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O•S•C•A•R© - Old Ottawa South

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Page 20<br />

Whose brilliant [I use<br />

that word such that it is<br />

dripping with as much<br />

sarcasm and disdain as I can muster...<br />

which is a lot] idea is it to spend<br />

the two months after the Academy<br />

Awards releasing nothing but dramas<br />

[often tediously heartfelt] and light<br />

comedies [crammed so full of<br />

poignancy and “meaning” it makes<br />

me ill to even think about]. I can<br />

only watch so much drivel before I<br />

need to watch something sheerly fun<br />

and entertaining...I like a balance:<br />

intelligent and insightful [not that<br />

Hollywood manages that very often]<br />

followed by brutal revenge driven<br />

violence [woohoo!]. Alas, it is not<br />

to be, but despite my general disgust<br />

for the releasing schedule at this<br />

time of year I still managed to find<br />

some films that are worth the time<br />

they take to watch. So below are<br />

a few of the titles that captured my<br />

interest [and yes, I’m aware of the<br />

irony of my selections...three dramas<br />

and a comedy...sigh...but they’re<br />

all exceptions to my general rule of<br />

“comedies and dramas suck”]. These<br />

titles, and thousands upon thousands<br />

more, are available for rent at your<br />

local DVD/BLU-RAY store Tundra<br />

Moving Pictures, 435 Sunnyside @<br />

Seneca.<br />

“Afghan Luke” -<br />

I really wanted this to be “Fear<br />

and Loathing in Afghanistan” and<br />

I’ll admit that I was disappointed<br />

that it never lived up to this hope<br />

The OSCAR - OUR 40 th YEAR<br />

TheTundra Review<br />

[near constant disappointment is<br />

my lot in life when it comes to<br />

the current “age” of cinema], but<br />

despite that “Afghan Luke” remained<br />

an entertaining, fascinating, and<br />

absurd road trip through the bizzaro<br />

world that is Afghanistan [which<br />

is a beautiful country in a postapocalyptic<br />

wasteland sort of way].<br />

Following a disillusioned and cynical<br />

journalist as he wanders through an<br />

incredibly SNAFU/FUBAR world,<br />

the viewer is treated to moments of<br />

dark comedy, social commentary,<br />

and a general sense of the absurdity<br />

of the world [and I love absurdity,<br />

and irony, and cynicism, and dark<br />

comedy...etc]. This should have been<br />

a better film [as with so many films,<br />

sigh], but despite its flaws [it never<br />

quite gets its tone and atmosphere<br />

right, and, in all fairness, I wanted<br />

more dark comedy than existential<br />

drama], the movie was good [read:<br />

worth my time to watch...which is a<br />

step above most films, which aren’t<br />

worth my time to watch...] - it has<br />

some brilliant moments and hilarious<br />

dialogue, and keeps pushing its roadtrip<br />

story forward through strange<br />

encounters with odd-ball characters<br />

and surreal situations.<br />

“Atlas Shrugged, part One” -<br />

I’ve never read the book, and my<br />

knowledge of Rand is all secondtier<br />

and derived as much from<br />

Bioshock [brilliant critique of the<br />

inevitable consequences of Rand’s<br />

philosophy - in the form of a video<br />

game...that I’ve played through at<br />

least 3 times...100% completion I<br />

might add...as if that means anything<br />

to any of you...sigh] as from early<br />

philosophy courses I sat through in<br />

university a long, long time ago. The<br />

timeliness of this film is unsettling<br />

to say the least, and at its core is<br />

a critique of modern society that<br />

is disturbingly accurate [though<br />

completely one-sided] and a mix<br />

of anti-political / anti-bureaucratic<br />

rhetoric that can border on stifling<br />

[very heavy-handed and cynical...<br />

almost more cynical than my own<br />

perspective on things, which made<br />

me feel like I wasn’t living up to my<br />

full cynical potential]. Yet, at the<br />

heart of the story is a very human<br />

problem - that of creation, social<br />

interaction, greed...and parasitism.<br />

The film has some short-comings [it’s<br />

an independent production funded<br />

by a wealthy financier - talk about<br />

self-serving propaganda], but it’s a<br />

fascinating story, and I’m certainly<br />

looking forward to watching the<br />

second-half when it gets released<br />

[and I plan to read the book by then...<br />

hopefully, after Catch-22, which<br />

I’ve been told will suit my sense of<br />

humour].<br />

“J. Edgar” -<br />

I’m not really a fan of biopics [they<br />

tend to be about people I could<br />

really care less about, and they’re<br />

generally tedious and extremely bias<br />

about their subject] but I’m always<br />

willing to give Clint Eastwood the<br />

benefit of the doubt [he’s a fantastic<br />

director - except for “Flags of Our<br />

Fathers,” which was atrociously<br />

boring and very badly acted]. I’m<br />

also willing to watch most DiCaprio<br />

films [despite the fact he seems like<br />

a slimy untrustworthy douchbag...<br />

yeah, personal bias, I know, other<br />

people think he’s “dreamy”, but<br />

they’re wrong] because he seems<br />

to have a damn good agent who<br />

consistently picks roles that DiCaprio<br />

suits. “J. Edgar” is no exception<br />

for either of them: it’s an intelligent<br />

multi-layered look at a complex<br />

character whom [grammar brain-fart,<br />

I couldn’t decide between “who”<br />

and “whom”] both director and actor<br />

portray carefully so as to examine<br />

MAY 2012<br />

the individual without passing<br />

judgement, a task which they leave to<br />

the viewer. It’s impossible to speak to<br />

the factual veracity of the film [and<br />

only an idiot denies that Hollywood<br />

like to flaunt its dramatic license],<br />

but as a character study it’s probably<br />

one of the most interesting films I’ve<br />

ever seen.<br />

“Johnny English Reborn”<br />

is, well, hilarious [although, since I<br />

generally dislike comedies - they’re<br />

predictable and often have crappy<br />

endings with tedious “moral”<br />

messages worked in with as much<br />

grace as a duck stuffed into a turkey<br />

- I’m not sure how much weight<br />

should be given to my opinion].<br />

Rowan Atkinson recreates a character<br />

that was fun the first time around, but<br />

ages him appropriately and redefines<br />

him as a rare mix of competence,<br />

intelligence, bad luck and...well...<br />

bumblingness. An endearing<br />

character [he’s just so likable] put<br />

into an absurd situation is the basis<br />

of a surprising large number of<br />

comedies, but it doesn’t alway work.<br />

Thankfully, in this case, it works<br />

perfectly, and we’re treated to a fun<br />

and funny film with entertaining<br />

action sequences and an amusingly<br />

dastardly villain [always a necessity -<br />

good villains are becoming harder to<br />

find sadly, probably thanks to all the<br />

silly villains in comic book movies].<br />

From the pre-order lists, the<br />

upcoming month should satisfy<br />

some of my cravings for action and<br />

violence, along with some more<br />

interesting smaller titles, if for no<br />

other reason than I’m running out of<br />

teen melodrama TV series to watch<br />

[just finished “Vampire Diaries”<br />

and “The OC” - both thoroughly<br />

entertaining...sadly]. If you’re<br />

looking for a list of our weekly new<br />

releases or trailers of new films<br />

we really like please check out our<br />

Facebook page, just google:<br />

“facebook tundra moving pictures”<br />

Reviews courtesy of Chris<br />

Whitehead.

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