox Pounding rhythms, soaring melo dies<br />

and manic energy combining punchy bass,<br />

chiming guitars and synths. 11 pm.<br />

Whale Tooth Poppy indie rock with guy/girl<br />

vocals and nice harmonies. think Born Ruffians<br />

meet Rilo kiley. midnight.<br />

Prototype- A Five young men laughing hysterically.<br />

1 am.<br />

Modernboys Moderngirls a sweat- drippin’ rock<br />

’n’ roll show; put them on your mixtape with<br />

the kings of leon and the stooges. 2 am.<br />

The Shop<br />

The Weirdies Imagine Betty Boop fronting the<br />

Ramones and you’re close to this 50s- styled<br />

crash- and- smash punk rock outfit. 9 pm.<br />

HotKid somewhere between traditional coun-<br />

try twang and noise, this gutsy two- piece<br />

makes gritty rock that’s going places. 10 pm.<br />

Lali gurans throwback grunge alt- rock anthems<br />

with piercing guitar hooks and big, fuzzy choruses.<br />

11 pm.<br />

Permanent Bastards this Woodbridge punk<br />

band has had the pleasure of playing shows<br />

with illscarlett and the Flatliners. midnight.<br />

Decapitado Ex- members of Die kreuzen and<br />

Realm fuse ambient noise, industrial and metal<br />

into their own edgy soundscape. 1 am.<br />

Silver Dollar Room<br />

Nive Nielsen & The Deer Children an Inuk singer<br />

from Greenland, Nielsen creates indie folk pop<br />

with her ghostly voice on top. 8 pm.<br />

grimes this solo artist combines electronic and<br />

organic sounds in a colourful goth- pop- noise<br />

medley. 9 pm.<br />

Boys Who Say No Raucous, noisy roots rock. a<br />

mashup of indie, alt- country and folk, with<br />

shades of early talking heads. 10 pm.<br />

Silly Kissers Perfect 80s synth pop with infectious<br />

hooks. cheesy, love- obsessed and innocent<br />

– fun stuff! 11 pm.<br />

By Divine Right they’ve played countless<br />

shows, and past members have included Feist<br />

and Brendan canning. midnight.<br />

The Strange Boys ”a rhythm and blues chassis<br />

augmented by desert- scarred psych and blues.”<br />

– tinymixtapes.com. 1 am.<br />

WOMEN they’ve toured with Deerhunter &<br />

abe vigoda and their debut album has been<br />

celebrated by Pitch fork and beyond. 2 am.<br />

Murder Ford Monument Epic- sounding dapper<br />

indie rock in step with brooding Nyc bands like<br />

the Walkmen and the National. 3 am.<br />

Sneaky Dee’s<br />

Dark Mean Well- crafted laid- back indie pop<br />

that can travel between overt classical pop and<br />

obtuse ambience. 8 pm.<br />

Leif Vollebekk this Montreal singer/songwriter’s<br />

acoustic guitar tunes are accented by<br />

strings, piano, drums and harmonica. 9 pm.<br />

Sandman Viper Command Bubbling with the<br />

type of youthful rage you can’t fake, it’s intelligent<br />

rock with a fuzzy pop edge. 10 pm.<br />

Wildlife Wildlife relocates pop rock in a hotbed<br />

of driving melodies, riffs and vocals spiked with<br />

punk ferocity. 11 pm.<br />

Make your Exit simply honest music that’s<br />

stripped down yet amped up. country- fried<br />

anti- rock. midnight.<br />

The Leathers ottawa Mc kicks out high- concept<br />

lyrics and has the citizen raving: “Fine mix<br />

of tone, timing and turn of phrase.” 1 am.<br />

Spirits hipster- friendly synth- rock from hamilton,<br />

they’ve shared the stage with the Pixies<br />

and the ting tings. 2 am.<br />

People in grey Raw, jagged and heavy, People in<br />

Grey make no apologies for their bold mix of<br />

springsteen and Psychedelic Furs. 3 am.<br />

The Social<br />

Nav C and Hutch 10 pm.<br />

8923zz 11 pm.<br />

Dada Life swedish house/electronica band consisting<br />

of olle corneer and stefan Engblom.<br />

midnight and 1 am.<br />

Nav C and Hutch 2 am.<br />

TBA 3 am.<br />

Sound Academy<br />

girl Talk w/ Key N’ Krates & Kidstreet 10 pm.<br />

Supermarket<br />

Sally Seltmann very marketable indie fare by<br />

the award- winning australian songwriter formerly<br />

known as New Buffalo. 9 pm.<br />

Birds of Wales 10 pm.<br />

The Envy on Gene simmons’s label, these local<br />

rockers have recorded with producer Gavin<br />

Brown. 11 pm.<br />

The Reason Blending strands of indie and emo<br />

rock, this hamilton five- piece specializes in passionate<br />

songwriting. midnight.<br />

Dean Lickyer young hamilton phenoms making<br />

music with a nod to classic Who, hendrix and<br />

Deep Purple. 1 am.<br />

Velvet Underground<br />

The Fantasy Defender 80s pop sensibilities with<br />

a goth- glam sound to darken the mix: clever,<br />

catchy and undeniably fun. 8 pm.<br />

The Scarlet Fever this outfit is bent on delivering<br />

a pounding assault of classic punk and dark<br />

rock sounds. 9 pm.<br />

The Torrent these rockers bundle surly guitars,<br />

haunting vocals and synths to make loud, mel-<br />

odic, drony electro- sleaze. 10 pm.<br />

People you Know Melodic, thick, hot and slick<br />

without ever looking like they have to try, Pyk is<br />

a plague you won’t mind catching. 11 pm.<br />

TBA 2 am.<br />

Whippersnapper gallery<br />

that’s the spirit Breezy, wistful songs that share<br />

high- end production values with power pop<br />

bands like the shins. 8 pm.<br />

Inlets sebastian krueger marries baroque pop<br />

with lo- fi intimacy, with the complexity of owen<br />

Pallett & Grizzly Bear. 9 pm.<br />

Silje Nes loops and effects create a winning<br />

combination of hooks and lush detail from this<br />

talented instrumentalist/singer. 10 pm.<br />

