'MARINO MARINI' - pdf catalogue - Adam Gallery

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8. Fondale (From Marino to Stravinsky, Plate VIII)Etching, dry-point and coloured aquatint on Goya handmade paperSigned in pencil and inscribed P. A. 1972Image: 40 x 29.5cm, Sheet: 71 x 50.5cmGuastalla A146.Published by Albra, TurinPrinted by Il Cigno, Rome
9. Il Canto I (Il Teatro delle Maschere, Plate X)Etching, drypoint and coloured aquatint on Magnani paperSigned in pencil and numbered 2/50 1973Image: 48 x 64cm, Sheet: 70 x 99cmGuastalla A164.Published by Albra, Turin with the blindstamp ‘Il Cigno Stamperia d’Arte’Printed by Il Cigno, Rome
Page 3 and 4: a d a mg a l l e r yMARINO MARINI19
Page 5 and 6: Marini’s great subject was the ho
Page 8: 2. CavalloInk on boardSigned in ink
Page 12 and 13: 4. OrrizonteLithograph in colours o
Page 14 and 15: 6. Chevaux et Cavaliers (Chevaux et
Page 18 and 19: 10. La CadutaEtching, dry-point and
Page 20 and 21: 12. Le Sacre du PrintempsLithograph
Page 22 and 23: 14. Cavalier sur fond ocreLithograp
Page 24 and 25: 16. Dancer IEtching and coloured aq
Page 26 and 27: 18. Danza Minima II (Personaggi, Pl
Page 28 and 29: 20. Chevaux et Cavaliers (Chevaux e
Page 30 and 31: 22. Il Grido (Selezione II, Plate I
Page 32 and 33: 24. Marino From GoetheEtching and c
Page 34 and 35: 26. Aciere BluLithograph in colours
Page 36 and 37: 28. Le Cheval au manègeLithograph
Page 38: Selected Biography & Exhibitions190

'MARINO MARINI' - pdf catalogue - Adam Gallery

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