Added 2011-04-10 - Swiss Films & World Cinema

More documents

Recommendations

Info

erd: drums; Brian Jobson: producer, additional bass; Jane Rose, Wayne Jobson: co-executive producers; — Additional musicians: Lee Jaffe: harmonica (2, 3, 5); Bernard Fowler, Lisa Fischer, Steve Jordan: vocals (4-8, 10); Lili Haydn: electric violin (5); — NOTES: For Disc 1 see Entry 3208 above. 3310? 2009 or early 2010 � House of Blues Studios, Memphis, or One EastWest Studios, Los Angeles: JERRY LEE LEWIS, MEAN OLD MAN (Verve Forecast B0014674-02, CD [US], Sep. 7, 2010). 1. Sweet Virginia (Jagger, Richards) KR: vocals, guitar; Jerry Lee Lewis: piano, vocals; Kenny Lovelace: guitar, fiddle; James Walbourne: guitar; Rick Rosas: bass; Jim Keltner: drums, percussion, producer; Kris Kristofferson, LaTonya Hall: back-up vocals; Steve Bing: producer; — Also see MICK JAGGER, Entry 1453, and RON WOOD, Entry 7293?. 7244A November, 2001 � Probably London: RONNIE WOOD & KELLY JONES (video-taped): 1. Whadd’Ya Think (Wood). RW, Kelly Jones: guitar, vocals plus interview. 7290 January, 2009, onwards � Bay 7 Studios, Valley Village; House Of Blues Studios, Encino; Sage & Sound Studios, Hollywood; The Steakhouse, North Hollywood; Drive-By Studios, North Hollywood; and Capitol Studios, Hollywood, all California: RONNIE WOOD, I FEEL LIKE PLAYING (Eagle Rec./ Ward Rec. VQCD-10200, CD [Japan], Sep.22, 2010: cuts 1-14; Eagle Rec. EAGCD428, CD [Europe], Sep. 27, 2010/Eagle Rec., CD [US], Sep. 28, 2010: both with cuts 1-12): 1. Why You Wanna Go And Do A Thing Like That For (Wood, Kristofferson), 2. Sweetness My Weakness (Wood, Fowler), 3. Lucky Man (Wood, Hyde, Rock, Vedder), 4. I Gotta See (Wood, Fowler), 5. Thing About You (Wood, Gibbons), 6. Catch You (Hyde, Rock, Wood, Fowler), 7. Spoonful (Dixon, plus Wood, Fowler), 8. I Don’t Think So (Wood), 9. 100% (Wood, B. Fowler), 10. Fancy Pants (Wood, Fowler), 11. Tell Me Something, 12. Forever, 13. I Don’t Think So (The Early Sessions), 14. Tell Me Something (The Early Sessions) (all Wood) RW: vocals, guitar, keyboards (2), bass (5), harmonica (10); Bernard Fowler: vocals (4, 7, 12), Back-up vocals (2, 3, 5, 6, 8, 9, 11, 14), producer; Slash (1, 2, 7, 10, 12), Bob Rock (3, 6), Billy Gibbons (4, 5), Waddy Wachtel (8, 9, 11, 13, 14): guitar; Ivan Neville (1, 4, 7, 10, 12), Ian McLagan(3, 6, 8, 9, 11, 13, 14): keyboards; Flea (1, 4, 7), Darryl Jones: (2, 3, 6, 10, 12), Rick Rosas (8, 9, 11, 13, 14): bass; Jim Keltner (1, 3, 4, 6, 7, 10, 12), Steve Ferrone (2, 5, 8, 9, 13), Johnny Ferraro (11, 14): drums; Bobby Womack (3, 5, 8, 12), Blondie Chaplin (3, 5, 8), Saranella Bell (11, 14), Kevin Gibbs (11, 14), Skip McDonald (11, 14): back-up vocals; Karl Eagan: string arrangement (10 [unconfirmed]); Bob Rock, Danny Saber: hand in the production. Internet-download remixes to come out of this session: RONNIE WOOD (Amazon.com [US], Sep. 10, 2010): 15. Lucky Man (Edit) RONNIE WOOD (Eagle Rec./iTunes [UK], Sep. 27, 2010): 16. Spoonful (The Early Session) [actually Spoonful (Faded Version)] RONNIE WOOD (Eagle Rec./iTunes [UK], Sep. 27, 2010): 17. Why You Wanna Go And Do A Thing Like That For (Early Session) [actually Why You Wanna Go And Do A Thing Like That For (Extended Version)]. 7293? October 1, 2009 � House of Blues Studios, Memphis: JERRY LEE LEWIS, MEAN OLD MAN (Verve Forecast B0014674-02, CD [US], Sep. 7, 2010). 