Wooden Wand James Jackson toth conjures a<br />

world with characters that could have been<br />

pulled from a Faulkner novel. 11 pm.<br />

DM Stith David Michael stith layers strings and<br />

horns on top of guitars and piano to create cerebral<br />

orchestral indie pop. midnight.<br />

Wrongbar<br />

TRUST darkness calling/candles burning/wine is<br />

pouring/flames are dancing/film is rolling/wind<br />

is howling/crystals sparking. 9 pm.<br />

Katie Stelmanis Big vocals, big scattered beats,<br />

big dense walls of keyboards. Formerly known as<br />

Private life. 10 pm.<br />

Diamond Rings Diamond Rings is the emotional<br />

MIDI- pop outlet for the D’Urbervilles’ lead<br />

vocalist, John o. 11 pm.<br />

Big Freedia Big Freedia is a “bounce” rapper from<br />

New orleans. the single azz Everywhere should<br />

explain. midnight.<br />

We Are Enfant Terrible an electro dance beat<br />

with indie rock sounds, performed with guitars,<br />

drums and a Nintendo Game Boy. 1 am.<br />

HUORATRON the solo project of Finland’s aku<br />

Raski, who uses two Game Boy consoles to produce<br />

experimental electro. 2 and 3 am.<br />

yonge-Dundas Square<br />

Said The Whale Electronic indie rock that forays<br />

into backwoods folk and danceable ukulele/<br />

glockenspiel rave- ups. 7:30- 8:10 pm.<br />

K- os Juno- winning hip- hop artist has earned accolades<br />

from critics and audiences worldwide.<br />

8:30 - 9:10 pm .<br />

Sloan sloan’s bagged one Juno and recorded<br />

what chart calls the best canadian album ever.<br />

9:30- 10:30 pm.<br />

Saturday,<br />

June 19<br />

Bovine Sex Club<br />

songs from a room take smooth harmonies, add<br />

clever bass lines, a screaming organ and splashes<br />

of piano. 9 pm.<br />

Mockingbird Wish Me Luck Driving, melodic,<br />

punky emo rock with hooky guitars and big<br />

choruses. 10 pm.<br />

The Hyena Dog Robbery 11 pm.<br />

Stark Naked & The Fleshtones legendary toronto<br />

punk rockers reunite to mark their 30th anniversary.<br />

midnight.<br />

Trigger Effect Remember when punk rock was<br />

still about danger, and not selling shoes? 1 am.<br />

The Icarus Line shows that are frenetic poundings<br />

à la Refused – highly volatile and threatening<br />

chaos wherever they play. 2 am.<br />

TBA 3 am.<br />

Bread and Circus<br />

The Clear Inspiring pop anthems that sound familiar<br />

the first time you hear them. Echoes of coldplay,<br />

Radiohead and the cure. 8 pm.<br />

Hexes & Ohs heartfelt boy- girl synth-pop that<br />

sounds like the submarines collided with Woodhands.<br />

9 pm.<br />

NLX this forward- looking singer/songwriter specializes<br />

in electronic- edged dark pop. 10 pm.<br />

Winhara compared to Depeche Mode and<br />

Radiohead, this three- piece mashes together<br />

alternative, pop and electronica. 11 pm.<br />

Airheart combining elements of electro house<br />

and trip- hop with 1930s dancehall vocals, it’s a<br />

fresh take on jazzy breakbeat. midnight.<br />

PURRR a blistering blend of guitars, synths and<br />

pulsating beats, it’s a cutting- edge rave- rock<br />

sound that’s infectious and raw. 1 am.<br />

Cadillac Lounge<br />

the wilkins the Wilkins blend electronic- heavy<br />

music with the traditional folk style and magi cal<br />

three- part harmonies. 8 pm.<br />

continued on page 80 œ


<strong>NXNE</strong> festivAl guide<br />

the Bands<br />

œcontinued from page 78<br />

Katie Moore haunting music that lies somewhere<br />

in the no man’s land between folk, altcountry,<br />

bluegrass and americana. 9 pm.<br />

The Statesboro Revue stewart Mann’s blend of<br />

rock, blues and country is all about soul, something<br />

his band has in spades. 10 pm.<br />

graham Brown & The Prairie Dogs a founding<br />

member of 80s rockers Jr. Gone Wild, Graham<br />

writes roots/rock with a crunch. 11 pm.<br />

Five Star Trailer Park Name- dropped by Gord<br />

Downie and the cBc, these dudes play passionate<br />

stadium- sized pop rock. midnight.<br />

gentlemen Husbands alt- roots with a smattering<br />

of rock energy culminates in an inspiring<br />

performance. 1 am.<br />

TBA 2 am.<br />

Cameron House<br />

Svavar Knútur capturing the windswept winter<br />

sounds of Iceland with ghostly, slow acoustics.<br />

9 pm.<br />

Keser synth- drenched guitars that meld shoegaze,<br />

art rock and ambient with post- rock and<br />

electronica. 10 pm.<br />

spaceships are cool stylophones, glockenspiels,<br />

theremin, vocoders, tape decks and acoustic<br />

guitars create sci- fi sunshine pop. 11 pm.<br />

Pete Samples samples coined the term “mugician,”<br />

the combination of music and magic.<br />

could be oMG or WtF. midnight.<br />

Chris Velan singer/songwriter whose finely<br />

crafted world- influenced pop draws comparisons<br />

to Paul simon. 1 am.<br />

C’est What<br />

Oh My Darling these four young women are big<br />

in the canadian country roots scene. they can<br />

shred, holler and make you dance. 9 pm.<br />

The Paperbacks Weakerthans- approved confessional<br />

indie rock with crunchy guitars from the<br />

snowy landscapes of Winnipeg. 10 pm.<br />

Imaginary Cities sounding at once like vintage<br />

R&B and synth- driven pop, their songs feature<br />

great choruses and driving verses. 11 pm.<br />

The Details Driving guitars, catchy melodies,<br />

electro beats and glockenspiel make these pop<br />

jams perfect for dancing. midnight.<br />

Abstract Artform this prairie Mc cooks up beats<br />

