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When the Rain Stops Falling - Almeida Theatre

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Welcometo <strong>the</strong> <strong>Almeida</strong> <strong>Theatre</strong>’sproduction of <strong>When</strong> <strong>the</strong> <strong>Rain</strong> <strong>Stops</strong> <strong>Falling</strong> byAndrew Bovell.“Terrible wea<strong>the</strong>r. Still, <strong>the</strong>re are people drowning in Bangladeshso we shouldn’t complain.”“Are <strong>the</strong>re?”“Are <strong>the</strong>re...?”“People drowning...in Bangladesh?”“No. It’s just a figure of speech. It’s something my mo<strong>the</strong>r says.Though <strong>the</strong>y often do. Each monsoon. But <strong>the</strong>y’re not at <strong>the</strong>moment. At least I hope not.”This is an extract from Andrew Bovell’s <strong>When</strong> <strong>the</strong> <strong>Rain</strong> <strong>Stops</strong><strong>Falling</strong>, a casual expression, an invented version of ‘it’s not<strong>the</strong> end of <strong>the</strong> world’. It reappears as a leitmotif through thatplay, echoed in <strong>the</strong> mouths of characters in threegenerations. By <strong>the</strong> final generation, in 2039, people aredrowning, and Bangladesh is, in fact, flooding.IntroductionJonathan Cullen, Phoebe Nicholls and Lisa DillonPhoto: John HaynesThe play poses at its core, <strong>the</strong> very fundamental <strong>the</strong>question of nature versus nurture: are our actions, like <strong>the</strong>wea<strong>the</strong>r, sometimes driven by forces out of our control? Oneunnatural act, committed by Henry Law in 1959 upsets <strong>the</strong>balance of nature: successive generations of one family aretorn apart, spread between two continents with pieces of<strong>the</strong>ir history missing from <strong>the</strong>ir lives. And so too <strong>the</strong>wea<strong>the</strong>r: is not snow in Adelaide just as unnatural as <strong>the</strong>murder of a child, a fa<strong>the</strong>r leaving a son or parentscommitting suicide?Director Michael Attenborough describes this play as“purely <strong>the</strong>atrical”, in that he believes it could not be writtenfor any medium o<strong>the</strong>r than <strong>the</strong>atre. Where else, he asks, canso much be ‘said’, but not actually spoken? On <strong>the</strong> <strong>Almeida</strong>stage this production draws <strong>the</strong> audience into a unique andintimate world, and offers just that, a truly <strong>the</strong>atricalexperience.We very much hope that you and your students are also ableto draw energy both from <strong>the</strong> play’s ideas and <strong>the</strong> power andskill with which <strong>the</strong>y are presented. For more informationabout <strong>Almeida</strong> Projects please visit our website:www.almeida.co.uk/projectsWe look forward to welcoming you to <strong>the</strong> <strong>Almeida</strong> <strong>Theatre</strong>soon.Charlie, Natalie, and Anne<strong>Almeida</strong> Projects<strong>Almeida</strong> Projects: <strong>When</strong> <strong>the</strong> <strong>Rain</strong> <strong>Stops</strong> <strong>Falling</strong> by Andrew Bovell2

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