1. Mean Old Man (Kristofferson), 2. Middle Age Crazy (Throckmorton) RW, Kenny Lovelace (1), James Walbourne (1), Waddy Wachtel (2), Gilian Welch (2): guitar; Jerry Lee Lewis: piano, vocals; Greg Leisz: pedal steel (2); Mickey Raphael: harmonica (1); Rick Rosas: bass; John Brion (2): guitar, bass; Jim Keltner: drums, percussion, producer; Leila Moss: back-up vocals; Steve Bing: producer; — Also see MICK JAGGER, Entry 1453, and KEITH RICHARDS, Entry 3310?. Added 2010-10-10 0.021 FEBRUARY 3-4, 1964 � REGENT SOUND STUDIOS, LONDON, Producer: Andrew L. Oldham; Engineer: Bill Farley 2 Now I’ve Got A Witness (Nanker, Phelge) 3 Little By Little (Nanker, Phelge, Spector) 5 And Mr. Spector And Mr. Pitney Came Too (Nanker, Phelge) 6 Andrew’s Blues (Nanker, Phelge, Spector)
Cuts 5, 6: Proposed for release on NECROPHILIA (Andrew Oldham’s alternative to MORE HOT ROCKS), Abkco 1224, October 12, 1972; — Released on THE ALLEN KLEIN COLLECTION (BT CD); AROUND AND AROUND (BT CD); THE BLACK BOX (BT CD [Disc 1]); NECROPHILIA (BT CD). NOTES: Cut 5: Listed here according to the title on the master tape box; subsequently registered as Aftermath by Andrew L. Oldham or ABKCO in the BMI files. 0.032 JUNE 10-11, 1964 � CHESS STUDIOS, CHICAGO, Producer: Andrew L. Oldham; Engineer: Ron Malo 18 Up-Tempo Instrumental (Nanker, Phelge) 0.040 AUGUST 31 - SEPTEMBER 4, 1964 � ANDREW OLDHAM ORCHESTRA AND DEMO SESSION, PYE RECORDING and/or DECCA STUDIOS, LONDON, Producers: Andrew L. Oldham and Michael Barclay; Music Directors: John Paul Jones, Mike Leander; Engineers: Bill Farley, Gus Dudgeon 1 Each And Everyday Of The Year 2 We’re Wastin’ Time 3 (Walkin’ Thru The) Sleepy City 4 Da Doo Ron Ron (Spector, Greenwich, Barry) 5 Blue Turns To Grey 6 Hear It 7 Each And Everyday Of The Year 8 Blue Turns To Grey 9 We’re Wastin’ Time 10 Blue Turns To Grey 11 Blue Turns To Grey 12 Hear It Cuts 1-3, 11, 12: Proposed for release on NECROPHILIA (Andrew Oldham’s alternative to MORE HOT ROCKS), Abkco 1224, October 12, 1972; released on NECROPHILIA (BT CD). NOTES: Cuts 1-12: Brian Jones, Bill Wyman and Charlie Watts probably not involved; (additional?) guitar John McLaughlin, Joe Morretti; guitar and/or bass Jimmy Page and John Paul Jones; piano Reg Guest; drums Andy White; as with the earlier demo sessions, these recordings were not intended for release but given away to other artists to do cover versions; Cuts 1, 2, 4, 6: Strings arranged by Mike Leander; Cuts 1, 5: Brass not identified; Cut 5: Arrangement John Paul Jones; Cut 6: Instrumental, featuring guitar by Keith Richards and “Big” Jim Sullivan, plus strings; credited to Jagger/ Richards, but probably a Andrew L. Oldham/Keith Richards composition (unless you take this cut as an early version of Sittin’ On A Fence...); also known as It’s Been Quiet Here At Home or (mistakenly) as Condemned; Cut 7: Different mix of cut 1, lacking strings; Cut 8: Same backing track as cut 5, new lead vocals by Dick St. John and Dee Dee (Mary Sperling), probably over-dubbed December, 1964; at the time entitled When Blue Turns To Grey; Cut 9: Different mix of cut 2, lacking pedal-steel and fiddle; Cut 10: Same backing track as cut 5; new lead vocals, probably by Tony Campbell and/or Mike Linnell, recorded late 1964 or early 1965; Cut 11: Same as cut 5, additional female back-up vocals; Cut 12: Edit version of cut 6. 