and rhymes reminiscent of Jurassic 5 and the<br />

Roots. 1 am.<br />

Comfort zone<br />

DJ Shine 8 pm.<br />

Let’s go to War Party- rap crew specializing in<br />

crazy electro/disco house/breakbeat jams. 9<br />

pm.<br />

Fritz Helder 10 pm.<br />

Danger! Danger! combining folk, punk, country,<br />

pop, surf and alternative influences. 11 pm.<br />

Action Makes midnight.<br />

Queen Licorice loud, dense and sufficiently trippy,<br />

Ql offer up energetically rendered strands<br />

of psych and glam. 1 am.<br />

Czehoski<br />

Dave Borins compared to loudon Wainwright<br />

III, Dave Borins finds the heartbreak and humour<br />

in everyday life. 9 pm.<br />

F&M F&M are a gently sardonic, dark and hopelessly<br />

clever art folk/libraryrock duo. 10 pm.<br />

golden Bloom sPIN <strong>Magazine</strong> named them an<br />

“undiscovered band worth a listen.” 11 pm.<br />

Chasing Pandora Melissa Portelli weaves beautiful,<br />

fragile vocals alongside keith anthony’s<br />

sparkling folk guitar. midnight.<br />

Jack Miz Mid- 90s alt- rock taking some pop cues<br />

from the Beatles and cheap trick. hooks galore,<br />

and a great voice. 1 am.<br />

TBA 2 am.<br />

Dakota Tavern<br />

Jack Marks and Lost Wages local country troubadour<br />

specializes in whisky- sipping, two- stepping<br />

country and blues music. 8 pm.<br />

AA Bondy songs cribbed from dusty american<br />

blues and country pioneers have won him a cult<br />

following amongst urban cowboys. 9 pm.<br />

The Morgansterns Gritty Dylanesque rock<br />

meets a wall of blazing guitars, organ and a<br />

driving 70s rhythm section. 10 pm.<br />

Colin gilmore a texas alt- country artist whose<br />

americana/pop tunes hint at psychedelia and<br />

the spirit of punk. 11 pm.<br />

The Schomberg Fair they fuse the soul and spirit<br />

of the deep blues with the frenetic energy of<br />

the birth of punk. midnight.<br />

80 june 17-23 2010 <strong>NOW</strong><br />

Ali & The Dts an eight- piece punk/soul group,<br />

these guys nail the blues in the blues. think<br />

Nick cave and canned heat. 1 am.<br />

Mille Monarques young indie rock band from<br />

Montreal sounds like a mix of arcade Fire and<br />

Malajube. 2 am.<br />

TBA 3 am.<br />

The Drake Hotel Underground<br />

VALLEyS lo- fi with psychedelic folk and haunting<br />

melodies. valleys’ delicate vignettes signal<br />

Modest Mouse and Beach house. 8 pm.<br />

Sean Nicholas Savage ”a restrained mix of 60s<br />

folk melodies, upbeat drum machine pop and<br />

hints of 50s teen idol ballads.” 9 pm.<br />

The Hoof & The Heel a mix of indie pop, sentimental<br />

melody and unpretentious joy, featuring<br />

dreamy duets and dancey beats. 10 pm.<br />

Jane Vain calgary- bred Jamie Fooks has reworked<br />

her band and released a sophomore<br />

album of beautifully dense, noisy pop. 11 pm.<br />

The D’Urbervilles shouts, crashing drums and<br />

tight, layered guitars pound out melodic post-<br />

punk à la the early constantines. midnight.<br />

Hatchmatik keeps busy DJing Montreal’s legendary<br />

Peer Pressure parties – and touring the<br />

world. 1 am.<br />

Classixx Dance- floor- ready electronic pop mixing<br />

elements of R&B, hip- hop and soul in classic<br />

collages. 2 am.<br />

TBA 3 am.<br />

El Mocambo (Main Floor)<br />

Monster Truck 9 pm.<br />

Darlings of Chelsea the insight of costello, the<br />

stubbornness of strummer and the ferocity of<br />

the Mc5; nuff said. 10 pm.<br />

.moneen. 11 pm.<br />

The zeros a seminal west coast punk band, the<br />

zeros played with the clash and were once<br />

joined onstage by Patti smith. midnight.<br />

The gin Riots the Gin Riots hail from london<br />

and play dirty Britrock in the vein of the libertines.<br />

1 am.<br />

Porcelain Forehead they burst onto the scene in<br />

1982 with their unique brand of punk and<br />

bursts of hardcore. 2 am.<br />

TBA 3 am.<br />

Free Times Cafe<br />

Bunmi Adeoye tracy chapman with a dash of<br />

New Orleans’s Big Freedia hits<br />

Wrongbar Friday (June 18) at<br />

midnight, the Garrison Saturday<br />

(June 19) at 2 am and<br />

Yonge-Dundas Square<br />

Sunday (June 20) at 6 pm.<br />

ani DiFranco, Bunmi’s tunes bring out your inner<br />

scorned ex- girlfriend. 9 pm.<br />

Rob Moir honest country songs backed by guitar,<br />

banjo, harmonica, accordion, upright bass<br />

and lap steel. 10 pm.<br />

Daniel guy Martin haunting, along the lines of<br />

Ry cooder’s soundtrack to Paris, texas. Improv<br />

and heartfelt stories. 11 pm.<br />

Bird & Bear Jillian Freeman is a powerful indie-<br />

styled songbird perched on the back of grizzly<br />

multi- instrumentalist Jon Janes. midnight.<br />

Shawna Caspi 1 am.<br />

The garrison<br />

PC Worship Psych- damaged millennium punk<br />

that slides into stoner grunge and free “jazz” in<br />

the blink of an eye. 9 pm.<br />

Julianna Barwick ”Ethereal harmonies have the<br />

devotional quality of gospel choirs,\ and the<br />

allure of Björk.” – Ny times. 10 pm.<br />

Box Elders this currently buzzing trio makes<br />

off- kilter fuzz pop that sounds like bratty punk<br />

meets Nuggets- era garage rock. 11 pm.<br />

JEFF the Brotherhood ”Just try to get through<br />

one of their sets without stomping your foot.”<br />

– Nylon <strong>Magazine</strong>. midnight.<br />

Quintron & Miss Pussycat Barely controlled<br />

electronic chaos, swamp beats, homemade<br />

everything and puppet stories. 1 am.<br />

