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Page 20<br />
Whose brilliant [I use<br />
that word such that it is<br />
dripping with as much<br />
sarcasm and disdain as I can muster...<br />
which is a lot] idea is it to spend<br />
the two months after the Academy<br />
Awards releasing nothing but dramas<br />
[often tediously heartfelt] and light<br />
comedies [crammed so full of<br />
poignancy and “meaning” it makes<br />
me ill to even think about]. I can<br />
only watch so much drivel before I<br />
need to watch something sheerly fun<br />
and entertaining...I like a balance:<br />
intelligent and insightful [not that<br />
Hollywood manages that very often]<br />
followed by brutal revenge driven<br />
violence [woohoo!]. Alas, it is not<br />
to be, but despite my general disgust<br />
for the releasing schedule at this<br />
time of year I still managed to find<br />
some films that are worth the time<br />
they take to watch. So below are<br />
a few of the titles that captured my<br />
interest [and yes, I’m aware of the<br />
irony of my selections...three dramas<br />
and a comedy...sigh...but they’re<br />
all exceptions to my general rule of<br />
“comedies and dramas suck”]. These<br />
titles, and thousands upon thousands<br />
more, are available for rent at your<br />
local DVD/BLU-RAY store Tundra<br />
Moving Pictures, 435 Sunnyside @<br />
Seneca.<br />
“Afghan Luke” -<br />
I really wanted this to be “Fear<br />
and Loathing in Afghanistan” and<br />
I’ll admit that I was disappointed<br />
that it never lived up to this hope<br />
The OSCAR - OUR 40 th YEAR<br />
TheTundra Review<br />
[near constant disappointment is<br />
my lot in life when it comes to<br />
the current “age” of cinema], but<br />
despite that “Afghan Luke” remained<br />
an entertaining, fascinating, and<br />
absurd road trip through the bizzaro<br />
world that is Afghanistan [which<br />
is a beautiful country in a postapocalyptic<br />
wasteland sort of way].<br />
Following a disillusioned and cynical<br />
journalist as he wanders through an<br />
incredibly SNAFU/FUBAR world,<br />
the viewer is treated to moments of<br />
dark comedy, social commentary,<br />
and a general sense of the absurdity<br />
of the world [and I love absurdity,<br />
and irony, and cynicism, and dark<br />
comedy...etc]. This should have been<br />
a better film [as with so many films,<br />
sigh], but despite its flaws [it never<br />
quite gets its tone and atmosphere<br />
right, and, in all fairness, I wanted<br />
more dark comedy than existential<br />
drama], the movie was good [read:<br />
worth my time to watch...which is a<br />
step above most films, which aren’t<br />
worth my time to watch...] - it has<br />
some brilliant moments and hilarious<br />
dialogue, and keeps pushing its roadtrip<br />
story forward through strange<br />
encounters with odd-ball characters<br />
and surreal situations.<br />
“Atlas Shrugged, part One” -<br />
I’ve never read the book, and my<br />
knowledge of Rand is all secondtier<br />
and derived as much from<br />
Bioshock [brilliant critique of the<br />
inevitable consequences of Rand’s<br />
philosophy - in the form of a video<br />
game...that I’ve played through at<br />
least 3 times...100% completion I<br />
might add...as if that means anything<br />
to any of you...sigh] as from early<br />
philosophy courses I sat through in<br />
university a long, long time ago. The<br />
timeliness of this film is unsettling<br />
to say the least, and at its core is<br />
a critique of modern society that<br />
is disturbingly accurate [though<br />
completely one-sided] and a mix<br />
of anti-political / anti-bureaucratic<br />
rhetoric that can border on stifling<br />
[very heavy-handed and cynical...<br />
almost more cynical than my own<br />
perspective on things, which made<br />
me feel like I wasn’t living up to my<br />
full cynical potential]. Yet, at the<br />
heart of the story is a very human<br />
problem - that of creation, social<br />
interaction, greed...and parasitism.<br />
The film has some short-comings [it’s<br />
an independent production funded<br />
by a wealthy financier - talk about<br />
self-serving propaganda], but it’s a<br />
fascinating story, and I’m certainly<br />
looking forward to watching the<br />
second-half when it gets released<br />
[and I plan to read the book by then...<br />
hopefully, after Catch-22, which<br />
I’ve been told will suit my sense of<br />
humour].<br />
“J. Edgar” -<br />
I’m not really a fan of biopics [they<br />
tend to be about people I could<br />
really care less about, and they’re<br />
generally tedious and extremely bias<br />
about their subject] but I’m always<br />
willing to give Clint Eastwood the<br />
benefit of the doubt [he’s a fantastic<br />
director - except for “Flags of Our<br />
Fathers,” which was atrociously<br />
boring and very badly acted]. I’m<br />
also willing to watch most DiCaprio<br />
films [despite the fact he seems like<br />
a slimy untrustworthy douchbag...<br />
yeah, personal bias, I know, other<br />
people think he’s “dreamy”, but<br />
they’re wrong] because he seems<br />
to have a damn good agent who<br />
consistently picks roles that DiCaprio<br />
suits. “J. Edgar” is no exception<br />
for either of them: it’s an intelligent<br />
multi-layered look at a complex<br />
character whom [grammar brain-fart,<br />
I couldn’t decide between “who”<br />
and “whom”] both director and actor<br />
portray carefully so as to examine<br />
MAY 2012<br />
the individual without passing<br />
judgement, a task which they leave to<br />
the viewer. It’s impossible to speak to<br />
the factual veracity of the film [and<br />
only an idiot denies that Hollywood<br />
like to flaunt its dramatic license],<br />
but as a character study it’s probably<br />
one of the most interesting films I’ve<br />
ever seen.<br />
“Johnny English Reborn”<br />
is, well, hilarious [although, since I<br />
generally dislike comedies - they’re<br />
predictable and often have crappy<br />
endings with tedious “moral”<br />
messages worked in with as much<br />
grace as a duck stuffed into a turkey<br />
- I’m not sure how much weight<br />
should be given to my opinion].<br />
Rowan Atkinson recreates a character<br />
that was fun the first time around, but<br />
ages him appropriately and redefines<br />
him as a rare mix of competence,<br />
intelligence, bad luck and...well...<br />
bumblingness. An endearing<br />
character [he’s just so likable] put<br />
into an absurd situation is the basis<br />
of a surprising large number of<br />
comedies, but it doesn’t alway work.<br />
Thankfully, in this case, it works<br />
perfectly, and we’re treated to a fun<br />
and funny film with entertaining<br />
action sequences and an amusingly<br />
dastardly villain [always a necessity -<br />
good villains are becoming harder to<br />
find sadly, probably thanks to all the<br />
silly villains in comic book movies].<br />
From the pre-order lists, the<br />
upcoming month should satisfy<br />
some of my cravings for action and<br />
violence, along with some more<br />
interesting smaller titles, if for no<br />
other reason than I’m running out of<br />
teen melodrama TV series to watch<br />
[just finished “Vampire Diaries”<br />
and “The OC” - both thoroughly<br />
entertaining...sadly]. If you’re<br />
looking for a list of our weekly new<br />
releases or trailers of new films<br />
we really like please check out our<br />
Facebook page, just google:<br />
“facebook tundra moving pictures”<br />
Reviews courtesy of Chris<br />
Whitehead.