Added 2011-04-10 - Swiss Films & World Cinema

Cuts 5, 6: Proposed for release on NECROPHILIA (Andrew Oldham’s alternative to MORE HOT
ROCKS), Abkco 1224, October 12, 1972; — Released on
THE ALLEN KLEIN COLLECTION (BT CD);
AROUND AND AROUND (BT CD);
THE BLACK BOX (BT CD [Disc 1]);
NECROPHILIA (BT CD).
NOTES: Cut 5: Listed here according to the title on the master tape box; subsequently registered as
Aftermath by Andrew L. Oldham or ABKCO in the BMI files.
0.032 JUNE 10-11, 1964 � CHESS STUDIOS, CHICAGO, Producer: Andrew L. Oldham; Engineer:
Ron Malo
18 Up-Tempo Instrumental (Nanker, Phelge)
0.040 AUGUST 31 - SEPTEMBER 4, 1964 � ANDREW OLDHAM ORCHESTRA AND DEMO
SESSION, PYE RECORDING and/or DECCA STUDIOS, LONDON, Producers: Andrew L.
Oldham and Michael Barclay; Music Directors: John Paul Jones, Mike Leander; Engineers:
Bill Farley, Gus Dudgeon
1 Each And Everyday Of The Year
2 We’re Wastin’ Time
3 (Walkin’ Thru The) Sleepy City
4 Da Doo Ron Ron (Spector, Greenwich, Barry)
5 Blue Turns To Grey
6 Hear It
7 Each And Everyday Of The Year
8 Blue Turns To Grey
9 We’re Wastin’ Time
10 Blue Turns To Grey
11 Blue Turns To Grey
12 Hear It
Cuts 1-3, 11, 12: Proposed for release on NECROPHILIA (Andrew Oldham’s alternative to MORE HOT
ROCKS), Abkco 1224, October 12, 1972; released on NECROPHILIA (BT CD).
NOTES: Cuts 1-12: Brian Jones, Bill Wyman and Charlie Watts probably not involved; (additional?)
guitar John McLaughlin, Joe Morretti; guitar and/or bass Jimmy Page and John Paul Jones;
piano Reg Guest; drums Andy White; as with the earlier demo sessions, these recordings were
not intended for release but given away to other artists to do cover versions; Cuts 1, 2, 4, 6:
Strings arranged by Mike Leander; Cuts 1, 5: Brass not identified; Cut 5: Arrangement John Paul
Jones; Cut 6: Instrumental, featuring guitar by Keith Richards and “Big” Jim Sullivan, plus strings;
credited to Jagger/ Richards, but probably a Andrew L. Oldham/Keith Richards composition
(unless you take this cut as an early version of Sittin’ On A Fence...); also known as It’s Been
Quiet Here At Home or (mistakenly) as Condemned; Cut 7: Different mix of cut 1, lacking strings;
Cut 8: Same backing track as cut 5, new lead vocals by Dick St. John and Dee Dee (Mary
Sperling), probably over-dubbed December, 1964; at the time entitled When Blue Turns To Grey;
Cut 9: Different mix of cut 2, lacking pedal-steel and fiddle; Cut 10: Same backing track as cut 5;
new lead vocals, probably by Tony Campbell and/or Mike Linnell, recorded late 1964 or early
1965; Cut 11: Same as cut 5, additional female back-up vocals; Cut 12: Edit version of cut 6.
0.097 DECEMBER 6-10, 1965 � RCA STUDIOS, HOLLYWOOD, Producer: Andrew L. Oldham;
Engineer: Dave Hassinger
[12 Aftermath (Nanker, Phelge)]
NOTES: Cut 12: Aftermath is the title given by Andrew L. Oldham or by ABKCO to And Mr. Spector
And Mr. Pitney Came Too (recorded at Regent Sound Studios, London, February 3-4, 1964; see
Entry 0.021 above) when the track was registered in the BMI files; the Up-Tempo Instrumental
previously listed here under the (wrong) title Aftermath has been shifted to Chess Studios,
Chicago, June 10-11, 1964 (see Entry 0.032 above).
0.118 AUGUST 4-12, 1966 � RCA STUDIOS, HOLLYWOOD, Producer: Andrew L. Oldham; Engineer:
Dave Hassinger
[14 It’s Been Quiet Here At Home]
NOTES: Cut 14: Alternate title of Hear It, the instrumental recorded at the Andrew Oldham Orchestra
and demo session, Pye Recording and/or Decca Studios, London, August 31-September 4, 1964
(see Entry 0.040); mistakenly known as Condemned.