Big Freedia Big Freedia is a “bounce” rapper<br />

from New orleans. the single azz Everywhere<br />

should explain. 2 am.<br />

gladstone Hotel Ballroom<br />

Maurice young pop four- piece signed to David<br />

Foster’s 143 label touring behind their 2010<br />

release young People With Faces. 8- 8:20 pm.<br />

Alexz Johnson Gemini- nominated actress lays<br />

strong vocals over a smooth mainstream pop<br />

bedrock. 8:30- 8:50 pm.<br />

Alex Lacasse one of canadian R&B’s up- andcomers,<br />

he’s set to release his debut single<br />

through Universal. 9- 9:20 pm.<br />

Dylan Murray 9:30- 9:50 pm.<br />

The zolas this duo incorporates guitar, drums,<br />

piano, trumpet and vocals into their cute, melodic<br />

songs. 10- 10:40 pm.<br />

Dane Hartsell 11- 11:40 pm.<br />

Dearly Beloved Unique rhythms influenced by<br />

70s Uk punk, early 80s pop and Detroit rock<br />

and roll. midnight- 12:40 am.<br />

TBA 1- 1:40 am.<br />

These Kids Wear Crowns Mainstream radio-<br />

friendly pop rock from these young, photogenic<br />

lads. Get your dance shoes. 2- 2:40 am.<br />

Hideout<br />

The oOohh Baby gimme Mores this fashionable<br />

Ffro- punk trash rock duo could be the surprise<br />

hit of this year’s festival. 9 pm.<br />

Future in Plastics you’ll find Future in Plastics<br />

somewhere on a stretch of rock highway between<br />

Minor threat and liza Minnelli. 10 pm.<br />

DIg IT UP a Montreal- based punk band that<br />

digs big guitar solos, maracas, tambourines,<br />

singalongs, sweat and partying. 11 pm.<br />

Drive like Maria stadium- sized rock influenced<br />

by led zeppelin, early zz top, Neil young and<br />

Queens of the stone age. midnight.<br />

Nikki’s Trick hard- hitting alternative drawing<br />

on 80s metal and 90s grunge; polished and<br />

ready to storm modern rock charts. 1 am.<br />

Fugitive Underground an alternative band with<br />

a metal edge, the group’s dark songs blend<br />

alexisonfire and alice in chains. 2 am.<br />

Static In The Stars ”visceral and engaging,” 80s<br />

cock rock with modern influences like the Foo<br />

Fighters. 3 am.<br />

The Legendary Horseshoe Tavern<br />

Library Voices hyper- literate saskatchewan 10-<br />

piece excels at stripped- down indie pop anthems.<br />

9 pm.<br />

Hannah georgas this vancouver- based songwriter’s<br />

memorable songs will captivate your<br />

heart and stick a smile on your face. 10 pm.<br />

Bruce Peninsula Feted locals mix aspects of gospel,<br />

appalachian folk and blues with pop, prog,<br />

punk and world influences. 11 pm.<br />

Attack in Black attack in Black have been and<br />

will be on tour with bands such as alexisonfire,<br />

Billy talent and Moneen. midnight.<br />

Huron huron’s tunes run the gamut from full-<br />

blown southern- fried riffin’ to psych to 90s pop<br />

rock. 1 am.<br />

The Stanfields a maelstrom of rock ’n’ roll, celtic<br />

and bluegrass hailing from the gritty post-<br />

indus trial towns of Nova scotia. 2 am.<br />

Lee’s Palace<br />

TBA 9 pm.<br />

Small Sins Formerly the ladies and Gentlemen,<br />

small sins are the brainchild of former carnations<br />

frontman thomas D’arcy. 10 pm.<br />

The Soft Pack smart, danceable classic garage<br />

rock. “No frills, no ego, no fat, no bullshit.” –<br />

Drowned in sound. 11 pm.<br />

Avi Buffalo signed to sub Pop, these kids write<br />

breezy indie pop gems that recall Wilco, Built to<br />

spill and the shins. midnight.<br />

Cold Cave Dark, danceable, infectious synthpop.<br />

Fans of crystal castles will like their lo- fimeets-<br />

nu- rave approach. 1 am.<br />

We Are Enfant Terrible an electro-dance beat<br />

with indie rock sounds, performed with guitars,<br />

drums and a Nintendo Game Boy. 2 am.<br />

TBA 3 am.<br />

Mitzi’s Sister<br />

Melting Pot a powerful rock sound that pays<br />

homage to the Black crowes, otis Redding, the<br />

Beatles and led zeppelin. 9 pm.<br />

Jeff Stuart & The Hearts Intricate roots pop<br />

that’s “elegant, sophisticated, daring and brilliantly<br />

creative.” 10 pm.<br />

Mass Echo Unique- sounding electro- prog- psych<br />

rock from hamilton, with a foot in the industrial/trip-<br />

hop door. 11 pm.<br />

The Speakeasies their angular blue- collar rock<br />

has opened doors to gigs with arkells and the<br />

trews. midnight.<br />

graydon James & the young Novelists heartfelt<br />

harmonies and intricate arrangements and<br />

crowd- pleasing beards. 1 am.<br />

TBA 2 am.<br />

Mod Club Theatre<br />

Violent Soho Four long- haired marijuana- smoking<br />

youngsters play a brand of honest, balls- tothe-<br />

wall punk rock. 7 pm.<br />

Hollerado taking canada by storm with their<br />

DIy ethic, insanely catchy guitar pop and<br />

bound less energy and imagination. 8 pm.<br />

Hot Hot Heat Masters of synth- heavy dancepunk<br />

anthems, hhh hit <strong>NXNE</strong> to coincide with<br />

the release of a new album. 9 pm.<br />

Neutral Lounge<br />

Volcano Playground swirling together sounds<br />

of shoegaze with elements of modern electronica.<br />

8 pm.<br />

1977 synth- happy, upbeat songs about sunshine,<br />

love and good feelings. like kim Deal recording<br />

Beach Boys songs. 9 pm.<br />

Not Animals hip, new- wave pop songs styled<br />

after Joy Division, Depeche Mode, Jesus & Mary<br />

chain and Modern English. 10 pm.<br />

The Craft Economy their high- energy synth<br />

hooks and catchy vocals have been compared<br />

