'MARINO MARINI' - pdf catalogue - Adam Gallery

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14. Cavalier sur fond ocreLithograph in colours on Rives BFK paperSigned in pencil and numbered 17/50 1957Image: 63 x 45cm, Sheet: 65 x 49cmGuastalla L74.Published by L’Oeuvre Gravée, Zürich-ParisPrinted by Kratz, Zürich
15. Aciere ViolaLithograph in colours on Arches paperSigned in pencil and numbered 71/75 1977Sheet: 69 x 54cmGuastalla L127.Published by Graphis Arte, Livorno and Toninelli Arte Moderna, MilanPrinted by Jobin, Paris
Page 3 and 4: a d a mg a l l e r yMARINO MARINI19
Page 5 and 6: Marini’s great subject was the ho
Page 8: 2. CavalloInk on boardSigned in ink
Page 12 and 13: 4. OrrizonteLithograph in colours o
Page 14 and 15: 6. Chevaux et Cavaliers (Chevaux et
Page 16 and 17: 8. Fondale (From Marino to Stravins
Page 18 and 19: 10. La CadutaEtching, dry-point and
Page 20 and 21: 12. Le Sacre du PrintempsLithograph
Page 24 and 25: 16. Dancer IEtching and coloured aq
Page 26 and 27: 18. Danza Minima II (Personaggi, Pl
Page 28 and 29: 20. Chevaux et Cavaliers (Chevaux e
Page 30 and 31: 22. Il Grido (Selezione II, Plate I
Page 32 and 33: 24. Marino From GoetheEtching and c
Page 34 and 35: 26. Aciere BluLithograph in colours
Page 36 and 37: 28. Le Cheval au manègeLithograph
Page 38: Selected Biography & Exhibitions190

'MARINO MARINI' - pdf catalogue - Adam Gallery

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