0.097 DECEMBER 6-10, 1965 � RCA STUDIOS, HOLLYWOOD, Producer: Andrew L. Oldham; Engineer: Dave Hassinger [12 Aftermath (Nanker, Phelge)] NOTES: Cut 12: Aftermath is the title given by Andrew L. Oldham or by ABKCO to And Mr. Spector And Mr. Pitney Came Too (recorded at Regent Sound Studios, London, February 3-4, 1964; see Entry 0.021 above) when the track was registered in the BMI files; the Up-Tempo Instrumental previously listed here under the (wrong) title Aftermath has been shifted to Chess Studios, Chicago, June 10-11, 1964 (see Entry 0.032 above). 0.118 AUGUST 4-12, 1966 � RCA STUDIOS, HOLLYWOOD, Producer: Andrew L. Oldham; Engineer: Dave Hassinger [14 It’s Been Quiet Here At Home] NOTES: Cut 14: Alternate title of Hear It, the instrumental recorded at the Andrew Oldham Orchestra and demo session, Pye Recording and/or Decca Studios, London, August 31-September 4, 1964 (see Entry 0.040); mistakenly known as Condemned.
Page 1 and 2: Rolling Stones - Connection Relevan
Page 3 and 4: RW: vocals (all except 15, 17), gui
Page 5 and 6: Added 2011-09-30 0.031 JUNE 3, 1964
Page 7 and 8: 1037 November, 1967 � Kevin Brown
Page 9 and 10: 0.042A SEPTEMBER 28-29, 1964 � RE
Page 11 and 12: Added 2011-05-29 7001B March, 1964
Page 13 and 14: RW: guitar, vocals (1, 2, 4-10, 13)
Page 15 and 16: 17 Sway [45 x 45s Edit] Cut 9 (and
Page 17 and 18: WILD HORSES [Disc 2] B1 Wild Horses
Page 19 and 20: HIGHWIRE [Disc 31] EE1 Highwire EE2
Page 21 and 22: Cuts K1-K3, L1, L2, M1, M2, N1, N2,
Page 23 and 24: 6137? Early Autumn, 2010 � (Jools
Page 25 and 26: 17 High Temperature (Jacobs) 18 Fig
Page 27 and 28: Vocals Mick Jagger (as opposed to a
Page 29 and 30: 5 I Got The Blues [Take 2] 6 Let It
Page 31 and 32: 4070B June 5, 1984 � Tribute Conc
Page 33 and 34: 15 You Can’t Always Get What You
Page 35 and 36: Added 2010-12-26 0.083 SEPTEMBER 6-
Page 37 and 38: Added 2010-12-12 0.204 JULY 10 - LA
Page 39: Added 2010-10-24 1.012? OCTOBER 8,
Page 43 and 44: 17 It’s Only Rock ‘n Roll 18 Br
Page 45 and 46: Added 2010-08-04 0.068 APRIL 18, 19
Page 47 and 48: Songs L, M, S (all soundtrack, inco
Page 49 and 50: Cut B5 Begun with RSM, Stargroves,
Page 51 and 52: City, Henson Recording Studios and/
Page 53 and 54: cut 11 lacking guitar over-dubs; Cu
Page 55 and 56: Added 2010-05-23 0.102A FEBRUARY 17
Page 57 and 58: 0.119 AUGUST 7, 1966 � “GATHER
Page 59 and 60: 0.948A OCTOBER 20, 2006 � SUN BOW
Page 61 and 62: Added 2010-02-20 0.038A AUGUST 7, 1
Page 63 and 64: Cuts 14, 15, 21: Released on RARITI
Page 65 and 66: (Deep Dish Garage Dub); Cuts 28, 29
Page 67 and 68: Cuts 10, 14: Released on IT’S ONL
Page 69 and 70: NOTES: Simultaneously released as
Page 71 and 72: Cuts 13, 14 (14 “Memphis”-verse
Page 73 and 74: 7112 June 5, 1986 � Live at Story
Page 75 and 76: Added 2009-08-10 0.148 MARCH 17 - A
Page 77 and 78: Added 2009-06-12 0.001 JULY 12, 196
Page 79 and 80: 3 Talkin’ ‘Bout You (Berry) 4 L
Page 81 and 82: CW: drums; Axel Zwingenberger, Big
Page 83 and 84: 1457? Spring, 2007 � Unknown loca
Page 85 and 86: Added 2008-12-26 0.745A APRIL 12, 1
Page 87 and 88: 3034 December 10, 1976 � Island S

Added 2011-04-10 - Swiss Films & World Cinema

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?