to los campesinos and the B- 52s. 11 pm.<br />

<strong>NOW</strong> Lounge<br />

fanshaw this singer/songwriter has been compared<br />

to Feist and New order, but it’s her dark<br />

storytelling that will draw you in. 9 pm.<br />

Jess McAvoy honest, folk- leaning pop ballads<br />

by a veteran indie singer/songwriter from<br />

down under. 10 pm.<br />

gold Lake Possibly the coolest band in spain<br />

right now, Gold lake channel Rilo kiley, Nada<br />

surf and tegan and sara. 11 pm.<br />

Vanessa Hanson her haunting blend of old- time<br />

songs and distorted guitar shows a knack for<br />

sonic experimentation. midnight.<br />

Opera House<br />

DJ O Nonymous 8- 8:30 pm.<br />

Toronto Bboy Breakdancing Championships<br />

8:30- 10 pm.<br />

DJ Dopey and DJ grouch 10- 11 pm.<br />

gee Wunder 11- 11:10 pm.<br />

Angerville 11:10- 11:20 pm.<br />

Sporadic 11:20- 11:30 pm.<br />

Alex Dimez and King Jus 11:30- 11:45 pm.<br />

Eternia & Moss 11:45 pm- 12:45 am.<br />

DJ O Nonymous 12:45- 2 am.<br />

The Painted Lady<br />

Harvey Cartel Raw garage alt- country: strong,<br />

original, with an aversion to commercialism. 8<br />

pm.<br />

James Kasper kaspar’s folk noir features rich,<br />

dynamic vocals and dreamy blues harmonica<br />

solos that keep crowds coming back. 9 pm.<br />

Colin Moore Moore is influenced by springsteen,<br />

Petty and Dylan. he’s got a great, raspy<br />

voice and thoughtful lyrics. 10 pm.<br />

Pink Moth there is real magic in this band, all<br />

natural reverb, grand piano, group vocals,<br />

strings and thundering drums. 11 pm.<br />

The Black Atlantic they coax their charm from<br />

vocal harmonies mixed with softly strummed<br />

guitar melodies. midnight.<br />

Parks & Rec Folk/indie rock/pop guitar twang,<br />

sweet harmonies and soaring energy that’s<br />

been turning heads around the city. 1 am.<br />

The Piston<br />

Circle Research classic hip- hop, funk, soul, electro-<br />

boogie and futuristic beats, cR’s Nik and Gil<br />

are veteran producers and DJs. 9 pm.<br />

The Jessica Stuart Few a uniquely gifted guitarist,<br />

Jessica stuart’s groove is clearly rooted in<br />

modern jazz and progressive folk. 10 pm.<br />

Jeremy glenn Jeremy’s influences range from<br />

Motown to new wave to garage rock, from old<br />

school to new school to no school. 11 pm.<br />

maylee 70s- style disco- funk beats with jazzy<br />

vocal hooks that make it impossible not to<br />

dance. midnight.<br />

vitaminsforyou Electronica/pop from Winnipeg-<br />

born, toronto- based Bryce kushnier, who<br />

helms this critically acclaimed project. 1 am.<br />

Rancho Relaxo<br />

Wendy Leung Piano- based pop influenced by<br />

indie rhythms and style, providing a strong<br />

backdrop for leung’s powerful voice. 8 pm.<br />

Cotton Mouth Featuring members of indie rockers<br />

Parlovr, this quartet is influenced by the<br />

smiths, and talking heads. 9 pm.<br />

The Davey Parker Radio Sound Rockers who mix<br />

garage, psychedelia and early rock ’n’ roll with a<br />

high- energy, rowdy show. 10 pm.<br />

Asteroid #4 stalwarts of the nu- psych movement<br />

rooted in the hazy sounds of the 60s, but<br />

with the influence of 90s Brits. 11 pm.<br />

The High Dials Bright harmonies with jangling<br />

guitars conjure up the smiths and stone Roses.<br />

midnight.<br />

The Darcys Five guys make energetic rock pop<br />

soaked in beer and sweat, with the added firepower<br />

of trumpet and lap steel. 1 am.<br />

The Winks Recommended if you like cellos,<br />

mandolins, confetti explosions, fairy tales, tap<br />

dancing and timeless pop music. 2 am.<br />

Krupke a bizarre combo of art rock, progressive<br />

jazz, show tunes, post- punk, avant- garde and<br />

good old- fashioned whimsy. 3 am.<br />

continued on page 82 œ


<strong>NXNE</strong> festivAl guide<br />

the Bands<br />

Indie rockers Les Savy Fav<br />

rock Wrongbar, Saturday<br />

œcontinued from page 80<br />

(June 19) at 1 am.<br />

Rear View Mirror<br />

my people sleeping opium- inspired dream pop<br />

engineered to make you space out to their<br />

trance- inducing minimalism. 9 pm.<br />

The Jing Bang Show high- energy mix of ragtime/Gypsy<br />

jazz with rock and cabaret. It’s stylized,<br />

catchy and great for dancing. 10 pm.<br />

Nolan Natasha Queer- positive rap mixing<br />

heartfelt storytelling laid down on a deceptively<br />

simple and elegant scaffold. 11 pm.<br />

Mad June this female foursome delivers rock<br />

with pure punk soul and a twist of indie, strong<br />

hooks and powerful lyrics. midnight.<br />

The Rough Sea Punk- folk distilled to its purest<br />

form, with ukulele and banjo. 1 am.<br />

Rivoli<br />

Tim Chaisson and Morning Fold tim chaisson<br />

ties together folk, pop, country and celtic inspirations<br />

with fiery east coast flare. 9 pm.<br />

Maiko Watson 10 pm.<br />

Colleen Brown Band Brown’s neurotic folk pop<br />

songs have landed her on Emm Gryner’s Dead<br />

Daisy label. 11 pm.<br />

Holly McNarland this Juno award- winnIng<br />

singer/songwriter is known for her unflinching<br />

lyrics, and powerhouse voice. midnight.<br />

KULAS Michael kulas was once a member of<br />

Brit- rockers James, but now writes effortlessly<br />

classy pop rock tunes. 1 am.<br />

Amos The Transparent their critically acclaimed<br />

indie pop debut won praise for lush arrangements<br />

and seductive melodies. 2 am.<br />

The Shop<br />

Raid for Blood Diamonds Experimental and<br />

melodic hardcore by friends who freak out,<br />

have fun. 9 pm.<br />

Blunt Fiction Billed as “Etobicoke’s finest party<br />

metal,” Blunt Fiction have a passion for powerful,<br />

technical rock. 10 pm.<br />

Terracotta Pigeons stick Faith No More arms on<br />

a sound Garden torso with a Muse head and<br />

you get terracotta Pigeons. 11 pm.<br />

Sinister Trailerpark Magic complex time changes<br />

and pounding rhythms get these guys compared<br />

to NoMeansNo. midnight.<br />

The Bon the catchy fun of mid- 60s Nuggets<br />

garage with the power and the fury of late 60s<br />

freakbeat. 1 am.<br />

Silver Dollar Room<br />

Whiteboy Slim slim’s throaty blues recordings<br />

are the real deal and have won several awards.<br />

7 pm.<br />

Alfie Smith alfie smith’s deep- throated blues<br />

voice and loose style never betrays his Mississippi<br />

Delta influences. 8 pm.<br />

Blue Room acclaimed veteran bluesmen know<br />

how to do it right. 9 pm.<br />

The Johnny Max Band a combination of New<br />

orleans & Memphis Blues with southern soul<br />

and R&B sensibili ties. 10 pm.<br />

Mutters Garage punk with brains! their loud,<br />

scappy songs mix early new wave influences<br />

with sinister amounts of reverb. 11 pm.<br />

Teenanger these garage aficionados make<br />

loud, sloppy, endearing, throwback rock ’n’ roll.<br />

midnight.<br />

82 june 17-23 2010 <strong>NOW</strong><br />

Comanechi Dense, grungy riffs, high- speed<br />

rhythmic pounding and murderous screeching.<br />

1 am.<br />

The Strange Boys “a rhythm and blues chassis<br />

augmented by desert- scarred psych and blues.”<br />

– tinymixtapes.com. 2 am.<br />

Drunk Woman these psych/country kids sound<br />

like syd Barrett getting drunk with the Replacements.<br />

No irony. 3 am.<br />

Sneaky Dee’s<br />

Rudely Interrupted Quirky and wonderful hook-<br />

filled Brit- inspired anthems from australia’s<br />

most unique indie rock band. 8 pm.<br />

Uncut loud like swervedriver or Dino Jr, their<br />

cascading guitar squalls and pounding rhythms<br />

all but insist that you dance. 9 pm.<br />

Savoir Adore Brooklyn pop collective savoir<br />

adore create something unique with their addictively<br />

lush slant on pop music. 10 pm.<br />

The Magic a blazing dance- rock- soul band with<br />

solid gold hit songwriting and danceable beats.<br />

11 pm.<br />

Special guest midnight.<br />

Ruby Coast Boisterous mod rock with plenty of<br />

dance- floor fun, with shows at halifax Pop Explosion<br />

and Pop Montreal. 1 am.<br />

Violent Soho Four long- haired marijuana- smoking<br />

youngsters play a brand of honest, balls- to-<br />

the- wall punk rock. 2 am.<br />

The Peelies the Peelies are an all- girl punk band<br />

sporting Raincoats- like swagger, punk technique<br />

and garage rock singalongs. 3 am.<br />

The Social<br />

DMT 10 pm.<br />

AC Slater, Udachi, B.Rich ac slater: Genre- mashing<br />

Brooklyn producer mixes rave, acid and bass<br />

line with hardcore roots; Udachi: Uplifting psyche<br />

delic – emotronic party tracks; B. Rich: Electro/house/grime<br />

with lots of bass. 11 pm- 4 am.<br />

Supermarket<br />

Ko 9 pm.<br />

Quinzy 10 pm.<br />

Daniel Wesley 11 pm.<br />

Velvet Underground<br />

Cut Throat Britva Memorable tunes and a show<br />

that will make your mother sweat. 8 pm.<br />

Paint Britrock and spectoresque walls of sound<br />

as a backdrop for ice- cold, danceable pop hooks<br />

and insightful lyrics. 9 pm.<br />

Drive Faster Infectious synth rock – like the killers<br />

with the attitude of Metric. 10 pm.<br />

Black Mother Pearl Perfect for blaring on long<br />

hauls through the backwoods and whiskeyswilling<br />

round the campfire. 11 pm.<br />

TBA 2 am.<br />

Whippersnapper gallery<br />

Digits Indie pop songwriting and danceable<br />

electronic arrangements. likened to the Junior<br />

Boys and hot chip. 8 pm.<br />

CHRISTIAN HANSEN & THE AUTISTICS their<br />

tongue- in- cheek lyrics recall sister scissors and<br />

lcD soundsystem. 9 pm.<br />

A.M. a nine- piece band serving up heaping<br />

plates of electro- acoustic party music that’s<br />

equal parts dance, funk and rock. 10 pm.<br />

RÄUBERHÖHLE a drunken puppet show from<br />

Berlin that incorporates live dancey electromanga<br />

punk songs. 11 pm.<br />

OPOPO Delivering driving club music with the<br />

spirit of rock, oPoPo have crafted an act that<br />

delivers an incredible party. midnight.<br />

Wrongbar<br />

The Meligrove Band Indie rock mainstays have<br />

an energetic live show that often climaxes in<br />

torn clothes and broken gear. 9 pm.<br />

The grates Name- checked by many as one of<br />

the buzz bands at sXsW, they’ve captivated<br />

audiences the world over. 10 pm.<br />

Mannequin Men “they make punk- tinged rock<br />

as straight- ahead as anyone.” – Pitchfork Media<br />

11 pm.<br />

Surfer Blood Great guitar, great hooks, great<br />

surf- infused pop from this critical favourite.<br />

one of Pitchfork’s top 09 picks. midnight.<br />

Les Savy Fav ”one of New york’s finest rock<br />

bands, hands down.” – village voice 1 am.<br />

Special guest 2 am.<br />

TBA 3 am.<br />

yonge-Dundas Square<br />

Burning Boyz the Boyz – with a combined age<br />

of just over 40 – perfect their own take on classic<br />

tunes. midnight- 12:40 pm.<br />

Queen Kwong Playing highly melodic, off- kilter<br />

rock that’s both aggressive and hauntingly confessional.<br />

1- 1:40 pm.<br />

De Staat the rattly, locomotive energy of the<br />

hives or the Monks, with a home- tooled funkyness<br />

all their own. 2- 2:40 pm.<br />

Mini Mansions Psych- pop band (w/ Michael<br />

shuman from Queens of the stone age), playing<br />

a mix of baroque pop and soul. 3- 3:40 pm.<br />

The Soft Pack smart, danceable classic garage<br />

rock. “No frills, no ego, no fat, no bullshit.” –<br />

Drowned in sound. 4- 4:40 pm.<br />

DD/MM/yyyy a mess of spastic art rock with<br />

jagged guitars, 80s video game synthesizers<br />

and discordant, dreamy vocals. 5- 5:40 pm.<br />

Surfer Blood Great guitar, great hooks, great<br />

surf- infused pop from this critical favourite.<br />

one of Pitchfork’s top 09 picks. 6- 6:40 pm.<br />

Wavves Noise- surf buzz act Nathan Williams is<br />

joined by former Jay Reatard musicians Billy<br />

hayes and stephen Pope. 7- 7:40 pm.<br />

The Raveonettes Gorgeous vocals and layers of<br />

guitar noise reference the velvet Underground<br />

and 60s girl groups. 8- 9 pm.<br />

Iggy and the Stooges Iggy leads Rock and Roll<br />

hall of Famers who “almost single- handedly<br />

invented punk.” – Rolling stone. 9:30- 11 pm.<br />

Sunday,<br />

June 20<br />

Bovine Sex Club<br />

Sights & Sounds 9 pm.<br />

Saigon Hookers 10 pm.<br />

Sixxxer 11 pm.<br />

FATHOM / RIVIERA/ BRANDON SEK/ ALIXAN-<br />

DER III/ MATT TASC/ yO EV midnight- 4 am.<br />

El Mocambo (Main Floor)<br />

Drive like Maria stadium- sized rock influenced<br />

by led zeppelin, early zz top, Neil young and<br />

Queens of the stone age. 9 pm.<br />

Ali & The Dts an eight- piece punk/soul group,<br />

these guys nail the blues in the blues. think<br />

Nick cave and canned heat. 10 pm.<br />

Rah Rah a veritable cacophony of pop, rock and<br />

alt- country musical influences. 11 pm.<br />

Ten Bears Imagine locking David Bowie and<br />

Mgmt in a small room with some instruments<br />

and you’ll end up with ten Bears. midnight.<br />

The garrison<br />

1977 synth- happy, upbeat songs about sunshine,<br />

love and good feelings. like kim Deal recording<br />

Beach Boys songs. 9 pm.<br />

Karyn Ellis Welch, Waits, amos, Brickell, Peyroux<br />

and the cowboy Junkies all rolled up into<br />

one tiny body, one mournful voice. 10 pm.<br />

Boys Who Say No a delightul mashup of indie,<br />

alt- country and folk – with shades of early talking<br />

heads. 11 pm.<br />

Allie Hughes ”outra geous ly entertaining theatrical<br />

flare and Broadway- bound voice.” – chart<br />

attack. midnight.<br />

Digits Indie pop songwriting and danceable<br />

electronic arrangements. likened to the Junior<br />

Boys and hot chip. 1 am.<br />

TBA 2 am.<br />

Rancho Relaxo<br />

Svavar Knútur capturing the windswept winter<br />

sounds of Iceland with ghostly, slow<br />

acoustics. 9 pm.<br />

The Withouts super- catchy indie pop rock<br />

with choruses that’ll never leave your head.<br />

Produced by Ian Blurton. 10 pm.<br />

the DgB 11 pm.<br />

The Archives soaring anthemic rock, infectious<br />

energy and guitar- driven propulsion<br />

blended with undeniable live swagger. midnight.<br />

Sleep for the Nightlife ”atmospheric, winding<br />

instrumentals that draw on the spirit of free<br />

jazz and prog.” – lonely vagabond. 1 am.<br />

Sneaky Dee’s<br />

Ancestors Punk quartet creating primal music<br />

delivered in short, thunderous bursts. 9 pm.<br />

Brides they’ve played their “heavy weirdo<br />

jams” on bills with such acts as the Jesus lizard,<br />

abe vigoda and Japandroids. 10 pm.<br />

Invasions Doomy Brit- style punk pop band. “a<br />

uniform feel that’s vintage, doom gloom, and<br />

irrepressibly cool.” – Pitchfork Media 11 pm.<br />

The guest Bedroom ”Even though it’s fun, it’s<br />

always emotionally rewarding.” – skyscraper<br />

<strong>Magazine</strong>. midnight.<br />

TBA 2 am.<br />

Wrongbar<br />

gold Lake Possibly the coolest band in spain<br />

right now, Gold lake channel Rilo kiley, Nada<br />

surf and tegan and sara. 9 pm.<br />

Little girls ”lo- fi- tinged pop that takes its<br />

melodies from the glory days of post- punk<br />

and goth.” 11 pm.<br />

Kid Sister kanye collaborator and BEt best<br />

female artist nominee rocks parties and<br />

causes all- around dance floor mayhem. midnight.<br />

OPOPO Playing driving club music with the<br />

spirit of rock, oPoPo have crafted an act that<br />

delivers an incredible party. 1 am.<br />

yonge-Dundas Square<br />

Dominique young Unique ”Unignorable mix<br />

of Miami bass, Neptunes, French house, dub-<br />

punk.” – Rolling stone. 3- 3:40 pm.<br />

Spookey Ruben an intense 70s/80s roller<br />

coaster ride from this veteran performer.<br />

shins meets Genesis! 4- 4:40 pm.<br />

Chin Injeti as a producer and an artist, chin’s<br />

worked with everyone from Dr Dre and Nas<br />

to k’naan and zaki Ibrahim. 5- 5:40 pm.<br />

Big Freedia Big Freedia is a “bounce” rapper<br />

from New orleans. the single azz Everywhere<br />

should explain. 6- 6:40 pm.<br />

Phenomenal Handclap Band ”Psychedelia,<br />

proto- disco, heavy rock ’n’ roll, 60s soul and<br />

hip- hop – a perfect mix” – NPR 7- 7:40 pm.<br />

Kid Sister kanye collaborator and BEt best<br />

female artist nominee rocks parties and<br />

causes all- around dance-floor mayhem. 8- 9<br />

pm.<br />

De La Soul hip- hop pioneers lay down their<br />

immensely influential blend of quirky lyrics<br />

and jazzy samples. 9:30- 11 pm. 3


<strong>NXNE</strong> festivAl guide<br />

Film Fest<br />

highlights<br />

THIS MOVIE IS BROKEN (Bruce McDonald,<br />

canada). 88 minutes. tonight (thursday,<br />

June 17), 7 pm, Royal. Rating: NNN<br />

Written by Don McKellar and directed<br />

by Bruce McDonald, the agreeably<br />

loose This Movie Is Broken charts the<br />

relationship of two old friends (Georgina<br />

Reilly, who co-starred in McDonald’s<br />

Pontypool, and Greg Calderone)<br />

thrown together in toronto on the<br />

day of last year’s free Broken Social<br />

Scene show at harbourfront.<br />

84 june 17-23 2010 <strong>NOW</strong><br />

It’s not entirely a concert movie nor<br />

entirely a conventional feature, but<br />

the way the two modes weave in and<br />

out of one another is awfully endearing<br />

– and when they mesh up at a<br />

crucial point, the moment is as exhilarating<br />

as one of the band’s famous<br />

crescendos.<br />

some clumsy storytelling in the<br />

last reel spoils the pleasant buzz, but<br />

when it’s really cooking, this Movie Is<br />

Broken feels like it’s just a breath<br />

away from some new cinematic form.<br />

NORMAN WILNER<br />

online extra Read the Brendan Canning<br />

interview at nowtoronto.com/nxne<br />

Thursday, June 17<br />

CIRCA 1977: THE DIODES (aldo Erdic,<br />

ñcanada). 28 minutes. 3 pm, NFB<br />

Mediatheque. Rating: NNNN<br />

In just under half an hour, Circa 1977:<br />

The Diodes creates a vivid picture of the<br />

toronto punk scene of 33 years past,<br />

when a local punk band opened a club<br />

called the crash ’n’ Burn and changed<br />

the musical landscape.<br />

Using the Diodes’s <strong>NXNE</strong> 2008 reunion<br />

as a jumping-off point, director<br />

Aldo Erdic follows John Catto, Paul Robinson,<br />

John Hamilton and Ian Mackay<br />

on a walking tour of their old stomping<br />

grounds, casually capturing how much<br />

downtown Toronto has changed from<br />

the glory days when you could run a<br />

basement punk venue on Pearl Street.<br />

The footage of the old A&A Records<br />

and Sam the Record Man flagships<br />

speaks to a more musically fertile culture<br />

on Yonge Street as well. NW<br />

yEAR OF THE CARNIVORE (sook-yin lee,<br />

canada). 88 minutes. 7 pm, aMc yonge-<br />

Dundas. Rating: NN<br />

See review, page 92. And see related Q&A<br />

at nowtoronto.com/movies.<br />

WHEN yOU’RE STRANgE (tom Dicillo, U.s.).<br />

100 minutes. 8 pm, hyatt Regency.<br />

Rating: NNN<br />

See review at nowtoronto.com/movies.<br />

<strong>NXNE</strong> FILM FESTIVAL to saturday (June<br />

19) at various locations. $10, free with<br />

<strong>NXNE</strong> wristband/pass. For pass info, see<br />

<strong>NXNE</strong> Essentials, page 55. For complete<br />

film schedule, see Indie & Rep Film,<br />

page 102 and the <strong>NXNE</strong> ad on page 64.<br />

Friday, June 18<br />

SUCK (Rob stefaniuk, canada). 90<br />

ñminutes. 9:45 pm, Bloor.<br />

Rating: NNNN<br />

Writer-director-star Rob Stefaniuk’s<br />

Suck is a comedy about a struggling<br />

band that sees its fortunes take a turn<br />

for the brighter when the bassist<br />

(Jessica Paré) becomes a vampire.<br />

sure, it’s a one-joke movie, but the<br />

joke is really funny, played out in every<br />

permutation imaginable by the deadpan<br />

Paré and her slack-jawed bandmates.<br />

(stefaniuk’s disappointed<br />

befuddlement every time she eats<br />

some one is a own running gag.) NW<br />

Saturday, June 19<br />

SEARCH AND DESTROy: Iggy POP<br />

ñAND THE S<strong>TO</strong>OgES’ RAW POWER<br />

(Morgan Neville, U.s.). 45 minutes. 5 pm,<br />

toronto Underground cinema. Rating:<br />

NNNN<br />

Putting Iggy Pop and David Bowie in the<br />

same room seems to defy common<br />

sense, but when the result is an album as<br />

galvanizing as 1973’s Raw Power, com-<br />

mon sense just needs to shut the hell up.<br />

Search And Destroy reassembles the<br />

band four decades later and go over<br />

the creation of that landmark album.<br />

(Bowie, whose interest in the band led<br />

to his producing Raw Power, is regrettably<br />

absent.)<br />

Stooges fans will enjoy the tales of<br />

manic, disorganized recording sessions,<br />

and musico lo gists will come<br />

away convinced they’ve just discovered<br />

the missing link between glam<br />

rock and punk. And they’ll be right. NW<br />

S<strong>TO</strong>NES IN EXILE (stephen kijak,<br />

ñUk). 61 minutes. 9 pm, toronto<br />

Underground cinema. Rating: NNNN<br />

Stephen Kijak’s entertaining documentary<br />

explores the circumstances<br />

that led to the 1972 recording of the<br />

Rolling Stones’ Exile on Main street.<br />

Using photos and home movie footage<br />

to illustrate contemporary audio<br />

interviews with the band and other<br />

witnesses, kijak recreates the mix of<br />

homesickness and stroppy defiance<br />

that led the stones to record an american<br />

blues mashup in the basement of<br />

a mansion in the south of France –<br />

when they weren’t indulging in<br />

bacchanalian pleasures.<br />

Essential viewing for stones completists<br />

and for pretty much anyone<br />

else who was on the fence about<br />

Exile’s status as the band’s masterwork.<br />

Four decades on, they haven’t<br />

even come close to surpassing it. NW 3<br />

Ñ = Critic’s Pick NNNNN = Best of the fest NNNN = Excellent NNN = Entertaining NN = Snore N = Who programs this crap?

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